Joy, a Podcast. Hosted by Craig Ferguson - Diedrich Bader
Episode Date: September 12, 2023On this week’s episode, Craig chats with his long-time friend and “The Drew Carey Show” co-star, Diedrich Bader. To quote Craig: “Diedrich Bader, a great actor who has been in everything you�...�ve ever liked!” He is best known for his roles in Veep, Better Things, American Housewife, The Beverly Hillbillies, Napoleon Dynamite and many, many others. EnJOY!See omnystudio.com/listener for privacy information.
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Hello, everybody. This is Craig Ferguson,
letting you know that my fancy rascal tour
continues throughout the fall of 2023.
For a full list of dates and tickets,
please go to my website, thecraigfergusonshow.com slash tour.
My name is Craig Ferguson.
The name of this podcast is Joy.
I talk to interesting people about what brings them happiness.
Here's Diedrich Bader, a great actor who's been in everything you've ever liked.
I'm not kidding.
Listen to this.
Enjoy.
When, Diedrich, when I was...
Yes.
I knew it!
Yeah, it's not about me.
It's about you.
It's about you, and I'm just...
Yeah, we'll see.
No, it is.
Because I want to start with this.
Because when we were working together on the Drew Carey show,
and you were playing Oswald Lee Harvey,
which is still maybe the best name for a character in a second.
I think it's great.
We kind of laugh every time.
Because it's funny.
It's stupid and funny.
And stupid and funny gets funnier the longer you say it.
So true.
But Oswald Lee Harvey, which is on a par with Count Alucard as a stupid name.
But you were playing that fairly early on in the run.
Now, I'm going to say, because you were the only person I'd heard of when I started that show.
Because you had done the Beverly Hillbillies.
You played Jethro in the Beverly Hillbillies.
And you were really good at it.
Well, thank you.
And that was a hit movie, wasn't it?
No, that was a bomb.
Otherwise, I wouldn't have been on the Drew Carey show.
I'd be a major movie star.
Yeah.
I don't know.
I mean, you can be a movie star and be in a box.
You are a movie star.
You're in everything.
No, it didn't make enough money to be attractive to hire me.
Success breeds success.
And people only want to be associated with success.
Yeah.
Yeah.
That may explain my life a little bit.
My friends.
So people I see, that's why I have no friends.
But you were the only one I'd heard of.
And I remember, do you remember when we did the full Monty episode of the Drew Carey show?
Yes, of course.
And we all got naked.
Yes.
And then we went to Las Vegas on Tim Allen's plane.
Yes.
And everyone got trashed.
I got incredibly trashed.
You were the drunkest.
Remember, I'm saying this and I'm Scottish.
You're one of the drunkest people I've ever seen.
The fact that I could stand was...
I was amazed at how drunk you were.
Yeah.
But you were walking around, being loud with very starey eyes.
Yeah.
You were very starey, dancing.
Yeah.
And then you threw a plastic bottle...
I was remembering that this morning.
Yeah, you threw a bottle off the top floor of a hotel and it landed on the swimming pool.
It had to be three stories up.
Oh, it was enormous.
I was like,
if that...
And I remember saying to Kathy,
who was the only other person
not drinking,
I was like,
that could have killed someone, Kathy.
She said,
I know.
And then we agreed
we were the lamest people
in Las Vegas.
I was so fucking dumb.
You totally took care of me,
by the way.
There's no way I would have made it into a hotel room.
I was scared.
We slept together.
We didn't?
I mean, there wasn't a lot of sleep in the center.
Nobody slept.
I think I slept a little bit.
Yeah, you slept a couple hours.
Yeah, but I mean, how did you guys do that, given the fact?
No one was on cocaine, as far as I knew.
Or were you guys on cocaine?
Oh, no.
No.
Drew wasn't into drugs. No. He was just just a boozer and not much of a boozer really no he was kind of a lightweight but ryan styles is the keith richards of the unbelievable he has
a hollow leg yeah he can my problem all drank oh yeah my problem was that time and every time you
did see me drunk was when i tried to keep up with Ryan. I'm not blaming, I take responsibility for how much I drank, totally.
I don't see, I remember you being drunk that much.
No, but every time that I was.
Every time you were drunk, it was Ryan's fault.
It's what you're saying.
No. It's that I was trying to keep up with him.
Yeah.
Just as kind of a guy thing. And once you get into it, then you're like, and then he's just pouring. And he's fun.
As you know, he's really fun.
He's very, very fun.
But here's his trick when he gets drunk.
And even when he's not drunk, he doesn't move that much.
Have you noticed?
He just kind of stands there.
Oh, my God.
That's totally his trick.
You're right.
His trick is he doesn't try and move his legs, arms, or even face.
Yeah.
He just, like, says funny things.
He just says funny things.
Raises his eyebrows a little bit. And it's hilarious. And it gets funnier. And he's very improv-y. Yeah. He just like says funny things. He just says funny things. Raises his eyebrows a little bit.
A little bit.
And it's hilarious.
Yeah.
And it's funnier.
And he's very improv-y.
Yeah.
He's very good at that.
Yeah.
He's very good.
Did you do that improv?
Whose line is it anyway?
I never did.
But I will say.
Yeah.
The funniest comedic improvisation that I have ever seen, and I've seen a lot.
Right.
Was when we had the final Drew Carey show dinner.
And you were invited and we had it on La Cienega at some fancy restaurant.
Oh yeah.
Got like a private, uh,
a private room.
Room.
Yeah.
And it was at the end of the ninth season, which you were not on.
I wasn't on that.
I was making saving grace.
I think you were amazing that you showed up.
Yeah.
But at that point, the cast had gotten so fractious.
Only Ryan and I were speaking to each other.
I think Kathy and I were still speaking.
No, no, no.
But I mean, as far as everybody that was there, like we were still talking to Kathy, but there was a lot of acrimony.
It was tense.
It was like family at that point.
It was like family. that point it was like family that's
my point and craig you were so funny there was something about the awkwardness of the situation
you literally were the funniest person dulce speaks about this my wife speaks about this all
the time really as being the funniest comedy set anyone has ever done because there was something
about the awkwardness of it that sparked you and everything we said that was passive-aggressive to
each other you picked up on and made a joke out of and it was hilarious it was like you were trying
to make things better that's exactly like my family life when i was a kid you were just trying
to make things better i was just trying to make things better. I was just trying to make things better. I swear to God,
that's the question,
is the Scottish thing.
Yeah.
So it's like,
oh,
and the interesting thing is,
I also don't remember my childhood.
And I was sober.
