Girls Gone Canon Cast - ASOIAF Episode 167 — AGOT Bran III
Episode Date: September 16, 2022Fly or die. Background music credits: "Dragon and Toast" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses.../by/4.0/ "Final Battle of the Dark Wizards" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ --- Eliana's twitter: https://twitter.com/arhythmetric Eliana's reddit account: https://www.reddit.com/user/glass_table_girl Eliana's blog: https://themanyfacedblog.wordpress.com/ Chloe's twitter: https://twitter.com/liesandarbor Chloe's blog: www.liesandarborgold.com Intro by Anton Langhage
Transcript
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Hello and welcome to Girls Gone Canon Reads A Song Of Ice And Fire, episode 167, brand
3 in a Game of Thrones.
I am one of your hosts, Chloe.
And I am another one of your hosts, Eliana.
You know, I didn't realize how short this chapter was.
It is so full of only just banger quotes.
Yeah.
It is like a quick dip.
It's such a famous chapter that people have, like, discussed often for obvious reasons that I forgot that it was so brief.
It's funny because the first two chapters feel so iconic for Bran.
Like, they're very much like, this is a Game of Thrones.
But this is, it's the Awakening.
It's the fucking moment. It's the moment for Bran. This is the moment. It's the awakening. It's the fucking moment.
It's the moment for Bran.
This is the moment.
It's not that.
It's not that.
It's very poetic.
Lots of prophecy, poetry, creepiness.
Can't wait to talk about it.
But first, let's get through some quick housekeeping.
Speaking of houses.
Oh my god, we'll join our houses so patreon episode this month we
are working on getting that announced for you uh patrons will hear about it probably before
the next episode the next brand episode i would say so keep your eyes peeled but patrons over at
patreon.com slash girls gone canon have access to bonus episodes every single month in the stranger tier and above the five
dollar tier and up last month was mothers of the dragon or affectionately milfs of the dragon
talking about the mothers of some of the targaryens in fire and blood part one and we still don't know
what this month will be but it'll be good it'll be good i'm'll be good. That's it. I'm fully confident in that. I think we're just a little, we're off track because we, God, we've been doing Hot D.
We've been riding Hot D all the last month.
House of the Dragon, the Fire and Blood.
Exactly.
So as part of housekeeping, be sure to check out those episodes.
Of course, we are speaking in full about Fire and Blood.
Spoilers, spoilers, spoilers. But this is a spoiler podcast too i mean we're pretty i mean it's a reread it would be very
difficult i think to do the order we are doing yeah the way we are formatted for the first time
you have not read these books at all yeah we are an acquired taste but we taste fucking good
do we i don't know i don't know
i'll connect it to cannibalism later i'm sure i'm sure uh every friday you know what tastes great
house the dragon weekly episode discussions hosted by our friend maddie at our patron discord for
patrons and the thunder tier and up and that's a ten dollar tier and up if you join this tier you get a handful of perks
uh you get a gift every year it's a lifetime discord membership basically we're not kicking
you off and uh there's events every week 2 p.m et house of the dragon discussion for
till the season ends oh god it's horrible also monthly brunch slash happy hour. Yeah, and this month's brunch slash happy hour is
this coming Sunday, Sunday, September 18th, from 2 to 4 p.m. Eastern Time, so be sure to check it
out. Yeah, we'll be gallivanting this weekend. First, we got a trip out. We're taking a little
trip together, just like Bran here. He's taking a trip or a fall i mean uh
that doesn't happen to us i hope not oh my god uh and then sunday's brunch hyped we're excited can't wait to see you there again that's patreon.com slash girls gone canon and otherwise
we're back with bran right now we are we are And I know we read a couple of emails and tweets and notes last time.
I haven't gathered any sorry for this week.
So we didn't have too much,
you know,
our good friend,
Jimmy,
they're back at it with their reviews every week on Twitter.
I always,
I always love seeing what Jimmy has pulled out every week.
Yeah.
They really do a good job of capturing some of the stupidest stuff we say.
That's why I like it. Yeah. I know. a good job of capturing some of the stupidest stuff we say. That's why I like
it. Yeah, I know.
I know. Check it out. You'll always see it
if you follow us over at Girls Gone
Canon, C-A-N-O-N, on Twitter.
You'll see under the episode,
the weekly episode poster announcement,
our good friend Jimmy, they are always
there with those little reviews back at
it, and I love it. Let's get into it,
right? Let's fall right
into it just like bran let's start with our lightning round which is a little like this
episode in terms of you can really see everything that's going on tyrian one tyrian pays respects
to the starks and hopes bran may yet survive same john two john's respects to Bran go less smoothly after an uncomfortable encounter with his stepmother.
He says goodbye to Winterfell and Robb and Arya specifically.
Daenerys too.
Daenerys marries Khal Drogo.
Eddard too.
Ned remembers the sack of King's Landing for what it was when Robert is called to make a decision regarding Daenerys Targaryen.
Tyrion too.
Tyrion heads north with Jon to see the wall and gets off on maybe the wrong foot with him.
I wasn't sure where you were going with gets off.
Gets off.
Yeah, I thought about that too.
Catelyn three.
As Catelyn reaches her emotional limit,
she must summon a greater strength and delay Bran the would-be killer
with an assist from his wolf.
Sansa one. Sansa won.
Sansa goes on the perfect date with Prince Joffrey until they come upon her ever-so-wicked
little sister that is siblings.
What a drag.
Allegedly.
I hear.
Don't quote me on that.
We're living life.
Eddard III, eye for an eye, or wolf for a wolf, goes down at the Trident when Joffrey,
Arya, Sansa,
Micah all have a little scuffle.
God, a few weeks from now we'll probably see another Joffrey on a screen having a scuffle.
Oh my gosh.
A wolf for a wolf.
That brings us into Bran 3.
Trippy as hell, fly or die, the time is now.
Bran felt like he'd been falling for years. A voice whispers to fly, but he doesn't
know how, so he keeps falling. Like Maester Luwin's clay doll Bran. And as we've discussed in the
previous episode, you're getting already those ripples of the broken man theme coming through,
especially with Bran's storyline. I kind of forgot that the clay doll has such importance for the first couple episodes.
And having it be Bran is one thing, right?
That Bran is falling, the doll falls.
But also it's a literal loss of innocence with the doll, right?
The show did something interesting with Sansa where Ned gives her a doll and she's like,
this doll's fucking stupid, dad.
And then he dies. Rip.
And one night, Blackwater Sandor comes to her room and she's
holding the doll and drops it. And like, it's a very small detail, but that D&D remembered the
doll, but didn't remember a lot of other things. But that they remembered the doll, that was very
interesting to me. That was, you know, obviously loss of innocence, blah blah. And right there,
Bran's plot. There's not only a doll doll brand but also a doll his his childhood has
been smashed upon the ground just like him just like him just like him uh the ground is so far
below barely visible through gray mists i'm just putting that out there gray mist what did it mean
a couple of times blood raven uh three-eyed crow. Through Greymus, he knows what awaits him below. Even in
dreams, you can't fall forever. There's no sun, no stars, and only the ground. Cold, dark. I can't
fly, he says. The voice asks him, how do you know? Have you ever tried? A crow is spiraling with him,
following him, and he asks for its help but the crow responds
and says say got any corn so i think that this is likely barley corn which uh refers to like you
know grains of barley and not maize like the new world crop of corn on the cob it's so interesting
you say that eliana because i specifically walked over to you today to record this just to argue with you
only to argue in that I don't agree absolutely don't agree and here is my proof of why I don't
agree and I'm going to break it down not only from book canon but in a symbolic way as well
now for my opening argument crows are known to fuck people's corn and lives up,
Eliana. They are so good at fucking people's crops up. Now that could still be barley corn,
you are almost right, yes, in that. But I do think it's corn because of the last chapter.
