My Favorite Murder with Karen Kilgariff and Georgia Hardstark - 330 - The Thing About Keith Morrison
Episode Date: June 9, 2022This week, Georgia and Karen are joined by award-winning correspondent and podcast host, Keith Morrison.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https:...//art19.com/privacy#do-not-sell-my-info.
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Hello. Hello. And welcome to my favorite murder. I'm Karen Colgueroff. I'm Georgia
Hard Stark. And I'm Keith Morrison with the seduction. Oh my gosh. He nailed it. He nailed it. It was
perfect. I have chills. That was epic. I can't believe we're looking at you. If I can admit
something right off the bat, I fell asleep to your story on the Com app the other night.
You know, that's very, I think I'm glad to hear that, but it was so crazy. The person,
the producer of this thing who's done a lot of though, she knows what she's doing.
Just get talking. Ask me to cut slower and slower.
Man. Well, I was like debating, should I tell you that I fell asleep to your point? Like,
that's kind of creepy to saying that to someone. But I mean, you are, you know, and I wonder if
it's weird for you to know this now that you are a household name. You're a person who's been on
our televisions on NBC for 30 years. I mean, is that, what's that like for you, for people who
they just know you? Well, it's, I'm not entirely sure, except it's, I mean, I just feel like a
very lucky old guy, frankly. And it kind of happens without you being aware that it's happening. And
and then, and then you don't know what to make of it. I don't know what to make.
When you go out with your family and people recognize you and want photos with you and
everything, did they, did they tease you, your family, tease you about it? Or are they?
Remorselessly, yes, they do. That's exactly the right attitude. Right. But people are so nice,
you know, they, I never, almost never, ever get anybody is even hinting at being mean. So,
I'm a lucky person. Yeah, it is funny, like you're in the true crime genre, and you wouldn't think
that that equates to the nicest, you know, listenership you've ever, like, that's what
we experienced too, just the kindest people. Yeah, well, it's true. Yeah. And I think,
I think what I love is that you're so on board with the fun of it. And I think when I saw the
Instagram Keith leans on things, which I know you, you posed, you wouldn't met them and posed
for a photo, it's one of the greatest when you played along of you, that that is a thing that
you lean on, you just lean on things. It's part of your body language when you report. I love that.
Yeah, why? I don't know. It doesn't make any sense at all. Well, you've got to do something,
right? While you're doing those throws. Sure. There was this whole thing where people would
walk all the time when they were talking to a camera. You know, they sit in the studio,
they should be on a desk or they're standing in the studio, they don't move. But if they're out
somewhere in the field or on the road, there's always kind of walking from one place to another.
I didn't think that made very much sense. So you're like, can I just hang out here and just
take it easy for a second? You invented the journalistic lean, I think. That should go in
the diet in the dictionary, right? Well, and the same thing happened. I mean, talk about playing
along. When Bill Hader started doing an impression of you on SNL, which must have been,
do you want to talk about what that was like to experience? That was probably the beginning of
thinking, oh, I wasn't just kind of going along doing stories that people were actually listening
to them. And they thought they were kind of strange. So when somebody makes fun of you,
it is, I mean, in the incredibly skillful and funny way that he did, it's, I mean, you don't know
whether what to say, it's both exhilarating and humiliating or a wonderful honor and kind of
embarrassing at the same time. Well, and that characterization is so over the top, it's like,
it's ridiculous. I mean, that's the, you know, kind of the funny part about it. But then you went on
to and played along with it, which is such a, you know, that's a good sport. Very sweet man.
So it didn't hurt me at all. Did they warn you beforehand that that was going to be a character?
You know, I live on the West coast and I got a call that first night from a daughter of mine
who lived on the East coast and she was kind of screaming into the phone. I feel like that deserves
the heads up. But you know, you know, or not, or not. Had there been a heads up, I wouldn't worry.
