Morbid - Episode 563: A Deeper Look at the Crimes of Joran van der Sloot With Christopher Cassel
Episode Date: May 13, 2024We are joined by Christopher Cassel, Director of 'Pathological: The Lies of Joran Van Der Sloot', We discuss his documentary which dives deep into the crimes of the Van Der Sloot, and the cou...ntless people his actions have negatively impacted. Want to see the documentary? Stream it now on Peacock!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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Hey Weirdos, I'm Ash.
And I'm Alaina.
And this is special morbid.
Shut up!
I was going to say that.
I wasn't really going to say this is a special edition of morbid because we've got a guest
today.
We have director Christopher Cassell on, he's going to be talking to us
about his new documentary on Peacock. It's called Pathological, The Lies of Joran van
der Sloot. It is such a great documentary. Like if you like true crime documentaries,
you're going to enjoy this.
Yeah, it's wild. It gives you some very interesting points of views. And we just covered the Natalie Holloway case on morbid.
I believe it's the last episode.
Yeah, it should be the last episode right before this.
So after listening to that, this is kind of a perfect little companion because you get
to hear a little more behind the scenes.
Going deeper.
Our guy Chris there, he talked to a lot of like
the major players in this case.
He talked to people outside of it.
It's interesting.
He has a unique point of view on the whole thing.
He does, definitely.
Yeah, and he was really, really open
with like giving us a ton of information and stuff.
It was a really fun conversation.
Yeah, it was definitely a lot of fun.
So here you go.
Enjoy. All right. So hello,
Chris. How are you? I'm doing really well. Thanks for having me. Of course. Thank you for coming on.
We are talking about Pathological, the lies of your and VanderSloot today. It premiered on Peacock
and it was a really entertaining documentary. It was awesome. Thank you. And I think one of the
first questions I wanted to ask you is I actually noticed that this is one of the first questions I wanted to ask you is, I actually noticed that this
is one of the first true crime documentaries that you've done.
Is that right?
Um, it's, I would say the third.
So yeah, I did, um, two series for ID that I directed.
Um, nothing super recent.
One was in 2019 called Primal Instinct, and then the other was way back in 2011 called
Red Brom.
Okay.
So, yes. Nice.
So what drew you into the Natalie Holloway case
specifically?
And what would you say the main goal of making
this specific documentary was?
Well, I remember as everybody who's, I guess,
any older than 20, everybody remembers this Natalie Holloway
case.
And it was always sort of fascinating
and tragic. And, you know, I sort of just kept tabs on it over the years. The timing of this
seemed, you know, it seemed appropriate because this is really most likely the end of the line
for the story of Yoran. You know, I don't think there'll be another chapter, at least related to Natalie, you
never know. But it seemed like the right time to look back and do a pretty exhaustive and
comprehensive look at all sides of the case, but not only the Natalie case, but the case
in Peru with Stephanie Flores. And then the strange and disturbing connection between
the two, which really leads into that extortion trial that he faced in
the States last year, which just kind of connects the two cases in this weird and surprising
way.
So yeah, I mean, it just felt like the right time.
It's a fascinating character.
Well, if you can call him a character, Joran, it's just such a, I guess, textbook psychopath
really. 100%.
Yeah.
Yeah, but just somebody who, it's just fascinating
that somebody can be that cold, you know?
And I kind of wanted to try to get beneath the surface
of that as much as I could.
I feel like the documentary did a good job
of pointing out the fact that one,
he definitely is a psychopath and all the reasons why he is
and the characteristics behind that.
Yeah. And it gave a lot more too, because we were talking about this because we just covered
the case on the show, the Natalie Holloway case at least.
And we were talking about how when it was going on in real time, it became such like
a convoluted kind of coverage of the case that it was, you weren't really getting coverage
of the case anymore.
You were getting like these wilds, like back and forths and these weird
interviews that he was doing. And like, I remember watching it being like, but what's
happening? Like what's going on? There were so many interviews. And I, it's like, nobody
knew what was going on. We just knew like the kind of like sensationalistic way that
it was being shown. And I feel like the documentary really like honed in
on what we all wanted to know what was going on
and who he is and why, like how all this happened.
Yeah, and I never realized until I did the film
how many different versions of the Natalie story he told.
I think in the end we counted about 12 that were very distinct.
I was trying to count them as I was going through.
Yeah.
It's unhinged.
And it almost seems like it was part of a strategy.
And I don't know if it was initially a conscious strategy
on his part or not, but just to further muddy the waters
by just telling all these different stories.
And with this confidence that he had
that the body wouldn't be found, you know?
And so he figured, you know, there's nothing
that really gonna do to him without the body. So he's just gonna, he almost seemed like he was having
fun with it all. Yeah, it seemed like he was trying to prove something. Like he was kind
of trying to prove like I can change the story 100 times and nothing's going to happen to
me. Yeah. And you're all just gonna have to listen to it. I'm going to send people on
wild goose chases and I can do it because I'm urine and it really did find it. The scary
part is how long it worked for him doing that.
Yeah, yeah, it's crazy.
It's sick.
And you can just see almost this sort of like
devilish glee that he takes as he's in these interviews
and sort of telling all these different tall tales.
Absolutely.
