BibleProject - Is the Gospel an Apocalypse? Apocalyptic E3
Episode Date: May 11, 2020Are the Gospel accounts apocalyptic? In this episode, Tim and Jon break down the use of the word apocalypse in the ancient Jewish world and highlight examples from the Gospel accounts and the life of ...Paul.View full show notes from this episode →Show MusicDefender Instrumental by TentsWhite Oak by dryhopeMy Room Becomes the Sea by Sleepy FishShow produced by Dan Gummel.Powered and distributed by Simplecast.
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Here's the episode.
Hey, this is John at the Bible Project, and we're in the middle of a series on how to read
apocalyptic literature in the Bible.
So far, we've discussed how the word apocalypse doesn't meanocalyptic literature in the Bible. So far we've
discussed how the word apocalypse doesn't mean the end of the world. Instead, an
apocalypse is when something is uncovered or revealed. In the Bible, an apocalypse
is a sudden confrontation with the ultimate meaning of reality. Once something's
revealed to you, or you have a revelation, often results in clarity,
that you have to like, work out.
That's certainly what happened to Paul.
This thing happened to him, and then it forced him to go into what he calls
in Galatians, just this period in Arabia.
He went to Soda for a while, I think, to just work it all out.
So like the apocalypse gave him a new angle of vision
and then he had to go find clarity
in light of this new vision and reality.
So today, we discuss how an apocalypse
isn't something you create,
rather it's something that happens to you.
And when an apocalypse does come,
it's an opportunity to rethink everything.
Thanks for joining us.
Here we go.
So we're in our series on how to read the Bible.
And we are in the genre of literature,
called apocalyptic literature,
which you find in the prophets. I guess we haven't really talked about this.
Yeah, that's right.
Maybe we should have started by listing what parts of the Bible were talking about.
Yeah, in my mind, it's a lot of the prophets and then the revelation at the end.
Yeah, so let's start with the revelation.
We call the revelation the revelation.
Ooh, not revelations with a nest on the end.
How did that happen?
I don't know, but that's how I grew up. Yeah, so many people call it revelations with a nest on the end. How did that happen? I don't know, but that's how I grew up.
Yeah, so many people call it revelations. The opening line is the revelation.
So that phrase, the revelation of Jesus Christ given to a servant John,
that's opening line of the last book of the Bible, that word, the revelation, is the Greek word
apocolipsis, or if you spell it with English letters, apocolips, the apocolipsis or if you spell it with English letters apocolips, the apocolips. So it seems
to be some kind of title or heading to describe what the work is. And so what's happened is people
who don't understand the cultural background and the literary style have come to associate that
word with what they think the book is about, right,
which is the destruction of the world. It's the apocalypse, which means the end of the world.
We're gonna explore that debateable issue. But then there are other books in the Bible
where you have a prophet figure who has dreams or visions about ultimate reality,
Daniel, Ezekiel, Amos, Isaiah, many of the prophets. And so those whole books aren't necessarily called
apocalypse, they're called the books of the prophets.
But within the books of the prophets,
there are apocalyptic sections.
That's a term that scholars often use.
Okay.
And so there you go.
And then contemporary to the revelation of John,
which was written somewhere in the second half
of the first century, AD.
There is a growing body of Jewish literature that reads a lot like the book of Revelation.
And so these are called the Jewish Apocalypse, or Jewish Apocalyptic Literature.
I actually, I do have a list of other contemporary haphazard relics.
No, well, that's a lot.
Yeah, so within the Bible there are...
Oh, these are all the ones in the Bible.
These are all stories in which someone has an apocalyptic experience.
Which, as we've talked about, is a dream or vision.
That's different than literature written in an apocalyptic genre.
Kind of.
Scholarship and popular level use of the word apocalypse and apocalyptic is extremely
confused and muddy.
Perfect.
Yeah, because it can refer to an event which in popular understanding is the end of the
world.
It can refer to a literary style.