There were crow's nests atop the broken tower where no one ever went but him, and sometimes
he filled his pockets with
corn before he climbed up there, and the crows ate it right out of his hand. None of them had
ever shown the slightest bit of interest in pecking out his eyes. I feel like this paragraph
is really important in the climb to this chapter. The climb, like Miley Cyrus. But corn also,
you know, associated with harvest, fertility, bounty, like the harvest feast
that's upcoming. And I mean, really symbolic in Bran's storyline, right? The harvest king himself
or Khorne king, Khorne king. But the language is kernels following this to top off that imagery
of plentiful harvest. It's golden kernels not unlike bran as the the harvest corn king himself
falling through time with magic surrounding him bran reached into his pocket as the darkness spun
dizzily around him when he pulled his hand out golden kernels slid from between his fingers
into the air they fell with him i think that everything that you've said though like in
regards to harvest and fertility like those can all be associated with wheat and grains and barley as well. And it does occur like that in a lot of literature. That is how it's used. And also, I think George does a bad job of this, but he tries to not use new world crops, right? Like we don't have tomatoes, tomatoes etc but we do have peppers and we have
a turkey even though george forgot he had a turkey that's true he literally forgot he had a turkey
he's like yeah you'll you can tell there's no turkeys and we're like i don't know george that's
wrong so realistically my argument on its own sounded less bare than just telling you he fucking
says kernels in the next line i don't know yeah but it could be like a different kind you know colonels like like i don't know i don't know i just think it depends
but also since george isn't consistent with what's in the new role that he's decided to put in this
it could very well be like the maze kind of corn i would say the colonels give it away. Okay. I personally am a colonel stance on this.
You're a colonel stan.
Vote in at home, you know.
Email us at girlsgonecanon at gmail.com.
Tweet at us.
DM us.
Get in our Discord and fight.
This is a new schism.
Yeah.
I mean.
Corn.
This is what's tearing us apart.
I mean, we're a pretty corny podcast.
What do you think about it?
Jesus Christ. Bran goes to offer the crow some corn from the dreamscape. This is what's tearing us apart. I mean, we're a pretty corny podcast. What do you think about it? This is crazed.
Bran goes to offer the crow some corn from the dreamscape.
And as you said, golden kernels slide from his fingers.
As George said.
And the crows eat from his hand.
Bran asks if he's truly a crow and asks if he's truly falling.
Just like I ask, is this truly corn?
Bran says it's a dream that he'll wake when he hits the ground.
But the crow disagrees and says, oh you're gonna die.
So he goes back to eating corn and Bran begins to see a world below him with mountains peaked
with white, rivers in the woods, and he closes in his eyes and cries and the crow tells him,
this won't do. Fly, not cry, you dumb kid. The crow crow's doing it why can't he it's funny because looking at this
from the outside looking at it now like imagine how frustrated blood raven is with him all the
time he's like you stupid idiot i'm being metaphorically literal like what don't you
get about it because it's such like kids don't think like that yeah kids don't if blood
raven really really cared about it happening he would have been way more helpful than just being
i'm just gonna eat a snack and hope it works out this time right like i don't think blood raven's
a super serious dude well and he hasn't really been around kids in a while that's also true like
years and years and years and years and also to top it off like he never seems like he has the
demeanor that he would have understood a child in that candor but i all i'm sorry i'm now i'm just
imagining blood ray and being like fuck you sent me a fucking savior but it's a child i think yeah
i just think he's a jokesy dude right or also does he like not care he's just like i don't know it
might work out this time it might not because if you look there's so many of the the dreamers down there who didn't fly and
you see like here's another one yeah there's another one for those for those rocks and then
maybe afterwards after he wakes up bran he's just like we did it finally we did it. Finally. We did it. Yeah, Euron was a hard one to his self-esteem, probably.
It's gonna get harder, too.
Yeah.
Bran feels like the crow is being really unfair.
He's like, you have wings.
The crow says, maybe you do, too.
Bran gropes around himself for feathers, and then he sees his limbs, wondering if he was always this skinny.
No.
You're in a coma.
And a face swims out of the gray mist to him shining with golden light the things i do for love it says bran screams and the bird
screams back telling him to forget that for now and the shining face disappears as Bran falls even faster, afraid, asking the crow what he's doing to him.
So, obviously, we've been waiting for a long time for Bran to remember this memory,
which has been suppressed in this supernatural coma dream.
But I do think it's telling, right, that the crow tells Bran to put this memory away.
And as he does so, Bran starts to see his family like in real
time. Because otherwise, with the limited amount of time that he has before, you know, he hits the
ground, he'd focus on what happened in that like super terrible moment, and on the pain and like
how it broke him or whatever. And that would lead for him to fall and die. Instead, he sees the
Starkss he ends
up seeing the danger in the north and those of the those together like the crow tells him that's why
he must live and it's not just about addressing the danger because again the crow's redirecting
him of like don't pay attention to that look at all these look at all these people that you love
and who love him and that gives instead brand something to live for and therefore to fight for when it comes to that danger, right?
Like it's the connections that Bran has that end up keeping him tethered to this world and life.
And you'd never see any of that if you focus instead on that moment of pain and hate, which is what a lot of characters do in this story and it's kind of interesting that the last the last lines that
he remembers of it are the things i do for love because that's what keeps bran alive the things
that he will do for love yeah it reminds me of when i was a kid i got my tonsils out when i was
four i thought you were gonna say like you were thrown out a window when i was thrown out of a
window when i was four that's what it fucking felt like i remember going in i mean i remember a
little bit about it i can see it in my head and I can see like the days surrounding it which is
interesting because now as an adult I mean I'm just thinking of like the first invasively
traumatizing thing I can think of and that was age four and I remember like going in and they
gave me the strawberry gas they're like it's gonna smell like strawberries she's gonna knock you the
hell out and they count backwards and they ask you to do it with them like count with me backwards ten nine by eight I was out
by the way I was like completely out but it's a very like anyone who's been put under for anything
it's a very disorienting experience and I remember coming to and I remember like I do remember eating
mashed potatoes for like a week and popsicles because that's all I could but you know you have to go under because it's such an invasive thing that's happening to you that your
body has to react to and then your body has to heal from and with you being alive you wreck it
because your body's natural response is to fight against it yeah and brown himself is like having
to fight against dying and living right now and blood raving distract him it helps
and it's a greater metaphor like you kind of implied of as adults too that happens like you
have to get over your fucking bullshit in order to excel in life and i think that's interesting
that on a magical level here in a body level for bran and it almost sidles him in and glues him
into what's to come because when he wakes up, he has to get over all that too.
He's going to have a lot of frustrations over not being able to use his body anymore and about the limitations of his world and how he no longer has that bodily autonomy that he used to enjoy.
And he had to learn to fly a different way.
So in a way, it's a blessing.
In a way, it's going to be a curse when he wakes up too.
And for understandable reasons, he's going to mostly think of it as a curse, those first few chapters as we read them. And I think the first
time I was afraid of laughing gas, I was like, what is this going to be like? But I, it only
happened to me when I was much older. I was like, oh, this is just like smoking weed. And maybe I,
that was, uh, I said that too much. And it was was very lame and embarrassing of me.
I wonder, like, it's interesting.
So I haven't had laughing gas like that, the good shit.
Is that not what the strawberry gas thing is?
It basically is.
I mean, but when I was a kid, like, I spent so long.
Wow.
Anyways, I spent so long of my life, of my childhood, wondering what fucked up surgery or whatever do I have to have in my life next that I get to be put under with that again you're like hell yeah strawberry yes
every surgery or anything I've ever had since that has been with annoying like not even the good
stuff the last time I was put under was like completely under was like a shot in the mouth
in my roof of my mouth I don't like that it was horrible and then my mom was like a shot in the mouth in my roof of my mouth. I don't like that. It was horrible.
And then my mom was like in the recovery area with me afterwards. And you know, I'm gushing gross, bloody, whatever, you know, because like, they have to change your gauze out,
whatever was going on. I had like, weird things, teeth growing, peg teeth growing in wrong places.
