Canadian True Crime - 92 The Murder of Robin Greene - Part 2
Episode Date: June 2, 2021[ Part 2 of 2 ]MANITOBA | The court hears testimony from Sydney Teerhuise and Dan Zupansky, the jury decides whether Sydney Teerhuise had intent to commit murder that day, and Dan Zupa...nsky tells us what his theories are about the case.More information:Dan Zupansky’s book: Trophy Kill: The Shall We Dance Murder by Dan ZupanskyTrue Murder podcast: https://www.spreaker.com/show/truemurderPodcast recommendation:COMMONS: Real Estate!Thanks for supporting our sponsors!See the special offer codes here Don't like the ads?Access early episodes without the ads plus bonus content and more on Patreon and Supercast. Learn moreCredits:Research: Haley GrayWriting: Kristi LeeAudio editing and production: We Talk of DreamsDisclaimer voiced by the host of TrueTheme Song: We Talk of DreamsAll credits and information sources can be found on the page for this episode at canadiantruecrime.ca/episodes after it's released to the main feed. Hosted on Acast. See acast.com/privacy for more information.
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My name's John Weir. You don't know me, but you're gonna, because I know the people that have been watching you, learning about you.
They know you've done well for yourself, that people like you and trust you.
Trust you.
Now imagine what they're gonna do with all that information that you've freely shared with the whole world.
Now imagine what they're gonna do with all the information you have at it.
Yeah, I'll be in touch.
Radical starring Kiefer Sutherland, new series now streaming exclusively on Paramount Plus.
This is part two of a two-part series.
If you haven't listened to part one yet, I recommend that you do. It'll make a lot more sense.
The trial began in Winnipeg on December 1st, 2008.
Sydney Tierhus pleaded not guilty to the second-degree murder of Robin Greene, which carried a sentence of life in prison with no parole for 10 years.
The defences strategy was to implore the jury to instead find Sydney guilty of the lesser charge of manslaughter,
which would see him walk away with a shorter jail sentence.
Their case was that Sydney couldn't remember murdering Robin because he was so intoxicated,
and those letters he wrote were nothing more than fiction, designed to sensationalise the case and sell more books.
The prosecution's case was that Sydney befriended Robin at a bar, solicited him for sex,
plied him with liquor and then killed him in the most shocking and cruel of ways.
And as for those letters, they would prove that the details given were real.
The court heard testimony from pathologist Dr Charles Littman, who performed the autopsy on Robin Greene's remains.
He determined the cause of death to be multiple stab wounds, but because the internal organs had never been recovered,
he couldn't determine what the deadliest wound was, the one that caused death.
The body had been drained of blood, so they had to collect blood from the muscles to use for the toxicology report.
Robin's blood alcohol content at the time of his death was 0.296, nearly four times the legal limit to drive a car,
and his body showed no defence wounds. He was so drunk that he had literally been incapacitated.
This is what Sydney had claimed too, that he was so drunk he blacked out and couldn't remember any of what he did to Robin Greene.
But there was no toxicology report for Sydney to prove it, and Dr Littman's testimony of what had been done to Robin's body
was not consistent with what someone who was blackout drunk would be capable of doing.
Dr Littman testified that there was no evidence of hacking at the body.
The stab wound showed a deliberate symmetrical pattern, and the dismemberment had been executed with a surgical-like precision
by someone who had to have had manual dexterity and coordination, along with some prior knowledge of human anatomy.
He estimated it would have taken two to three hours for Sydney to have done what he did.
The court heard testimony from the witnesses who observed him when he turned himself in, as well as the day before.
The supervisor of the Rahman Centre testified about Sydney arriving at about 9.30 in the morning,
sounding sober and normal when he spoke, with no smell of liquor coming from him.
The police phone operator testified that he sounded calm and direct when he spoke on the phone.
And despite the horrific news that he was delivering, it struck the operator that he spoke as though it was just a routine conversation.
The court also heard from the bartender Diane, who served Sydney one beer earlier that afternoon
and was the last person to interact with Sydney and Robin before they went to the hotel room.
She said she saw Sydney for the final time at around 5pm, which was when he introduced Robin to her as his cousin
and left him at the bar to get ice.
And while Diane noticed that Robin was clearly intoxicated, swaying and could barely stand up, Sydney seemed completely fine.
He didn't appear to be drunk at all. He was walking and talking as though he was sober.
And chillingly, this was only about 90 minutes before he said he murdered Robin.
Not one person came forward to say that Sydney tear-huse had either been seen drinking large quantities of alcohol
or had been seen visibly intoxicated.
An American graphic writer and comic called Tom Pomplum testified that Dan Zupansky was not the only one that Sydney was trying to engage with.
He had contacted the writer to see if he too might be interested in the gory details,
but the writer was not interested and contacted the police.
The letters Sydney wrote to Dan Zupansky formed a large part of the trial,
and Dan himself was the star witness, telling the court how his relationship with Sydney started and developed.
