Judge John Hodgman - Exit, Stage Fright
Episode Date: June 16, 2016Tom brings the case against his friend Trinity. Trinity longs to be discovered and believes she was “born for the theater.” Despite her enthusiasm for theater and performing, she refuses to try ou...t community theater. He thinks she should get over her fear and go for it. Who's right? Who's wrong? With expert witness Andrew from Judge John Hodgman Episode 151: Sic Semper Dramatis! Tickets are running out for the Judge John Hodgman: Live Justice Tour! Get them while you still can. Information can be found at MaximumFun.org or JohnHodgman.com/tour. Time is also running out to purchase a Kung Pao Finance Factory t-shirt! You have through June 22 to buy one here. Don't know what Kung Pao Finance Factory means? Listen to last week's episode to find out!
Transcript
Discussion (0)
Welcome to the Judge John Hodgman podcast. I'm bailiff Jesse Thorne. This week, exit stage fright.
Tom brings the case against his friend Trinity. Trinity longs to be discovered and believes she was, quote,
born for the theater, unquote. Despite her enthusiasm for theater and performing, she refuses to try out community theater. He thinks she should get
over her fear and go for it. Who's right? Who's wrong? Only one man can decide. Please rise as
Judge John Hodgman enters the courtroom and presents the obscure cultural reference.
Why me? Why I was born for podcasting. I was born for podcasting. I was born for podcasting I was born for podcasting
I was born for podcasting
I was born for podcasting
Bailiff Jesse Thorne, swear them in
Please rise and raise your right hands
Do you swear to tell the truth, the whole truth, and nothing but the truth
So help you God, or whatever?
I do
I do
Do you swear to abide by Judge John Hodgman's ruling, despite the fact that he
defines legitimate theater as productions that feature only Judge John Hodgman? I do. I do.
Very well. Judge Hodgman? Tom and Trinity, you may be seated for an immediate summary judgment
in one of yours favors. And I am quite concerned you're going to get this one because I know you
know it. Can you name the piece of culture that I referenced
as I entered the courtroom?
Trinity, you have been brought to this court against your will,
so you have the choice to either guess first
or make Tom guess first.
Which will you do?
Well, I have a feeling I know what it is,
but I'm going to let Tom guess first.
All right.
That way you might get some information out of Tom's
I might. erroneous guess, I'm sure.
Right, Tom?
Because you wouldn't guess correctly even if you knew and shut down this podcast before it even begins, would you?
There are certain superstitions and conventions of the podcast.
You don't say the names of certain plays.
You often talk in a completely bogus Southern accent and you don't guess correctly,
even if you know, but you can, if you really want to. Well, I can tell you that, that I believe that
I know, uh, but I'm going to give you an out because I cannot remember the specific, uh,
podcast episode name. I believe that you are quoting Andrew from the prior podcast who repeatedly stated that he was born for the theater.
And if you had to guess the name, what would you guess?
Oh, goodness.
Wow.
You don't have to make a meal of it here, Tom.
Chewing the scenery.
All right.
That's a good guess.
Trinity?
I know that it is from that podcast
because I have heard that he is born for the theater.
But I do not remember the specific name of it.
But I do know that the people on that podcast
are responsible for possibly killing Judy Garland.
I appreciate your willingness to display such familiarity with this podcast.
You are both correct in identifying that this was a quote from an earlier podcast.
But the one guest that was made was wrong.
And I'm not going to make you come up with something, Trinity, just to say all guesses are wrong because they would be all guesses would be wrong and and and you were not giving me
an out tom by by not remembering the name of the podcast that's just you not remembering a thing
especially since you quoted this line in your petition to this court so you had to know that I was going to go back to it. I did. Specifically, episode number 151,
Sic Semper Dramatis, from March of 2014,
in which one Texan brother, Will, brought another Texan brother, Andrew,
to court asking me to stop him from making scenes
and acting like a reality TV star in public.
And Andrew, I challenged Andrew to say I was born for the theater
five different times, five different ways, and he blew me away.
And I'm thrilled to say we have him on the line right now as an expert witness.
Andrew, hello.
Hello, Judge.
How are you?
I'm feeling very hashtag blessed right now.
Ah, very good.
I'm glad to know that you're still you.
Yes. So Andrew was undertaking all kinds of brash stunts in his life, such as yelling at his brother,
you're the reason, what was it? You're the type of person who killed Judy Garland. That's right.
His brother criticized his breakfast choice and also served him a martini that was 100% vermouth and also would say and believed to be
true. And I think it too. He was born for the theater. I can't believe it's been two years
since you were on the podcast. It feels like just yesterday. What have you been doing these past two
years, Andrew? Oh, well, I graduated college and I've just been working and I'm still waiting on my Fabergé tie from my brother as well.