They were like, Oh, we got to fix you. So my mom like was sitting there and they came to give me
more pain medication
because it was time and they do it again and it was very crazy because they were just like
they just like shot it in the roof of my mouth and it was so weird because you have a different
response to that medication usually and some people get you know really giddy or weird or
loopy and then some people get horribly upset I'm gonna let yeah yeah I remember
crying and like look at my mom like sobbing like mom and she's like honey what's wrong I'm so sorry
she was like so emotional because I was like 13 or some shit she's like I just want to help like
how can I help I'm so sorry and she's in tears she's like what's wrong I'm like I don't know it was it was
classic it was classic but this does remind me of that it's like surgeries and like being in between
I mean because I've never been in a coma necessarily and like those are the only fun
things I have those two stories I don't have you know the rest of my health history I'm sure we'll
talk about it over the next POV,
but horrible. I hope you never have an
experience like this, so.
It is horrible.
Fly or die.
Fly or die, mom.
So, anyway,
yeah, the
crow tells Bran, oh,
you're doing it, you're flying right now, and
Bran's like, uh, no. I'm falling. I'm falling. And the crow's Bran, oh, you're doing it, you're flying right now. And Bran's like, uh, no.
I'm falling. I'm falling.
And of course, like, every
flight begins in the fall.
And what does Bran, oh, look down. And so
Bran does. And I do really love that.
I love that line of
and the idea that flight begins in the
fall. You know, that leap of faith stuff
from Spider-Man, the Spider-Verse.
And also, you know, that idea of bravery that comes back in at the end of this chapter.
Life is flying slash falling, whichever way you look at it.
I love that.
I do feel like I'm just falling through life sometimes.
Yup.
When I was younger, it didn't really feel this way.
Like, it didn't go this fast.
Now it's just, it's gone.
Oh my god, where'd it go?
Last week was last week and now
we're here yeah we are here fucking shit we're here so we're gonna do something for the rest of
this episode that hopefully doesn't get us in trouble with any sort of copyright oh my god i
really don't think that great now they're gonna hear copyright and scanner episode eliana uh
we're just gonna read pretty much the quotes of the rest of the chapter,
because this is a banger. It's a classic.
There's no way that I can just paraphrase
for you what it is, because there's so much
language, imagery,
everything is just crucial to all
of this, and it's a very short chapter.
So, why don't we kick it off?
The whole world
was spread out below him, a tapestry of white and brown and green. He could
see everything so clearly that for a moment he forgot to be afraid. He could see the whole realm
and everyone in it. He saw Winterfell as the eagles see it, the tall towers looking squat and
stubby from above. The castle walls, just lines in the dirt.
He saw Maester Luwin on his balcony, studying the sky through a polished bronze tube and frowning
as he made notes in a book. He saw his brother Robb, taller, stronger than he remembered him,
practicing swordplay in the yard with real steel in his hand. He saw Hodor, the simple giant of the stables, carrying an anvil
to make its forge, hefting it onto his shoulder as easily as another man might heft a bale of hay.
At the heart of the godswood, the great white weirwood brooded over its reflection in the black
pool, its leaves rustling in a chill wind. When it felt Bran watching, it lifted its eyes from the still waters and stared back at
him knowingly. He looked east and saw a galley racing across the waters of the Bight. He saw
his mother sitting alone in a cabin, looking at a blood-stained knife on a table in front of her.
As the rowers pulled at their oars, Sir Roderick leaned across a rail, shaking and heaving. A storm was gathering
ahead of them, a vast, dark roaring, lashed by lightning, but somehow they could not see it.
He looked south and saw the great green rush of the Triton. He saw his father pleading with the
king, his face etched with grief. He saw Sansa crying herself to sleep at night, and he saw Arya
watching in silence, holding her secrets hard in her heart.
Wow, things do not look good for the Stark family right now.
There's a lot in there that, like, when I read this, I don't think I read it with the idea that, like, damn, this family's about to die off.
I was like, everyone's real sad. idea that like, damn, this family is about to die off.
I was like, everyone's real sad.
Maybe, maybe that has something to do with, sometimes I wonder, like, does that have something to do with what Brant did see in the heart?
You know, like in some like gooey hatred kind of way.
Gooey as in feelings of love versus hate, which we're always talking about.
Like he's looking into the dark side for a second of it all.
Yeah.
Because even when you talked about like how he looks at his family and he stops it to stay connected you know it's that
yeah that beginning the pack survives mentality right like that's what anchors him and draws him
back but here maybe because he's feeling hurt and broken within him like he's also seeing their
hurts their pains their tragedies right now.
And they're broken.
They are.
Up right now, apart.
But they're all anchored around him.
He's the roots right now that's sewing them into what Winterfell's heart is, the heart and hearth of it.
And even that symbolism, right, of the storm that they see, a vast dark storm and the lightning strike in the middle of it that reminds me very much of robert oh and interesting it says what does it say here the exact is lashed by lightning but somehow they could not see it so he's watching them in their
grief and above them a dark storm has started to gather lashed with lightning and they don't see
it coming but he does yeah
how very interesting so this is great because this is the first thing he sees he doesn't quite
see what that means and later the sea coming to winterfell he starts to understand does this
mean something are these metaphors which you know to brand's credit he's like seven and i don't think
they started teaching me metaphors till i was nine what and i'm still
out here trying we're still out here trying to teach people what and and and me yeah i'm still
learning every day um but i mean yeah like that's a pretty complex idea for a kid uh jojen reed
tries to teach him this is a metaphor brand when i tell you this story are you sure you don't know
this story because i was pretty obvious about it all jojan reed like didn't you read the wiki before
we got together i sent you the links brand yeah check out the spark notes oh my god um also i
like that hodors of this isn't that interesting especially carrying the anvil because to me it's very strong and maester lewin yeah where's old dan ungrateful ungrateful so before he sees all
of his family right when he looks up for that first moment he sees the whole realm we have
this line of for a moment he forgot to be afraid and that feels important considering, again, how this ends and what he learned from Ned about bravery.
And I'm kind of wondering, like, does it work?
Because, like, is flying meant to be a moment of bravery, right?
Like, the kind that happens even when you're afraid.
And maybe it's like some of those other dreamers who are down there, maybe they couldn't fly
because they reveled too much in
the power of being able to see everything and they were distracted and they couldn't fly because they
wanted to in one of the moment and there was no bravery in it yeah like the connection having
your heart connected to it like because bran has an emotional stake in what he's seeing
and the events unfolding below him and that yeah the three-eyed crow at this time of
when it was written but blood raven basically that blood raven knew to have the sense that like
honestly this is such a stupid reference but it reminds me of being a vampire in twilight right
because they have sensory issues or being adhd like me that i have sensory issues too much at
once i get distracted people talking at the same time as I'm trying to think or trying to do something while also other things around me, motion, people.
It's a lot and you need to be able to focus on one thing.
I guess for the heart of it to be that he can anchor himself to his family and come back to Earth at least in that way.
Planetos.
At least in that way.
I think that makes him more focused on one mission and the
purity of it right like there's something very pure in a child just like experiencing something
so vast and huge for the first time and how they filter it yeah let's get into some of that
metaphorical language right there were shadows all around them.
One shadow was dark as ash.
With the terrible face of a hound,
another was armored like the sun,
golden and beautiful.
Over them both lived a giant in armor
made of stone. But when he opened
his visor, there was nothing inside
but darkness
and thick black blood.
This is such a passage that's been picked to death by everyone.
Yeah.
I mean, everyone has a take.
Everyone has a take.
It has.
And I don't really know.
I think there's like some obvious takes of it,
but at the same time,
maybe not.
I don't think I have anything new to add to it.
I'm going to be real,
but I'm going to talk about it anyway,
because I just feel like it, right?