He established that he did not want to write a book of fiction.
He wanted it to be a true crime book, a factual book.
He confirmed that his goal was not to get a sensational story that was not true.
He wanted the truth.
He was asked about one spot in a letter where he wrote to Sydney,
quote, I do not want you to make up things or embellish anything.
Keep it realistic, please.
Dan testified that it was not his goal to get the most sensational story he could find.
He said that he never brought up the necrophilia, it was Sydney who brought it up.
On cross-examination, Sydney's defense lawyer Greg Brodsky pointed to the fact
that Dan had noted that Sydney may very well be embellishing this story to make for a better book.
And he asked Dan if that meant that his book was now a fictional book.
Dan replied, embellish means exaggerate, doesn't mean fiction.
Brodsky also asked questions that gave the impression that Dan was actively trying to apply more information out of Sydney,
quote, give me gory details.
Dan maintained that he was just trying to get the truth.
Brodsky continued to break down the letters trying to get Dan to admit the book was fiction.
It was pointed out that Dan had offered Sydney money for a story.
And even though Dan admitted he was aware of that legislation and had no intention of paying,
the jury needed to consider how the promise of that money may have impacted the truth of Sydney's story.
Did the letters contain the truth of what happened?
Was it just fiction to sell more books?
Or was it something in the middle?
To help the jury with their task, the Crown presented multiple experts,
including Dr Litman, that testified many of the graphic details and procedures Sydney described in the letters,
matched exactly what was found at autopsy and the crime scene,
and were things that only the person who committed the murder would have known.
The Crown suggested that this proved Sydney Tier-Huse acted deliberately and it wasn't just some drunken mistake.
Quote, how drunk does a man have to be to do this to another human being?
Even though there was no evidence that Sydney was intoxicated at the time,
his defence claimed he was suffering from disorganised thinking and impaired judgement,
and therefore couldn't have formed the intent needed to prove murder.
Lawyer Greg Brodsky said,
no sane and sober person cuts a body into eight pieces and hides it in a tub.
Sydney was described as a chronic alcoholic with a horrid abusive past.
Sydney Tier-Huse Moore took the stand in his own defence and spoke about his abusive childhood at length,
the exact same details he gave to Dan Zupansky.
He testified he'd been mixing alcohol and drugs since the age of 16 and had built up a tolerance.
He specifically mentioned mixing a high dose of the prescription drug Oxycontin with alcohol,
which resulted in him blacking out and losing his memory many times before, including the day he murdered Robin Greene.
That night, he said they both had consumed around the same amount of intoxicants, both alcohol and drugs.
He described the quantity they consumed as a substantial amount,
from the pictures of beer and shots of scotch at the bar, to drinking more whiskey up in the room,
buying more beers and then smoking three rocks of crack.
He told the court that he blanked out and when he woke up the next morning in his hotel room,
he smelled an unusual odour in the room, kind of like tin or copper.
He described it as sickening.
He saw some blood and then walked into the bathroom where he saw Robin's body, obviously deceased.
Sidney said he threw up in the toilet and then spent 30 minutes pacing the room, trying to figure out what had happened.
After washing his face and getting dressed, he walked to the remand centre to turn himself in, thinking it was the police station.
Sidney was asked why he showed no emotion when he turned himself in to the remand centre,
nor when he escorted the cops back to the hotel room to show them that what he was talking about was true.
He replied that he felt showing emotion at that time was inappropriate
and he added that he was raised to believe that men don't cry.
The court heard that he had no idea that the necklace belonged to Susan Sarandon.
He only found out where it came from when the Winnipeg City Police showed him photos
and even then he didn't recognise the necklace at first.
He maintained he was not the one who stole it,
although there's never been any physical evidence that it was Robin Green who stole it either.
About the details he gave to Dan Zupansky for his book,
Sidney confirmed that he saw the autopsy and crime scene photos on many occasions
and took note of all the info he got from the reports, the photos and the layout of the hotel room.
Sidney said that he wanted it all to sound accurate
and Dan had asked him for specific information like the layout of the bathroom or where the bed was
and had asked questions about Robin Green's appearance.
Quote,
I knew nothing about Mr Green at all, I had to look at reports to find out how tall he was, how much he weighed.
Sidney said he put everything together in rough drafts
but Dan had emphasised not to embellish it
if something didn't sound real enough he would edit it over and over to keep it real.
He described the whole process as time-consuming.
One of the things he claimed was that he heard voices telling him to kill
but on the stand he said it wasn't true, he'd only said that to Dan Zupansky
because he'd read some serial killers said they heard voices too.
He also denied that the third person in the room ever existed.
He said he made up the details of necrophilia
explaining that as Dan's questions became more elaborate as time went on
he upped the ante on the details he was providing.
The grave digging and cannibalism stories were made up too, he said.