And then as we go into,
he figures out how to profit off of them
and that sort of becomes the way he makes his living.
Exactly. So gross.
So just, yeah, it's just sick. The way he of becomes the way he makes his living. Exactly. So gross.
So just, yeah, it's just sick.
The way he smirks through them really like turns your stomach.
Oh, it does.
But like we just touched on, I mean, the details of the Natalie Holloway case are so well known,
especially given the way that it captivated the nation and the way it was like parlayed
in the media. But in your documentary, I thought it was a really great balance of information
with Natalie's story and with Stephanie's story
Which I do feel like sometimes gets lost in retelling of these cases
Yeah
Did you know from the start going into this that you wanted to tell the story side-by-side?
Kind of going through the timeline with both girls like you did
I don't know at the very beginning if I knew that but I figured it out pretty quickly when I looked at the symmetry of
The dates and they were five years apart,
like to the day, which is just wild.
To the day.
And a lot of those like,
so there's the day they both disappeared
and then the several days after that in both years,
2005 and 2010 that had these striking parallels.
And it just seemed like that would be a good way
to interweave them and then to see the similarities in his kind of actions and just in these scenarios that happened so far apart.
So the other thing is, I didn't want to only tell the Natalie story upfront and go chronologically
because I feel like the Peru story is the one that people are less familiar with.
And I wanted to inject pieces of that early on
so that, you know, we could keep people
who felt like they already knew everything about Natalie.
Right.
And so it made sense to interweave them.
Definitely. Is that why you made the decision
to start with Yoran's ex, Eva, to kind of bring in new people
who maybe didn't know that part of the story?
Yeah. I mean, that was the other...
That was the other really cool kind of coup
for us, really.
I mean, her story is crazy.
She's like officially on the run from the law.
She was really hard to find.
She's like, by design, she doesn't want to be found.
And she's somebody nobody had ever heard from.
This was the first interview she'd ever done.
And so we wanted to showcase that right up front
and let you know,
let people know that you're going to learn something new here.
Even if you followed every single piece of the case for 18 years,
you know, you're going to find out some new things.
Definitely. And I think Eva is a good representation of how
he just victimizes women like constantly.
And one of the things that I learned watching the documentary
was that he actually has quite a history
of being violent or predatory with women.
And you did touch on that in the documentary.
Can you kind of expand on that a little bit?
Sure, yeah.
I mean, there's, we can kind of only go by the reports
of people who, well, two of our best sources
were the authors of a book called Portrait of a Monster
who did a lot of research, spent a lot of time in Aruba talking to people off the record,
on the record.
You know, Yoran's inner circle there, his family is very tough to crack.
So it took some detective work to put together the pieces of his childhood.
But what we were able to find was that, you know, he had this violent streak and this
sort of angry streak from a pretty early age. And by the time Natalie came along, he was 17,
but he had this whole MO down.
He already had a lot of experience getting
into the casinos because he looked older.
He had figured out how to kind of woo these tourists
that would come in.
And so many teenage American tourists
were coming down, particularly back then.
It's changed actually since Natalie.
But so he had a whole, like just a whole kind of approach
that, you know, he'd used on girls before Natalie
and also on local girls.
So there were several that had filed complaints against him
prior to Natalie's disappearance that hadn't quite been investigated yet.
And then in the shadow of all this media that erupted on the island after Natalie disappeared,
they all kind of shrunk away and just decided they didn't want to talk.
And so it seems that there was already a well-established pattern of sexual abuse and violence in his history
even before the point that Natalie disappeared.
It is crazy how all that kind of got overshadowed
or covered up.
And I think part of that has to do with,
like you said, their family history is very hard to uncover.
And kind of going into that,
I think the relationship with Vanderstraten,
the lead investigator, he had close ties with
Joran's dad. Can you tell us a little bit more about that and what that kind of looks
like?
Sure. They were both from the Netherlands. Aruba is a province or a, you know, it's under
the Netherlands control or umbrella. And so there are a lot of Dutch who come over and
work in the government, work, you know, in kind of the legal trade in Aruba.
And both van der Straaten and Paulus van der Sloot
were among those.
They had come over,
they had been friends in the Netherlands.
They came over, I think when Jorin was four,
or Paulus did, I don't know when van der Straaten got there.
But they apparently were so close
that van der Straaten was Joran's godfather.
So clearly they're kind of an inside connection between the family and law enforcement and
quite likely, if not a spoken effort, an unspoken effort between the two men to try to sweep
this under the rug.
Definitely.
And do you think, because obviously, and we see it in your film, when Paulus dies,
that's when Joran really starts to kind of spiral
out of control.
Do you feel like that was a pivotal shift
in how everything played out in the rest of this case,
these two cases?
Yeah, I think it definitely was.
So, I mean, not to say that Joran went from a, you know,
saint to a sinner at this point, he was already,
you know, he was already kind of well established
as being kind of a bad guy.
But after his father dies,
it's interesting we talk about at the funeral
in the Netherlands, Joran throws himself on the casket.