Two years later.
He hasn't.
Bailiff Jesse?
Yes.
We got to get the Internet law on him.
You know what we need is a sheriff.
We need a court sheriff to go out and enforce this stuff.
That seems like something John Roderick would be into.
Oh, my God.
force this stuff. That seems like something John Roderick would be into. Oh my god.
I hear John Roderick starting up his motorhome right now. If we gave him a wardrobe budget,
I think we could get Roderick to do it. What a thing that would be. Well, I'm going to send John Roderick after your brother and make him buy you a Fabergé tie, as I ordered. And if you don't
understand what I'm talking about, y'all, just go back to episode 151. And by the way, I said y'all because suddenly I'm from the South. And you know something,
Andrew, I revisited that podcast today in preparation for this one. And it was such a fun
one. And I seem to recall saying that you need to be nicer to your brother and not scream at him
all the time, even as a joke. But I take it back.
You scream at him. OK, I definitely will. Yeah. Since he hasn't given you that tie, I'm I'm I'm
rescinding all orders and you just be yourself because are you are you you are going to look
into getting into filmmaking or television in some capacity, either in front of or behind the camera?
Is that still a dream for you? Oh, yes, it is.
I'm looking into looking to apply to some post-production houses here in Dallas.
Still debating whether to make the move to New York or L.A.
because I'm with the boyfriend.
So we had to figure out what we're going to do once he graduates with his master's.
And then we'll move from there.
So, but yes, I still want to.
What's he studying?
He's getting his master's in documentary filmmaking.
Oh boy, you guys are going to be so poor.
I know.
I wasn't made for this life.
Production.
You were born for the theater, Andrew.
Yes.
Aren't you going to tread the boards?
I do hope so.
I do hope to finally make an appearance back on the stage
and relive the glory of it. I miss hope so. I do hope to finally make an appearance back on the stage and relive the glory of it. I miss it so.
Well, I'm glad you're here because we have Trinity and Tom. And the case, as I understand it, is that Tom and Trinity are friends. Is that correct?
Yes.
Tom and Trinity?
That is correct.
that Trinity should take to the stage,
that she herself believes she was born for the theater,
and yet she won't audition for any community theater,
and Tom wants me to order her to become an actor.
Is that more or less right, Tom?
That is correct.
Okay, and why do you think Trinity should be on stage?
Well, you know, I've known Trinity for a number of years now. What number of years?
Specificity is the soul of numbers. We initially met back in the late 90s when both of us worked
at the American version of the Canadian House of Pizza and Garbage. Okay. And where was this
American Canadian House of Pizza and Garbage? This was in Ann Arbor, Michigan. And is that,
were you guys college students at the time? Yes, we were. All right. And are you both from Michigan? Yes. All
right. And where are you now? We are both still in Michigan. I am in West Bloomfield, Michigan,
which is about 30 miles northwest of Detroit. Okay. And Trinity? I am in Riverview, Michigan,
which is about 20 miles south of Detroit. Okay. And now, so going back to the late 90s, you were both slinging flavored syrup at an
undisclosed pancake structure. And you saw Trinity and you're like, she needs to be on
stage. Is that what you're going to say to me, Tom? Or are you going to say a different
thing?
No, it started then.
That was certainly the genesis of everything.
I noticed that she had a certain way.
She was a waitress at the time, and I noticed she had a certain way with the customers.
She entertained them mightily and entertained all of us back-of-the-house workers as well, as a matter of fact,
all of us back of the house workers as well, as a matter of fact, including she and her husband actually came in one day and did a full performance of a Weird Al Yankovic classic,
which was tremendous. And you may name the name of that song. That was, what's it called, Trin?
Oh, you think I'm going to help you? You should. Tom, you did not come prepared.
Since You've Been Gone. Since You've Been Gone, gone. A beautiful acapella version of that song, which is an acapella song.
Barbershop.
This was back in Pancake Days?
It was.
And so Trinity, you perform in the back of the house, it sounds like.
Yes, and in the front of the house, just for tips.
And this is a legitimate place.
You're very defensive.
Well, I was afraid of how it was coming across. How I performed for tips in the front and the back a legitimate place. You're very defensive. Well, I was afraid of how it was coming across,
how I performed for tips in the front and the back of the house.
Oh, I see what you're saying.
I missed something and you still work for this pancake structure.
No, I do not.
Now you have a different job now, is that true?
I do have a different job now.
I mean, you're a grown-up, so what is your grown-up job?
I am a hospice social worker.