He just wanted to give Dan Zupansky the story he wanted to hear.
When Sidney was asked why he was trying to sensationalise the content of the book by selling untrue stories
he told the court that he wanted to get famous and get a book deal
and a more sensational story would earn more book sales and more profits.
He said at that point he was locked up in solitary confinement 23 hours a day
and Dan Zupansky was the only person he had contact with outside the prison.
He saw the letters and the drawings as a sick form of entertainment.
He said when he looks back he can't believe some of the things he wrote.
In Dan Zupansky's book he states that Sidney was not in solitary confinement as he testified.
Speaking of that book Sidney testified that the title trophy kill The Shall We Dance Murder
was his suggestion and he drew the picture of Robin's torso posed like a trophy to connect it all
but the drawing was pure fiction and as for his claims of dumping the organs
he said that was lies too. He had no idea where the organs were because he'd blanked out at the time.
Again he wrote those details because he wanted it to sound like a really vicious act, a good story to sell more books.
On cross-examination Sidney admitted that he wanted the court to believe he was naive
and that he was the person being toyed with by Dan Zupansky.
He also admitted that he did want notoriety at one point
but soon realized it could be very damaging so that's why he retracted many of the details he gave in the letters.
During trial Sidney had multiple outbursts.
For example when a female police officer was testifying he called her a derogatory name and the jury heard it.
When the prosecution brought it up in court he gave the excuse that he refused to tolerate someone lying in court.
In closing arguments Crown Prosecutor Sheila Linebird called Sidney Tierhuse a cold and calculating murderer
who clearly revels in his own wrongdoing and was unimaginably cruel to the point of inhumanity.
Quote, to be able to do what he did to another human being speaks volumes about his character.
And as for his claims of blacking out
she said it's impossible for someone to be so intoxicated that he didn't remember stabbing a man 68 times
and cutting up his body with surgical like precision over the course of several hours
and even if he did black out that didn't negate intent.
Sidney's defense lawyer Greg Brodsky told the court that Sidney just lost it that day
and reminded the jury of his very unhappy background and childhood.
While he admitted the crime was horrific Brodsky asked the jury to leave emotion out of their deliberations.
Quote, you can't decide my client is a horrible person.
He told the jury that Sidney didn't have to prove anything.
The onus is on the Crown to prove that Sidney was guilty of the crime beyond a reasonable doubt.
My name's John Weir. You don't know me but you're gonna.
Because I know the people that have been watching you, learning about you.
They know you've done well for yourself that people like you and trust you and trust you.
Now imagine what they're gonna do with all that information that you freely shared with the whole world.
Now imagine what they're gonna do with all the information you have in it.
Yeah, I'll be honest.
Radicals starring Kiefer Sutherland. New series now streaming exclusively on Paramount Plus.
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Sydney's defence failed.
The jury found him guilty of second-degree murder.
Journalist Mike McIntyre reported extensively on the case for the Winnipeg Free Press
and observed that Sydney showed no emotion as the verdict was read.
But as he was being led out of court, he called the prosecutor an obscene name and gave her the finger.
That prosecutor, Sheila Linebird, told the media that the letters to Dan Zupansky were likely a big influence on the jury
due to their very graphic and detailed nature.
She commended the jury for getting through the trial and said they'll be offered trauma counselling to deal with the things they'd seen and heard.
Mike McIntyre reported that he observed an unusual sight. Several jurors were seen hugging members of Robin Greene's family.
This verdict meant an automatic sentence of life in prison, but the jury added a recommendation.
Seven of the 12 jurors recommended that Sydney should not be eligible for parole for 25 years,
a sentence that's usually reserved for first-degree murder convictions.
The other five jurors had no recommendation.
Justice Glenn Joyle ruled that Sydney would have no chance of parole for 25 years.
There was nothing banal about what he did.
Quote,
To have intended these particularly grisly acts is a matter of some significance.
I am struck by the purposefulness and precision of his violent acts.
The judge pointed out that the existence of the letters and Sydney's desire for fame
revealed not only his attempts at self-promotion for financial gain and profit,
but also a shocking lack of remorse for ending Robin Greene's life in such a horrific way.
The judge described the crime as one of the most brutal he could conceive,
and while there may have been some embellishments in Sydney's letters,
the judge believed he knew exactly what he had done.
And this meant Sydney Tierhus needed to be separated from society as long as possible.
With all the overshadowing factors in this case,
from the gruesome details to the celebrity angle to the men wanting to cash in on the story,
Robin Greene, the man who lost his life, has largely been reduced to a character.
Newspaper headlines that sensationalise the most awful parts of the case
and erased Robin's humanity upset his family so much
that they sent a cease and desist order to the Winnipeg son.
They've rarely spoken to the media.
Family members travelled to attend the trial
and deliver victim impact statements at the sentencing hearing.
According to the Winnipeg Free Press,
Robin's sister Janice said that she was devastated just to learn that the 38-year-old had died.