He makes a big show of saying, this is all my fault,
thinking that the stress of the case,
which is quite probably right,
that the stress of the case is which is quite probably, probably right, that the
stress of the case is what caused Paulus' heart attack. And so whether Joran really deeply feels
this remorse and this personal responsibility or not is impossible to say, but you know, certainly
he made a big show of it. And so he then goes back to Aruba to, you know, ostensibly take care of his mother, help his mother through this hard time. But no sooner is he back there than he starts emailing
Beth Holloway's lawyer, Beth is Natalie's mother. And with this proposal to basically try to profit
off of his knowledge of where Natalie is and profit off of Beth's vulnerability and her desire for answers. And so that's such a dark, I mean, even for somebody
like him to then decide not only to end someone's life
and not admit it, but then go back to the mother
of that person and shake her down for money
in exchange for answers is just kind of a new level
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And so this starts to happen right after his father's death.
And then within two weeks of, you know, him kind of striking this deal, which we can go
into deeper detail if you like about, he's, he flies off to Peru and, you know, and then
goes on to murder another girl.
So yeah, it seems like, you know, you could definitely point to this,
to the death of his father as being
a really significant turning point for him.
100%.
And I felt so bad for Beth's lawyer.
One of the parts in the documentary
is that he feels like he has blood on his hands
because of this whole extortion thing
that it did somewhat fund his trip to Peru,
but how was he to know that that was gonna happen, you know?
Yeah, and you know, he really expected that once the FBI, um, cause the FBI was involved
in this and so was the Aruban police or investigators.
And he didn't think, he thought by the time he left the island, uh, he being John Kelly,
that's lawyer, that urine would have been arrested and picked up for basically fabricating this whole story
that he told John when he was there,
which they captured on audio tape and video tape.
And so he had no expectation that Yorin was gonna have time
to spend this money.
He thought, you know, he was,
it was like a one way ticket to jail and then, you know,
and that would be it, but they didn't pick him up.
And we're not, and we talk about this, like we don't know why. We don't know, but they didn't pick him up. And we're not, and we talk about this,
like we don't know why.
We don't know why the FBI didn't pick him up at that point
or the Aruban authorities, and he was able to skip town.
There's so many points in the story where you're like,
how is he continuing to get away with these things?
And especially with the FBI's involvement,
it's really mind boggling that he was able to continue
just to go on and do what he did.
And it was like that watching it unfold too in real time.
Cause I remember there are so many times during this case where we were all like, this is
it.
This is going to find Natalie.
They're finally going to arrest this guy.
Like everyone knew we were all just waiting for it.
And I just remember all the time thinking like, why aren't they arresting?
Like what is going on?
Like, why is this taking so long?
It's wild. It is wild. But the weird thing is too, they did arrest him in Aruba and they held him for,
I think, 90 days and they interrogated him and they flew in these special Dutch investigators to
run these brutal interrogations and he just never gave them anything.
So that led some people to think, well, maybe he is innocent because he hasn't fessed up and he's only 17.
How could he not crack under pressure?
He's a hard 17.
Yeah, no kidding.
But if you have, as we talk about in the film,
some of these characteristics of psychopathy,
a lack of remorse or a real feeling of any kind,
it's probably a lot easier to resist
some of those typical interrogation tactics.
For sure. Definitely.
He really is, like you said, a tough 17 and like a character.
Yeah.
Going into making this film, I did read that you did try to reach out
to get some kind of comment from him, right?
Yes. I sent him a...
Through his public defender in Alabama, I sent a letter.
And I never got a
response. But I think they were pretty much they had a pretty strict embargo on him talking
to anybody while he was in the States.
Definitely. How do you think that would have changed the film? Do you think it would have
changed the film in any way?
It certainly would have. Yeah. I mean, I would have been compelled to kind of make his point of view,
you know, a primary part of the story.
And I'm almost, you know,
you always kind of want to hear from the protagonist,
but you know, in a way I'm almost glad
that we didn't get him.
I think I am glad because he would just spin so many lies
that, you know, we wouldn't get any closer to the truth.
We'd probably be further from it.
And I think it was actually better
that we were able to look at him
from different points of view,
from more objective and kind of more sane points of view,
and not be clouded by all the lies that he would tell.
And he's also, as psychopaths usually are,
very good at eliciting sympathy and empathy.
And he certainly would have tried that with us, I'm sure.
And may have left more of the audience
feeling sympathetic for him than I think he would deserve.
I think that would be awful.
I completely agree.
I agree, I wondered how you felt about that,
but I definitely agree with you that I think it,
it makes it better that he wasn't,
he didn't have a voice necessarily.
He's had enough of a voice.
He sure has.
You know, we do include a lot of interview clips
with him over the years,
but really in the context of showing that, you know,
this was all a game for him and you know,
that it was a game of profit.
It was just, you know, just one lie after another.
And you can kind of see that pretty clearly when you intercut all these
different interviews he did. Definitely.
You know, over the years,
was there anything that you learned along the way that came as a shock to you or
anything you didn't know previously about the case and making the film that you
learned? Yeah. I mean,
the biggest thing for me was just this connection between the two cases
and the fact that had Beth Holloway not paid him $25,000
in exchange for, well, we should go deeper
into exactly why she did that.
But essentially she paid him $25,000
for answers about what happened to Natalie
and he ended up using that money pretty much directly
to go to Peru and kill this other,
and ends up killing this other girl.
And so you do have to ask, like, would that have happened
had the extortion scheme not happened?
