Lex Fridman Podcast - #274 – Karl Deisseroth: Depression, Schizophrenia, and Psychiatry
Episode Date: April 7, 2022Karl Deisseroth is a professor of bioengineering, psychiatry, and behavioral sciences at Stanford University. Please support this podcast by checking out our sponsors: - BiOptimizers: http://www.magbr...eakthrough.com/lex to get 10% off - BetterHelp: https://betterhelp.com/lex to get 10% off - Notion: https://notion.com/startups to get up to $1000 off team plan - Blinkist: https://blinkist.com/lex and use code LEX to get 25% off premium - Magic Spoon: https://magicspoon.com/lex and use code LEX to get $5 off EPISODE LINKS: Karl's Twitter: https://twitter.com/karldeisseroth Karl's Website: https://web.stanford.edu/group/dlab Projections (book): https://amzn.to/3NKmdiJ PODCAST INFO: Podcast website: https://lexfridman.com/podcast Apple Podcasts: https://apple.co/2lwqZIr Spotify: https://spoti.fi/2nEwCF8 RSS: https://lexfridman.com/feed/podcast/ YouTube Full Episodes: https://youtube.com/lexfridman YouTube Clips: https://youtube.com/lexclips SUPPORT & CONNECT: - Check out the sponsors above, it's the best way to support this podcast - Support on Patreon: https://www.patreon.com/lexfridman - Twitter: https://twitter.com/lexfridman - Instagram: https://www.instagram.com/lexfridman - LinkedIn: https://www.linkedin.com/in/lexfridman - Facebook: https://www.facebook.com/lexfridman - Medium: https://medium.com/@lexfridman OUTLINE: Here's the timestamps for the episode. On some podcast players you should be able to click the timestamp to jump to that time. (00:00) - Introduction (06:58) - Mental disorders (15:31) - Intelligence (18:10) - James Joyce (26:47) - Writing (30:11) - Projections (33:46) - Translation (36:17) - Poetry (45:00) - Love (50:34) - Psychiatry (53:46) - Sigmund Freud and Carl Jung (1:02:30) - Data in cells (1:06:33) - Optogenetics (1:22:01) - Neuralink (1:34:49) - Psychedelics (1:41:13) - Depression (1:56:38) - Talk therapy and psychoanalysis (2:00:19) - Good Will Hunting (2:10:55) - Darkest moments (2:12:26) - Suicide (2:29:31) - Autism (2:49:09) - Schizophrenia (3:00:18) - Why we cry (3:07:30) - Consciousness (3:22:01) - Mortality (3:23:41) - Meaning of life
Transcript
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The following is a conversation with Karl Dyseroth, professor of engineering, psychiatry,
and behavioral sciences at Stanford University.
He is one of the greatest living, psychiatrist, and neuroscientists in the world.
He is also just a fascinating human being.
We discuss both the darkest and most beautiful places that the human mind can take us.
He explores this in his book called Projections, a story of human emotions.
I highly recommend it. It's written masterfully.
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podcast, and here is my conversation with Carl Dyseroth. He opened your book called projections, a story of human emotions with a few beautiful
words that summarize all of humanity.
The book draws insights about the human mind
for modern psychiatry and neuroscience.
So if it's okay, let me read a few sentences
from the opening.
You gotta give props to beautiful writing
when I see it, quote,
in the art of weaving, warp threads are structural
and strong and anchored at the origin, creating
a frame for crossing fibers as the fabric is woven.
Projecting across the advancing edge into free space, warp threads bridge the formed past
to the ragged present to the yet-featureless future.
Yet-featureless future, well done, well done, sir.
The tapestry of the human story has its own warp threads,
rooted deep in the gorgeous of East Africa,
connecting the shifting textures of human life
over millions of years.
Spanning, pictographs, backdrop by crevice,
by angu-lated forestry, by stone and steel,
and by glowing bare earths.
The inner workings of the mind give form to these threads, creating a framework within
us upon which the story of each individual can come into being.
Personal grain and color arise from the cross-threads of our moments and experiences, the fine weft of life, embedding and obscuring the underlying scaffold
with intricate and sometimes lovely detail. Here are stories of this fabric fraying in those
who are ill. In the minds of people for whom the warp is exposed and raw and revealing.
What have you learned about human beings, human nature and the human mind,
from those who suffer from psychiatric maladies, for those for whom this fabric is warped?
One thing we learn as biologists is that when something breaks, you see what the original
unbroken part was for. And we see this in genetics, we see this in biochemistry. It's known that
when you have a mutated gene, sometimes the gene is turned up in strength, they're turned
down in strength, and that lets you see what it was originally for. You can infer true
function from dysfunction. And this is a theme that I thought needed to be shared and
needed to be made communicable to the lay public to everybody, people who, which is, I think, almost all of us who think and
care about the inner workings evermind, but who also care for those who have
been suffering, who have mental health disorders, who face challenges. But then
more broadly, it's a very much larger story than the present.
There's a story to be told where the protagonist really is the human mind, and that was one
thing I wanted to share as well in projections, is that broader story, but still anchored in
the moment of patience, of people, of experiences of the moment. Is there a clear line between
dysfunction and function disorder and order? This is always debated in
psychiatry probably more so than any other medical specialty. I'm a psychiatrist,
I treat patients still, I see acutely ill people who come to the emergency room where there's no doubt that this is not something that's working well where the
manifestation of disease is so powerful where the person is suffering so greatly where they cannot
continue as they are. But of course, it's a spectrum and there are people who are closer to the
to the realm of being able to work okay in their jobs, but suffer from some small dysfunction.
And everywhere in between, in psychiatry, we're careful to say we don't call it a disease or
disorder unless there's a disruption in social or occupational functioning. But of course, psychiatry
has a long way to go in terms of developing quantitative tests. We don't have blood draws.
We don't have imaging studies that we can use to diagnose.
And so that line ultimately that you're asking about
between order and disorder function and dysfunction,
it's operational at the moment, how are things working?
Can we just like linger on the terms for a second?
So this disease dysfunction, how careful should we be using
those words? Can we just, even in this conversation, from a sort of technical perspective, but also
human perspective, how quick should we be in saying that schizophrenia,
depression,
autism, as we kind of go down
across the spectrum of different
maladies, like to use the word dysfunction and disease?
I would say to give our ourselves license to capture the whole spectrum, let's say disorder, because that captures truly, I think, the essence of it, which is we need to talk about it when
it's not working when there's disorder.
And that's the fairest and most inclusive term, to use.
So is it fair to assume that basically every member of the human species suffers from a large number of disorders then?
Well, we just have to pick which ones are debilitating
for each person.
You know, if you look at the numbers,
there are, you know, if you look at how our mental health
disorders are currently defined,
you can look at population prevalence values for all these
disorders, and you can come up with estimates that somebody will have a lifetime prevalence of
having a psychiatric disorder that approaches 25% or so, and so that's, and in some studies,
it could be more, some studies, it could be less. Now, what do we do with that number? What does
that mean? And in some ways, that's the essence of what I was hoping to approach
with. The book is to reflect on this spectrum that exists for all the disorders. There is,
and taking nothing away from the severity and the suffering that comes at the extreme
end of these illnesses, but nearly every one of them exists on a spectrum of severity, from nearly functional to completely dysfunctional life
threatening and even fatal.
And so that number 25% more or less, it doesn't capture
that spectrum of severity.
To look at that number, what are those numbers come from?
Is it self-report as the people who show up and say,
I need help? Is it somebody else that points out that person needs help? Or is
it like estimates that even go beyond that for people who don't ask for help or
suffering quietly alone? When you look at self-report numbers, then those numbers
get even higher beyond 25% or more. Those, the most rigorous studies are done with structured psychiatric interviews where
people who are trained in listening symptoms carefully do complete psychiatric inventories
of individuals.
And these are time consuming, laborious studies that not often repeated when they're done,
they're done well.
But often you'll see a report to something in the news of a very high number for some
disorder or symptom and very often, if it's shockingly high, that's coming from a self-report
of a person.
And so that's another issue that we have, again, take nothing away from the severity and
reality and biological nature of these disorders which are very genetic very you know
We we understand that these are very biological and yet we lack right now the lab tests and the blood draws to make the diagnoses
But we'll talk about it just how biological they are because it's a that too is a mystery
I mean, you know in terms of from our perspective of how to probe into the disease, how to understand it,
how to help it.
So some of it could be in your biological, some of it could be just the dance of human
emotion and interaction.
It's like, is love when it works and is love when it breaks down biological or is it something else?
So we're gonna talk about it.
But let me just like the linger in terms of disorder.
What about genius?
You know, that sort of cliché saying,
like the madness and genius that they kind of dance together.
What about if the thing we see as disorder
is actually genius, unheard, or misunderstood?
Well, here again, the number has helped us. Here's where being rigorous and quantitative
actually really helps. If you look at disorders like autism and bipolar disorder and eating
disorders, anorexia nervosa, for example. These, particularly bipolar and anorexia, these can be fatal, they can cause immense suffering,
but they are heavily genetic, all three of these, and what's very interesting is each one
of these three is actually correlated positively, positively, with measures of intelligence,
of educational attainment, and even of income.
And so you look at this, severe disorders, in many cases, causing quite immense morbidity
and mortality, and yet they are positively correlated at the population level with positive
things.
Can you say the the three again autism autism
anorexia and bipolar disorder bipolar right what's that book forgot the book name but uh is intelligence a burden? Well you know people can get into trouble when they think they're smarter than
they are I will say that. I don't know. Sometimes in the deepest meaning of that statement, I think
Ignorance is bliss. I'm a big fan of Prince Mishkin from the idiot and I live from Brother
Carmas of optimism. It can be seen as naivety and dumbness, but I think it's a kind of deep
intelligence. Maybe inability to reason sort of about the mechanics of the world, but instead kind
of feel the world.
And it seems like that's one of the paths to happiness.
There is.
How much you think versus how much you feel, this comes up all the time.
In medicine, we encounter this all the time.
When you're day after day, you encounter this, you know, the abyss of suffering from patients.
How much do you let yourself feel, or how much do you make an abstract and objective and
try to make it clinical?
And that range, how you're able to move yourself on that spectrum is very important for survival
as a physician and the way you
you protect yourself and your feelings turns out to be very important.
So you quote Finnegan's wake, mad props for that James Joyce book. It's like a
class in James Joyce in college. I think I read parts of Finnegan wake. I might
have been on drugs or some kind or I somehow got an A in that class
It's probably refers to some kind of curve where nobody understood anything the only thing I understood and really enjoyed
Is this short stories the dead and then you look these I kind of I think right a few cliff notes that kind of got to the point
And then Finning in wake was just a hopeless person. It's a you
For people who haven't looked at it,
maybe you can elucidate to me better,
but I felt like I was reading things, words,
and the words made sense, like standing next to each other,
but when you kind of read for a while,
you realize you didn't actually understand
anything that was said.
But did you have a feeling, though?
That's one thing I found interesting about Phinecon's
wake.
I never fully understood it, but the words caused feelings
in me, which I found fascinating.
And sometimes I couldn't predict it from the semantic,
black and white context of what I was seeing in front of me
on the page.
But the rhythm or the melody would make me feel certain ways.
And that was what I always was intrigued by with Joyce.
Of course, that was his, he existed on a spectrum too.
And he wrote, as you say, more accessible works.
I learned a lot about Irish history from Portrait of the Artists as a young man.
And he could be as objective as he wanted to be.
But then when he let himself loose,
he was in this realm where the words had their own purpose separate
from semantic meaning, from their dry dictionary definition.
There's a funny story that was told,
it doesn't matter if it's true or not,
but they said that James Joyce, when he was young,
when he was in his teen years,
would go around sort of Ireland drinking and so on and telling everybody that he's going
to be one of if not the greatest writers of the 20th century.
And he turned out to be that.
So I always think about that little story that somebody told me because I have a lot of
people come up to me, including myself, I have a lot of people come up to me including myself
on a bit of a dreamer. You get into certain moves where you say I'm going to be the greatest
anything ever. You get like people tell you this, young, especially young people.
And it kind of, it makes me feel all kinds of ways but but that story reminds me that you just might be one
of the greatest writers of the 21st century, for example, if somebody were to tell me that.
And don't immediately disregard that, because one of the people that say that that's almost
like a pre-conditioned, that's like a requirement just to believe in yourself.
Maybe it's not a full requirement, but it's an interesting story.
Well, I think when someone tells you that,
then it creates one season opportunity,
and then it would be a tragedy
if the opportunity weren't captured, right?
And so then that creates some impetus,
some motivation to do something good.
I think the mind, it's like,
I guess that's what like books like the books or whatever I don't even know if it's a book, the secret plugs into, they kind of make a whole industry
out of it.
But there is something about the mind believing something, making it a reality.
It is just time and time again with Steve Jobs, like your belief in yourself, your belief in an idea, sort of
embracing the me versus the world, embracing the madness of this idea and making it a life
pursuit, somehow more's reality around for some tiny fraction of the population. For
everybody else, you descend into all the beautiful ways that failure materializes in our life.
You mentioned love earlier. That's a great example of how belief in something makes it real.
It's not reasonable on the face of it, but because you believe it's reasonable, then it actually does become reasonable.
That's a good example. That doesn't happen. I'm also in a bioengineering department.
We don't imagine that a bridge is soundly built,
and then it is soundly built.
That's something that it doesn't come up in too many
realms of human existence, but love is one of them.
And the ability to have a fixed idea and to say it's true,
and then it is true.
A bridge is a kind of manifestation of love, so maybe it does work a little bit, but
you know, it can break down like Chernobyl did and you can't just say it's safe.
The office also proved it's safe.
But on Finnegan's wake, I think maybe correct me if I'm wrong, you're using kind of Finnegan's
wake to give one perspective on what madness is, of what's going on in the mind. How much of that is that we're simply unable to communicate with the person on the other side
of their mind. There's almost like a little person inside the brain and they have some circuitry
that's used to communicate emotion and communicate ideas to the outside world.
And there's something about that circuitry that makes it difficult to communicate emotion and communicate ideas to the outside world and there's something about that circuitry
That makes it difficult to communicate with the little person on the other side
So if you look at what shows up in schizophrenia with many cases the the what we call thought disorders what we call
the
That individual speech symptoms of schizophrenia
Finnegan's wake is loaded with them, and it's just full of them.
We talk about clang associations in schizophrenia
where the word that is said is echoes
in some way the previous word.
And we call that a clang association
because there's no other reason
than the similarity of the sound,
like a clang of a garage door being hit.
And it has a, and sometimes it's not even a word,
and we call that neologism, a new word being created,
and of course, Finnegan's wake is full of that.
And then we also, in schizophrenia,
where there's what we call loose associations
or tangential thought processes.
Of course, full of that, where things just go off
in directions that are not linear or logical. And you can't read Finnegan's wake, I think, without certainly
as psychiatrist, you can't read it without thinking about schizophrenia. And then
when we look at the families of people with schizophrenia and Joyce was no
exception, they're very often are people within the family who are on the spectrum. Some have it, some are able to see it from a distance, from a safe distance.
There's an association between schizophrenia and what we call
schizotypal personality disorder, where people are not quite in this
severe state of schizophrenia, but have some magical thinking, have some unusual
thought patterns,
very often those are family members of people with schizophrenia.
So this points to this, again, to this idea that there is a range, even along this very
severe, very genetic biological illness that human beings dwell on different spots along
that spectrum.
I should mention that we have my friend Sergey
pulling up stuff, young Sergey or old Sergey,
I don't know what to call you, but there's drafts
of Finns' wake.
Yeah, I actually saw pictures of this from,
I think it was on Instagram or something.
These are early drafts of Finns' wake.
And it's so beautiful to see for people
who are just listening.
There's just random paragraphs and writing all over the page with stuff crossed out.
And it's great to see that Joyce himself was thinking in this kind of way as,
as you're putting it together.
How much do you think he was thinking about schizophrenia, this, this,
this is a friend of mine?
I think a lot.
I think, you know, it's, it's known that his, his daughter suffered from,
from schizophrenia and this is what's depicted here on the page
is something that I'm sure he either felt himself
in some level was able to access this nonlinearity
of processing or had seen enough in family
that he knew what it was and was able to reflect it
down in black and white on the paper.
So what he was able to do was quite authentic in that sense.
Of course, I don't want to pigeonhole in.
He was doing much more than that.
It was much more than talking about altered human thought processes and thought disorders.
But that was an aspect that he was so good at representing that it had to be intentional to some extent.
And a tiny tangent, what does your own writing look like for this book? Because it's extremely well written.
How many edits did you just drink some whiskey and like I'm imagining Hemingway style?
What's a very different, the writing is very different. I mean, it's really, really well written, which was like,
I was reading it.
It makes you realize, because I was expecting sort of a science kind of, which it is like,
you know, lucidating something about the human mind kind of thing.