Yeah.
Right?
It's most of your childhood.
Well,
not all of it,
but a fair amount of it.
My childhood,
your childhood is very different though.
You're like,
you're DC,
right?
You're like,
government, family. Would your father, a spy or something? Yeah. childhood your child is very different though you're like you're dc right you're like government
family but your father a spy or something yeah i guess i can say that now yeah he was in the cia
and he was in the cia right yeah and uh he was chief of staff of the center foreign relations
committee he ended up being assistant secretary of state during the clinton administration so was
he like did he do black ops and stuff like that? Was he, you know, away from home?
He did go away from home.
All of the stuff that he did in the field was before I was born.
But then he always kept a hand in and he, oddly enough, he was on the Senate Select Committee on Intelligence, better known as the Church Committee.
Right.
And really went after the CIA.
better known as the church committee right and really went after the cia and because he was in the cia at one point right he was able to use his contacts for those that were within the cia who
were upset with the way the agency was going so you the implication being that there is some
corruption in the intelligence community because i frankly find that hard to believe that anywhere
that humans have power that there would be any kind of form of corruption is unbelievable yeah and i think his greatest like claim to fame the
thing that was brought up in his obituary was that he was the person that supplied uh senator
fulbright the senator from arkansas with the information about the gulf of tonkin which made
robert mcnamara retire that it was a lie. That was in his obituary.
So that, I mean, that's a very impressive resume
and a very kind of specific world.
Yes.
And I was always kind of intrigued as how you,
why you weren't drawn into that.
It feels like the gravitational pull of that kind of thing
would be very strong.
Were you tempted at that point?
No, I was never tempted.
I think because
I saw how the sausage was made. The thing that it did prepare me for in Hollywood was something
that you had alluded to earlier in this podcast, which is the cyclical nature of a career.
The shifting sands. My dad liked to call it the magic magic hat so if you have the magic hat on everybody loves
you yeah but it's not you it's the hat yeah and that's very hollywood that's hollywood it really
is as well but i mean your career is i mean you have had a stellar career thank you i was quite
jealous as i watched you how was that even possible you're you have an amazing you're on
great shows you're on beep which is an amazing show. Because you were on great shows. You were on Veep,
which is an amazing show.
You were on BoJack,
which is like seminal.
Yeah, that was great.
It's like rewriting the whole game.
No, that's a truly great show.
Yeah, yeah, yeah.
Is it something...
And I would say Better Things was also,
I don't know if you saw it,
but Better Things is also a good show.
I did not see Better Things, actually.
Better Things is a very solid,
beautiful show.
So the kind of thing that
there's always been a great depth
to your work, which I don't
think you were used,
and I feel this a little bit, a couple of actors actually,
I didn't see that you getting used
that way in the Drew Carey show
when you were playing Oswald Lee Harvey.
It was a very, it was a fun
show, but it was kind of two-dimensional in many ways.
Oh, no, it was entirely two-dimensional.
Yeah, we were like hothouse flowers.
We weren't real people.
We were just vehicles for jokes.
That said, I totally enjoyed it.
Yeah, me too.
Well, not totally, but a lot of it.
I think I enjoyed it more than you did.
I think you probably did.
I think that it's funny.
I remember...
And I don't think it was because of the size of the part.
You had a good part, and you were a rock-solid performer.
You fucking kicked ass every week.
And rock star every week.
So I don't think it was the size of the part.
I think it's because you were more ambitious than me.
Definitely.
I was.
I don't think I still suffer from that.
But I did have that then.
I think at the time.
Yeah, definitely.
And from my perspective.
I'm not speaking for you. No, I think you you're right i think that i was looking at you guys and i felt like
you were all doing better than me which is what ambitious people always think yeah it's like
everybody's doing better than me yeah and that's so true it is it's like it's fucking stupid yeah
and then like after i had gotten maybe i don't know, I was about 18 months into doing the Late Night show, and I ran into, I think it was Jerry, the director, Jerry, who used to do the show.
And he said, wow, yeah, if ever a guy, you know, it was him and Drew.
He said, if ever a guy needed a show with his name on it, it's you, Craig.
And I went, really?
So I'm standing next to Drew Carey from the fucking Drew Carey show for nine years.
He's like, yeah, it's different.
No, I don't think it's any different at all.
No, it's not.
I was though.
You didn't suffer from that ambition?
Did you not feel that?
I mean, you were coming off like the Beverly Hillbillies,
the big giant movie.
Did you not feel,
was your ambition not burning hot at that point?
Well, I was disappointed by the reaction of the Beverly Hillbillies.
I thought I was going to be a movie star for a brief time.
And then I dipped back into television, frankly, because I ran out of money.
And then I only did the Drew Carey show because I was trying to drive.
I never told you this story.
No, I don't know this story.
So the Drew Carey show was my second pilot of the season.
I was on the revamping of Margaret Cho's show.
But then about, I didn't believe in the show.
About halfway through the show, my agent came and said, I have to go. Was it the Drew Carey show or the Margaret Cho show? Margaret Cho's show. But then about, I didn't believe in the show. About halfway through the show,
my agent came and said,
I have to go.
Was it the Drew Carey show
or the Margaret Cho show?
And I said,
how do I get off this show?
And he goes,
you're halfway through the pilot.
I was like, yeah,
this is really a mistake.
Everybody knows it.
And he goes, okay, well,
so we're going to second position
with something.
So I was like, okay, great.
And I tested for a pilot
called Partners. Tate Donovan did it second position for with something so i was like okay great and i tested for a pilot called
partners tate donovan did it and john crier got my part okay but anyway they lowballed me over at
sony i'm working for right now actually on lucky hang you know totally low i'm working for them
too sony's great yeah i love them they're my favorite people yeah yeah um but uh they totally
lowballed me and so uh i called my agent and i was like, that's, I mean, our quotas are, I mean, they just
have the quote and they're not coming back.
And he goes, well, you know, you got to get something else and we'll just fight him off.
Use it as a bargaining chip.
Yeah.
So he goes, there's this show, a standup.
Have you heard of Drew Carey?
And I was like, no.
No.
And he goes, well, he did well on this other stand-up show.
And I said, I don't watch that stand-up show.
And I was such a TV snob.
If you remember, I'm much better now that I have kids.
You are one of the people that I would say grew the fuck up
since I met them.
Honestly, I mean, you were always a very nice man.
Oh, thank you.
No, you were, but you grew up, it's so patently obvious. Like when you had your kids, you're like, Oh no, wait a minute. Yeah. It's a reset fucking button going on. Anyway. So I went on the Drew Carey show pilot and they wanted to test me. So we put them against one another and Sony did come up to my my quote and so did the Drew Carey show.
