My Favorite Murder with Karen Kilgariff and Georgia Hardstark - 410 - The Bossy One
Episode Date: January 11, 2024On today's episode, Karen tells Georgia the story of the 1931 Leavenworth Prison Break. For our sources and show notes, visit www.myfavoritemurder.com/episodes....
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This is exactly right. Hello. Hello. Hello. Hello. Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello.
Hello. Hello. Hello. Hello. Hello. You called me. There's a whole era of things like that that don't get to happen anymore
because nobody makes phone calls on the daily
like we used to.
I miss hanging up on people in the middle of them
talking as a joke.
That used to be my favorite thing to do.
Powerfully, with the handheld phone
and you slam it down or quietly.
No, just mid-conversation of someone,
you know what I mean?
It's like the second I actually did feel bored.
And then I knew they would think it was funny.
I would only do it to people who think it was funny.
I would just hang out the phone because it's just like, let's not be on the phone anymore.
Brutal, brutal.
Speaking of brutal, how are your holidays going?
Is your mom dropped any overt hints about things she wants you to be doing that you don't want to be doing?
Mm-hmm.
We get it.
We hope her holiday is going well.
These are our little shorty episodes so that we can have a little holiday break too.
But guess what?
It's all new content.
And we're giving a donation for the holidays.
This week, our donation is to the National Alliance on Mental Illness.
NAMI, NAMI, works to educate, support, advocate, listen, and lead to improve the lives of people
with mental illness and their loved ones.
Their website is n-a-m-i-dot-org, so check them out.
We're giving them $10,000.
If you have anything to give, do it.
If you need help, go there as well.
And yeah, we're happy to do that.
Yes, that's exciting.
All right.
Well, it's me this week.
And George, I have a story for you that I had never heard of, but it's kind of like,
it's an exciting kind of adventurous kind of a Cohen brothers vibe.
There's a lot going on in the story.
I think you're going to like it.
It takes place at the United States Penitentiary
in Leavenworth, Kansas.
It's a 30 mile drive from Kansas City.
Just to clarify, because I know you get confused.
This is the United States Penitentiary Leavenworth
or USP Leavenworth.
It's often confused with the nearby military prison,
the United States disciplinary barracks.
Both of them are shorthanded as Levinworth.
Ah.
They're separate institutions.
Huh.
Well, it's clear this confusion that's just on everyone's minds on a daily basis.
Who's Nick them?
Was it first?
Because we need to fix that.
It's very confusing for us civilians.
Someone right in who knows these answers.
But the Levinworth I'm talking about, along with Alcatrazraz is one of the most famous federal prisons in the United States
So I'm talking about the famous one, but unlike Alcatraz Levin Worth is still operational today
It first opened in the late
1890s and over the years it has held some infamous criminals and in the 20s and 30s
When America was in its, you know, public enemy era,
legendary gangster,
and ex-husband of Megan Fox machine gun Kelly served time in Leavenworth.
As did Al Capone's right-hand man, Frank Niddy.
In 1931, Leavenworth was the site of one of the most violent,
ambitious, and wildly unsuccessful prison breaks in US history.
This is the story of the 1931 Levinworth prison break.
Ooh, a prison break. That's a good one.
Right. So, the main source for today's story is the book Levinworth 7 by author Kenneth
Lamaster. And Marin says, that book is very much worth reading if you like this story and you want to hear all the details
get the book Levenworth 7 by Kenneth Lamaster and the rest of the sources are in our show notes.
So this starts around 9 a.m. on a mid-December morning at Levenworth in 1931.
It's been an unusually rainy and very cold past few weeks, but despite this
gloomy, lazy day weather, Leavenworth prison is buzzing with activity. So clearly not a lot
of lazy days in prison. So over in the administrative offices, 50-year-old Warden Thomas B. White
is preparing to meet with some inmates as he does every morning between 9 a.m. and 11
a.m. Warden White holds these office hours so he can hear the prisoners complaints
or suggestions.
Oh, sure.
I mean, he was pretty progressive for the 30s, actually.
Yeah.
But the idea of that where it's like, could we have a little more salt in the food?
Right.
Or a suggestion box in a prison.
Yeah.
But straight to the wardens face.
So good luck.
If you wanted to go have one of these meetings with Warden White, you would have to leave the more secure part of the prison. Yeah, but straight to the warden's face. So good luck. If you wanted to go have one of these meetings
with Warden White, you would have to leave
the more secure part of the prison
and enter the administrative area.