And, you know, as her lawyer said,
he feels he has blood on his hands,
and Beth, of course, felt awful about it.
But, you know, the fact that there was this direct connection
was shocking and just so preventable,
you would think in hindsight.
Absolutely.
So yeah, that for me was the biggest like
kind of wow moment.
Yeah, that was the biggest thing for me watching it,
just seeing, like you said in the beginning,
how their story is just parallel so much with each other.
And even how the family's experiences parallel with each other, like Beth showing up to the
island wanting answers immediately, Stephanie's father going out right away, looking for her
car, finding it in the seedy area.
Like, the parallels are awful and the family's experiences are so intertwined.
Yeah.
Yeah, absolutely. Another interesting thing was the different perspectives on the
case and on the huge difference in willingness to participate that we found between Peru
and Aruba.
I wondered about that.
Yeah, yeah. In Peru, every door was opened, I think just on its face, it's a totally different story in Peru.
They got their man, they convicted him, they put him in jail, the body was found, it was
open and shut.
There's nothing really to hide or regret.
So everyone who was involved in the case from the lead interrogator to the drivers who drove the getaway car unknowingly to his girlfriend,
agreed to participate.
In Aruba, it was a very different story.
A lot of the people we spoke with
that had the closest connection to the case
that are still there,
literally told us off the record,
like, I'll get death threats if I talk to you.
Like, people here do not want the media, do not want this in the media anymore.
They threaten people who speak about it.
And so there's, you know, a very concerted effort in Aruba to just make this go away
still 18 years later.
And so nobody wants to talk.
You know, so that, that kind of complicated
it a little bit, but thankfully there, there's been so much news coverage of this over the
years in Aruba and such a deep archive to draw from that, that wasn't really a huge
issue. But it would have been nice to get a few more perspectives, current perspectives
in Aruba.
Who in particular would you have wanted to speak to in Aruba?
There were a couple of lawyers who were really close to the case, but more than anything
I would have liked to talk to Yoran's mother, Anita.
I could see that.
I could definitely see that.
Yeah.
She's done a handful of interviews.
Nothing really that I've seen since, I believe, 2010 when Stephanie
disappeared.
I think that she did one interview after that and then she just decided she couldn't anymore.
So it's been a long time since she's spoken publicly, but that would have given us a lot
of insight into Joran's history and his early years and stuff.
Absolutely.
But at the same time, it's fully understandable
why she doesn't want to talk.
And you have to feel for her as a mother.
Oh, yeah.
But we tried.
Yeah, it sounds like there's a complicated relationship there.
Because it sounds like, in the beginning, obviously,
nobody wants to believe that their son is capable of that.
But then to find out that he did get
convicted of Stephanie's murder
and it's very cut and dry that he did it.
So she has to accept that and that must be awful.
And you can see it, her kind of evolving impression
of the case and of Yorin in her interviews
where in the early ones in 2005,
she's defending him tooth and nail and saying,
he's an honest boy, she says. He's very
loving. You know, why would anybody, you know, who has all basically the blessings that he has want
to do something like this? It just doesn't make any sense. And then after Stephanie's death in
2010, you know, she's definitely, you can tell she's just rethinking everything about him.
And she still loves him, obviously, but you can tell she's angry and sad and frustrated.
And so his actions affected so many people beyond the two principal victims.
His own family, obviously Natalie and Stephanie's families, but the whole island of Aruba and
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["Spring Day in the City"] Absolutely, I think there's so many different victims
in this and especially Yoran's mom.
One of the things you touched on in the film
is that she was actually trying to get him help
right before he left for Peru.
And that sentiment is just haunting.
The fact that she really wanted him to get some kind of help to talk to a psychiatrist,
to even, it sounded like some kind of inpatient thing even,
and then he just disappeared.
Yeah, yeah, she was gonna send him back to the Netherlands
for an inpatient treatment.
And I know he had seen psychologists through the years.
We don't have great details on those,
but we know that before Natalie disappeared,
he had been seeing one. So it was no secret in the family that he needed help, but you have to be
receptive to the help and, you know, acknowledge that you need it in order for it to work. So.
And as a mother, your first thing is always going to be like, no, of course, not my child. Like,
yeah, sure. They may need a little bit of extra help,
but no way could they have done this awful thing
that I can't even fathom.
But I imagine when the murder of Stephanie happened,
I'm sure it was like, I don't think he's being caught up
in these two things accidentally.
Like that realization was probably really hard
to hit that second one because it's like, I don't think it's a coincidence
that my son is just being placed in these two awful cases
with nothing connected to it.
So, you know, that was probably the thing that was like,
that you have to kind of face it at that point.
Yeah.
That must've been so hard.
Even after he killed Stephanie, he called home to his mother
and his mother had heard that they were looking for him in Peru.
And she said, you should turn yourself in.
And he gave her a whole story about how he didn't...
He actually was like, what do you mean? She's dead?
Oh, my God.
And he said, well, when I left, she was alive,
but there were these two shady cops that were, you know,
blah, blah, blah. It just never ends.
It's always interesting. He tries to pin it on two other men, always.
And there are always stories that sound like they're from, like, you know...
Some crime novels or something.
Like, you're just making things up. It's not even probable.
It's really not.
Sad story, you know, all around.