But you could also probably write really strong like novels. So maybe that's
in the future. But anyway, what is your, how many edits, how many, what's your style? Does
it look like that? Is it more structured, organized? Unfortunately, I used a laptop, so I didn't
have this sort of beautiful record of... No typewriter, cigarette, and whiskey. I did explore,
I was, you know, which was their particular altered state that would help me to be most creative.
And I found actually I actually did the best while, you know, sober, but slightly
disinhibited in the late hours of the night or early morning.
Yeah, particularly late hours of the night there.
And I have a friend who would tell me that she thought that very early in the morning her inner critic was still asleep and she could write more effectively before her inner critic woke up.
And I actually found that outstanding advice for me that I often found that there was, I was looser and could write more in the morning. But the other interesting thing is, is each chapter, each story, it's about a different
human being with a different class of psychiatric disorder. That's what each story, each chapter is anchored in. But I try to use words that in style of writing and
diction that captures the feeling of the disorder. And so it's different in each story. In the story about Mania,
which is a very
expansive exuberant
at least briefly uplifting state where the words come out on a torrent and their complex and pressured and elaborate.
I try to capture that feeling with the words used in that chapter. And then in the schizophrenia or psychosis chapter,
where things slowly fragment over time
and become looser and separated,
I tried to capture that in the writing too.
So for each, it wasn't as if there was a single mode
I could ban for the whole book.
For each chapter, I had to put myself
into a different mode to capture that inner feeling
of the disorder. When you put yourself in that mode, does that change you?
Yeah, I couldn't turn it on and off right away. I had to, first, I would start by thinking
about the person or the people. One or two people based on real patients and the stories
that are put forth, the symptom descriptions are real. They're from the patients, of course,
all details change to protect privacy, but the actual symptom descriptions are real. They're from the patients, of course, all details change to protect privacy,
but the actual symptom descriptions are real.
And I would sit with them and really try to inhabit
the space of the mind of that person that I knew.
And that's not instantaneous, it would take some time.
I needed quiet, I needed to be still.
That's another reason late at night is good.
Sergey posted that draws in his gift creativity boosts according to Andrew Huberman.
Thank you, Andrew.
It's not wrong. It's not wrong. Why projections? Is it, I mean, there's, I mean,
it's instead of putting words into your mouth, because I could imagine a lot. I mean, to me,
I will start putting words in your mouth,
despite what I just said.
So, I mean, to me, projections, working on your networks,
for example, from an artificial neural networks
from a machine learning perspective,
it's often, that's exactly what you're doing.
You have an incredibly complex thing
and you're trying to find simple representations
in order for you to make sense of it.
So I was kind of thinking about it in that way, which is like this incredibly complex
net and neuronal network that is kind of projecting itself onto the world through this low bandwidth
expression of emotion and speech and all that kind of stuff. And the way it, we only have that window into your soul,
the eyes and the speech and so on.
So that, in that way, when there's any kind of disorder,
we get to only see that disorder through that narrow window
as opposed to the full complexity of its origins.
The word projections definitely serves that purpose here,
but it's got a few other really
appropriate other connotations as well.
So the first thing is projection in terms of neuroscience is this long range connection
that goes from one part of the brain to another.
And so it's what binds two parts of our brain together.
There are projections, long range connections of axons. These are the outgoing
threads that connect one part of the brain to another part. There's a projection that links,
for example, auditory cortex where we hear things to reward centers where we can feel where
feelings of pleasure and reward are initiated. And it's been shown that if you have reduced
connectivity along that dimension, you are less
able to enjoy music.
And so these projections matter.
They define how effectively two parts of the brain can engage with each other and join
together to form a joint representation of something.
So that's one meaning it's pure neuroscience.
The word projection is used all the time.
And it happens to be something that optogenetics, a technique that we maybe will talk about a little later, works particularly well with.
We can use light to turn on or off the activity along these projections from one spot of the
brain to another.
And this is particularly referring to the long range connections.
It's particularly straightforward along these long range projections that connect different
parts of the brain, but it works over shorter range too.
But then there's this other meaning of projections which you were bringing up, which is very relevant,
which is, at some point you can reduce something
from one level of dimensionality to another
and you can project down into a lower dimensional space,
for example.
And then finally, there's a psychiatric term projections
which comes up all the time, which is,
we very often will look at our internal states and to understand
somebody else will project them onto somebody else, we'll try to understand someone else's
behavior and make sense of it by projecting our own inner feelings, our own narrative
onto them and use that as a way to help us understand them better.
And we'll do the reverse too.
We'll take things we see in the outside world and we'll bring them into ourselves and see
how well they map, how well they align.
That's called interjection.
So projections, as it turns out to be a really rich word, then finally, of course, there's
the very common sense of it as a projector that illuminates by conveying information
across space with light.
So for English language, perfect word to use for this book.
But what was funny is not every, there
are a lot of international translations now.
And all those rich connotations aren't captured
in other languages.
And so for some translations, connections
is used instead of projections. In fact, even in England, the British version is used instead of projections.
In fact, even in England, the British version
is connections instead of projections.
Because apparently, projections doesn't have the full
connotation I was told.
So you have to sacrifice some of the rich ambiguity of meaning
of connections that's interesting.
I mean, can I, and words are so interesting.
They have so many me.
I love language and how much is lost in translation.
I am very fortunate enough to be able to speak. I'm not good at languages. I was just, I guess, forced to, by life,
circumstance to learn two languages, Russian and English. And it's just so interesting to watch how much of culture,
how much of people, how much of history is lost in translation.
The poetry, the music, the history, the pain, the way the scientists actually express themselves, which is funny.
I mean, just, it's so sad to see how much brilliant work that was written in Russian.
There's a whole culture of science in the Soviet Union.
That is not lost.
It makes me wonder in the modern day,
how much incredible science is going on in China
that is lost in translation.
And I'll never, I mean, that makes me very sad
because I'll never learn Chinese in the same way
that I've learned English and Russian.
Maybe whenever I say stuff like that, people are like, well, there's still time.
Yeah, that's actually fair.
I think the 21st century, both China and the US will have very important roles in the
scientific development, and we should actually
bridge the gap through language. And that doesn't just mean convincing Chinese to speak English.
That means also learning Chinese.
Well, we need these bridge people who can do both, you know, the, you know, Nabokov, for example,
writing an English beautifully, you know, one of my favorite poets, Borges, who you know, mentioned earlier,
he wrote both in English and in Spanish. I think, you know, beautifully in both. We need those
people who can serve as bridges across cultures, he really can do both. You mentioned Borges, so
you open your book with a few lines from a poem by Jorge Luis Borges, a love poem.
I'm going to read parts of it because it's a damn good poem.
It's called Two English Poems.
I mean, there's, I'd like to understand why you used it and the specific parts you used,
which is interesting.
But then when I read the full thing, so I think you used it as a sort of beautiful description of what I mean is the
delved deep and understanding, often yourself to the task of understanding another human
being. But if you look at the full context of the poem, it's also a damn good description
of being hit by love and overtaking by it and sort of trying to figure out how to make sense of the world now that
you've been stricken by it.
It says a bunch of things about chatting and significantly with friends and all those
kinds of things.
And then the poem reads, the big wave brought you.
I get this is the moment, I guess, of the universe where two people you fall in love.
Maybe I'm totally misreading this poem, by the way. It doesn't matter. You can't misread
poem. So it goes on words, any words, your laughter, and you so lazily and incessantly
beautiful. We talked and you have forgotten the words. The shattering dawn finds me in a deserted street of my city. Your profile turned away.
The sounds that go to make your name. The lute of your laughter. These are the illustrious toys you have left me.
So these little memories of these peculiar little details. He remembers those are the illustrious toys.
I apologize to mix my own words with the poem, but you should definitely
read it. I turn them over in the dawn, I lose them, I find them, I tell them to the few
stray dogs and to the few stray stars of the dawn.
Your dark, rich life, I must get at you somehow. I put away those illustrious toys you have left me. I want your hidden
look, your real smile, that lonely mocking smile, your cool mirror nose. I want your hidden
look, your real smile. So this is the first part of the poem and then it goes on, which
is some of the parts that you reference. Second part is, what can I hold you with?
I offer you lean streets, desperate sunsets, the moon, or the jagged suburbs.
I offer you the bitterness of a man who has looked long and long and at lonely moon.
I offer you my ancestors, my dead men, the ghosts that living men have honored and bronze.
My father's father killed in the frontier of Buenos Aires to bulless through his lungs and so on, so on. I offer you whatever
insights my books may hold, whatever manliness a human my life. I offer you the
loyalty of a man who has never been loyal. I offer you that kernel of myself
that I have saved somehow the central heart that deals not in words,
traffic, not with dreams, and is untouched by time, my joy, and adversities.
And I think this is where the part
that you include in the book.
I offer you the memory of a yellow rose,
seen as sunset, years before you were born.
I, damn, that's a good line.
Okay, I offer you explanations of yourself, theories about yourself, authentic and surprising
news of yourself.
I can give you my loneliness, my darkness, the hunger of my heart.
I'm trying to bribe you with uncertainty, with danger, with defeat.
That is a man who's in love and longing.
If I'm taken, but I just want to go back to to maybe you could say why you want to glue that
poem but also your dark rich life I must get at you somehow I put away those illustrious
toys you have left me out one year I want your hidden look your real smile that lonely
mocking smile your cool mirror nose what sometimes I meet, it's like, it's like a double take. It's like, who are you?
Have we met before somewhere? Who's that person behind there? And I want to get at that,
whatever that is. And of course, maybe that's what love is because maybe that's the whole
pursuit, like a lifelong pursuit of getting at that person. Maybe that's what that is.
And like that insatiable sort of curiosity to keep getting to it. Like, well, who's that person
then you're on private life? Yeah. So that absolutely, I think that it was a beautiful
description of what you just said when there's that first moment. And then you want to dive deeper.
You want to know what the what the hidden mysteries are. In a way, it's a love poem as a scientist, though.
It's a bit of how a scientist can love science.
And that wanting to dive deeper is, it's almost like, again, where it could be a love affair
with investigating the human mind, for example.
And that was one reason it spoke to me also.
Again, thinking about the broader sweep of where the human mind came from,
the steps it took to get where it is today, what was given up along the way,
what compromises were made.
And here's where the darkness of the poem starts to come in a little bit too.
It doesn't shy away from the negativity,
from the confusion, from the danger.
And then at the very end,
the board faces offering up scenes from his life,
parts of himself.
And this is how we connect with people.
We offer parts of ourselves, just here it is.
And then we see how well does that map on to what you have. And it's that offering up that I liked and not the good stuff or not
only the good stuff. The yellow rose is nice, but he's offering up the bad stuff too. And that
to me was important for the book because I'm offering up hard stuff too. In fact, a lot of it.
And also hard stuff from within me, from my own personal side too. And that was, there's a lot of it and also hard stuff from within me, from my own personal side too.
And that was a lot of vulnerability that comes with that, but that comes with love,
that comes with writing, you have to be open, you have to be vulnerable.
And so I thought that reflected what I was trying to do and I thought it was as an epigraph,
it kind of made it clear how vulnerable I was in taking this step,
but also what could come out of it.
And also in a meta way,
because I was not familiar with this poem,
it may be curious of the poem itself
to pull it that thread of finding out more.
It's a very particular part
that kind of means you want to pull that thread and see
where did these few lines come from.
Because I read it as a curiosity of a scientist, those lines alone.
And also as a desperate human being searching, like offering himself for an understanding or connection
with another human being.
And then, because I wasn't sure if it's a love poem or not or if it's desperation or
for it's curiosity out, whatever it is, and then you see the love poem.
I mean, I don't know.
That's going to stick with me for a while, the, your dark rich life, and then a few lines
in here are just, I mean, those are, I'm going
to just use them as pick up lines that are. I offer you the memory of a yellow rose,
seen at sunset years before you were born. That's a pick up line I've never heard of if I've
ever heard one. Anyway, sorry. But this is universal. You see it in so many forms of art.
Like, you know, we're in Texas now.
You see this in country, country in western songs.
It's often a list of things.
Like, here's how I describe myself.
There's this and there's that.
And there's the other thing.
And here you are.
These things matter to me.
And I hope they matter to you too.
It's a pretty universal form.
But he did it in this very artful and very vulnerable way.
It was both beautiful and you could feel the hurt coming from him too, and that was important.
The dark stuff too. I offer you my ancestors, my dead men, the ghosts that living men have honored and bronze,
and talking about two bullets through his lungs, bearded and dead, wrapped by his soldiers in the
height of a cow. My mother's grandfather just 24 heading a charge of 300 men in Peru, now ghosts,
unvanished horses. So all of it, the whole history of it. Since it is a love poem, what do you think
about love? Karl, what do you think about love?
Carl, what's the role of love in the human condition?
We'll talk about the dark stuff.
But maybe love is the dark stuff, too.
It's the most powerful connection we can form.
And that's what makes it so important to us.
It's the strongest and most stable connection that we
can form with another person. And that matters immensely. It matters for the human family to
have evolved, to be something that could survive against the odds that we've faced over the years.
That unreasonable bond that becomes reasonable by virtue of its own existence.
And of course, that joy, the wild, raw joy of love is not a bad thing either.
So you put these together, the strongest bridge we can form, and the reward,
and the joy that it brings. That's what love
is to me and from my perspective, this is something that it can be hard to capture fairly
because you want to talk about the positive and the negative sides at once. They need
to be wrapped up together full, honest description of it is. And that's hard to do in a compact form.
And so you have to take time to talk about love.
You have to take time to do it justice.
It takes a book or at least a poem or several thousands of them.
I don't know. So could you pull up?
There's a video I saw, yeah, like right here.
So can you pause for a second?
So there's more to the penguins.
So you always see like penguins huddling together against, I mean, sorry if I suggest metaphors
and everything, but them huddling together against the harshness of the conditions around
them.
That's very kind of, that's like a metaphor for life, like finding this connection.
That's kind of what love is. It's like it allows you to forget whatever the absurdity, whatever the suffering of life is together.
You get to like, huddle for warmth. And that's why I love the, sort of just the, the honesty and the intensity of the way penguinsuins just in the middle of like the cold do this and then this video I saw
Lonely this is this is misinformation. So the name of the videos lonely deranged penguin. I don't know if he's deranged
so if you play it
so he left his pack and
and And there's a nice voice over, you don't need to play it, but he for some reason left the
pack and journeyed out into the mountains.
And so the narrator says that he's deranged, he's lost his mind.
Now I'd like to project the idea that he's actually, there's so many stories he could
think of.
He's returning to his homeland. He's an
outsider thinking journey out into the unknown, thinking he may be able to discover something
greater than the tribe. He might be looking for lost love. Why is he deranged immediately?
Why is he lost his mind? Anyway, but this people should look up this video because to me, I might be the only one who romanticizes
this, but it's such a nice kind of, it's both a picture of perhaps a mental disorder,
which is what the video kind of describes, and it may be some deeper explanation that's
not, that has to do with the motivation of a mind.
Yeah, I don't know if you have a deeper analysis on this pigment.
Well, like you, the psychiatrist, I would want to sit down with a penguin and go through.
I want to see the notes from his prior therapist.
But this actually is relevant.
Not knowing what was that Penguin's motivation.
We have very clear situations where there are both
within an individual we go through periods of time
when we stay in one place and we reap the benefits
from what we've built and then we go through periods
of foraging, of wandering.
Even if there may be resources where we are,
we have periods of time in our lives where we wander,
where we go in a exploratory mode,
and different people express that trait in different ways.
This is not a human-specific trait.
If you go down to the tiny little nematode worm,
sea elegans with 302 nervous system cells. They go through
these phases of foraging and rest, and different individuals have different propensity to forage
or to rest and stay in one place. At the level of the species, that's really good, that
there's that diversity in their willingness to forage. Some stay where they are, the species is somewhat
on a firm footing then, but some carry a burden,
a risk for themselves, but it's good for the species
that they are explorers, and they will venture out.
The migration patterns that different species
blunder into and that turn out to be really good,
they weren't logically derived.
They most certainly started from something like this,
an exploration.
If humans do this too, you think?
And we do it too.
In fact, it's something we do extremely well.
Let's talk about psychiatry a little bit.
So my book, your rock star.
First of all, for people who don't know,
aside from the neurological view of the brain and neuroscience view of
the brain, you're also one of the great psychiatrists of our time. I've always
not always, but when I was younger, I dreamed about being a psychiatrist.
So it's like getting to meet your heroes and also getting to meet the people who are the best at the top of the world at the thing you've failed to pursue.
So there's I'm getting a free therapy session on top of that. Big picture, what is the practice, the goal, the hope of modern psychiatry? If you could try to describe the discipline as you see it, maybe historically throughout
the 20th century and contrasting to what it is today, or maybe if you want to describe
to what you hope psychiatry becomes or longs to become in the 21st century.
It's been an interesting journey.