And I just showed up for the test.
And I did it like
blah, blah, blah
because my test
for the Sony thing
was the same day.
So I just was like,
okay, yeah,
this is the morning thing
and then I'm going to go.
Like some people would have
a cup of coffee and a shit
and I was like,
I'm going to test for a show.
But the Drew Carey show
was kind of like
a cup of coffee and a shit
was the whole idea
of the show.
The whole process, yeah.
The circle of life.
So, and then I went off to the Sony thing, and then I didn't get the Sony thing, and I got the Drew Carey show.
And my agent called me to tell me I got the Drew Carey show, and I yelled at him.
I was like, what have you done?
Jesus.
That's crazy.
And then the show was a hit.
Yeah, nine years.
Nine fucking years.
I didn't do the last year. I didn't do the first year either.
You didn't do the first year.
Yeah, I joined after that. I was only meant to be in for like three episodes or something.
The first year wasn't good. And I hope I'm not crushing fans of the show. But I really didn't like the show. I actually tried to get off the show.
Right.
In my defense, I had done seven pilots before the drew carey show so i thought
i'll just get another show right and uh i'll be fine yeah back oh my god thank god they didn't
let me it's the hat it's the magic hat it's the magic yeah so yeah they didn't let me off and
i wasn't crazy i loved drew and i loved ryan and kathy was great all right but i didn't love the
scripts i didn't love my part and i, this is to speak to what you were saying
about the ambition.
I thought, like,
I'm a second banana on a show.
I should be the first banana.
Yeah.
And I should get off the show.
Bruce didn't let me off the show.
And I'm very grateful for that
because...
Bruce Helford,
who was the showrunner, yeah.
The second year of the show
was so much better.
And I was trapped. Yeah. and also i had arrived and then everything
and you had arrived yeah and i'm not joking about that it actually made the show happen
because you were a great antagonist to him it what it made his work sheer fucking hell
you're right you there's more sticks to throw at the protagonist.
The voiceover thing,
it's nothing against Kevin Pollak.
He's fantastic.
He's a great actor.
Yeah, he's great.
But he was a voice.
And we saw him at the
end of the first year.
It was a dumb gimmick.
Well, he was, if anyone
doesn't know, he was
Drew's voice.
He was Drew's boss in
the first year of the
show.
But you never really
saw him.
It was just on a
kind of like speaker
phone.
That's right.
And then he turned up for the last episode.
But at that time,
and Kevin said this to me himself,
he said I was too expensive at the time.
They couldn't afford me.
So I was doing a lot of movies.
Yeah.
Yeah, he was a legit movie star at the time.
Yeah.
I think they offered Mr. Wick to Hugh Laurie as well.
No kidding.
Yeah, I believe so.
And I think Hugh said,
no, I'm better than that.
That would have been a mistake.
I don't know.
I think he'd have been pretty good.
Don't get me wrong.
He's amazing.
Yeah, but.
But I think that that wouldn't have worked.
I think that you were fucking perfect.
I think personality-wise, I think what happened,
for me, the Drew Carey show was at its best in that second, third, fourth.
Those were the best years.
Those were the good years, yeah.
When we were doing the live episodes and doing the big musical numbers and all that.
And also, the episode that you were talking about, the Full Monty episode,
that's an excellent episode.
It's a great episode, yeah.
I mean, that scene when we're all on the couch,
and you come in and you talk about your addiction to the ponies,
and Oswalt thinks that you sleep with ponies.
It's pretty good.
It's so dumb.
Remember John Carroll Lynch and Drew dancing to the harp music to Wendy as well.
It's like, and, but these, you look at John Carroll Lynch as well, that guy who's going
on to like direct these like serious movies and he's like big and you've done that too you carved
a legitimate career after yeah after the yeah after the show i think thank you for saying that
well it's true i mean but none of us were part of that kind of whose line improv world the way i
mean ryan did it it was kind of ryan and drew really were who's like really ryan yeah well
drew was funny because he laughed and Drew was funny because he laughed.
Drew was funny
because he laughed
and he liked being around
everybody doing it.
Yeah,
and he's a genuinely fun guy.
Yes,
he's a nice guy,
but Ryan's the improv genius.
Oh my God,
he's a genius.
Yeah.
He's truly incredible.
No,
they asked me to do the show
a number of times.
I'm sure they asked you as well.
No,
I don't think they ever did
ask me to do it.
Or maybe they asked me to do it once.
I'm not sure.
I like,
because I'm Scottish,
I like to go,
they never asked me and they lived to regret it. But I don't think they did me to do it once. I'm not sure. Because I'm Scottish, I like to go, they never asked me and they lived to regret it.
But I don't think they did live to regret it.
Sitting in the dark.
I'm fine in the dark.
I'm fine here, sitting in the dark.
They never asked me.
But I think they probably did ask me.
Yeah, I'd be shocked if they didn't.
I don't know.
I was never that comfortable
and weirdly enough for what i did later on i was very uncomfortable with improv very uncomfortable
with that group improv i always felt i can't really do this a different beast it is yeah
i mean did you like did you like the experience of doing it um one of my favorite parts about
acting is knowing what i'm gonna say yeah isn Yeah, isn't that great? I love it.
Yeah.
I don't know what I'm going to say right now.
Yeah.
And so it's a little unnerving, but if you get to practice what you're going to say,
do it in a high voice, do it in a low voice.
This is my preparation for acting.
Seeing what you're actually saying as opposed to what you're saying.
All of that, text analysis, all that kind of stuff you can really dive into.
That doesn't happen in life.
In life, we just blurt it out.
I think I just realized
why you've done so well as an actor,
because you say words like text analysis
and stuff like that.
I'm like, oh, God, he's a fucking real actor.
I forgot he's a proper actor that does things.
This is an official invitation
to the Fancy Rascals stand-up show.
I, Craig Ferguson,
will be performing this fall in your region.
You can buy tickets and check out the full list of dates at thecraigfergusonshow.com slash tour.
See you there.
Or not.
Meet the real woman behind the tabloid headlines in a personal podcast that delves into the life of the notorious Tori Spelling.
As she takes us through the ups
and downs of her sometimes glamorous, sometimes chaotic life and marriage.
I don't think he knew how big it would be, how big the life I was given and live is. I think
he was like, oh yeah, things come and go. But with me, it never came and went.
