My Favorite Murder with Karen Kilgariff and Georgia Hardstark - 401 - Keep A Lid On It
Episode Date: November 9, 2023This week, Karen tells Georgia about pioneering investigative reporter Nellie Bly.For our sources and show notes, visit www.myfavoritemurder.com/episodes.See Privacy Policy at https://ar...t19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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What a life these celebrities lead. Imagine walking the red carpet, the cameras in your face, the designer clothes, the worst dress list, big house, the world constantly peering in, the bursting bank account, the people trying to get the grubby mitts on it.
What's he all about? I'm just saying, being really, really famous. It's not always easy. I'm Emily Lloyd-Saini and I'm Anneli Young-Rofi, and we're the hosts of Terribly Famous
from Wondery, the podcast which tells the stories of our favourite celebrities from their
perspective.
Each season we show you what it's really like being famous by taking you inside the
life of a British icon.
We walk you through their glittering highs and eyebrow raising lows and ask is fame and fortune really worth it.
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And with the spirit and energy of the coyote, we begin this podcast.
Hello!
Hello! And well done. To my favorite murder! That's Georgia Hard Star. we'd begin this podcast. Hello.
And well, to my favorite murder.
That's Georgia Hardstart.
That's Karen Killaguerreff.
How's it going?
You know, it kind of sucks that it's like up to you with the banter
because it's like, I always pass it to you.
So like, yeah, that's just how the play was written at the beginning.
Right.
My line next.
It doesn't have to be your line.
You know what I mean?
I could extend the sentence if I wanted to.
I feel like I would hope that you know you can do that
after your seven and three quarters.
But also, I think that's,
part of my charm is when I know
that that's the position I'm in,
I will absolutely like just crab box sideways and get out.
I will bail on it every time.
You'll know Sal.
You'll know Sal and just like I refuse.
I'm Jen Hacks.
We're not allowed to be earnest or try.
It's the rules.
Yeah, I get it.
I think that's fair.
That's fair enough.
I'm on the cuss, but I'd say I'm more of a millennial,
which is right, which is
right, which is more like enthusiastic to be invited.
Absolutely. Perhaps beer, printed shirt, and a pap spear in your hand of like, hey, what's the event we're going to do together?
And don't show up empty handed ever, or you're like, or you're never going to be invited again.
So I have to bring, carry something.
Now, is that manners or is that millennial?
I don't know. That might be my mom.
Yeah, that might be a little Janet,
because my parents were like that too.
And they acted like it was,
you might as well just shit on the floor.
Totally. Totally empty handed.
Totally crazy.
Which is what?
Let me just tell you right now, everyone,
if you're on your way to a party
and you don't know what to get the hosts, stop and get five lottery tickets,
five scratchers, hand them over to the fucking host.
Or how about if you're looking for choices,
you could also grab two lighters.
No one ever gets themselves lighters anymore,
because no one's up.
Right, ice.
Everyone needs ice at a party.
Every time.
Hi, ma'am.
Hey, do you need ice? Yes. It's like the best question needs ice at a party. Every time. Hi, I'm Hayden. You need ice.
It's like the best question you could ask a host.
Also, don't be afraid to be basic and grab that bag
of Tostito scoops because they are beloved.
They've made it.
They've just been around for so long.
They were.
And if you're showing up late to a party,
don't be afraid to get a 20 piece McNugget.
People will fucking lose their minds. It's happened
before a Joe DeRose's old party someone came in with a fucking bag of nugs and everyone cheered.
If you can be the fastest postmate ever and be like a close McDonald's so that they're hot when
you get there. Oh, a hot Mcnugget. Because when you're drunk at a party and it's now 1230.
Oh yeah.
And you're kind of like, I'm here,
whether or not I want to keep eating celery and ranch dip,
you know, is like past that point.
Right.
You've worked all the scenarios that you can in that area.
All that's left is the cauliflower of the crudite.
Like you don't want to be farting at a party.
No, you should know.
No one's eating it. Right. The cheese has at a party. You should know and eating it.
Right.
The cheese has been picked over.
Sweaty, sweaty cheese.
And what now?
Maybe nothing.
Or maybe the person of your dreams walks through that door,
walks through that side gate along the front house,
into the backyard where your party is,
with a 20 piece McNugget.
Maybe a 40, maybe a 60.
Maybe you somehow got the person to give you one of you.
Well, you get 320s, I guess.
Right.
That's on MathWorks.
Right.
No, you get one of every fucking dipping sauce.
Boom.
Yes.
Hero.
Oh my God.
Hero.
As if you're the richest person in the world,
it's like, no, no, no, I got sweet and sour and barbecue. So just hang in there. It my god. Hero. As if you're the richest person in the world. It's like, no, no, no, I got
sweet and sour and barbecue. So just hang in there. It's me. What is your nuggets? I think that
if we're going to talk about McDonald's specifically, yeah, we are. Okay. That would be then because
I do like their barbecue. Absolutely. Or ranch. I think I'm never done ranch. I'm a barbeque and hot mustard
double dip. Oh my god that's try it sometime. That's just insane. I know it's the
best fucking thing I've ever had. So you're taking your one and going do do then.
Yeah. Yeah, but I'm polite. I do it in the hot mustard first and then the
barbeque because Vince doesn't like barbeque and I don't want a comm it in the hot mustard first and then the barbecue because Vince doesn't like barbecue and I don't want a co-mingle in the
Hot mustard and bump him out, you know, and I'm a considerate double-dipper at least
I bet you are although
Did we already talk about this that I had no
Consciousness of double-dipping until the sign fold episode came out. I think most people didn't. People were talking about it and laughing.
I had so gross or whatever.
And I was just like, I think I've been doing this
this whole time, like flagrantly.
And not even thinking about it.
I feel like the older I get, the less I care
about people caring that I double dip.
I feel like the older I get, the less I care about sign fell.
He just can't ruin my life anymore.
The way he used to.
Every single thing I had to do
just like him. Oh, can we say all right, Pete, I'm Matthew Perry right now while we're here.
I mean, so sad. I was reading some articles about the quality of his life and how he couldn't go out
in public because he was beloved, but that was affecting the quality of his life, which is so
in public because he was beloved, but that was affecting the quality of his life, which is so
that horrible irony of like quote unquote fame and he had it. Right. You know, he had it coming going and had you ever met him or seen him? I talked to him on the phone one time because he
was friends with my friend and they were kind of like hanging out. And so then she put me on the phone
and I was making jokes.
And then I think I said some joke that was maybe rude.
And then he was like, yeah, okay anyway.
And then I was like, all right, fine.
I remember you from just the 10 of us,
which was that syndicated show
where the basketball coach had played so many kids.
And he played like the dream boyfriend.
But he was like probably 13 years old.
And then I won him back over with that deep cut
where I was like, we were the household
that memorized every person on the television
when they came through.
By the way, this is being recorded
like a week before you're listening to it.
So it just happened for us.
We're coping.
Can I tell you, I feel like you can tell
what kind of like mental health space I'm in by what
I'm reading, but the opposite of what you'd think.
So like when I'm reading horrible, terrible, true crime stuff, it's because I'm in a really
good place and I don't want to like overdo it with the happiness, you know?
Yes, you got to meet the people who live on the same club.
I don't know, I know I'm anyone.
So I am currently reading two true crime stories
about your favorite topics, Jack the Ripper, somehow,
which has never been my interest.
But what happened?
I started reading the five.
Yes, oh, that book is so goddamn good.
By Haley Rubenhold, which is so incredible.