It's like Hyattree started out pretty firmly grounded in neurology and pathology,
some of the initial founders effectively of the field were very well grounded in microscopy,
looking at cells, working with patients, particularly on the neurological side,
and this certainly included Freud and some of his contemporaries.
But they rapidly discovered that what they could work with at the level of cells and microscopy was so far from the realm of what they could get from a human being and what they were getting from the human being was so much more interesting
and had was so mysterious and so unknown that many of them just said we're going to inhabit
this domain and we're going to work with the people with their words and understand what we can
based on verbal communication because that was the only tool that that people really had.
And that was a very important step for the field. I would say one of the interesting
things that came from the early decades of psychiatry really was this distinction between
the conscious and the unconscious mind and paying particular attention to the unconscious
mind is something that was worthy of consideration, that might be important in explaining
people's actions, and that perhaps even insight into that was valuable in its own right.
And out of that psychoanalysis became a practice that was not always focused on cures or treatment,
but was more focused on insight. What does it mean? How can we help people understand why they're feeling something or thinking something
or dreaming something? And that insight, separate even from treatment, was an interesting thing,
as long as one was honest about that and said, we're going for understanding, we're going for insight.
Maybe it's used to just pause on that.
If you look at the father of psychoanalysis,
a Zigmund Freud,
what do you make of the ideas that he had?
So you mentioned taking the unconscious, subconscious seriously,
that's like step one, like that there could be worlds we do not have direct access
for. We
probe them through conversation or
um is that too simplistic to call psychoanalysis conversation?
That's not too simplistic, but that's right and I think that was valuable where where Freud ended up breaking from some of his contemporaries. He was very focused on
this unconsciousness being so tightly linked
to libido.
And really, from his perspective, you couldn't really separate the operation of the unconscious
mind from these aspects, the libidness aspects.
And that was one reason.
That was the libidness aspect.
Sexual-sexual-related drives.
Carl Jung, who was his contemporary, that's one factor that led to them separating, was
Carl Jung felt there was a lot more to the unconscious than this libidness aspect of
it, and he saw it as a much more complete alternate representation of the conscious self, one that maybe reflected a whole range of different motivations and desires.
And to properly treat it when you had to consider all of them rather than the ones that
destroyed us. Well, call a young shout. Thank you for the high level of images that Sarge is pulling up for people who are just listening.
He pulled up a as a quote from segment for us, a meme, your mom quote, Freud.
So the shadow, the call young shadow encompasses everything, not just the desire to have sex with your mother or sex period.
That's right.
That's right. If you look at those two folks on mass, I mean, there's a kind of, it's almost like a technique
for philosophical exploration of human mind, human motivations. So it's not even like,
necessarily, it's also doubles as a methodology for helping people, but it's almost like a
It's a kind of
philosophical method
Right
This is the fascinating thing about about psychoanalysis and it even though it's I would say mostly not considered a treatment
Today it persists for a couple reasons one is One is it's thought that it gives people some insight.
But second, there's been a huge influence on literature, on philosophy, on art,
and the opening up of discussion about what was below our conscious mind was so fertile in the
implications that it sort of reverberated and still does throughout all these different rooms of human endeavor from our different artistic
you know experiences what are the
parts of the unconscious?
And so there were these Irid and Iego and super-Igo subdivisions that Freud, for example, would
talk about them.
And the Irid was the primary, the primal drives that an infant would have, or that a very young
child just warms and feeding, and then later the sexual or the business aspects.
And for Freud, the later happened very quickly.
That's the controversial thing a lot in my think.
I guess he thought like even children had sexual desires, that they're like dealing with
contending with.
So it's the full thing.
Hungry, wanting to eat, wanting to poop, wanting to have sex.
Yeah, and he was extremely focused on that aspect.
But then there was the super ego which brought on these later, sort of moralistic,
sort of codes of conduct, and that of course was very often in tension, but all this could
play out subconsciously.
And then the ego, this third aspect, was mediating in for its conception, mediated this
tension between the different parts.
Now I think that's interesting.
I will say that in some ways it's maybe unnecessary from the perspective of modern neuroscience
to divide things up that way from the moralistic drives and the primal gratification drives.
In some ways they're all drives and maybe they're even all primal drives.
You know, the moralistic drives, they're taught in ways
that ultimately relate back to survival, and you could even say selfish aspects of health and life
for the self and family. And so I think it's maybe an artificial distinction. The concept of the unconscious is very valuable and very interesting,
but these categorizations of id and super ego may not map onto neurobiology in any particular way.
If there's a town hall of competing drives and desires and they interrelate to each other,
they involve different aspects of the brain and the history of the person.
And actions and choices come out of the result of that overall shouting in the town hall.
So in some sense, Carl Jung was a step into the direction of liberating yourself from
such harsh categorizations.
Do you think, I mean, you have Daniel Kahneman
with System One and System Two,
there's just these very compelling categorizations
of the human mind that seem to be sticky
in our, in the super ego.
No, in the how we talk about these ideas and so on.
Do you think those are helpful or do they get in the way?
Is it some kind of balance in terms of deeper understanding of how the mind
actually works?
You know, it's from the from modern neuroscience.
Whenever we seem to get closer to addressing a question like this at the
level of cells, it seems to get farther away.
And I'll give you an example of what I mean by that.
So one thing I'm doing in my laboratory
and many people are doing is we are listening in
on the activity of cells, neurons, in the brain of mice
or rats or fish or monkeys, individual cells,
individual cells, exactly, of which there are, you know,
in our brain, many billions.
And when we do, and we try to predict what action will be taken by an animal,
to address this question, where does the choice arise?
Where does the impetus to make a particular selection of one action versus another action?
Where does that start in the brain?
If you're recording listening in on the activity of cells all across the brain,
start in the brain. If you're recording listening in on the activity of cells all across the brain,
where's the earliest spot you can pick up a choice being made? Well, that's so awesome.
At one level, you might think how excited would would young have been to see this or Freud or the early psychoanalysts to see where this starts. But it's not so simple because
an emerging theme in very recent neuroscience, literally over the last few years, is that things sort of all start together all across the brain. And so you can
be recording from the cortex, this rim of cells at the surface of the brain, or
you can be recording deeper in a structure called the strideum, which is a little older.
It's more tightly linked to action.
And then structures called the thalamus, other parts of the brain.
And if you record from these, these all sort of represent the action and the choice.
More or less all about the same time, very close.
And so you can't point to a particular spot
and say here's where the choice or the action originates. It's a it's a finding the free will and you're on. It's relevant to that question. Nobody is close to being able to point to such a thing.
Well, close is a relative term. And nobody what I what I tweet tweet today all generalizations are wrong. So including
this one, let's actually talk about that. So the study of individual cells, if you could linger
on your sense that as you get closer to that understanding, it feels like you're getting farther away.
Why is that? Because that often is the feeling until you're actually there.
So, so like, you know, you see that that's when I'm running.
And I know there's only a mile left.
It just feels like that mile is just getting longer and longer,
but eventually you finish.
So maybe we're getting close to cracking open these like beginnings of a
sense, like we'll talk about consciousness or these very difficult big questions about
the human mind. Where do they start?
You're right to say we shouldn't generalize or make absolute statements, but I would
say right now the reason things are looking even harder to crack than we had initially thought,
we now have the data streams that we've wanted
for so long in terms of activity patterns
all across the brain at the level of cells.
We can literally see what cells are doing immense data sets.
We get, these are time series of one individual cell
with sub-second resolution and you can collect know, enormous numbers of cells across the brain.
So very rich data sets that we've wanted for a long time, and yet having these
has not led to an understanding of truly where actions initiate
in terms of regions or locations. I ask you a few questions on that. Is the answer high level question by your intuition?
Is the answer within the data or do we need different kind of data?
So we should also say that when you collect data about the brain,
there's like the richness of information you're collecting,
but there's also human doing stuff
like
and
Information so static information about the human and dynamic information about the human and you can get them to do different stuff
And you can select different humans and that's part of the collection of data aspects
So like when you're collecting data about the brain
data aspects. So like when you're collecting data about the brain, there's some truths that you can, you know, in machine learnings, like annotations, like supervised learning, there's some true things
you can hold on to before you look at the full rich mess complexity of the human mind. So given the
data, you've looked at, do you think the answer for the origin of free will in the human mind can be found?
Well, one amazing thing is that nobody's found it, but we have these rich data sets, and
then there's a conundrum, which is, is it in the data, and we just don't know how to look
at it.
Maybe we don't know the right scale, the right projection to make of the data, the right way to interpret it.
And here's where causal testing becomes very valuable.
Because then instead of just passively observing,
well here are
here the activity patterns and then here's the choice made by the animal.
As we've gotten more
powerful at reaching in and causing things to happen in the brain, turning up or down the activity of certain types of cells or defined populations
of cells and seeing how that affects actions. These causal perturbations have turned out
to be very valuable. We're just now getting to the point where we can apply these in very wide swaths
of the brain at cellular resolution, and so we're going to be able, hopefully, to make
some headway on this question with causality. And those, that's the one thing that Optogenetics
provides us this way of using light that we developed to control cells. This is an
untapped, relatively untapped at this broad
brain-wide scale, and hopefully we can get there in the near future. But I would say that the answer
may be maybe in the data, but we don't know how to find it. Well, this interactive element,
like where you can cause stuff that's really powerful, because you get to, I mean, as opposed to
collecting data passively, you're collecting data actively.
So can you maybe describe one of the many things you're known for, one of the big things
is called optogenetics.
What is it?
Optogenetics is a way of causing things to happen.
It's a way of determining what actually matters in terms of the activity of the brain for
the amazing things. It does sensation, cognition, action.
And what it does is it provides activity.
It's a way of playing in, if you will, activity patterns into precisely defined cells.
And the way we do it is pretty cool, I think.
It's, you know, right away there's a problem, if you think about how do we do this?
How could we play in well-defined activity patterns and provide a stream of activity into
this cell and that cell and that cell, but not these other cells?
But just for context, we're talking about the brains of mice, monkeys, humans, and then
the goal is to try to control accurately the behavior of a single neuron.
And then to be able to monitor collection of single neurons to then say, well, to draw
some deeper insight about the origins, first of all, the function of different parts of
the brain, different neurons, different kinds of neurons, but also the origins of the big things, the flap of the butterfly wing that
leads to an actual behavioral thing. So if you could, exactly. So if you could turn on or off
the brain or parts of the brain or cell types or individual cells at the natural rate and rhythm and timing of normal brain activity.
That would be immensely valid because you could determine what actually mattered,
what could cause complex things to happen, and what could prevent complex things from happening
in a specific way. But right away, you've got a problem if you want to do this. And neuroscientists
have wanted to do this for a long time. Francis
Crick of Double Helix of DNA fame. He wrote a famous paper in 1999. He got interested in neuroscience
later in life. And he said, what we need in neuroscience is a way that we could turn
honor off the activity of individual types of neurons in a behaving animal.
And he even said the ideal signal would be light because it would be fast,
it could penetrate through the brain to some extent.
And he had no idea how to do it.
He said this would probably be very far-fetched, but it would be a good thing
And so that's what you're actually saying it like if you want to do this kind of thing and
It's you imagine like how do I get inside the brain? It's pretty difficult
It's pretty difficult and then even once you get in it's hard because all brain cells are electrical all neurons are
Electrically activated and so if you wanted to use electricity as
What you were putting in, you won't have any specificity at all. If you have an electrode, a wire, and you put
it in the brain, and you send current through it, all the cells near the electrode will be stimulated.
That's like trying to control fish by spraying them with water. Yeah, right. Because there's already a lot of electricity
going around anyway, but there's no specificity even among the different kinds of cells either,
because all around the wire that you've put in, there are going to be so many different
cells doing totally different things. Many of them in opposition to each other, we know
that's one way the brain is set up. There are parts of the brain that where neurons side by side are doing completely different things and maybe even antagonistic to each other.
So what do you do? How do you play in activity with any kind of specificity? Well,
what you do is use what we found is what you can do is make
some cells responsive to light. Now normally no cells deep in the brain really respond to light.
They're not built for that.
There's no reason for them to respond to light in there,
which is a great situation to start with
because any light sensitivity you can provide to some cells
will be a huge signal above the noise.
And so that's what we do with optogenetics. We take genes, bits of DNA
from microbes, single-celled organisms, and these single-celled organisms, like algae, they make
little proteins that sit in the surface of their cells that receive light, capture a photon of light, and
open up a little hole in the membrane of the cell and let charged particles, ions like
sodium and potassium, flow across the membrane of the cell.
And that, they, these algae and bacteria, they do this for their own reasons because
that helps them move, it helps them make and use energy.
But that's a beautiful thing for neuroscience
because movement of ions charge particles
across the membrane of the cell
is exactly the kind of electricity that neurons work with.
So if we can take this bit of DNA
that encodes this beautiful protein
that turns light into electricity from algae,
and if we can put it into some neurons, but not other neurons,
which we can do using genetic tricks, then you've got a situation, then you can shine on
the light, and only the cells that have the gene, and that are expressing the gene, will
be the initial direct cells that are activated by the light.
And so that's the essence of optogenetics is the ability to do that.
We get that initial specificity that you could never get with an electrode.
So let me say that this is recently got the Alaska Prize for this.
It's a brilliant idea.
So I talked to Andrew Huberman, who's a friend of yours, a friend of mine, not to jinx
things, but he believes that you deserve
the Nobel Prize for this. So I do too, but what my votes, anyway, the thing is, doesn't
matter, prizes will be all forgotten, all of us will be forgotten. One of the cool ideas,
cool ideas, a cool idea. That's a really powerful idea.
It's actually the origins of it. You might be interested in
our even our very deep there was a botanist in St. Petersburg named Andre Femensen. In 1866 he
published a paper on the single-celled green algae and he was the botanist who first noticed that
they moved in response to light. These are tiny single-celled algae that have flagella, so they swim through the water. And he noticed this. He was a botanist, and he
published this. It was a paper. He wrote in German, but he published it in the French journal,
and he was doing it from St. Petersburg, so it was a very international effort. But you have
to go back to 1866, and I like to highlight how far back
that discovery goes is back to Andre Fumenson.
And this is a, it highlights the value
of just pure basic science discovery.
That always originates somewhere
in the Eastern European block.
But I don't think he expected the splicing
of genetic material from the
outside into the human brain. And one of the cool things we've been able to do now with
modern methods is to really study these proteins. And so we've discovered some of these proteins,
other groups have as well. We've dived deep into their structure, just like the double helix
structure of DNA was uncovered with x-ray crystallography. We used the same method, X-ray crystallography,
to see how these beautiful little proteins work.
We re-engineered them for all kinds of function.
We can make them instead of responding to blue light.
We can make them respond to red light.
We can speed them up, slow them down.
We can make them with genetic engineering.
We can have different ions flow through them.
And so it's this convergence, as you said,
the botanist in 1866 couldn't have predicted
what we could do with this.
And the fact that we've been able to discover
how these beautiful proteins work
and then apply them to neuroscience
is really a thrilling story.
Is it possible to achieve scale, do you think, with this?
Meaning, like what is the progress of the next 50 years,
100 years looks like in terms of the precision
and the scale of control of using light.
It's going so fast, it's hard to predict.
I'll give you a sense of it though.
In, you know, first paper, you know,
we published in 2005, that was just in cultured neurons,
by 2007, so that was in a dish.
By 2007, we had it working in behaving mice.
By 2009, we had it pretty general,
so we had methods to really make it a versatile method
could be applied to essentially any cell.
By 2012, we could get to single cell resolution.
We used light guidance strategies to target
individual cells in the brain of a living mouse.
By 2019, we were able to control up to 20 to 50 individually specified single cells in
the brain of a mouse and in ways that specifically changed its behavior that could buy us its
decisions one way or the other. In fact, we could take a mouse
and without any visual stimulus at all,
we could make it act as if it had seen
a particular visual stimulus by playing in
using the single cell resolution optogenetics,
a specific pattern of activity
into 20 or 25 individually specified cells.
That's 2019.
It's your question of scale now.
In 2022, we're controlling hundreds
of individually specified single cells
over all the visual cortex of a mouse,
all the part of the brain that is the initial direct target
of the incoming information from the retina.
Are you constrained to specific types of cells currently?
Like you mentioned long range is easier.
Is there constraints on which cells?
Now that we have this individual cell guidance,
we can target any individual kind of cell very reliably.
And so now to your question of scale,
how far can we go? Well, things are moving quickly.
It's hard to say.
We can access individual cells across the entire brain now.
If you look 10, 20 years in the future, I think we'll surprise ourselves, but the fact
that we're already able to cause specific
perceptions to happen in specific actions means we're essentially where we want to be,
and now it's a matter of just, you know, more experiments, more discoveries, but the
basic principles are clear now.
The basic capability is there.
Is there pathway to doing the same for humans?
