Modern Wisdom - #854 - Graham Hancock - The Hidden Secrets Of America’s Ancient Apocalypse
Episode Date: October 21, 2024Graham Hancock is a journalist and an author known for his work on ancient civilisations. The Americas hold a profound secret. While human history is often traced back to other parts of the globe, Gra...ham believes that evidence points to the Americas being inhabited far earlier than previously believed. So what is the true history of the Americas and how does it reshape our understanding of human civilisation? Expect to learn how Graham thinks that the first inhabitants of the Americas got there, what is so fascinating about the Amazon, why Graham has done Ayahuasca more than 70 times, everything he's discovered about the Mayans, Ancient Egyptians, Easter Island and other ancient societies, his reflections on his debate with Flint Dibble and much more… Sponsors: See discounts for all the products I use and recommend: https://chriswillx.com/deals Get 5 Free Travel Packs, Free Liquid Vitamin D and more from AG1 at https://drinkag1.com/modernwisdom (automatically applied at checkout) Get expert bloodwork analysis and bypass Function’s 300,000-person waitlist at https://functionhealth.com/modernwisdom (automatically applied at checkout) Get a Free Sample Pack of all LMNT Flavours with any purchase at https://drinklmnt.com/modernwisdom (automatically applied at checkout) Get a 20% discount on Nomatic’s amazing luggage at https://nomatic.com/modernwisdom (automatically applied at checkout) Extra Stuff: Graham's Twitter: https://x.com/graham__hancock Graham's Facebook: https://www.facebook.com/Author.GrahamHancock Get my free reading list of 100 books to read before you die: https://chriswillx.com/books Try my productivity energy drink Neutonic: https://neutonic.com/modernwisdom Episodes You Might Enjoy: #577 - David Goggins - This Is How To Master Your Life: https://tinyurl.com/43hv6y59 #712 - Dr Jordan Peterson - How To Destroy Your Negative Beliefs: https://tinyurl.com/2rtz7avf #700 - Dr Andrew Huberman - The Secret Tools To Hack Your Brain: https://tinyurl.com/3ccn5vkp - Get In Touch: Instagram: https://www.instagram.com/chriswillx Twitter: https://www.twitter.com/chriswillx YouTube: https://www.youtube.com/modernwisdompodcast Email: https://chriswillx.com/contact - Learn more about your ad choices. Visit megaphone.fm/adchoices
Transcript
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Hello everybody, welcome back to the show.
My guest today is Graham Hancock.
He's a journalist and an author known for his work on ancient civilizations.
The Americas hold a profound secret.
While human history is often traced back to other parts of the globe,
Graham believes that evidence points to the Americas being inhabited far earlier than previously believed.
So what is the true history of the Americas?
And how does it reshape
our understanding of human civilisation? Expect to learn how Graham thinks that the first
inhabitants of the Americas got there, what is so fascinating about the Amazon, why Graham has done
ayahuasca more than 70 times, everything he's discovered about the Mayans, ancient Egyptians,
Easter Island and other ancient societies, his reflections on his debate with Flint Dibble and much more.
But now, ladies and gentlemen, please welcome
Graham Hancock. Yesterday was the anniversary of Columbus's discovery of America.
How fitting.
I guess it is, but of course he didn't discover it. In fact, the Americas may have been discovered as early as 130,000 years ago, which makes
1492 AD pale in significance.
Of course, this is a matter that's disputed by archaeologists. Nevertheless, there's a highly professional team
from the San Diego Natural History Museum
who've excavated what is called the Cerruti Mastodon site
just south of San Diego.
And I've been there and took the museum
and talked to the leading expert, Tom Demere.
And what they found was mastodon bones
that had been crushed systematically and in an
organized way using some kind of stone tool to extract the marrow.
And the only interpretation they're able to put upon this is that this was human beings.
Whether it was other kinds of human species like Denisovans, perhaps even Neanderthals, or whether it was anatomically modern humans,
all of us were around 130,000 years ago, but it's human behavior that we're looking at,
the systematic killing of an animal, and then the fracturing of its bones to extract the marrow.
Now, of course, this is regarded as some kind of terrible heresy by archaeologists who've been wedded to the
idea of a very recent settlement of the Americas for a very, very, very long time.
But gradually, reluctantly kicking and screaming, spitting nails as they go along, archaeologists
have begun to accept that the peopling of the Americas happened a lot earlier than they had thought.
And presently, the kind of date that is being considered,
accepted in fact, by the majority of archaeologists
is around 23,000, 24,000 years ago.
That's White Sands, New Mexico,
and the human footprints there,
which we feature in episode one
of season two of Ancient Apocalypse.
But there's a recognition that it could be older than that, could be 30,000 years old.
And then there's sites in South America, which may be even older, 36,000, 40,000, 50,000
years old.
So the whole issue is very much up for grabs, but the one guy who was really late to the
party was Columbus.
Is the Americas often overlooked when it comes to the history of human civilization?
Yes, because there's been this prejudice that the Americas could have had nothing to do
with the origins of civilization because human beings supposedly weren't in America until
it was called the Clovis first model.
It was held until really about 10 years ago, that no humans had been in the Americas before
13,000 years ago.
So you can see that the Cerruti Mastodon site multiplies that by 10 to 130,000 years ago.
But there's gradually been an acceptance of an earlier settlement than that.
And they're still fighting over the Cerruti Mastodon site, whether to accept that or not. There's been a back and forth of papers in Nature, a reasonably
respectful discussion going on between archaeologists who disagree over this. But yes,
that model of a very late settlement of the Americas, I mean, the view is that anatomically
modern humans came into Europe about 60,000 years ago, maybe
50,000 years ago.
We have anatomically modern humans in Australia between 50,000 and 60,000 years ago as well.
Of course, anatomically modern humans were in Africa going back 300,000 years.
The earliest known anatomically modern human remains
are from Jebel Ehud in Morocco,
and they date to 310,000 years ago.
And they're identical to,
pretty much identical to modern humans today.
And we can assume that their brains
were pretty much identical as well.
It may be that earlier examples
of anatomically modern
humans will be found. This is why one of my pet sayings is stuff just keeps on getting older,
because it's not that long ago when the view was, I mean, back in the 90s, when the view was that
there were no anatomically modern humans before 50,000 years ago, and then new discoveries kept
pushing that back. And then it switched to about 110,000 years ago with a discovery in Ethiopia, and now more than 300,000 years
ago.
So who knows how far that timeline will go back.
But the general view has been we will not look for the origins of civilization in the
Americas because they were recently settled.
And these new discoveries have to change that picture.
Archaeology is very slow to change its paradigms, but this is one that is going
to need to be changed.
And the result is that the Americas have not been seriously studied for the
specific issue of the origins of civilization, that thing that we call
civilization.
What was or is the established history? What was the story that's been told by archaeologists up to now about how the Americas was settled,
when, what mode, et cetera?
Right.
Well, the story that stuck for a very long time, like 30 or more years, was the notion
that a people who archaeologists call the Clovis culture, entered North America across the Bering land
bridge.
We call it the Bering Straits today, but during the Ice Age and 13,400 years ago was during
the Ice Age, sea level was much lower and it was possible to cross by land from Siberia
into Alaska and thus to enter the Americas without making a sea voyage.
And part of the prejudice that archaeologists did have against our ancestors is they didn't think they were capable of making sea voyages.
And therefore this seemed like the most likely way that they came into the Americas.
And that stuck for a very long time. And that was called the Clovis First Hypothesis.
And it became the subject, if I could just complete, it became the risk of having
their careers destroyed.
And this happened in the case of several individuals, were running the risk of being humiliated,
of having funding withdrawn from their research, and so on and so forth.
So that doctrine, the Clovis first doctrine, stuck until the evidence became utterly overwhelming.
For example, Tom Dillehay finally managed to demonstrate, even to the most skeptical
of his colleagues, that Monte Verde in South America had dated at least 14,000 years ago,
well before Clovis and maybe 15 and more thousand years ago.
And Jacques-Ank Mares, this classic example, brilliant man, excavated bluefish caves in the Yukon back
in the 1970s and found evidence that humans had been there 24,000 years ago.
And he received the full machine gun fire of the entire archaeological profession and
they literally destroyed his career.
But back in 2017, he was finally proved to be right.
He was absolutely 100% right.
Humans were in the Yukon.
Is he still around?
He is still around, but very, very old now and retired and broken by what happened to him.
It's interesting.
You talk about coming over the Bering Land Bridge into the
North, the Northest of North America.
Yeah.
And then trickling down from there.
Trickling down from there.
But if you were to suggest that that happens around about 13,000 years ago, let's
say that the markings that were found in South America that you just mentioned
were found it shortly after that.
That is a long way.
It's a long journey.
To travel.
If you're starting at the top and coming down, you would presume that the
disbursement would be more centered at the top as opposed to at the bottom.
Yes, you would.
And, and, and archaeologists are beginning now to open up to the idea
that, that our ancestors were seafarers.
I mean, they have to be open to that idea because even at the peak of the ice
age, when sea level was at its lowest, it was not possible to get to Australia
without a sea voyage. You just couldn't do it.
And particularly when you're settling a new land, you can't just go by accident with two
or three people.
You have to go with a substantial group who bring the means of survival with them at that
point.
Otherwise, they'll become extinct very, very rapidly.
And Australia was systematically settled about 50,000 maybe as much as 60,000
years ago and undoubtedly boat journeys were involved and the same goes for Cyprus.
Of course Cyprus is an island today but it was an island during the ice age too.
It's surrounded by colossal deeps at that end of the Mediterranean and it was never
connected to the land and yet Cyprus was settled around 14,000 years ago. And the evidence is it was a highly organized project, which involved sophisticated shipping
and large numbers of people carrying animals with them who settled in Cyprus.
So there shouldn't be an argument that our ancestors could use ships.
And it's beginning to happen now. Now that Clovis I has finally died the death it long ago deserved, archaeologists are beginning
to accept that maybe human beings did use ships to come to the Americas.
They don't like the idea of them doing something like crossing the whole Pacific Ocean directly.
They prefer the idea that they kind of island hopped from Siberia down the coast of Alaska
and thence into North America and finally into South America. But this raises one highly significant problem, which is first of all that the South American
sites by and large are older than the North American sites.
And secondly, and again, we feature this in season two of H and Apocalypse, there's intriguing
DNA evidence which connects the peoples of Melanesia, New Guinea, and Australian Aborigines,
and certain peoples who are indigenous in Taiwan as well, which connects them directly with three
tribes in the Amazon rainforest, in the west of the Amazon rainforest. And that particular
genetic signal is not found anywhere
in North America at all.
And it should be if they got there by a land route coming through North America, it's
only found in South America.
And the most parsimonious way to explain it, even leading geneticists admit this, although
they know that it's not an idea that archaeologists are going to accept, the easiest way to explain
it is that there was a direct crossing of the Pacific Ocean by sea.
And since those remains that have been found are already very old, more than 10,000 years
old, we're looking at a sea crossing that could have happened thousands of years before
that.
It's just an accident of discovery that complete skeletal remains were found that are 10,000
years old, which have this DNA signal, which is still present in the modern populations.
Pretty big ocean on either side of the Americas.
Big ocean on either side.
If you're gonna sail it, it's not,
I mean, Cyprus, it's deep, whatever, in the Mediterranean,
but it's not a Pacific or an Atlantic crossing.
No, in the case of Cyprus and Australia,
at the peak of the Ice Age,
a large part of the Indonesian archipelago
was all joined into a landmass called Sunda.