And that's what we're talking about, the literary style.
Yep, correct.
Ultimately.
And it can also refer to an event that happens to someone in a narrative
when they have a dream revision. And so far, we've just been talking about the word and what it means. Yes.
And in the last episode, we just talked about how the word apocalyptic means to unveil or to uncover. Correct.
And it doesn't necessarily mean for something
to be destroyed, I don't know.
Yeah, or to describe the end of something.
End of something.
Yep, that's a modern construct.
But that's talking about apocalypse as just a word
and we talked about stories where people experience
an uncovering of sorts.
Jacob in the stairway to heaven.
Or they experience what their experience is,
is described with the biblical vocabulary of apocalypse.
Either the Hebrew word, which is gala,
or the New Testament Greek word, which is apocalyptic.
And you've got a whole list here of those kind of situations. Yep.
Let's see.
Yeah, about 15 stories.
And some of them are Isaiah's vision of Yahweh and Jerusalem in the temple, where he has
the coal put his lips.
Or Ezekiel famously, you know, in Babylon, see it's the divine throne, mobile.
Yeah.
And the vision of the new temple and so on.
Daniel's visions of beasts and divine thrones and so on. Daniel's visions of beasts and divine surrounds and so on.
But there's also, most of the most famous biblical prophets
have moments where they have dreams or visions
and it's an unveiling or revealing of God.
Abraham has many apocolipses where God appears to him
is covered.
Like just talking to him.
Yeah, yeah, totally.
Yeah, where Abraham falls asleep and has a dream and a vision of God as a smoking fire,
talking to him and so on.
So what you could say is these are stories about apocolipses in the Bible.
So is it fair to say then when the Bible describes the experience of the apocalypse, then
they're writing in the genre of apocalyptic literature.
In other words, there actually wasn't a category.
Like we go down to Powell's bookstore, like bookstore in Portland, and we go, do I
go to poetry, do I go to here, let me go to the apocalyptic section.
Right. So there was no apocalyptic section. Right.
So there was no apocalyptic section in ancient Judaism.
When you describe a moment, when somebody
has a dream or a vision, and they see the true nature
of reality or of God's purposes or what's going on,
there is a typical mode in which they
describe that dream or vision.
A mode.
And that way of describing the content of the dream or the vision
is what we use the word apocalyptic to refer to.
And so it just happens, the Bible, Christian Bible ends
with a whole book that unpacking the apocalyptic experience
of a guy named John of Patmos.
So we're talking about it as a genre of literature.
Yeah.
And you described it as a mode of writing, which is a literary style.
A literary style.
Yep, that's right.
But you're saying if you would have gone and talked to an agent as realite, and you're
like, oh, you're writing in this literary style, they would kind of be like, ah, well,
no, I'm just.
Well, I think what they would say is, well, yeah, when I'm recounting the dream or a vision
of an important profit or figure,
here's how you do it.
Here's how you do it.
Here's how you represent a dream or a vision
in a literary style.
Okay.
Here's how we do it.
Just like there's a way that you write an editorial
for a newspaper, there's a way you write a blog post
or a short essay or a, you get into a certain mode.
I'm in this mode of this kind of literature.
In the same way, when biblical authors represent somebody's dreams, they are fitting into a pattern,
a convention, a way of doing it.
Yeah, that makes sense.
We don't really have a corollary to that in like when we write down our dreams. Like if you dream journal, you, I think are just trying
to write exactly what you experience.
There's no like convention for how to do it,
necessarily.
But you're saying for ancient Israel,
there was a mode, a convention for how you depict
these kind of experiences.
In a way, these apocalyptic moments are a design pattern that unfolds and develops throughout
the story of the Bible because they're all hyperlinked.