Is she Donna Martin or a down-and-out divorcee? Is she living in Beverly Hills or a
trailer park? In a town where the lines are blurred, Tori is finally going to clear the air
in the podcast Misspelling. When a woman has nothing to lose, she has everything to gain.
I just filed for divorce. Whoa. I said the words that I've said like in my head for like 16 years. Wild.
Listen to Miss Spelling on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
I'm Angie Martinez. Check out my podcast where I talk to some of the biggest athletes, musicians,
actors in the world. We go beyond the headlines and the soundbites to have real conversations about real life,
death, love, and everything in between.
This life right here, just finding myself,
just relaxation, just not feeling stressed,
just not feeling pressed.
This is what I'm most proud of.
I'm proud of Mary because I've been through hell
and some horrible things.
That feeling that I had of inadequacy is gone.
You're going to die being you.
So you've got to constantly work on who you are to make sure that the stars align correctly.
Life ain't easy and it's getting harder and harder.
So if you have a story to tell, if you come through some trials, you need to share it because you're going to inspire someone.
You're going to you're going to give somebody the motivation to not give up, to not quit.
Listen to Angie Martinez IRL on the iHeartRadio app, Apple Podcasts or wherever you get your podcasts.
Back in 1969, this was the hottest song around.
It's the time of the season
So hot that some guys from Michigan tried to steal it.
The sun's high
The time of the season for the beat
My name is Daniel Ralston.
For ten years, I've been obsessed with one of the most bizarre
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These guys are not going to get away with it.
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I've trained.
You have?
Did you train?
Yes. Where did you train? Yes.
Where did you go?
I went to North Carolina School of the Arts.
In Winston-Salem, North Carolina.
That's pretty fancy, isn't it?
It's fancy dancy.
Yeah.
It's fancy dancy.
Did you come to Hollywood straight after that, or did you go into theater?
I was going to go into theater, and then I got a pilot in between my sophomore and junior year.
A Western.
We were on vacation in Santa Fe. Met a casting director at a dinner party, short story.
Long story short, I got cast in this pilot.
In a Western?
In a Western.
That's my fucking dream.
It was really fun.
Honest to God, I was going to be a stage actor before that time.
Yeah.
But it was so much fun to dress up like a cowboy.
Yeah.
And I was SAG, and a lot of my friends that had graduated,
who I thought were much more talented than myself, that were in New York and trying to be stage actors were having a very hard time.
It's very difficult, the stage world, I think.
It's even more clicky than Hollywood.
It is.
My father's idea was that I move out here because I'm already SAG, go like Stalin, do a five-year plan, and then move to New York if it doesn't work out.
And I thought that was a pretty good idea.
So I did that.
So your dad, who's this very interesting government figure,
was cool with your going into show business?
His idea, it was his idea for me to drop out of
North Carolina School of the Arts and just get started.
See, he was kind of out-of-the-box thinker then, wasn't he?
Yeah, and I think he knew me.
Yeah.
And he knew that I was going to be on.
I mean, you know, his thing when he brought up the idea,
he said, you know, you got a job at a dinner party.
I think you'll be okay.
And then he paid my rent for the first two years,
which really, really helped.
That does help.
So, yeah, because I didn't need to get a straight job.
I worked enough where I could feed myself.
This is after the first three or four months when I tried to
make it completely on my own. And I had trouble at the beginning. I got a job in two weeks,
my second pilot, but I went through the money really, really fast because I thought I was made.
I thought I paid my dues. It'd been two weeks. Yeah. You know, that's a common thing though.
They used to say like the best time to buy a house in L.A.
is just after the TV season starts and shows start getting canceled.
And the actors who thought that they were going to be on...
No, I just burned through it.
Yeah.
You know, I bought every type of thing that you could put into your body.
And as you know, like, you run out of money really quick.
Yeah.
You were never like a druggie
or anything
no
just weed
and a lot of booze
yeah
I never even saw you
with much in the way of weed
not like the way weed is
not like the entire
America smells like weed
all the time
I know
well I just shot in Vancouver
Vancouver is so much weed
like I smelled cigarette smoke
and I was like
what the hell is that
yeah
it's weird
it's like
it's like a flashback
when you smell just tobacco.
Yeah.
I know.
I mean,
New York smells like weed.
Most of LA smells like weed.
Chicago, Denver.
Yeah.
Oh my God.
That's just,
you can get high
just going there.
So you get off the plane
and you're like,
ah.
The reason that you didn't see it
is that I quit.
I had told Dulce
when we first
really got together.
My wife. Of 26 years now. I was going to say, you guys got married when we were doing really got together, my wife of 26 years.
I was going to say you guys get married when we were doing Drew Carey, right?
That's right.
And yeah, between the second and third season.
Yeah.
She wanted me to quit.
And that was basically like, if we go forward, because I smoked a lot,
she'd just like put her, it was basically like, she's a very sensible person.
Yeah.
I'll see.
I always, as you're very one of those
i mean look you're married to her you you know her better than me yeah but she always seemed to
me as someone who had their shit together it was kind of like an impressive yeah she did organized
more than anyone else has has helped me with my career because of just not just being encouraging
but also pushing me in a way and disciplining me.
See, I think that that is very important in a career
because I was much more scattershot
and much more ambitious until I met Megan,
who we've been together 18 years.
And you knew me before that.
And all I could think of was that success must be, it must be success
and success
is a big hit
and money.
It's not
creative fulfillment.
It's not,
there's no other
side to it.
It's a two-dimensional thing.
It's a one or a zero.
I understand that though.
Yeah,
I think for young people
I think it's okay.
Yeah,
and also it's
what Hollywood tells you.
Yeah.
There was somebody
I talked to, I think it was
Peter Medak. Do you know the director Peter Medak?
I know his name.
He directed a lot of episodes of The Wire.
But he made a couple
of great movies. A movie about the craze.
He made a movie called The Ruling
Class with Peter O'Toole back in the day.
Oh, yeah. It's a great movie, right?
I think that's his first movie.
Yeah. Oh, no kidding.
Imagine your first movie. He. Oh, no kidding. Yeah. And he's forgetting.
He talks like, you know,
sort of, well, for my purposes,
he talks like an old Nazi from a 1950s movie.
He doesn't talk like this at all.
But a sort of version of this.
He's like, well, you know,
see, it's the singer's Craig.
You know, the movie Twister makes $150 million.
The movie Fanny
and Alexander
makes,
I don't know,
what,
$50?
Therefore,
the movie Twister
is a better movie
than Fanny and Alexander.
Yes or no?
Of course,
the answer is no.
And you get,
I like guys like that.