And that went down as far as Timor. And it was still necessary to have a crossing of open ocean
of about 90 kilometers to get to New Guinea, which was then joined to Australia. It was an
paleocontinent called Sahul. It was about 90 kilometers and in the case of Cyprus it was about 50 or 60 kilometers. But the notion of human beings actually crossing
the Atlantic, the Pacific Ocean, crossing thousands of miles of the Pacific Ocean more than 10,000
years ago is still a very tough one for archaeologists to accept. But at the same time,
they can't deny the genetic evidence and they must look for some explanation and there's been all kinds of
Hysterical wriggles to try to to try to explain that anomaly. I still think the simplest explanation is the best
You think Pacific not Atlantic crossing?
well
this was definitely a Pacific crossing because the connection is between people's who live on the east side of the Asian landmass down into Australia and
peoples who live on the east side of the Asian landmass down into Australia and people's on the west side of the South American landmass.
That's just for the genetic component though.
There's other people that were there, there's more evidence that's there.
How did those people get there earlier than?
Well that's an unanswered question.
That's a completely unanswered question.
There are a number of sites, all of which are strongly disputed in South America,
which are much, much older.
And how did they get there?
We don't know.
What has to be seriously questioned is the notion
that the entry was only through North America
and that they kind of-
It was only 13,000 years ago.
Or even 23,000 years ago,
and that they had to find their way
through North America down to South America.
And the reason that South America is not being considered
as the possible first place of human habitation
in the Americas is precisely because of that prejudice
that of course our ancestors couldn't have sailed
the entire Pacific Ocean.
What's interesting about the Amazon from a...
Everything is interesting about the Amazon.
I love the Amazon.
It's a god, or I would prefer to say a goddess.
The Amazon is a force.
It's an amazing and extraordinary thing.
It's very tough.
The heat and the humidity are intense. The insects, the snakes, uh, the creatures that will eat you up.
The piranhas in the river, uh,
It sounds pretty inhospitable as a place that you're going to settle.
At the same time, it's a, it's a garden in which humans can flourish
and which humans did flourish. So what's interesting
about the Amazon, first and foremost, this is one of those areas of the world that is
massively under-researched by archaeology. And I don't say that that's an act of irresponsibility
on the part of archaeology. That's because it's incredibly expensive to go and research
in the Amazon. And when you are of the opinion that you're not going to find much there, then undertaking
that research has never seemed worthwhile.
But new information keeps on coming in, which is changing that.
I mean, statistically, we're looking about five to six million square kilometers that
are still under dense canopy rain forest.
And again, this is an issue that we've gone into in season two of Ancient Apocalypse because
I think everybody knows that the Amazon is under attack at the moment, that large parts
of the Amazon are being cut down and turned into soybean farms and cattle ranches.
And the soybeans are primarily to feed the cattle.
As a result of these clearances, strange things have begun to emerge into plain sight. And these
include gigantic, perfectly geometrical earthworks. Now, if we talk about the earthworks in the UK,
when everybody's heard of Stonehenge or Avebury,
a hinge actually is an earthwork.
It's the ditch that surrounds the stone circle.
It's not particularly prominent in the case of Stonehenge,
but it's massively prominent in the case of Avebury,
a big deep ditch with an embankment on either side.
These earthworks in the Amazon, they don't have the standing stones in the case of Avebury, a big deep ditch with an embankment on either side.
These earthworks in the Amazon, they don't have the standing stones in the middle of
them because there is no stone in that part of the Amazon, but they do have these huge
earthworks which can take very intriguing geometrical forms.
For example, a perfect square with a perfect circle inside it, but on a scale of hundreds of meters, rectangles, square enclosures with
sort of scallops cut out of one corner of them. The whole thing, lots and lots of circles,
many of these structures appear to be aligned to the cardinal directions.
What's the cardinal directions?
North, south, east, and west. And it's very important to be cardinal directions? North, south, east and west.
And it's very important to be clear on that.
North, south, east and west on a compass are not the same as true north, south, east and
west.
There's an error of 10 or 11 degrees in compass, which is a magnetic reading.
True north is defined by astronomy.
And which one does this follow?
This follows true north.
Yeah, yeah.
True north, south, east and west, the true cardinal directions.
So anyway, as a result of the clearances, we've started to see these puzzling earthworks
appearing and that has led a team who we cooperated with in ancient apocalypse.
The lead archaeologist is Marti Parsenen from the University of Helsinki and his partner in the project is Alceo Ranze, who's a very
distinguished geographer from Brazil. And it was actually Alceo who was the first to spot these
geoglyphs, that's what he called them, because it struck him that there was a similarity to the
Nazca lines. These are things are so big that you can only really see what they are when you're up
in the air. And he was on a flight over and suddenly saw this and he thought, what the hell is that? And that
led him to begin to investigate and find there wasn't just one, there were dozens of them
that had already been produced by the clearances. And now what Arceo and Marty are doing is
a detailed LIDAR study in the areas touching on those parts that have already been cleared.
They're going deeper into the jungle.
And while we were there, they found half a dozen new structures under the canopy rainforest.
You see, LIDAR will allow you to see through the rainforest canopy
and to see relief features underneath it without destroying anything.
And then you can go in very low tech.
You can just go in not destroy anything and begin
to investigate what the Lidar has picked up.
And what the Lidar has picked up is these just extraordinary geometrical structures
extending into the jungle as far as the range of the drone on that day.
And both Marti and Al Sayyou are of the opinion that there are thousands of these things still
waiting to be discovered.
And indigenous people, I spent time with an
elder of the Upper Rina people, for whom these geoglyphs are sacred. They say that there
are thousands of them throughout the jungle and they still venerate them and value them
today and that they are places that shamans use to work healing medicine on the people.
How old are they?
The ones that have been found up till now, go back about 2000 to 3000 years.
And that's based on dating of organic material found in the earthworks.
It's a rough guess.
However, what they've found that those precise areas on which the earthworks now stand, once
you excavate down deeper than about two or three meters, you find that they have been
intensely used by human beings.
There's an enormous amount of charcoal and carbon down there.
What they're saying is that these sites actually appear to have been selected and
appear to have been sacred to people for at least 10,000 years.
And we see the latest incarnation of them in the earthworks that have survived to this
day.
So there's a big project now going on in the Amazon to open it up and to find out.
I don't mean to open it up by destroying the rainforest.
I mean to use LIDAR to find out what's going on there. And other results of this have included
absolute confirmation that there were huge cities in the Amazon, that the Amazon did have a
population before the Spanish conquest of tens of millions. This was a completely different place
from the place that we imagine this kind of
pristine rainforest inhabited by a few tribes
of hunter-foragers now.
There were large scale permanent settlements in the Amazon
and they were joined by perfectly straight roadways
that ran in some cases for hundreds of kilometers.
We are seeing the traces literally
of a lost civilization in the Amazon
and the work is just beginning to get to grips with the dates on these.
This is just tiny bits of the Amazon that have been looked at thus far.
So I'm of the opinion that the Amazon has a great deal more to tell us.
And I've done my best to bring the case for that to the viewers in ancient apocalypse.
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My first visit to the Amazon was in 2003.
I was working on a book that I published in 2005 called Supernatural, Meetings with the
Ancient Teachers of Mankind.
It's recently been retitled as visionary.
It's still out there, but I was interested in the notion for which credit must be given
to the late, great Terence McKenna that sampling psychedelics played a key role in the evolution of human
consciousness and that we can see the evidence for the use of psychedelics.
And here I want to pay tribute to the work of Professor David Lewis Williams of the University
of Witwatersrand in South Africa.
We can see evidence for the use of psychedelics in cave art all around the world and in rock
art all around the world. And we can see that evidence in the Amazon very, very strongly.
And furthermore, shamans in the Amazon who are drinking ayahuasca, drinking the powerful
visionary brew ayahuasca, after their visionary experiences, if they have painting skills
and quite a number of them do, they paint
their visions. And those paintings of those visions are astonishingly similar to the paintings
that you see on ancient rock faces such as in Colombia, in the Amazon going back more
than 12,000 years, and paintings that you see even in Europe in caves like Lascaux,
where the same geometric patterns and the same strange beings that
are part mixture, part animal, part human appear. It's as though the visionary realm
is being manifested in art. And I wanted to investigate that. And I had not experienced
ayahuasca before, but I didn't feel I could write about it authentically without drinking
ayahuasca. So I went to the Amazon, first of all, in 2003 to drink ayahuasca. So went to the Amazon first of all in 2003
to drink ayahuasca with an indigenous shaman
and his name is Francisco Montes Chuna.
And I had my first 11 sessions with-
11 sessions, first 11.
First 11, yeah.
I've had subsequently had about another 70.
But that was the first 11 were for research purposes.
The other 70 is because Ayahuasca has helped me to get to grips with issues in my life
that I didn't even know I needed to get to grips with, but it's helped me to do that.
So I still feel I think they're right in the Amazon to refer to Ayahuasca as a teacher.
And I have learned many useful and important
lessons to it. So the last time I had an ayahuasca session was actually while we were filming
in Peru, in the Peruvian Amazon for season two of Ancient Apocalypse.
You were peeled off from a day of shooting to go and…
Yeah, and it was the same shaman, Francisco Monteschuna, who I had drunk with 20 years before.
So it was fascinating to be back there
and to be in the midst of that majesty
and surrounded by that wildness.
Of course you can drink ayahuasca pretty well
anywhere in the world today,
but it's better to do so in the hands of a shaman
who really knows what he or she is
doing.
I'm not saying that there can't be Western shamans, there can and there are some.
But they need to sit down at the feet of shamans in the Amazon and learn techniques from them
because people can get into a very bad place on an ayahuasca trip and that needs to be
handled.
Shamans see it as keeping dark forces at bay. That's what their role is primarily in this.
So it was very, very interesting
to have another session there.
And I was joined by my good friend,
Luis Eduardo Luna, who's a Colombian anthropologist
who is now based in Brazil.
He's one of the world experts on ayahuasca.
And we had some very interesting discussions about the mysteries of this brew.
And the mysteries of the ayahuasca brew also touch upon the question of civilization in
the Amazon.
How so?
Well, because ayahuasca is a very complicated thing to make.
It is a mixture of two ingredients.
The best known form, which is actually called ayahuasca.
And that's not even an Amazonian word, that's a Quechua word, it's an Inca word.
The Incas were also using ayahuasca and they named it.
There are many local names for it, but the Inca name stuck and everybody calls it ayahuasca
now, which means the vine of souls or the vine of the dead. The vine itself has
almost no visionary properties. If you were to drink a tea made of the brewing up, smashed
up portions of the vine and you could drink gallons of it and you wouldn't have any visions
whatsoever. The other ingredient is a leaf from a bush and that bush is botanically
cicotria viridis.
In the Amazon they call it chacruna and those leaves contain substantial qualities, quantities
of arguably the world's most powerful psychedelic, which is dimethyltryptamine DMT, the type
of DMT that's called NNDMT.
And this way gets complicated because DMT is not normally
accessible orally to the brain.
In other words, you could eat munch several kilos
of those leaves or cook them up in a tea and drink them.
It wouldn't have any effect on you.
And this is because of an enzyme called monoamine oxidase that we have in our gut.
It destroys DMT on contact.
That's why people who want to have the straight DMT experience today have to smoke it or vape
it, smoke it in a pipe or vape it and then it gets right through the blood brain
barrier and into the brain, but through the gut you can't absorb it orally.
So how do you conquer that problem?
What you need in scientific terms is a monoamine oxidase inhibitor.
You need something that will shut down that enzyme in the gut.
And that's precisely what the ayahuasca vine provides.
It provides a monoamine oxidase inhibitor that shuts down the enzyme in the gut. And that's precisely what the ayahuasca vine provides. It provides a monoaminoxidase inhibitor
that shuts down the enzyme in the gut
and allows the DMT in the leaves
that are part of the brew to be active.
And then instead of having the usual 10 or 12 minute
or even less trip to the other side of reality,
which is what happens with smoked or vape DMT,
you have a four hour journey to the other side of reality. And it's much slower paced and you have time to get to grips with what
is happening and to investigate the visions that you're experiencing and the teachings
that you're receiving. Sometimes you receive nothing. Sometimes all you do is just vomit
and have diarrhea. That's I mean, mean, that is one of the physical consequences
of ayahuasca.