Right, right. So can we talk about your early career? Because we heard a story that we were
told to ask you about your first summer job when you were a stand-in.
Well, my father was what they used to call in those days a minister. This was in Canada,
where I grew up, and he was a minister in the United Church of Canada, which was, you know,
still the largest Protestant denomination, I think. But one of the, what they call these days,
mainline Protestant churches, are very, tended to be on the more progressive side.
So anyway, in the summertime, ministers needed to get time off and they would, you know,
corral these theology students from the university and have them go out and fill in for a little
while for the summer in many cases. And I had just flunked out of the college.
Hey, us too. We're also college dropouts.
That's right. Well, it's kind of a, yeah, it's a special club, isn't it?
It is now. So I think he took pity on me. And he pulled a string or two and he got me this gig.
And the thing was, I'd been doing public speaking and other stuff before. So the thing was, though,
I didn't, I wasn't exactly, you know, devout. So that's the problem.
A little conflict of interest, probably. I didn't quite live the way a minister was supposed to live.
It's big of you to admit, because I feel like that's probably true for a lot of
practicing ministers. So there are a bunch of people in Pugh's just sitting there with their
arms crossed like, no, we're not taking this from you, sir. We know you, Keith.
They might have been used to it. I remember one Sunday, because I'd borrowed sermons from
of mine who was a minister. And he was pretty good at this sort of thing. And so he would,
he would give me these to maybe use that and just the script and see if that's any better. So
I borrowed one of these one Sunday and I was right in the middle of it. And he was a kind of
a radical guy. He was saying radical things in this sermon. And I was getting into it because
this is cool. It makes sense to me. I like this idea, you know, young and reckless.
And I figured this will get a rise out of the folks in the back, Pugh's, who were just these
solid kind of salt of the earth prairie types. And didn't blink, didn't cut his mouth and frown,
and then they just phew. So that's kind of what I realized. This is probably not the right date
for me. You wanted to do some like rabble rousing and some kind of shaking things up a little.
Yeah. So journalism instead, I guess, is done. Well, yes. And the minister thing was obviously
not going to be ever going to be a permanent something. And the option was to go back and
have another go at college in the fall or not and take a year off and think about things that
when I was encouraged to leave the dean of the school that I was attending,
so that I should probably grow up for a year or so before coming back.
Good advice.
So yeah, there you are. And I was watching TV one day and saw this guy reading the news on TV
and thought, I can do that. And my neighbor was the editor of a local newspaper and needed
a ride to go back and forth to work. And he was at the paper first and then went to this
radio station in town. He was a drag to both places. So I drove him and then he let me go and
cover a few stories and read the news on the radio.
And that's when you knew you were just like, this is it?
And yeah, it was just a lot of fun. And I thought this will never pay the rent. It's a boring story,
but to continue it. So that was in September of the year I'd rather not mention. By December,
I was the kind of regular doing the morning run of newscasts on this radio station in Saskatoon,
Saskatchewan, cold, cold in those openings. And I wasn't really very good at waking up on time.
And I slept in several times in a row and they fired.
Oh, I got a school fired from my first job and you're on the right podcast right now.
It's really very relatable for us and everyone that listens to feeling a bit down.
When somebody heard that I desperately needed a job at some other radio station,
heard this and called up and said, I can take you on, but I really can't pay you.
So if you want to come, just work for basically for free. And you, you know,
will find you a Garrett to live in or something. You can do that. So I did.
And that's when I got to be really quite a lot of fun.
So did you never, you know, some people have to go to like school to learn the newscasting
voice and everything? Did you never do that? No, no, no. In fact, when I, the first job
in radio, the station manager guy asked me what journalism school I'd gone to. And I said,
well, I'm a journalism school. I didn't even know they were journalism school.
And he said, that's good because if you had been, I wouldn't hire you. We'd have to
unteach you a bunch of things. Raw Town. Yeah. I would imagine ministering is
actually like a weirdly good practice for that where the cadence, the delivery, everything.