When people have these dreams and visions within the Hebrew Bible, they're all experiencing
variations of the same thing and developing, and it develops as the Bible goes on. And it
usually involves what feels and looks and is described like a temple, and they're encountering
a superhuman figure on a throne if they can even look at this figure because they're
glowing so brightly. And they're usually given inside into what's happening around them and then
given a message of some kind to share. That's what all of these have in common. And there's
a heavy use of symbolic imagery. So that's what characterizes this. But there are different
people having these experiences in different stories and moments. So what they're about
will always be a little bit different, but there's some basic shared elements. And so yeah, it raises a question, like these people, I think I actually
have these experiences. So it's fascinating that they keep seeing and encountering some of the same
things. So it doesn't seem to be just a reflection of their internal psyche, but these people actually
encountered someone. So I'm fine calling this how to read apocalyptic literature.
As long as we have this kind of footnote to that meaning.
Sometimes an apocalypse is a whole book,
like the last book of the Bible.
But that's the only case like that in the Bible.
Every other apocalypse in the Bible
is in a narrative setting within some larger work,
the book of a prophet.
Arguably the revelation isn't entirely apocalypse.
And that's true.
It's also a letter.
It's also a letter.
Yeah.
It's an apocalyptic prophetic letter.
But yeah, there's a lot of apocalyptic moments in the Bible.
In the time of Revelation, it does seem like
those narratives in the Bible have given birth to a certain form of a book. The revelation is one of them.
And there's a lot of other scholars call them the Jewish apocalypses.
So they go by different names.
First, Enoch, second Baruch, Fourth Ezra, the apocalypse of Abraham, but these are mostly modern titles to refer to these works.
But they're about these biblical figures. They're written long after the life of any of these people, Enoch or Baruch.
But it's an author imagining the dream revision they had as through the eyes and experience of a biblical character.
Anyway, they're actually really fascinating to read.
But that's another matter.
So that's what we're talking about when we say apocalyptic literature.
What's unique about the revelation in this list is if all the other ones are kind of imaginings,
this one is what this guy John experienced.
Yeah, another way to say that is the most typical mode
in the period of the second temple,
if a Jewish author was going to write
in the Sepok-pocalyptic mode,
they would use a biblical character
and turn that book into the author, so to speak.
So Baruch, the scribe of Jeremiah,
becomes like a mantle that the author puts on
to experience the vision through their eyes.
But the book is written for the author's own day and audience.
And so it's a known, in other words, they expect that the reader will know, like this didn't
actually come from Baruch.
But it's representing the message of, you know, the prophets as if it came from Baruch,
and so on.
And so the revelation to John of Patmos in the New Testament sticks out. It's the only Jewish apocalypse.
It doesn't put on this persona to experience it through. It's just him.
It's praising it.
Totally. Yeah, it sticks out among all of the apocalypsees, which is really interesting.
So the name for that feature is called a pseudopigrha, which is a Greek compound word,
meaning false name.
You write in the name of someone else.
So John is the only apocalypse that doesn't use the pseudopigraph feature.
The fault's name feature.
Okay.
Those are little tig bits.
All right. 1 tbc sdmr 1 tbc sdmr
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1 tbc sdmr So we looked at the word vocabulary for apocalypse in the Old Testament and how that helps us understand
the meaning.
It's about peeling back the curtain, seeing the true nature of reality.
Let's look at some New Testament examples.
We'll kind of fill out this picture.
And this is great because when you're in the New Testament, you can actually just get
out of concordance and look for the word apocalyptic.
I'll let you read a famous parable of Jesus from Luke chapter 8.
Okay, Luke 8 for 16 and 17. No one lights a lamp and covers it in a clay jar puts it under a bed.
Instead, they put it on a stand so that those who come in can see the light.
For there is nothing hidden that will not be visible and nothing concealed that will not be known or brought out
Intivisibility. So the whole point of the parable is about something covered and then something being exposed
So what's interesting the word the Greek word apac alupto is a compound word
Mm-hmm. Apah means a from or away from and
Calupto means to cover or to conceal
So if you take the apah off you get the Greek word calupto or away from, and callupdo means to cover or to conceal.