But when she heard the gory details of his demise,
quote,
I was never to be the same again.
I fell apart.
His death made me question life, my creator and my spiritual being.
She said that she agonised over the fact that Robin was killed
while he came to visit her in Winnipeg that weekend.
Their father, Elder Robin Greene Sr,
said that having to relive his son's death through the trial was incredibly difficult.
Sydney Tierhus appealed his conviction on the grounds that the judge made mistakes
and instructing the jury to pay attention to those letters.
According to CBC News,
he apologised for being late with some documents he needed in preparation for the appeal hearing.
He said that he was suffering from liver disease,
recovering from a flesh-eating disease and was wheelchair-bound.
In May of 2010, his appeal was dismissed on all grounds.
Sydney Tierhus will be eligible for parole in July of 2028.
He'll be 59 years old.
At around the same time as that appeal,
Dan Zupansky released the book that he was writing on the case.
Trophy Kill, The Shall We Dance Murder, The Trial and Revelations of a Psychopathic Killer.
The book is described as horrific but thorough
and includes all of Sydney's graphic letters and pictures.
The book lays out all the evidence like a jigsaw puzzle,
specifically letting the court transcripts of witness testimony speak for themselves.
After everything that's happened,
Dan stepped back and took a look at all the evidence
and he realised that a likely motive for the murder
may have been hiding in plain sight all along,
and he believed it all came down to that necklace.
I was intrigued, so I reached out to Dan to find out if he'd be interested in chatting about this
and answering some of my questions,
and he graciously agreed.
He still has a lot to say about this case.
Dan has been questioned about his methods and decisions many times before,
and I incorporated his responses into the episode.
What I'll be asking him are the questions,
I've been left with, just from a curiosity perspective.
Now, Dan Zupanski started his podcast, True Murder, in 2010,
at around the same time as his book, Trophy Kill, was published,
and he continues to release weekly episodes of the podcast.
You are now listening to True Murder,
the most shocking killers in true crime history
and the authors that have written these stories
in true crime history and the authors that have written about them.
Gacy, Bundy, Dahmer, The Night Stalker, BTK,
Every Week, another fascinating author
talking about the most shocking and infamous killers in true crime history.
True Murder, with your host, journalist and author, Dan Zupanski.
So, it's my pleasure to welcome Dan Zupanski from Winnipeg.
Dan, thank you so much for joining me today.
Thank you very much, Christy.
So, we're just going to get right into it.
So, you've developed a theory that the Susan Sarandon necklace
was the motive for the brutal murder of Robin Greene.
But my question is, Sydney always said that he didn't find out
that the necklace was from that movie set
until a police officer told him after he'd been arrested for the murder.
So, I'd love to know a bit more about your theory,
specifically how you came to that conclusion.
Well, here's the thing, putting a bunch of inferences together
and thinking about this and working on the case
for waiting for the case for five and a half years to come to trial.
I came to conclusions based on all my research
and all of the things that he had written to me,
alluded to me, intimated, insinuated and hinted at.
So, what I realized is that Sydney certainly was a movie fan.
When he met Robin Greene that day and he claims that there was jewelry
that Greene was trying to sell him,
I have no evidence other than to believe him in that regard.
So, let's assume that he was a proposition
and said, do you want to buy this jewelry?
Took a look at the jewelry.
Assumed it was women's jewelry.
They went back to his hotel
and later on they left that hotel
and they went towards a park
which was just happened to be not far down
from where the Shall We Dance movie
was shooting some outdoor location shots.
Now, I don't know absolutely if they had a conversation,
but I believe that they had a conversation about that jewelry,
where it came from and Sydney at some point
realized and hatched a plan
to kill this person in such a sensational way
because he knew they would have that jewelry there
to ensure what he believed would be certain fame
with having the jewelry connected with
an incredibly sensational murder.
A very unique murder.
What's left out of the reports is also
the description of the body in the bathtub that day
is very, very, very important to this.
The idea, my theory that he's a serial killer
and that it was this end of his series and why.
We'll definitely get to the serial killer theory in a second,
but I just want to clarify what you just said.
So, Sydney insists that he didn't know about the necklace
until days after he murdered Robin,
but your theory is that Sydney did in fact know about the necklace
and decided that he could use it to get fame and notoriety,
but he also knew what the penalties were
for first and second degree murder regarding intent
and decided that if he pretended like he blanked out
and had no idea where the necklace came from,
he could get off with manslaughter.
Is that a decent characterization of your theory?
Yes, and he knew roughly from what he had written me
that he wanted to be out for the 2010 Winter Olympics in Vancouver,
and that would have been seven years from the time
that he was arrested for the murder of Robin Greene.
So he knew that typically a manslaughter was about ten years
and he could be out in about seven years
if this could be depicted as a manslaughter.
