Get Sleepy: Sleep meditation and stories - Building the Taj Mahal
Episode Date: January 10, 2022Welcome back, sleepyheads. Tonight, we travel back to 17th-century India to witness the grand development of the famous marble mausoleum, the Taj Mahal. 😴 Sound design: crickets, distant river.�...� Narrator: Thomas Jones 🇬🇧 Support Us - Get Sleepy’s Premium Feed: https://getsleepy.com/support/. - Get Sleepy Merchandise: https://getsleepy.com/store. - Apple Podcasts: https://podcasts.apple.com/us/podcast/get-sleepy/id1487513861. Connect Stay up to date on all podcast news and even vote on upcoming episodes! - Website: https://getsleepy.com/. - Facebook: https://www.facebook.com/getsleepypod/. - Instagram: https://www.instagram.com/getsleepypod/. - Twitter: https://twitter.com/getsleepypod. About Get Sleepy Get Sleepy is the #1 story-telling podcast designed to help you get a great night’s rest. By combining sleep meditation with a relaxing bedtime story, each episode will guide you gently towards sleep. Get Sleepy Premium Get instant access to ad-free episodes, as well as the Thursday night bonus episode by subscribing to our premium feed. It's easy! Sign up in two taps! Get Sleepy Premium feed includes: Monday and Wednesday night episodes (with zero ads). The exclusive Thursday night bonus episode. Access to the entire back catalog (also ad-free). Exclusive sleep meditation episodes. Discounts on merchadise. We’ll love you forever. Get your 7-day free trial: https://getsleepy.com/support. Thank you so much for listening! Feedback? Let us know your thoughts! https://getsleepy.com/contact-us/. That’s all for now. Sweet dreams ❤️ 😴 Learn more about your ad choices. Visit megaphone.fm/adchoices
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Welcome to GetSleepy.
The podcast when we listen, we relax, and we get sleepy.
I'm your host, Thomas.
I hope you're all doing well out there, and it means a lot to have your company tonight.
I'm sure you've heard of the Taj Mahal, the majestic ivory white marble morselium in India. You may have seen it in travel
photos, or maybe you've even been to the legendary place yourself. But no one living today
saw the Taj Mahal as it was being built. Tonight, however, we'll use the power of our imaginations to see just that.
So, let's take a moment now to transition from the busyness of the day into the slow and
peaceful ambience of night. For a lot of people, myself included, this moment of getting
into bed, can often be the time when our minds start to overthink and catastrophise, which
of course disrupts us from our rest. Without the chores of the day to keep us occupied, it's easy to feel confronted with numerous
worries and thoughts when our head hits the pillow. That's why it can be good practice to keep a diary
so you can offload those thoughts on paper before bed each night.
And that just allows them to exist outside of your own head, making more room for peace
and quiet.
At this moment right now though, all I want you to do is breathe nice and slowly, really
filling up your lungs with the inhale, and then gently letting the breath go as you exhale. And at the same time, repeat the words, I am calm in your you exhale, say, calm. I am calm.
The more you affirm this phrase, the greater sense of calm,
This phrase, the greatest sense of calm, you'll feel throughout your body and mind. And as you gradually sense that easing of worry and disruption, you can simply continue along the path to sleep by listening to the sound of my voice.
We are about to go on a historical adventure, so let's head back in time to a world that but was very different from the one we know today. It's a cool, quiet morning in the Indian city of Agra.
The year is 1640, construction of the Taj Mahal, which means crown of the palace, as just about wrapped up.
The Magal Emperor Shah Jahan had the Taj Mahal built as a loving tribute to his wife Mumtaz.
She was laid to rest here a few years ago. The Taj Mahal was originally built as a
more salient for the Emperor and his wife. But over the years, it will become famous throughout
the world as one of the most stunning symbols of love ever made, due to its unparalleled
beauty and the care that inspired its construction.
You stand at its gates now, relishing the crisp morning air. Built on the southern bank of the river Yamuna,
it's a beautiful dazzling white building. Although you can't see the river from where you're
standing, you can hear the sound of rushing water in the distance.
the sound of rushing water in the distance. Every once in a while, it's accompanied by gentle bird song, creating a beautiful morning melody. It makes you feel grateful for your
presence here, they're early in the day. Somewhere in the distance, a man sings an early morning prayer.