Truly. Absolutely.
With that being said, what do you think about the latest confession?
Well, I feel sort of like, you know, as people will see, John Kelly and Matt Holloway,
Natalie's brother feel, which is not that it's not the whole truth.
That's how I feel. I agree.
Yeah. I mean, the fundamental truth that he killed her is there and he has never said that outright
before.
But I think that's where the truth ends.
So the details of it include that he, well, I mean, it's just so graphic to even think
about that he bashed her head in with a cinder block that he had found laying on the beach.
So how come a bloody cinder block was never found?
That would be a pretty easy thing to be that'd be a hard thing to dispose of
and an easy thing to find.
And then the idea that he just waded into the water with her
and just kind of pushed her off from,
he went in waist deep and just pushed her off.
So everybody I've spoken with since this came out in Aruba,
cause I have had a lot of conversations off the record.
They're just like, you know, there's with the currents there, that's just not how it would work. He would just wash right back in. Right. So that's just BS. So then you have to wonder.
So in that way, the story isn't fully over, you know, because we still don't, right. It's
not what happened. Aside from the fact that he killed her.
So the mystery continues on some level.
It does. I do wonder if there's some truth
in each part of the different stories that he's told.
Because at one point, somebody came with a boat
and they put her on the boat
and then they dropped her off of the boat,
even saying that is so awful.
But I have to wonder if there's little truths in each variation.
Yes, and one of the people we interviewed,
Michelle Kosinski, who was an NBC reporter
who covered the story for years,
said, I don't know if it was on camera or off,
but she said to me, the one common denominator
that you find in almost all of his stories
is some sort of blunt force head trauma.
Yeah.
So from the very first story when he said he dropped her off at the holiday
end after they'd been out and she fell out of the car and hit her head on the
ground. Um, uh,
there was one story once that he told about,
he brought her to a friend's house and she was doing cocaine on the balcony and
she fell off the balcony and
you know, fell on her head and died. You know, so there's just been all these iterations of her
having some sort of head trauma. And so, and the cinder block just being the latest of those. So, you know, it's certainly more likely than not that that was an element in her death. Absolutely. Because it's almost like he's prepared.
I think most of him believes she'll never be found
and he believes he's taken care of it.
He's so confident in himself, classic.
But I think part of him is also covering
for when she is found.
I agree.
He's keeping that element the same kind of thing. So whenever she was found, it would have that element in it,
especially if it's like she fell, it was an accident.
She banged her head.
If she's found and she banged her head, he told you,
it was an accident.
And at least this one, he's saying he did it,
but it feels like before it might've been like covering
for if she was found that I already said it was an accident.
I told you she hit her head.
Yeah, I haven't thought of it like that, but yeah, that's probably true.
I think there's like, where is she?
Cause were you a little worried that she would be found? And it's like,
and if you were a little worried,
she would be found and possibly found with head well enough that we could tell
she had head trauma. Where is she? Cause I don't think she's in the ocean, if that's the case.
It makes you think when you start to reflect
on all the different stories he has told,
your mind just starts to spin.
Because you got to believe there's something
within each one.
Yeah, absolutely.
I mean, that's the key common denominator there.
Then there's the dad who creeps into a couple of the stories
and who so many people still believe was complicit
in the death and in the cover-up.
So, you know, that's the whole thing in itself.
So that's an interesting part.
What are your thoughts on that, if you want to share?
Yeah, I mean, well, it's interesting,
he never implicates his father until right after his father's death.
And suddenly he's saying, you know,
my dad disposed of the body.
So, which is cold to begin with.
Like, you know, particularly if disposed of the body. So, which is cold to begin with.
It's like, you know, particularly if it's not true.
It's like your dad just died and now you're gonna-
You're pinning it on him.
You're spearing his name.
Yeah.
Crazy, but I don't know.
I mean, I certainly can see a scenario where he was involved,
but I can't go so far as to say he definitely was.
And you know, if he wasn't, then you he wasn't, then I feel awful for his family.
And the other thing that's interesting
is that this happened when Joran's mother was back
in the Netherlands, that she wasn't home.
Oh, I didn't realize that.
Yeah, and so his dad was the only parent around.
And his dad literally would take him to casinos
and drink with them and gamble. And so I don't think he was like, you know, he certainly
wasn't a typical relationship. He was, he was a friend, not a parent. Yeah. And so certainly
it's possible, you know, as the film shows, Natalie's brother is pretty confident that he was involved.
We spoke to a lawyer on the island.
We did interview one who was involved in the case.
And, you know, she said without saying that he was involved.
She definitely seemed very confident in that.
And that made me start to think even more.
Yeah. And you do have to wonder,
somebody else made the point that Natalie was never found.
Whereas when he killed Stephanie
and he didn't have his father
and he didn't have any help with him,
he just left her in the room.
Everything. A complete mess.
There was no forethought of like, how can I cover this up?
There was no attempt to cover it up.
He just ran.
Yeah, that's the part that gets me.
Yeah, whereas with Natalie,
we still don't know what happened to her.
And you do have to wonder,
was there someone a little smarter,
a little more grown up that stepped in
and helped him cover this up?
Because Stephanie's, the Stephanie incident certainly demonstrates
that he doesn't really have that capacity himself.