Obviously, one of them is pretty fucking obvious yeah one of them's very obvious and
the other one right the giant in armor made of stone that's probably gregor but also i think
that's something george garden the the whole robert strong thing and i don't know on some days
like i think that the person armored like the sun is Jamie and then
on other days I decided like through some crazy finangled way I was like the armored shadow in
gold is Littlefinger because you know he's got a lot of money and gold and all that stuff but I
don't know rereading this chapter and how Summer's eyes are like into the sun and how this person is like armored like the sun I'm wondering if the golden and beautiful figure
should be seen as someone who's like actually good like good for them and then again on the
other obvious assumption and that I feel in other days is like that's just Jamie because he's
described as golden and beautiful a lot especially in this first book and again how that positive imagery about the
Lannisters is playing on the idea that all that glitters isn't gold right beauty isn't inherently
meaning good and especially because that's part of Bran's story as he wrestles with the idea again
a feeling like he's broken and doesn't fit into
how the stories say things should be and has to grow and find the goodness in himself it's funny
because you said it and immediately i was like are you saying you don't think jamie could do good
because good isn't a thing you are sure that's true i mean he could be right you thought you're
gonna finish it for me i don't know because don't know because- What you do. They're intertwined, right?
And again, we were talking about the things I do for love, right?
And how that might influence Bram.
I can't believe you haven't come to the other side of this, though, because you were so
close and I'm going to make you come to this side.
Come to the side that I see of it, that you were like one step away from, I think, a really
cool idea.
And again, this is probably gardened in a lot of ways
what about someone that is good being armored like the sun as an off-the-wall choice like
someone with the sun in their sigil i still don't know who yeah beauty only being skin deep
you were literally just talking about bran and some of these ideals of ways he can't fit into society or the things he doesn't see and I'm like oh like Brienne oh
and I don't think it's actually Brienne I mean I think it's Jaime but I think it's about Jaime
and I think it actually but in duality it's funny because it could be about Brienne armored like the
sun it could be like all these things you just said about beauty being skin deep and finding the good and these acts of good.
And it's not a pile of good and bad, but, you know, the way you approach things and what you stand for.
And Jamie may be finding something to stand for in Brienne's way of life, too.
What she teaches him and what he teaches her.
I do think it could be Brienne because I do see a lot of ways in which brand story intersects
with brienne um as you're saying right like people who don't feel like they fit into society right
for for several different reasons but the only thing is like as you said right like george totally
gardened garden i'm not convinced george knows what any of these figures are except for the hound
i'm not sure he actually knows.
It's funny because a lot of people formulate theories off of this, right? Or they use certain
parts of it to formulate this is going to happen, like Clegane Bowl, for example. You know, this was
always, well, I mean, just in the Sandor Clegane community, Eliana, I'm going to tell you about
this. In the Sandor community. In the Sandor Clegane. The Standor Clegane.
The Clegane community.
Oh, that didn't work.
Clemenity?
No, that sounds like Cloacan.
It sounded bad, but I needed to see if it would work.
It didn't.
I know.
Clemenity.
Yes.
The Clegane community.
Ooh, Clegane.
Interesting.
That's your new ship name.
Adorable.
But there's a lot of theories of like what will happen with sandor
and his brother and cligainbull it always comes up and this often is used because you know sandor's
in it in the front now again it's funny because now yes it's face of ash dark as ash right the
shadow is dark as ash that's how you know fire it's the hound yeah but again in the future that
could have been brienne if it weren't for the
ashen face you know with her scarred face the terrible face of a hound with her taking the
hound helm and reclaiming it that's so true yeah yeah interesting coming back to some of these
broken men vibes it's definitely gardened he abs i don't even know that he was convinced about
brienne being such a big character at this point i think maybe she existed in his mind but i just
don't think you know i wonder yeah i don't know because like she is introduced pretty early right book two is pretty
early but yeah i just i i don't know because like a lot of people say oberon right armored like the
sun i don't know that he's already yeah i don't think he existed either i i'm not convinced george
knew what this meant i think he had thoughts and ideas,
but I mean,
no,
I think it's really Jamie and he can,
obviously he might change his mind and retcon some of it,
right?
Like,
uh,
the John,
John,
the heading Janos slant ending up tying back to Sansa saying that she
hopes some hero will behead Janos,
right?
Because originally he was going to hang him,
but yeah,
I don't know. It's fun. It's a fun passage.
I like this one. I mean, that's the most fun about
this entire chapter is all of it is
just chock full. Yeah, that's true.
Yeah, absolutely, absolutely.
So next.
He lifted
his eyes and saw clear across
the narrow sea, to the free cities
in the green Dothraki Sea
and beyond, to Vase Dothrak under its mountain, to the fabled lands of the Jade Sea, to Ashai
by the Shadow, where dragons stirred beneath the sunrise.
Finally, he looked north.
He saw the wall shining with blue crystal, and his bastard brother john sleeping alone in a cold bed
his skin growing pale and hard as the memory of all warmth fled from him
big sad what's interesting about this passage is that idea of he sees a shy by the shadow where
dragons stir beneath the sunrise i always thought
that was an interesting line because i always was like until i saw something else that basically
confirmed that danny's dragons are the only ones currently living in the world i was like
so there are other dragons that people can just like go all the way to the other side of this
continent and go get and bring back. That doesn't seem that hard.
I mean, we do learn there are eggs.
There are eggs.
To be fair.
But I also took it that there were dragons stirring when I first read it.
I guess it makes sense that the magic that awakened the dragons or the blood magic that was awakening them possibly could also be of
shadow binding right so maybe the magic is connected to a shy by the shadow because of that
especially with like melisandre in the next book etc i just realized right now as i looked over at
you and looked at this as with us talking i think i've been reading this line wrong my whole life
until this very moment and i think it's because it's ambiguously written.
To the fabled lands of the Jade Sea, to Asshai by the Shadow, were dragons stirred beneath the sunrise.
It means were dragons used to stir beneath the sunrise.
Had stirred.
Having had stirred.
Had stirred back then.
But because everything else is in the same tense, this kind of past tense, it was very confusing.
There's also something interesting.
So later with Quaithe, right, the language of the glass candles are burning Daenerys and telling her soon they come, blah, blah, blah, blah, blah, blah.
But also the locations, like obviously we haven't gone to a shy by the shadow with daenerys
quay kind of references it you know and it makes you wonder this is another one of those like this
passage house of the undying quay these are all some really interesting prophetic kind of passages
going on that we get to analyze and it almost free cities danny's there. The green Dothraki Sea and beyond to vase Dothrak under its mountain.
Been there.
And then the Jade Sea, Ashai by the Shadow.
She hasn't quite gone there.
The Quaith kind of almost references, girl, these places.
I don't know if she'll go or not, but I know George has told us that we will see Ashai,
but he didn't say that we will go to Ashai.
So a vision or a prophecy or
someone's memories yeah oh like mel i forgot about mel for a second oh how dare how dare i'm sorry
god no i'm sorry to the melisandre fans i'm sorry that i've sinned it's been 10 minutes okay one
minute 10 seconds since i sinned and yeah i, I do think that the, the John stuff is also interesting.
Again, evokes that language from House of the Undying with the blue chink in the glass
ice.
This does seem like initial John death foreshadowing.
Absolutely.
And I, I think he knew that he planned to kill him at some point.
I think, yeah, I think he knew that.
Yeah.
He knew that. Maybe not the in-between, which is why we have a dance with dragons, but he knew that he planned to kill him at some point. I think, yeah, I think he knew that. Yeah. He knew that.
Maybe not the in-between, which is why we have a dance with dragons, but he knew that.
He did know that.
And it's interesting that he's likened to an other himself, right?
His skin growing pale and hard as the memory of all warmth fled from him.
And it's not lost on me that also that line reminds me of Rhaegar dying.
Oh, interesting. that also that line reminds me of Rhaegar dying. Oh, interesting.
What's that line?
You know, a man sank to his knees and murmured a woman's name.
You know, that's how that feels.
Very similar romantic, poetic kind of imagery.
Well, also, as you say, like the memory of all warmth.