I can say as a result, I've been working with ayahuasca
for more than 20 years now.
I can say that as a result of long-term exposure
to ayahuasca, the vomiting and diarrhea side of it
have got less and less as time has gone on.
But the visionary experiences continue to be extremely powerful. However,
sometimes you don't get anything. And they call it a nada in Peru, where you have a nothing.
But the view of shamans in Peru is that nothing is the really most important one, that you're
downloading stuff subconsciously, that you're not getting consciously. It's really, they
celebrate these nadas. They're good things to have.
What's the implication of having the similar cave paintings
from potential psychedelic cave paintings in the Amazon,
in Europe, elsewhere in the world?
What are you sort of the story you're drawing from?
The implication is that psychedelics were involved
in every case, different psychedelics,
but they were involved in every case, different psychedelics, but they were
involved in every case.
Just to finish on the case of ayahuasca, the other form of ayahuasca is called yaha, which
is spelled Y-A-J-E with an accent over the E, yaha.
And a lot of people think that is ayahuasca and indeed it does include the ayahuasca vine.
That is the common element to these two versions of the
brew.
However, the dimethyltryptamine element is provided actually from another vine, from
the leaves that grow off that vine.
They contribute not only NNDMT, but also 5-MeO-DMT.
Both of them are in the brew with the monoamine.
Have you tried this yahu?
Yes, I have.
Okay. Can you compare the two?
I would say it's significantly more powerful
than ayahuasca on its own,
and really intense, overwhelming visions
and the sense of contact with an intelligence.
And I know that skeptical, nuts and bolts scientists
will say, of course you're not having contact with any intelligence.
It's just your fantasies.
It's just a hallucination.
But I suggest they go and have a dozen sessions
of ayahuasca first and see if that is still their view.
There's something very mysterious about it.
And this is a result of literally Amazonian technology.
Go figure how they choose out of more than 100,000 different species of plants and trees,
they find the bush with the leaves that contain DMT and they find the vine which contains
the mono-amine oxidase inhibitor and they put them together.
What do you suggest?
Do that by trial and error is no easy task.
It's no easy task, but also given enough time and not much else to do.
It could be done.
It could be done.
And when I observe shamans in the Amazon today, what I notice is that they are
constantly sampling plants, that they're constantly sampling admixtures of plants.
Um, Francisco on, on this, this latest journey that I had was dropping little
bits of different flowers into the
plant as well.
God knows what that's going to do.
Yeah.
Well, all I can say is that I did have an extraordinary night and it was very, very
interesting.
And you know, nobody in their right mind is going to drink ayahuasca for kicks.
It's not some kind of lighthearted heart.
Recreation.
I would say it's definitely not recreational,
especially with the physical effects that it has.
But it's also a powerful emotional journey,
which will reveal to you things that you may have suppressed
from yourself.
And the point I often make on this is it's very easy
to be harsh and cruel with words to another
human being, especially when you're pretty good at words, which I am.
And I've often, that's my only skill actually, I have no other skills.
I can't even put a screwdriver into a screw thread without it breaking off.
But I have words and I've realized that I've said things
in moments of anger that were very harsh and very cruel and really hurt other people. And
Ayahuasca has shown me that side of myself.
It's interesting on that point. I often think about how people that are physically strong,
this meme, there is a culture around physically strong people protect physically weaker people, or at the very least, a big hulking MMA fighter doesn't try and fight a granddad, for instance, because there's an imbalance.
But we don't have the same sense because outwardly, it's not as obvious. We don't have the same sense for somebody lexically, who is linguistically very capable. No. And you can use, Ben Shapiro talked to me about this,
about how he's a professional debater,
very quick with his words, so on and so forth.
And he can use that to win when arguing with his wife.
Yeah.
But he says, do you want to be right
or do you want to be loved?
Yeah.
And, exactly.
He has to temper, it's like being the real strong guy
against the granddad.
Absolutely.
I would say the most important lessons I've had from my ayahuasca journeys has been that
I do have a problem with anger and I need to deal with it and I have been dealing with
it.
It's one thing to get the revelation, it's another thing to actually integrate it into
your life.
I mean, that's where the hard work begins, but I'm working on this and I hope that I'm
a kinder and more nurturing person than I was.
I want to get it.
I want to talk about that because I'm particularly fascinated about the psychology of somebody
that's had to deal with such consistent criticism for a long period of time, disposition for anger,
but then also evidently this sort of transcendent desire to include and transcend as Ken Wilber
would say.
It's partly to do with being 74 years old.
You know, we're all mortal.
And the thing is that when we're in our 30s and 40s,
we don't really take that into account.
But believe me, when you get to my age,
the clock is ticking and you know that whatever happens,
it's not going to be that long before your time is up. And, and, um, I'm completely resigned and accepting to the notion of death
and it can come at it at any time.
But when it comes, uh, I would like it, I would like to be able to look back
on my life and say that it was a worthwhile life and that I did more good
than I did harm at the very least.
Anger is a young man's game in that regard.
Yeah.
Yeah. Yeah.
What's this rumour meme that I've heard about the Amazon being a man-made jungle?
Oh, it is.
It is, it is a man-made jungle.
What does that mean?
Well, what it, what it means is that when you analyze the millions of trees in the
Amazon and you find that they boil down to about
16,000 different species, that species like the Brazil nut tree, which are incredibly
helpful to human beings, which are food producing trees, are hyper dominant in the Amazon and
they shouldn't be if it were just the result of natural selection in the Amazon.
It's clear that human beings have been involved
in turning the Amazon to their purpose
and making it an environment that is useful to them,
that can feed them, that can nurture them.
And for that reason, just as the,
clearly a brilliant kind of shamanic science
went in to the creation of ayahuasca.
An equally brilliant kind of shamanic science
went into the creation of Ayahuasca. An equally brilliant kind of shamanic science went into the creation of curare,
which involves 11 different plants.
You know what curare is?
Curare is a nerve poison, which is used to tip arrows.
If you're hunting a monkey,
and that monkey is a hundred foot up a tree,
and you want it for dinner,
what you don't want to do is for it to, as
you shoot an arrow into it, its natural instinct will be to wrap its tail around the tree.
And suddenly the monkey that you want for dinner is hanging by its tail a hundred feet
above you in the tree. You don't want that. So you want something that paralyzes its muscles.
And that's what curare is. That's why, you know, curare was later used in anesthesia as well.
They shoot the monkey with a curare-tipped arrow.
Its muscles go limp and it falls from the tree and dinner is ready.
But to create curare, you need 11 different ingredients all put together.
And if you don't have even one of them, it won't work anymore.
So that's a scientific project, again, from a people who have lived in their environment
for thousands, I believe tens of thousands of years and are so familiar with it and so
comfortable with it, they know what to do with it.
But I would add to that one other Amazonian science, which again we go into in season two, which is called terra preta, which is patches of
astonishingly fertile soil that are found dotted throughout the Amazon and which are
still sought out by modern settlers today because the rest of the rainforest isn't
particularly fertile.
That's why it's also such a tragic waste to cut the rainforest down.
It's doing much better things for the world by being left as a rainforest than it is being turned into a cattle ranch. But
terra-praetor has allowed bits of the Amazon to be incredibly fertile. And that also is
an Amazonian invention. People in the Amazon are still making terra-praetor today, but
the oldest examples so far found go back more than 8,000 years. And it's almost a miracle soil. It regenerates
its own fertility. It's full of bacteria. It's full of biochar. It's been deliberately
created by human beings. They put a lot of refuse in it as well. And it just works and
multiplies and it keeps on rejuvenating its own fertility. So patches that are 8,000 years old, they're still fertile today.
The thing that I keep coming back to is I understand that there is, uh, the
technology or the trial and error that's happened in order to make the Amazon
a very useful to humans in a way that other areas on the planet wouldn't have
been also understand that you can curate
the jungle, Brazil nut trees becoming more prevalent, et cetera.
It's still to me thinking about what were sort of anthropologically modern humans built
for persistence hunting, open planes.
It just seems so inhospitable.
I wonder why, why would you decide to, I don't know what America was like.
Well that's where you have, that's where you have to ask yourself, what was the Amazon
that we're now looking at?
What was it like during the ice age?
What was it like 12, 13, 13,000 years ago?
And what it was like was more like the savannas of East Africa than it looks today.
It became a rainforest later after human beings were in it.
And I suspect human beings were, of course, climate change was involved as well, but I
suspect the human beings were involved in the creation of the Amazon right from the
beginning, transforming a savanna, extending over millions of square kilometers
into a giant rainforest.
The rainforest itself is probably not much older than 14,000 years.
Because how would you have been able to make thousands and thousands of circles inside
of squares if every two feet there's another tree?
Exactly, exactly.
That's right.
Certainly, at the very least, you'd have
to clear the area that you wanted to build your earthwork in. So it's just one of those great,
unexamined areas where the human story has not been followed through enough. And when we do
follow it through, we find intriguing hints of great sophistication in the past and of finding
a way of life. We shouldn't imagine that everything that we would call a quote unquote advanced civilization
has to look like us, you know, with iPhones and cars and rocket ships and things like
that.
It doesn't have to look like that.
There are lots of other ways to be being advanced.
And I would say an advanced civilization actually should not be defined by its possessions, by its
material wealth. It should be defined by its spiritual wealth and its ability to live in
harmony with the environment in which it is surrounded. And our civilization, despite
all its tech achievements, is not living in harmony with the environment at all, whereas
Amazonian civilization for thousands of years was and still is.
I get what you mean there.
I'm hesitant sometimes of sort of laying at the feet
of modern humans, this disregard for the world around us.
I think it would be difficult if you were to give people
of 13,000, 14,000 years ago, the convenience
and the opportunity and the availability
of all of the things that the opportunity and the availability of all of
the things that everybody has in the modern world.
I'm not convinced by the idea that humans are being callous in their usage of most things
in the modern world.
Oh, no, I don't think so either.
Had they have had the opportunity to, it would have been difficult in the past to have not
become fat because of the beautiful cheesecake and all of the-
No, I don't think individual humans
are being caused at all.
We operate at the scale of a hive mind,
a very large scale organism.
That's what humanity is in the world.
And the plain fact is we aren't looking
after the world well enough.
This is our home.
We're very detached from it.
And yes, very detached from it.
And there's no sense of spiritual value in it.
This is one of the problems with modern science.
And it's desperate desire to separate itself off
from superstition.
It's become totally focused on weighing and measuring
and counting on a so-called rational approach to reality.
Whereas reality itself is not really very rational.
And I think that this is what's missing in our society today,
is the spiritual element, a sense of connection
to this beautiful garden of a planet
that the universe has gifted us with,
and a connection to the wider universe.
And that's why things happen in the way they do,
but it can change.
I don't think any of the mainstream religions in the world today are helpful in this respect.
I realize that some people do get profound spiritual experiences within the mainstream
religions, but I think what's happening today is people are beginning to seek spiritual
directions in other ways. And perhaps that's one of the reasons why Ayahuasca
has become so well known and so popular in the West
because it does seem to open a doorway
to other dimensions and other realms.
It's probably a more reliable route
to a transcendent experience
than going to the Vatican, for instance.
I would say so, yeah.
Far from it.
Oh, the Vatican is pretty awesome.
And also the key difference is that it's direct experience.
It's what you're experiencing,
and what you're experiencing is not this world.
It's undeniable in that.
Whatever it is, it's not this.
You're experiencing, if our brains are concocting it all
in some sort of elaborate novel,
then it's astonishing in itself. That itself is a mystery.
But many of us who've worked with Ayahuasca and DMT can't rid ourselves of this sense that we're
getting brief temporary access to some other level of reality. Unfortunately, a number of scientists are now looking into this in a serious, organized, experimental
way.