Optogenetics is primarily a discovery tool that is really as well suited for
use in mice and rats and monkeys because it involves putting in a gene
and also delivering light. And those are two things that you can do in human beings,
but you'd want to do in a very careful way.
Now that said, there is actually just less than a year ago, my friend Botan Roska in Switzerland,
he did the first human optogenetics therapy.
And he published this in the journal Nature Medicine. So about
10, 12 years ago, he and I published a paper together where we
gave him one of our optogenetic tools, one of these light activated regulators of ion
flow. These are called microbial opsins, by the way, opsins. And he put one of those into
an extracted retina from a human being who had died.
So it was a cataviric retina.
And he was able to show that optical control in this paper was able to turn on or off individual
cells in the human retina.
So that was a while back.
He spent about 10 years of going through all the regulatory hoops and hurdles and going through primate
studies.
And finally, he was able to take a human being with a retinal degeneration syndrome, so
someone who was blind in both eyes.
And he gave one of these obscenes into one eye of this human being who was blind,
and with the goal of conferring light sensitivity
onto this retina that was not able to see light.
And he was able to make this person see through that eye.
So he took a blind person and the blind person could see,
could reach for objects selectively on a table.
And he published this in Nature Medicine.
And it was, you know, that's an amazing thing.
Do you know the title of the paper?
What's his name again?
Rosca, R-O-S-K-A.
And you look up the nature paper.
Nature Medicine, nature medicine.
So that's sort of proof of principle.
Now the retina is very accessible.
It's near the surface.
You can use natural light or you can use brighter natural light.
I'm myself
I see object genetics as as a discovery tool. It's a way to figure out the principles by which the brain works and how it operates.
Partial recovery, visual function in a blind patient after object genetic therapy. So he went to the full process of
doing primates, studies, and then going,
well, that's dedication, and that's really exciting to see.
Yeah. As beautiful as that is, and I'm glad he did all that work, there are so many other ways
that optogenetics could help with therapies. Once you know the principles, then any kind of therapy
can become more powerful. Once you know the causal cells in a symptom like in lack of motivation or inability to enjoy
things or altered sleep or altered energy, once you know the cells that are causal, then
you can make medications that address those cells, you could address brain stimulation
treatments that might address those cells. Also diagnosis.
You need to be very effective systematic way of diagnosing or at least providing you rich
data to some of these deep questions about schizophrenia, about bipolar, all those kinds
of things that are the tools are low resolution currently for determining what the degree to what you have with thing
and whether you have a thing at all.
Yeah, and exactly.
And so the hope is, you know, that's a great example of how you can cure or you can provide
some relief for a symptom of a person who has a serious degenerative disease.
But the principles are what we're after.
And that's why I spend, even though I'm a psychiatrist, even though I still see patients,
I'm not myself trying to drive any clinical trials in the lab.
I'm trying to discover, and then any kind of therapy could result from that.
What do you think about my friend Elon Musk and his efforts with Neuralink?
So this is another, there's a lot of things to say here because there's a lot of ideas under the
umbrella of Neuralink, but one of them is to use electrical signals to stimulate and then
you also record, you collect electrical signals from the brain at a higher
and higher resolution and you go implant surgically the methods by which you do the stimulation
and the data collection. So it's possible for the ideas of optogenetics to play well with this. And we can even zoom out outside of just neural link
and just the whole idea of brain computer interfaces.
What are your thoughts?
Well, I think the engineering that they've done
is actually pretty cool.
So I like the robots.
Yeah, from the design perspective
and it wasn't a design approach
that wasn't being taken in academia.
It's great that they did it, and I think it's pretty cool.
I'll say that.
Also, there are many ways that you can record from many thousands of neurons.
That's not the only way. It's a very interesting way.
We and others are using brain penetrating electrodes that actually get quite deep.
The whole structure of the brain is very interesting. So, brain penetrating electrodes actually get quite deep.
The whole structure of the brain is very interesting.
There's the surface cortex where it's the most recently emergent part of the brain and
evolution.
Mammals have it, reptiles have something a little bit like it, but it's not really the
full thing.
This is a very recent thing.
That's what we can access with some of these, you know, like the neural link approach and with some of these short electrodes.
This part of the brain, the cortex, is only a few millimeters thick.
There's so much that's deep though that's so important.
There's the strideum, there's the thalamus, there are the parts of the brain that drive
motivation, that drive hunger and thirst and social interaction and parenting and flight and fear and anxiety.
All these things are so much that's deep that these surface approaches are not getting
to.
And others are using these very long electrodes that help us get deep.
We can still record for many cells, many thousands of cells.
We can have multiple of these at once in the same animal.
And so there's a diversity of methods to get to this goal. I think it's great that people coming from
the outside academia will bring ideas that weren't being worked on, at least approaches. They
may turn out to be synergistic. These things work very, do work very well with optogenetics because all these electrical recording methods, that's one channel of information flow. Light delivery
is a separate, you know, more or less independent. There can be some artifacts that happen,
but if you're careful, that it's another independent pathway of information flow. And we've done
really fun experiments in mice where we play in patterns of activity with
light, and we record activity from all across the brain of a mouse electrically.
And so using optical and electrical together is extremely powerful.
So like optical electric brain computer interfaces, which by the way, there's efforts on the
computing side to build optoelectric servers.
So like what you have both electricity.
So because optics is really interesting, light is a very interesting method of communication
that's like you said, are thawed on them anyways.
He doesn't have some of the constraints of bandwidth that electricity does going through
wires, but you're able to, but the less ability to control precisely
at scale. So there's challenges and there's benefits and having those two interplays
really, really fascinating, especially when obviously on the other side of your signal
is a biological mesh, mush, mush, mushy mesh.
Well, the mushy mesh is kind of interesting because we have, there are problems with light, Mesh. M-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m-m And so you can come in with all the resolution you want. You could play in an incredibly detailed, high resolution
pattern of light, but the photons start scattering quite quickly.
And by the time you've gone, a couple of millimeters deep,
you've lost almost all that fine spatial information.
So, but we've developed workarounds.
The longer wavelength light you use, if you get into the infrared,
there's less scattering.
You can use two photon methods or three photon methods, where the photons have to arrive all together at the same time. You can
put in fiber optics. We developed these fiber optic methods in 2007 where you can access these deep
structures with fiber optic methods and you can put many of these fiber optics at the same time in
an animal. We've used holographic methods to 3d holograms to play in hundreds of individual cell-sized spots of light
And we can and we can change those quickly
And so there are a lot of tricks a lot of interesting optics engineering that has come together with neuroscience and a pretty exciting
Well, that is engineering too. It was just super super super
I should mention because I remember mentioned Elon
I recently got for the first time ever
Got COVID Milan I recently got for the first time ever got COVID
How did I go so long without the finally some all vaccinated and everything like that? And so I got because I think he he mentioned it publicly so I couldn't mention it
But I won't mention anybody else involved but hanging out we we all got you all got COVID. And the
interesting thing about maybe you can comment about this. So I was only sick for like a half
a day. I got a fever of like 104. I just went, oh, and then crashed. And then I was, now
maybe I'm just seeing this little lighting of everything. But afterwards, I have like a greater clarity about the world.
You just think it's greater clarity.
Maybe, it was so intensely the mind fog kind of thing for such a short amount of time.
But the people weren't involved or also reporting this.
It's kind of interesting, because I do know
the immune system is involved with the brain
in very interesting ways.
So the human mind also incorporates all these other,
it's not just the nervous system.
And I just want to, because everyone always says,
not me, everyone always says like,
COVID does all these bad things,
or whatever the disease is is or whatever the virus.
But I wonder like, I hate to be a Steven Pinker on this,
but like, I wonder what the benefits of certain disease are if you're
going to recover.
Like, what is there some like, again, don't want to romanticize it,
but if your system goes to some kind of hardship and you come out on the other end,
I wonder sometimes if there's a greater,
maybe killed off a bunch of neurons that didn't need anyway and they were actually getting
in the way. They were the hater neurons.
Well, in your critic that I was talking about, you killed off your critic.
Well, you know, there are mechanisms for what, the potential mechanisms for what you're
talking about. There are, there's actually been a fair bit of research on post-COVID neurological function.
Actually, my wife, Michelle Munjie, who's at Stanford, she's done a lot of this work.
Hiko Iwasaki, Yale, has done a lot of this. But what they found is that there's a loss of
myelin. This is the coding of those long-range projections that go from one part of the brain to another.
Myelin is this sort of insulator that coats these long-range projections and makes the impulses go faster and more reliably.
And there's altered function of the Myelin producing cells and altered Myelin in the case of COVID, they've looked in both mouse and human brains.
But of course, it could be very idiosyncratic.
Many people have cognitive problems post-COVID,
and you're definitely aware of that.
So many people report this persistent brain fog
in the ability to function.
But it depends on where the inflammation was.
Maybe the people who have dysfunction post COVID,
they had a global effect.
Maybe you lost some of these projections
that were restraining you in some way.
And these plausibly exist.
And it's known that there are cell populations
in the prefrontal cortex that actively restrain
deeper structures from expressing
what they do.
And it's theoretically possible that you had a lucky...
Somebody has to get lucky, right?
Somebody has to get lucky.
Why not, man?
All right.
If we can actually go back to this idea of trying through optogenetics to find origins of when the way first starts, origins of a
decision, origin of idea, origin of maybe consciousness or the subjective experience, or origin of things in the mind.
So one thing, it's Carl Jung,
is there a God neuron?
Is there a belief neuron?
Is there, so through this methodology of octogenetics,
can you start getting to like where a belief begins
or an idea begins and
Especially looking at the strongest of our beliefs maybe beliefs of love and hate but
Religious belief into something like really
Grand The grandest of scale
your science in Gorand, the grandest of scale. Yeah.
Neuroscience and neurology point us a little bit.
We don't have an answer to that,
but we have a lot of these questions I'm gonna ask you.
There's no good answer,
but you're providing a tool that give us hope
to find the answer one day.
And we have early clues.
So for example, when patients with epilepsy have
experiences of religiosity as part of their seizure or the aura before their seizure,
they're often those are in the temporal lobe in these parts of the brain that are at the side and so that's initial
clue.
There are also parts of the brain that that are at the side. And so that's initial clue.
There are also parts of the brain that
are involved in the definition of the self
and defining the borders or boundaries of the self.
And we know this is just some experiments
that we did in my lab.
There's a part of the brain where where if there's a rhythm of a particular
type, you can cause a separation of the sense of self from the sense of the body. What's
normally bound up and unitary, we normally think of ourselves and our body is pretty tightly
bound up together. Those can be separated, it turns out. We can't take that for granted,
and there are certain conditions, certain patterns of activity in one part of the brain called the retro-splennial cortex,
where you can actually separate those two out.
And so if you think about these very big questions, you know, where are the origins of religiosity?
Where, how do we define the boundaries of who we are relative to others and to the world?
How do we link our self to our body and how can that become separated?
These are actually, believe it or not, now accessible and rigorously and quantitatively.
We did an experiment with optogenetics where we provided this abnormal rhythm to this particular part
of the mouse brain.
And we saw this separation of detection of a stimulus and caring about it.
So that's that's stimulating something about the mouse brain that affects these neurons
that give the conception of self.
So you're able to dissociate the experience from the impact of the experience unto you.
That's right. Exactly right.
So, like, these are the goals of meditation.
These are the goals. Whenever I get drunk, pretty much effective. I mean, that's not a scientific statement,
just an experiential anecdotal one. Also psychedelics seek to attain this kind of state. That's so
interesting. Well, you mentioned psychedelics, DMT and 5MEO DMT. These create this religious
experience, this connection. People describe them as a strong connection to God. In theory,
these are accessible with modern methods. Now that we have these rich recording methods,
we can explore what are that precise, millisecond resolution,
cellular resolution, brain-wide manifestations of these altered states.
So, like you could look at an altered state like on DMT,
recorded across many people, and then from there see where do these experiences
originate in the brain in terms of single neurons, and then how do they propagate and interact
with everything else, and if there's some kind of common signal, how do you narrow down
the set of neurons that are responsible for
particular experience or for particular behavioral effect?
Here's where optogenetics is so useful because anytime you give an agent like
an agent like ketamine or PCP which we used for our dissociation experiments
that I was mentioning or you have a psychedelic, LSD, or DMT for this altered perceptual state.
If you give either of those, these change everything across the brain.
So just the fact that you maybe give them to a mouse, let's say, or eventually to a human,
you won't know yet which sells to home in on as the causal players in all this just by recording activity.
But then what we found is that optogenetics providing a causal pattern of activity guided by what you see can let you test hypotheses.
And we saw this rhythm with ketamine and PCP for dissociation and then we said, okay, let's test what's causal.
We came in and provided that rhythm.
We tried a few different things,
but only one of the causal tests we tried actually caused
the behavioral dissociation.
And so that's how we home in on what actually matters.
And it's repeatable once you see the cause,
so that's one definition of causalities.
Like you try and repeat across different mice
and all that kind of stuff.
Exactly.
And so you could do that for DMT.
You could do that for the really fascinating mind
expanding Dr.
Dr.
Thank you.
Thank you.
So the meme for people just listening,
this is again, another disagreement between Freud
and Carl Jung, religion and spirituality,
this is the, I guess, the ring seen from Lord of the Rings.
Religion and spirituality, Freud says,
cast it into the fire, destroy it.
Carl Jung says, no.
So if we people who don't know,
Sergei is the Slavic Lord of the meme.
Thank you, I appreciate that.
So what we're talking about, so there is, I mean, I think a connection with DMT and religious experiences, or some of these psychedelics. Do you think it's possible to
sort of stimulate religious experiences?
So religious experiences are one of the most
deep kind of experiences. And so here you could
first understand where they originate, how they propagate through the brain, and then to stimulate them.
And so this is, and these that can happen in the
thing, people who had no predisposition, you know, people who are, you know, as
agnostic or atheistic as you'd like,
they can feel connected to God in these states.
Now, to be clear, I'm not advocating these.
We don't know what's safe in human beings,
but we definitely not yet.
But we definitely can do these experiments in mice,
and that was already very productive in understanding
dissociation.
So we can already imagine making headway on these methods.
And then, you know, I had a, and this does map on to the non-psychedelic human experience.
I had a patient who's actually described in the book, Projections.
This was the patient that's in the mania chapter, the bipolar chapter.
Here was a guy who had never had a psychiatric illness or symptom in
his life. He was a retirement age gentleman and nobody in his family either. So no family history,
no personal history of any psychiatric illness, and he had never been religious particularly before,
either, certainly no passionate type of religion. But he, not through any psychedelic or drug, he had a
stressful experience, actually, a post 9-11 change in how he was thinking. And he was pushed into
Emania, a manic state, revealing that he had bipolar, never before known in this case, in this person.
And his mania, his elevated state and bipolar included this profound religiosity, which he'd
never had before.
And he was preaching and elevated vigorous way to his family.
And so this state can be created in people even late in life who had no predisposition
for it and no, even without a neurochemical.
So there's the causality of that is very interesting
to explore, how did the manic state unleash this religiosity?
But you see that in other realms of psychiatry too,
OCD can manifest as religiosity also.
You can take people who never really had a religion,
never played a powerful role in their life,
but then when their obsessive compulsive symptoms
become severe, they can manifest in this.
I think I'm in that group.
So I'm a bit OCD.
We have, I think these subreddits
is oddly satisfying things.
So there's certain things that are really satisfying
to my OCD, my mild OCD.
I think it's pretty much a religious experience.
So I understand that there's,
if it's not directed, it's at least rhymes.
So maybe can you speak to the,
as Serge is probably desperately scrambling to pull up oddly satisfying.
Thank you.
People can check it out themselves.
It is as the subrider promises oddly satisfying.
Can we talk about bipolar, maybe depression?
Well, let's talk about, I mean, I don't know if there's a nice way to discuss the differences
in the full landscape of suffering
that's here, but maybe what is depression and what are the types of depression?
What kind of depression have you seen and experienced and researched and how can people overcome it?
How can humans overcome it and deal with it, live with it and overcome it.
So, this is my clinical specialty.
I see patients in my outpatient clinical work with treatment resistant depression, so
very hard to treat severe illness where medications haven't been working.
I also see patients with autism spectrum disorders. These are my two
clinical focal areas. But then I do emergency room work as well. But the depression, why
do I focus on that? It's so, one feels tantalizingly close to helping these people who are suffering so deeply.
That's why I've focused on it.
These are people who... there may not even be anything situational that's difficult
or challenging in their life.
You can have people who seem to have everything that you would want.
Every objective measure of the life is fine and yet they can be just hit with this
unstoppable
hopelessness and inability to see into the future.
Discounting of the value of their own action, anything they can imagine themselves doing seems worthless or they
themselves doing seems worthless or they are unable to enjoy things. We call this an hedonia. There's no reward, no pleasure, not in food, social interaction, movies, books,
anything that they would enjoy, positivity gone. They can have a profound negative internal
state, psychic pain. And these things can seem, and the severe cases are inescapable. So what is going
on? Why is this state part of human existence? It's got a strong biological genetic link. We know
that. It's been linked to certain genes, certain regions of the chromosome, and twin studies, there's a clear genetic link.