It's about the canonical five known victims of Jack the Ripper.
And it's only about their lives.
That's it.
It's nothing about the murders.
There's no horrific details in it.
It's about what these women's lives would be like based
on historical records and the time and place, which
is fucking fascinating.
Yes, and how those newspapers back then assumed
if women were not middle or upper class,
that they were then lower class drunks and sex workers,
which for some of them was not accurate.
And it was almost like, well, this is the victimology
and this is, you know who was killed
because it's the same person as last time
seemed to be kind of the approach.
And because Victorian England was so fucked
that it's like, the work houses,
I didn't know anything about work houses,
which is basically you check yourself into prison
because you can't afford to eat or sleep anywhere.
Yeah.
And then you have to work as if you were a criminal
to get those basic necessities met.
I mean, it's fucking wild.
But much like student loans, it's a scam.
And you start working, but then you get charged for things.
Exactly.
I mean, the fact that humanity was at a place like that
during a time where everybody should have gotten rich
because it was the industrial revolution.
Totally.
The beginning of it at least.
And instead, they figured out exactly how to keep it
at the top and push everybody down so low.
And make everyone who's low happy to be paying
for the fucking upper echelon to get,
you know, their apartments furnished with beautiful furniture
by the pleasure of the crown.
Yeah.
And proud of where they're coming from,
even though they're getting none of the opportunities
that the upper class are getting.
Yeah, just, it's so crazy.
Was that stuff in there?
I don't remember,
because I read that book like five years ago.
Yeah, so all that's in there.
And then I wanted to know more details
and like some more stuff about Jack the Ripper,
who he was exactly.
So you're gonna love this.
Then I ordered they all love Jack,
which you love right by Bruce Robinson. I literally have recommended this book on this podcast
four times and it's just a direct reflection of how little I read and how specific my interests are.
But I think there is a time where at one point you were like you can't just keep saying that book.
No, what I said was you tried to convince,
well, yes, I probably said that,
but you could try to convince me to read it by saying
something about free masons,
and I was like, well, I'm out.
I don't care.
I think it was like,
I don't want to know about free masons.
And I've started reading it and I'm like,
well, free masons, man.
Yes, this is the fucking answer.
Bruce Robinson, who is also the man who wrote the screenplay
for With Nail and I,
which is one of my favorite movies
and many people's favorite movie, but his ability to put words on a
page that compel you to continue reading, because it's a big old book.
Absessed.
Huge.
So good.
I'm reading it, and I feel like I'm working out my mind in a way that, like, neurosurgeons
tell you to do when you're young, so that when you're older,
your brain still works.
You know what I mean?
Like, it's a hard book to read,
but it's so good and fascinating.
It's good reading.
It's like brain food reading.
Oh, that's exciting.
Yeah, put it on your nightstand.
If you want people to think you're smart,
put that one on your nightstand.
Fuck, infinite just.
They all love Jack.
This is the way to go, I feel like.
And they all love Jack is so like,
I think it's the ultimate frustrating cold case, right?
Where it's like the theories have created more problems
and like the graphic novel from hell talks about that word.
It's like after years of theory and incorrect theorizing
and people coming out and saying,
this is the final answer and it's actually not.
It's just so muddled now because of that.
Right, I do love the idea that it was the Queen's Doctor
because that's the best story of like,
it's the person you least expect.
Right. And the reason that they couldn't solve it
isn't because it's unsolvable or they were stupid.
It's because they couldn't because it was the Queen's Doctor.
Yeah.
You can't blame nobility for something or a Fre Mason. It's just not what they do. Yes, there's people in
this world that are so protected that they can do truly whatever
they want. Totally. It does feel like it's a bit of a bummer if
you think too hard about how it relates to us here today in the US.
Right? Just pretend it's only in Victorian England.
Here's the thing, I'll tell you this,
because we can't really talk about other things
that we've been watching because the sag strike
is still going on, but you know what's not going on?
Is the auto worker strike?
Their strike ended and they won their contracts
and they won big.
Amazing.
And like the union victories that are happening now
are happening swiftly and that's a thing
that should have happened way back then.
And people are starting to smarten up
about what they should actually get and what they deserve.
But they're the reason that the economy is fucking moving
and running and working.
Yeah.
Not the fucking CEO.
That's what I might say.
It's true.
No, it's true.
Hong Kong, do am I saying? No, it's true
Hong Kong, do you have allergies or is it this weird weather because everything's turning into spooky Halloween season? It's the weird weather allergies is what I have the Los Angeles. What is this?
Oh, it's fall, but it's hot weather hot wind wind, Halloween, throw pumpkin at a garage door because it's hot wind, Halloween, baby.
Well for us, Halloween's tomorrow, for everyone else that already happened. So who knows what's gonna happen, but I think you and Vince must have the same
mindset and your guys are from the same era in that he thinks someone's gonna come grab the pumpkins that we put out and smash that. And I'm like, or steal our Halloween decorations.
And I don't think that happens anymore.
I don't think there are teenagers roaming the streets
anymore, Karen and Vince, like stealing shit
and like smashing pumpkins.
I don't know.
Count them up, day up, and then let me know
day after exactly how many you have.
I don't know.
Can't report back.
But I mean, I guess that's so funny.
But also it's like, because when we were teenagers,
that was like a thing you could do.
You could have trick or treat.
And nobody was old enough to have a party,
but people had driver's license.
So you can forever's license is,
so you could drive around.
Devils night, too, is a thing.
Yeah, that's right.
Oh my God.
Do you have anything? So many things I'm watching, I want to talk about, but that's right. Oh my God. Do you have anything?
So many things I'm watching.
I want to talk about what we can't.
No, I don't really have anything.
They're doing a bunch of work on my street.
So I meant to go to Sephora all weekend
and just couldn't figure out when to move my car
to get out.
So I just kind of like, I'd one of those in the house
weekends that actually was genuinely relaxing, not stressful.
And that was a nice one.
All is status quo, if not better than average.
Oh, I love it.
Congratulations.
Thanks so much.
It's a congratulations to you too.
But only a little bit.
You know what I, I forbid, every time we have
like a relaxing weekend without any plans,
I always start to feel guilty.
And I'm like, we should go see my nephews, which is the most stressful fucking thing to do.
I just see an eight year old and a four year old, you know? It's like not a chill, happy couch,
football, reading thing. That's your equivalent of reading true crime while you're happy.
It's kind of like, are we relaxed?
Then let's go work on that.
Let's go chip away.
Exactly.
We should do exactly right corner,
but really quickly, I want to say that we didn't talk
about the newest MFM animated by Nick Terry,
which I think is, did it come out?
Yeah, and I think it's maybe my favorite
of when I covered
Billy Carlton and we started talking about all the musical she was in. Oh right. And then
you and I just went into a whole musical ensemble. And that's what Nick Terry animated.
It's epic. Go to the exactly right media YouTube to watch it. It's so fucking funny. It's
my- I think it's my favorite. I mean, it's hard to choose. It's so funny because I remember once you and I, when we did my favorite weekend, which
was now bug in four years ago or two years ago.
Our summer weekend, yes.
But I remember at one point, we were trying to show somebody Nick had just started making
those for us.
Right.
We were in the green room.
Adrian and Lauren were in the green room with us and you and Vince and maybe somebody
else.
And so we were trying to show them that and so we were watching it on somebody's phone and we're all watching it and laughing
And then I remember like watching it and laughing and then catching myself in the mirror and being like
I'm now the person that makes somebody watch a video of me and then I stand there and laugh along with it
Like this is now where you're looking
at.