And it kind of feels like there's a lot, especially in this book and the next book that uses cold and warmth right
as as metaphors for love and the absence of it love and hate mating not necessarily hate but
absence of it right because or loneliness coldness being loneliness especially in denarius's story and
i'm like isolation exactly the memory of all warmth fleeing from him speaks to
his isolation in this moment but also you know we've discussed what kind of memories do whites
retain and that being different in fire whites and ice white so interesting so the next the
next passage that we have here for you um please do not take us down
and he looked past the wall past endless forest cloaked in snow, past the frozen shore
and the great blue-white rivers of ice and the dead plains where nothing grew or lived.
North and north and north he looked, to the curtain of light at the end of the world and
then beyond that curtain.
He looked deep into the heart of winter, and then he cried out, afraid, and the heat of
his tears burned on his cheeks.
Now you know, the crow whispered as it sat on his shoulder.
Now you know why you must live.
Why? said Bran, not understanding, falling, falling.
Because winter is coming, Coming, coming, coming.
Bran looked at the crow on his shoulder and the crow looked back.
It had three eyes and the third eye was full of a terrible knowledge.
Bran looked down. There was nothing below him now but snow and cold and death.
A frozen wasteland where jagged blue-white spires of ice waited to embrace him.
They flew up at him like spears. He saw the bones of a thousand other dreamers impaled upon their
points. He was desperately afraid. Can a man still be brave if he's afraid? He heard his own voice saying, small and far away. And his father's voice replied to him.
That is the only time a man can be brave.
Now, Fran, the crow urged, choose, fly or die.
Death reached for him, screaming.
Fran spread his arms and flew.
Bro, this chapter was so good.
When I read this chapter for the first time, I mean, all respect to David and Dan for writing the entire story and George adapting it from them back in the day.
I'm just kidding.
This is a joke.
God, the joke has gone too far.
Yeah, well, I love that George put this in, you know, that David and Dan didn't put this.
They didn't adapt, you know.
George, yeah, really expanded upon this.
Really, really fun stuff.
No, jokes aside, this is like, it is, jokes aside, scholarship aside here, it's just so good.
I read this for, I mean, this and winter is coming when he says because winter is coming, like, throw the fucking book kind of.
he says because winter is coming like throw the fucking book kind of it it feels so crazy because all to this point of the book you know you're like all right meet the characters meet the families
meet the people oh intrigue incest okay okay and then this and you're like what the fuck did i just
read yeah what absolutely and you're like what's happening? I can't believe people
no offense if you're one of these
people, but I can't believe people
don't think Bran's storyline is interesting.
Like, you get
this chapter and how can you not find
Bran's storyline, like,
interesting? Can't relate. I cannot once
relate to that. This is, I mean
it's everything a fantasy
story should be. and obviously we had like
snow zombies ice zombies at the start right so that sets off the fantastical bit and got the
incest and the intrigue and the feasts and the the different places and locations and the lost
princess that's great it's all good i love all that but this is the moment where you realize it's a different kind of fantasy series.
This is my moment.
God, not again.
But it is, though.
Like, I do think it's the time you realize that it's different.
This is a different story than what you've read.
And it's not in some aspects that will break down.
This seems pretty typical.
Yeah.
Having a prophetic, like, crazy dream seems pretty typical of fantasy.
But it's a great dream. it's wonderfully written and how it also ties back to that first chapter right
and and really creates this emotional arc about choice but also you know he has to choose he has
to fly or die and choice is something that as we'll see right is a big part of the story you were talking about
brian i was like wondering is there a way that this kind of ties in at all with um no chance
or no choice but i mean he does have a choice here right it's a shitty choice though but fly or die
well okay well it's one or the other we got to do it and also that Bran takes that choice seriously after what he's seen he doesn't
decide like oh this is some crazy dream whatever he was shown makes him realize like this is real
and I have to be brave and also I just love the language here right as we were saying like it's
so wonderfully written I love that line of death reached for him screaming and that he escapes it right and then right after this passage also as like the
wind comes below him and it's so beautiful and i also find it just like this interesting
personification of death it's it's not just like on the intellectual level of like religious level
of the stranger and we don't really see death portrayed like that too often like the
entire concept of death personified through like in that way i love that he's running from his death
in this manner right like death came for him oh that's interesting it makes me think of so much
different poetry right like yeah that came for me and i'm just nope out goodbye not today not today if you will not today
the entire passage the entire chapter in my opinion and even Bran's entire arc really
is reminiscent of T.S. Eliot's The Wasteland it is a 20th century modernist piece I mean one of
the greatest of its times from 1922. It's about
64 pages. It's five different parts and contains a ton of allusions to Ovid, Dante, Shakespeare.
It goes from prophetic to satirical. You know, it's emotional. It's also funny. I mean, we get
a scene of voyeurs at one point that we'll talk about. It still loops into Brand's plot in some
aspects, I would say. we'll talk a little more
about the fisher king at the end of the episode right but of course there's the general fantastical
bit of he's the last in a long line charged to protect a holy grail becomes physically disabled
and is sometimes represented as you know spending his time fishing waiting for a chosen one to come
heal him through a test of sorts.
And I find The Wasteland, it's very litty, despite T.S. Eliot's general horribleness as a human being,
you know, his anti-Semitic qualities.
He fucking sucked, but man, that goddamn man could write a fucking poem or two.
It's so reminiscent of Bran, and I want to break down part of it.
Bran's arc, as well as some of the other seers in the story, has a lot of those same themes. So part one is the burial of the dead,
introducing disillusionment and despair, and this feels so important, especially to the passage we just read. Yet when we came back, late from the hyacinth garden your arms full and your hair wet i could not speak
and my eyes failed i was neither living nor dead and i knew nothing looking into the heart of light
the silence so definitely evokes looking into the heart of winter part two this is all right stay
with me on this eliana it's called a game of chess I mean George really likes chess yeah and
that seriously I'm serious when I say like oh it's literally a game of chess like from pawn to player
also our friend Hamfest uh was gonna once upon a time write a couple essays about George
Aswath and chess yeah well there's also something more that a game of chess the way it's written it's
actually written from povs from alternating narrations and they're just like vignettes
basically addressing the different themes so the song of ice and fire that book called a game of
chess i mean a game of thrones one of my favorite bits from this is you know nothing do you see nothing do you remember nothing I remember those
are pearls that were his eyes are you alive or not is there nothing in your head just really
great language especially the pearls in the eyes makes me think of the sapphire and the blue crystal
that's associated with the north and it does remind me of simeon star eyes yes that crystal in the eye northern motif that starts to come up
or amen wow um the fire sermon is the next part which is very much about death and imagery and
self-denial and it's actually inspired by augustine of hippo and uh lots of buddhist themes tons of
buddhist themes and there's this great part from teresius one of the great prophets
so that's interesting because you know prophets and watching someone fuck total voyeurism which
we'll get in this story from bran in some aspects uh also for those listening at home this is the
part the fire sermon is where isle of dogs stems from. The movie? Movie slash book slash show. Yeah it's uh also a book
but it's yeah it's amazing though it's the best movie and you need to watch it because it will
be your favorite. Hmm I don't think so I have a new favorite movie. What is it? It's Everything
Everywhere All at Once. No you'll love this though it's all about dogs. Yeah but I don't
think it'll eclipse that. We'll see. Well that's true that does it's yeah i get that but it is good like it might it might be up there okay so the poem not about dogs believe
or not i teresias though blind throbbing between two lives old man with wrinkled female breasts
can see at the violet hour the evening hour that strives homeward and brings the sailor home from
sea i just love what it evokes with him being blind and throbbing between two lives because
that's what brand's doing right now he's throbbing between two lives somehow existing yeah and i
forgot there's that line right like that's something he speak in many voices what is that
he do the police in different voices.
That's what the line is.
He do the police in different voices.
That kind of speaks very much to, like,
what you were saying of, you know,
there's a POV structure, but also in regards
to how Bran will be able to really
see the lives of different people, right?