That's really interesting.
Yeah.
As much as, as much as the two cases parallel, there are really marked differences in the
fact that he just leaves her and then goes on the run.
And then also with the way he confesses when he's caught, he tells, he does tell a weird
story where he was set up and yada yada,
but you play the clip in your film of him confessing,
and he's so matter of fact, so nonchalant about it.
What do you think that was where we got so many stories
with Natalie, but with Stephanie, it was just,
he finally caved and said, yes, I did this,
and it didn't take however many years.
Yeah, well, I think a couple of things.
He didn't crack until they promised him
they would send him back to Aruba.
And they basically lied to him to get him to stop lying.
So he thought like, if I tell them,
then they'll let me go back to Aruba,
which is just silly that he could even think
that that would happen.
But at any rate, there's that.
And then there's the fact that they had her body,
they had his shirt that was all bloody
that he had left in the room.
Just so much evidence that he killed her
that they confronted him with.
And, you know, what are you gonna do at that point?
Yeah. Yeah, you kind of have to... Oh, no.
Yeah, so I don't know. I mean, I wonder do at that point? Yeah. Yeah, you kind of have to own up. Yeah, so I don't know.
I mean, I wonder if by that point,
he just felt like he would figure out a way out,
even if he told them point blank, I did it,
that he'd find a way.
Right.
And this time he wasn't able to.
And it's crazy about some of the worst,
most diabolical killers fall for the stupidest things.
Like it reminds me of like BTK with like,
if I send you this floppy disk, can you trace it?
And they were like, no, don't worry about it.
And he was like, cool.
And immediately that's what catches him.
It's the same thing.
It's like, you'll send me back to Aruba
if I said I did this.
And they're like, totally.
And he's like, all right, here you go.
Like that's all it takes.
It's true.
Right.
It's crazy.
Well, and you want to find some solace in the fact
that he is in prison that, I mean, the sentence is 28 years.
Is that right?
I think it was 28, but it was then brought up to 35
because he was convicted of stealing cocaine in the prison.
Right, which you explore that in the film.
That's a whole story in and of itself.
But so you want to find that solace that he is in prison,
but you do kind of touch on the film
that the Peruvian prison system is a little bit different
than what we would expect here in America.
They get to have visitors, they, I mean, he got married,
he had a child while in prison,
he ended up with another girlfriend.
Can you tell us a little bit about all that?
Yeah, we actually filmed it the first present he was in.
And it's not a place that you'd wanna go
like on your honeymoon by any means,
but it's certainly different.
I mean, there's a lot of rough characters there,
but they do have kind of a lot of freedom
to roam about during the day.
There were a lot of people there meeting with family and lawyers and stuff
and people bringing them things.
And they're just sitting at like open air tables,
almost like you're in a really crappy Starbucks.
And yeah, they have, they're allowed,
most prisoners are allowed conjugal visits.
They're allowed a lot of visitors.
And I guess the philosophy is like, just keep them calm, keep them as content as possible
so they don't riot.
Yeah.
So yeah.
And then when he came to Alabama to face the charges last year, I started to hear that
he couldn't wait to get back to Peru.
Oh, I believe it.
It's hard to imagine a Peruvian prison being more inviting than a prison in the United
States, but that seems to have been the case.
It's funny, we had a sound guy that worked with us when we did some interviews in Alabama
who said, I think it was his wife's brother or cousin was actually in the same cell block
as Yoran and would heckle him all night long every night to keep him
awake.
That's amazing.
That's incredible.
You know, so I hope that guy gets paroled early, you know, but he's doing a good job
there.
So yeah, I mean, he obviously was hated by all the prisoners there because he's on Natalie's
home turf.
And so he did not enjoy his time in Alabama, by any means.
Oh, it's a bummer. It's a bummer. He couldn't stay there.
I know. I think a lot of people feel that way.
Yeah. Well, that was the biggest disappointment that came out of this for me when I heard
the sentence was running concurrent, which means at the same time as his Peruvian sentence,
meaning he'll get no additional time. It's just such a disappointment, you know?
But, you know, Beth Holloway seems to be at peace with it,
you know, which I guess in the end is all that matters.
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Yeah, exactly. That's the most important piece.
She does. You see a stark difference between how Beth feels about it and how Stephanie's
father feels about it. Did you feel that when you were making the film?
Yeah. Well, I think he can take some satisfaction
in the fact that he's serving time for Stephanie's murder.
One thing that was interesting that he told us
was that he's taken measures to protect Yoran in prison
because he doesn't want him to be prematurely killed
because he wants him- That gave me chills.
Yeah, he wants him to serve the sentence and suffer.
That's fascinating.
Yeah.
And he's very well connected there.
He actually ran for, I think, some city-wide office in Lima.
He's kind of a famous race car driver in Peru.
And then he ran this, or he still does run this company that like puts on circuses all over
Peru.
So he's, he's pretty well connected politically and you know, I think with the police and
so he's been able to protect your own.
Although there was a story that came out within the last month that urine got beat up pretty
bad.
Oh really?
Yeah.
Yeah.
Do you know anything about the circumstances around that?
I don't, but that there was also a story about that right before he came to Alabama last year.
So, I don't think he's got a lot of friends
in prison down there.
As he shouldn't.