Watch how funny I am.
Look at me on my weekend. No, no, but also look at this thing of me. We're just like,
buy, see you later. I want to say that Marty, my dad has got it in his cross, stuck in his
crawl that we should somehow submit them to the short film festival in Palm Springs that I think he's gone to a couple
times.
He's a big fan of and so he wants us to.
He wants to get.
I don't know.
I talked to Nick Derry about it, but Nick Derry has another job and he's busy and I don't
think he.
And also I don't think it counts as a short film.
I don't know how to tell him that it's not going to happen.
You know what I mean?
Because it's so sweet and he's so earnest about it.
Yeah, it's his way of saying, like, I support what you're doing.
I think it's good enough that it could actually fit into my world where real things are happening,
which is a very big, bad compliment.
It is a big, bad compliment.
You're right.
You know, maybe if Spike and Mike's festival of second-toasted animation comes back,
maybe we would make it to that.
Oh, here's the one thing I did want to say,
similar before we get into the exactly right corner,
is so the last.
When I talked last week about the opportunist
and their season seven that I was listening to,
that was about that screwed up kind of like,
we'll take your troubled child into the desert and teach them.
Yeah.
I cited the name outward bound, but then I corrected myself and said I shouldn't have said that name that has nothing to do with it or whatever.
I got a tweet from outward bound.
No, you didn't.
And it says, because I think I said I shouldn't have said outward bound. They're a legit one.
Yeah.
And then they wrote Karen Koguerreff, we are a legit one.
Participants on OB must be willing and motivated
to go on course with us.
We teach social emotional skills through adventure.
We know you're supposed to stay out of the woods,
but we'd love to have you join us sometime.
And then, so I was like, at first, I thought they're mad.
By the time I got to the end, I was like, oh no,
I don't, you're not gonna make me go on outward bound.
Are you, that was literally a fear I had as like a 13 year old.
Of like, if my parents got so sick of my mouth
that they'd be like, you know what,
you're gonna go on a ropes course in you semity
for the weekend, bye.
Well, outward bound, we stand corrected.
Yeah, so outward bound, thanks for,
thanks for understanding, but there were so many
movements, classes, ways to take your money in the 70s and 80s that were
founded by people with zero certification, zero training, and a bunch of big ideas that were
absolutely incorrect. A really quick, just really quick. And this, this is in the clear. Did you see any clips or did
you watch Nate Bergazzi host Saturday Nightlife? I watched the whole thing. How charming and wonderful was he?
I'm so excited. I mean, he is a beloved stand-up comic. Everyone I know that knows him adores him as a
person. Every comic that I know reveres him as adores him as a person, every comic that I know,
reveres him as a comic and a writer.
Which is hard to do because they want to hate you, right?
Like hating you is the default
when you're a really good comic.
Hating you is kind of just average, yeah.
Because that's just how you kind of get up and through
and whatever as a comic, but he's so good
and then to watch him be able to do that
and then have people going, I had no,
I mean, this is on TikTok.
I had no idea who this guy was
and this was the funniest episode I've seen in a while.
Yeah, it was great.
So excited for him.
It was very surprising.
I mean, that he was on it and then he fucking killed it, you know.
Yeah, it's great.
Love it.
Oh, we have to, oh yeah, exactly right corner.
So this week on exactly right, our comedy shows all have amazing guests
Jamila Jamil is on with the banana boys this week Amber Ruffin is the guest on adulting with Michelle Bhutto and Jordan Carlos
Who are also just on good morning America?
You know if anybody caught him, but they just did some sweet ass good morning America paneling and
if anybody caught them, but they just did some sweet ass good morning America paneling and we're delightful.
And then on I said no gifts,
Zaynab Johnson joins Bridger.
And I know Zaynab, she's a hilarious comic
and she has a new special called Hadjobs Off
about her family and she is a really amazing comic.
I worked on a pilot with her a while ago
where she had to be a sports reporter. she's just super funny and cool and I know a lot
of people aren't getting the normal press that they usually get because
everything's a little bit screwed up because of the strike so just wanted to say
if you're looking for a comedy special to watch Zaynab Johnson's new special
check it out because she's great. And then I'm wicked words.
Kate Winkler Dawson talks to True Crime author,
Alex Marr, about her book, 70 times seven,
which is about one of America's youngest death row inmates.
So make sure to check that out.
And then Karen Leesa discussed tortured
from SVU's fourth season on that's messed up.
And Karen Leesa are still on tour.
So go to that'smesseduplive.com
and find upcoming dates and go see them in real life
and support them.
They're great podcasters,
but they're even better standup comics.
So their live show is gonna be great.
Their live show's amazing.
And also it's like our old live shows where if you go,
and even if you go alone,
you're going to meet friends there.
Like everyone who's in that audience at a live that's messed up show is your new best friend.
So make sure you go.
If you listen to our show and you like law and order as you, and you haven't listened to that's
messed up, which would be strange. But just in case, if you're just hearing about this now,
find one of their shows and then go find your friends at that show.
Yeah. And thank you so much for your patience as we roll out a new website for my favorite
murder. The merch store has tons of new adorable designs. And if you're a member of the fan
call, you should now be able to access all of the exclusive audio and video content.
Everything is like new and improved and super shiny. So go check out my favorite murder.com.
Everything is like new and improved and super shiny, so go check out myfavoretmutter.com. Ghosts aren't real.
At least as a journalist, that's what I've always believed.
Sure, odd things happened in my childhood bedroom, but ultimately I shrug them off.
That is until a couple of years ago, when I discovered that every subsequent occupant
of that house is convinced they've experienced something inexplicable, including being visited
by the ghost of a faceless woman.
And it gets even stranger.
It just so happens that my wife's great grandmother
was murdered in the house next door
by two gunshots to the face.
Is the ghost somehow connected to her murder?
I decided to go where no son-in-law should ever go,
digging up a cold case and asking questions
no one wants answered.
And the guy who did the killing?
It might have been my wife's great grandfather. This is a podcast about family secrets,
overwhelming coincidence and the things that come back to haunted us.
Follow Go story on the Wondry app or wherever you get your podcasts. You can binge all episodes
and free right now by joining Wondry Plus. wondering about. Alright, should we get to the actual thing we do on this podcast?
Sure, Karen.
I mean, why not?
I'm very excited.
I've been waiting to tell this one for a while.
Today I'm going to tell you about a pioneering investigative reporter with no formal training
who overcame incredible odds to report and break one of the most important
stories on the infiltration of a notorious, what they called back then, Insana's Island.
Oh my God.
In the 1880s of New York City, this is the story of Nelly Bly.
This is amazing.
I'm so excited.
I thought you were going to say, well, we're all the Romara.
Oh my God.
That one though. You mean the one., Geraldo Rivera. Oh my God, that one though,
you mean the one.
Yeah.
The one.
Yeah.
So basically this is the turn of the century
version of that same exact story.
Yeah.
And which is, if you haven't seen that,
Geraldo did basically the same thing about Willowbrook.
The patients were being treated so terribly.
The video is a nightmare.
Like, please be careful.
I think there are horror movie directors that watch that original video and then based
some of their ideas off of that.
I mean, the legend of Cropsy came from that, right?
Yeah.
Well, that's where it took place.
But, Nelly Blithe, that is incredible.
Great idea.
I can't wait to hear this.
So the main sources used for this story today that Marin used are the book, Ten Days in
a Mad House, which is a collection of articles that Nelly Blie wrote and that first ran in
the New York World newspaper in 1887.