The notes of his voice are carried softly on the wind, blending with the harmonies of the bad song
and the river. You close your eyes and try to focus on his voice, which is both soothing
and deeply moving. The city around the Taj Mahal is just starting to wake up.
Farmers are heading to their fields and shepherds are herding their animals.
Roosters cry out from various corners of the city.
Their calls echoing through the air. Every single sound is clear and distinct. One day in the future the skyline will be filled
with buildings, but in this moment you can only see the Taj Mahal and a few other colourful domes in the distance.
There is plenty of space between them so you can see the sky clearly.
It's streaked with shades of yellow and orange from the rising sun, complementing the reds and blues of the domes.
Agra used to be the capital of Shah Jahan's empire, and it shows in the quality a number
of important buildings here.
Although the capital was moved to Delhi in 1638,
the splendor of this city has not dimmed in the least.
Agra benefited from the Emperor's love of art and architecture. The Taj Mahal may be the crowning glory of his patronage,
but there are also many attractive red brick buildings that dot the landscape. Shah Jahan was the fourth emperor of the Maghul dynasty.
Primarily based in the Indus basin, this impressive empire covered most of India,
Afghanistan and current day Pakistan.
The Maghuls were known for their support of the arts. They introduced many aspects of Persian life to different parts of South Asia, creating
a rich cultural tapestry that will leave its imprint long into the future. In this part of India, the Magal influence shows in the architecture.
For example, minaretts, the tall thin towers that are attached to mosques are very common. The McGolls style of architecture often features elaborate carvings.
Many of these buildings, like the one before you now, have rounded domes as well.
While the Taj Mahal was built from marble, other buildings were predominantly covered in
small pieces of tile instead.
Marble was too expensive for most people to afford.
You saw some of these tile-covered buildings when you walked through the city earlier. But your path eventually brought you
to the gates of this most famous monument. Soon you will be able to shadow the chief architect,
the Hori as he oversees the finishing touches to this glorious creation. You stroll through the wide courtyard of the Taj Mahal where the architect Lahori is
assessing the area. A tall, bearded man wearing a turban.
He has a calm, contemplative expression, and he walks slowly as he looks at everything
in detail.
In the next few years, the architect plans to turn this space into a lush green garden with a pool dividing the courtyard in two.
It will be filled with the clearest, bluest water, and it will be known as the reflecting pool.
The edges of the pool will be lined with trees, creating a wall of greenery on either side. Not too far from you, Lahore is strolling across the part of the courtyard where the pool
will be built. Is inspecting the different corners, checking to see if all is ready for the upcoming construction
work.
You follow Lahore through the courtyard, being sure to keep up with him, while also going
slow enough to appreciate your surroundings.
The proposed design of the garden is inspired by the Islamic concept of paradise. It will
be divided in two by four rivers which flow from a single stream. Although the garden hasn't been built yet, this place
already feels heavenly, you think. The Taj Mahal is unmissable, even from a distance.
But standing here, you see that everything has been constructed, so the main building
is the prime focus.
It's a breathtaking sight that holds your attention and doesn't let go. The white marble lit up by the first rays of the sun is mesmerising.
The polished white grey stone glistens everywhere.
Its pristine and looks new as if it's just being brought here.
The marble for the building was supplied by a small town in Rajasthan in northern India.
This town is known for having the finest marble in the world.
Only the best would do for the emperor's beloved wife, after all.
But the Taj Mahal isn't entirely marble.
Some parts of it have a foundation of sandstone.
Plates of marble reinforce these areas, covering up the sandstone and creating a structure
that is beautiful and sturdy.
In the centre of the building complex is a large rectangular base with a rounded top,
known as the central onion dome.
The highest point of the building stands at more than 70 meters, cutting an imposing
figure on the landscape.
Four tall minarets stand apart from the main building.
When viewed from the garden, they give the effect of framing the onion dome structure,
adding a sense of depth and grandeur.
The minarets have rounded tops, resembling smaller versions of the central dome.
The whole complex is strongly inspired by traditional Persian architecture.
The central dome is smooth and shiny, with not one floor to be seen in its construction. It seems impossible to believe
that something this perfectly smooth could be carved out of rough heavy stone.
The garden you're walking through is covered with soft grass.
Your feet sink into it as you take the slow steps towards this gorgeous monument.
You find it's hard to take in all its beauty at once.
The grandeur of the dome is dazzling and you want to keep looking so it's embedded in
your memory forever.
You notice some steps on one side of the building.