It's all storytelling. I mean, everything being involved with
communication amounts to storytelling. And how'd you make the jump to TV?
Because then you became a newscaster, right? Well, yeah. And I wanted to do that when I saw
that guy. And so I kept applying to a local television station in Saskatoon. And they eventually
hired me after a while, worked there and then went off to another one on the West Coast and then
one in Toronto and then onto one of the Canadian networks. Nice. You worked your way right up.
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So I love the idea that then, because there was like a shakeup at the top at CTV,
so you lost your job as a newscaster. And the next day, the dateline people called you.
Dare I tell that story? Would you always please gossip Canadian gossip?
Yeah, so maybe it doesn't count, right? I don't know. I've been at NBC and I joined NBC in the
middle of the 1980s at the local station in Los Angeles and within a short period of time,
I was working also for the network, reporting for Nightly News and Today Show and occasionally
filling out those programs. And it was a great job, great place to be. I always thought, well,
maybe I'll go back home one day and I got a call asking if I would go and host a morning show
in Canada. I should go into too much detail, but that didn't probably lead to this new
mayor-rohuno job, the Tom Brokaw type job. So I thought, okay. And I went and had quite a lot
of fun. Hosting a morning show is hell on the body, but it's quite a hoot. You get to interview
all kinds of people from the serious to the silly and just kind of be a show person,
which I'd never really tried to do before. So I liked it. But then the route up, which had been
suggested, kind of was shut off when the person doing that job, re-signed the contract. I don't
know. And at the same time, DateLine was starting. This is DateLine at the very beginning 30 years
ago. So they offered me a job to go back. And I said, okay, but the CTV people talked me out of it
and said, no, you can do that top job after all, because guy in top job wants to share the job
with you in order for you not to go away, which is a big deal, right? Very nice. So the press
conference in the old nine yards and the date was set and all the rest of it. And then I,
you know, something happened. Maybe he changed his mind. I don't know what happened. But one day,
I walked into the boss's office and he said, you know, collect your things. You're out the door.
No explanation was ever given. Really? Yeah. Who was behind it? Wow. What the story was.
Someone had an ego trip, maybe. Yeah. So anyway, it was either that day or the very next day that
the DateLine went through a little couple of pickups at the very beginning. But I got a call
from the person who had taken over after they got when they said, can you be in Pittsburgh
tomorrow? Did the story about a lady who's running a transmission repair shop? So I said,
sure. And that's how it got started. That was your first story as a lady running a transmission?
The first. I love it. Yeah. When did the true crime aspect come into it? Because I know it's,
you know, you weren't that interested in true crime in the beginning or maybe hadn't thought about it.
I really was not. You know, a long time ago, at the very, when I started radio, the first job,
the traditionally this diet and well, newspaper guy would give the starting reporter was to
go out and cover magistrates court every day. And that is a depressing place to be. You know,
takes people later on full display. The, you know, the young and foolish things people do,
the old and dried up things people do, and nasty things that they do to each other.
They all get displayed. And I had to do these stories about them. And, you know, I was a minister's
son. I preached the sermons and I, and here I was having to spill the dirt on all these
poor people who would run and follow the law. And I just felt bad about it all the time. So
when Dave, I decided that they wanted to do more true crime, this gradually worked it in.
I didn't want to go there because there are victims who really suffer in these stories.
And, and families are victims. And, you know, a murderer sends ripples in all kinds of directions
that changes history for people. And, you know, you mess around with that at your peril, I thought.