Also a 1997 episode of PBS's American Experience called Around the World in 72 Days, the Book Damation Island,
Poor Sick, Mad, and Criminal in 19th century New York by writer Stacey Horn, and the rest
of the sources are in our show notes.
We're right in the Jack the Ripper territory right now.
Yes, we are.
That is where this whole thing takes place.
Which I always notice when stories are turn of the century or Victorian or whatever.
If anything is near 1888, I'm like, check the ripper is about to happen or Jack the Ripper started.
Now I know, like I didn't fucking know that shit.
I mean, now you're in it with me.
Maybe you were right. Maybe seven and a half years when you've been telling me to fucking read.
They all love Jack and talking about Jack the Ripper.
Maybe you were.
But wait, didn't I do the exact same thing to you
where you recommended something twice?
And then I was like, okay, you have to read this book.
And it was like five years after.
And I want to double down for you
because I just finished the book.
I told you about last week,
Bright Young Women by Jessica Nol.
It's basically historical fiction
about some of Ted Bundy's victims.
I finished it. I cried. It is incredible. I'm doubling down on it. You need to listen
to it. Okay. I will. But sorry. Yes. I'm going to stop interrupting you. I'll let you.
No, no. If you stop interrupting me, I'll be all alone.
Let's podcast won't exist. Yeah. For real. So in May of 1864, Elizabeth Jane Cochran
is born in the suburb of Pittsburgh, Pennsylvania,
called Cochran's Mill, which was founded by her dad and named for his business, the town
mill.
He also served as a county judge.
So growing up, Elizabeth lives a charmed life in the upper class with all the luxuries
that come with wealth and prominence.
And from a young age, it's clear that she's a true individual
with a big personality.
She loves wearing fancy outfits and bright colors,
which at the time most children were brown and black.
And her favorite color was pink,
so her friends and family nicknamed her pinky.
That's how weird it was for children to wear color
because they were so depressed from their factory jobs that they were just like forget it
It's funny that nowadays. I'm always like I can't find black shirts to get my nephews ever but back then it was like
No, that's required. Yeah
When Elizabeth is just six years old her father dies unexpectedly and worse than that without an updated will.
So the majority of his large estate goes to his ex-wife and his many children from his
previous marriage.
So suddenly Elizabeth's mother Mary Jane is a widow who's struggling to keep food on
the table and soon the family loses everything including the large house that they lived
in.
So eventually Mary Jane remarries, but her new husband is a violent and abusive alcoholic.
How many stories start like this?
Truly.
Then and now, she eventually takes steps to end this marriage, which in the mid to late 1800s
is a highly stigmatized and extremely difficult process for women to undertake.
When Elizabeth is 14 years old,
she has to testify at her mom's divorce trial.
So all of that leaves a huge impression on Elizabeth.
Obviously, she becomes determined to be self-reliant
so that she never has to depend on anyone else,
especially a man ever again.
Of course, it's the Victorian era
and there are strict social rules
involving the sexes. So women are forced to live private lives in their home.
They're not supposed to have ambition for anything beyond getting married and
raising children. Elizabeth can't worry about that though because her
struggling family needs her financial help and she wants to work and she wants to pitch in.
But the problem is she can't find a job that pays well.
Unlike her brothers, Ulandeason paying jobs despite having no formal education, Elizabeth
is mostly offered low paying factory jobs.
And at 15 years old, she decides that she'll go to school to become a teacher, but after
one semester, she runs out of money and she has to drop out of school.
So she has to go back to Pittsburgh and help her mother run a boarding house.
By 1884, Elizabeth is 20 years old. She is unhappy and unfulfilled.
Which by the way, we've said this a million times on this podcast,
but you're supposed to be unhappy and
unfulfilled when you're 20 and when you're 25 and when you're 30 and it continues on until you go
through a bunch of different versions of your life until it starts working. Anybody that's acting like
they stuck the landing on the first try is fucking lying. Don't fall for it. Yeah. That's what life is is constantly striving when you stop having that
striving feeling like, what do you do? What do you do? It's not bad luck.
You're supposed to always want more and better for yourself.
Right. Because you deserve it. Yep. And in between, you can have a twist.
Okay. One day.
You can have a Twix. Okay.
One day, I don't know what it's like.
What?
I think it's because I, here's a hilarious.
I have Halloween candy in this cookie jar that's on my counter.
I bought it like when my family came to visit a month ago.
So I keep thinking Halloween's over because the candy's almost gone and usually I buy it
closer to Halloween and they eat it for a month after. So I had
a little tiny twix earlier. I was so excited. There was still one in there. And that's
your joy of the week. That really is. For a Monday is a tiny twix. That's how I get through
the day. I guess your fifties are also quite difficult. But look, who gives a shit? One
day Elizabeth picks up a copy of the Pittsburgh Dispatch newspaper,
her local newspaper, which she read every day, and she sees a column entitled, quote,
what girls are good for? And in it, the columnist argues that women should be kept out of the
workforce confined to the house where they should practice the domestic arts and race children.
Good luck yourself. Right? By the time she's done reading the domestic arts and race children. Good luck yourself.
Right?
By the time she's done reading Elizabeth's blood is boiling,
it's not just that the writer is a show venist
and basically just saying like,
why would you even need to be stating this?
But he's completely overlooked the women
who have no choice, the ones in her exact situation,
who have to work outside the home to make ends meet. So Elizabeth pulls out a pen and paper and writes escaping Rebuttal and she
signs it little orphan girl and mails it to the dispatch office.
Her grammar and spelling aren't perfect. Of course she has no formal
education but her voice is clear, it's passionate and it is captivating.
The dispatcher's editor George Madden reads the rebuttal letter and is so blown away
that he commits himself to finding this little orphan girl.
You know what she did? I think what they used to call clapped back.
That's right.
The old clapped back.
Ye old clapped back.
So George Madden places an ad in the next day's newspaper asking
the little orphan girl
writer to come forward.
Elizabeth sees the ad.
It's easy to assume she hauled her ass down to the dispatch's office to say, yes, it's
me.
Hey, George Madden asks her if she'd be interested in writing a piece on quote, the women's
sphere for the newspaper and she happily accepts.
It's all very fateful. It's so cool. Very cool. And what did she do there? She took pen to paper
and she said what she actually felt and meant and was authentic and passionate. And then she got
rewarded for it. She was an original blogger. I feel like. Women's bloggers. Good for her.
blogger, I feel like she was good for her. Good for her. And for all bloggers, Elizabeth's first article pulls no punches. Her headline reads quote, the girl puzzle, and it addresses
the discrimination and sense of hopelessness that poor women regularly experience.
She calls out the wealthy residents of Pittsburgh, fucking listen to this show. Saying quote, women in poverty read of what your last
pug dog cost and think of what that vast sum would have done for them. Hate father's doctor bill,
bought mother a new dress, shoes for the little ones. And imagine how nice it would be could baby
have the beef tea that is made for your favorite pub or the care and kindness that is bestowed upon it.
Oh my God.
And she's fucking telling it like it is.
She is and she also has this huge advantage of having grown up among rich people,
so she knows what she's talking about.
And she's also like a doptown shop.
Like there's so many things in this story.
Sorry, I'm sorry, sorry, sorry, how does it?
If she could have thrown in a spade new to your pets,
what an article that could have been.
Okay, so in the 19th century, most female journalists
are writing under pen names.
Elizabeth is no exception.
She publishes the girl puzzle as the little orphan girl
and her column makes a big splash.