And that is being done at Imperial College in London, and it's being done at the University
of California in San Diego.
Where's that place that's found the way to do IV DMT?
That's Imperial College.
Yeah. So they can keep you at the state that you would have smoked,
but perpetually.
The peak state that you would be in five minutes
after you've had the third puff on the pipe,
the peak state that you would be in there,
they can keep you there for an hour or longer.
Which presumably feels like 3 and 1.5 million years,
subjectively.
I've tried to volunteer for this, but they
won't let me because I have epilepsy.
Um, but one of the projects that's taking place in America
may allow me to volunteer.
I don't believe it would have any, you're a brave man in that regard.
I don't believe it would have any negative interaction with my, with my epilepsy
because I've had quite a lot of experience of DMT and I've had no problems.
On the contrary, I find it helpful. But I would like to try that extended thing because
Have you done the pipe?
Oh yeah. I've smoked DMT and I've vaped DMT. Both are both are both
And drank it through the
And then drunk it through the Ayahuasca brew. The nice thing about going straight to the DMT is you don't
have the negative physical consequences. And that, you know, you can be in the middle of an
extraordinary vision where revelations are just piling in on you and suddenly your stomach says,
no, get me out of here immediately, you know? And that often involves in the jungle,
squatting behind a tree and confronting whatever creatures are
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What did you learn about the Mayans?
Well, this is another extraordinary civilization of the ancient world, which
I think has much more ancient origins than are given to it.
We have to trace the origins of Mayan civilization back through the people who were called the
Olmecs. And then we have to look at the incredible sophistication and complication of Mayan mathematics
and Mayan astronomy and the enormous numbers that they used and how they were recording
dates on Steli that go back 30 million years into the past.
Where are they?
On a modern map, where do you point to where the Mayans were?
The Yucatán Peninsula, primarily, but then going on into Guatemala as well.
That's the Mayan area.
And for season two of Ancient Apocalypse, we filmed specifically in
Palenque, which is down at the bottom of the Yucatan. The nearest large town is Villa Hermosa.
Palenque is a magnificent Mayan site dating back to the eighth or ninth century AD. And it's got a series of pyramids built around a beautiful plaza
with what appears to be an astronomical observation tower in the middle of a structure that is
probably wrongly referred to as the palace. And I was able to discuss the site at length
with an archaeologist. Not all archaeologists hate me. Quite a number
of archaeologists are interested in what I do and are willing to work with me. They don't
necessarily agree with me, but are willing at least to have a civil conversation with
me. And I was so lucky to have Ed Barnhart as a guest when we were in Palenque.
He seems cool. I watched him on Lex's show.
He's a brilliant guy and he's fun and he's just so enjoyable to be around.
And just a mine of information about the Mayan calendar and about Mayan astronomy and about
Mayan mathematics.
So he can read Mayan?
He can, yes.
He can read the Mayan glyphs and he did a bit of that for us.
He's just really good at it, but also interpreting what Mayan culture was all about.
but also interpreting what Mayan culture was all about. One of the things we touched on was the fact that there's a very specific idea about what
happens to the soul after death.
That idea is found all around the world.
It's found very powerfully in the Americas, South America, Mexico, Central America, and
North America, but it's also found in Egypt, and it's found in Mesopotamia, and it's found
in ancient India.
And the idea is that upon death, the soul makes a leap to the heavens, and where it
specifically leaps to is the Milky Way.
And this is referred to in many cultures as the path of souls.
And it's the deceased individual then, or the soul of the deceased individual
then makes a journey along the path of souls and there will be confronted with
all the errors and mistakes and also all the good that that person is.
Like a judgment day.
It's like a judgment scene.
And, and, and that judgment is represented is represented by monstrous beings and locked gates
that you have to be able to confront. And this idea is just found all around the world. And it's one
of the reasons that I find very persuasive to the notion that we've lost an episode of the human
story. I don't think this is a coincidence. I think we're looking at the remnant of a very ancient
spiritual system, which was passed
down in many different parts of the globe and subsequently reinterpreted and developed
by the people it was passed.
I was saying that because it sounds like there's echoes of that in some modern religions that
you don't think they've independently arisen separately.
You think that it's a single lineage?
I think it's a single lineage. Yeah. I think when we come to specific ideas like that, plus the availability and
the focus upon and the sacred nature of specific numbers in many different
cultures around the world, well, there's a phenomenon which has been very
important in my work over the last 30 years, called the precession of the equinoxes.
And it's not a phenomenon that everybody knows about, so I'll try to explain it.
It's actually an observable effect, but it's hardly observable within a human lifetime.
The best way to observe it, if you could extend your life by a few hundred years and just stay, just be at the same spot every spring equinox when the sun rises perfectly
due east, you'd be there before dawn, a good hour before dawn, a constellation of the zodiac
is going to be lying on the horizon in the place where the sun rises. And that constellation
was seen by ancient cultures as housing the sun on the equinox, and it defined the character of an age.
But if you could be there for several hundred years,
you would notice that it's gradually shifting
along the horizon, and eventually another constellation
will slip into place behind the sun on that same key day.
And what's happening there from an astronomical perspective?
What's happening is the Earth is our viewing platform from which we observe the stars.
And not only is it rotating on its own axis as we know, but it's also wobbling.
And that wobble, one of the most noticeable effects over long periods of time is it changes
the pole star.
So because what is the pole star except the star that the extended north pole of the Earth
points most directly at? And at the moment it's Polaris, but it's been Thuban, it's
been Draco, it's been many other stars in the, Thuban is in the constellation of Draco
in the past.
What's the cycle? How long does it take for you to get back?
25,920 years.
I'm glad that you know it. 25,920 years and the process
unfolds at the rate of one degree every 72 years. So that
is going to be tough to track in the space of a 72 year
lifetime.
It is, it is. So you need, you need long term observation, you
need record keeping, and you need the information being
passed on from from generation to generation. But sooner or
later, you're going to notice if you're an avid watcher of the heavens, if these things matter to you as they did to
ancient cultures, you're going to notice that this is shifting along the horizon. Whether
you're going to figure out exactly why that observable is happening, that's another matter
which I can't give you a definite answer on. But that the observable was observed going
back a very long way into the past is clear.
And I can't touch on this subject without paying tribute to the work of Giorgio de Santillana
and Hertha von Deschend.
Giorgio was the professor of the history of science at the Massachusetts Institute of
Technology back in the 1960s, at a time when I think people were more open-minded than
they are today.
And Hertha was a professor of the history of science at Frankfurt University, and they published
this astonishing groundbreaking book called Hamlet's Mill.
Hamlet's Mill is about the ancient recognition of procession.
These are leading academic figures.
They completely dismiss the notion that leading academic figures, they completely dismiss
the notion that the Greeks discovered precession just 2,000 or 2,300 years ago.
They're confident that it goes back thousands of years before that and they trace it back
to what they call some almost unbelievable ancestor civilization.
The fact that this is found all around the world in many, many different cultures. Classic example, the bridge over the
moat leading to Angkor Thom in the Angkor complex has 54 statues on either side,
and each of those is pulling on the body of a serpent. And if you add 54 to 54, you get 108.
54 to 54, you get 108. 108 is 72 plus 36, half of 72. 72 is the heartbeat of the precessional cycle. And then there's processional imagery. What they're doing by pulling on that serpent
is they're churning the milky ocean. There's also reliefs in Angkor Wat which show the
same scene, but on Angkor Thom it's actually in three dimensions. They're churning the milky ocean and as a result they're producing
the Amrita, the elixir of immortality. But that churning motion, that's why the book
is called Hamlet's Mill, Amladi's Mill, that same idea of something whirling and turning
and changing is locked symbolically into this number system all around the world.
What are some of the other numbers? You mentioned 108.
They're all multiples of 72 or additions to 72 which are related to the number 72, like
72 plus 36 being 108 is a processional number. It's a very widely respected number found
in sacred traditions all around the world. 43,200 is another processional
number that's 72 times 600. And that is a number that's found everywhere. There are
432,000 syllables in the Rig Veda. It's the same number again and again, based on the
same system of ideas that keeps on coming up.
What were the numbers that the Mayans were obsessed by?
The Mayans were very much involved in the equinoxes and in precessional numbers,
but they were also going far beyond that.
They were plumbing the depths of time.
I can't think of any other ancient culture which had a focus on periods that were millions of years.
Five million years.
It's a, it's a really quite remarkable thing.
And, and, and they could tell you, they could tell you, they could tell you what
the phase of the moon was on a particular day, five or 10 million years ago.
Why do you think they were so preoccupied with deep history, long numbers, numerology?
Not numerology.
Well, numerology is a fair word for it in the sense that numbers are thought to have
a sacred or a magical quality.
Why do you think that the Mayans, what is it that's?
Well, I've always seen this as a, and again, of course, I'm going to be criticized by
archaeologists for this as though I'm taking something away from the
Mayans. But I see the Mayan calendar and the mathematics associated with it as an out of
place artifact. I see it as something which is, the need for it is hard to explain within
the general circumstances of Mayan culture to have that precise mathematical
calculation and this ability to think back millions of years into the past and into the
future.
It's hard to see the need for it.
It feels like something that would have been needed in a much bigger culture, a much bigger
civilization which were able to put huge numbers of specialists to work.
I do regard it as an inheritance. I think the Maya inherited this system from an earlier lost civilization.
That's my view.
And then they did their own work on it and developed it.
And it's a very extraordinary thing.
If that was the case, if the Mayans inherited it, it was passed down somehow
from a previous more advanced civilization, why would they have needed it?
Well, I think that look at our so-called civilization today, I mean we have no
problem with big numbers, they're quite useful to us, we have no problem with
complex sophisticated mathematics, we are quite capable of peering back
millions of years in the past. I mean, our present creation
story is that the earth formed 4,500 million years ago, 4.5 billion years ago. And well,
the evidence seems to suggest that it did. But you know, that can also be viewed as a
creation myth in a way, a scientific creation. The big bang, that's another, it's a theory, it's a speculation, but did it happen?
Was it that way?
There's evidence suggesting that it was.
But the point I'm making is that creation myths, foundation myths, myths about the nature
of the universe are not limited to hunter-forager peoples in the ancient world.
They're also found in the scientific world today.
How much do you think of this focus on astronomy and numbers is from a functional perspective,
something logistically operationally useful?
And how much do you think is symbolic and sort of sacred?
I think it's, I don't think it's primarily functional.
Most archaeologists will tell you that.
They say, of course, the ancients wanted to know when spring began, when-
How to navigate.
Yeah, but not only that, for planting crops, you know, for agriculture, you want to know
the season to plant, the season to reap.
So you want to be aware of the spring equinox.
You want to know the longest day of the year, the shortest day of the year, the
solstices, these are useful in an agricultural calendar.
And that's the argument that's given by archaeologists.
But in my opinion, any self-respecting farmer anywhere in the world is really
well aware of when he should plant
or she should plant and when they should sow.
They don't need devices that tell them when the equinox is there.
There is such a device in a really magical one at Chichen Itza in the Yucatan.
This is on the pyramid of Kukulkan, which is another name for Quetzalcoatl, the feathered
serpent.
This pyramid at Chichen Itza, its northern stairway, the bottom of the stairway, in fact,
the bottom of all its stairways, is on each side there's the head of an enormous serpent.
But the balustrade up the side of the stairway is just completely plain.
But on the spring equinox, towards sunset,
between about five o'clock in the evening
and 5.45 in the evening, this magical effect occurs.
And the shadows of the corner of the pyramid
are cast on the balustrade of that stairway
and they create the shadow form of a serpent,
of an undulating serpent which joins with that serpent head.
That only happens on the equinox and not at any other time.
So they pinpointed it precisely.
They oriented their pyramid precisely so that one part
could cast a shadow on another on that special day.