I like guys like that
who kind of see,
and I think that
that comes with age
and experience and wearing the hat and not wearing the hat sometimes. That's right, yeah. I like guys like that who, who kind of see, and I think that that comes with age and experience and wearing the hat and
not wearing the hat sometimes.
Yeah.
Do you,
it's best if you have a career where you have worn the hat and then you
don't wear the hat and then somebody gives you the hat again.
Yeah.
And that's when you're really appreciative of the hat.
That's nice to have it back.
Yeah.
I think of it,
it's kind of like the,
the Sean Connery Zardoz. Zardoz! Yeah. We bring it up all the time. Yeah, but's kind of like the Sean Connery Zardoz
Zardoz
yeah
we bring it up all the time
yeah but
but that's like
Sean Connery
yeah yeah
and yet
he's in a mankini
at one point
he must have been
thinking
what the fuck
we're in a fucking
mankini
it's a mankini
I have a fucking
Zardoz
now I know that
some people love
the movie Zardoz
but I don't think
Sean loved it
we were talking about
Sean Connery the other day.
We totally were.
Right, because you met him
and I met him.
When did you meet him?
I met him at an awards thing.
He was getting a Lifetime Award.
This is during the,
right before The Hillbillies came out
and I had a publicist
because it felt like I should.
Right, okay.
I understand.
And so I went to a bunch of parties
and one of them was this award
that he was given.
And F. Murray Abraham told the story about the director of Name of the Rose, who was supposedly very abusive to basically everybody in the crew and the actors and really just awful and would lose his shit continually, which is really a terrible thing for a director to do.
That's a terrible thing for a director.
You're the one who's supposed to be in control.
That's the idea.
You're not allowed to do that.
You shouldn't even raise your voice.
You really shouldn't.
But anyway,
Connery said nothing
through the entire time
to this guy.
He just did his job
and he talked to the actor.
He was fine,
but he just did his job.
He didn't say anything
to the director
and then the director
took a big stick
and was about to hit a horse
that wasn't doing
what he wanted
the horse to do.
A horse?
Right.
And Connery
grabbed his wrist and pushed it down.
And you could tell that the director really was like fighting.
But Connery's a big fella.
Mr. Universe.
Yeah.
So he's holding him down.
He goes, not the horse.
Oh, fuck.
Line, you just.
Yeah, okay.
Just.
Right away, Mr. Connery.
I was telling you, my wife,
we had only been dating a short period of time
and I had to give an award to Sean
at some big Hollywood do.
Yeah, he's getting an award all the time.
Yeah, he's getting them every week.
Essentially.
And I was giving him this award.
I gave him the award
and then we get introduced afterwards
and Megan's wearing a dress and we went over
and he said,
Craig, it's very nice
to meet you
thanks for the award
that was really
very pleasant
what you said
thank you
and I said
thank you very much
Sean
this is my wife Megan
and he said
very nice to meet you
Megan
and her tits blushed
is that even
physically possible
I didn't even know
that tits could blush
she just went
oh
and they lit up
like it was
fucking Halloween
I didn't even know
these things could do that
she went
well they don't do it for you
but that's Sean Connery
I was like
oh my god
he could make
women's tits blush
yeah
that's quite a skill
he was fucking great
for me
he and
Billy Connolly
were kind of like
the Jackie Robinson thing.
Do you know what I mean?
What did you watch when you were a kid and you go,
I want a piece of that.
I want to be able to do that.
My origin story is that we were living in Paris.
My dad was a European.
Paris?
We were living in Paris.
He was a European representative for the Ford Foundation.
This is shortly after he brought down Robert McNamara.
Fucking hell.
He was told to basically get out of town right um not only can you not have the hat but you better
get the fuck out of town for a while yeah you really lost the hat yeah it's rolled down the
street you're not gonna get that hat he ended up being fine um but but yes that we he was definitely
out right but anyway i basically just learned English. I was little.
And then there was French.
Right.
And so I was really deeply alienated
by the whole thing.
And kind of a troubled little kid,
little loner, weird kid.
What age are you at this point?
I am about three and a half, four,
three and a half, four.
Okay.
And my mom paid for my siblings
to take me to the movies.
And I very quickly figured out that that was the deal.
Because my sister would bring all of her stone friends,
and we would go see Fred Astaire movies, which I totally loved.
But I really loved Charlie Chaplin.
How interesting.
And there was something about the combination of the pathos,
the physical comedy, and just the warmth.
Yeah. That I really just the warmth. Yeah.
That I really love
the sweetness.
Now, a lot of people
think it's too treacly.
Buster Keaton is probably
for the hardcore fans,
and I'm a huge fan,
don't get me wrong.
Right.
For the hardcore fans,
he's just comedy.
It's very little sentiment.
But for me,
I love the sentiment.
I was a little kid,
you know,
and the first one I saw
was the kid.
So I was like,
this guy's a cat.
And I could hang with this guy
because he hangs out with kids in a non-creepy way. So I worked up a little Charlie Chaplin act in my
room and in our apartment. And then I guess about a year later, we went to the theater, my fake
auntie, Auntie Shure took me. Who is a fake auntie? My mom's best friend. Oh, your mom's friend.
But anyway, she took me to this one theater that I loved the most
because there was a live musical accompaniment.
The guy improvised music to whatever was playing.
And it was my favorite because it was just like being in the theater in the original times.
It's weird because, I mean, this sounds like you grew up in the 1920s in Paris.
This is like, this is what, 1970s?
Seventy, yeah.
Yeah.
Seventies, somewhere around there.
Anyway, so the film burned. Got caught and burned. It went, yeah. Yeah. Yeah, 70s, something around there. Anyway, so,
the film burned.
Got caught and burned.
It went on fire?
Yeah.
And everybody booed
and the lights came back on.
Right.
And I ran in between
the audience and the screen
because nobody boos
Charlie Chaplin.
Right.
I just wasn't going to
allow that to happen.
So, I jumped in between
and I did my little
Charlie Chaplin act, The Organ Player Play. And you did it for the audience in in between and I did my little Charlie
Chaplin act, the organ player play. And you did it for the audience? I did it for the
audience. The French audience, that's French. And were they good? Did they love you? I got a
standing ovation. Jesus, that is so great. Now I think we have to make a movie of
your life because that is such a great origin story. Don't you think? It's crazy.
It's lovely. Yeah? It's lovely.
Yeah, it's funny.
Do you actually have memory of it?
I mean, do you?
I, you know, there's so many questions about recovered memory.
I actually did recover this memory by watching Chaplin,
the biopic with Robert Downey Jr.
Right.