It doesn't explain everything, but it's a big part of it.
Genetics are a strong contributor.
And although you can have depression
without anything terrible going on in your life,
the symptoms can be made worse by stressors, by trauma.
And, but at a very deep level, there's nothing we can measure
in a person objectively, so we don't have, there's not a known chemical, not a known
structure that's different, not a known brain activity pattern that we can pick up with
EEG. A lot of people are exploring this, but right now we have no objective measures.
All we do is talk to people and we elicit these symptoms. We explore them, distinguish them
from other possible causes, and then what do we do? Well, we have a range of treatments. We
have medications that can help people, do help people, but not everybody. And if they don't
work, then we can go to brain stimulation methods.
We can do things even like electroconvulsive therapy, which is a very effective, but it's
sort of the final thing we go to in the end.
And so we have treatments, they work for some people, they don't do everything we'd like,
but here's the problem, is at a very deep level,
we don't understand really what's going on in the brain. We don't have a physical interpretation of the problem.
We have all these symptoms, but we can't yet point to a set of cells or a set of circuits or an
activity pattern that is causing major depression, this disease state per se and human beings.
Why do you think you can't yet,
from an object-in-ex perspective,
is it because there's so many possible causes?
Is it so much, so many things involved?
So I think the answer is there are many things involved
and all these different symptoms that I've mentioned.
Those we can study and those we can fix,
the individual symptoms. And we can
do this in animals to be clear. So in a mouse, for example, we can instantaneously and
precisely turn up or down the motivation of an animal to overcome a challenge. We can
turn up or down its ability to be motivated by or we think experience reward from situations or actions.
We can increase its apparent energy level, its drive to meet challenges.
We can turn up or down social interaction.
All these individual features of depression, individual symptoms, we now can point to exact
projections and cells that are causal in mediating these. But we don't know is why
all these different symptoms show up together in major depression and the human disease syndrome.
And that's the mystery. It's sort of, in other fields of medicine, you know, someone with
congestive heart failure
who comes into the clinic,
they have very different symptoms.
They have shortness of breath, and they have swollen feet.
It couldn't be two more different across the body,
sets of symptoms, neither one obviously related to the heart,
but they're both happening
because the heart is not working as a pump.
And now, thankfully in cardiology, we understand these disparate symptoms
that seem totally unrelated can be completely understood because there's an altered pump action of the heart.
That's what we are hoping for in psychiatry and in the study of depression or any disease. These different symptoms the inability to enjoy things the hopelessness
What's the what's the unifying?
Unifying. I mean is there is there some truth to that the Tolstoy quote that all happy families are alike in each unhappy families
Unhappiness on way so basically mean, this is the human condition.
And basically, that might, you know, the physicist long to find the theory of everything
isn't understanding depression essentially require you to really have the big theory
of everything for the human mind.
I think it would certainly be nice to have that a theory of everything. Don't get me wrong. I don't think we need to state of the century. It would be nice. It's also a good question if
it's possible. Yeah. Well, that I have some thoughts on too. But to this specific question,
I don't think we need a theory of everything.
I think there will be unifying principles
we can get to.
But even shy of that, if we can treat symptoms
and that's a big step,
and as you say, different unhappy families
are different, different unhappy people are different.
If we have somebody who comes to the clinic
and I see someone with a profound anodonia as
one of their main symptoms, inability to enjoy things.
If I know, based on optogenetics work and animal work, that a particular medication can
treat anodonia, even if it doesn't fix major depression in everybody, if I treat that
one symptom in that one person, that's a good thing.
So, we don't need the theory of everything and we don't even need
the unifying principle to help people with insights that come from up to genetics.
How much does talking help for diagnosis and for treatment? Did you say for depression?
It's a big part of what we do. Every good psychiatrist should be a pretty adept in these verbal communications and talk therapy
as part of what they do.
I give medications, I deliver brain stimulation treatments, but a big, big part of everything
I do with every patient is talk therapy because it works so well together with these other
modalities. Even alone, it can help people with moderate or mild depression by itself.
People with severe depression, people with other psychiatric illnesses that are severe.
You don't want to do talk therapy alone, it's not going to do it, but it still is crucial
to do together with the others. And it's critical because it's part of how you reshape
cognitions, you know, complex activity patterns.
And you won't get to that with a medication
or brain stimulation treatment.
Do you have advice for people who suffer
from mild forms of depression or feel as they might
both for those people?
And do you have advice for people who love the people who suffer from depression and want to help.
One of the incredibly frustrating things about depression is the very nature of it makes it hard for the people who suffer to get treatment because they're hopeless.
So they don't think treatment will help. They have low energy, so they're not
motivated to participate in treatment in many cases. Sometimes they're actively
suicidal, that certainly doesn't help. They have all these things that seem to
prevent treatment from being effective.
So the loved ones, that's where the loved ones are so important, is helping them overcome
these barriers to treatment, the motivation, the safety, and the insight.
That's critical, and particularly for the severe cases.
For the mild cases, where people still have some insight and motivation and energy to get something done,
there are many things you can do. Exercise is extremely important in mood, maintenance,
regulation of sleep and getting sufficient and regular enough sleep is very important.
And talk therapy can be helpful in those milder moderate cases, just looking
at cognitions, looking at patterns of thought that people may have fallen into, where they
catastrophize, where they spiral from small things into big things. A little bit of talk
therapy, 10-12 sessions, can help people identify those patterns they
may have in themselves that are taking occasional negative thoughts, which everybody has, and
magnifying those into more persistent negative states.
Once you, if you work at this, and it's kind of like homework, this is what we call cognitive
behavioral therapy, it's very structured, very organized.
You work hard.
It requires insight and motivation,
and you have to be motivated.
But if you are, then you can identify
these triggers that send you down,
in particular pathways, and work to intercept them.
And that is amazingly very effective
in mild to moderate cases.
So you basically have to train yourself to see the world as a collection of triggers,
and you have to first understand, collect the data,
like basically see every experience as a thing that creates a follow-on emotion of feeling.
a thing that creates a follow on emotion of feeling.
And like, I've learned this, you know, like on social media, where like early on,
you know, like all of us, you know,
I'll say something, I kind of respond to negativity
with negativity, and then you observe the result of that. And then over time,
you think, wait a minute, this thing that I've been doing where when somebody says, you
suck and you say, no, you suck. That never produces the result you thought in my, and so I might not want to just, don't say
you suck back. And I do this through a lot of things in life. I'm very fortunate to not suffer
from depression, but I, first of all, I have had and have people in my life who do. And also, you know, all of us have depression who
don't suffer from depression, have depression out. Like it's always knocking on the door.
Right. And so you have mild, I mean, if you're very careless with the triggers all around you, then you're just, I think all
of us have the capacity to really suffer from that kind of chemical or psychological or
philosophical existential crisis.
But then it raises a question, why are we built this way?
It seems like it doesn't make sense, right? And here's where some of this thinking about where we came from as the human family is kind of interesting.
It doesn't make sense that somewhere on that spectrum, that it's good to detect that there's
an array of adverse forces out there in the world right now at this moment and to withdraw, to hunker down,
to not fight, not strive, not try to meet the challenge and outweigh these negative forces
that are present out there.
And that makes a lot of sense.
And all animals that have been studied in one form or another show this, even the
worm that I mentioned earlier, sea elegans with 302 neurons, it can effectively
give up in challenging situations. We've done this with zebrafish, tiny little
transparent fish. You can give them a challenging situation and they will give
up, but then if you stimulate a couple
very specific brain regions in particular ways,
you can motivate them to overcome the challenge.
And if you inhibit those regions,
they give up much more easily than they would otherwise.
You can do this in mice, you can do this in rats.
So this is an ancestral conserve pattern
to detect that things are pretty bad out there and to conserve energy, to
hunker down, wait out the storm.
It says use, unfortunately, many of our maladies have useful roots in our, like, contribute
to our survival.
So both depression and motivation have uses. And in the pain, sometimes it's
nice to just shut the hell up and huddle with the penguins, right? Versus for some unknown
reason, venture out on your own into the mountains, like a David Gogans side character. So what's
the difference to you between you see patients between sort of rigorous
psychoanalysis. I don't know if you consider we like talk therapy in psychoanalysis. Are they neighbors? Are they overlapping?
They're neighbors psychoanalysis is it's
They're relatively it's not nearly done as much as the talk therapy like the cognitive behavioral therapy. I mentioned it
It's not nearly done as much as the talk therapy, like the cognitive behavioral therapy I mentioned.
It would be, yeah.
The psychoanalysis is a little more niche now
and partly because it's not,
data isn't in terms of actual treatment
of actual therapeutic effects,
data not as supportive as for cognitive behavioral therapy.
But it's still interesting as for insight, a lot of people still do it to gain insight
into themselves.
And in general, it's a good conversation starter.
Those methods, they're good for getting things out.
We don't focus on dreams, typically these days in psychiatry, but they're great conversation
starters.
They're great ways to get things out if people have, and so we like to use those methods
just to get the ball rolling sometimes, get people to open up a little bit.
But the actual treatment tends not to involve these psychoanalytic approaches where you
are really probing the unconscious mind and its manifestation through dreams, for example,
as the goal. That's not the goal. Modern talk therapy, we're really focusing on treatment,
how to get people to feel better.
See I use that as a conversation opener, the Freudian thing where I try to delve at a
bar of the deep sexual desires in a person subconscious, and I find that opens up possibilities very quickly.
No, I, what's, I mean, this is a silly, sound new question,
but what's the difference between cognitive,
behavioral, therapy, and conversation?
So, because I personally, as a fan of conversations,
as a fan of just, I like listening to podcasts,
versus like audio book, I like both, but they're very fan of just I like listening to podcasts versus like audio
book. I like both, but they're very different. I like conversation. I like, it makes me personally
very anxious, so I like to be the listener, like, like a third wheel, like overhearing
a conversation kind of thing. But it's a really powerful method for humans to explore
each other's mind, just raw conversation.
So do you think it can be more productive to be very systematic about it, or is conversation
itself the art form of helping each other, understanding each other and helping each other?
There are forms of talk therapy that are essentially conversational, or they much more approach
pure conversation.
There's a befriending therapy,
there's interpersonal therapy. These are approaches that are purely talk therapy, but they're
not as structured as cognitive behavioral therapy. Cognitive behavioral therapy is
there are manuals, there are guidelines, you can almost go through it in a very cookbooky way, there's homework that you get done.
So it's in its fullest form,
it's very different from these more conversational strategies.
But what's interesting is, sometimes people compare them,
and so you'll see, almost like randomized controlled studies,
comparing cognitive behavioral therapy
with interpersonal therapy, for example.
And they both can work, and actually in some studies they look comparable.
So, to your point,
conversation and insights that come from conversation, if done well,
if done artfully, can be as powerful.
This reminds me of Robin Williams.
I have to ask you several questions here on that.
But one of my favorite movies is Goodwill Hunting.
I don't know if you've seen it with Robin Williams.
As a psychiatrist yourself, can you do a deep analysis of this other famous psychiatrist,
which is the movie character played by Robin Williams, a Goodwill Hunting?
Is it just a caricature between a psychiatrist and patient relationship? Or
is there something to you that was moving about the disability to connect to this obviously
struggling young kid?
I think you've hit on the key thing there, which is the depth of the connection. If there's a two powerful connection, that can impair therapy because it could impair
open communication.
If someone, if a patient has a, sees the role, sees the relationship in a particular way,
like in a friendly way, maybe, or like a parental child type way, that can cause problems because then what they choose to
share, what they choose to bring up is selected to be appropriate for that view of the relationship.
And so I and many other talk therapists actually prefer not to let things get,
I just actually prefer not to let things get,
not let the connection get that deep. You wanna have trust, you wanna have a therapeutic alliance,
we sometimes call it, but it's got to be enough
of a blank slate that the patient is not consciously,
or unconsciously constrained in what they choose to share.
And so great movie, great actors, all good, no complaints except
realistically, the relationship should be a little more arm's length than that.
This pretend is real life. Sometimes can't you leave a little bit of yourself in the interaction with a patient?
I mean, it's another human being.
Yes.
So, it's a balance and actually you do need some of it.
Because let's say this person is having challenges, interpersonal challenges in their life. The best way to notice what those are and to identify
them and to work with them is if you can elicit some of those problems in the
office in the therapeutic interaction. And this is really powerful as long as
you're alert to it, aware of it, and you don't let it go out
of the hand.
This transference, we call it, is when you transfer in between the current therapeutic
relationship and external relationships that the patient may have had with others.
And so if the therapist starts to feel an inner feeling like anger, let's
say. So let's say you have a patient who is stirring frustration in you, or even an extreme
case as anger, the best thing for the therapist to do in that case is to recognize it and
to realize that's probably being stirred by other people in the patient's life,
and that could be the source of a lot of problems. And so instead of trying to
wall it off and say, oh, I shouldn't be feeling that, I better be a better
therapist instead and recognize it and use it and help the patient that way. And so
you've got to be a human being, you've got to be a person who feels and you've got to
be open. But being control, and be aware of it. If I being, you've got to be a person who feels, you've got to be open. But being in control of it and be aware of it.
If I may, I just want to read the, because it's my favorite scenes, probably one of the greatest
scenes, one of the greatest scenes in movie history because Robin Williams does a single
take.
Is that right, I didn't know.
So this is a very interesting interaction between you know, so we'll and I'm sure this is a common interaction
Maybe with a therapist and a patient maybe with a father and son
Where will the young character their young brilliant mathematician and Sean as the therapist the older
Therapist where will looks at a painting that Sean
painted and then does a like a deep critical analysis of the painting
that basically, you know, describes pretending as if he can understand another human being
completely but just looking at their painting.
And then Sean gives this whole speech that contrasts sort of raw intelligence and the wisdom
of experience.
And Sean says, single take.
He says, you've never been out of Boston, right?
And Will says nope.
All this in a sexy Boston accent, by the way.
And then Sean gives the speech.
If I asked you about art, you probably give me this skinny
and about every art book I've written.
Michelangelo, you know a lot about him.
Life's work, political aspirations, him and the Pope, sexually orientation, the whole
works, right?
But I bet you can't tell me what it smells like in the Sistine Chapel.
You never actually stood there and looked up at that beautiful ceiling, seen that.
If I asked you about women, you'll probably give me a syllabus of your personal favorites.
You may have even been laid a few times. The language here is just beautiful. But you can't tell me
what it feels like to wake up next to a woman if you're truly happy. You're a tough kid. If I
asked you about war, you probably throw shakespray at me, right? Probably not, but let's say once more into the breach of your friends. But you've
never been near one. You've never held your best friend's head on your lap and
watch him gasp his last breath, looking to you for help. If I asked you about love,
you'd probably quote me a sonnet,
but you've never looked at a woman and be truly vulnerable,
known someone who can love you with their eyes,
feeling like God put an angel on earth just for you,
who could rescue you from the depths of hell,
and you wouldn't know what it's like to be her angel.
To have that love for her, be there forever, through anything, through
cancer. And you wouldn't know about sleeping, sitting up in a hospital room for two months,
holding her hand because the doctor says, seeing your eyes, the terms visiting hours don't
apply to you. You don't know about real loss, because that only occurs when you love something more than
you love yourself.
I doubt you've ever dared to love anybody that much.
I look at you.
I don't see an intelligent, confident man.
I see a cocky, scared, shitless kid.
But you're a genius, well, no one knows that.
No one can possibly understand the depths of you
But you presume to know everything about me because you saw painting of mine. You rip my fucking life apart
You're an orphan, right?
Do you think I know the first thing about how hard your life has been how you feel?
Who you are because I read Oliver Twist?
Does that encapsulate you?
Personally, I don't give a shit about all that because you know what? I can't learn anything from you that I can't read in some fucking book unless you want
to talk about you, who you are, and I'm fascinated, I'm in, but you don't want to do that, do
you sport?
You're terrified of what you might say.
Your move, chief.
Well done, sir.
I know it's a movie.
It's interesting, right?
So some of that conversation is at some intellectual level, too.
It's not just emotional.
It's something, it's like the reason I kind of connect with that is that's a lot of work
for a therapist.
Like to really understand other because he's, I mean work for a therapist, like to really
understand other because he's, I mean, from, okay, I know
this is fictional, but just there's calculation happening.
He deeply cares to say the words that the other person needs
to hear, but also a little bit loses himself in the pride,
but then catches himself again, switches from anger to connection.
A lot is brought up there. You're right. There has to be some emotion in the therapist to
care enough to keep going, to keep probing, to open up as he's doing so. He revealed a
lot about himself, his own vulnerabilities, but that gave him authenticity.
He had to open himself up so that the kid would see the authenticity
and open himself up and return.