So if you take the apotheph, you get the Greek word callupdo,
which is what Jesus says, if you callupdo a lamp.
If you cover a lamp.
So the opposite of apocalypse is callips.
Which means to cover.
Right.
It works in English, cover or uncover. Oh yeah, that's right. Cover, uncover, callupdo, ap means to cover. Right. It works in English.
Cover or uncover.
Oh yeah, that's right.
Cover, uncover, calupto, apocolupdo.
Yeah, that's it.
Yeah.
That's it.
Yeah. Now, it's fascinating.
Jesus uses the word calupto for covering the lamp, but when he describes the opposite,
he doesn't use the Greek word apocolupdo.
It uses a synonym, faunae-rao, which means to become seaable.
And so these two words then, apocalypse and a faunae-rosus,
become synonyms of the same thing.
Apocalypse means to uncover.
And when you uncover something, it becomes visible.
When you uncover something, it becomes faunae-rao visible, more seaable.
So here's another example in the teachings of Jesus.
This is at the end of Matthew 11 in verse 25.
At that time Jesus said,
I praise you, Father, Lord of heaven and earth,
for you have hidden, that's the Greek word,
crypto, you've hidden.
Cryptic.
Cryptic, yeah, you've hidden these things
from the wise and the learned,
and you have apocalypse toocalyptic them to little children.
Yes, you are pleased to do this. Everything's been committed to be by my father.
No one knows the son except the father, no one knows the father except the son, and those to whom the son chooses to apocalyptic him.
So Jesus's true identity is an apocalyptic.
Yeah.
To a close circle of people around him.
The disciples had an apocalypse as they slowly came to understand who Jesus really was.
I like using that use of the word, because it's the actual word Jesus uses here.
Right.
The gospels are apocalyptic.
Not in the sense that they're about the end of the world. They're about the revealing of Jesus' true identity.
Is that interesting to think about it that way?
It is interesting.
It's about understanding like the true nature of something, to be exposed to the true nature
of something so that you can see it for what it really is in apocalypse.
Do we have a word?
When you see something as it really is the true nature
of something you are enlightened?
Yeah, we use intellectual perception vocabulary. You understand, you have insight, you are
perceptive. A perceptive person is somebody who can see, but it's different because if
you're perceptive, it's you. It's you are understanding it and seeing it for yourself.
Versus it.
Showing itself to you.
Of an apocalypse, like in Jesus just said, this is something that's hidden.
Jesus' true identity is hidden.
And you have to actually get to know him and start following him
to have his identity apocalypse for you.
It's somebody else has to show it to you.
You can't see it yourself.
This is so interesting. If you read the Gospels what they're saying is that in and of themselves
humans remain blind to the true nature of reality. We need the creator to pull back the veil.
So let's speak. And in the story of Jesus, life death and resurrection. Jesus is claimed right here in Matthew 11
Is that he is the one who pulls back the curtain to the nature of reality and the nature of who he is and
And unless you undergo that apocalypse you won't understand him or yourself or the world
We have a lot of words for when we are trying to pull back the veil in lightened or illuminated perceptive. But there's no like English word similar to when the
divine or you know, if you don't believe in God, the you like the cosmos, I'm
failing itself to you. What's that word?
Man, so interesting. Well, I guess it depends on your social location.
If you have grown up within or have a completely materialist worldview, there is no greater purpose.
You know what we call that? Sorry.
What?
A revelation.
Oh, yeah.
I had a revelation.
A revelation.
We use it as something that happened to you.
Happened to you.
Oh, that's good.
What is interesting is that's the translation of a apocalypse.
The apocalypse.
Yeah, the Greek word apocalypse.
The revelation.
The revelation.
Which is the noun of the verb reveal.
Yes, it was revealed to me.
How do revelation and epiphany?
In English, you can say I had a revelation
which depending on what you're talking to,
could mean I had an idea.