And basically all you needed at that time
to do that was like a hull pass, basically.
So if you've seen the movie Killers of the Flower Moon,
the new Scorsese movie.
Not yet.
I wanna see it so bad, I haven't seen it yet either.
So, in it, Jesse Plemens, the great actor and Mr. Kristen Dunst, Jesse Plemens, he plays
Warden White in that movie.
Oh, interesting.
But in real life, White is a towering six foot four Texan, a former Texas Ranger and a
special agent for various railroad companies.
So he was a Pinkerton.
Yeah. a sexist ranger and a special agent for various railroad companies. He was a pinckerton.
Yeah.
Then he joined the FBI, where he helped crack the unsolved spate of murders of Native Americans
in Oklahoma.
That's what killer's the flower moon is all about.
Wow.
So after working the Osage case, Thomas left the FBI, and he joined the US Bureau of Prisons.
And he was sent to Levinworth, where he was expected to bring a much-needed
sense of order to the overcrowded prison.
And by 1931, Thomas B. White has been Levinworth's warden for almost five years.
Coincidentally, that's the same amount of time this one group of inmates has been planning
a prison break right underneath the warden's nose.
So for almost five years, they have been planning to break out a love and worth.
I guess even nothing but time, right?
Yeah.
So three of these men were sent to love and worth for the same train robbery, George Curtis,
Grover C. Durrell, and Earl Thayer.
The other four men are Will Green, Tom Underwood, Charlie Birda, and Stanley Brown.
They're all doing time for either assaulting or robbing various male carriers or post offices.
So obviously a federal crime.
And because of that so many names to keep track of, we're basically going to just call
these guys the 11, we're seven or the seven.
So each of these men are assigned work duties in the prison, underwood and Dural, working, I immediately don't do that. That's really funny.
Underwood and Dural, work in the main hospital. Green works in the laundry room,
brown is in the plumbing, burda is on a construction crew, and Curtis and
they are work in the prison shoe factory. Which of those jobs would you want?
If you had to pick up? Absolutely shoe factory. I'm like, I would like to work in the prison shoe factory. Which of those jobs would you want if you had to pick up?
Absolutely shoe factory. I'm like, I would like to work in a shoe factory.
What was the first one again?
The first choice was the hospital.
I do the hospital. Hospital laundry room.
You could be a plumber, construction crew, or shoe factory.
I feel like plumber is the worst.
A plumber in a prison?
No, thank you.
Oh yeah, that's true.
It's like, it's a bunch of drugs down here.
That's why your toilet isn't fludging,
because you are hiding and muleing drugs.
Yeah.
So the reason the morning is so busy and love and worse,
is that some inmates are headed off to their job posts
while many are leaving their overnight shifts
and headed back to their cells.
And then others are just going out to the mess hall for breakfast.
As writer and historian Kenneth Lamaster points out, quote, one of the most unsettled times
in an institution is when you have a large movement going on.
If you've got thousands of inmates running around the institution, they could move a little
unnoticed.
And that's exactly what the 11-Worth 7 are banking on.
So instead of heading to where they're supposed to go, the men take advantage of the morning
rush and they head to their stash spots where they've been hiding weapons for the past
four years, four to five years.
This arsenal includes a shotgun, a rifle, six pistols, 17 sticks of dynamite, blasting
caps, and cords,
and hundreds of rounds of ammunition.
Like I wouldn't even know where to get that today
as the civilian.
And they figured out how to get that in prison.
You know, it's the bad guy era, right?
As we said, and they've been doing it,
they've been like stowing it away for so long
that it's like if they've gotten, you know,
to a year, then it's accumulated.
But it would just be so hard to be that patient.
I don't know.
It's not easy smuggling this much firepower into a federal prison, obviously,
but the 11-worth seven have been working on this for five years.
So they've been conspiring with their gangster friends on the outside
to get everything they'd need to make a successful prison break.
And they also had help on the inside.
Some prison officers for $1 would either send or receive letters from the outside world.
And in these letters, the seven used code words to request certain supplies and to instruct
their friends on how to sneak them into the facility undetected.
So according to Kenneth Lamaster, this is how they did it. The weapons were sent
in boxes labeled as glue, shoe paste, and oil, right? And members of the seven, presumably the ones
who worked in the shoe factory, they noticed that the shoe repair supplies usually come with a
warning label on the boxes that said things like, do not open because, quote, doing so could cause the materials to dry out and become unusable.