There is a scene in it where his mother,
who was played by Charlie Chaplin's actual
daughter Geraldine Chaplin, in the movie plays her own grandmother.
Grandmother.
Who has a nervous breakdown on stage when Chaplin himself is about three or four.
That's right. She was very ill.
She was extremely ill. And anyway, she had a nervous breakdown on stage and everybody started to boo. And he thought, no one is going to boo my mother. so he jumped on stage and started doing a panama act because he had no act it was the only thing
that he can think of and i was sitting in the theater and i was like oh my god that's amazing
yeah that's amazing i remember and your family remember it? Yeah.
That's crazy.
Yeah, but typical of my family, like I called my mom, I was crying.
I called my mom and I go, I just want to check something because I had this incredibly powerful experience.
It was like an epiphany for me.
And I just want to double check and make sure that it actually happened and that I wasn't making it up.
And she went, oh, yes, yeah, yeah.
And I go, did you ever think about telling me that that
she was like oh yeah that happened yeah no auntie sure there she took you and i go yeah that's right
yeah that's what i thought that's crazy yes no that happened do you know the story about chaplain
and michael k and i michael k told me this story which is what they were both from the area the
elephant and castle in london like a very poor slum area in London.
And in the late 1960s or 70s, they were knocking down, it must have been in the 70s actually,
they were knocking down the elephant and castle, the area in London.
It was called that because in the Middle Ages, it was called l'enfant de Castille,
but the Londoners couldn't pronounce that, so it was elephant and castle.
Oh, that's hilarious
and it was a big
instead of the children
of the castle
yeah
so they
they were knocking down
this area
and Michael
who grew up there
was walking around
you know
he thought
I'll go and see it
before they knock it down
so very early in the morning
yeah
one Sunday
he's walking around
the elephant castle
it's all kind of
deserted and stuff
and he comes around
the corner and fucking Charlie Chaplin kind of deserted and stuff and he comes around the
corner and fucking charlie chaplin is there the old man and he said mr chaplin what what are you
doing here yeah i'm doing the voice i can't do charlie chaplin charlie chaplin but uh
and then you came up but the he said well i thought I'd come around to look at the old
neighborhood before
they knocked it down
and the two of them
there's something
wonderful about that
that's so sweet
two huge
huge stars
oh my god
and from obviously
very different eras
but still
but then walking
around together
sharing a childhood
that's really fascinating
both of these people
and this is kind of
where I want to
lead you a little bit is that both of these people for me i never met chaplin i presume you didn't
either but i've met and spent time with michael cain who is a fucking diamond of a human being
i've heard he's just amazing i'm really delighted to hear that and what's great about him is that
he's one of the few people i've met that retains the mystique.
I know how films are made.
I've made them.
You've made them.
We've been on them.
I know how the sausage is made.
But he keeps the glamour.
I wondered for you,
is there still an area of this business?
Because you've really proved yourself in this game.
Is there still any kind of...
You know the feeling you used to get when you
you would see the stars handprints that used to i used to kind of get that and i don't anymore i'm
like yeah it's the guy putting his hand in concrete doesn't matter you hear stories about people is
there anyone who still does it for you that i get starstruck or that i'm just maybe starstruck or
just retains the mystique who kind of still has the glamour of.
Either personally or... But I'm thinking more personally,
like interacting with people.
No.
No.
It's funny that, isn't it?
No.
I have yet to see the glamour of this business.
I, too, totally worshipped it from an outsider's perspective.
Right.
I used to go to Men's Chinese
when I had a particularly intense audition.
Yeah.
Before,
I would go
and I would stand
in Jimmy Stewart's
shoe prints
at Man's Chinese
and just,
you know,
look up at the sky
and say,
show me the magic,
show me the magic.
Yeah.
Because he was my favorite
of the speaking actors.
Yeah,
the so-called talkies.
As if that'll ever
catch on.
Never!
But I have yet to see glamour.
I mean, one moment I think was fairly glamorous.
In early screenings of Miss Congeniality 2,
I went to, with Olsey, I should say,
we went to a theater way out in Glendale or something.
I can't quite remember right now.
But anyway, we went up to where the
projectors were because that's where Sandy was. And there was Sandra Bullock in the middle of the
room on her phone looking amazing and like a movie star waiting for the lights to go down so she
could join the audience. And I think that was the one moment where I was like, that's actually
pretty cool. Yeah. It's funny that it does go away.
Yeah, because it's just a lot of desperate people trying to work.
You know what did it to me was late night.
Oh.
Because every night, giant star comes in.
Not every night, but a lot of times, giant stars come in,
giant stars come in, giant stars come in.
And the douche to mensch ratio is the same as anywhere else in the world.
The world, yeah.
Yeah, it's just like, oh yeah, some guys douches, some guys mensches, and that's just the way it is.
But there are people, for me still, who kind of transcend it a little bit.
Okay, who's that?
Well, Robin Williams did that for me a little bit.
Even though we became friendly, there was a...
Still like...
It seemed to me he had a magic.
Maybe it's genius.
Maybe that's what it is.
It's not really about glamour and show business,
but it's about...
The next level of real talent.
Yeah.
Or when you see somebody doing a thing,
like every now and again,
I would see that I could even do it.
I could do it.
And I'm not saying I could even do it with you,
but I can do it with you.
Like, there were times when I would,
like, when I was watching BoJack,
when you turned up in BoJack as the agent's assistant,
I was like, oh, that's fucking gorgeous.
Oh, thank you.
And it was great.
It was, I mean, that show, for me,
I'm such a fan of that show.
It's a really great show.
It's a very dark, strange ride.
Yeah.
I don't think there's been a darker comedy.
Yeah.
I mean, who was it you were working with on that?
Bob, the creator of the show, and I did a show together called Save Me.
Right.
That was a total piece of shit.
Okay.
And he knew it at the shit okay and he knew it
at the time
and I knew it
at the time
but he couldn't
say anything
but I just talked
about it all the time
so he appreciated that
yeah
and couldn't wait
to get you into it
when he had his own show
then he brought me in
and he was like
your candor
was so like
refreshing
that there was somebody
who knew that they were
on a piece of shit while they were in it.
It was one of those shows, Bojack,
I thought that you lived in terror
of your name turning up in it.
Oh, yeah, right.
Because you skewered everybody.
Yeah, mine did.
Oh, really?
Yeah, I was watching it one day.
I think it's deep into the season
with Bojack's way off base.
And the reporters are looking for BoJack.
And they go to an AA meeting.
And they say, have you seen any celebrities at an AA meeting?