I think that's going over the top
if your interest is only agriculture.
I think that's paying homage to remembering,
giving credit to this memory of the feathered serpent,
of Kukulkan, of Quetzalcoatl.
So let's just linger on that for a second,
because I've heard you on Joe's show
talking about this for a long time.
And I always think about, that's magical.
Like it sounds to me, like it's so cool.
That's so beautiful.
It's evidently something sacred.
It's taken this sort of lovely blend of art
and astronomy and archaeology and architecture
and all of this together. But can you just think for a second about what the psychology
of those humans was like? Like what's their relationship to this thing?
As above, so below. So simple as that. There was an ancient system in the old world developed
out of ancient Egypt called the Hermetic tradition. The Greek figure Hermes is a Greek version
of the ancient Egyptian god of wisdom Thoth. And in the Hermetica texts attributed to Hermes, though, there is this phrase, as above, so
below.
And what that phrase is saying is that it is our burden and our responsibility to replicate
upon the earth the perfection and beauty and magnificence of the heavens, that if we fall
out of harmony with the heavens, if we disconnect from the heavens, we fall to pieces and we must constantly maintain and reinforce and honor and respect our connection
to the wider universe.
That's what As Above So Below is about.
That's why I and the brilliant genius discoverer of the Orion correlation theory, Robert Baval, reject completely the skeptical attitude of Egyptologists.
What Robert Baval discovered was that the three great pyramids on the ground at Giza
replicate the three stars of the belt of the constellation of Orion in the sky.
But they don't do so precisely in 2500,500 BC when the pyramids are supposed
to have been built.
The perfect match is in 10,500.
Because of wobble?
Because of the processional wobble.
Exactly.
That's right.
They're building procession and they're using procession, they're using the language of
astronomy and massive architecture to memorialize a particular date.
Does that mean that the
whole Giza complex was built 12,500 years ago? No. But it does mean that it's memorializing
a date that's 12,500, just like any Western cathedral may be memorializing events that
took place in the time of Abraham, you know. It doesn't mean that they were built in the
time of Abraham.
I do think the great sphinx does date back 12 and a half thousand years.
I think we're looking at a complex that's been developed and increasingly refined over
a very, very long period of time.
Why that site in Egypt?
Well, there are multiple sites around the world that are referred to as Navels of the
earth and Giza is one of them.
I would suggest that it was the ancient prime meridian.
Just as the prime meridian in our time for just reasons of the British Empire passes
through Greenwich, I think in ancient times it passed through Giza.
Now other benefits of the Giza plateau, it is situated at 30 degrees north latitude,
give or take a tiny fraction, and 30 degrees north latitude is one third of the way between
the equator and the North Pole. So it's not a random location. And furthermore, if you
go into the broad expanse of Giza in its place on the earth as a whole, you find that it's
dead center of the largest area of exposed land on earth.
So it's interesting for that respect.
And then you build upon it an enormous pyramid weighing 6 million tons with precise orientation to true astronomical north, true
astronomical south, true astronomical east, and true astronomical west.
That is saying whatever this thing is, it is speaking to the Earth.
The Earth's focus, it is locked in to the cardinal directions of our planet. And then
we find, and again, of course, my opponents in archaeology scoff at this, they accept
that it's the case. Even Flint Dibble, who I debated with on the Joe Rogan experience
in April of 2024, even he accepted this, but he mocked it and thought that it was just
a coincidence. But it is a fact that if you take the height
of the Great Pyramid and multiply it by, guess what?
43,200, it's one of those precessional numbers.
It's not a random number.
If it was, you know, one to 64,000,
I wouldn't think much of it, but it's one to 43,200.
If you take the height of the Great Pyramid,
the original height, it's lost about 30 feet from its top.
If you take the height and multiply it by 43,200, you get the polar radius of the Great Pyramid, the original height, it's lost about 30 feet from its top, if you take the height and multiply it by 43,200 you get the polar
radius of the Earth, and if you measure the base perimeter of the Great Pyramid
and multiply it by 43,200 you get the equatorial circumference of the Earth. So
here we have a monument that is speaking to the Earth, that is locked into the
Earth's astronomical cardinal directions
and then models the earth on a scale defined by a motion of the earth itself.
That is as above so below.
And that is what I think governs these arrangements all around the world.
A wish and a desire to lock humanity into the cosmos and to make us realize that we're part of something much larger than ourselves.
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I was in, uh, South Florida about a month ago, uh, recording some episodes and
there was this spectacular lightning storm going
on pitch black at night.
We were driving back from dinner or whatever.
Yeah.
South Florida obviously recently had some pretty intense weather, but
being British, we, it's just gray.
You know, I'm used to, I'm used to fierce gray, a very mild sort of damp climate.
And, uh, just driving back, it's one of those storms where the moon is full and is rising and these
lightning storms and it's off over on the coast, on the ocean.
And I remember thinking, imagine that you were a prehistoric human tribe, individual,
whatever, looking out, you would be so certain that the gods were mad at you,
that you had done something.
You're like, I knew I shouldn't have touched myself
last night when I went to bed.
I knew that I shouldn't have told that lie.
I knew that I shouldn't have stolen that fig,
whatever it is that you, you know,
maybe something awful is gonna happen, whatever it might be.
And you begin to personify and you create the stories and narratives, because that's the way that, you know, maybe something awful is going to happen, whatever it might be. And you begin to personify
and you create the stories and narratives
because that's the way that, you know,
without stats and books,
that's the way that you pass down information.
I just remember thinking like,
the, all of your relationship as a human,
prehistoric human to everything is done
through that kind of a story,
that that is a God or Goddess having a war.
It looked like a battle.
It looked like two gods off in the distance
throwing lightning at each other.
And then most recently with the hurricanes
that have come through Florida,
that's I think about one in a thousand year event
in terms of the rainfall and some of the speed of the winds.
So it's rare, but not unheard of.
And maybe 10 times since perhaps the Americas was settled, something
like that would have happened.
Yeah.
Can you imagine what a tribe that saw that occur would think?
Yeah.
But, but, but supposing they saw something even much bigger than that.
Uh, supposing they saw something that, uh, affected the whole world, their whole world, however
far they could go.
It was devastated, it was destroyed.
They themselves might have been destroyed by it.
Can you imagine how that would be recorded?
And could that be why we have 200 myths of a global flood that destroyed a prehistoric civilization found all around
the world, a global cataclysm.
These myths mix up a number of different effects.
They mix up bolts of fire from the sky.
They mix up volcanoes suddenly erupting.
They include earthquakes and they include flood, global
flood, a flood that floods everything, that is capable of submerging lands.
And this is why I'm very interested in the epoch called the Younger Dryas, which unfolded
between 12,800 and 11,600 years ago.
It's why we call our series Ancient Apocalypse.
It's going to say our series ancient apocalypse.
It's going to say what's the apocalypse bit.
Well, the apocalypse bit is that the younger dry us.
It's a, it's a client that that's a name given by climatologists to an episode of
really weird climate that took place at the end of the last ice age.
They call it the younger dry us after a species of Alpine flower that
flourishes in extremely cold weather.
Uh, what happened to cut a long story short is that down to about 12,800 years ago,
give or take a century, because you can't be that precise with these definitions,
the earth was definitely emerging from the ice age.
It was getting warm and things were looking good.
It was getting warm and things were looking good.
It felt like that 100,000 years of frozen world
was coming to an end. And then suddenly it flipped completely.
And you have sudden sea level rise,
you have a plunge in global temperature
so that suddenly almost overnight,
it is as cold as it was as the absolute peak
of the last ice age.
This happens suddenly and it happens right around the world.
Worse, of course, in northern and deep southern latitudes and much less vicious in its effects
in tropical and equatorial zones, but a massive, massive event.
This is the time, precisely that window, when all the big megafauna of the ice age
go extinct. They saber tooth tigers, mastodons, mammoths. When we were at White Sands, by
the way, it was just amazing to see these mammoth footprints still in the sand there.
Are they big?
They're very big. These things have got a huge stride.
Have you been following the work of Ben Lam at Colossal? Have you seen this?
No, I haven't.
Okay. So they are bringing back woolly mammoths? Have you seen this? No, I haven't. Okay.
So they are bringing back woolly mammoths.
I've seen that.
Yes, I have.
So Ben was on the show.
I'm maybe talking about actually being involved with the project a little bit.
Just to tangent off before you tell us more about Younger Dryers.
The reason, you know, one of the reasons that they're looking at bringing them back, that
they can, they think that by putting them in the higher latitudes,
these animals will be able to compact down the snow
and reflect back more sun.
Interesting.
So they'll be able to use a extinct species
to help combat modern global warming.
That's a very fancy idea.
It's amazing, I mean, they're farmers,
they're farm animals in a way that they will eat seeds from here and poop them over there, which will help to spread things around.
So the other two, I asked him what else are you working on?
So he's got this, the way they're doing it to the Asian elephant.
So they've taken all of these frozen samples of genetic material that then using AI to splice in the gaps.
uh, genetic material that then using AI to splice in the gaps.
So there will be at some point, there will be an Asian elephant that gives birth to a woolly mammoth when they're ready, because it's the closest
genetic relative that they can get.
But the other one, and this is so cool.
I, I, I really love this idea from Ben.
He said that I was like, what else do you want to bring back?
Like, you know, saber tooth tiger.
That's pretty cool.
Uh, and he said, dodo bird. I'm like, I mean, it's a meme. Why would you want to bring back? Like, you know, Sabre-toothed tiger, that's pretty cool. And he said, dodo bird.
I'm like, I mean, it's a meme.
Why would you bring back that it's useless?
Precisely, why would you do that?
And he said, well, it was because it was,
the reason that it was dead
was because of environmental destruction.
So he's using the, all of the effort,
being very public about the effort that they have to go to
in order to bring this bird back,
to say, see how much we had to do,
see the labor that we had to jump through
in order to be able to bring back this thing
that we could have just avoided destroying its habitat
in the first place.
So it's like a PR bird.
So it may end up being actually way more useful
than you ever thought,
but kind of only as a public relations tool.
But I thought that was really cool.
It is very cool.
Colossal's awesome.
People should go and check them out.
It would be nice to see how it all ends up.
It's a real thing.
It's gonna happen, isn't it?
It's happening.
I mean, the Asian elephant thing,
they're ready to pull the pin on it.
I think it'll happen within the next few years.
Fascinating.
It's awesome.
So, younger dryas.
Yeah.
So, the younger dryas, within almost the living memory of the human species, you know, we
know that there have been huge cataclysms on the earth before.
The best known example is the Chicxulub crater in deeply buried off the Gulf of Mexico, the
so-called KT dinosaur killer, dinosaurs extinct 65 or 66 million years ago.
There'd be a number of events like that caused by cosmic impacts from bi objects from.
I'm sure that you've looked at this as well, but the, uh, I really loved learning about
the fact that that asteroid had it have hit in a slightly different area of the earth.
It wasn't to do with even the impact.
It was to do with the toxic dust that was kicked up
from some particular type of rock
that's very deep down underneath that.
And you're talking about seconds later
that the entire future of the earth,
maybe 10 seconds later.
Cause these things are traveling
at tens of thousands of miles an hour.
We're spinning pretty quick as well.
And it would have been completely, it was about as bad of a place for the dinosaurs,
pretty good for us, that it could have hit.
And I always think about that when you think about contingency and convergence and thin chance.
Interesting, interesting. Maybe the dinosaurs annoyed the universe.
Perhaps they weren't tracking their procession sufficiently.
Well, they didn't know their wobble.
Anyway, sorry, Younger Dryas, I keep distracting.
Yeah, it's not a distraction.
It's relevant.
The point is that there have been a number
of extinction level events on our planet.
And what is not being properly taken into account
is that although it was very recent in geological terms just 12,800 years ago, the Younger Dryas was also an extinction level event.