But what you're describing is I feel like the idea happened to me.
The idea happened to me.
Yeah.
And we know what that feels like.
Holy.
That's exactly right.
This is why we've talked about this before, especially in ancient Greek culture, poets
were called the Muses.
Yeah.
And that word muse means to be a channel of the gods, communication.
Yeah.
So a poet's was because they, a good poet writes about things in a way that put you in touch with
ultimate truth what feels like ultimate meaning. Yeah, and so they become their poetry becomes the kind of apocalypse a
revelation. Yes of the divine realm to little old me reading this poem or something. Yeah, revelation. It's funny is
calling the book a revelation. I never
think of it in terms of the English term having a revelation. That's interesting. I just, for whatever
reason, it took on a life of its own. But thinking about that term is really helpful because we don't
use the word apocalypse. I mean, I could try and just start using it. Yeah, but revelation.
Yeah, revelation. That's it. You had a revelation.
I think it's pretty close.
It's pretty close.
It's a very personal, one thing.
I think why I like using the Greek word apocalypse.
Yeah.
It's kind of just jars you.
Yeah.
And it helps, it forces you to start redefining the word
in terms of its actual meaning.
Well, help me with how you use it though.
I had an apocalypse.
Yeah, I think you'd say I had an apocalypse or it wasn't that wasn't a
apocalypse. Mm-hmm. Or it was an apocalyptic moment where this is an a story of an apocalypse. Yeah. In other words,
this is a story of somebody's a revelation that somebody has. Let's, uh, I want to just take a quick case study of Paul the
Apostle and how he uses this word. This is pretty significant.
So Paul uses the vocabulary of apocalyptic opcaloups
as quite a bit in his letters.
So like, for example, in the opening letter to the Galatians,
opening chapter of his letter to the Galatians,
he talks about how the good news that he goes around announcing
verse 12, I didn't receive it from any human.
Rather, he says, I received it by Apocalypse
from Jesus Messiah. So what he's saying is his core message he's announcing wasn't it because
he decided to have a cup of coffee with Peter or James in Jerusalem. Something happened to him
that he calls an apocalypse.
That's at the root of why he's doing what he's doing.
It wasn't Peter who uncovered the it for him.
Right. It was Jesus himself who uncovered it.
Jesus happened to him. And that happening to him was a revelation that changed his life and worldview,
everything he thought.
Now he goes on, he says,
because listen, you Galatians,
you know of my previous way of life
in the family of Judah.
Who's in no quantity here?
Yep, I persecuted the church of God.
I was trying to destroy it.
You guys know, that was what I was doing.
In fact, he says I was advancing beyond anyone in my own age, so zealous for the traditions
of my fathers.
So, there's my pre-apocalyptic Paul.
And then he says, but verse 15, when God who set me apart from my mother's womb, says,
this was all, God was at work before I even knew it.
He says, he called me by his grace, and he was pleased to
Apocalypse, it's a verb. He was pleased to apocalypse his son, and then he uses the phrase in me
so that I might announce him among the nations. So this phrase, God was pleased to
reveal his son. Some people think it means to me, but it is.
It's the Greek word for in.
It's fascinating.
So the question is, is he referring to the thing he just described earlier that he had
an apocalypse of Jesus?
And God was pleased to reveal Jesus to him?
Or is he saying now that I had an apocalypse of Jesus, God was pleased so that Jesus might
be a apocalypse in me to others?
Because he goes on to say so that I could announce him among the nations.
No others are experiencing Jesus through him.
Yeah.
The apocalypse that he had is now the thing that he is to help other people have, which
is to have a
poccaliptic encounter by seeing who Jesus really is.
That interesting use of the vocabulary, a poccalipse, I like this. 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1 %, 1%, 1 %, 1 %, 1 %, 1%, 1 %, 1 %, 1%, 1 %, 1%, 1 %, 1 %, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, 1%, I received it by an apocalypse from Jesus.