And somebody goes, I thought Craig Ferguson was here once.
And the reporter says, oh, trying to be swanked by association, are you?
And I was like, whew.
That was good.
That was getting out of hand.
That's not bad.
Especially since you're not anonymous. You're recovering and you're pretty clear about it. that was good that was good that's not bad especially since
you're not anonymous
you're recovering
and you're pretty clear
about it
so he wasn't
outing you
but the AA thing
is anonymous
and I don't
I can't
and wouldn't
speak about that
but what I mean is
that he picked
the one like
who's in recovery
who was
clear about it
and then there was
a whole bunch of people
after that as well.
People were just hilarious.
He just ran a list of fucking douchebag fucking celebrities
that have gotten sober, me included.
Yeah, okay.
And I kind of loved it.
But as a skewering, it wasn't bad.
No, it was great.
It wasn't a skewering at all.
It was okay.
Yeah.
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I think if you're an actor the way you're an actor, which I admire greatly, is that I don't see you being you everywhere.
Well, I don't think I'm me anywhere. I hope not. I'm really trying to be somebody else every time.
I work really hard at that in breaking up my own rhythms and try to pick up the rhythm of the,
with the writing. I really work hard on that. I mean, that's why, I mean, some people don't
even know I'm in Napoleon Dynamite because
Have you still got those pants?
Everybody else.
My one regret in show business is that I
You didn't keep the pants?
They're the greatest fucking pants I've ever seen!
I picked them out of a lineup.
Jerusha, who was also
the co-writer, but was the wife of
Jared, the director, was also
the costume director right that's
a small it was a pretty low budget movie right she sold me three different pairs of pants and i was
like no that was the stars of stripes they are amazing so but is that a thing that you do when
it comes to like publicity because you're you're happy you sit here this is you i know you yeah
but i haven't seen you do a ton of like you did my talk show
but I haven't seen you do a ton of them
do you do it on purpose or are you
not so into
I mean it's strange to say this as an actor
but I'm not so into talking about myself
I'd much rather talk about a specific project
and if I do that then
Twitter has kind of changed this
I feel like I
you're quite present on that
also it is a side of me it's the it's the funnier side the kind of goofier side right but sometimes i
open up about other things that i'm actually feeling uh but most of the time i try to be
light and airy i try to be a positive force right and in twitter that's particularly difficult
because it's a it's a dark place it is a a dark place. It used to be, it was funny,
I was talking to Josh Robert Thompson recently
about the, who was the guy who did the robot
on the late night show.
He was a fucking genius.
Yeah.
And he was, we were talking about how early on
Twitter was kind of great.
It was fun.
It was light and it went very dark.
And I think probably it was the politics of 2016 and that that kind of...
Yeah, I think it predated that a little bit.
But I think as you were alluding to earlier, it's the ratio.
And, you know, you get a lot of responses from being negative.
And so people tend to be more negative.
I think just to get the attention.
They equate negative attention and positive attention in the same way. As being the same i don't i don't do that no no it's so strange i i negative
attention is deeply stressful well because we're performers right so there's a part of us that
wants the audience to laugh we want that love right that's part of our real addiction if they
don't like you yeah and you're out of business exactly and it's also like if we were to stand
on stage and people were to literally boo and we got the same like feeling out of business. Exactly. And it's also like if we were to stand on stage and people were to literally boo,
and we got the same feeling out of that, that would be strange.
That would be bad.
Boo, thank you so much.
Oh, bless you all for coming.
Boo, boo, hang him.
Throw cabbages.
Yeah, exactly.
Louis, obviously, if it was a visual medium, I would have thrown a cabbage there.
Yes, of course.
That's why I had to say no cabbages.
Yes, of course.
What about directing?
Oh, sometimes I think about it,
but other times I'm just so satisfied with what I do.
I think I'd like you to think about it more.
Really?
Yeah, because you have a very good personality for it.
I mean, even talking about it.
First of all, you're positive.
And you also see things right and you also you see
things and you you do things like text analysis which i thought a lot of fucking directors could
do well doing that yeah but i think also you have this thing i'm going to do a massive name drop
okay fantastic all right so i i was directing this movie yeah and i did a very bad job on it
but i was talking to Warren Beatty
before I had lunch
with Warren Beatty
boom
yeah yeah
there he goes
and I had lunch
with Warren Beatty
because somebody
had set us up
on a lunch
so he could help me
because I was in the movie
and I was directing
the movie
and so he was
I said I need to
talk to guys
he's supposed to be
astonishingly bright
he's an amazingly
clever man
that's what I've heard
hits on every waitress
that serves him
of course oh unbelievable it's fucking ridiculous it's like Gene Simmons it's just crazy Right. He's an amazing, clever man. That's what I've heard. Hits on every waitress that serves him. Of course.
Oh, unbelievable.
It's fucking ridiculous.
It's like Gene Simmons.
Yeah, it's just crazy.
And that's the only time Gene Simmons and Warren Beatty
have been reproached.
I don't think he even knows he's doing it.
He's like, you know,
you look fabulous.
This is the greatest omelette
I've ever seen.
I was like, for God's sake.
Shameless.
Yeah, unbelievable.
I don't even know if he's...
It's unconscious, yeah.
I don't even know.
I don't think he is hitting on these people
I think he's just so
kind of
charmingly
anyway
whatever it is
but he
he was talking about directing
the number one thing
he said
don't try and impress anyone
the less you say
the more they're going to be impressed
that's interesting
he said
because they turn
everybody turns up on the movie set
and they've all got a call sheet.
And on that call sheet is written,
bold type, right at the top,
director, and then your name.
So they're already impressed.
All that's going to happen is you're going to disappoint.
Disappoint everyone.
Yeah, yeah, yeah.
You're going to be like, ah.
And I think that you,
I wouldn't have said this about you
when we were doing the Drew Carey show.
No, I was out of control
you weren't out of control
you were younger
yeah
and you were a nice guy
and I don't want to hold with any idea
that there was anything wrong
there was nothing wrong with you
yeah yeah yeah
but you clearly are a human being
who's made a transition
who grew up
yeah yeah
and I think that you have stories to tell
and even when you told the story of you as a little kid in Paris,
that's a fine bit of visual.
Think about it.
Thank you.
I will.
All right, good.
I will.
So when you're making your movie,
I would like to be angry Parisian.
I don't want this kid in my movie theater.
I think it would be fine.
I think I could do it.
I could throw a mustache
or not,
depending on what you want.
Yeah.
But just acting,
then you don't see it as a...
That's the wrong thing.
I don't mean just acting.