Like, the Wasteland is
a verbal
collage, I would say. And it's interesting the way that
you've tied it to, again, those alternating POVs, because I kind of have always felt that
George's writing of A Song of Ice and Fire and how it leans into that subjectivity as opposed to that objectivity
is very much in the tradition of modernist literature modernist literature was a break from
uh a lot of the way that literature was done before in which there was the idea of an objective
truth and and there was less of a focus on that like the way that a professor described it is like uh you know previously
writers might write about like the glass modernism was interested on the fingerprints that were on
the glass yes oh i love that and i fucking love that the fingerprints on the glass and a lot of
it was in reaction to the way that world war one broke the world and and i mean even tolkien's
writing is in that is a reaction to that though i
wouldn't necessarily call lord of the rings which i've not read uh modernist right um it's not
written in that same genre and style but i mean george is writing he's writing in that way of a
the way that war is a shattering and brand's life right now. Very shattered. Yeah, it evokes I mean, themes
that are modern, but that are timeless.
These are timeless themes that he's evoking
through the classic story of Bran in a way
that, yeah, it's not
like you said, objectivity, it's
subjectivity. And the final
two parts of the poem, of
The Wasteland, also really
remind me of Bran's plot.
Death by Water, which has lyrical
petitions and then what thunder said the final section which is about judgment so that feels
significant but so death by water i am one of my favorite bits from this forget the cry of goals
and the deep seas swell and the profit and loss a undersea, picked his bones and whispers as he rose and fell.
He passed the stages of age and youth.
Which Bran is, you know, he's ascending, transcending through that.
Bran is transcending age and youth right now.
And the final section, what Thunder said on judgment, to me that ties it together.
Especially because of this passage and the exact quote in the language when Bran wakes up.
When Bran wakes up, the first thing he's focusing on is the servant with the long, dark hair.
Right. It's an exact kind of passage.
This part of what Thunder said, this shook me.
Man, when I read this today, I was rereading it.
I was like, you know, George read The Wasteland for this.
I mean, The Wasteland is literally in passage of up.
He says wasteland in it.
So it just makes me, it really evokes that you read this.
Yeah.
A woman drew her long black hair out tight and fiddled whisper music on those strings.
And bats with baby faces and the violet light whistled and beat their wings and crawled head downward down a blackened wall. I mean, that's Winterfell.
That's him seeing Winterfell and coming back to Winterfell as he awakens and sees the servant.
Yeah, you can see the way that poetry like this
and this one likely influenced the way that George was approaching writing this.
It is prose.
It is prose, but he's drawing on poetic devices in order to write it,
which is why there's such strong metaphor.
It's clever, actually.
Yeah, and again, that idea of it being fractured in a collage it's seeing it all at
once and i also want to say you know i i we will probably revisit this poem one day when we if we
ever cover the poetry of his dark materials oh absolutely absolutely i would love to talk about
this in that episode someday yes when we When we curate it for Patreon.
Yes, and that would be a bonus episode, yeah, for patrons.
Stranger tear and a fuzz.
But not that stranger, we're talking about the horse.
Oh, that stranger.
Well, suddenly invisible wings carry him upward and Bran realizes, oh, he's flying.
And then the three-eyed crow flies alongside him.
He was not helpful.
At all. Right?
Especially because he cuts Bran's ecstasy
short, right? He's like, nothing was better than
flying. It's kind of reminiscent of when
Dany finally flies.
Yes, yes, take me.
Yeah, but not quite like that. But it is though.
It is, but not as sexual.
This is not a sexual scene
especially as um you know is it like does the bird cut it short because bran cannot let the
world fall away too much let everything become too small become too distant from the people we
still need to see them but also is the bird just an asshole it's like you're having fun let me
cause you great pain and flap and so you can't see anything
i don't know he was still gardening blood raven's personality okay i think this is his personality
like no he is kind of just a prick and i love that like a silly prick i think he's pretty funny
and wry in the mystery night i like that he does well he is he's like sarcastic and dry i think
that's funny like he he's amused and bemused
at the same time that's what he's like yeah i think actually blood raven was gardened from this
crow to be fair like the crow became blood raven over time blood raven should be so lucky yeah to
be as bored i love the idea that he's pulling him back out because later what does he tell him you
know if you stay too long, you get lost.
And you can't dwell also on your family the whole time, especially if he has a greater purpose.
And it is for other people than just the remaining Starks.
Like, you have to go back and focus.
But he used it to totally bring Bran, you know, bring him on that vibe.
Vibe this way for a second.
You're going to get overwhelmed if you look at everything at once.
Okay, now that you know you're real, that you exist.
This is just like doing acid.
Now that you know you're real, Bran, and you exist, and you're not fake.
Everything is real.
Look, I'm showing you real things.
You're real family.
Now let's go back to the task at hand.
Yeah, and then gives him no guidance from there on after.
No, not for a couple books.
He's like, good fucking luck getting up here.
Let's talk about that final passage that we have.
Well, it's not the final one.
We have one more after this, but.
It took to the air, flapping its wings in his face, slowing him, blinding him.
He faltered in the air as its pinions beat against
his cheeks. Its beak stabbed at him fiercely, and Bran felt a sudden, blinding pain in the middle
of his forehead, between his eyes. What are you doing? he shrieked. The crow opened its beak and
cawed at him, a shrill scream of fear, and the gray mists shuddered and swirled around him
and ripped away like a veil. And he saw that the crow was really a woman, a serving woman with long
black hair, and he knew her from somewhere, from Winterfell. Yes, that was it. He remembered her
now, and then he realized he was in Winterfell, in a bed high in some chilly tower room, and the
black-haired woman dropped a basin
of water to shatter on the floor and ran down the steps, shouting, he's awake, he's awake, he's awake.
Bran touched his forehead between his eyes. The place where the crow had pecked him was still
burning, but there was nothing there, no blood, no wound. He felt weak and dizzy. He tried to get out of bed, but nothing
happened. And then there was movement beside the bed, and something landed lightly on his legs.
He felt nothing. A pair of yellow eyes looked into his own, shining like the sun. The window was open
and it was cold in the room, but the warmth that came off the wolf enfolded him like a hot bath.
His pup, Bran realized. Or was it? He was so big now, he reached out to pat him, his hand
trembling like a leaf. When his brother Robb burst into the room, breathless from his dash
up the tower steps, the dire wolf was licking Bran's face.
dialogue was licking Bran's face.
It's gonna eat him.
A hand trembling like a leaf. Interesting.
I didn't notice that until you read it aloud.
A little reminiscent of Leaf.
Leaf themselves.
Leaf her alone.
Also, I mean,
a weirwood leaf is what it reminded me of.
Truly. And the leaves rustling constantly with
wind beneath between them i mean when they rustle it's supposed to evoke like someone's watching you
and like there's something spiritual moving up there so his hand trembling like a weirwood leaf
well also because uh i remember our friend joe magician like really writing and calling out that
the leaves look like little bloody hands yeah and
then there's that like one scene we didn't i don't think we grabbed that one but where he does see
maybe we did and then i just like forgot he looks at the weirwood and then like its eyes turn it
looks at him yeah we talked we read it yeah that one was so that one i mean that entire passage is
so good sorry a tree staring at you.
We're coming back all the way to the beginning again.
Oh, I wonder if all the trees, like, would see him in this dreamscape world or something.
Probably.
Terrifying.
Everything can see him, I'm guessing, in that scape.
Oh, kind of like a, from my knowledge, you know, of watching the movies, is it like the Nazgul can see you in Lord of the Rings when you
put the ring on it's interesting because we do talk about like how everything could possibly
have one power source but all transmuting that power differently yeah as far as religions and
yeah yeah because like this isn't a religion at the moment right this is just him this is just a
spiritual world or whatever you know and later you know he and Melisandre do see each other in that spiritual world.
Exactly.
On that plane.
This is just one plane that we all come to in life.
You know, there's one spiritual plane.
Everyone can walk it.
They just have to learn how.
To fly.
To fly.
Everyone can fly.
Don't fall.
That's the thing.
It's a choice to fly.
We're all falling, but we can also all fly.
Just got to open your eye, Eliana.
Yeah, gotta-
Wait, wait, hold on. None of you at home can see this, but-
Boop!
Ugh.
A booster.
She did, in between the eyebrows.
Pack, pack.