A few workers are sitting on them having their coffee, and may be a bite to eat,
as they get ready for a day of work.
Their job is to take care of the carvings, engravings, and calligraphy found within.
The decorations of the Taj Mahal are what you're here to see.
You want to fully understand just how much work has gone into making this extraordinary
place.
The chief architect Lahore stops at the gate of the primary structure and examines something
by the door, which is unlike any other gateway you've seen.
It's as grand as everything else in this building complex.
There's a massive arch at the top, and the paneling is decorated with an intricate floral
design.
You see some Arabic calligraphy as well, but it's only half done at this point.
Some of the workers you saw outside are probably the artists for this part, you think, marveling
at their craftsmanship.
You take a closer look at the black lettering on the stone and see it's engraved ever
so finely with flourishes and swooping letters.
The great gate which leads to the Taj Mahal is famous for its main inscription.
It reads, O soul, thou art rest, return to the Lord at peace with him and he at peace with you.
This inscription was completed in 1609, so it's already been here for some time now.
There are many lines from the Quran that adorn the monument, as it is at its
heart a final resting place. Many of the inscriptions and decorations in the Taj Mahal include floral designs, abstract shapes and freeform lines.
In some areas the marble is inlaid with black jasper, which is a member of the quartz family.
The inscriptions higher in the walls are larger and arranged so that someone looking
up from the ground can still read the lettering.
Even the tiniest detail here is deliberate and carefully thought out. You follow Lahore as he moves towards the central chamber of the main structure.
As you approach, you can hear artisans inside the empty room, working away on the delicate
walls. Their chisels and hammers make soft tapping sounds that reverberate through
the large space. Once in a while, a worker stops. The sounds fade as he blows off the stone dust and examines his work.
Then satisfied he resumes and the little tapping noises fill the air again.
You walk through the chamber at a leisurely pace, influenced by the slow rhythm of their work.
As you look around, you try to gauge the amount of effort
that went into creating this place.
The dome you saw from the garden is the ceiling of this room.
The dome you saw from the garden is the ceiling of this room. The marble shines and glistens just as much on the inside as it did on the outside.
Sunlight filters through the lace patterned windows and the space around you is lit up with
a golden hue.
You can see tiny dust particles floating around in these orange yellow rays of light.
They look like fine sugar drifting through a sieve. When the light hits the particles at the right angle, they shimmer
like fairy dust. The windows are just as intricate as the carvings and inscriptions on the
walls. They have been hewn from vast blocks of stone, but the lattice appearance makes it hard
to believe.
The windows are so fine and delicate with thin, interlacing strands of stone. The rays of sunlight illuminate the marble walls surrounding you, and the room glows with
an ethereal hue.
Very few people have been here at this point, so the building feels new and immaculate.
It holds the special law of a place that has only had a few visitors.
There are still some ladders and platforms here and there,
but most of the construction equipment has been cleared away.
A worker is sweeping the floor with a handmade broom, crafted out of bamboo.
As he sweeps, the broom makes a swishing noise against the marble floor.
You bring your attention back to the architect Lahore.
He is now inspecting something on a wall which separates this area from the inner sanctum.
You feel your curiosity rising as you walk towards him. As you get closer you notice something different
about the walls here. On either side of the door that leads into the inner chamber, there
are small alcoves that have been cut into the stone.
The alcoves are gently carved and slightly pointed at the top.
You notice the architect carefully running his index finger across the edge of one.
You can tell that he's checking the evenness of the carving to see whether it needs to be
sanded or refined further.
You're mesmerized by the sense of duty and care Lahore has towards the Taj Mahal. mahal. He has gone to such great lengths to ensure absolute perfection and continues to do so
even now.
Once he is satisfied with the alcoves, he turns his attention to the painting on the wall around them. It's a multi-coloured network of gorgeous
florals connected by vines and creepers. The vines are predominantly blue and yellow,
with orange and green details in the corners, and shades of brown on some of the petals.
The patterns intertwine in an elegant fashion. They're like a visual representation of lyrical
Arabic poetry. You move a bit closer and inspect the minute details of the colourful patterns.
This is when you have a surprising realization.
These aren't paintings at all. The wall you are looking at is one of the best examples of an art form called Pietro
Dura.
For this technique, a base stone is inlaid with stones of different colours to create
a beautifully contrasting visual that resembles a painting from afar.
Examining the wall closely enables you to see where the colourful stones have been put in.