Oh, that must give you a lot of
opportunities to sing and dance. It actually does. You know what? I said that as a joke,
but as I was saying, I was like, oh, you know what? I bet there's something there. I mean,
first of all, it's very noble work and thank you for doing it. And do you have singing and
dancing opportunities in the hospice? I do. I sing to many of my patients. And I go into a number of
nursing homes. And I get the opportunity to entertain when they have activities and things
going on there. So I have an outlet for all of this pent up theater stage need. I do have an
outlet for it. It sounds like you focused on performance situations where the
audience either cannot or it would be very difficult for the audience to escape. Correct.
Got it. I prefer people in booths or wheelchairs. Got it. Do you love musicals, Trinity? I do. I
have a love of musicals. Yes. And and Tom says you go and see a bunch of them. Yeah, I do. I have a love of musicals, yes. And Tom says you go and see a bunch of them?
Yeah, I have.
Usually about once a year, I try to go to New York City to see one actually on Broadway.
And then I also do catch them, different ones when they come through Detroit.
Thank you, Trinity, for clarifying that you usually go to New York City and not New York State.
Although I hear the
musicals are super good in Schenectady. You're welcome. And Tom did send in as well some photo
evidence of you in New York City, hands in the air, ecstatic in Times Square and in front of
the Copacabana. Yeah. What is what's the Copacabana? I don't even know what Copacabana is. Is that what I'm supposed to be looking at in this picture? I'm very happy that you asked about the Copacabana. Yeah. What is, what's the Copacabana? I don't even know what Copacabana is.
Is that what I'm supposed to be looking at in this picture?
I'm very happy that you asked about the Copacabana.
The picture under the Copacabana, that's there for a reason,
is that Tom and I do a lovely karaoke version of Barry Manilow's Copacabana.
What he is not sharing with everybody is that he too is a wonderful singer
and we do a fantastic rendition of this song.
When I saw the Copacabana, I actually bolted across the street and made my girlfriend take that picture just so I could send it to him.
So you're saying that Tom is trying to force you on the stage because he has his own ambition to be on the stage and he's too scared to do it.
I believe that Tom has an ulterior motive for getting me up on a stage.
And that motive is that he wants to be on stage himself?
Absolutely.
Tom, how do you respond to this accusation that you are stage-mothering Trinity
in order to get attention for yourself?
I respond very strongly that I've been in community theater and I'm not afraid to do it.
I've done it a number of times myself.
It's not in many years, but, you know, I was never really an actor.
I was never really a dancer, especially the dancing part.
It is true that I have in the past had a good enough voice to participate in community theater musicals.
I'm not so sure about it anymore.
Well, why don't you do a couple of lines of Copacabana and then we'll know.
Agreed!
That's not my strongest song.
I'm ordering you to do it!
All right.
Let's see here. Her name was Lola. She
was a showgirl with yellow
feathers in her hair and her dress
cut down to there.
That's all you're going to give us?
That's a couple lines. Andrew?
Yes? What do you think? Is Tom going
to Hollywood?
You know, we'll have to
just see.
It's very possible.
You've got to sing out, Tom. You've got to sing out, Tom.
You've got to sing out.
I think the problem is that he's not singing with me.
Yeah.
He sounded a little thin and reedy and hesitant.
And Tom, I just think like, you know, in a competition like this, you have to really want it.
But I'm going to say yes.
I'm going to give him another chance at the end of the podcast
to see if he can do better at the next audition.
Andrew, is that a yes or a no?
Yes, yes.
Bailiff Jesse?
Well, we've got two out of three, so Bailiff Jesse,
you can be mean if you want.
Yeah, I mean, I think...
I think Tom should focus on other endeavors.
Still, that's two out of three, Tom.
You'll get to remain on other endeavors. Still, that's two out of three, Tom. You get to remain on the podcast.
His voice is pretty good, Trinity.
His voice is lovely.
He wants you to do community theater.
And do you have an opposition to that because it is community theater?
No, not just because it's community theater.
I'm shy.
It does not seem that way.
My, see, I'm so busy.
It's clear that we're standing on shifting sands here.
Yeah.
I don't have time for evasions.
Okay.
I know you have a full-time job that is meaningful, but you start out by saying I'm shy. That's, I think, what we call in the fake law business, a crux that we have found. You have been singing since your international structure of pancakes days.
Yes.
pancakes days yes uh you do i think probably what is the least shy thing i can imagine which is to speak frankly and respectfully about a very difficult subject that is to say death with
people who are approaching it so what about being on stage specifically makes you nervous and you're also you do this this
karaoke which we're gonna again this is a tease stay to the end of the episode y'all because it's
gonna be good but you get on stage regularly with your friends obviously with the aid of alcohol are
you having a couple of drinks a little liquid courage before you do your karaoke?