And like I said, when he, in that one year of correspondence,
where he could have told me anything,
he could have told me he was innocent,
he could have told me, yes, hard to believe,
but I really don't remember what happened,
but instead he told me this horrifying tale
of how much he enjoyed each and every graphic detail
of this surgical-like autopsy of a human being,
exploration, disposal of all the organs,
and then displaying this person in a murder-horror spectacle
for maximum shock value.
If we are to move on to the serial killer angle,
so Sidney told you that he was questioned by the police
for other similar crimes,
specifically in Vancouver and Edmonton,
where he'd been working as a chef.
And from this, you've developed a theory that he has murdered before,
and this was kind of touched on at the trial
because the forensic pathologist testified
that the person responsible for Robin's murder
seemed to have a prior knowledge of human anatomy,
but that was the only evidence presented
on the specific kind of angle of a serial killer.
And then in the book it says,
Sidney told you that when he kept denying to the police
about these other murders and dismemberments,
eventually a police officer gave up
and decided that he must have murdered them all.
So are you able to give us any more information
on these murders, whether they're still unsolved
or if you still think he was responsible?
Well, following this, I always had the idea
that he was a serial killer,
and I tried to follow up to try to find unsolved murders
in places where he had been, in Vancouver.
It didn't make sense for me, for him to always have dreamed
of going out to Vancouver, the very liberal Vancouver,
and many ways he had mentioned it,
it was his dream place to live and work.
For him to then move to Alberta seemed odd,
and then for him to then move to Canora suddenly
and then be back in Winnipeg seemed odd in itself.
In terms of the unsolved murders the way he described,
I thought about it for a while and then realized,
that's ridiculous, I did research.
Obviously there are no other cases,
let alone in Canada, let alone anywhere,
where there would be a similar,
even remotely similar type victims left at a crime scene.
However, when I say about intimating, insinuating,
hinting at, directing me to,
his heroes were incredible serial killers,
not only that they were infamous, but they were also,
one of their characteristics was that they,
except for Aileen Wernos, he said,
Gacy, Dahmer, and Nilsson were his heroes.
So what was it about those three killers that he admired,
was part of it is that they destroyed their victims.
They were able to, in fact, get rid of any victims.
There were no crime scenes left for the victims of those three killers.
They were all killers that killed homosexuals,
and that was, again, an aspect of Sidney Tierhuse.
He talked about his victims and he mentioned
that Robin Greene wasn't his ultimate victim.
Those were his words.
And he talked about vulnerable people that he could pick up
at a bus station or at one of these, again,
hardcore bars, I guess,
people that wouldn't get so noticed if they went missing.
So he talked about all those things and it made no sense
for all the time that I worked on this case,
it made no sense for somebody to have serial killers as heroes
and then for them to have the capacity
and capability that he certainly had with this one murder
to then not pursue this,
to have a plan that did not include continuing
as serial killers would.
Somebody who had enjoyed these aspects of it,
it seemed incredibly peculiar
that he would have stopped at this one murder
and then insinuated, intimated and hinted at other murders.
He taught in his language,
when you kill someone,
when you do this, when the body dies.
I mean, he did everything but admit
and I believe it would be part of the incredible revenge on society.
Never mind revenge on his adoptive family,
but revenge on society to be able to have this over everyone,
this, I committed murder, I'm likely a serial killer,
I have all, I fit the profile better than anyone has ever fit,
a serial killer profile, that's certain.
And I did a few years in prison,
I'm famous and I'm going to make some money.
So if Sidney was allegedly a serial killer
and had gotten away with his previous murders,
why do you think he decided to turn himself in for this one?
I think that once he realized he had this opportunity
to become famous,
he realized that with that jewelry that would ensure fame,
in his mind, he's somewhat delusional,
but in his mind, Susan Sarandon, Jennifer Lopez, Richard Gere,
right on the backs of Chicago, a Miramax movie,
this was a big deal in Winnipeg.
Winnipeg is a big movie making city,
comparatively in North America,
but this is still pretty big for Winnipeg
and it was on all the news.
And regardless if he's living in a low-budget hotel room,
he is seeing the fear that's going on in Winnipeg.
Richard Gere's limo would have been parked right next door
to the bar that Robert and Green and Sidney Tierhus met at.
Every night at the dance studio, right next door to that bar,
which is about 100 yards away from the Royal Albert Hotel
where Sidney Tierhus rented the room.
And he's a movie fan. He's a self-avowed movie fan.
So some of the three biggest movie stars in the world at that time
were in Winnipeg and he realized that this jewelry
was going to ensure him infamy
in the things that he was interested, which was murder and movies.
So why come forward?
Because he knew that he could do a few years in prison.
He was at the end of the road.
He was always losing employment.
He was back where he wanted to leave.
And he went and wrote in the letters where he went back to his old address
and back down bad memory lane
and thought about all the rejection.
He really, he said he had no connection to any of the,
this adoptive family anymore.
He certainly had no connection to his bio family.