So Jesus, and this is the Christ.
This is post-resurrection.
Correct.
Like, not the disciples walking around with Jesus, this is.
The risen Jesus.
The risen Jesus.
Yeah.
And we have a story of this happening.
It was this intense moment for Paul.
Yeah.
Just pause real quick and think about that.
So he's describing, he seems to be describing here
what Luke has given us in the book of Acts,
which is the story of
Paul's apocalypse of Jesus on the road to Damascus.
What's interesting is the word apocalypse isn't used in that story in the book of Acts.
In Acts 9, what Luke says, how he narrates it is, Paul was nearing Damascus on the road
and a light from the skies flashed around him and he fell to the ground and heard a voice.
Probably how mantis should see the skies.
Sorry.
Okay.
Saul, Saul, why do you persecute me?
And Saul asks, who is that?
Who is that? Who are you?
I am... you sure?
The one that you're persecuting.
Get up. Saul, go into the city. You'll be told what to do.
Notice Saul gets up and then it says he opened his eyes and he couldn't see anything. He was blind for three days.
It's a great inversion of because usually when you have an apocalypse, you're able to see. You could see more.
Yes. And he is seeing more.
But not through his physical eyes. Yes.
Totally. Isn't that interesting? It is interesting. And it's back to our conversation in the last episode, which is our awareness
of ourselves in the world gets in the way of what actually is going on.
That's right. Yeah. It says, if his blindness is about closing down his previous way of seeing,
and there's going to be a whole new way of seeing that's going to open up for him and these three days are like this period of waiting.
As the undergoes of this transformation. What's great is it's a story about napocalypse,
but it doesn't use the word. But when Paul in the letter to the Galatians reflects back on it,
he calls that moment napocalypse. And then he says that I received the apocalypse, happened to me, and then he goes on to say,
God is pleased to reveal Jesus in me
when I preach among the Gentiles,
so that I can preach among the Gentiles.
And so now he's saying that same revealing
happens through my life as I go,
and I tell people about Jesus.
Yes, yes.
Okay, you want to see something interesting?
Let's go back to the Book of Acts.
Paul actually tells the story of his apocalypse.
It's found three times in the Book of Acts.
Right.
Never identical.
Always the details are just a little bit different.
The third time is when he's standing on trial before King Agrippa.
This is an Acts 26.
And so he starts telling Agrippa about what happened.
This is in verse 13 or chapter 26.
He says, King Agrippa, I was on the road.
And I saw a light from the heavens
brighter than the sun blazing around to me.
And you're like, oh yeah, I remember that detail.
He includes that he had some people with him.
I had some companions.
So we all fell to the ground.
And he says, I heard a voice speaking to me in Aramaic. No, new detail. Yeah. Show-wool, show-wool. Why do you persecute me?
It's hard for you to kick against the goats. No idea what that means.
You know what a goat is? When you goad someone, oh, so you're prodding, it's a prod. Yeah, it's what a
farmer or herdsman uses. It's basically a staff with a sharp pointy spear on the end,
and you use it to jab an animal to get it to move forward.
Lovely.
So Paul is like a stubborn ox,
who instead of letting the goat motivate him,
he's like pressing his body into it.
Yes, got it.
That's what Saul is like.
It's a vivid image.
That's what my five year old is like.
He did. Verse 16, Jesus's what Saul is like. It's a vivid image. That's what my five year old is like
Verse 16 Jesus says to Saul now get up stand on your feet. I have appeared to you Yeah, I've become visible to you to a point you as a servant and witness of what you've seen and we'll see
I will rescue you from your own people and from the nations and then look at this
I'm sending you to them
to open their eyes, to turn them from darkness to light, and from the power of the Satan to God,
so that they may receive forgiveness of sins and a place among those who are made holy by faith
and may. So King Agrippa, I was not disobedient to this vision from the skies. So again, you were just summarizing, Paul says I had an apocalypse, and now God wants...