If I drink during karaoke, it is not as good. I'm better sober. I'm one of those very rare
sober karaoke people. Oh, good for you. You're facing down an audience without any
mood adjustment whatsoever. So tell me what it is about the prospect of auditioning for and uh and perhaps getting a role in like a community
production of hairspray or uh or what have you that makes you try to lie right you know you say
the first thing and then you lie about being too busy like you're lying to me right now in real
time what is the feeling that you're feeling um i my my biggest worry is being up there on a stage with other people depending on me
and i screw up i drop the ball something happens and i have a bunch of people counting on me
depending on me and and i make it so that it becomes a flop um i you know i because all the
other stuff you're doing is solo.
A lot of it, it's not completely solo.
But when I'm in... Yeah, but it's like maybe you're singing with your dumb husband or whatever.
Right, right.
Maybe.
Maybe you're my dumb best friend up on a stage.
Yeah, that one too.
But it's also sort of like it's...
You're worried about letting down other people.
Right.
It's very hard when you're dependent on other people doing their job well for you to do your job well.
And I think that I'm always concerned that I want to put forth, you know, my best self.
And I want to be able to perform very well for someone.
And I would absolutely feel horrible if I was standing up there and there's people that are watching us perform and people who've put in their passion for it.
And I drop the ball, making it so that other people don't get the best experience.
Has this happened in your life?
I have not dropped the ball, but I've had other people drop the ball for me.
And I know how that feels.
How did someone drop a ball for you?
Well, you know, like when I work,
I'm dependent on other people doing their job to do mine.
And when I go into a situation
and something isn't followed through
the way that I may need it to be,
so I have to try to fix it in a very high stress situation.
Not only does it put the burden on me, which I have no problem
with, but it also makes the people that are observing it or who are experiencing it,
it makes them uncomfortable. So I feel like a lot of my everyday existence is making people
feel comfortable. And I honestly, I would hate to make it so that people don't feel that way.
But you're presuming that that's inevitable on some level.
You're absolutely right.
I go out there and I empower people every day,
but for some reason I believe that I'm going to get up there
and I'm going to forget something or a cue
or I'm going to trip and fall or something's going to happen.
A phone's going to ring out in the audience and I'm going to get distracted.
I haven't thought about all these problems, not once at all.
Oh, yeah.
You got me.
Trinity found her own crux right there.
She has some profound self-knowledge.
Yes.
Tom, why do you feel it is necessary?
She knows all this stuff about herself. She's making a decision as an adult to be a fraidy cat about this and and not undertake what you have in mind for her, which is your weird stage mothery, high pressured desire to see her community theater stage.
Why can't she make this decision for herself or why is she making the wrong decision for herself?
Well, I think that any time that a decision in general is made on just fear of screwing
up or something sort of very intangible like that, when it's not likely at all, I think
that's the wrong decision to make.
Or even if it is, I mean, it's not what she's talking about is not unheard of.
People make mistakes on stage all the time.
Yeah, but with her, I think it's a little bit different.
I've seen Trin perform so many times and I've frankly, I can't think of a single time where
I have ever seen her screwed up.
Now, frankly, I can't think of a single time where I have ever seen her screwed up.
And another point is that there is this culture in community theater, at least the group that I was with for a brief period of time,
where if you screw something up, which I have done on stage, somebody is there to pick you up. Somebody else will be there to help you out, to cue you, to push it along.
And you know what?
The other thing that I've noticed is audiences really don't notice that sort of dropped line every once in a while or a missed note.
They're there for the entire experience.
They're there for the entire experience of seeing their dentist sing a song from The Music Man.
Yeah.
The other cast are there
to support you and catch you.
And also on some level,
the audience doesn't care
or just doesn't notice
because they don't know
what's going on behind the scenes.
Guess what that's also true about?
Every other kind of theater.
Broadway theater.
Andrew.
Yes. You've been listening to theater. Broadway theater. Andrew. Yes.
You've been listening to Trinity.
I have.
You find any cruxes in there?
I think I do.
I think I do.
It's the one thing about the stage,
it's a team effort.
So like they were saying,
if something does go wrong,
you just keep on going.
The show must go on.
Yeah.
Have you ever had an experience where something went horribly wrong on stage?
Yes,
actually.
I,
there,
I wasn't me performing it,
but we were doing,
um,
Hamlet and,
um,
and I was on stage at the time playing Osric.
And during the fencing scene,
one of the swords just collapsed.
And the actor playing Hamlet just shouted out at an instant,
Horatio, sword!
And they threw a sword across stage
and they kept fencing
and no one noticed.
It was beautiful.
You finally fixed Hamlet.
It sounds like today.
Tom, do you feel that
Trinity's happiness
is being held back by her fear?
I do.