So he had no one and he was back in a dead end in a flop house.
He was at the end of the road.
He could talk about having money for alcohol.
And he talked in the trial.
He was taking Oxycontin.
He was smoking some crack, smoking some weed,
drinking all kinds of alcohol,
but he really was at his wit's end.
He was almost unemployable
and he was back in a flop house in downtown Winnipeg
and blazing heat in a hotel.
But he knew he had this jewelry
and he also knew he had revenge for his adopted family.
Because on July 2nd was the day he was adopted into this family,
into what he claimed was abusive family.
So Robin was killed on July 1st
and Sidney turned himself in the next day, July 2nd,
which was reportedly also the anniversary of his adoption
into the Tier Hughes family when he was three.
So you definitely think the date also played a role?
Absolutely.
I mean, it can't be coincidence.
And he made sure that he pointed that out to me.
He wanted somebody to do a little bit of thinking.
He's an intelligent guy.
And he wanted somebody to work a little bit.
I mean, he told me all the details.
He gave me all the particulars
because he wanted to share it with someone.
I
My name's John Weir.
You don't know me, but you're gonna.
Because I know the people that have been watching you,
learning about you.
They know you've done well for yourself,
that people like you and trust you.
Trust you.
Now imagine what they're gonna do with all that information
that you freely shared with the whole world.
Now imagine what they're gonna do with all the information
you have at it.
Yeah, I'll be in touch.
I know on the stand,
Sydney tried to infer that you pleaded with him
for gory details.
And after a while, he just gave in
and gave you what you wanted.
This is what I said to him.
I didn't goad him.
I didn't prompt him.
I said, after about nine months
of stuff about his family,
some of it exaggerated.
His importance as a chef,
likely some of it exaggerated.
I, you know, we had all of his background.
We had many things that were components
of a book, I believed.
But after nine months, I said,
listen, I need the publisher
wants to know details
of the day in question, the night in question
that you claim to not remember.
That's it.
That's not constantly pleading
for gory graphic details.
That's not what that is.
And then in the next three months
came a flood of information
where he reveled,
absolutely reveled in the crime,
the murder, said it was
a reasonable sacrifice,
this person,
that he treated him like a side of beef.
He enjoyed the organ removal,
the virtual autopsy.
He had fun.
He paced it out.
It was sexual for him.
And then there was necrophilia
and all the enjoyment,
the emotion of the incredible feeling he had.
And then again,
the disposal of the organs miles and miles away
after carefully,
and this is the pathologist,
surgical like removal.
Those letters were used
for detail by detail to say,
yes, with the pathologist,
this corresponds with what is true.
And he could not have that
from reading anatomy books.
He could not have that.
He could not have that.
He could not have that at all.
The squishiness of certain organs,
the description,
and that's why there's all those pages of transcripts,
which people say I hate transcripts.
There are transcripts that are quite boring,
I would imagine.
And I think that I could have done further editing,
I think, and people have pointed that out.
But I think a lot of the testimony,
those are very crucial testimonies to hear,
to be able.
It's rare for a defendant to take the stand.
And I had the unique position
of having conversations
and detailing those conversations
with the prosecutor.
Unbeknownst to the defense attorney,
I interviewed the defense attorney.
Yeah, I was going to ask you about that,
because the transcript of that interview
was also in the book.
And I read it with some interest
and I wanted to know, like,
why did you decide to interview him?
The purpose was I wanted to establish
his philosophy.
I wanted to know,
and I didn't refer to the case
that I was involved in.
So unbeknownst to him, I was dealing with his client.
But I wanted to know
how he dealt with the cornerstone
of the judicial system,
as it's been described,
the idea that you were not to lie for your client
or have your client lie on the stand.
So I wanted to
interview him to establish that
I think what I was doing with the book,
as you can see, is that I was making predictions.
I was asking people,
well, what will he do?
How does the murder case actually work?
Because I had a lot of time
in between me coming forward
with the information after a year
of corresponding with Sidney.
What I did in the interview was ask him this
basic question.
If you're not alive for your client
or have your client lie on the stand,
how do you determine the truth?
And then, like you say,
very colorfully, he said,
well, what do I care about the truth?
This is not a church.
He says, what do you want me to do?
Run up to the judge, you go on,
or you're on, or my client's guilty.
Well, I said, well, what if he tells you
more than one story?
He says, well, they all do that.
He says, they can tell me four or five different stories.
And I go, well, then,
of course not.
Why go, well, then, what's the standard?
What's the standard, basically?
You can't pin this person down.
He says, well, there's five different stories.
And why I did that is to get that one
gem.
How do you determine the truth?
You're not to lie for your client or have your client lie.
And I also
interview a former crown attorney.
And I said, well, how does a lawyer do it?
He says, well, this is what you do.
You go in there and you say, shut up.
You don't say anything.
Here's what they know.
Now think about it and tell me
what happened.