But they gradually came to realize that there is probably no kind of reporting that gets you
closer to the nature of what makes a human being human being makes this all tick. And
what people will do in extreme circumstances. Yeah. Do you think I just came to my mind that
you were saying how when you were ministering, you know, you, you were doing some nefarious
things of your own. And Karen and I both have some, well, you weren't the perfect person to
be ministering is what you said. And in my mind just went to nefarious things because that's what
my mind does. But, you know, that Karen and I have been in some precarious have put ourselves in some
situations that are precarious have been in, you know, have lived lives that aren't, you know,
no one would take me as a minister, I promise you, not just because I'm Jewish. But so my point is,
do you think that you have like an understanding of how, how easily you can make one split second
decision? And your life will be changed forever. And so you have an empathy towards the people you
were, you know, seeing in court. Yeah, absolutely. You know, I didn't interview not long ago with a
not quite so young man anymore, who had committed the most horrible crime you could possibly imagine
had planned it with the power views. You know, there were the two of those people who got together
troubled boys who got together. And, you know, the one individually wouldn't have committed the
crime. But when the two of them got, what do they call it, a fully adieu or something? And they,
you know, they killed one of their best friends and were sentenced to life without parole. Of
course, it was an awful crime. They, you know, were making a little horror movie about it.
So 15 years later, I'm interviewing him in prison. And he is a moderately changed person
now. He is, you know, he is now a human being, you know, not only feels terrible, but everything
he did and like to make, you know, do anything he could possibly do to somehow make up for what he
did. And of course, there really isn't anything he could possibly do. And so he lives with that
torment every day it was like, but he was open about it. And he was like somebody you would like.
So even though he planned this crime, they'd gone on for any misbehaved for probably months or even
years, you know, people change. And you think, well, there is some kind of, I don't know what,
whether that's a reduction or not, but it's, it becomes very hard to judge the totality of a
person's life and what they're worth because they can be worth different things at different levels.
Yeah. Well, and it's, it's very simple as also people who lifelong consume true crime media.
George and I talk about that a lot where it's, you get the story, the first version of the story,
and you think, okay, this is the good person. This is the bad person. You think you know.
And then as we, so when we started this podcast, it was very much like, oh, we're going to talk about
Ted Bundy and we're going to talk about John Wayne Gacy and the bad guys and all of that. And slowly,
but surely it was the real stories here and the things that actually that we liked talking about
and started talking about were, and I'm sure you've met lots of these people, the family members
who go through these horrible things and then start their own foundation that start becoming
victims advocates that although like you're saying their lives are changed forever, there are those
people that then become almost super heroic in terms of taking that grief and changing,
trying to change other people's lives for the better. There's like the story telling it's like,
we think we're in it for this part of the story. And then there's all these other things that kind
of unfold where people really show who they are, who they can be. It's, it can be really mind blowing.
Oh, truly. Yeah. Grief can be a powerful motivator one way or the other.
People go down or they, or they find a purpose. And sometimes the purpose can be amazing.
Yeah. It's also interesting and I think we're evolving to be more understanding of, you know,
those ripples and how it also affects the family and friends of the perpetrator.
You interview those people all the time where it's hard for everyone, not just the obvious victims,
but you know, expand. It's very hard. And again, you know,
it's very, it's difficult to look at somebody in the face and sort of go huge, you know,
you're a bad, not a terrible thing. And I, and I want to show how on this television show how
bad you are. Yeah. But one of my favorite fictional detectives is Inspector May Gray
of Paris, I guess the novels that were written by George Seminole back in the
early, mid 20th century. And he was a chief inspector who operated in Paris.
The stories were all the kind of stories that we do on Dateline. You're just,
it's the same kind of stuff and it happens over and over again. But his motto was understand,
but do not judge. And he would find out being in relationships with the criminals he was apprehending
and that some, he would see the humanity at the same time he had to deal with the fact
that they had done this and they needed to pay for their crimes. Yeah. There wasn't a hard line
between good and bad. It's just kind of, we're all a little mixed up. Definitely. It's very true.
Well, that also makes me think of those few times on Dateline that I've seen when the hosts are
interviewing, and I'm sorry to say, it's often the husbands. And sometimes there's the husbands
who you eventually find out they did it and they're there to be interviewed saying they didn't.