Smart. So it was like a normal practice to just, oh, these are shoe supplies, don't open it,
don't inspect it, just send it through. So smart. Right. So once the weapons were inside the prison,
the seven would intercept them and stash them away. And so in the last few days, everything that they've requested has finally come in.
They've gotten the last bunch of stuff that they needed.
So now it's time to put their big, almost five-year plan in motion.
The original plan would have been that the seven bust out of prison and get picked up
on a nearby road in a getaway car.
But the groups go to guys on the outside
have just been involved in a bank robbery that turned deadly
so they're currently on the run
and they can't come and be the getaway driver.
None of them.
None happens.
Hang around the barbershop, you're gonna get a haircut.
You know what I'm saying?
Can I tell you my new favorite saying?
Yes.
Play stupid games, win stupid prizes.
Where'd you get that?
I like how Clives of Orange County.
You sound like like that, I don't know.
It's like, I have fucking love it.
It's true.
So even though they don't have a solid getaway plan,
the Leavenworth 7 decide they're just going to win it,
they cannot wait another minute.
It is officially go time.
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feel the same way without therapy in my life. Yeah, for sure. It is one of the most important
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Good bye.
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So to kick things off, Daryl, Curtis, and Underwood head toward the warden's office with a forged warden's hall pass, right?
Pretending that they're going to go make some suggestions.
Got it. We'd love a nice pasta every, every couple nights. How that
Tuesday talk, oh, night. Hey, it would be fun. It would uplift the prisoners. Right. Bring
us all together. Come on. Everyone loves a buffet. I'll shred the cheese. Okay. So they
present this fake hall pass to the gate officer.
The gate officer thinks it's legit.
He lets the inmates into the main corridor and he assumes that they're just going to head
off into the direction of Warden White's office.
Instead, as the three men pass through the gate, George Curtis pulls out a pistol that
he's hidden in his clothing.
He shoves it into the officer's back and he demands the officer hand over his gate keys.
Once he has those keys, Curtis unlocks the gate behind them so that the other four members
of the 11-Worth 7 can join them and then they take that officer hostage, they pull out
their weapons and they push him down the hallway toward the wardens office.
So it's on big time.
They immediately have a hostage of one of the prison officers.
Like, there's no going back.
Too easy.
It was.
When they get to the warden's office door,
they push their way inside,
and they take two clerks and the warden's secretary hostage.
So there's like the inner office,
and then the warden's office is the inner, inner office.
So they grab those people.
Meanwhile, warden, he's in his
office just beyond the second set of doors. So he's meeting with his first inmate of the
day, who just so happens to be another famous criminal, it's Fred Barker, the son of
Ma Barker of the Barker Carpiskay. Is that just a coincidence? If you want to go
realist into episode 364, the BI, where I tell you the story of Ma Barker,
that's where he got sent after he was arrested.
So he was, I mean, it's not a coincidence only in that he's also a famous guy.
Yeah, that's all I mean.
It's like a coincidence that someone we know is in the office at that very moment.
It's just storytelling magic is what it is.
So when Warden White hears that there's a commotion outside of the office, he immediately assumes it's an attempted prison break and he immediately knows the one thing escapees
want most of all and that's a getaway car.
So he takes his car keys out of his pocket and he really quickly hides them under the rug.
So this guy's like on it.
He's been a pinquarton.
He's like, he knows his stuff.
No bullshit.
Then he looks at Fred Barker.
He tells him to sit tight,
and then he walks over to the office door, throws it open,
and sees the barrel of a gun pointing in his face.
Warden White immediately submits to the 11th or 7
and becomes another hostage in this growing group of hostages.
It turns out the Warden was right.
His car is in fact what the group is after.
So they plan to take his keys, walk to the Warden was right, his car is in fact what the group is after. So they plan to take his
keys, walk to the warden's nearby residence, which is like seemingly like right next door,
yeah, from the descriptions I've read. And they're they're going to steal his Buick, which sits
on the front lawn of Levenworth. So they know that his car is out there. Yeah. The group leaves
Fred Barker behind, but they grab a construction form in and two typewriter repairmen who just happen
to be on site that day.
So now there's even more hostages.
That's too many.
It's so many.
You can't keep track of that many hostages.
And also I'm just trying to picture how they're moving,
like, is there an inner circle of like 10 hostages
as the seven are on the outside?