Thankfully she did not clot it.
I thought about it.
But, I mean, yeah, absolutely, right?
Like, the place, that area, right?
The third eye, eye knowledge you know
being able to see the supernatural and spiritual sense i feel like i don't need to explain this
to all of you um listen to our hdm episodes well also i just feel like people kind of you all know
you all know what this means and also i want to talk about call call out Stephen Atwell's coverage of this chapter, right? In it, he
discusses the change in Bran and talks about the context of how Bran seems to be going down like
the storyline, this archetype of a wounded mistake, but also connections with the Fisher King
from Arthurian legend. And I'm sure that we will discuss all this further but I do want to you know get that in here talk about it mention it now and also call out that uh clash of critics
has a great extended discussion on disability in a song of ice and fire there's also that double
entendre right it's very cute very fun if he's awake not only speaking to oh he's literally
coming out of this coma but awakening of, of course, that third eye.
And there's also something kind of fun here.
I don't think this is something that George is doing intentionally, but I don't know.
Probably not.
Of how Bran, he looks down and sees nothing there.
No blood, no wound.
Then you have another line that says nothing happened and how he felt nothing.
Right.
And I think that's really interesting, that hollowness that he's feeling and how everything has like fell away but you know that those changes versus the everything that he has just experienced through this power the nothingness of the waking world
the everything of the dreaming but also there's this thing in shakespeare and the language English spoken during the early modern period in which
nothing was pronounced like noting or whatever and it was a pun meaning vagina because the idea
was like that there's nothing down there right this idea of nothingness and it's it's quite uncanny if you think about it but brands see nothing down there
really i think if if we look at it in the context of that pun on vagina speaks to something we will
probably talk about more throughout brand storyline of emasculation and disability right
it obviously comes up a lot in tyrian's storyline it's an ongoing discussion within the text of a
song of ice and fire in general right we see it in doran's storyline as we've discussed of how men and boys who cannot perform martially
right are seen as not true men what makes a man i mean brand's plot starts with that right when
can a man be brave dad what makes a man super fucking brave and masculine? Like,
what's a man? Yeah. What is a man? And etc. Like that is literally part of the very beginning of
his plot. And then this happens to him. And now he has to make that for himself. He has to design
what a man is in his life, because then his male role model is dead. So, and then the next one. And then the next one.
And then the next one.
He has one that is dead, but is still around.
For example, cold hands.
For now, yeah, that's true.
Technically dead, but here.
Great role model, too.
Really knows how to cook some pork, if you will.
Teaches him how to think and eat our friends back oh my god this is back
in 2019 eliana and i did an episode and i kind of remembered it we actually talked about it the
other day in passing i almost remembered this happening but she even forgot that we did a
i have no idea what you're talking i know i'm about to blow your mind get ready i'm gonna open
your third eye right now.
Oh my gosh.
Third eye blind over here.
I am.
Well, before Eliana goes like Bran and is a jumper on it.
Get it?
Because falling?
Yeah, yeah.
I was like, this is a lot.
This is a lot right now, Chloe.
It's a segue.
What, you can make them and I can't?
Oh, it's only okay when you make bad segues?
Bullshit.
We did an episode on prophets, prophecies, and seers.
It was our 10th Patreon special bonus episode.
It happened.
I'm looking at the outline right now in my hands.
I'm trying to remember this episode.
I'm so sorry.
This is so bad.
It runs with the Halloween episode to me.
I remember the Halloween one.
You know?
I don't know why. That one, like one. You know? I don't know why.
That one, like, I always remember.
I don't remember.
You need to brush up on your Jujutsu lore.
But we did an episode discussing prophets, prophecies, seers.
If you want, you should check out our back catalog of these episodes.
I should check out our back catalog.
Take a leaf out of that book.
We talked a lot about Bran and the Three-Eyed Crow and a lot about some of the Taoism elements there, right?
The mind's eye tuning into the correct vibration of the universe and in return gaining a solid foundation to reach, you know, more advanced meditation levels.
Or Hinduism, where the third eye is the higher state of consciousness, you know, referring to the gate that leads to inner realms and spaces of higher consciousness, and specifically Shiva. Shiva destroying the world by opening his third
eye. So a lot of what you're saying that, like, there's also darkness that Bran's seeing. He's
not just seeing the light, he's seeing that absence of light. And it is a fine line, right, that when
he, if he opens his third eye, it could destroy the person who happens to see the
vision like Shiva and even seeing that tree see him right where he looked into the dreamscape
and the dreamscape looks back it reminds me of that tree of knowledge we discuss in the prophecies
prophets and seers episode which is like diners drive-ins dads but prophecies prophets seers
we discuss good and evil right in kind of the regard of the tree of knowledge and the fall
of man with flight versus falling like man's fall the entire fall of man and eating from that tree
of knowledge and all of those thousands of bones of the seers down on the ground that you talked
about and we read about i mean they fell they were the fall of man because of that power and knowledge exactly yeah yeah yeah
all right you said this so thank you i did you said this you're so fun you didn't connect it to
the bones but you literally you did talk about the tree of knowledge and brands fall a long time ago
uh and i think notes are incomprehensible to me yeah well these are so
short i know they're weird i don't know what my thought i i'll have to listen to the episode to
find out check it out episode 10 on patreon back catalog of special episodes prophets prophecies
sears i'll put a link in there for you eliana i'll send it to you tonight thank you thank you
my god stream girls gone canon eliana yeah right subscribe hit subscribe hit that like button I'll send it to you tonight. Thank you, thank you. Stream Girls Gone Canon, Eliana. Yeah, right? Subscribe.
Hit subscribe, hit that like button.
Oh, God.
I love kind of
the Holy Grail and Fisher King elements that are
coming to this. I mean, hell, Oedipus is
technically a Fisher King when you think about it. Yeah, absolutely.
Right? Infertile Kingdom.
Watch out, John. No eyes, though.
No eyes. Oh, pack a pack.
Oh, God.
I think there's something interesting about
Bran and John you know we've talked a lot
about John and Bran's plot because he keeps coming up
I mean he's a very interesting
and recurring theme in Bran's
life that he lives with him for a long time
and Bran
and John both have these elements of
the Fisher King and the Holy Grail
right the Fisher King's the Holy Grail right the Fisher
King's whole thing is that I mean he's kind of more like an NPC in my opinion the Fisher King
is like he doesn't get in legends yeah he doesn't get his own plot like he's just chilling injured
by a lake and your hero like Percival for example stumbles upon him and the whole thing is that you have to say mayhaps to the fisher king
if you reveal to him i say the question about the grail and here's my question i state the question
he suddenly you know in many legends he heals his injury heals which is not going to happen
obviously and his kingdom becomes super fertile and booming again and you
like awaken the secret kingdom and so there's a lot of that element with Bran especially as he
leaves Winterfell and Winterfell is sacked burned and pass his hands that like this was once a
fertile place the Starks were the fertile people they provided harvest they provided hearth and safety to the north and now with them gone
things are bad we learn right things go terrible and bran i mean even to you know the food he
leaves uh you know the corn for the crow is one thing that he always takes corn to the crows
but then the littles leave him food you know and he says, someday I'll repay them. This means so much to me.
I understand what this means.
I understand what this means to the people of the North, not just to him.
And so there's something really amazing about the idea of that lost kingdom returning because the Fisher King has been revealed.
And we talked in our Alaris episode.
I mean, our Pate episode.
talked in our Alaris episode, I mean, our Pate episode, we talked in our Pate episode about Strider's riddle in Lord of the Rings and how, you know, the Sphinx, what's the riddle? Is it
the riddle or the Sphinx? What is the actual riddle? And Strider, you know, in disguise and
being revealed to be Aragorn with the poem. I know you don't know what this means, Eliana. Some
people will. We talked about it a few weeks ago. But that's also kind of the Fisher King.
Like, the Fisher King reveals himself as a king.
So there are elements of Jon in it as well, like a lost kingdom, you know, a bloodline lost.