And it led to the extinction, as I said, of all the great megafauna of the Ice Age.
And it ushered in the Holocene, the modern age that we live in today.
The team who are working on what is called the Younger Dryas Impact Hypothesis deserve
to be taken seriously.
Their opponents in science try to paint them as some sort of lunatic fringe, but actually
we're dealing with a number, more than 60 highly credentialed scientists who are just
following the evidence where it leads them. And what the evidence leads them to, and I've given all the data on this in my books, particularly
in Magicians of the Gods that was published in 2015, what the evidence leads to is the
conclusion that the earth 12,800 years ago passed through the debris stream of a disintegrating
comet.
All comets disintegrate
sooner or later. And for those who would wish to see an example of this, it's Jupiter. It's the
Shoemaker-Levy 9 hitting Jupiter and breaking up into 21 fragments before it did so.
Comets break up into multiple fragments. Every single meteor shower that we see,
and we pass through dozens of them every year,
every single one of those is the debris stream
of a disintegrated comet.
That's what they all are.
Every single shooting star is a bit of a comet
that we're looking at.
A little golf ball sometimes bigger.
Yeah, sometimes those bits are really large.
Sometimes they can be kilometers in diameter.
And what is called the torrid meteor stream, because it appears to emanate in our time
from the constellation of Taurus.
Of course, it's not coming from the constellation of Taurus.
It's a visual effect, that bit of the sky that the constellation of Taurus is in.
The torrid meteor stream is full of large and dangerous objects, and it's
also full of smaller objects. When I say smaller, they might be 100 or 200 meters in diameter
instead of two or three kilometers in diameter. The view of the comet research group who are
behind the Younger Dryas Impact Hypothesis is that 12,800 years ago, the Earth
entered a swarm of cometary debris.
That swarm did include some large objects.
They reckon that's why the North American ice cap went into a sudden meltdown 12,800
years ago, unleashing floods on an enormous scale and raising sea levels very oddly at
a time when
global temperatures were sinking.
Normally you get sea level rise when global temperatures are rising, but they plunged
during the younger dry ice and yet you have sea level rise.
They think that some large objects hit the North American ice cap and some hit the Northern
European ice cap.
Multiple, not single large impact.
No, no.
But they do think that there were some large objects that hit the ice caps.
But they think primarily what it was, was air bursts of objects that were about 100
to 200 meters in diameter.
Air bursts like the Tunguska event in 1908, June the 30th, 1908.
Nobody disputes that that was a bit of a comet.
It almost certainly was a comet that fell out
of the torrid meteor stream because that is the peak
of what's called the beta torrids in precisely 30th of June.
And it didn't leave any crater
because it blew up in the sky.
The Earth's atmosphere destroyed it in the sky,
but that air burst flattened the rough calculation
is 2,000 square miles of Siberian forest.
And when investigators went into the area a few years later, they just found the whole
forest flattened over an enormous area by this air burst.
It was a cataclysmic air burst.
Now if you take that, fortunately, it was an uninhabited area of Siberia, but if you
take that over population areas and you multiply it by 100, it's not just one air burst, it's
100 air bursts.
And as you say, the earth is spinning pretty fast.
It's rotating at a thousand miles an hour at the equator.
So you can see how the trajectory of these bits coming in would actually spatter the
earth across a huge range of the earth's circumference. And the evidence for the Younger Dryas impact is that these
airbursts were taking place from as far west as the west coast
of North America and as far east as Syria, as far south as
Antarctica and southern Chile, as far north as Belgium.
So this was a very large event.
And the fact that no massive craters have been found yet is
partly explained by the sense that the larger objects hit the North American ice cap and
partly explained by the fact that air bursts don't leave craters, but they do decimate
communities like Abu Huraira in Syria, which is within 150 miles of the extraordinary site of Quebec-Litepe, and which was wiped out
12,800 years ago. Abu Hurera was. It was completely flattened by something.
I mean, by flattened.
I mean that everybody there was killed and that the whole place was destroyed. It was
rapidly reoccupied. Within two or three years, it was reoccupied and repopulated, but something really bad happened there.
And the traces on the ground, the iridium, the nano diamonds, the shocked quartz, the
melt glass like trinitite, all of these things speak to precisely what the Comet Research
Group thinks went happened, that this was an air burst of an object of roughly Tunguska size that happened
happened to happen over an ancient settlement.
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If you throw a couple of hundred, 200 meter sized air burst comets at the earth, what
happens?
Is it lots of water, lots of fire, lots of what?
Well, what happens first of all, and this is a key part of why did the temperature fall?
And the answer to that is that's why the view is that some large objects hit the North American
ice cap and the European
ice cap.
See, the North American ice cap at that time was more than a mile deep.
So when you have...
Will that go from and to?
Well, you can start right up in Northern Canada and you can come down into Montana and you
still have ice cap.
And it's a mile deep at that time.
So even a kilometer wide object hitting that is not going to leave a crater under the ground.
The crater is going to be in the ice.
And then meltwater is going to be released from the ice into the world ocean.
It's going to flood off the land and into the ocean, both the Pacific and the Atlantic
Ocean.
And that's what appears to have been what brought the climate down, is a huge flood
of icy meltwater pouring into the world ocean and stopping the Gulf
Stream in its tracks. If we were to stop the Gulf Stream in its tracks today, global warming
would not be a problem any longer. We'd be in global cooling very, very, very rapidly.
That appears to be what happened. That up till now is the explanation that is given
for the sudden plunge in climates at the beginning of the Younger Dryas. The
explanation is that there was a flood of meltwater, icy meltwater into the world ocean,
cut what's called the global meridional overturning circulation of which the Gulf
Stream is a part and led to this sudden cooling. But they don't ask themselves,
why did that icy water get into the world ocean
in the first place? And that is what the Younger Dryas Impact Hypothesis explains.
What's the alternative hypothesis for how the Gulf Stream got switched off? The established?
Well, there is no real hypothesis for it. It's just said there is a hypothesis. I just
don't think it's a very good one. They say that what happened was that glacial lakes
formed in North America, glacial lake Missoula and glacial lake Agaziz, and these lakes were
bounded by ice dams and that from time to time the pressure of water on the dam would break it
and the water in the lake would flood out. And, and, and they try to account for this with sort of 80 flooding events
over a period of couple of thousand years or more.
Uh, whereas what the evidence on the ground speaks to one major flooding event.
Uh, and, and that sudden drop in climate is very definitely keyed into the
date of around 12,800 years ago.
Talk to me about Easter Island.
What a place. I love Easter Island.
It's so beautiful and mysterious and remote. 2,000 miles from the coast of Peru, 2,000 miles from
Tahiti, literally in the middle of nowhere. There sits Easter Island. And we know that it has been
inhabited by human beings. But the general view of archaeology is not for very long.
The general view sees Easter Island as being settled perhaps as recently as a thousand years
ago. Maybe you could go back to 700 AD, 1300, 1400 years ago, there's some
dispute about this, but the notion that Easter Island might have been settled earlier than that
is not widely accepted. And so the settlement of Easter Island is seen as something that happened
towards the end of what is referred to as the Polynesian expansion. And let us recognize the incredible achievements of the Polynesians who were the world's ultimate
seafarers.
I mean, they explored the whole Pacific Ocean and they found Easter Island, that tiny, tiny
dot in the middle of nowhere.
And there's no doubt that the indigenous inhabitants of Easter Island today are descended from
Polynesians. They are Polynesian people, no doubt that the indigenous inhabitants of Easter Island today are descended from Polynesians.
They are Polynesian people, no doubt about that whatsoever.
But the question is, is there a prehistory to Easter Island that is being missed?
And I feel very strongly there is.
And there are signs already that that possibility of a much older prehistory to Easter Island
is beginning to be explored.
One of our indigenous guests on the show happens to be an archaeologist from Easter Island,
and her name is Sonia Hoa.
She and her team have found remnants of what are called banana phytoliths.
They're these tiny little bits, microscopic bits of banana in an excavation that they
did in a place called the Raraukau crater.
And they're datable and they date back not to the ice age, but they date back 3000 years,
which is at least twice as old as human beings were ever supposed to have been on Easter
Island.
And why I say human beings is because you can't transfer bananas from place to place
any other way than human beings bringing them there.
Those bananas
could not have been blown by the wind. No, they are a result of human activity. So the
presence of that, it's quite a dynamite finding. It doesn't take Easter Island back to the
ice age, but it does suggest that there's a lot more that we need to find in Easter Island. And I'm just intrigued by the traditions of
the Easter Islanders, by the fact that they have a memory of a flooded homeland which
was destroyed in a global cataclysm. That homeland was called Hever, and it was somewhere
in the Pacific, and it was flooded in an enormous flood and some
of the survivors found their way to Easter Island.
That's how the story is told.
But during the period of the Polynesian expansion, there was no flooded island of large size
in the Pacific Ocean.
Sea levels had already stopped rising by that point.
You have to go back to the end of the Ice Age to get that kind of sea level rise that
would actually submerge a whole island-sized landmass.
And these memories are very clear, still preserved by the Easter Islanders. And they don't put a date
on it, but it doesn't fit in with the conventional archaeological notion of how or when Easter Island was first settled,
there's this suggestion that there's a mysterious lost history in Easter Island. And I'm of the view, and I present evidence for this in the series, that the iconic objects for which Easter
Island is best known, the Moai, these huge sculptured figures, are definitely
not from the last seven or eight hundred years. They're much, much older than that. Is there
a way to date them?
Well, largely because of the sedimentation that covers many of them up. They're covered,
first realized when Thor Heyerdahl did an excavation there back in the 1980s.
What you see when you go up onto Rano-Raraku, there's a number of craters on Easter Island.
Rano-Kau was where they found the banana phytoliths.
Rano-Raraku was one of the main quarries out of which the Moai were cut.
What you see when you go up there today is basically head and shoulders sticking out
of the ground. But if you excavate those
objects, those huge statues, you find they really are huge and that they go down and
Thor Hardell did this, they go down 30 feet under the ground. And they weren't deliberately buried
there. They were covered by sedimentation. And so it becomes a calculation of how long.
How much sediment would you get?
Would you get 30 feet of sedimentation
in a tiny island like Easter Island with no other landmass within 2000 miles to contribute
to the windblown dust and so on and so forth. It all has to come from Easter Island itself.
So that's a suggestion that they may be much older. And again, Professor Robert Schoch at Boston University, who's done the absolute breakthrough,
courageous work on the great sphinx and arguing that the great sphinx of Giza shows geological
evidence of being more than 12,000 years old.
Schoch is also of the view that the Moai of Easter Island are vastly older than we've
been told by archaeologists.
And he bases that largely
on the sedimentation.
CB Why did they make all of those statues?
RL Well, the explanation that we were given by
an elder on Easter Island, Leo Pakarati, is that they contain magic, they contain mana, they contain a force, they contain a power which can affect crops
and which can make all right between humanity and the universe.
And that they remember them today as images of ancestors who were of particular importance.
Oh, there's different sized ears and stuff that didn't.
Yeah, there's, there's the long ears and the short ears.
Um, that's, that's true.
The two original races, long ears and the short ears.
The long ears and the short ears.
Yeah.
Um, there's, there's a notion that, that they're imbued with the power of powerful
deceased individuals and that they act as
protectors for Easter Island.
And there's one particular array in particular of Moai where you have seven of the Moai in
a row.
And that is thought to memorialize the seven wise men who fled to Easter Island from the
destruction by flood of the land of Heva.
That seems like a big leap.
Why, why are they the seven men?
Why is there seven?
Why did they,
the flood?
Well, that's a big leap all around the world because, because there were seven
sages that brought civilization to Mesopotamia as well.
Uh, according to their myths and traditions, there were, there were seven
sages who brought civilization to Egypt in Zeptapi the first time, according to the Edfu texts.