I do think that...
That was a pretty leading question, I have to say.
I was really handing that to you
because you're so poorly prepared.
I have to help you.
Yeah, I do think that her happiness
is being held back by her fear.
I think that...
Do you have any evidence of that, sir?
her by her fear i think that do you have any evidence of that sir i my evidence is that um i've seen her perform and every time i've seen her perform she has been
incredibly happy she has always uh had an audience uh adore her i've never seen an audience not
love her when she performs. And she feeds off that
energy. The audience feeds off her return energy and everything is wonderful.
Trinity. Yes.
Tom accuses you of feeling a special kind of happiness when you perform.
Can you concur? How would you describe the happiness you feel when you perform?
And don't mess up as you are obviously prone to do well i'm a naturally happy person but when i'm performing it is um i'm sorry did
you say you're a naturally happy person yes oh no no then you should never get on stage
right andrew no happy people in the arts, please Please, yes
We all saw what happened to poor Judy Garland
How miserable she was
Oh, I know
But she was a star
I know she wasn't, she'll live forever in the stars
Trinity doesn't even drink during karaoke
No
How can she become a great drug addict
Child star like Judy Garland
And then die Crushed and forgotten at an early age.
I don't know.
She might have taken the Myrna Loy route in the good way.
Myrna Loy.
Yeah, I was just watching The Thin Man again.
I was too.
Oh, my God.
This is why you two are best friends.
The psychic connection.
this is why you two are best friends.
The psychic connection.
The thin man.
The thin man is my second favorite movie. That sounds like the third man after the third man.
Myrna Lloyd boy.
So how did,
well,
how did she end up?
I didn't know that she took it.
What was the route that she took?
She took the,
what I need to read her biography,
but from what I gandered from it is that she actually took the,
uh,
very,
um,
good route and she actually didn't do much compared to what some of the
other stars in her day did.
Yeah.
She took care of herself and did everything her way,
but that made her successful without having to,
um,
to,
uh,
put down herself in the process.
Right.
She was a sober karaoke performer.
Yeah.
Right.
Tom, is there a particular community theater production
that you have earmarked for Trinity to audition for,
should I find in your favor?
Well, I have scoped out several of the local community theater groups
via the internet, and it turns out that the audition season for this year's musicals, which are generally performed during the summers, are...
It's passed.
So this is pointless.
Well, no.
I find in your favor, Trinity.
Goodbye, all of you.
Thank you.
But they have not set their schedules for next...
I gotcha.
You prepared poorly again.
I get it.
I gotcha. You prepared poorly again. I get it.
Bad timing is the hallmark of a good stage artist.
Someone throws you a sword, you try to catch it next week.
With my chest, yes.
But if I were to find in your favor, Tom, what would you have me order then? I would have you order that, Trin.
She can choose the musical.
I don't mind that.
She can even choose the group.
But I would ask that you order her to perform or audition for a community theater musical within the next two years.
No, next season.
Next season is fine.
I have no problem with that.
I was trying to give her a little more leeway, but that works for me as well.
What are the musicals that are being performed this season that she's already missed out on?
This season, there were...
I didn't make notes of these.
Why am I even asking you questions?
Trinity, I want you to forget about your stage fright for a second here.
Okay. And I want you to imagine a musical that you would love to perform in.
Okay.
And it can be Hamilton or anything.
Oh, I would pick Hamilton in a New York minute.
Right.
Because I could be helpless.
I could never be satisfied.
I don't want to throw away my shot.
It sounds like you really are throwing away your shot.
I know.
But for Hamilton, for Hamilton, I'd make an exception.
So that's the one you would make an exception.
Because I guarantee you there are going to be a lot of community productions of Hamilton in the next couple of years.
And it will be interesting to see them.
So let's say for the sake of argument, there is...
Not Hamilton.
No, you changed your mind now?
I meant community theater-wise Hamilton.
I can't rap that fast.
Yeah, no, no, no, no. You can't, you can't be on Broadway Hamilton. Absolutely not.
They have everyone they need. Yes, baby steps. And they've already announced the Tony Awards. So,
you know, I want to, I want to have a shot at that. You do. You want to have a shot at winning a Tony? Man, yes.
How do you expect that's going to happen?
My good looks? My charm?
Wait a minute.
You're afraid and uncomfortable with the idea of getting up on stage in a community theater.
So you think you're going to go to New York,
and someone's just going to look at you and say, you know what, kid?