Those are the ones, I've seen a couple of them where it's just a kind of just a very flat-eyed,
nope, they think they know better than everybody and they're going to tell you exactly how it is.
And then as the episode unfolds, it's clear that it's that person. Sure, sure. They always think
that the smartest one in the room and they're still doing it even afterwards. There's a particular
personality, all right. It starts out, again, you see it all the time, but the personality of
the abuser. And sadly, the abuse of women by their male partners continues to be an
epidemic. I don't think everybody's that way. Very few have that kind of personality,
sociopathic sort of personality, but the ability to manipulate somebody and to be so in control
of their lives, and then they cannot stand it when that person finally tries to escape.
And that's what further occurs, but it's the pattern that happens over and over again. So then
these guys are sitting in prison trying to persuade you that, no, no, no, it didn't really
happen. All these obvious things were just your imagination. Those are not the people
that I like very much. They can't imagine. Have you ever been in that chick? Because you go in
and interview these people face to face and some are admitted murderers, some aren't admitting it.
Have you ever had that feeling, that chill, that I just would find it so chilling to look into the
eyes and speak to someone that you know has done something so probably awful?
Yeah, but everybody's different. I mean, some are pathetic. A man who another two of them operating
together, two guys who were doing what they could to get as deep into the bottom of the
barrel as they could, and had all kinds of substance abuse issues and so on. But they would
pick up young men, women on the street, sex workers in Orange County in California. They
would take them away to their little hideout, which was behind a paint shop in an industrial
part of town, and they would use them horribly, horribly, I mean, in unspeakable ways, and then
dump their bodies into a dumpster, which was right behind the paint shop. And every day,
big truck would come along, pick up the dumpster, dump it into the back, take it off to the dump,
and these women would wind up, you know, 50 feet down before next Thursday. So one of those guys
agreed to be interviewed. And he had been in trouble before off and on many times. He was
actually wearing one of the ankle bracelets that's supposed to keep track of him while he was
getting these crimes. And he tried to tell me that was really the state's fault that he committed
these crimes, because they weren't keeping proper track of him. And if they had better
track of him to better care of him, he wouldn't have been doing these terrible things. So he
wanted somebody at the level of, you know, an important person in a police organization to
take some heat for it. Just the strangest things. Then there was a, do you mind if I
go on? Please, please. There was a preacher who came to believe he was in one of those churches
where they had unusual beliefs. And he came to believe that one had to have plural wives,
not Mormon, not part of that faith, but his own reading, his own personal reading of the Bible
was that you wouldn't be able to get to heaven unless you had two and preferably three wives.
Lucky for him. Yeah, it's not, it's very convenient. Right. He had one at the time and a couple of
kids. So he went out and managed to find wife number two. And she was young and pretty and,
you know, 18, 19 years old. And she lived with them ostensibly as a housekeeper, but
she was wife number two. And then after a while, she told him she wanted to better herself. She
wanted to go to college. She wanted to have a career. She wanted to make something or so.
Didn't say she wanted to leave him. She just wanted to do these things. And his response to that
was to send his senior wife off with the children for the weekend, take this junior wife to a restaurant,
give her a steak, take her home to the house and kill her and put her in the bathtub and
cut her into a bunch of pieces and put her in a container and take her out to the desert
and bury her under a cairn of rocks where remains were not discovered for two years while he kept
on preaching. But when I interviewed him in prison, and I asked him about, you know, some
theological tech questions about his behavior, what he had done and what he thought that would mean
for his kind of eternal existence. And he said, oh, I'm not worried about that at all. And I know
she's waiting for me there in heaven. And when I get there, we'll be together again. Yes. So sometimes
they do give you a paw. Most of the time, they're just kind of. I love that you use the word
pathetic because I do think that that is such a great word. You know, everyone reveres Ted Bundy
or, you know, these these murderers, but they really are these pathetic people who can't,
who just have these burges. And it's, I don't know, I just love the word pathetic,
but it makes it, it makes it's exactly what it is. It's not, it's not fascinating in that way.