And this is what he's telling to Agrippa.
Exactly.
Again, without the vocabulary, but with the idea.
I see.
Yeah.
The thing that he underwent is now what he wants other people to undergo.
And so it's the language of seeing, which is crucially important in apocalyptic stories.
What you see.
And the book of the revelation.
Right.
It's about what he saw in his dreams and in his visions.
And what he hears a little bit.
And what he hears, that's right, yeah.
But the whole thing is that apocalypses are moments
where you see truly.
You see things for what they really are.
Yes.
Which goes back to our previous episode of the conversation, kind of bringing it around
full story.
I think another way we say that is a moment of clarity, trying to think of...
Although the point when you say I have clarity, it means I was able to get there.
Yeah, that's more of I was able to get there.
All right.
But there is a sense of, we all have this experience where you're just suddenly, it happens
to you, you're like, oh, I thought this was what was going on.
Now I can see something else is going on.
That also is a bit of a moment of clarity that happens to you.
Yeah.
Once something's revealed to you, or you have a revelation, often results in clarity.
But you have to work out.
I think that's certainly what happened to Paul.
This thing happened to him.
And then it forced him to go into what he calls the Galatians just this period in Arabia.
He went to Soda for a while.
I think to just work it all out.
So like the apocalypse gave him a new angle of vision,
and then he had to go find clarity,
like work it all out,
and lighten this new vision of reality.
You know, this made me just reminded me of,
I think one of the more intimate spiritual moments I've had,
I don't have a lot of times in my life where I feel like,
I'm talking to God or God's talking to me.
But there's been a few.
And one was, I remember very clearly on a drive, I was by myself in a car for a couple
hours.
And so I just was, I decided to try to pray, but like in a way of processing, like years
of like stuff that had been going on,
out loud and prayer.
And I was getting through kind of the whole story.
And suddenly, I understood the story in a new way.
And it felt like God was giving me that clarity.
And that is that moment of like, oh.
You're saying you experience that as almost coming from outside yourself
It felt like it was coming from outside because I have my interpretation of this is this happened and this happened
Yes, yes, and this was frustrating this and this and I'm like I'm telling myself and God the whole story
a couple years of things and
Towards the end all all of a sudden,
I realize the way I'm thinking about things
wasn't completely correct.
Here's an insight that then unraveled
and repackaged everything that felt really true.
And that feels like an apocalypse.
Yes, yeah, totally.
That is very similar in what the word apocalypse means
in the Bible.
And I resonate with that.
I have not had many of these moments.
And I think the whole point of this is even in the Bible,
these moments are rare.
They only happen to some people.
Well, yeah, I'm not trying to say I'm having a biblical
apocalypse in the sense of like,
this guys were opened, I saw visions, to say I'm having a biblical apocalypse in the sense of like this guys were opened
I saw visions whatever yeah, that's right in the very mundane sense of a revelation
Yeah, but from from outside of myself
Yeah, but you're making an analogy of yeah, where something felt like it came to you from God from outside your own
Way of thinking about things. Yeah, and that is that that's exactly I think that's exactly right
So I'm with you, I've never had
an experience like that. I find that it is why I'm drawn more and more, so you're
going to get out into the woods, in the wilderness, go back packing. I think, I thought about this,
I guess it was revealed to me, I don't know. When I'm out in the middle of nowhere, all of the human-made construction, right?
All of the humanly fabricated reality,
because we live in the city.
Were this all fabricated?
Yeah.
Literally.
Yeah, there's no straight lines in nature.
Yeah, so to be an environment where I'm clearly
like the outsider in a way, because we didn't generate
any of this.
I'm just out there.
That's where I have really powerful moments.
I'm thinking of one particular where we're up
in the T-tons in Wyoming.
And we're up at this place called Iceberg Lake.
Oh my gosh, it's just like so intense.
The scenery's so intense.
It's like you're in the Alps.