You got it. You don't even have to work for it
in community theater. You don't have to take acting lessons. You don't have to take
singing lessons. You've got it. You just were born with it. And I'm not even
going to make you perform. Here's a Tony. Who do you think you are? John Hodgman
with that delusion
that would be the best case scenario
that would just prove that maybe i was born for the theater and didn't have to work for it but
you just think you you when you say you're born for the theater you're born for the theater in
the same way uh rob stark is born to inherit uh uh winterfell thank you thank you tom you got
that one i like that little yes you you want fame but you don't want to work for fame oh debbie allen
would be mad oh no i don't want to make debbie allen mad see the thing i have to determine here
I have to determine here is
I think you are a happy person
but I have to determine
whether or not
your unwillingness
to audition
for community theater
in Michigan which I think would be the next
logical step for you
whether your unwillingness
to do that is
a conscious choice towards your own happiness or whether it is a reflective choice out of fear that is keeping you from reaching an even happier level.
And Trinity, which do you think it is?
You're the one who lives in your body.
Is it a conscious choice of happiness or is a fearful choice that is keeping you from a new level of happiness? Those are options A or B. And I'm just going to let you say which one you want to say.
I will say that's probably it's fear.
Yeah, it is.
I asked you to say A or B.
B. I'm sorry. B.
You know what? You got to learn to take direction.
So then the only thing left is to determine whether you've got what it takes.
Because the thing is that if, let's say you had said A.
No, it's a conscious decision.
I'm happy with the decision.
I have a full and complete and fulfilling life.
I'm happy with the decision.
I have a full and complete and fulfilling life.
And I don't have time.
And I don't wish to go through the process of getting through the fear that I have about being on stage.
I'm fine.
You could have said that.
Or you could have said, I'm just as scared.
But then we would have to go to the videotape no matter what to see, A, whether you're good enough to bother overcoming your fear or b because i love my a's and b's whether despite your conscious decision of happiness
your talent is compelling so compelling that what you care about doesn't matter you have to do it
anyway right andrew i agree you following me on this this Andrew you have any stage fright tips
you're not a person who's afraid of being out in the world making scenes correct I will say
every so often the butterflies would occur and I would be anxious about appearing on the stage I
could never eat before performing otherwise I would get sick but as soon as you get that stage, it all magically starts to disappear and you just start going with everything.
And it's magic.
You know, there's something in what you say.
I have not, you know, the only onstage performance I've done typically is, you know, stand up and storytelling.
But there is a kind of magic that occurs and you
must have felt it doing even karaoke. Like what's the feeling you have when you're belting it out
at a sober karaoke? Oh, it's wonderful. Yeah. Do more describing. Um, well, I prefer it when there's more people there. I prefer when I feed off the energy and it's just it's so much fun. And, you know, the video that Tom sent in, I didn't realize it was going to be on an audition video, but it was it's so much.
You think I don't have a flair for the dramatic?
It's oh, it's so much. You think I don't have a flair for the dramatic? It's, oh, I know you do.
Right.
You think this wasn't going to end with us listening to that?
Having me and Andrew and Jesse voting for whether you're going to go to Hollywood?
Oh, well, I will say that.
But here's the thing.
Here's what I'm going to ask you.
Like, you've made mistakes in your songs that you're singing.
Yes.
But there are probably been times when you feel like you can't possibly make any mistakes.
Sure.
Right?
I mean, what I've discovered in my experience of live performance and taped performance is that
adrenaline kicks in and your body and your brain reptilian portions of your brain prevent you from
messing up too badly your body doesn't want you to fail your brain doesn't want you to fail
and while do people do make mistakes and that sort of thing, I think more often,
and Andrew, you can tell me, this is sort of what I feel like you were describing, more often
fear kind of goes away and your body just says, and I think it's a survival mechanism as much
as anything else, don't worry about this unconscious brain. We got this.
Yes, I would definitely agree. The unconscious does.
Whenever I would go on, it would take over me to just start following the cues, hitting my lines and getting the blocking done and everything.
It all just comes together.
It all just comes together.
You hear that, Trinity?
Oh, yeah.
And what's your middle name?
Oh, my middle name is star yes oh that's hitting low look for once tom got his act together and sent me some information that i could use you know you just have you just have
let's say a non-traditional first and middle name, Trinity Star. What was going on with your parents?
I come from a sturdy Irish Catholic background.
My high school girlfriend's name was Trinity Rose, and her sister's name was Liberty Star.
Whoa.
I just got an email from both of them, Jesse.
They're watching The Thin Man right now.
Trinity, of course, I should think of that as that's a Catholic name for sure.
But Star, is that like what's going on there?
That was my mom's middle name.
So she passed it on to me.
And I did not have any girl children, so I wasn't able to pass it on to my girls.
But my sister did, and my sister's daughter has that middle name.
So it's being passed along. Do you have boy children? I have boy children. Yes, I do.
She has two, Martin and Ringo.