This work must have required so much time and patience, you think.
have required so much time and patience you think. You imagine a devoted artisan with a furrowed brow, focusing on placing the stones just right, and then standing back to inspect
his handy work. Almost instinctively, you take a step back, trying to understand what the artisan must
have seen.
It's striking how these plants look like they were painted with a brush.
They are still very new, so the colours are vibrant and bright.
In some ways they foreshadow the real plants that will soon flourish in the garden outside.
As you look over to the other side of the wall, you see Lahore inspecting the work currently being done by a carver.
A man in his 60s, carefully creating patterns on the wall.
He taps away with his sharp chisel and tiny hammer, making designs that look like flowers and leaves.
The wall is stony and rough, but through his work, something delicate and magical is emerging.
is emerging. The design is about halfway done at this point and looks like it will become a lily or a daffodil. The architect watches closely as the slow, deliberate tapping of the chisel, refines this magnificent stone.
The embossed parts of the plant are slowly coming to life.
You think about the contrast here, between the soft plant and the hard, rough background
of the stone.
Beauty is truly in everything around you.
It's just waiting to be revealed by an artist's hand, working steadily and gradually.
When Lahore is satisfied with the work of the artist, he begins heading towards the
interior.
This is where the tomb of the queen, Mumtaz Mahal, is located.
She was buried here just a couple of years ago. This is a sacred, somber place. As you enter the room, you
feel the sense of serenity and calm that pervades the air.
The tomb is located in the middle of a circular room.
Surrounding it is a boundary wall, which has the same lacy pattern you saw on the windows
outside.
It looks almost like a trellis, only denser with smaller gaps. Walking closer, you notice that the gaps visible
from afar are actually formed by interlinked floral carvings. The stalks and tiny leaves are spaced evenly.
What a marvelous work of art, you think.
The intricacy makes you wonder about the bond that must have existed between the Emperor and his wife,
for him to create something this breathtaking in her honor.
something this breathtaking in her honor. The tomb itself is the definition of beauty and grace.
It's decorated with exquisite Arabic lettering.
These are the 99 names of God as given in the Quran.
Although you don't understand exactly what each one says, you find yourself staring at
the black writing, transfixed by the looping, slanting script.
Some light filters into the room, but it glows a slightly darker orange than the light
in the other chamber.
Perhaps it's because of the angle at which it enters, or just that it's later in the
day at this point.
It illuminates the intricate patterns that cover the floor.
Before long, you see that Lahore is getting ready to leave.
You follow as he walks through a corridor lined on one side by massive windows.
These have the same lace pattern.
As you walk through the corridor, your footsteps echo off the stone walls. Lahore is making his way to the back of the Taj Mahal.
He'll be checking on the other buildings which flank the main one and are currently under
construction.
You wonder if you should follow him. It's true, you're curious to see the mosque and the guest house that are being built.
As you ponder, you reach the open platform at the back.
Here, behind the main building of the Taj Mahal, you're offered a lovely view of the Yamuna
River.
You pause to take it all in, while Lahore continues on.
There isn't much for him to do here, as this part has been completed.
But you'd like to stay.
The other buildings can wait for another time.
Standing at the edge of the platform, you take a long deep breath. It's a bit later in the day and the air is still
cool and fresh. The sun isn't too high in the sky yet so it's
only just beginning to warm up. It's a comforting kind of warmth that leaves you feeling content.
You touch the marble boundary wall of the touch and cool against your skin.
As you stroke the smooth marble, you consider how this place came to be.
You think about all the people who gave so much of their time to make Shah Jahan's dream
a reality.
You gaze at the Yamuna River as these thoughts drift through your mind. The Taj Mahal is gorgeous in its own right, you think. But the
sight and sound of the bank is wide.
You see a couple of horses by the river's edge, drinking water before moving on. You think it could be easy to spend the next couple of hours right here, gazing
at the river, letting your mind wander through all the wonderful sights you've seen. There will be more to do later, but for now your content.
You know this day will last forever in your memory.
It's as though the Taj Mahal is a part of you now.
In your dreams tonight there will be colourful vines and white marble and the fresh, clear
sounds of the river in the background. You feel the love that is reflected in every carving and design.
Like so many visitors in the past and future, you've been mesmerized by the grandeur of the Taj Mahal.
You'll think about this place for days to come. to be living in a world so full of beauty. ... ... you ... ... ... ... ... you ... ... you ... ... ... ... ... ... you