George Madden decides to keep giving Elizabeth assignments
at the rate of $5 a week,
which is worth around $160 a week now.
That's a lot though.
Like I feel like they're back then, right, for a woman to earn.
Yeah, because that's when like a cup of coffee
was three cents and shit.
Yeah.
And also it was definitely more than she would make
as a factory worker.
A little more than she would make as a factory worker, but she's also doing what she's supposed to be doing.
Totally.
So she starts churning out more and more articles that become increasingly popular.
So people like her writing.
Before long, a group of men at the newspaper decide she needs a catchier pen name, and
they pick Nelly Bly, which is a reference to a popular song of the time, and it sticks.
By the way, I just have to say, George is barking because there's coyotes outside,
and he can't be calmed down. So there's background noise for this. As she gets more famous,
Elizabeth starts going by Nelly Bly, and so that's what will refer to her as for the rest of this story.
Okay.
So of course, she takes her new job very seriously, even though she's
limited to covering items for the women's page, which is a dedicated section of the newspaper that
covers things like fashion and the arts and homemaking. But Nelly makes no secret of the fact that she
is not satisfied with this kind of reporting. She wants to do the same hard-hitting pieces that her
male co-workers are covering. So she starts pitching stories,
the deal with the politics of being a 19th century woman.
Pieces about divorce laws that harm women
and sexism in the workforce,
two things that she has had first-hand experience with.
Wow.
And it doesn't take long before Nellie Bly is a hit.
She develops a real following
and she manages to parlay her name recognition into
a gig as the dispatches foreign correspondent to Mexico.
Wow. Yeah. She spends several months in Mexico. And then she even draws the eye of the
Mexican government after reporting on official corruption.
Oh dear.
But when she comes back to Pittsburgh, her editors are for the most part still assigning
her fluff pieces for the women's page.
By 1887, Nellie's a self-made 23-year-old, and she is getting very sick of her constant
battle to be taken seriously at the dispatch.
So she does what ballers do.
She sets her sights on a much bigger playing field, New York City.
And she does it so geniusly.
She pitches a story to her editor that she wants to do
on how tough it is to get a job as a female reporter
in New York City.
And he says, yeah, go do that story.
So basically, she's gonna get paid to go interview
and figure out how she can get a job in New York.
So Nelly sets up interviews with editors all over New York City
and she asks them all what chance does a woman have in journalism?
And these editors who are, of course, all men,
tell Nelly that women have no chance at all.
Nelly is not discouraged by this.
She writes her piece for the dispatch
and then she cuts ties with them soon after.
Oh, so she does the story.
She puts it in and she's like, by spicy.
She moves her entire life to New York City
before she's even gotten a job.
And then one afternoon, she goes to the downtown office
of legendary publisher Joseph Pulitzer's newspaper,
The New York World, and somehow talks her way
into a meeting with its managing editor,
a man named John Cockrell.
So Nelly asks him
for work and surprisingly, he offers her an assignment, but as writer Maureen Corrigan puts
it, quote, it was something of a dare. If you really want to be a reporter, let's see
what you've got. So John Cockrole wants Nelly to write an expose on the infamous New York City asylum on Blackwell's island. Holy shit.
So today New Yorkers know Blackwell's island as Roosevelt Island, which is a skinny two-mile
long island that sits in the East River between Manhattan and Queens. It has apartment buildings,
parks, and iconic tramway and scenic views of, parking, parking, parking, parking, parking,
parking, parking, parking, parking, parking, parking, parking, parking, parking, parking, parking,
parking, parking, parking, parking, parking, parking, parking, parking, parking, parking, parking,
parking, parking, parking, parking, parking, parking, parking, parking, parking, parking, parking, parking,
parking, parking, parking, parking, parking, parking, parking, parking, parking, parking, parking, workhouse where people convicted of minor crimes are sentenced punishment. There's also a public mental hospital with separate women's and men's facilities.
At the time, this was named the New York City lunatic asylum.
In this story, we'll just call it the asylum or Blackwells Island because, you know, it was a
different time. And as it turns out, the people in this asylum did not always have mental illness issues,
which is the scariest part of the story.
Absolutely.
The asylum on Blackwell's Island opened in 1839,
about 50 years before Nellie's arrival in New York.
And it was meant to provide compassionate care
for people who couldn't care for themselves,
regardless of whether they had the money to pay for it.
It was supposed to be guided by Victorian ideals around moral character, charity, and public
health.
But unfortunately, the city blows through its budget and the facility winds up actually
being built way smaller than it was originally planned to be.
But that is not taken into account when they open the doors
and started admitting people.
It becomes immediately overcrowded.
It gets worse and worse as the years pass and orders from families, physicians, police,
judges, as well as voluntary admissions send more and more people to the island.
Soon hundreds of patients at this asylum are regularly sleeping
on the floor because there aren't enough beds. And at this period in time, mental health
is not well understood. So people are actually sent there for a huge range of psychiatric
symptoms, some without any discernible mental illness whatsoever. And this includes new
US immigrants ordered to Blackwells island by city officials
who just don't know where else to house them.
I ve.
Yeah. As if having an overpacked underbuilt healthcare facility isn't bad enough,
for decades, the asylum on Blackwells island is underfunded. And as a result,
it struggles to retain talented compassionate doctors and nurses, let alone basic necessities like healthy food
or good blankets, and naturally the situation inside the asylum spirals into chaos.
Now, none of this is new information. The asylum at Blackwell's Island has long been on the radar
of writers and journalists, and actually in the 1840, Charles Dickens visited there while he was on a tour of the United
States, and reportedly, he, quote, left in a hurry because of the facilities hopeless
atmosphere.
So the asylum also hosted many journalists from respected outlets like the New York Times
and Harper's, who were given open access to patients, but instead of using the story to advocate for change,
journalists would just pen salacious stories
that mocked the people in the throes
of severe mental illness and distress.
So it was not a great time, not caring sensitive time,
just kind of, you know, it was what it was.
But Nelly's not interested in entertaining the asylum
as an outside observer. Like Charles
Dickens did, she wants to capture an authentic depiction of what life is like inside. And the
only way to get that story will be for Nelly to arrive on Blackwell's island as a patient, not
a journalist. I mean, that idea alone, it seems like such a, what's the word I'm looking for?
Total nightmare. Total nightmare, revolutionary. Oh, yeah.
Like what a great idea. It's terrifying, but that's like a real
journalist, a real investigative journalist. Like that's what
your brain has to be like is someone who wants to get in there
and see what's actually happening, not just like right a fluff
piece about it. It's so fucking awesome.
It's so inspiring.
And also, I don't think, and I mean, this is just my opinion,
but I don't think she would have been at that point
where she would have been up for this.
I mean, we know she was pinky
and she was kind of the OG, right, from birth,
but at the same time, years and years
of being told to write about house coats and ironing and
Trying to compete and not being allowed to compete gets her to the point where she's like hell. Yes
I'm gonna do this just back to that thing we were talking about before where it's like
kind of being like turned down
Being held down whatever it's not always a bad thing if it leads to something big and brave and great.
So Nelly assumes a new identity. She checks herself into a woman's boarding house under the name Nelly Brown
knowing that immigrants are often the targets of discrimination and suspicion.
She tells the landlady she's recently moved here from Cuba.
Throughout the evening, Nelly starts acting confused
and paranoid around the other lodgers.
She isn't doing anything aggressive,
but her behavior alone frightens everybody
and soon the land lady calls the police.
So she's taken down to a downtown courthouse
where the judge takes one look at the white,
pretty young woman in his courtroom,
takes pity on her and says,
quote, I would stake everything on her being a good girl.