And he says, if the client is halfway
smart, they'll figure it out and
well, there you have it.
So it's the way around the fundamental
cornerstone of the judicial system.
This guy says, well, I don't care what
the truth is. So then we,
I knew that would be valuable.
Then later when we go to trial,
we see there's no way on earth
he doesn't know the truth.
And he says in fact, the lawyer
that the only reason his client
knows these details
that he gave to me
was because they went
and visited him at prison,
brought the discovery, which was
the autopsy photos,
the crime scene photos,
the police reports,
and they brought it out constantly, at
least once a week they claim that that's
what they do with their client once a week.
And that he took notes and
eventually they saw, well, hey, wait a minute
what's he doing? He's taking notes
but oops
we kind of did that.
We kind of gave him all that information.
And then you think, really, you're bringing
autopsy photos out every week for
a guy to look at and crime scene photos?
I just wanted to
find out what was your personal
opinion of Sydney. Like, I know
that you met with him a couple of times
and had a bunch of phone calls, but most
of your correspondence was via letters
which came primarily from his
side. What do you think
of Sydney?
Well, the thing is, what I think
of him is only
as a subject for this book.
I mean, I didn't
befriend him. It wasn't my intention
and it couldn't have been possible.
I
can't believe the crime that
he committed. And so
I went there with him as
this oddity, this sociopath,
this
unique killer
and certainly
saw it as a unique, journalistic
opportunity and
experience.
It was
the most unforgettable
and bizarre
year of correspondence. It was hard
to assess
what I was
feeling getting
that information.
You know, being excited
as a journalist with
an opportunity yet
having to
correspond
with someone like this,
giving me this kind of information.
I mean, I was open to the
opportunity, but
it took a
psychological toll.
And I bet it was
quite stressful. I read at one point
that you were concerned
for your safety. Was it in the lead-up
to the trial?
You know, the thing is, I always said that
after this trial, which he received
the pretty well unprecedented
25 years before
parole eligibility, whereas
that's the maximum sentence for first
degree murder under any conditions
in Canada
versus the manslaughter.
So instead of
him possibly getting out and say
he did get the manslaughter, typical manslaughter
10 years and he was out in
seven, well, he had already done
five and a half years in custody.
He had been out in about
18 months with no supervision.
And he might have thought,
geez, this guy
betrayed me
or ripped me off. I think that was
a thing. I think this guy stole from me.
You know, and I knew what his
capabilities were. So, I mean,
and I might have played up the actual
danger I felt, but I think
it's real. He said a trial
that he hated me.
I think that's a very rational fear.
Now, when it came to the book
which ended up being titled, Trophy
Kill, The Shall We Dance Murder,
I know that that was one of Sydney's
choices for title. And personally,
I would have changed the title just so
that he wouldn't be pleased, but the elephant
in the room is that I'm also covering
this case, knowing that he might be
pleased about that. But anyway, you
said at the trial that you didn't know
why he wanted you to call the book
Trophy Kill. And you kept asking
him, but he wouldn't tell you. And then
in the end, you decided that it was
the most appropriate name for the book.
So, I just wanted to know a little bit more about
that. Well, you know,
he said, this is Robin Green,
dismembered,
disarticulated
and disemboweled.
And this is my creation, my trophy.
So, I asked him, why
would you, why do you think
he was a human trophy? But trophy kill
is like the guy that
goes out somewhere and
pays to shoot an animal.
And this trophy kill
to him, I guess, I believe
when he believed it was the ideal
title was just the
idea that he killed to be
famous, that he had
the ability to kill anybody
and he chose this
opportunity. There is
never been any crime scene,
not Jack the Ripper,
not anybody. I've done
the research, not anybody
did a crime scene,
made a display.
And then you say, well, why do you think
he's a serial killer? Because even the most
exclusive serial
killers have never done this.
The capability of then
walking into what
he believes is a police station,
nonchalantly. They thought, this guy
must be kidding.
They walked into the hallway. He was only
a few feet away. He could see everybody's reaction.
This room was
tiny. I mean, there was nothing to the
room. And so
that's what people got to see.
And that's what he knew
those people would get to see. He was, they said, well,
we think this guy might be kidding
because he's too calm. Because this is
not the kind of guy you see every day, even
in
Murder Capital Winnipeg.
So are you still searching for
answers and the truth to
this case? Like now that more
time has elapsed, what do you
think? What's left on your mind? Or have you
completely moved on?
Well, I never quite move on. And I've
done some research after
I
had a fellow
journalist contact him
about a possible serial
killer documentary that she was going
to produce. And she has written
various true crime
nonfiction books
about serial killers.
And he agreed, despite
first saying, well, I'm not a serial
killer. And she said, yeah, but you
fit all the characteristics. So he was interested
in that. And then that correspondence
broke off.