Taking tiny steps.
I just imagine it's like the three stages, you know?
I don't even think.
Yes.
They have to move on mass or not at all.
Right.
Okay, so the group heads to the front door.
When they reach the front door, they see an officer named J.H. Dempsey and they order
him to open it.
Dempsey refuses.
So, George Curtis pulls out several sticks of dynamite that have been tied together and
yells, quote, if this gate isn't opened by the time I light this fuse, I'll blow us all to hell.
To which Officer Dempsey responds, quote, I guess we'll all see each other in hell then.
Fuck.
Hey.
Hey guy.
And that's not just bluster.
Officer Dempsey is actually following protocol, but at the same time, Warden White is convinced
the George Curtis,
along with these other members of the 11-Word 7, have nothing to lose. They really might be
willing to blow themselves up versus bungling their escape plan. And with the lives of these
hostages now on the line, including himself, Warden White is trying to determine what action will
cause the least amount of damage.
If the dynamite's lit, Warden White knows multiple innocent people could die right here
in Levin, North's main corridor.
If that's not dire enough, the entire front of the prison could become blown off, basically,
if he really does it, and that would lead to even more inmates escaping.
So the Warden orders Officer Dempsey to open the front door and let them pass. So as the group moves outside, the seven-take officer Dempsey hostage.
And now, there's like around a dozen or so hostages being led by seven armed inmates
down this long staircase that leads from Levenworth's front entrance onto its lawn.
Meanwhile, two guards that are up in the nearby guard tower see all this go down.
And one of them removes the tarp from the machine gun and whirls it around to prepare
to fire. And the 11 were seven. See them do this. And Stanley Brown yells out, quote,
if he fires, we'll kill you all. Warden White calls out to the tower guards, quote, we've
made it this far. No reason for bloodshed now.
And quote, when the group hits the lawn,
the seven release all the hostages except for Warden White.
They push him toward his nearby residence,
and once they're there, they all pile into his Buick.
But when they demand for him to give them his car keys,
he honestly tells them, hey, sorry's already there back in my office.
I feel like it's like when you get robbed at a bank
or whatever, like just go with what they're demanding
and nobody gets hurt, hopefully.
But also, if you're gonna make a plan like this,
make sure you have the keys before you get outside.
Don't just assume.
They're doing things you just can't go backwards on.
I was like, oh, sorry, I'll run back in.
Right.
So they climb out of the Buick. They get him into the Buick. They realize there's no keys. They're doing things you just can't go backwards on. I was like, sorry, I'll run back in. Right.
So they climb out of the Buick. They get him into the Buick. They realize there's no keys.
They all have to get out of the Buick. They grab the warden and then they head towards
the main road that runs in front of Levenworth, Metropolitan Avenue. And as they do that,
a car comes down the street. So the seven draw their weapons, they force the car to stop
and they tell
everyone inside to get out. Now, it just so happens that this car is filled with soldiers
from the nearby military base coming back from having gone rabbit hunting. But they are
no match for the desperate and overly armed escapees. The seven overtake the vehicle,
they throw warden white inside and they drive away.
And when they do, they find this car is filled with hunting equipment, including several more guns.
Oh dear.
Yeah, but if it seems like the 11-worth seven's plan is off to a great start, that's not going to last very long.
So Charlie Birda is driving this stolen car and he actually asks the warden which direction
he should go to make a clean escape. It's just kind of funny. And then the warden gives
him a straight answer. He says, you should take the road that leads toward Missouri. And that
way they can disappear like on back roads before anyone can pick up their trail. But then
Charlie is like, wait a second, you're trying to trick me.
So he does the opposite.
And he immediately makes a hard turn onto a dirt road.
But because of all the recent rain,
the road is incredibly muddy.
So before the men can put really any distance between themselves
and Levinworth, Berda drives the car into a ditch
and it gets stuck in the mud. Buck and Berda, he's always.
Oh, it's cheese.
Why do we have him drive?
Yeah.
So meanwhile, the alarms are blaring at Levinworth,
signaling that there's been a prison break and word is out.
So the seven are forced to abandon the car that's stuck in the mud.
They grab the warden and they grab their weapons and they just start running down this muddy road. And as luck would have it, another car is coming
up the road toward them. This one's smaller than the soldier's car that they had just abandoned,
but bigger escapees can't be choosers. So again, they basically car-jacked this next vehicle
and they leave the driver who turns out to be a 11-worth officer who's headed into work.