This notion of seven survivors of the cataclysm is pretty widespread.
What about the similarities with other statues around the world?
Yeah, I've been quite struck by that.
And I think I was lucky enough to know Tor Heiradal.
He was an incredible, brilliant, open-minded guy.
And I think if Tor had, he passed away in 2002,
but I think if he'd had the opportunity
to see Gobekli Tepe and to see the upright
T-shaped megaliths there, and to see the fact that they have carved into
them arms and hands and that the hands cross across the belly like this, it's exactly
the same posture as the Easter Island statues, except in the case of Gobekli Tepe, particularly
in enclosure D where the largest megaliths are, we know that they're close to 12,000
years old, they're 11,600 years old at least.
And that precise dating cannot be put on the Easter Island statues, at least not yet, partly
because nobody has looked. But there are extraordinary similarities.
I don't know what you do, carbon dating? Can you do that with this type of volcanic rock?
Well, you can't carbon date any kind of rock. Right. And has the rock, if the, there's a thing called luminescence dating where if a rocky
object has been kept away from the light, if you can be sure that it's not seen light
for thousands and thousands of years, then you can say when it was last exposed to the
light.
No way.
Yeah, you can. There's some kind of radiation comes off it and allows you to say when it was last exposed to the light. No way. Yeah, you can. There's some kind of radiation comes off it
and allows you to say when it was last exposed to light.
It doesn't necessarily tell you when it was made,
but it tells you when it was last exposed to light.
When it was brought into the cave or whatever it might be.
Yeah, yeah, yeah.
That's wild.
It's a great technology.
And then the other one is carbon dating,
but carbon dating only works on organic materials.
So unless something's got lodged in it
and the likelihood of that not being degraded
at the time.
That's by and large how most dating is done by archaeologists.
When archaeologists are confronted by a megalithic site, they will look for bits of datable material,
bits of organic.
Please give us something organic.
Yeah, which ideally should be trapped underneath a megalith. In order, in order to say the gold standard, this was here before the thing was here.
Yeah.
Or to come to the conclusion that the megalith and that object have something in
common in terms of their age.
That's, that's the closest you.
It's a bit of something that's trapped underneath.
Yes.
It's, it's, it's an assumption, uh, not rather than necessarily an exact dating,
but it does give you a guideline and it's pretty good.
Talking about the Americas, I noticed we haven't touched at all.
I just want to say one thing about Malta, which was in season one,
it's in the first season of ancient apocalypse. And it concerns this because there's been very
tiny amount of carbon dating on Malta, hardly any that you know that Malta is a massive extraordinary megalithic culture with
gigantic megalithic temples. And until the discovery of Gobekli Tepe, the temple called
Gigantia on the island of Gozo, which is one of the two Maltese islands, was thought to be
the oldest megalithic site in the world. And it was thought to be about 6,000 years old, maybe a little bit under.
And this is based on largely what they call contextual dating, not on carbon dating. But
they like to say there is some carbon dating that proves that Gigantea is close to 6,000
years old because carbon dating was done two or three years ago in a project called Fraragsos. But when you look at actually what
they carbon dated, they didn't carbon date anything under the temple, which is a protected
site. They carbon dated something that was underneath a former toilet block 40 metres
away from the temple. And therefore, the conclusion that that dates the temple, even if it were
under a megalith, you have to take it carefully as to how and when it got there. But if it's 40 meters away from the temple, I'm sorry,
it's no use for dating the temple itself. I think it's possible that the Maltese temples
may be in some cases as old as Gobekli Tepe. They have comparisons in common and this dating
problem is at the heart of the matter because there's been very
little reliable dating on Malta.
Getting back over to America.
Yeah.
Why haven't you talked about Northern America yet?
Why we've been talking about Brazil.
We've been talking about my culture.
Two reasons, because we have filmed in North America.
We had an extraordinary period of filming in Chaco Canyon.
Chaco Canyon is the most incredible, they call
it the Anasazi people, the old ones, the ancestral people of the Pueblo people of that part of America
today. Chaco Canyon is a massive, beautifully astronomically aligned complex of buildings
and semi-subterranean circular
structures which again are astonishingly similar to the structures at Gobekli Tepe and which
even have that T-shaped motif that is very common in Gobekli Tepe. But the thing about
Chaco Canyon, the biggest great house there has got more than 400 rooms in it.
Many of those rooms are completely sealed off.
Archaeologists have found there's no evidence that any large population ever lived there.
This place was clearly built for some sort of sacred purpose, and there is evidence that
people made pilgrimages to Charco Canyon.
That's how they got there. The place was used as a site of pilgrimage,
and as above, so below. It's locked into the summer solstice, sunset and sunrise,
the winter solstice, sunset and sunrise, different buildings, the equinoxes. They're all tied up.
There are alignments that extend over distances of tens of kilometers to other structures, which are
perfectly in line with a solstitial alignment.
This was the work of an amazing astronomical culture.
And no, I'm not claiming that that astronomical culture was 12,000 years old, but what I'm
suggesting is that ideas that it expresses may be much older than the structures themselves. So we filmed at Chaco Canyon and we filmed at White Sands in New Mexico where an indigenous
expert Kim Charlie, who was actually one of the people who found the footprints in the
first place, was my principal informant.
And it was wonderful to see the emotion that she felt about the connection of her people
with these 23,000 year old footprints.
Would we have filmed elsewhere in America?
Yes, but unfortunately archaeologists prevented us from doing so.
Tell me more about that.
Well, just as they denied us access to film at Serpent Mound in Ohio in the first season
of ancient apocalypse, we'd made an episode about Serpent Mound anyway. We were
able to do some filming from neighboring land, but we were specifically denied access in
a written document that I have put online, which said that the reason that they were
denying us access was because I was presenting the series. And basically, they don't agree
with my ideas. Therefore, the best way to censor me is not to allow me to go to Serpent Mound
at all or at least to make it as difficult as possible for me to tell a story about Serpent
Mound. A story that would have honored Serpent Mound and does honor Serpent Mound. Anybody
who looks at that episode in season one of Ancient Apocalypse will realize that.
Where are we heretical? We're suggesting that the Serpent serpent man's alignment to the summer solstice sunset is just slightly off.
And the reason that it's slightly off isn't precession, it's another motion of the Earth,
which is called the obliquity of the ecliptic. The Earth has a tilt on its axis and that tilt
shifts around 23.5 degrees and that affects the rising position of the sun on the solstices on the
setting position. And what it's targeted at is the setting position of the sun, not today,
not a thousand years ago, but 11 and a half thousand years ago. Anyway, we stopped filming
there and that repeated in season two. We wanted to film at Cahokia, an amazing,
massive pyramid site. We wanted to film-
Where is that?
It's in Illinois.
We wanted to, let me double check that.
I'm forgetting which state it's in.
I do believe it's Illinois.
We wanted to film at Cahokia.
I've been to Cahokia.
It is an incredible place, but we were not allowed to film there.
Film information was denied, again, because I'm the presenter of the series.
I wanted to film at Monunch's Mound in Alabama,
Moundville in Alabama.
We sought permission to film there.
Same reason, it was denied.
So if other majestic, wonderful mound sites
in North America don't show up in our series,
it's because archeology didn't want us to film there.
Well, the SAA asked Netflix to recategorize your last series.
I imagine they must be thrilled that you've released another one.
Well, the SAA made a desperate, frantic, hysterical effort to have me cancel.
That's basically what it was about.
They tried to, I think it's an abuse of power.
They tried to use their power as a body representing 5,000 archaeologists, to mount a smear campaign
against ancient apocalypse, to say all sorts of things about it that were simply untrue,
to present that in an open letter to Netflix, and to ask that Netflix reframe the series
as science fiction instead of documentary.
And of course, what a clever way to get someone
cancelled. I mean, who's going to watch it if it's science fiction? Rightly and properly,
it is a documentary series and it is full of expert opinion from many, many different
people. It's not a work of fiction. It's not some kind of novel. This is a documentary, but they wanted it to be called science fiction because they
knew that that way the viewership would be reduced.
And Netflix fortunately ignored them.
There's no real tension or stakes if it's just a whimsical story.
The only reason that it actually drives people and is compelling. One of the reasons that it is more so is that this has been proposed as a
potential real world story, not as something that's just been fabricated.
Absolutely.
What's your-
And to the annoyance of archaeology, I think, I think actually there are a
number of archaeologists in the SAA, one called John Hoopes, who's professor at
the University of Kansas, was actually directly
involved in the writing of that SAA open letter. And another, of course, is Flint Dibble, who I
debated with on the journal. I think they have media aspirations themselves. When I look at the
reaction of a lot of these individuals, what I see fundamentally is jealousy and envy. They see that I'm getting exposure
in front of a mass public and they think it should be theirs. So in fact, I'll say something
about John Hoopes and Flint Dibble in this context, which is that if individuals who
define themselves as archaeologists find themselves spending more and more of their lives just
attacking the work of other people, well, what archaeology are they doing?
What have they contributed to human knowledge? When I look at Flint Dibble and I look at John
Hoopes, the answer I come to is virtually zero. They've contributed nothing to human knowledge.
They're not going to make a mark on history. Nothing in the work that they've done is going
to have any effect or any significance a generation or two from now, but they can make themselves significant by attacking the ideas of other
people, especially if they frame those ideas as assaults upon archaeology.
What's your reflection on the debate that you had with Flint?
Well, I've finally got round to analyzing that debate. I've been very busy, as you can
imagine, with making
season two of Ancient Apocalypse, which went on, finalization of that series went on long
after the debate in April, and I've not had time. But I did finally sit down to fact check
Flint Dibble. And I've just put that video online quite recently, as we're talking just a couple of days ago. And what I've done is I've just compared the statements that Flint makes in the debate with
the facts. I'm hardly injecting my own words into it at all. It's just important, I think,
for people to understand the tactics that were used in that debate.
I do think that Flint is a better debater than me,
and I say that in the video.
I do think he was better prepared than me.
But some of the tactics that he used,
I'm not going to define them here.
I would prefer that people look at the video.
So the video can be found on my YouTube channel.
And I'm going to follow that up ultimately with the only talk that I'm
going to give in North America next year, uh, cause next year is looking to be
very busy, but I'm going to give a talk on the 19th and 20th of April in Sedona.
Two days of talks.
I'm going to present a whole series of arguments called the fight for the past.
Uh, and the link for that is up on the events
page of my website. And I hope people will join me there. And I hope people who are critical
of my ideas will join me there because I want to open up to audience discussion in this.
But I think my feeling was, I felt quite beaten down after the debate. I felt that I'd done badly.
I felt that I'd let my side down, my side being the alternative approach to archaeology.
But as time has gone by and as I've looked at the tactics that Flint used in that debate
and as more and more people have become aware of those tactics, I've realized that in a
way it was a good thing that I wasn't the outright winner
of that debate because what it did was it showed to a wide general public the true face of archaeology,
which is the skull behind the smile of archaeology, which is an archaeology that seeks
to crush and destroy other people, to ridicule and diminish their life's work, to insult them, to humiliate them. That's what comes across in the debate
that I had with Flint Dibble. And unfortunately, his kind of archaeologist is most vocal in
the issue of attacking alternative views of the past. I think it's very good that the
public got to see an archaeologist doing that
over a period of several hours in a debate. And I'm actually quite glad that I didn't do better than I did. But I'm also glad now that I've had time to put the record straight with this video.
How has it been personally to spend such a long time being criticized so heavily from so many people?
Yeah, it goes back a fairly long way. My first book about a historical mystery was called
The Sign and the Seal, A Quest for the Lost Ark of the Covenant. It's based on my years
of experience in Ethiopia and looks at Ethiopia's claim to possess the Ark of the Covenant.
I'd written many books before that, but they were entirely on current affairs issues.
The Sign and the Seal was the first book I wrote
about a historical mystery.