His parole hearing is in seven years. So
what I am going to do
is that I
need to be at that parole hearing
in 25 years. Because part of my
philosophy is that
this killer, like many
killers, should never be
released from prison. And especially
this killer here should never be
released from prison. And I know that's sort of
a novel idea in Canada, thinking
that a certain amount of years
constitutes
rehabilitation. Or there are
some programs in prison
that you and I are not aware
of that would ensure
or address rehabilitation
of this kind of
killer considering
the circumstances of this
murder. In less than seven years
to petition to have status
at this trial because
of his reported
hatred of me. And
as I explained, my fear
that he could
want to have some retribution
over what he believes
is a money owed or
betrayal or
that I got him 25 years
to life. Like I know
that he said, you know, he changed
his mind and he felt like the things he'd
said were damaging. And that's why
he was saying that it was all
lies, even though
Robin's body had been found
in the same way that it had been found.
But like, do you think
that he is genuinely
remorseful for this? Or that
he has the potential to
show remorse? Or do you think that
he was only
saying that he had
turned back because
he'd been caught, I guess, because things
backfired? Oh, it's only
because he believed that
now I was ripping him off
and that I certainly would go to the
authorities with the information
he thought, oh yeah, the guy
just said that. I never heard
that. See, he didn't believe
that the law had actually changed. He said, I never
read anything like that. You're just trying to rip me
off. And so I guess he believed
in the ripoff that I would
go to the authorities
instantly with this information.
I don't know why he assumed
one was connected
to the other. And so then
he retracted certain things
and tried to discourage
me from going on.
But again, like I say,
I was confident that the
information he gave me
was accurate,
was factual, and
I was totally
vindicated at trial by, again,
the forensic pathologist
confirming then the
jury believing
the letters, believing the pathologist,
believing my testimony.
You know, when you look at this in
the beginning in the reporting, it's like
they were excited to have me as a journalist
come forward and then
realize, wow, look at the evidence
that this guy was able to obtain
from the killer himself
and this evidence is being
used from day one at this
three-week trial to
prove this case. And
like without this evidence
the prosecution doesn't have a
case, which I think
is just demonstrative of
how, what kind of
incredible standard we seem to have
in Canada here to prove guilt
if you, if
I were not to be involved in
this case where Sydney
hadn't wanted to
tell me every single graphic
detail of
a tale that really defies
his, his claim that
he was drunk and he couldn't remember.
I think it's ridiculous and I think
that's why the book is important
for Canadians to read
rather than Americans.
Even though the crime was
absolutely horrific, you're critical
that the press still didn't give
the attention that it deserved
even with the celebrity angle
and you've suggested that it's because
both men were indigenous and gay
and there was alcohol and drugs
and a low rent motel involved.
This case
without my involvement would have went away.
Like you say, when you look at
the summaries of this
you have no idea
of the magnitude of this crime.
You don't. And then so
like I pose to
a journalist in Winnipeg
I said, imagine
if it were a white woman
found in a hotel bathtub
with her sexual organs
removed,
decapitated, her organs
removed and posed
and displayed. You think then
it would have been national news?
I don't even hear about this. I mean
it's just
it's downplayed because it was
just a couple natives
drunk natives, homosexual,
not important
it was
ready to be swept under the rug
but
what's really the real injustice
would have been the victim
the killer would have got a manslaughter
conviction out of this
and been laughing the whole seven years
he would have been in prison.
So what's next for you Dan?
I know that you were definitely still releasing
weekly episodes of True Murder
plans to write any more books
anything in the works?
Well I have a
I'm a procrastinator
but I've also been
involved for about three
or four years with another
well a case that's really close to my heart
about a person that was abducted
on Halloween in 1984
named Scott Dove
and this was in Thunder Bay, Ontario
and this case
he was abducted for a month
and then found
murdered a month later
and so I did all of the
preliminary research
and unfortunately
as you may know in Canada there
is not the kind of cooperation
that my American
author friends receive in the US
lots of times there are detectives
that are given
case files, police reports
I've interviewed prosecutors, judges,
detectives
there seems to be in Canada
a lot of ways to
jam you up and not be
able to get the kinds of information
you need to write a complete book
so I'm still working
on the Scott Dove
cold case book presently
so anything other than that
I don't have any other plans
for any other books because I
in Canada because of that same
reason I think you really do have to have
a unique access
to some information before you
can really write a book
so again it's just a matter
of access I believe
that sometimes in Canada
we just don't really have prosecutors
and police that are really open
to giving up files
and telling you what was going on
in what's always an ongoing
case. Interesting
well Dan thank you so much
for taking the time to speak to me
and I wish you all the best with
this year and this project that you have
going. Well thank you so much
and it's been
a thrill to be interviewed by
you and I hope to hear the end
product sometime soon. Thank you so much.
Thanks for listening
and special thanks to Dan Zupanski
for giving me his time and also
to Hailey Gray for research
it's a bit of a head scratcher this one
and I'd love to know what you think
after listening to the episodes
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