So how do you do that as a psychiatrist, a therapist?
You have to be careful.
You don't want to do too much,
but opening up a little bit does help.
It does create a chance.
You're offering up something and that helps the patient come back in return.
It gives you that believability and authenticity.
Do you pay the price for that for opening it up?
You can.
You have a family, you have an incredibly
like difficult research, like you're doing a lot of things in your world. I mean, it's
a price you pay for like... Yeah. Well, this is one of the terrifying things about
writing the book was I do open up in a little bit about my own personal life, my own personal challenges. And that was a considered decision because I could have done the patient work and the
science work and the history of the human family work and tied it all together.
But it wasn't, and in an early draft, it was like that.
But it wasn't real yet.
It wasn't something that everybody could connect with.
And I said, then I realized, look, if I'm going to do this, I've got to open up myself.
And then people can connect with me and see what I'm really saying.
And so I did.
And that was, it was not something that I'd gone in planning to do.
In retrospect, I learned a lot about myself. It was actually really, I think, a good thing that I did, but it was scary.
Where the darkest places you've ever gone in your life.
You know, I had things haven't, haven't always been, been easy personally or, you know,
or professionally.
I had, I had moments, you know, I was effectively a single dad for, for a while, a number of
years and these came at probably the hardest, also, professional life times for me too.
The absolute hardest days of late medical school internship, you know, taking call,
you know, getting up at 3 a.m., you know, surgery, medicine, rounds, unforgiving environments,
and then all the while, you know, personal life, you know, stripped down to the bear.
And these were low moments, and then I was hit particularly hard by
bear. And these were low moments and then I was hit particularly hard by just experiences on the clinical ward connecting to deep-lead patients like a child with a brain tumor
and feeling it too strongly. And those things, when you get down to those lowest of the low moments when everything is stripped away and there's only this this raw.
Core well yeah, that's pretty hard those that was probably the lowest moment and you learn a lot about yourself in those moments you know what's what's left and then what are the.
The roots out from there and that's that's that can be powerful to see.
In yourself have you thought about killing
yourself? I have not. I have not. Have you seen that thought in the distance? I am fortunate that
that has not come to my mind. And I have not seen it even in the distance. And in some ways, I've wondered if that's made me,
am I less effective psychiatrist because of that.
I've felt everything stripped away.
I've been at the lowest of the low.
And yet that still hope, there's a light of hope
still at the end of the tunnel.
Right.
So you've never lost even for brief moments that I've never
did.
I don't know why.
I don't know why.
There was no reason.
You don't know why.
No reason to feel hope at that moment, honestly.
So it was just the light without reason.
Yeah.
That's right.
What was them do you draw from that time?
So first of all, you said something funny, which is I wonder if it is somehow not having
thoughts of suicide limits your capacity to truly understand somebody who is having
those thoughts.
So how many demons must the psychiatrist have
in order to be a good psychiatrist?
This is a really interesting question.
I think everybody knows, and I can say this,
that psychiatrists can be a little unusual.
They're, we think about ourselves, right?
We think about our brains.
That maybe one reason why we become psychiatrists is we think, oh, that's interesting going on in
there. What's that about? So a little introspective, a little introverted maybe. And that's what can
make us good when we're good. But also that may select for people who have some unusual aspects, but you don't have to have all of
them. There's a lot that can go wrong in the psychiatric realm. I think having some
of those, some of it, but not all of it is enough. You get to see how low things can get.
You can get a, you get empathy from that, even if the symptoms are not the same.
Just empathy for struggle for suffering. That's right. That's right.
Do yourself have to practice observing triggers?
Just as a human operating in this world. I've definitely those skills that have come from
From therapy. I've found them useful. If I noticed that
we've all been through experiences where we wonder, oh, I got really mad in that interaction.
Why did I get that mad? Yeah, sure, maybe I could have been irritated, but man, why did I?
And then thinking about it and realizing, okay, you know, back up here, think about the broader context.
Think about how that relates to, you know,
prior events in my life, okay, yeah.
So this is a thing for me when something of this class happens,
then it triggers me.
So going forward, I'm gonna be aware of that.
And I've definitely used that because
it's, you don't, you don't want to be out of control of those emotions. You want to identify
them, you want to know where they come from, and you want to head them off as a, as a
civilized human being living on this earth, trying to get along with other people. You
want to understand those moments. Let me return to Robin Williams for a second,
and looking at Robin Williams, the actor, the,
sorry, the human.
And because you mentioned for depression,
you can have everything going well.
And I think there's just famous cases of just public figures
because a lot of people know them where
They they suffer quietly and it seems like from the outside
Perspective that they have everything going for them that they're atop of their career
You know two people that come to mind are Robin Williams and Anthony Bourdain
What inside do you have and why?
Either of those taken why Robin Williams and Anthony Bourdain. What insight do you have in why either of those taken why Robin Williams
a comedian one of sort of the most jolly humans obviously there's always the darkness that he was channeling in order to
present the happiness, but it feels like that realness is only possible when you're deeply self-honest and analytical and then if you're deeply self-honest you're going to
realize that there's a lot of beautiful things about life that you can discover
and if you do that how can you possibly then take your own life. You go
through all these thoughts and I think a lot of a lot a lot of people really a lot of robin Williams, which
is why it was really difficult to see.
How can even him, how can even robin Williams take his own life?
So I don't know if there's something to be said about the nature of depression from just
looking at his case.
I think the action of suicide is not well understood.
It doesn't always, although often is correlated with depression.
There are cases of suicide where there is not clear depression,
that's in the minority.
By the way, if I just, because you said it's so interesting,
action of suicide, because there's also thoughts of suicide.
And probably those, they're probably somewhat understood, but it's an interesting,
because you can think of suicidal ideation, you can think of that for so many reasons.
And the, I mean, thoughts sometimes, like painful thoughts, angry thoughts or thoughts in general can be
very different, like fantasies, for example.
You can fantasize, like sexual fantasies.
You can fantasize, I was just for humor sake wanted to mention stuff, but then people
will think I'm serious.
I'm not going to mention anything.
But sexual fantasies, and then there's, I know there's people that have sexual fantasies
and they don't want to actually do that in real life.
That sexual fantasy serves some kind of purpose in imagination only.
In that same way, suicide might serve a purpose in imagination only is very unlikely to lead
to action.
Yet there's other thoughts that may be a more amorphous, that do lead to action.
And that leap, yeah, that, oh boy, that's a fascinating.
That's such a philosophically powerful thought to not exist.
Like that question, is it Sartre or Kamu?
Kamu, well the myth is the case of Kamu, who says,, base a question of why live?
Good question.
Yeah.
Right.
So that's a great question actually.
And there are other related questions.
Some people may have the thought of suicide
because there seems no point.
There's no joy in life.
That's one reason that some people can put forward
Sometimes there's an it's not just the absence of joy. There's an active pain and active psychic pain
And some people and that the inescapability of that
is enough to drive the thoughts of suicide and
then there are interpersonal and cultural reasons as well that can show up.
But the act, this act of ending of the self is in all these cases, there's no real way to study this in animals.
No other animal as far as we know that we can study has this concept of, this is myself.
The situation is not tolerable, therefore I will end the self.
To our knowledge, this is not something that can be studied in other animals.
So it remains this very poorly understood action.
And in predicting it, so what do we do as psychiatrists?
We have this challenge.
People come to the emergency room.
They say they're suicidal or their friends say they're suicidal or they've taken some action that didn't lead to death.
What do we do? Well, there's a whole range of options. You know, was it a suicidal gesture in the sense of not intending death or was it was the intent death and if it was the intent was death what were the reasons are the reasons transient are they gone now
What's the probability that it'll be repeated?
So we do all these things just to decide what sort of treatment should be carried out but nowhere
Is there a deep understanding of the biology of the cells and circuits and
Activity patterns that underlie thelie the action to end the self.
It's a very...
It's this frustrating thing.
It's so timely, it's so common, it shows up in veterans, it shows up in kids, it shows
up in people at every stage of life.
And yet we're very bad at understanding it and we're
relatively poor at predicting it and our tools are not very powerful. We can put
people in a locked unit, we can give them care therapy for a while. At some
point we release them and there's only so much we can do. It's one of the most
frustrating things at the suffering that is linked to suicidality. But it is a
decision, it is an action. And if you look at optogenetics, you should be able to
one day sort of understand the dynamics of such witty decisions.
The individual causes then, if someone is anhydonic, if there is no joy in life,
that very likely is addressable by optogenetics. We know how to turn that dial very robustly in animals.
The motivation to overcome challenges that we have some hope of understanding.
Psychic pain, internal negative states, we have actually a handle on that as well. There's a structure in
the brain called the habenula and some linked structures around it that seems to generate this negative internal state. It's active
when a state of acute disappointment, acute outcomes that go wrong, not as expected.
Moments of unexpected pain. The Habeñoa is there, it seems, it's active to report
on internal negativity with its action. And so you could imagine strategies to target
the spring structure that might have the effect of reducing psychic pain, reducing the negativity
of internal states. That is a very concrete hope. It's precise. It's anatomical. Optogenetics is given us all the firm foundation we need to go after that question.
So, I think there is hope. If you look at the individual causes,
the individual symptoms relating to suicide, and then it's like a puzzle,
you put together the puzzle pieces. By the way, I do think my habanula is very functioning very actively.
And I wonder if it's like, because you can also learn to channel these things, right?
Some of the things we suffer from, I mean, there's degrees of suffering can be a source
of progress and personal growth and development and all those kinds of things.
I mean, I, what is it, Nietzsche suffered from stomach issues?
I wonder if he's written some of those things if his stomach was all great. I mean, I kind of think that a difficult life in some form,
you can get to choose in some regard,
in some of you don't, the difficulties you have,
and the ones you do have, it's nice to use if possible.
It's sometimes it's nice to treat,
sometimes it's nice to use.
Well, the way you phrase it, I think you're using it,
I could be wrong, but if you phrase it in this semi-humorous way about your Hibaniola,
it seems to me that you're using that to good effect.
Now, but what never really knows what someone else's internal state is, as I look at you,
I don't know the depths of what's going on, and it's possible that it's a much harder situation
in there.
Yes.
So that's, I actually worry about this a lot. So I'm extremely self critical. Like in
the privacy of my own mind, which is an interesting thing when you get to meet the internet and
the internet will tell you you suck. But for now, this is what I worry about. I'm very paying attention. For now,
it's really, I just have this like very negative voice. But that voice seems to be very useful
for productivity. And so I channel it. I just put it on the table and let that voice
like it's all to me. But I'm very, I'm like, monitoring that voice because looking at Robin Williams,
you know, you get older, your brain changes or like you're, and then that voice can now
all of a sudden grow, right?
And then where you can't control as much, you'd be very careful with these kinds of things.
So you're very right about that.
So my negativity, I have this, I never think I've done enough is sort of where
my negativity comes from inside. I never think that I've met the potential of the moment.
I haven't done, I haven't, you know, made the most of the opportunities that are available
still early. I haven't, you haven't progressed as far as I should.
And exactly as you're saying, that works for a while.
But then what happens as you get later in life, and there's less runway to fix that.
And then maybe then that negative voice is a problem.
But also at that point, the negative voice
starts having more and more of a point.
When you're being very successful,
it's easy to be like, no, okay, well,
like book it later in life,
you're literally just sitting there
on a rocking chair doing nothing.
And then it's, or maybe any kind of tragedy happens.
Laws of a loved one, loss of a job, loss,
or you get screwed over in some kind of way. I don't know. And then also in the negative
voice, it's just you and the negative voice for days and days and days.
And so I don't know to go back to your example of Robin Williams. I don't know what was
going on inside him. I don't know the nature of his internal state. Was it an active psychic pain that may I may mention may I
interrupt to just say that Sergey posted an examination of Robin Williams. This brain tissue suggested
that he suffered from quote defuse L. E. W. Y. Lee we body dementia L, LBD. Depression is a symptom of LBD, and it's not about psychology.
It's rooted in urology.
This is a word from his brain was falling apart.
Yeah.
Lewy Body Dimension, this is a very interesting neurological disorder where among other things,
there's neuron death indeed, so you've got Frank neuron loss. It's not just a matter of
some longstanding psychic pain, but you've got a progressive loss. And so clearly you've got a
situation where he could have finally reached a point where the balance that he'd worked out
between negativity and positivity was disrupted due to loss. The wrong cells died. The wrong
projections were cut by the Louis body dementia.
Certainly dopamine neurons die and Louis body dementia. Those are neurons that give rise to much of the feelings of reward and pleasure that we experience among other roles.
So clearly, in his case, there could have been a very concrete cellular neurological issue that was progressive
and pushed him to that point.
But were you about to make a point about broader that if there is an in your logical degeneration?
Yeah, so in his case, not knowing that, it could have been simply that, let's say he had
an internal psychic pain state and he was in, he was in sort of a compensated
mode for much of his life, able to generate enough joy from his comedy and his social interactions.
And then, but eventually, later in life, you know, those things drop away, the balance shifts.
You get tired of fighting the pain for that long. And then, so you've got this time-dependent
the pain for that long. And then, so you've got this time dependent non-stationarity that happens, and then
the same symptom becomes no longer tolerable in the end.
What is autism? What do we know about autism?
Human beings exist on a spectrum of how social we can be, and this is pretty interesting actually
scientifically, but also very important
clinically. There are hyper-social states where people are almost two-social, there are chromosomal
deletion states where people have instant affinity and bonding and rich, deep seeming connections
with people very verbal. On the other end, people with autism spectrum
disorder are not able to keep up with social interactions, and it's a spectrum. Some have
mild to moderate difficulties. They may have inability to understand what the next thing to do in a social situation is,
but may have perfectly good language abilities.
And as you progress further along the spectrum, that gets more and more severe, so they can't
make eye contact because it's too overwhelming to think about what has to be done next if
a person looks in a particular way.
And then as you go farther, then language and social
communication themselves break down so there's no reciprocity, there's no shared enjoyment.
And that this gets very hard then as you get to this far end of the spectrum where there's
really an absence of social cognition at all and social bonding. So why does this exist?
What is it?
It's very genetic.
As I mentioned, it's one of the top three or four most biological and the sense of most
genetically determined of the psychiatric illnesses.
It does have these interesting positive correlations, slight positive correlations with intelligence
and education.
And the reason for that is kind of interesting to think about,
is there something good about it,
just like, or at least, with at least part of the spectrum,
is there something good about it,
just as we were talking about for depression,
as you could say, for Mania, as you could say,
for schizophrenia.
And here it's kind of interesting to think about the underlying science of what it means
to be good at a social interaction.
Someone who's very good at a social interaction is incredibly good at dealing with unpredictable
information, is able to handle this torrent of information coming through rapidly changing model of the other person and of the
interaction and their model of you, your model of them, with each word that changes, with each
new bit of information that comes in through the conversation, each bit of body language, all this
is rapidly changing and some people are able to keep up with that fire hose information perfectly well.
But that's a special brain state to be in. That's working with
unpredictability. That's the only way that can be done is most likely by constantly
running models of what the other person might be about to say. So you can't stop and think, oh, what did that word mean? What did that shift in eye contact mean? You know, what do they mean together?
There has to be some advanced work going on where you're predicting what's going on if you're
to keep up with a rich and fast social interaction. Now, on the flip side, there are brain states
that maybe don't have to work so fast that are extremely important,
still dealing with something that's not moving or that's predictable, still complex,
like mathematical proof or a very complex arrangement of geometrical shapes, a large number
of individual non-moving things.
There's possibly a way of being that's particularly good at dealing
with these static, unmoving, or predictable situations, unless so with these rapidly changing
social situations.
And so the way I conceptualize autism is these are people who's brains are not so good
with the high bit rate, unpredictable information, but maybe quite good at given enough time,
given the grace to work with the system, to look at it from different angles,
to take different perspectives with a confidence that it's not changing in between perspectives. That's a brain state that's valuable.
It's something that has probably, has contributed to a lot of the success of the human family,
being able to design something, being able to consider all the different contributions
to a static, predictable system. So a lot of sense is a spectrum that has identifiable characteristics
about the way people deal with dynamic information often expressed itself as like social,
it's right, dynamic information. But you're critically, the use of the word often there is really,
I think, smart because it's not just social interaction that is a challenge in autism.
And so many people conceptualize it purely as a social dysfunction disorder.
But it's really any unprotective information.
That's a problem.
That's a challenge for people on the spectrum.
They react very negatively to unexpected sounds, even if not social sounds,
unexpected lights, unexpected touches. And so it's really unpredictable information that is,
in my view, the core problem with the processing and autism, not just social. Social just shows up
because it's so unpredictable. Yeah, it's so interesting. I mean, I tried to not to think about that stuff.
I'm afraid of thinking about the sorters and things like that
because just like I don't like sort of economics
or game theory, I won't be careful with it
because whenever you have a category or a model, it's too easy to
just...