It's, yeah, that's good. That's true, quite true. Are those your most memorable
date lines? The ones that stand out the most? I've just happened to pop into my head.
You've got a lot. I mean, 30 years worth, right? Right, right. Yeah.
Yeah. Do you have a most memorable date line? I'm sure it's hard to pick just one.
It truly is. I mean, there are scads and scads of them that I just got very, very wrapped up in.
You know, one of my, as long as we're talking about, I'll tell you this,
this particular favorite story, one of many, and it's a pathetic story. So, you know, you may not
find it tall, interesting. There was a couple, a kind of a sweet, sad couple who lived in a small
town in South Carolina, and they had three children, three girls, and they, you know, they
barely scraped along. They lived in the poorest part of town. Their house was just a disaster zone,
a mess. They couldn't keep a clean house, but they were lovely people. They went to church every
Sunday, and they were good parents. And the wife worked at night to clean offices and so on,
and the husband worked during the day delivering pizzas and other things like that,
just to try to make ends meet. He was also going to school to try to become a computer technician,
and so he wanted to make something it was like. So, one night, while the wife was at work cleaning
some office somewhere, and the husband was asleep, a man came into their house and brutally raped
and killed the eldest of the three daughters. But nobody knew this. He didn't even know it. He
didn't wake up. And the reason he didn't wake up is he was wearing one of the early CPAP machines,
but because he couldn't afford a decent one, his went very loud. The other little girls in the house
didn't wake up either, so it wasn't any great surprise, but this man managed to get in. But in
the morning, he went in and he discovered his daughter's body. He saw there was a scarf wrapped
around her neck tightly, and he mistakenly thought she had somehow wound herself up in the blanket,
and asphyxiated herself, both he slapped. He called 911, and he wasn't as, you know, when your
11-year-old daughter has been brutally raped and killed, and you call 911, people expect you to be
pretty upset to say the word. He didn't sound that way. Listening to the 911 call, the police are
thinking, okay, this guy probably killed his daughter. That's what usually happens here.
So when they came over, then they saw the messy house. Then they read that CPAPs had complained
about the quality of the care of the children, not because they weren't good parents, but because
their house was so messy, things began to wag to each other. So they took this guy, they took him
into the police station. He willingly went to talk to them. He didn't ask for an attorney or anything.
He just wanted to explain what he saw and see if they could help him find out what happened to his
daughter. And they had him in there. I can't remember how many hours it was, but it was over
the course of four days. He was interviewed for hours and hours and hours and hours and hours,
and they kept telling me he did it. Just confess you did it, you did it, you did it, you did it.
He was accused and denied the accusation because somebody went and kept track.
They may have adjusted the number a little bit. I suspect they may have. He denied it 666 times.
Oh my God. Wow.
But eventually, they wore him down to the point where he said, yes, I did it. And so,
bang, he was charged with first degree murder, the old town bird that he was charged with first
degree murder. His wife was told that he was the most horrible man on the planet, his other
daughters were too. And she, her heart was broken. She died very soon afterward.
Under circumstances which were frankly a little, I don't know, they never were worked out properly.
But so, he's lost his other daughter and his wife, and he's been charged with first degree murder.
And then about a month later, the DNA results come back, and they show the DNA on his daughter
was not his, it was somebody else's, some other man. And it just so happened that there had been
a person burglarizing the neighborhood and assaulting women during that period of time.
He was arrested. They checked his DNA. Lo and behold, his DNA was on this man's daughter.