I am positive she is somebody's darling poor girl.
I will be good to her for she looks like my sister who is dead.
Oh, and quote.
So then reporters are called to the courthouse to write stories on this mysterious woman from Cuba who's basically
being like thrown to the mercy of the court. And the Times prints a headline that says, quote,
the mysterious waif with the wild haunted look in her eyes.
Oh my God. And meanwhile, the sun runs a story that the headline is, quote,
who is this insane girl? So now, of course, Nellie's freaking out that someone like will recognize her and blow
her cover or that another journalist is going to sniff out her real identity and basically
bust her.
So fortunately for Nellie's plan, that doesn't happen.
And when no one comes forward to claim her, she's taken to Bellevue Hospital.
And there a team of doctors determine
that she suffers from, quote,
dementia with delusions of persecution.
So she's just pretending there's actually a part
after she accepted this assignment,
she went home and practiced like wildly staring.
Wow.
But the whole thing is an act.
So it's kind of disturbing that it's that easy
for her to be diagnosed that way.
It's decided that there's only one place fit for an anonymous immigrant woman who's experiencing a mental health crisis
Blackwell's Island.
Nellie's taken to the asylum by boat when she steps on land. She's greeted by two nurses spitting tobacco on the ground.
Nellie asks them where she is and someone responds, quote,
blackwells island and insane place
where you'll never get out of.
Horrifying.
So now Nelly drops her act completely.
She starts talking and acting as herself,
but the asylum staff either don't notice or they don't care.
By dinner time, Nelly realizes these patients' most basic needs
are not being met.
The women are drastically underfed and what little food they are served is basically
inedible.
So she does a whole right up on this that the food isn't salted and they can tell some
of it is clearly spoiled.
So they try to make it taste decent by dousing it with things like mustard and vinegar, which usually makes
it taste worse, but the problem is if they don't eat their food, they're threatened with
punishment. And if they do eat it and get sick, then this staff makes fun of them and
basically just ignores them. So as Nelly will eventually write, quote, in our short walks,
we passed the kitchen where food was prepared for the nurses and doctors.
There we got glimpses of melons and grapes
and all kinds of fruits, beautiful white bread and nice meats
and the hungry feeling would be increased tenfold.
Oh my God.
So there's definitely an argument for corruption here
where the city is giving this hospital money
and the money is not going
to take care of the people that need to be at the hospital.
Yeah.
They're just keeping it all up at the top.
Yeah.
And this is just the tip of the iceberg.
Nelly will later write about being forced to take freezing cold baths once a week where
the women are stripped naked, plunged into a large tin tub filled with bath water that's
already been used by a bunch of patients.
Yeah, I read about that in the book about just like everyone uses the same bath water.
They're using the same bath water to the degree where eventually it becomes a sort of sludge, which is so disgusting.
My god.
Nelly reports, quote, they said if I did not want to bathe that they would use force and
that it would not be very gentle.
I shivered.
They began to undress me as one by one they pulled off my clothes.
The water was ice cold and I began to protest.
I begged at least that the patients be made to go away, but I was ordered to shut up.
My teeth shattered and my limbs were goose fleshed and blew with cold.
Suddenly I got one after the other,
three buckets of water over my head.
Ice cold water too into my eyes, my nose and my mouth.
I think I experienced some of the sensations
of a drowning person as they dragged me
gasping, shivering and quaking from the tub.
Oh my God, at that point she's like, oh shit.
Yeah, she's like, I just got here.
And this is already what it's like, fuck.
So after being washed, Nellie's wiped down
with a sopping wet communal towel,
sent away with wet hair,
given a wet slip, sent to bed in a freezing cold room
where the only thing she has to cover herself
is a scratchy blanket that's too short to cover her body.
That idea stopped me as I was writing,
where I'm like, I'm right now furious at that. How little it would take to just have the basic
comforts, it just needs to be a blanket long enough to fit the whole bed so that people can just
have a decent like rest. And that's people like we're thinking about ourselves like we're of sound
mind, let's say, to be like suffering from a mental illness that is so bad that you had to get
sent to this island and then to be treated that way. I mean, right. It's a porn. Yeah, it's like
they're doing anything they can to make everything that much worse for you. There's no comfort or
care or quiet or anything. Yeah.
Corrible. She writes about the other women that she's seen being bathed who are
visibly sick and worries about what the cold night might do to their health.
In one heartbreaking example, Nelly says that quote, nearly all night long, I
listened to a woman cry about the cold and beg for God to let her die.
End quote. So Nelly sees that same woman the next day
and she's elderly and blind,
and the nurses treat her absolutely terribly.
She later reports, quote,
sometimes the attendants would jerk her around,
they would let her walk and heartlessly
laughed when she bumped against the table
or the edge of benches.
Oh, God.
End quote. So this also is this sort of kind of institutional housing gone unchecked.
Right.
If there's no funds, no one's getting paid, they're having the bottom of the barrel
type of people working there, then that invites people with that personality.
Right.
Cruelty.
Cruelty, maybe you're a masochist, maybe you're a sociopath, they're so exposed and so vulnerable.
The cruelty that Nelly describes at the hands of the asylum's nurses is unbelievably
sadistic and terrible.
She sees her hears about women being taunted, hit, choked, and psychologically tortured.
Nelly experiences some of this herself.
She writes about how she and the other patients
are forced to sit on an uncomfortable bench for long stretches of time and simply stare
at a wall. The women are punished if they don't maintain perfect posture or if they read
just to get more comfortable. Nelly says, quote, take a perfectly sane and healthy woman
shut her up and make her sit from 6am to 8pm on
straight back benches, do not allow her to talk or move during these hours, give her no reading
and let her know nothing of the world or its doings, give her bad food and harsh treatment
and see how long it will take to make her insane.
Holy shit."
insane. Holy shit." Yeah. These are columns being delivered just in people's regular newspapers. They suddenly have this access and an insight to something that's happening right there, right,
right by it. It's hard to imagine a more awful place for someone experiencing mental distress.
These patients are hungry, cold, and subjected to constant abuse and humiliation, but there's
another harrowing aspect to Nellie's reporting.
She realizes that many of the women in the asylum aren't there for any justifiable medical
reason.
This includes a young woman named Sarah Fishbaum, whose quote, husband put her in the asylum
because she had a fondness for men other than himself.
Nelly also befriends a woman named Josephine Desperreaux,
who moved to New York from France,
where most of her family still lives.
Josephine tells Nelly that before being sent to Blackwell's island,
she'd contracted a severe viral illness and nearly died.
And while she was very sick,
she was taken to some sort of station,
and it's unclear
if it was a police station or a firehouse, where she was unable to communicate with the staff
because of the language barrier. And first seemingly no other reason than she didn't
speak English, Josephine was sent to Blackwell's island.
Oh my God. Nightmare. So she's like sick and like doesn't know what to do. So she goes
to like the first kind of place she thinks is supposed to help her.
And this is the result.
It's unclear how long Josephine has been at the asylum
at the time of Nellie's visit,
but enough time has passed that she now seems to be able
to speak decent English.
Oh, holy shit.
Sarah Josephine and other women in the asylum
tell Nellie that they are, quote,
without hope of release,
meaning that they believe they're stuck there forever.
And Nelly probably relates.
She's been on Blackwell's island
for an entire hellish week
as no way of contacting anyone on the outside.
She's exhausted, famished, and on edge.
She'll later write that being in the asylum
is, quote, a human rat trap.