But there's also something interesting in the hero that meets the Fisher King and reveals the Fisher King
and brings this back and asks the question of the Grail.
king and reveals the fisher king and brings this back and asks the question of the grail because percival for example he lives his whole life not actually having asked the right question and so
he like goes through life with this small punishment of like i could have revealed and
gotten the grail and brought all this magic back to the world but i didn't and now i just have to
live with it and the fisher king himself is sometimes seen as like being punished for his injury
for having reached too far in some ways of the legend.
Like sometimes it's because he took a wife when according to the grail and the guidelines
of the grail, he's not allowed to, which is very John, right?
And he's kind of made to suffer as a punishment without his kingdom, which does remind me
of John's possible exile in some aspects.
So I think it's interesting that, you know,
the literal character Bran in Percival's lore,
there is a character named Bran and he has a cauldron that brings back the dead.
So some of these powers have been shifted around
and little just like ideas that George is playing with from mythology
and from different stories in the lore
and our three and legend i do think it's interesting that you have to ask the question
though and it's like if you don't say mayhaps you don't yeah if you don't say something about the
grail i don't know i really uh thought there was something interesting in something about
bran and john as being those mixture of heroes in a way.
Yeah, them sharing so many similarities, right?
And how, yeah, Jon is a Targaryen Arryn king, but also a red herring as well.
Like, even though he's real, he's a real red herring.
Yeah.
Well, also, like, the idea of him, even now in the story, him not taking Winterfell, right?
That feels like the question
that you ask when you find the guy with the grail you're supposed to ask the question
you could take immense power you could have it all by saying give me the grail where is the grail
reveal me the grail he could have that immense power in a heartbeat even later with his lineage
he could have the throne and for him to reject his own claim to Winterfell, to his family, to having happiness, to the throne maybe?
I mean, that's a very big mayhaps not to mayhaps.
And Bran being kind of involved in that.
Yeah, and I mean Bran also, right?
Being probably the Fisher King himself.
Having that echo also with even Theon's storyline, right?
Because sometimes the Fisher King is interpreted as being a sign of impotence and uh theon literally cannot
bear heirs anymore so all of that echoing for these young men and boys in the winterfell and
kind of like i don't know but brand's really not an NPC none of them are NPCs
no but I could see but it's just interesting yeah it's not that they they become the focus
right yeah because they have their own plots and heroics to play out like Bran for me I see the
last hero you know that kind of archetype for him strongly but I do see the Fisher King elements as
well but there's something about the the reveal and the awakening of the magic
and that, like, especially for Jon,
like, all Jon would have to do is ask his brother, you know,
or push his claim with his brother,
and that he doesn't would be something interesting.
That Bran could be that NPC at the end of the game
that all you have to do is ask, my cousin.
Yeah.
Well, speaking of the last hero,
let's talk about the last line of this chapter.
Bran looked up calmly.
His name is Summer, he said.
I love them.
I love you, Bran.
Okay, now that I'm sad about Bran and Summer because my eyes are, full of tears of joy. Because I'm just like, his name is Summer.
It's beautiful.
But he's going to tear that joy from us.
I'm going to make it even worse.
So I'm so sorry.
You know how we talked about wolves dying?
I don't know this.
I refuse to know this.
It was literally like last week and the week before.
I refuse to know this.
So last week on Tuesday night, you and I were recording.
And we talked about it again about about how Summer's gonna die someday.
And in the first episode, we also talked about it.
The week before that, we did it.
It was the Tuesday, actually, seven days before that, you and I recorded.
Anyways, glossing over that.
You know who just died in the literal last chapter?
No.
Lady.
Interesting.
So, Ned kills her right yeah it does the blood sacrifice gives her a death
looks her in the eye and here's her last horrible fucking whimpers i hate you so much
cersei and dad right now hey you guys but lady dying and bran awakening in the next chapter
isn't that interesting that only death can pay for life,
that Bran wakes up after Lady dies?
That is really interesting.
And part of it is like, you know,
really hammers home that narrative, like,
sense of where Ned later on is like,
what have I done when Catelyn's like,
these wills are actually really important.
And you murdered one.
And that's like, oh, fuck.
I mean, it's kind of like when danny is gonna give the dragon away everyone thinks they're like no no no don't give your magical
fucking mythical beast away except ned did he killed it he did yeah just fed cersei to that
beast not yet but soon god so unfair um i don't know there's something interesting too in the idea of like
bran having rulership later and sansa also leading and like sansa's plot being linked with his magic
that like he was able to awaken this eye and sansa is you know i mean she doesn't get the
same opportunities for magic in the series as her siblings i mean her connection with magic has you know that was cut off with lady right away you know i mean yeah
there are still definitely some moments that maybe or maybe not could be her having some
connection to skin changing or warging but she loses some of that and gets lost in the king's
landing of it all and doesn't have a mentor magically she has a political mentor she doesn't get a magic mentor like bran does and her connection to her heritage
to everything gets cut off but bran does awaken yeah sansa's heritage right she loses that in
terms of the wolves but she starts relearning it right she she starts relearning winterfella
she sculpts it, and then
also spending time with the old gods amongst the weirwood trees, and that's pretty, it's very
northern culture. And that they build Winterfell everywhere they go. Yeah, so I don't know, I don't
know, I guess, I don't know, you're probably right that Bran is, Bran's wolf, like, summer's gonna die,
and like, but I'm just just like but does he have to
because like unlike with D&D you know we have the budget it's just the words you know he could just
be in there I mean that's what's gonna make it that much better though like because it's gonna
be fulfilling I guess just the aspect of right like especially after reading the Vamir prologue you see how those deaths really i mean they're painful they
impact you and something happens each time it prompts you like right remember when he dies
inside a thistle he sees the whole world but granted that's also his true death but does i
don't know summer dying trigger something like that?
Like where Bran can reenter some dreamscape or some shit?
There's definitely like, I think it's got to be out of survival, right?
And you bring up a great point with Varamyr.
Varamyr chooses, I mean, cowardice instead of facing his death.
That's true.
Bran here kind of ran from his death,
but he did face it at first, you know? I mean, he was falling. He was ready to just embrace his death until he was shown another way. But Varamyr runs from his death. He's a coward. He goes into
thistle to avoid his death, you know? He's like anything. And I do think that when the moment
comes Bran isn't a coward, he could either abandon his body and go
live in Summer
which saves
Summer and maybe
in some ways he'd want it but he'd be lost
forever to Summer I mean
it's not a real life to live out
as we kind of have had implied already
and Summer
I mean Summer would just have to spend
Summer wouldn't have a life anymore that's
it yeah that's true that's i mean not and it goes back to kind of some of the stuff bran is learning
about consent and just skin changing he hasn't learned it yet he's in the middle of the lesson
he needs to stay in the middle of the lesson uh I mean, and I just want to bring back about the last hero, you know, because one by one, his companions died.
Then his horse.
Lastly, his dog until he's all alone.
Well, Chloe's companion is about to die right now.
It's me.
That's the episode.
Can you shut up about the wolf shut up about the wolf
well here's to many more thankfully summer hasn't died summer's dying here right now yeah actually
that is true that is true it is almost fall almost we're almost falling well if you would like to fall into the ggc catalog please be sure to follow us fall
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Like episode 10, Prophets, Prophecies,
and Seers. Yeah, it sounds like
it was a banger, though.
Baby us. We had some takes back
then. I don't know if we agree with them now.
Or ourselves now, today. Apparently I still agree agree with that take because i apparently said the exact same thing and you're
like oh yeah you said that so i was like i have one uh on earth all that glory and more over there
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Yep.
Till they kick us out of our own Discord.
As always, I have been one of your hosts, Chloe.
And I have been another one of your hosts,
Eliana. We'll see you
next week. See?
With our third eye? Oh my god.
You know, it's hard for me not just to sing
Summer by the Manimals the whole time. Oh, I thought you were going to say by Olaf. Oh my god. You know, it's hard for me not just to sing Summer by the Manimals the whole time.
Oh, I thought you were going to say by Olaf.
Oh my god.
Two types of peoples.