Well, yeah. So I think you see where I'm going. Normally, I would wait until after I deliberate
in chambers to make my verdict. But I think it's pretty clear.
You don't want to be a mom who looks to her boys and say,
I always dreamed of being on Broadway,
but I was too scared to get up on stage in Detroit.
Couldn't quite bring myself to audition for that production of,
I can only assume a live version of an episode of Buffy the Vampire Slayer.
I think that's over 75% of all community theater productions in 2016.
If you're lucky, it's that one musical episode.
So my verdict, I think it's pretty clear.
You're going to do this if and only if you have what it takes.
So I'm going to, Andrew.
Oh no.
Oh yes.
Andrew, pull your earphones on even tighter.
Okay.
And I am going to put on my t-shirt
with very short sleeves, a very tight black t-shirt,
and drink some product placement,
and we're all going to watch this audition.
We'll play a shortened version of it now, but you can check out the whole thing online.
And I'm going to just open my chamber's doors
so I can enjoy this with you guys.
And we'll take it from her. All right, here comes the fast part. Tom.
Yes, sir.
Did you take this video?
I did.
Yeah, you did a terrible job.
I did. Yeah, you did a terrible job. I realize.
I think I've heard everything I need to make my decision.
Bailiff Jesse, I'm going to slip into chambers for a little bit so that we can take a message break.
And when we come back from message break, Andrew and you and I will determine whether or not Trinity is going to Detroit.
Please rise as Judge John Hodgman exits the courtroom. Tom?
Yes, sir.
It sounds like this is all going to come down to a vote upon the judge's return. How do you think
Trinity is going to do?
I think Trinity is going to do incredibly well because I've heard that video and seen it several times, and I know how impactful it is.
And I know how good she is in it.
How about you, Trinity?
You think you've got what it takes?
Do you want to have what it takes?
Well, I do have what it takes.
Wow.
Okay, cool. It better be. wow okay cool
it better be hey tom i've got a question just while we got a six-digit audience listening
um i don't like i don't like to use this space to plug my own career but i just want to let
all of the regional theater directors who might be listening,
and I'm going to include local Los Angeles community theater directors know,
that while I'm very proud of my success as a podcaster and public radio host
and my multiple small-scale failures as a television host,
I would like to publicly make myself available to play Professor Harold Hill in
any productions of The Music Man nationwide. Here's my standards. I've thought about this a lot.
I'm willing to go to New York and stay at Hodgman's house. I'm willing to stay here in
Los Angeles and do almost any real production of The Music Man. And I'm willing to travel anywhere in the lower 48 states for a paying job in The Music Man.
And you can use my name to sell tickets.
It just won't work.
So that's the standards that I'm offering to everyone.
You know how to get in touch with me at Jesse Thorne.
We're going to take a quick break.
When we come back, we'll find out whether Trinity is going to make it all the way to the legendary stages of the Motor City.
You're listening to Judge John Hodgman.
I'm bailiff Jesse Thorne. Of course, the Judge John Hodgman podcast always brought to
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cookware.com. Please rise as Judge John Hodgman re-enters the courtroom.
Please rise as Judge John Hodgman re-enters the courtroom.
You may be seated.
Andrew, Bailiff Jesse, you both heard Trinity's audition tape.
What do you think?
Is she going to go all the way to Detroit, Michigan?
Andrew, what's your take?
You know what?
I think so.
I think you'll be swell.
You'll be great.
You're going to have the whole world on your plate.
Starting here.
Start now.
Honey, everything's coming up roses.
Oh, it's so hard for me not to sing along.
I heard you trying, but Andrew wasn't letting you.
I tried so hard.
That's a big old yes from Dallas.
Bailiff Jesse, what's your ruling?
I am surprised, my dear, to see you here singing Proud Mary at karaoke night.
Sorry, that's the only song from my specialty, which is Professor Harold Hill in The Music Man, that I could turn into a topical reference to your performance.
I say, watch out, Detroit, Michigan, or say, watch out Detroit, Michigan
or possibly the suburbs
of Detroit, Michigan
because here comes
Trinity. Alright, that's another
big yes. I guess there's nothing I can
say because it's going to happen.
But I'm throwing my vote in yes.
You're going to Detroit!
Yay!
Well, I really, there are two things that i really hoped for one was that you were going to present
as someone who had made a considered decision in your life that you didn't want to be on stage
and that i would then play that and i would say say to you, you have no choice. You have to be,
because I have to say,
uh,
that was a pretty compelling performance of a not easy song.
And you crushed it.
The other thing I wished after these two guys sang is that I could have in
the moment come up with an appropriate Hamilton song to turn into a
congratulations Trinity song.
But I'm I am no Lin-Manuel Miranda.
I don't freestyle.