None of my books about current affairs issues
received much criticism.
The Sign and the Seal didn't either.
It was quite welcomed as an interesting story.
Good Lord, could the Ark of the Covenant
actually be in Ethiopia? What is the Ark of the Covenant actually be in Ethiopia?
What is the Ark of the Covenant?
As the Ethiopians claim. Well, you've obviously not seen Raiders of the Lost Ark then.
It's the Indiana Jones movie. It's the object that's described in the Book of Exodus,
carried on carrying poles made of gold, wooden gold with the tablets of the Ten Commandments,
supposedly, inside it. I won't go into the long details of why it might be in Ethiopia, but my point is that that book only got to number six in the best
seller list. And that seemed to be just a little bit below the horizon where archaeologists
needed to attack it. But the next book, Fingerprints of the Gods, got to number one on the best
seller list, not only in the UK, but also in six other countries, including Italy and Japan. It became a worldwide
phenomenon and that attracted the eye of Sauron from archaeologists who even then in 1995
were very annoyed that the public were listening to me. And that's when I started to be directly
targeted and attacked by archaeologists and by non-archaeologists who support the archaeological mainstream position.
And those attacks grew increasingly furious and unpleasant during the 1990s.
And I naturally began to feel quite annoyed about them myself. And I began to feel I needed to
defend myself against these kinds of things. I couldn't just let it happen.
So I can say that really I've been locked in a kind of argument with archaeology since
the mid-1990s.
From time to time, they've got a big TV program to attack me like BBC Horizon did a big so-called
expose on my work around the year 2000.
There were some serious errors
in the Horizon presentation and it's the first time ever that BBC Horizon has been forced
to re-edit and reissue a program.
But those errors were there because the archaeologists behind it wanted me and my colleagues like
Robert Boval destroyed, stopped, stopped in our tracks. Don't let these people speak
because goodness knows they might mislead the public. And this is a problem that I have
with this attitude within archaeology, which is an attitude fundamentally of disrespect
towards the intelligence of the general public. I think sovereign adults should have the right
to make up their own minds. They should have the right to explore alternative points of view. Those who are presenting alternative
points of view should not be stopped from filming at sites where those alternative points
of view can expressed. It should be an open market in ideas and the general public is
quite intelligent enough to make up its own mind about which idea it supports and which it doesn't. I strongly reject the tendency
within a small faction of archaeologists who nevertheless present themselves as speaking
for the rest and who the rest circle the wagons around whenever necessary. I strongly resent
their notion that they somehow need to tell the public what to think.
Has it been frustrating for you as somebody
who wants to focus on work, the, you say,
not perverse incentives,
but the temptation to play defense for yourself,
given that lots of accusations are coming at you,
which then means that if you don't respond,
the vacuum of response sometimes sucks in speculation
or seems like complicity or a lie through omission
or whatever it might be.
So this, do you ever sort of feel wistful
for how much of your life has been spent,
this back and forth?
I've heard you have this conversation
a number of times with Joe,
I've heard you do it directly to Flint.
It's evident that this has been something
that's got
under your skin for a long time.
And it's been poke, poke, poke, poke, poke continuously.
But I think about how much time have both archeologists
doing the debunking and then the,
I think what's now technically referred to as dedunking,
which is the reverse of the debunking.
Yeah, debunking the mainstream.
Yeah, that's Dan Richards.
His channel is called, called the D called The Dunking. He's done some
great work and I'd like to give a shout out to another YouTube channel run by a guy called
Independent Scholar. That's his handle. He's done some excellent, it's a very small channel
right now, but it deserves to be bigger.
I like that The Dunking word. But my point being that so much time of both established
mainstream archaeology yourself, and then from what I can tell, even parts of your psychology,
maybe this anger predisposition has played into it a little bit, um, has been
captured by criticism, criticism captured in many ways.
It's, it's made me defensive.
Just take a look at a book that I published in 2002 called underworld.
It's about a thousand pages long.
It's got 2000 footnotes.
I wrote that book defensively.
That book describes the seven years of scuba diving that I and my wife, Santha, did to
look at structures that were submerged by rising sea level at the end of the last ice
age.
But I made it a very heavy read because I was trying to bulletproof it against the attacks
that I knew were going to come.
And as a result, it's a much heavier read than most of my books.
I don't feel I need to write so defensively now,
but I do feel that I need to document and provide the source for every single
statement that I make so that I can't be accused of misrepresenting information.
I'm aware that I'm surrounded by a group of hostile people
who want to find any error or mistake in my work
and magnify it into some kind of conspiracy
that Hancock is involved in.
Look, when the SAA wrote that open letter to Netflix,
it took me a month to research and document my rebuttal
to the SAA's open letter.
And that rebuttal, part of it,
I actually read out during this video I've told you about,
but it's on my website, it's in my blog.
A detailed rebuttal to the points that I make.
So that was a month of my life
that I could have been doing something
much more constructive with,
that I was spent immersed in each and every one
of their criticisms to show that those criticisms are not based
on anything solid.
Yes, it's most unfortunate.
Why can't archeology be a bit kinder
and a bit more generous?
Why is it necessary for people
who define themselves as scientists?
I don't think archeologists are scientists.
I think they're like the lady who protests too much.
I think that's the Shakespearean line.
They desperately want to be scientists, the lady who protests too much, you know, I think that's a Shakespearean line, they
desperately want to be scientists, you know, but, you know, why should they have this power?
Why should they have this ability to just use their authority to try to shut people
down?
I saw an interesting video about pseudo-archaeology and how it's a dangerous gateway, basically
that accusing you of being the beginning of a radicalization pipeline, because questioning
the status quo and established theories in archaeology gets you very quickly into Rothschild
and blizzard people things soon enough.
Well, I think I was amused by my first season of Aged Apocalypse being called the most dangerous
show on Netflix in newspapers and by archaeologists.
And I've never seen why that should be the case and my rebuttal to the SAA's open letter
makes that clear.
But just to remind, how did we get onto that point?
I'm getting tired.
No, I was saying that what's it been like psychologically dealing with all of the criticism
and then there was this pseudo-archaeology pipeline into danger.
Oh yes, the idea that thinking for oneself about the past might dangerously lead to thinking
once for oneself about other things too.
This has often been connected to the climate change issue.
People said, my goodness, if people believe Hancock that we're wrong about the past,
then they'll believe experts are wrong about climate change as well.
And that's one of the reasons why it's seen as dangerous. But behind that is a notion
that the public should not be provided with information that can enable them to make choices
between different points of view. And I think that's the heart of a democracy, it's the heart of a democratic system,
that we should have an open forum for alternative points of view.
And rather than despising the public and think that they need to be told what to think
by so-called experts who are archaeologists, we should trust the public to make up their own
mind on information and we should provide that information to them. And I don't think that's
dangerous. I think what's dangerous is shutting that down.
Can we talk a little bit about Stonehenge?
Cause there was some recent revelations that came out about the distance that
the central rocks had traveled.
Well, one from Scotland.
Yeah.
I mean, that's a, for the people who aren't in the UK, UK is not as big as
America, right?
But that's a good distance.
You're looking at hundreds of miles.
With a pretty big rock.
With a pretty hefty multi-ton rock.
And that's 4,000 years old?
4,000 or more years old.
There's parts of Stonehenge that are much older.
There was a woodhenge at Stonehenge,
which may go back as much as 10,000 years into the past.
This is a site that was developed
over a long period of time.
We're looking at the latest incarnation of it
at around 4,000 years ago.
Another mystery is that the blue stones, the smaller stones at Stonehenge also don't come
from the Marlborough Downs where Stonehenge stands. They come from Wales. They were brought
a distance of more than 100 miles. And in fact, you can see an almost, almost see a
template of Stonehenge in the Presilly Mountains in Wales, where these stones were cut out
of and brought to, you could actually put them back into the gaps that have been left
for them. So the ancients were doing something on a very large scale across hundreds of miles
to create that site. And of course we have no documents that have survived from that
period, so we don't know why. But what we do know is that Stonehenge, like Serpent Mound, like the Great
Sphinx, is oriented at a key moment in the solar year. In the case of Stonehenge, it's sunrise on
the summer solstice. In the case of Serpent Mound, it's sunset on the summer solstice. But you can
see the connection that as above so below that we're seeing in the Americas, we're also seeing in ancient Britain.
And I'm not saying that that's because it came from ancient Britain to ancient
America or from ancient America to ancient Britain.
I'm saying that the best explanation for that is that both received a legacy
from an older and lost civilization.
Up next, would you ever consider doing any work in Antarctica?
Um, I don't see the point.
Uh, I don't see the point.
I'd love to, I'd love to go to Antarctica and, and, and see that
magnificence, but what work could I usefully do?
I'd, I'd have to, I'd have to have a, I'd have to have a billionaire
backer and lots of, lots to start investigating under the ice properly
in Antarctica.
Where would you like to go next then if it's not Antarctica?
I intend to spend the next year refocusing on ancient Egypt.
I've been out of ancient Egypt for quite a while, but I've recently mended my fences
and established a new friendship with Zahir Was, who is the leading Egyptian Egyptologist.
And I hope to work with Zahir rather than…we've buried our old conflict, and there was a conflict
between us.
We've decided that is not fruitful for either of us.
He has his point of view, I respect it.
And it's based on his lifetime exposure
to the mysteries of ancient Egypt.
And he comes at it from a mainstream
archeological point of view.
I've been exposed to ancient Egypt for 30 years,
and I'm coming at it from an alternative point of view.
And how interesting to work together to,
it's the first time I might have a really constructive
long-term working relationship with the archaeologist.
And it's odd because Zahi and I were once at daggers drawn, but we're both getting old
and we both feel that there's no point in having bitterness in life.
So I want to get back to ancient Egypt and I want to spend a lot more time there.
I think Egypt is the heart of the mystery.
That's where ultimately all the stories will come out.
I originally had this plan that obviously you're not aware of,
because I never told you.
But we may be able to make it work, I guess, with your new
found Egyptian contact and your next focus.
I wanted to do a podcast at sunrise in front of the pyramids of Giza with you.
At some point, I imagine that getting the license from the Egyptian
government may be difficult.
I imagine that all of the technical problems, all the rest of it.
Uh, but if, and when, uh, you're ready to do that, I've got the
team that can put it together.
So I think we could make it happen.
I think we could make it happen, but, uh, I would say what you want is
sunrise by the Sphinx or between the Sphinx and the second pyramid behind
the, looking at this, looking precisely in the direction of the gaze of the
Sphinx and watch the sun come over the horizon directly in the eye line of the Sphinx.
The Sphinx is oriented perfectly to the sunrise at dawn on the spring equinox.
I will allow you to contribute to the location, but maybe we can make that work.
Graham Hancock, ladies and gentlemen, Graham, I really appreciate you.
I appreciate your bravery to be able to go and do this stuff.
The new series, which I got early access to, which is pretty sweet, on Netflix, is really awesome.
I actually prefer the second series to the first one.
I think that the pacing is awesome.
It's engaging.
Where should people go and what can they expect
over the next however long?
Well, the series goes public on Netflix.
It's released on Netflix on the 16th of October,
Wednesday the 16th of October.
So anybody anywhere in the world who has Netflix
will be able to watch Ancient Apocalypse season two from the 16th of October 2024 onwards. And that's one of the great
things about Netflix is that when you put a year and a half of effort into making something on this
scale, it doesn't just disappear with one showing, it stays there for a long period of time. So
people can view it even a year or two years or three years after it was first released.
And to keep up to date with everything else that you're doing?
My website is the primary focus, grahamhancock.com.
And of course I have a substantial Facebook page.
I have a personal page, but I would look up author Graham Hancock.
It's my author page. that is my main Facebook page and I have a Twitter account as well.
Maybe we can put them under the description when you release this.
Thank you.
Graham, I appreciate you.
Thank you.
Good to be with you.