For every...
I mean, it's the OCD thing.
I like models too much.
I like categories too much.
The moment you acknowledge yourself, well, I have an eating disorder, for example, or something
like that.
As opposed to just being a...
Well, I'll just leave it at that for my own critical understanding of myself Let's just say I don't know how to moderate eating fruit people make fun of me
They think all fruit just fruit is healthy. I know
I don't well, I don't know how to moderate anything, but even even fruit this apples and cherries is a nightmare anyway
That's just like I just things a very interesting but It doesn't matter. Anyway, that's such a psychiatrist thing to say.
Very interesting.
But there's characteristics.
And it's interesting to think about, for example, I have trouble making eye contact.
But actually, as you said it now, it's not that I'm shy at all in that sense.
It's literally, I'm getting way too much information, it's distracting me.
I need to just close my eyes so I can, like all the things that people seem to be able to
do in parallel.
It's just, you just asked me a question.
For me to think about the answer to that question, I can't have all this cool, rich visual information coming my way.
That's literally because I often close my eyes to think.
It's not because I'm afraid of something, whatever, it's just like too much information
happening here.
Well, that's a beautiful description.
It's amazing that that is how you experience the eye contact aspect.
I think that's, I mean, you've articulated what captures it for so many people, which
is that it's overwhelming.
There's just too much information just coming in through the eyes.
And to keep up with it, to know, you're going to be expected to keep up with it, first
of all. So there's that aspect.
You know, you've learned socially that there's going to be an expectation.
If you're making eye contact, people are going to think you're keeping up with it and
you don't want to because you want to focus on other things and make progress and other
dimensions.
Yeah.
And so then there's a strong desire to look away or to close the eyes because it's
overwhelming. It's a distraction. And it's going to cause errors of understanding.
And of course, our eyes, that's part, the way we use our eyes as part of the human communication
system can be aware of that of that element of it. So yeah, I mean, but it's fascinating.
You should be aware of your own self in those those little characteristics
whether it's
whether it's classified on some aspect of the
Autism spectrum or just in general whether it's eating whether it's depression whether it's
Even like schizophrenia that would I hope we get a chance to talk to a little bit
Yeah, but there it does things are all made up of different
characteristics and characteristics.
And use, use them as a superpower, I suppose,
is the best we can hope for in myelogases, I guess.
I do think both brain states can't coexist at the same time.
The way of dealing with something unpredictable
and dealing with something predictable,
those are different ways of being.
Here's a huge opportunity for very creative model building
in theoretical neuroscience and linking that to these
data streams we're getting across the brain
that we talked about earlier.
These immense data sets of activity across the brain.
Here's where I think there could be a real convergence of theoreticians and experimentalists
to say, okay, given what we know about wiring of the brain, here is what the brain state is likely
to be that deals well with unpredictable information. And here's the brain state that deals with
predictable information. Here's why they're incompatible at least at the same
time. Here's why you've got to be able to detect which state you should be in.
Here's how you could switch between them. Here's the kind of cells that you
would predict almost like predicting the the Higgs boson. Here's the kind of
circuitry that I would predict should govern the switching or
might make one state too sticky, too hard to get out of.
Right. That is a huge opportunity for an interaction from the theoretical and
experimental side together.
Like, one state too sticky, sort of measure the stickiness of the state and how to lessen the stickiness.
Get some oil in the machine.
Yes, what would predict the kind of oil that would work well?
What in your practice is treatment or advice for people on the autism spectrum?
So right now there's no real medical treatment. There are
behavioral treatments that are most effective early in life. They make sure
people don't fall too far behind. If you're not interacting socially, you create
this, you know, vicious cycle where you fall farther and farther behind because
you're not interacting. And these therapies which are applied early in life,
therapists work with the kids,
train them to deal with these things that otherwise would be aversive to them, teach them how to
predict things and interact, and that has a big effect. But it's behavioral therapy. There's no medicine that works.
There are ways of reducing
individual symptoms though that sometimes come along with, and those do respond to medications. So you can, you know, one thing very often, my patients with autism are very anxious, because
they live in a world that they have a really hard time predicting what's going to happen.
And so they find, and some of these are high functioning, you know, cell convalid types
who, you know, they may make, you know, you know great living but they're very unhappy because they're on the spectrum
they
don't
Understand how social interactions really work. They're very
Anxiety provoking because they don't know what to say they don't have any clue how anybody else knows what to say
They're constantly worried. They're to say something that's completely inappropriate,
and so they're very anxious. And I can treat their anxiety. It doesn't touch the autism per say,
but I can help them with their anxiety. What I just talked about, eye contact. I am rich,
even with the eyes closed, and all those kinds of things, I'm richly experiencing the world.
And it's not like you're afraid of the world or you're not able
I don't know what to do. No, I know everything. In fact, I know way too much. There's so many cool
options like at any one moment there's all the stuff happening and it's all beautiful and at any one
moment you can do anything you want. You can take off your clothes, you can punch that guy over there,
you can run away, you can go in for a hug, you can say
something profound and deep, or you can say something generic, or you can do so many things you can
say. And then it'll go, it'll unravel in all these kinds of ways in this moment, it could be
completely life changing, or it can be mundane and meaningless. And all of those options that before you at any one moment.
And so it's amazing.
It's amazing and overwhelming if you allow yourself to think about it, which, whatever,
exactly like, when fortunate with chess, you have a few set options to dimensionless constraints.
There is unlimited possibilities and unlimited, beautiful things happening
all around you. So I don't think there's a kind of sense that somehow you're limited in the places
of, in the way you can see the world and how you can interact with that world. I am overwhelmed by
world and how you can interact with that world. I am overwhelmed by the lack of limit that all of us should be heavy looked around. You could do whatever the hell you want. Nobody
will remember you anyway. All of us will be dead one day. You could do anything. You
can I don't know. You can get naked and run around the city as long as you're not hurting
anybody. And it doesn't matter. So it's Austin, I mean.
Austin, yeah.
Back then, you exactly.
It seems like a to-do item for anybody living in Austin, for sure.
But the spectrum is an interesting concept, because that is, when I refer to the spectrum,
I'm actually referring to, it's a precise clinical term,
but you're right, it's been co-opted more broadly,
and it is widely used, and it can be an unfair categorization
of someone who's socially and occupationally very healthy.
And that is critical because we don't define a disorder
unless there's social or occupational dysfunction.
It doesn't matter what the symptoms are.
I've had patients who are pleasantly hallucinating, so frankly, psychotic, but doesn't affect their
lives.
So I don't give that person as diagnosis because there's not social or occupational dysfunction.
Same with anything on this, you know, any of the diverse symptoms of autism spectrum disorder,
if someone has them, but they're successful, socially, and occupationally, we don't
say that there's a disorder.
But then you're right, the concept of the spectrum does become a useful, you know, pigeonholing
device, which is maybe not the best thing.
Yeah, and eye contact is an interesting one.
It's an interesting one.
I'm torn on it.
I'm torn about the usefulness of eye contact because people kind of make fun of it, but
let me just say one thing about eye contact and about life in general.
It's okay to be weird
But like some people when you have your eyes closed and there's that weird what is happening to this creature?
Like you see a weird creature on the side of the road. It's interesting
And you want to I mean the the weird stuff. I'm gonna go back to robbing Williams with the that's the good stuff
to go back to Robin Williams with the, that's the good stuff. Right? He has that whole speech about him and his wife and what he loves all the little peculiarities, all the weird stuff. And that,
like, let those flourish, let those like celebrate those in yourself and not in some kind of
walkway, but in some like very human way. This is what makes us, this is the weirdness. Yeah. I'm 100% on board with that.
And I don't think, you know,
people who are happy and who have people in their lives
who are happy with them.
These are, I think, let the weirdness flourish,
let the, let the, all the different ways,
members of the human family can be different.
Let's see them all.
That's one of our, that's one of the joys of being alive, is seeing all the ways we can
be human.
And I think about it all the time.
Why do we have all these ways of being human?
And even within one individual, you go through phases of life where you express different sides of your way of being, which is also a pretty fun opportunity, right?
You can go through phases where you're in one mode and phase in another mode.
And let that, you know, just let that, let that flourish too. Let the ways that you can be very as well.
I think that's important for people to explore.
And I should, like, because if you can address the internet, but I would like to sort of ask the
internet to celebrate the weirdness of people. That, that's the Robin Williams,
people call these imperfections,
but they're not, that's the good stuff.
For anyone individual person,
find the weird stuff and celebrate it,
as opposed to what the internet often does,
which is find the weird stuff and criticize it. Because when
you criticize the weird stuff, you're creating conformity, which is another human thing.
But that conformity creates a boring world. You want the weird. You want the crazy. That's
what fun is made of. That that's the the foundation of human
The all the ways in which we deal with the with the with the suffering in the world with the injustices in the world is
like this like huge variety of weird
Yeah, I don't know and that's what at the depth of psychiatry is like, you want to acknowledge the weird, celebrate
the weird, like step around it to find the particular aspects of weird that are debilitating,
like you said, they're somehow negatively affecting your ability to function the world,
as opposed to trying to shut it all down.
That's right.
Well, on that topic, I mean, I'd love to talk to you about schizophrenia.
What is schizophrenia?
From your research and from your general understanding, and what is the full landscape of suffering
and wisdom that schizophrenia explores.
Schizophrenia is a state where there is a break from reality.
And so this can show up as we call them the positive symptoms of schizophrenia.
These include hallucinations, hearing something or seeing something that's not there, usually auditory hallucinations. Paranoia, people are going to have complex fears, delusions, which we call fixed false beliefs.
People get an extremely unshakable but completely implausible idea about something,
sometimes it relates to themselves, sometimes to the world.
These we call the positive symptoms, break from reality as we know it.
Then there are the negative symptoms that come with it, and these are progressive.
These are flattening of emotion as we call it.
So it's starting to express less and less positive emotion, ending more in a neutral or
flat state.
Thought disorder, inability to work with complex patterns of planning
or thinking so you can't make plans,
you'd have poor working memory,
you can't keep track of where you were
in a conversation, in a sequence of actions.
So poor and impaired,
working with the thoughts of oneself and then these positive symptoms of
break from reality.
Okay.
Now, why does this come together?
What's the neurobiology of it?
Again, we don't know.
This gets a for any extremely genetically determined.
If you look at the numbers, it could be upwards of 80% genetically determined. One percent of the human population around the world, it's universal, okay?
It's not confined to anyone, culture not even really biased in one, you know, culture
another, about 1% around the world.
And has this progressive quality to it untreated?
So it's very interesting.
There's a break that happens we call it first break
when
someone experiences their first
Disruption of reality they can have a completely typical life up into that point
So you might have a you know seen you know just heartbreaking cases of like this like this in the Stanford emergency room where
Okay, who's come there has been extremely
high functioning in that sense of academic achievement and athletic and interpersonal
and then comes to college. Usually in men it's around 18, 19 when the first break happens.
Some terrifying paranoia hits or some auditory hallucinations start they're getting screamed at by a voice in their head so devastating
with women comes on also often a little later sometimes in the 20s and
It can be progressive if it's not treated
It just progresses and progresses the the voices become
overwhelming the This is the voices become overwhelming, the delusions and paranoia extend and expand, the
thought, the negative symptoms, particularly become more and more severe.
So one can't even maintain thoughts in any sort of ordered fashion.
And then eventually, you know, can be fatal, can lead to suicide, it can lead to erratic
behavior that leads to accidents. Now it can be fatal, it can lead to suicide, it can lead to erratic behavior that leads to accidents.
Now, it can be treated. There are medications that help, fortunately. They have side effects,
so they're not perfect. You can have movement problems and actually a whole host of different
side effects that come from the medications, but we can help people now with schizophrenia very, very significantly.
But the amazing thing, and this is emblematic of where psychiatry stands, we don't have
the deep understanding, just like with depression, we don't have that heart as a pump level
of understanding that we'd like to have with schizophrenia, despite it being so biological,
so genetic in its nature.
So is there a way, once,
a way to return to you,
you have the side of the first break.
So when you have a break with the reality,
is there a way to kind of stitch it together?
Yeah.
So some people that works,
but we don't really know how.
So medications, anti-psychotic medications, we call them, they block a particular neurotransmitter
receptor called the serotonin 2A receptor, and they modulate dopamine as well and other neurotransmitters.
These can take someone who's actively hallucinating, actively paranoid, put them back in a completely normal state and some people
stay that way
and definitely. So you can bring people back from that back to the other side, have it stitched together.
More typically
you'll end up in some intermediate state where
there's a... Symptoms are reduced powerfully, but there might be still something there,
and you've got a drop down in functioning that may be persistent for a while.
But concepts, what physically is going on?
One idea is that it's communication within the brain.
One part of the brain is not able to tell other parts of the brain what it's doing.
And so the auditory hallucinations are very interesting in this regard.
They often have this conversational intermonologue-like quality.
As we're walking along the street, we may have an intermonologue, thoughts about what's going on.
If we see somebody we don't like, we may have a thought,
or somebody would punch that guy, something like that, or maybe I should punch that guy.
But these are so far below where we would ever act
or even think of acting, but they're just things
that come up and, and people with schizophrenia,
those inner thoughts, that inner monologue
is not recognized as the inner monologue of the self. And so it's perceived as something
coming from the outside or from inside but from another another another another another room.
Inside the same building. Another room inside there. Yeah. And so that that, so it's a, it could be conceptualized as a communication
within the brain problem, notifying what's another part of the brain, what's going on. And there's
some evidence consistent with that. I don't know if you can help with this, but I sometimes
talking to quite a few homeless folks recently, just what I do is I hang out at night
I just want to focus recently, just what I do is I hang out at night and talk to interesting people.
And I have known people in the past who suffer from schizophrenia and some of them, like
self, will describe as that as something they suffer from.
And they seem to understand something deeply about this world.
I don't know if it's correlated or maybe it's another aspect of depression,
all those things that I've encountered in my own life,
is maybe just the struggle and the suffering
has taken you through a life where you think deeply about life.
Like, there's like self-reflection that society forces on you because it's a disorder,
some awesome kind.
It's interesting.
I guess my only sort of anecdotal observation is people who suffer from schizophrenia seem and the Iranian seem to be very interesting and very thoughtful in the non-linear way about the world.
I've noticed that it's not always positive.
There are unusual ways they view the world.
But it's always interesting.
There could be conspiratorial thinking too.
But the theories they have about the way the world functions
It often very well read which is also interesting
Because they're almost like looking for helpful answers somewhere
Absolutely there and so there you know
There might be sighting some very interesting literature and then using that to
There's a stickiness in their mind, different models of the world
and trying to make sense of that world.
And those models could include conspiracy theories.
Yeah.
They're very attuned to complexity
and they come up with unlikely explanations,
which is one of the things that makes them,
it makes it hard for them to function in the world
is how unlikely their explanations are.
But you're right, there's a depth of consideration of the complexity of the world and a concern about it and a work,
an impulse to work to understand it that is actually quite refreshing.
But the first case in the medical literature, there was a classical schizophrenia. There was a patient named James Tilly-Mathes
who had this, he sketched out for his doctor, the experiences he was sensing. And he drew himself
as a cowering figure on the ground controlled by a loom, a weaving device that was sending threads,
long threads, projections across space from the loom to him to his arms and to his body,
and controlling him from afar.
And he called us the heir loom, loom in the heir.
And it was such an evocative thing because this was the start of the
Industrial Revolution or mid, and it was where really industrial strength, looms and weaving
devices were really kind of the emblematic of the most complex, powerful technological
achievements of the time. And so that was the explanation available to him to explain how his body was seemingly moved
without his volition.
And these days, of course,
people with schizophrenia will have more technology
appropriate interpretations.
They'll have, you know, delusions of satellite
or alien control or beamed information very, very common
to have this delusion of
government agency, you know, sending electromagnetic or radio frequency information to control their
limbs. But it's the same thing. It's that whether it's a thread from an industrial revolution
loom or, you know, RF, you know, radiation, it's the same thing just adapted to the moment the moment explaining trying to explain the world they live in a relationship to the world constrain by sort of
the thing that socially acceptable which is both refreshing and dangerous yes
i wrote down a question why do we cry
question, why do we cry? Our tears are windowed to some depths that we ourselves don't know. I'm almost want to make fun of myself for that question, but you do talk seriously about crying.
In fact, the whole first chapter really, really tussles with crying as a, as why do we do it?
What does it mean? Why is it involuntary? It seems like a weakness, right? Because it's so involuntary,
and it's reflecting something true and inside.
At the level of the individual,
that seems like a problem, right?
Wouldn't it be better if we could control it,
if we could not show that emotion
when it's not useful, show it when it's useful,
but it's not.
It's largely involuntary.