I can't imagine he would be really great
at making friends.
I think he's good at manipulating people,
but I think he's among his own kind there
who know what he's doing and know what he's all about.
Yeah, yeah, absolutely. He's what he's all about. Yeah. Yeah, absolutely.
He's good at making girlfriends, though.
Yeah.
He's very good at that.
Can we talk about that a little bit?
Because that was a big part of your film
that I did not realize, one, that he was married.
He got married while in prison.
He was able to have a daughter, which that's chilling.
And then also was able to make a girlfriend
while he's still married, and he sets her up.
So do you wanna tell us a little bit about that?
Yeah, it's just wild that he,
because they're allowed visitors in jail,
some of his cellmates would start bringing in
friends of their girlfriends for him.
In exchange, I'm sure for him doing something for them, whether it be
supplying them with drugs or money or whatever. But so he starts meeting these girls who come
in. One of them, he ends up marrying. And as you mentioned, he has a daughter with who
I'm trying to think how old she is. She's probably about nine now, I think. Yeah. And then, and she's constantly bringing him things, you know,
so he's getting a lot out of not only the woman he married,
but every girlfriend since, where, you know,
they're constantly bringing stuff in for him.
And, you know, so, but yeah, he's, he's very charming.
And, you know, we interviewed the, you know,
the current girlfriend, although there's also been a story that's
come out recently that he's got three women now visiting him.
She's one of them, but two others.
I don't know that the divorce is final, but I think it's in process.
So yeah, and they love him. Like as you see from the girlfriend we
interviewed, he gave her a trinket that she showed us. She also brought a painting to
the interview that she had done. You know, he sends her all these letters with hearts
and stars she says, real charmer, you know, And just the weirdest thing is that she said, you know,
she was with him for protection,
but how is a guy who's behind bars
gonna protect you from anything?
Yeah, that was rather confusing.
And as angry as it seemed like she was at him,
because it did seem like she was upset about,
obviously, what ultimately ended up happening,
where he set her up to bring drugs into the prison,
it did still seem like she cared for him
in showing the trinket and the key chain.
And that was interesting.
Yeah, well, what was interesting is that,
she basically said she still loved him,
but that she regretted meeting him, ever meeting him.
And it seemed to us when we did the interview
that it was over between them.
But at that point he was in the States,
so she may have thought she'd never see him again. And then as soon as he got extra or sent back
to Peru, late last year, there was a story in the Peruvian press that she was again visiting
him in prison. And now two other women are visiting him as well. So I don't know how
she feels about that. But clearly she didn't cut all ties, even though she's now a fugitive because, you know, he
had her smuggling drugs into the prison.
And she's a fugitive in Peru, right?
Yeah, she is.
So you wonder how she's even still visiting.
That's the weird thing.
You know, she, she didn't want to tell us where she lives.
She met us at a certain place in this town and it was all very hush hush.
And she said, you know, she's worried she said she's worried about if she gets arrested,
that what's gonna happen to her kids?
And she's trying to work under the table to support them.
But I didn't get the sense that they're knocking down
her door.
I feel like the Peruvian authorities
have bigger fish to fry.
It sounds like that.
Yeah, and I feel like they've sort of
just stopped trying to find her. Um, and yeah, if she's visiting him in jail again, you know,
you have to wonder how high priorities. Yeah. How come she's not being arrested or is she going
under a different name? But you know, right. I don't know, but it's just weird. It's weird.
And it's, it's really scary, ultimately,
how he can manipulate people.
And the fact that he's going to be at like late 50s,
early 60s when he gets out of prison,
it's scary to think that everything that happened
to Natalie, everything that happened to Stephanie
could happen again.
Yeah. Yeah.
And Beth Holloway even said before anything happened
to Stephanie, like, I want this guy to be arrested,
apprehended, because this this guy to be arrested, apprehended,
because this is going to happen again.
She knew what she was talking about.
Yeah.
Although you do wonder if like he gets to that last year
or so in prison and Stephanie's father calls off
the security, you know?
That's kind of what fingers crossed on that one.
Yeah.
I can see that happening, you know,
where he just starts protecting him.
That's what I was hoping would happen.
Yeah, I guess we'll have to wait and see.
But yeah, so he'll be, I think, 56 or 57 when he gets out.
And you know, somebody like him, a leopard like him doesn't change his spots.
So he's not going to come out a reformed man, an upstanding citizen.
No, you can see he's doing the same stuff in prison.
Everything we were just talking about is what he would do on the streets.
And it's unfortunately working for him in prison as well, to a certain extent.
So he's not being shown any kind of, you know, consequences for his actions.
He's still luring women in, he's still getting things.
He's not, it's not on a good path so far.
I wonder if that would have differed
had he served prison time in the States.
Quite possibly, it wouldn't have been a picnic
like it seems to be down there.
No, not at all.
Is there anything that we haven't touched on
that you wanted to touch on talking about your film?
Well, you know, one thing that struck me
is just how raw it all still is.
Maybe it's partly because of the confession
that just came out and the fact that everything
was back in the headlines.
But we interviewed, as you saw in the film,
Natalie's best friend, Claire, Natalie's brother, people, even the new Stephanie,
and all these years later, it just does not get any easier.
It's just clear that these folks were traumatized for life.