At that point, even though he'd been very publicly charged, the right thing to do would have been
to say, that guy did it. Not that guy. We're going to let the original slub out of jail and
let him go back to his life. But they didn't. They decided that it was a conspiracy that
the father had inspired with this guy to come into the house and break the daughter well
the father watched. Oh my God. Yes. And they took that to trial. And some of the best attorneys
in the country eventually tried to, you know, overturn this result. But he was convicted
of first degree murder. He was sent away for life. And, you know, the Innocence Project got
involved. And everybody pushed so very hard to try to get this overturned because it was so
obviously wrong. But, you know, it's a kind of life in prison. You know, he studied up on his
theology. He became a prison minister. And yes, even though the whole town continued to believe
he was guilty, the DA and the local prosecutors still preach that he was guilty. And when I did
a story about him suggesting strongly that he was a menacing man in prison for a thing he didn't do,
the DA actually set up a special website to attack baseline for our report.
What? Yeah. So that was one that sticks with me. Eventually this man died in prison. And so
before he could be exonerated. And that broke my heart. Yeah. It's a dark story. But there are,
you know, there are a lot of those, that's for sure. Definitely. Well, and that kind of story
that points out where, and I understand where they can't just reverse cases easily. And that,
you know, I understand that piece of it. But to that point where they're bending the facts to
suit what they've already tried to prove, that need to not be wrong with the authorities at times
to the sacrifice of someone's actual life. And actually those two, the two sisters that
lived the other daughters that now don't have a mother or a father or an older sister.
And continue, as far as I know, continue to believe, which is just, again, as I say, break
your heart. Yeah. Yeah. Yes. And there are lots of cases like that where they get them to confess
to something and then undoing that is impossible, actually. Yeah. It's wild. Those that
false confessions and then also the expectation of what one should sound like and how one should
grieve when they find, like in a situation like finding your daughter dead. And if you
don't fit those expectations, people assume things of you. Those two factors, I'm really,
I like the fact that in this true crime area and in, you know, we're realizing that you can't
have expectations. You know, you can't say, here's what you're supposed to sound like when you're
grieving. And no one would ever, who would ever confess to something they didn't do. It would
never happen, period. But I like the kind of sea change that's happening around us.
And you must have witnessed a lot of those things that used to be the norm.
Oh, yes. And we've done quite a few stories about people who confess to something they didn't do.
And then the road back becomes very, very difficult. But watching that happen can be fascinating.
Again, there's always a huge pushback and effort to try to keep them inside and not admit that
the mistake was made is very strong. Whether it's simply because they don't want to be sued and lose
money or whether it's based, I don't, I don't really know. We did a one story where we explored
the system which is used in most other, almost all other industrialized countries. We happened to
look at the one that was used in Britain. But the systems which are put in place to try to
ensure that false confessions do not happen, who has to be in the room, how long you have
somebody, you know, and they have cut their false confessions by a almost to nothing.
The officers who were working in the homicide departments rebelled against this. They thought
it was a terrible idea. They never get a conviction. But in fact, their clearance rate went up.
So one of the people behind this, this new way of doing things in Britain came to the United
States and has been educating police departments around the country which gradually have been
adopting some of those methods so that they avoid false confessions at least as much as possible.
Yeah, right. Is that one of those things there was a made for TV movie about the
Fred and Rose West murders in England and it was called, it's basically that there has to be an adult
in the room if they think a person might not be understanding the full scale of what's happening
to them when they're being questioned by the police. And it's just like basically a witness,
an adult witness that's there to say, don't do that, don't admit to them.
I think it was used for many years. You know, they're sort of sweating one of these
potential convictees. So you get a 16 or 17 year old kid in the corner of a room. You make,
chill the room. So it's cold, cold, cold. You keep there all night long, but no matter whether
they're sick or not, you get two large detectives kind of leaning in over the table at this person,
working away. I'm sure they were well-meaning people, these detectives, but they were using a
system where they were trying to achieve what they believed to be true, a confession of something
that they were pretty sure happened. But the kid in the corner is terrified. One of the techniques
is to say to the kid, if you just tell us what happened, just tell us you did it, then we can
take care of things. You can, and they leave the impression that the kid can go home and
mother will deal with it or something like that. It'd be okay in the end. And of course, it isn't
at all. It's a trap and it's a terrible thing, frankly. I also think about the fact that for
some of the false confessions that the gentleman you just spoke of, they're also sitting in these
rooms with all of those circumstances and all of those tricks, and they just went through something
so incredibly traumatic. So they're not even in their right mind because of that, if it's something
that personally happened to them. You're in shock. You just want to get home and take care of your
people and try to find out what's going on. And so you're just in a really bad circumstance,
no matter what. And then you're being manipulated by professionals.