And so there's a value to it, I think, as an honest reporter of a need, of hope and frailty
at the same time. I'm a human being. There's a frailty to myself or my situation where I need
social help, I need help for my community. I have
hope that that is possible, but I'm not enough for myself, I need the community. That I think
is what the social signal of crying is. Now, people have studied crying. It's an extreme,
you can quantify the extent to which the presence of tears on a face triggers reactions in onlookers,
and you can show the same face in the presence or absence of tears,
and show that to people under quantifiable and rigorous psychological conditions.
And tears are much more powerful at stirring the desire to help in viewers than any other facial feature.
Which is pretty interesting that it's the honest one that's also the most powerful, right?
It kind of indicates there's a certain logic to our design as social beings that we have an honest report.
That's hard to control.
But is it well understood what,
how that connects to the internal state of emotion?
Yeah, there are long range projections that come.
So where is crying generate?
This is the confusing thing about it.
So that we have a little tear duct, the lacrimal gland that leads the release of fluidity,
Jax fluid and it comes out in nose, of course.
That whole system was designed to keep the eye clean, to wash out particulate irritants. So it's a long standing as long as we've had eyes and have been out of the water in our evolution, we've needed this sort of thing. So long standing biological structure, recently co-opted, it seems by our evolution as social
primates.
Now, how could that happen?
Well, the lacrimal gland is controlled by structures in the ponds, which is a structure
deep in our, just above our neck, between our neck and our head.
And reflecting its ancient origin, right, as you go farther down toward the spinal cord,
these are the more basic, early evolved structures.
And in the ponds, that's where breathing is controlled,
tear, duct contraction.
And what we've found, and with optogenetics, we helped sort this out.
There are long range projections from fear and anxiety regions in the forebrain that
project all the way to the ponds in and around those areas.
The reason those are there, we think, is to regulate the respiratory rate changes, the
breathing changes of fear and anxiety.
So we know when we're in a state of
fear and anxiety, we need, we coat better if we have elevated heart rate, elevated respiratory rate,
more blood pumping around, more oxygenated blood. We're ready to meet the threat if it happens.
All those cells are down there in the ponds too. Right next to the lacrimal guac duct, the tear gland neurons. And so almost certainly this fear anxiety-induced crying arose from a very slightly misdirected
long-range projection that was there to regulate breathing.
And a little twist, just a little misdirection, a little missing of one sign post to stop here,
going on a little farther,
getting to the lacrimal gland neurons gave us crying.
And that's, and we just have a, that peculiar sort of structure, neural, neural structure
that resulted in that, that's, that's what we're stuck with.
And then, and ends up being in terms of social interaction, one of the more important, authentic, involuntary displays of interstate.
That's right.
And social communication.
Yeah, is there other stuff like that?
I mean, do you, yeah, I mean,
the human face is fascinating as a display of emotion,
as a display of truth and lying and all those kinds of things.
I personally, I mean, we're all, I suppose,
have different sensors that are sensitive to certain aspects of the human face,
but to me, it seems like the eyes are really important communication or something.
I've talked to a few sort of girls girls about Botox and stuff like that,
and it always bothers me when I guess guys can do this too, but when women speak negatively of,
I guess you can call them wrinkles at the tips of an eye, but to me when you smile,
But like to me when you smile when you
Wait not wink but like narrow the eyes to commute something is communicating and those that stuff is really useful
And when it's gone this something is missing and a lot of little stuff it feels like it can really it's almost
Involuntary I guess but it's harder to describe as the presence or absence of tears. It's like something about this person you can tell, they're not bullshitting you.
Yeah.
And so that was what made it presumably that that tear recruitment so powerful, is it just
landed in this very high value real estate for social communication.
If it had gone to, you know, there's a lot of neurons in the ponds that control, you know,
movement of large, you know, muscles, you know, elsewhere, that would have been much less
effective as a social signal than something around the eye.
So it was, however, that little misdirection happened, it landed in a great area for
social communication.
And because it was coming from the fear and anxiety circuits that regulate that necessary involuntary change in heart rate and respiratory rate, it also was involuntary.
And that became valuable as a as a truth signal as social beings.
So very interesting when you think about the origins of the human family, the origins of social structures and our ability and need to call for help when there's hope,
but need at the same time.
What is consciousness? So you're actually using techniques, I mean, even putting
psychiatrists, you're just looking at optogenetics, you're trying to understand some of these deep
aspects of the human mind.
And maybe this is a good time to return to a question you mentioned you might have an opinion on,
if there's such a thing as a theory of everything for the human mind.
Because surely answering of what is consciousness is as well, that's not sure.
But it seems like it's a fundamental part of the human experience in the human mind
in solving that question.
Well, the result in solving the bigger thing
about the human mind, the flip side could be consciousness.
It's just the few neurons that are generating
some useful thing that makes us,
it's like the sense of self that you talked about
in the mice. Maybe it's like the sense of self that you talked about in the mice.
Maybe it's a subset of those cells that are just creating a richer sense of self, and that's it.
So this is a great question.
All neuroscientists think about this, and a lot of non-nurscientists too.
It's such a, it's the reason a lot of people came to the study of the brain is to think
about consciousness and not just being awake or alert, but really what's sometimes called
the hard problem of consciousness, which is what is that nature of that inner subjective
sense we have, not just information processing, but feeling something about the information. What is that inner state of
subjectivity physically? What is it? And that's called the hard problem of consciousness.
And it's not an extremely well-defined question. Everybody has sort of a sense of what it means,
but it's such a hard problem because you run into paradoxes
quite quickly, the more you think about it. And that is exciting also because it makes us think,
actually, there's some fundamental, there's a big thing that we're missing. The brain is not just
a collection of little tricks, there is a big, big concept. So that's your sense of the big, because a flip side could be with optogenetics, you can,
there's an engineering question. Can you turn consciousness on and off like a light switch?
Okay. So here's where exactly consciousness frames the problem extremely well, and it
frames it the following way. So I told you earlier that we can stimulate 20 or 25 cells
in the visual cortex of a mouse and we can make it behave and we can make its brain act
as if it's seeing something that isn't there. We have that level of control now. We can pick out
25 neurons, play in activity and both behavior and in the brain, it's as if it's seeing something specific.
Okay, now let's do a thought experiment, you know, a Gdanken experiment.
And let's play this out.
Let's say we could do the same thing for every single neuron in the brain of a human being.
Let's say we had total control and I could do something like I could show you a rich, deep color red and you could look at it and you would be aware that it's red
But also you might have some feelings about it
You'd some something would be stirred and use some subjective sense as you looked at that rich color red
and
then I
would take away
the visual stimulus and I would in this thought experiment I would
using some hyperoptogenetics I would play in
exactly the same pattern of activity in every cell in your brain for as long as it was needed, whatever,
15 seconds, something like that, that exactly matched what was going on when you were feeling
that inner subjective sense. Okay, so in that thought experiment, a question for you is, would you
sense. Okay, so in that thought experiment, a question for you is, would you be feeling that same inner subjective sense? Stimulus is gone. Every neuron is doing the same thing
because I'm controlling it. There's a philosophical question there. If you ask me specifically,
I would say yes. Okay. Most people would say that because it's hard to say no, right?
It's very hard to say no.
If every cell in your brain is doing what it was doing, what else could be different?
How could...
Well, most normal people would say yes.
Of course, philosophers would then start saying no.
They're the ones that say, I'm just sort of to parallel and sorry, if it's a bit of an
interruption, but if there's a robot that's conscious in front of you,
if it appears conscious, then it's conscious. Like to me,
of course philosophers again speak up and say, well, no, how do you know it's conscious? Well, how do you know anything is conscious? And sort of as normal humans, we
tend to lean on the experience versus some kind of philosophical concept.
So, the great thing about the, what you just said, the the Turing test is, it's very practical.
If it acts conscious, it is conscious. But I think that's limiting. I like the thought experiment. I think it's
actually more informative. And so I'm halfway to the conclusion there. But let's take
it as your answer was yes, that you would be feeling the same thing. Okay. Now here's
where it gets fun. Now that every cell in your brain is Knows what it has to do in the sense that we know it and we're providing it
Your brain cells don't need to be in your head anymore at all, right?
The only reason they're next to each other the only reason they're wired together is to affect each other to stimulate or inhibit each other
But we don't need that anymore because
each other to stimulate or inhibit each other. But we don't need that anymore because optogenetically, we're providing that activity pattern for as long as needed. We're providing
the effect of the communication. They don't need to be connected anymore. They don't even
need to be in your head. I could spread your neurons all over the continent, all over the
galaxy. And I could still provide the same stimulus pattern over 10 or 15 seconds to all those neurons.
And somewhere Lex Friedman would have to be, even though no longer existing as a physical object anymore,
would be feeling that subjective feeling.
And it's inescapable because it's exactly the same as the previous situation.
All the neurons have to be spatially,
like the locality constraint.
There had to be spatially close to each other.
And you talk about light, opto, which is funny
because light is the fastest traveling thing that we know of.
Maybe let's not put them all over the universe
because we might get relativistic problems then. Let's just keep all your neurons, let's spread them over North America,
okay? And let's play them out. Same pattern of activity. And it seems absurd, right? There's
no way that could be true. There's no way that the Lex would be feeling that internal
sense if his neurons were spread all over North America. And yet it's exactly the same as
the previous situation where you said sure.
Well, so we got a paradox and this is what makes people say paradox those are you.
Well, yeah, yeah, maybe paradoxes are the wrong word. We got a problem.
We got a problem because it reveals that there's something big about
those that internal subjective state that we're not explaining.
And we don't really have a hope of explaining in the near future.
But don't you think we would still have that?
It's just the word internal loses meaning but don't you think we would still have that internal subjective state?
Or is the, if not, then where the heck is the magic coming from?
Okay, well I just think, I think there's one of the problems that I think we need to
let go of is we tend to, outside of the experience of consciousness, the hard problem of consciousness,
we tend to think that we individual humans are really special.
Not the subjective experience, but the entirety of it, like the body that contains the thing.
So the local, the constraint of all the stuff has to be together and it's all mine.
That's a very, I don't know if that has anything to do with the mechanisms that are creating
this. So in fact, one really nice way to break through that
is to either observe or create consciousness that spans multiple organisms.
Sort of like that say it's not an organism dependent phenomena.
The phenomena can, that's just a peculiar way it has evolved on Earth, but it's a phenomena
that doesn't have anything to do with a specific biological system. Right, so and we have different parts of our brain exist and sometimes create complex
awarenesses of things that involve different neurons that are distributed widely and that
need to communicate with each other to form this joint representation in the state of consciousness, but indeed, why do they have to be in the same
head? We don't know why that would be the case that they do. And so that's a huge
unanswered question in the field is, is what is it that binds the activity of neurons together,
so they can form a joint representation.
And actually, this comes back to the dissociation experiment
we talked about before, where your sense of self
becomes separated from your body.
Those things that were fused in a joint representation,
the same concept, unitary are now separate.
And in late 2020, we published a paper in Nature Showing how this could be.
We used optogenetics to drive this rhythm that ketamine and PCP cause and retrosplineal cortex,
and we got different parts of the brain to be out of sync. And when they were active,
never able to be active at the same time, never able to form a joint representation at the same time.
And so we've got to toe-hold into these questions. We don't have the answers.
But in that mimics the dynamics of ketamine effects. Exactly. Exactly.
And you're able to find that kind of oscillation. Wow. Wow. So if you get even greater and greater
control with more control over individual neurons and
understanding, like if you think of certain neurons that having some role to play in
the sense of self, you can play like an orchestra, that to create the certain degrees of consciousness,
degrees of subjectivity, and thereby understand what is consciousness,
but by having a very complicated light switch essentially.
And here's the challenge, the nice thing about the thought experiment is that it kind of highlights
that we're going to hit a point where we're addressing some very, very fundamental questions.
What allows the activity of two sets of neurons to become mutually relevant to each other?
This is in some ways maybe one of the deepest remaining questions in neuroscience is what allows activity patterns to become
relevant to each other. Do they have to be in sync?
Temporally, do they need to be?
Is there some other
quality that we don't know about that also needs to be present to allow cells to fuse together into a joint representation?
Just just so I understand, because it feels close to some very, very deep idea.
So there's a bunch of semi-distributed signals going on in the brain.
And you're saying there could be something like a theory of everything, if one to exist, is to understand why how and
why signals close to each other start becoming relevant to each other.
That's right.
As part of some very much bigger signal that they're producing, how they coordinate essentially, because it's very distributed.
I mean, that's a kind of within a distributed system, how is order achieved?
And this is a very specific kind of distributed system that is one of the most intelligent
that we're aware of in the known universe, in that will maybe
be something also an understanding of the full conscious experience too, that this kind
of coordination.
How does the coordination between different neurons that are responsible for sense of self?
How do they begin to form a big picture that we see as a human experience. That's really, really
interesting. So uniting the small and the, I mean, that's actually literally theory of everything.
Uniting the small, the sort of the theory of the neuron, the function of the neuron with the
big, just the, the function of the entire mind. That's right. And I think keeping a toe hold in both at the cellular level of resolution and the
brain-wide resolution will be critical.
If you lose touch with either, I think you'll miss the big insight.
So that's what we're trying to do.
Keeping grounded in the cellular resolution, trying to keep the broadest brain-wide
perspective and meet in the middle.
Do you think you'll see it in your lifetime? I'm major breakthrough in that dimension.
I have hope.
I have hope.
It's very hard to predict what will happen
with big things like this.
If we don't get there,
there'll be plenty of other exciting stuff, so it's okay.
But the other aspect of this whole thing
is that your life is pretty short.
So first of all, you can die any day.
I tend to try to think about that and get in any moment because it really, really can.
And if not, it'll be soon anyway.
Do you think about that?
Do you think about your mortality?
I do.
Yeah.
It comes back to what we talked about that. Do you think about your mortality? I do. Yeah, it's, it comes back to what we
talked about earlier. I, you know, I never think I've done enough and it's relevant to that
for sure. This is a deadline. Yeah. Do you think there is ever going to be a feeling
where you sit back and you're really proud of yourself? I hope so. Like I've done enough. I've done everything
there is like like you know because the thing is a warrior has some number of
battles in them and at a certain point if you're deeply honest it's like well
this that was a pretty good run as far as runs goes, that was pretty good. And you can hang out beer, helmet, and then
go sort of drink some ale. Listen to some music with the old lady. I'd say I did pretty
good. You think you'll get there?
You know, with something, nature always has surprises for us. We're always the curious mind as always after more.
But yeah, true.
But biology gives us other rewards, you know, children and family, community, and one can feel good about those things.
Biology is full of rewards, but do you think about those rewards?
What do you think is the why of those rewards?
What's the meaning of life and this existence?
What's the why of biology?
What is it one from us?
Why are all these cells very busy putting together
an organism that seems to want to just be in a hurry to do stuff and survive, but it also just doesn't
it's not happy being survived. Like you said, it's curious. It keeps wanting to get into
more trouble. Why?
Yeah. That, you know, that we're clearly designed for that, right? This is we're clearly designed
to ask why and to answer. And, and that I think is, I don't know the meaning of all life, I think a
meaning of our lives is that, and you know, this is the Aristotelian, you know,
happiness. This is an organism is happy and animals happy if it's performing
to his design, right? If it's doing what it was made for. Yeah, well you have to understand what's the design and
You know who's the designer and what were they up to and how hard is it you have to build a whole universe and does the design even know what the hell they're doing because
You know, maybe the designer built humans to find out
About themselves That's what I would do like if I had the power to build clones
I'll build a lot of clones and I'll get them to different trouble to understand
Like what am I designed? What's this body designed to do?
How far can I go exactly and then Exactly. And then and I dissociate
myself completely from having anyway to know like that I know that person.
That's good. I mean, I suppose you could do that in a single person's body by dissociation.
You can, you could, yeah. Why, but I do wonder what, if you, if you look at Earth as a collection
of humans as the collection of biological organisms,
it seems that we're busy doing something.
And it just seems too beautiful and too special to be a random experiment.
It seems like it's an experiment that's cleverly designed. That's right. By some forces of nature that are beyond our
current understanding. And maybe that's part of our design is to keep asking
why. He said answer. I'm not sure that's part of the design. I think we're
given just the sufficiently limited cognitive capability that we know how
to long to find the answer and we lack the ability to find the answer. That's basically a summary
of your career. No, I'm just kidding. And then we give each other a Nobel prizes for having even
an inkling of a good step towards the right direction.
Carl, you're an incredible human being.
I'm a huge fan of who you are as a person, who you are as a scientist, who you are as a writer.
I just thank you so much. I'm so honored. He would sit down and talk to me today. It was amazing.
It's been incredibly fun. Let's do it again sometime.
I did get it.
I did get it. It was really great. You're here in sights and with and and
the modesty are really quite rewarding.
Thanks so much.
Thanks for listening to this conversation with Carl
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And now let me leave you with some words from Carl Young.
Knowing your own darkness is the best method for
dealing with the darkness of other people.
Thank you for listening and hope to see you next time.
you