And it's just so sad that one person could
do that to so many people.
Like you said, it affects so many different people.
Yeah, it's just really, there were some hard interviews.
You know, it was just really emotional and sad.
And it's too bad that these things happen.
But I think it's important to tell the stories to,
particularly to like younger women who didn't grow up
with the Natalie story that, you know, aren't aware of it,
that are going out all the time.
And they need to be careful, you know, aren't aware of it, that are going out all the time. And, you know, they need to be careful, you know,
that these guys are out there.
Absolutely. It's a cautionary tale in its own right.
It really is.
Yeah. Yeah.
So, I mean, that's what I took from it.
Yoren is not the only Yoren.
No, absolutely not. Unfortunately.
We have to always be on our guard.
Absolutely.
Yeah. And last question, wrapping things up here.
What is the main thing that you want people to feel or reflect on after they finish the
documentary?
Well, I hope it was a worthy tribute to the two girls that died and to their families
and everything they've been through.
And as you say, you know, a cautionary tale that we can prevent things like this from
happening in the future just by being more aware of psychopathy and psychopaths and how they operate.
And yeah, so I mean, that's kind of it.
It's just one of those stories that when I first got into it, I didn't realize how many
layers were to it.
But yeah, really compelling story to tell, but it takes a lot out of you. So that's part of why I don't do true crime all the time
is because, you know, well, you know,
I think some folks can, well,
you guys have a podcast about it, right?
So you're able to kind of live with it all the time.
I had a hard time with it.
It's hard though.
It's hard.
We even, we do true crime and paranormal.
And sometimes after a couple of cases like this,
we have to break and go to something paranormal
because it affects you a lot less.
Yeah, we'll break into like some, you know, haunted hotel
or we'll talk about like some like weird history
or something like that just to kind of...
Because it does, it like sits with you.
And it starts leeching into other parts of your life
and you're like, okay, I'm not going to take a minute.
Did you do anything after this to kind of self care after going through all of that?
I jumped right onto another project actually sort of simultaneous to this actually, which
is not true crime, but it's about survivors of Hurricane Ian in Florida.
And well, not everyone survives.
So there's some tragedy to it, but there's also some hope and some
strength and you know
Really good people that you know, I got to meet and interview. So that was in some ways therapeutic
I guess you definitely see that one's not going to be coming out. Yeah
You know, it's interesting. I'm not sure it was supposed to be on this month
But now it's actually been so well received internally that they may hold it
back until and do a series and make this the first episode of a series, in which case they may not
air till next year. So that's awesome though. Congratulations. Yeah. Yeah. That's great.
I'm not sure about it yet, but yeah, it really turned out well. And it was a good way to step
away from the dark world of urine VanderSloot. Yeah.
In some ways it's equally dark, but-
In a different way.
Right.
But it was caused by mother nature, not by a psychopath.
Yeah.
A little bit different there.
Yeah.
Yeah.
So, but yeah, this has been a fun conversation.
So thanks for having me.
Absolutely.
For highlighting the film and hope everybody gets to see it on Peacock. Absolutely. 100%. And like you said, you wanted it to be a
tribute to the families. I think you did a great job. I really enjoyed it. Yeah. I think it was
awesome. And I think you did a really good job showing both stories like you said you wanted to.
So hats off to you. Yeah. Thanks. Thanks. And it was great to have their participation. Yeah. Yeah. Thanks. Thanks. And it was great to have their participation and their blessing.
So that meant a lot. Definitely. I can only imagine. Thank you so much for talking with
us. Yeah. Thank you so much. This was really great. And everybody go check out Pathological,
the lies of your and VanderSloot. You are in for a wild ride if you haven't seen it.
Do it. Yeah, that's for sure. Yeah. All right. well thanks. Thanks again. I appreciate it, it was fun. Thank you.
Guys, that was amazing.
That went so well.
I always get so nervous before interviews.
I know, I do too.
Especially like you and I will usually switch off
like who's gonna take lead on it
and when it's one of our turn to take lead
where the other one is like, you got this.
You're like Barbara Walters.
You're Barbara Walters.
I like to now think of myself as Alex Cooper.
I like that. Oh, there you go.
She's become the gold standard.
She's this generation's Babs.
Yeah, I'm into it. Alex Cooper forever.
Shout out to her.
You were amazing. Thank you.
You did really well. I just got to give it to you.
Thanks.
Ash can think on her feet when it comes to interview questions.
I had to. Hats off.
I had written down some questions in prep like a lot and then we just ended up going
through a lot of them.
Blew right through those.
And I was like, fuck, I have a lot more to come up with on the fly, but it worked out.
And he was so great at giving us a lot of information and a lot to continue to build
upon.
That's the thing.
When you have a good guest, it's so easy to...
Because then you have more questions organically.
You're just like, wait a second, you're interesting.
I want to ask you more.
Exactly. So thank you, Chris.
Yeah. Thank you to Chris Cassell because you ruled.
You ruled. And everybody go check out Peacock's Pathological,
The Lies of Joran van der Sloot.
Do it.
And we hope you keep listening.
And we hope you keep it weird.
But not so weird that you don't go check out that documentary because you'd be a silly fool if you didn't.
Don't have silly goose behavior and not do that.
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