Oh, I know what you're saying.
Right.
Yeah, no.
I mean,
I find my job
very complex.
And it never gets easy in a way where I can stop thinking about it.
I find every day interesting.
And, you know, I'm on this new show called Lucky Hank.
With Bob, right?
With Bob and Kirk.
And an incredible cast.
Right.
And we did one episode, episode five, where we were all together.
It's a bottle episode.
For those people that aren't in show business, it's basically when the show, the studio tells you that we have no more money.
And so they do an episode where everybody's caught together.
Right, the Snowden episode.
The Snowden episode or something.
You'll see it on TV shows all the time.
In show business, they're called bottle episodes.
That's just the short thing.
called bottle episodes. That's just the short thing. So the writers of Lucky Hank, who were exceptionally good, had all of these characters out in the show in the first four episodes.
And they were kind of like just a lot of strings. And you didn't know if Hank was the thing that
pulled it together or why they were necessarily connected. And in this one episode, they just
pull the string and they realize that it's been there the entire time. And in this one episode, they just pull the string
and they realize that it's been there the entire time
and it pulls everyone together with them.
And there's a scene where it's 12 pages at a table.
That's a long time.
It's a very long time.
It was like 25 minutes.
Yeah.
And so we're just sitting there.
Yeah.
Talking.
And it reinvigorated my sense of my profession and the beauty of it
in one day it was so beautiful to see all these actors interact and create something new every
single take to push each other but also push the reality of what we're making get deeper and deeper every
take. And one of the things that drives me completely bonkers about those that don't take
our mutual profession seriously is when they're off camera and they stop acting.
It drives me completely bonkers. Like I would prefer you not to be there and I can act to
tape. And I have asked for this before.
Right.
Because actors will just like, you know, they're just going to be along or whatever.
Oh, you mean so the camera's on someone.
Right.
Camera's on the other actor.
Right.
They're sitting off camera.
And for looks, basically.
Right.
So that your look looks like.
But they're not acting.
Yeah.
And they barely know their lines.
Or they don't know their lines and they're just reading it.
It's so distracting to me.
Yeah.
That I would prefer to have a piece of tape and have the script supervisor read, and I will act like it's going to be...
Or a tennis ball or something like that.
Yeah, something that it's like, you're the best actor ever.
I will make you look good, honest to God, but don't be here right now, because you're not doing it.
Right.
And this ensemble with Bob as the lead every single take was great even when it was
coverage of like you know just one person had two cameras on them and it was their close-up and
there are 10 actors in the scene everybody acted their heart out bob was crying off camera yeah
that's that's just a waste of resources no he had already done his close-up, but somehow he tapped into something and he just kept going.
He just kept tapping into it.
Right.
And he was just 100% there and everyone was right there.
It felt magical.
But that's part of the attraction, like at the very beginning for a lot of people.
That's right.
I think it's the collegiate band of brothers feel.
That's right.
Of what it's like to be in an ensemble cast.
That's exactly right.
When you and I were talking,
going back to those early days
of the Drew Carey show,
that second season,
third, fourth season,
right about that period,
maybe the episode 25
to episode of 100,
there was a time
when I think
we were in that space.
I completely agree with that.
And that...
I think we lost it
probably about mid-fifth season.
And then we were just doing a job.
But for those...
It's like the rock and roll movies
when the band gets together
and they have their peak hits
and they're really great.
And then they just keep playing.
Yeah, and they keep playing.
And they keep playing
and they keep playing.
And then the inevitable happens.
And the drummer dies.
Yeah, and the drummer dies.
The drummer's always going to die.
But when it's good, it's really beautiful.
And you're like, oh, this is rock and roll.
This is really good.
Like, if one person is off, the band is off.
Right.
But when they're all together.
It all clicks.
It's amazing.
Yeah, it's beautiful.
And I think that that's kind of odd.
Even as a viewer, when you watch shows, you can see, like, there are shows that just come out of the gate and they're amazing. And then, you know, season 10, they're like, you know, really, when they introduced, what is it, The Simpsons did the dog with sunglasses on a skateboard.
Yeah, yeah.
Like, okay, here we go.
Yeah, yeah, yeah.
But I think that there is a kind of like,
Carrie Fisher used to say this
and I think it was
a brilliant thing to say
amongst many brilliant things
that Carrie said.
Yeah, she was smart.
Ah, she was wonderful.
Did you know her?
I knew her a little bit, yeah.
Yeah, she was
very kind to me.
She started a bunch of parties.
Yeah.
When the Late Night Show started,
I had just written a book
and she read it
and she...
American on Purpose?
No, before that.
It was a novel I wrote
called Between the Bridge
and the River
and it was a kind of
magical realist thing
and it was like,
it's never going to make
any money or anything like that
but I really wanted
to write it.
Yeah, cool.
And she read it
and she was very positive
about it
and really kind of
introduced me in a way
to Hollywood
that I hadn't been before.
She was just amazingly supportive.
Wow.
And she did that for tons of people.
That's so cool.
She had this kind of artist colony at her house,
and you would go up and you'd meet, like, I met the weirdest people.
I'm like Courtney Love up there.
That's fun.
Not that Courtney Love, well, she is a little weird.
I think I'd say that if she was here.
I don't think that's a big surprise.
No, it's not.
Wait, what? But I just lot a wild array of different people and
lovely but she said when i put on that metal bikini when i was 24 i didn't realize i was
making a pact with the universe to look like that for the rest of my life. Wow.
Yeah.
And I, you know, it was like, it's a moment in time.
Why can't you let it be that?
Yeah.
You know, and I think that with a sitcom, when it all comes together or a movie that
all comes together, that that's why, you know, when people talk about AI, I'm like, it doesn't
frighten me.
Cause you know, cause it's still got, there's too much a for the eye to matter. You know what I fucking mean? It's like, why is it, you know, because it's still got, there's too much A for the I to matter.
You know what I fucking mean?
It's like,
why is it, you know,
like...
Publishers have been around
a very long time.
Yeah.
I think that, you know,
this is going to be funny
because the robot says it's funny.
Yeah.
Good fucking luck, robot.
Whitney Balliet says
that jazz is the sound of surprise.
That's fucking great.
I would say the comedy is that.
And Robin Williams used to say that good comedy
was jazz.
And we cut full circle.
Diedrich, you're a joy.
It was beautiful to talk to you.
More power to you. I'm really looking forward
to seeing Lucky Hank.
Thank you.
Thank you.
Meet the real woman behind the tabloid headlines in a personal podcast that delves into the life of the notorious Tori Spelling,
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