It's easy to get in, but once there, it's impossible to get out.
Oh my God.
But thank God, Nelly, has the one thing that no other woman or person on Blackwell's island has,
and that's Joseph Pulitzer's legal team. On her 10th day in the asylum, Pulitzer's attorney
shows up and informs the staff that he's there to pick up a New York World Reporter who has been admitted under the name Nellie Brown.
This is presumably a mortifying and horrifying moment for the asylum's administrators.
Nellie is rescued and now has a story to tell, but leaving is difficult. It's very difficult." And she would later write, quote,
"'Sadly, I said farewell to all I knew as I passed them on my way to freedom and life
while they were left behind to a fate worse than death. There was a certain pain in leaving.
For 10 days, I had been one of them. It seemed intensely selfish to leave them to their
suffering."
Days later, the New York World publishes Nellie's first article on Blackwell's Island
and she becomes an overnight sensation.
Damn.
In the coming days, her reporting is reprinted
in newspapers across the country.
And I'm about to read you part of one of those columns.
And all of them, all these quotes I'm reading you
from Nellie Bly, it all gets turned into her book,
10 Days in a
madhouse. So this part, she says, I always made a point of telling doctors I was sane and asking
to be released, but the more I endeavored to assure them of my sanity, the more they doubted it.
What are you doctors here for? I asked one whose name I cannot recall. To take care of the patients
and test their sanity, he replied, very well, I said. There are 16 doctors on this island, and accepting two,
I've never seen them pay any attention to the patients. How can a doctor judge a woman's
sanity by merely bidding her good morning and refusing to hear her pleas for release?
Even the sick ones know it's useless to say anything, for the answer will be that it is their imagination.
Try every test on me. I have urged others, and tell me am I sane or insane? Try my pulse,
my heart, my eyes. Ask me to stretch out my arm to work my fingers as Dr. Field did at
Bellevue, and then tell me if I am sane. They would not heed me, for they thought I
raved. Again, I said to one, you have no right to keep
sane people here. I am sane have always been so and I must insist on a thorough examination
or be released. Several of the women here are also sane. Why can't they be free? They
are insane was the reply and suffering from delusions. After a long talk with Dr. Ingram,
he said, I will transfer you to a quieter ward.
An hour later, Ms. Grady called me into the hall,
and after calling me all the vile and profane names
a woman could ever remember, she told me that it was a lucky thing
for my hide that I was transferred.
Oh my God.
So as more and more people are reading Nellie's
harrowing firsthand exposé, the heat on the asylum administration starts to get turned up. Eventually, she is called to testify
at a grand jury hearing about the abuses she witnessed at Blackwell's Island. Her testimony
includes returning to the asylum with the jury to inspect the asylum and compare it to how she
described it in her columns. So here's another part of her book.
She says, the jurors then visited the kitchen. It was very clean and two barrels of salt stood
conspicuously near the open door. The bread on exhibition was beautifully white and wholly
unlike what was given us to eat. We found the halls in the finest order. The beds were improved.
In hall seven, the buckets in which we were compelled to wash had been replaced with
bright new basins.
Bullshit. Right.
The institution was on exhibition and no fault could be found. But the women I spoke of,
where were they? Not one was to be found where I had left them. If my assertions were not true
in regard to these patients, why should the latter be changed so to make me unable to
find them? Miss Neville complained before the jury of being changed several times. When
we visited the hall later, she was returned to her old place. Mary Hughes of whom I had spoken
as appearing sane was not to be found. Some
relatives had taken her away. So that's good. Where they knew not. The fair woman I spoke of
who had been sent there because she was poor, they said had been transferred to another island.
They denied all knowledge of the Mexican woman and said that there never had been such a patient.
Mrs. Cotter had been discharged and Bridget McGinnis
and Rebecca Farron had been transferred to other quarters.
The German girl Margaret was not to be found
and Louise had been sent elsewhere from Hall Six.
The French woman Josephine, a great healthy woman,
they said was dying of paralysis and we could not see her.
If I was wrong in my judgment of these patients sanity,
why was all this done? I saw Tilly maired, and she had changed so much for the worst that
I shuttered when I looked at her. I hardly expected the grand jury to sustain me after they
saw everything different from what it had been while I was there, yet they did, and their
report to the court advises all the changes made that
I had proposed.
I have one consolation for my work.
On the strength of my story, the committee of appropriation provides $1 million more than
ever was given before for the benefit of the insane.
$1 million, that's amazing.
So the expose pays off, the court orders the asylum to make significant changes in patient care. They increase the asylum's funding by
a million dollars, which is the equivalent of 32 million dollars in today's
money. Holy shit. Unfortunately, after a few years, things go back to the old
ways. And Blackwell's island asylum is once again neglected by the city and
within a decade of this reporting of
Nellie's reporting, not my reporting. I'm not a reporter. Quick reminder for everybody.
Within a decade of Nellie's reporting, it closes for good. So essentially they increase it,
but where does the money go if the people in the administration are corrupt or their siphoning stuff?
They have no problem treating their patients like that.
Totally.
So Nelly Bligh becomes such a star after her ex-Poseon Blackwell's island.
It actually starts a trend across the country where publishers start hiring what they call
stunt girls to take on their own socially conscious undercover assignments.
Wow.
Right?
They tackle everything from the importance of ambulances to abortion access.
Wow.
And some of these stories lead to meaningful reforms, laws, and policy changes, which
is like an amazing detail that I never knew in basically like women journalists.
That's incredible.
Meanwhile, the New York world continues
to send its star reporter on assignments
that involve increasingly elaborate setups and disguises.
Over the years, Nelly poses as everything from a chorus girl
to a domestic worker to a quote, unwed mother
to expose the baby buying trade.
Ah, holy shit. But amazingly, Nelly doesn't reach the height of her fame until 1889
at the age of 25. 25. Old lady at that point. This is when she sets out to beat Philius Fog's record
and travel around the world in less than 80 days. What?
So that novel around the world in 80 days
had come out about 15 years prior.
Yeah.
And it played based on the book ran
in front of sold-out audiences in New York City.
And no one had ever tried to actually
circle the globe in such a short amount of time.
PBS estimates that even the most adventurous 19th century
person might be able to pull it
off in around a year.
And a historian named Mitchell Stevens says, quote, when Nellie Blie actually decided
to go all around the world, I mean, that was like going up in the space shuttle.
Holy shit.
Right.
She is armed with just one small bag and what will become her signature checkered overcoat.
And Nelly sets off on her adventure from New York.
She takes trains, ships, horses, rickshaws, anything she can find to complete her journey.
In addition to sending regular dispatches back to the New York world, she also talks with
reporters along the way and continues to wear her politics on her sleeve.
When asked about her ambitious journey, Nelly tells a San Francisco Chronicle reporter,
quote, oh, I don't know.
It's not so very much for a woman to do who has the pluck, energy, and independence, which
characterise many women in this day.
Yes.
So she's just wrapping, wrapping, wrapping, wrapping.
I love it.
Marino always includes stuff like this,
which I adore her for, but is Smithsonian writes, quote,
Nellie's observation during her trials
are astute and frequently humorous,
though some of her characterizations will seem racist
by today's standards.
Oh dear.
Yes, yeah, yeah, yeah.
It's 1889.
This is the way it is. Sure. It's 1889. This is the way it is.
Sure.
It's all problematic.
Life is problematic back then.
We all see each other in very narrow, desperate ways.
Yeah, just being fair and balanced,
Marin put that in.
So the New York world promotes Nellie's travel stunt.