And we went up to this really high ridge
to get a viewpoint of almost the whole park.
And then we went down, and I kind of let the group go down,
and I went down by myself.
And I was having a moment where it was like,
I don't even know how to describe it, except there are moments
where it's difficult for me to believe in God
and the whole biblical worldview. And there are are moments where it's difficult for me to believe in God and the whole biblical worldview.
And there are some moments where it feels like second nature.
And that was one of those moments where I was just like, this whole thing is the work of art.
It was just the beauty and the scope of it was overwhelming to me.
But again, I didn't-
It revealed itself to you.
Yeah, but I didn't hear or see anything, like in the biblical apocalypse, but I was tuning
into something.
I feel like tuning into the true nature of reality in a way that's hard for me to see in my
day-to-day life.
And those moments are a gift that increase my faith.
And that's something similar to what these moments are like.
So here's where I'd like us to go next.
If you start to read into the stories about apocalypsees
and then apocalyptic literature like the Book of Revelation,
you're going to notice key motifs, ideas, repeated themes.
And so what I want to do is talk about
why the apocalypses are the way they are.
So we'll actually go to the Book of Revelation,
we'll kind of point some things out. And then what I want to do is go back and build up from the Hebrew Bible
What is all of this all of this visionary literature with?
Divine thrones in the skies right and so we're gonna get into the meat potatoes of how do you actually read?
Mm-hmm when people are describing their dreams and visions, they're talking
about the universe being unveiled to them by God, the way that they describe it.
Yep. Yeah. Actually has a mode as genre. Yeah. A set of common images, themes, ideas.
Set of common images, themes, ideas. Yep. So we want to jump into what those are. Yeah. You could say we want to explore the Jewish apocalyptic imagination. When the
biblical authors who are all ancient Israelites and Jews have these dreams and
experiences, they tend to describe them in a typical way. And they tend to see
a lot of the same things. What is all that? Why the divine thrones in the heavens and angels
circling the throne and be still. And while the blood and all the... Yes, yeah. Locusts and...
Totally. The ratcheted up cosmic scenes of disintegration and collapse and so on. Like, what is this
all about? Right. Yeah. And because this is what makes, especially the book of Revelation, so powerful
to the people who read it or hear it, is you walk away, just really disturbed, inspired, and with
a imagination full of imagery, beasts and monsters and dragons and harlots and divine thrones and hybrid animals and blood, massive amounts of blood spilled
on the ground in battles and wars and what's this all about.
So all of it has its roots in the storyline of the Hebrew Bible and the basic view of
the universe found there.
So that's what we're going to look at.
Thank you for listening to this episode of the Bible Project Podcast.
Next week, the Book of Revelation.
It was written by...
...Grenem John, who was on an island called Patmos.
So, his body, so to speak, is on an island.
But then, verse 10, he says,
But I was in the spirit.
Or we might say he's in the altered state of consciousness. That's
when these moments often happen. Like for Daniel it's that he's been fasting and praying.
We're going to do a question and response episode on How to Read Apocalyptic Literature. So if you
have a question you can submit it to us, send it to info at bibleproject.com. We'd love to hear
from you. Let us know your name, where you're from, and try to keep your question to about
20 seconds or so.
Today's show is produced by Dan Gummel.
Our theme music is from the band Hence.
Bible Project is a crowdfunded nonprofit in Portland, Oregon.
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to Jesus.
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it's already been paid for by people like you. It's at BibleProject.com. Thanks
for being a part of this with us. My name's River, my name is Claire.
What's your favorite video? I'm a Bible Project. I think it's when God talks about the mustard seed and how it grows into a big huge
tree thing.
Master seed.
Yeah, it's like where God says, there's a little mustard seed and that's how my dead stuff
might help me to die and then I'm I'm gonna sperm through huge thing or something.
How did you first find out about the Bible project?
Oh, that was a long time ago.
I don't even remember.
I don't know.
Mom, I guess.
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