Well, at some point, the person in the hot seat in the corner thinks, well, maybe I did do this.
God, not bad. I must have done something. Right. Especially after the 600th time they ask you.
I mean, that's so above and beyond. It's so crazy. Well, I don't think we should talk about,
should we talk about your new podcast? Do you want to tell us a little bit about
what we can expect? Yes. The podcast is called The Seduction. And it is a story. What can I
tell you? I'm not sure how much I can tell you about this. Just use general nouns.
No, but this is a story of a young man's fascination for love for a certain older woman.
So we talked earlier about manipulation. Well, sometimes, sometimes, not as often,
but sometimes it works in reverse. And the thing that made this worth doing a podcast,
and we've wanted to for a long time, was as soon as we started doing podcasts, we thought,
we've got to do this story. It's a phenomenal interview with the man, was a young man,
not quite so young anymore, who was at the heart of this crazy, crazy, strange tale.
So the interview was, I barely had to say anything. He wanted to tell the story. And he had the kind
of personality, kind of memory, that had every single detail nailed down, locked into his memory,
and he had just recited one thing after another. I've never talked to anybody like that before,
who has his whole life sort of in a catalog that he can just talk about, and talk about,
and talk about, and talk about, I did this then, and then I did that, and then it was eight o'clock,
and I did that. That's a story that tells a dream. Yeah. Because the protagonist of your story,
if you're writing a novel, that protagonist would know all the details too, right?
In real life, they never do. I mean, people don't remember, or they don't tell you,
but this is a kid who knew everything, and told me everything, and we'd check things out. He was
not worrying about it either. So it was pretty interesting. If you think about the movie,
Double Indemnity, or a couple of other noir movies of that type, you have a fairly good
idea of what this story is about. It takes twists and turns, which are more like the movie Weekend
at Bernie's. Oh, no. Oh, that's a reference right there. Is he the victim, or is he the suspect?
Well, the question of what he was is a complicated one. Was he the perpetrator? Was he a little
bold? Perfect tease. Yeah. Is that in such a Keith Morris voice? So the seduction's coming out
June 14th. That's right. Among stories that we have done on podcast, and I don't get me wrong,
I love them all, but just this one is a corporate. All right. Oh my God, I can't wait.
A little bit dark, corporate. And also, your new Peacock series, The Last Day,
is also coming out on June 14th. Yeah. It's a big day for you. It is. Oh, I know.
Yeah, circle that day. Keith, thank you so much. We're so honored that you would do this with us.
We're truly huge fans of yours. Been listening to you and watching you for a long time, and you
really are. Someone called you recently, the granddaddy of True Cry, which maybe, sorry,
that might be lightly insulting. But I mean, you're just, you've been in our lives for a long time.
So we're really, we just appreciate the job that you've been doing, and we really appreciate that
you're here. Glad I've been. Thanks. Thank you. Honored. Thank you so much. And you guys,
you can also find Keith on Twitter at Dateline underscore Keith as well. And of course, watch
Dateline too. Yes. NBC. Yeah. Thank you, Keith. Thank you. You too. Bye. Elvis, do you want a cookie?
This has been an exactly right production. Our senior producers are Hannah Kyle Crichton
and Natalie Rinn. Our producer is Alejandra Keck. This episode was engineered and mixed by Andrew
Eban. Email your hometowns and fucking hurrays to myfavoritmurder at gmail.com. Follow the show
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