And they basically make it this huge event.
The public cannot get enough.
According to PBS, quote, Nellie Bly songs were being sung travel stunt and they basically make it this huge event the public cannot get enough.
According to PBS, quote,
Nelly Bly songs were being sung in musicals.
A Nelly Bly housecoat was advertised.
That's kind of ironic.
The world, the newspaper, not afraid to cash in on its star reporter,
even marketed a parlor game called Round the World with Nelly Bly.
When they announce a contest for fans
to send in guesses on how long it'll take Nelly
to complete her trip, nearly a million people participate.
Holy shit, I hope she got a cut of the earnings.
I know, I hope she got a cut of that house coat.
So in the end, Nelly beat Phineas Fogg by over a week.
She makes the trip around the world in 72 days,
six hours, 11 minutes and 14 seconds,
and with it becomes the most famous woman in the world.
Wow.
Before long, Nellie's brand of stunt reporting
is seen somewhat passe, that's how it is, time passes,
but she's not ready to hang up her hat or shy away from taboo
subjects. PBS reports that quote in 1893, she interviewed one of the most controversial political
figures in the country and artist Emma Goldman. When social unrest seemed to be tearing the nation
apart, Bligh went to Chicago to cover the Pullman Railroad strike, and she was the only reporter
to tell the story from the striker's point of view.
Wow.
End quote.
So around this time, Nelly also gets a high profile interview with a serial killer that
you might remember because I covered her at our 2017 live show at the Beacon Theater
in New York City.
It was Lizzy Halliday. And Nelly was somehow
able to compel Lizzy to share information that she had previously never shared before
about her private life. So she was a great reporter. And then in 1895, when she's 30 years
old, Nelly marries a 70-year-old millionaire manufacturer and businessman,
its name Robert Seaman, and she becomes involved in his company. Plot twist, wow, right? Yeah.
I mean, look, listen, look at listen. She nailed down a millionaire. Yeah. She took care of business.
She's a smart lady, whatever. Whatever. She's care of business. She's a smart lady.
Whatever.
Whatever.
She's doing her thing.
Who were we to judge?
I'm just trying to think of like,
what actors are 70 right now.
Although I bet you in 1895, 70 year old
is like a 140 year old in today's money.
I think so.
But yeah, who knows?
Here's why Marin thinks,
and then of course I agree with Marin
because she's the researcher,
that it was a positive and like,
it was actually a sincere relationship
because she becomes involved in his companies.
She invents and patents a milk can
and a stackable garbage can under her married name.
Wow, so maybe he's the only one that took her seriously.
And like wanted her in his business and in his world and not just treated her like a, you know.
She certainly wasn't just sitting at home like painting her nails and being like, yeah,
I'm a millionaire's wife. She's like, I got some ideas. I dig it. Me too. She and Robert
have a happy marriage until his passing 10 years later, then after his death, Nelly runs his
factories, and she sticks to her tried and true principles.
She provides employees with generous healthcare benefits and access to recreational facilities
among other things.
But even though she's a good boss, she struggles to manage the large company and her biographer
Brooke Kroger reports that she was, quote,
hopeless at understanding the financial aspects of her business and ultimately lost everything.
Ooh, but it's Nelly Bly.
So she's down, but she's not out.
Right.
Instead, she throws herself back into journalism, heads to Europe and reports from the trenches
of World War One.
Oh, why?
Yeah. Yeah.
Yeah.
I'll let you know how horrifying World War One is, everybody,
H.M.E. Nellie Bly.
She also uses her byline to help find homes for orphan
children.
And she profiles the women's suffrage movement
and Susan B. Anthony.
And according to Kroger, quote,
Anthony had been interviewed scores of times
during a half-century in the suffrage movement,
but never had she revealed more information about herself
than she did in her exchange with Bly.
Yes.
So she is the shit.
Yeah.
In January of 1922,
Nelly Bly dies of pneumonia.
She's just 57 years old.
Wow, so young.
To this day, Nelly's considered a pioneering investigative
journalist and early feminist icon.
She's been the subject of countless books.
She's been depicted on a postage stamp.
She's the namesake of express trains, amusement parks,
and even a species of tarantula.
Hey, her story has been featured on multiple television
shows. Today, if you go to Roosevelt Island, you can visit a monument built in Nellie Blies honor.
It's the same spot where Blackwell's island asylum used to stand and the monument is called the
Girl Puzzle, which was the title of Nellie's first article for the Pittsburgh Dispatch
girl puzzle, which was the title of Nellie's first article for the Pittsburgh Dispatch, that demanded women and girls be given more opportunities to thrive in American society.
According to the Monuments website, quote, the girl puzzle honors Nellie Bly by presenting
on a monumental scale, faces of many women who have endured hardship but are stronger for
it.
The monument gives visibility to Asian, black, young,
old, immigrant, and queer women.
Their stories and lives are forever commemorated
alongside Nellie Blie, whose face is cast in silver bronze.
And that is the spectacular story of legendary reporter
Elizabeth Pinky-Cachrin, who's better known as Nellie Blie,
the woman who caused a sensation
by reporting on the world from a woman's point of view.
Damn!
Damn!
That one was Marin Muglashen.
That was her idea.
She found that story.
She's such a good researcher and such a good writer.
I mean, that just makes me happy.
I didn't know that woman existed.
Why don't we know this woman exists?
I mean, I knew that vaguely historic.
I mean, I thought it was her Oliver Fere of course at first.
So shave on me, but I didn't know she was such a fucking force.
That's amazing.
It's amazing.
Well, great job.
You killed that one.
I really loved it.
I guess that's the importance of getting an education
and learning
history, which I never really understood before and wish someone had pointed out, which
is just like, there's lots of people that have come before us, that have kicked us and
then gone away as we all do.
Yeah, it's those people that make like incremental movements forward that as a whole, you put
all the people together and it's this big movement,
but like each little story and each life contributes so much to how you and I are able to talk
about ourselves and women and how we're able to be these confident women who we owe a lot to
you and I owe a lot to this female investigative journalist who spoke the truth, you know?
And when people are brave in the face of like,
when everything else is telling them,
they shouldn't be brave.
And you read about that and it's not 2023, it's 18.
Fucking 89.
And she's 20 and she's an orphan,
or you know, the orphan girl basically,
where she's like, hey, how about you shut up and I tell you
how it actually is?
Well, we think people are just starting to do that now
on social media, but it's like, no, no,
there's a long history of very intelligent, smart women
who have been doing this for a long time
and then having people either erase their accomplishments
or step in front of them and take credit for it.
And it's great to be able to highlight somebody like that.
I love that, great job.
That was a great one.
It was a great stand alone.
One next week we'll be back to two stories.
That's right.
I had to do a little homework so Georgia didn't have to do
all the stand alone stories.
Thank you.
I love a week off.
Oh my God.
It's a fucking mess.
It's really fun.
Well, great job.
Thank you to all of you for listening
and hanging out with us and being our friends.
Yes, you are all future Nelly Blies in it
in a way.
Get out there, give them hell and stay sexy.
And don't get murdered.
Come on!
Yeah.
Elvis, do you want a cookie?
Ah!
Yeah. Elvis, do you want a cookie?
Aaaaaah!
This has been an exactly right production.
Our senior producer is Alejandra Keck, our managing producer's Hannah Kyle Crichton.
Our editor is Aristotle Acevedo.
This episode was mixed by Liana Squilaccio.
Our researchers are Marin McClauchon and Ali Elkin.
Email your hometowns to my favorite murder at gmail.com.
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