Hi, Lin, if you're listening.
Hi, Lin.
Let's just stipulate that we've all said hi to Lin-Manuel Miranda.
Andrew Madden.
Hello.
And Tom's going to be there in just a few short months to see him live on stage.
That's true.
Tom is?
Yes.
Yes.
But not you?
No, he's taking his wife.
Bogus.
Tom, give your tickets to the star.
Order him to do that, please.
Thank you.
I'll tell you what, Tom.
I'll let you keep your tickets if you pass this next audition.
Oh, Lord. We saw you in Royal Oak if you pass this next audition you oh lord we saw
you in royal oak or wherever it is you are now now we're here at the final audition we've by
with a few yeses and a no are you going to be able to keep your tickets to go to hamilton
or are you going to have to give them to trinity this is the new game that i've just made up
the only way for you to win is win is to get two yeses again.
No, you have to get three yeses.
You got to really crush it.
All right.
This is the big time.
What am I singing?
Take a minute.
Take a minute.
Don't jump into it.
Am I singing Copacabana again?
Unless you prepared something else.
Yeah, I mean, you said that wasn't your strongest song,
and that was apparent from your rendition of it.
So maybe you could go to your strength here.
Now I'm afraid if I go to my strength, it will be weak.
But that's okay.
I will try anyway.
All right.
Fly me to the moon and let me sail among the stars.
Let me see what spring is like
on Jupiter and Mars.
In other words,
hold my hand.
In other words,
baby,
kiss me.
Well,
at least we know that Tom isn't
cheating by using like a
tuning fork or something like that to get his first note.
That was great, Tom.
That was fantastic, Tom.
Is that a yes from you, Jesse?
Does Tom get to go to Hamilton?
Yes, Tom does get to go to Hamilton.
I think he should, like me, though, in the future, focus on speak
singing roles.
I should have rapped.
You should have done something from Hamilton.
I'm not going to let
Andrew in on this
because I'm afraid Andrew is going to be like,
what am I hearing?
Andrew is not one to be nice
and to withhold what's on his mind.
So, I'm going to preempt you, Andrew, and just say yes,
even though your public command was actually stronger.
That's fair.
I can't in good conscience take your Hamilton tickets away from you.
That Matt Fraction and Kelly Sue DeConnick flew across the country
with StubHub tickets that were denied at the door.
And that was like I've I couldn't breathe when I heard that news.
So so, Andrew, but Andrew, now that I voted yes and it's you can speak plainly without without any repercussions.
What was your take on what's your what's your feeling about Tom and his future as a singer?
What's your feeling about Tom and his future as a singer?
Yes.
I would say that under the appropriate preparations,
I think Tom should join Trinity on the stage at the next musical production she auditions for.
You're giving him a yes?
Wait, I don't know.
You have to understand that he's already got two yeses.
That's true.
But he needs three, correct?
No, no. Oh, that's right. He needs unanimity. got two yeses. That's true. But he needs three, correct? No, no.
Oh, that's right.
He needs unanimity.
I did say that.
Ah, yes.
I'm taking that back.
You can say what you feel.
He's going to go to Hamilton no matter what.
That's true.
That's true.
I would say, you know, oh, this is a hard one.
Tell him how you feel.
Or I will.
I just, I would say...
Let me put it this way, Andrew.
Yes.
Between these two performers...
Yes.
My instinct is there is one that should not be concerned about stage fright and one that should.
You know, I would agree. i would agree with that i think so
i mean i think what you were saying is under the right conditions tom probably can do it
but he he was he was spooked yes a little spooked from the the podcast you ain't got it kid you
ain't got it tom that's all right with me tr Trinity's got it. I agree. This is the sound
of a gavel. Judge John Hodgman rules. That is all. Please rise as Judge John Hodgman exits the
courtroom. Trinity, how do you feel? I feel okay. I feel pretty good. I'm apparently going to be on the stage So I'll let you know how it goes
Trinity, I believe in you
Oh, thank you
And I believe you'd be great in the music, man
Thank you very much
Now, Tom, I don't believe in you, Tom
How are you feeling?
Yeah, I don't blame you
I feel fine
Except for those embarrassing musical performances I just did
I knew, you know, afterwards,
I knew I should have gone with one of my signature rap songs from karaoke.
Tom, I can assure you that you definitely should not have done that.
And I think that you had lovely tone,
and I think that you would have turned in a wonderful performance
had you had preparation and accompaniment.
So thank you so much for being
willing to walk out onto that ledge before I pulled the ground out from underneath you.
And thank you to both of you and to you, Andrew, for joining us on the Judge John Hodgman podcast.
That's it for this week's Judge John Hodgmangman podcast remember we are going on tour in the
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