They leave him on the side of the road and then eight people try to climb into a car that's
designed to hold five passengers. You might have done that after a night out again. It's
a small Uber and you're like, we're just gonna share a seat belt. You were probably always the one
that laid across the top because you were the smallest. So this far is so packed that two of the inmates are forced to actually stay outside and ride on the running boards.
Oh.
Now, this is, remember, 1931. So it is a little bit of a, oh, brother,
where art thou situation where I was like back then they had much wider side running boards.
But I just want to say really quick, that was a fun thing that my dad,
he would come and pick me and my sister up
at school in the Volkswagen.
And the Volkswagen had very small running boards on the side,
and he rolled both windows up and then let my sister
and I hang on the side of the car while he drove
around the playground.
Yes.
And it was the most fun,
and he'd be like, you cannot tell your mother.
And we didn't tell her until we were like in our 20s.
Oh, I love it.
Oh, that's so dangerous, but so fast.
So dangerous, but so fun, so fun.
Really, I'm gonna call him and thank him for the.
Aww.
So now the getaway car is moving extremely slow
under all this extra weight that it can't carry, right?
And it's actually dragging on the muddy ground.
So the seven know they can't escape in this slow moving car,
so they start looking for another car to steal.
They spot one sitting outside of a one-room schoolhouse.
So good old Charlie Bertha pulls to the side of the road
and three of the seven bust into the schoolhouse.
The children start screaming and prying
as the escapees demand that the young teacher,
a woman named Anna Meyer, give them her car cues.
This is my favorite.
Anna reportedly tells them, quote,
you go on about your business, boys, that car out there
is the only thing I have.
Go on and steal one from one of the farmers.
I'm just a poor school teacher.
So she fucking sasses them immediately.
After a tense back and forth, one of the inmates walks to Anna's desk, except her purse,
and takes her keys, and they rush back outside. But when they get into her car and turn the
ignition, it doesn't start. It turns out the car has ignition problems. Anna had to have
a button installed under the dashboard to start the car.
Holy shit. And of course, they don't know this. She obviously wasn't going to tell them.
Yeah. So the seven have to give up. They have to get back into the little five-seater.
They make it three more miles down the road. Then Charlie pulls onto what he thinks is a dirt
back road. But it turns out it's just a bumpy driveway that dead ends
into some farmhouses.
And the same scene plays out for a second time.
The car struggles, then basically sinks in the mud.
They all have to get out.
They grab the warden.
They're trying to figure out their next move literally
on their feet.
They're still close enough to 11 worth
that they can hear the prison alarms going off.
So they haven't gotten away very far at all.
They make it to a small farmhouse, they force their way inside.
The escapees demand the homeowners give them a phone and a car.
The family says we don't have either.
Like we don't have any money.
We don't have a car, we don't have a phone.
Yeah.
They're like, God dammit. So the seven decide to keep moving,
but they take a few family members hostage on the way out.
Just grab a few family members.
There's no plan at this point.
There's scrambling.
Also, seven people try to do anything.
Like have you ever tried to go to dinner with seven people?
No.
No.
Nightmare.
Everyone's like, is the person with the plan,
the bossy person, then there's the contradictory, then there's the person that wants to give up, like, no nightmare. Everyone's like is the person with the plan the bossy person and then there's the contradictory
Then there's the person that wants to give up like nightmare. I'm the bossy one. I'm the bossy one too party of seven
Please and everyone
Sit down. I'm in a order for
So you do love to order for the table is one of my talents ordering for the table
So now the 11 or seven in their hostages are walking through the nearby woods. And as they do, they have to be
really careful because now a large local posse has formed to find them.
There's airplanes overhead and searchers are combing the fields nearby. So
they're kind of surrounded and they're very desperate. And then they come
upon another farmhouse. And once again, they forced their way inside
and only to discover once again,
the family has neither a phone nor a car.
It's like 1931, right?
It's 1931, it's like, I think Dust Bowl, right?
Definitely like the depression.
It's depression, it's not happening.
Yeah, sorry, goodbye.
The escapees who seem committed
to repeating the same actions over and over, snag a few more hostages from this farmhouse and start walking toward the nearby road to of course hijack another car.
So within moments a Chevy coupe, which is a four-seater, this is even smaller car.
And also this is a time where cars are pretty big and And this is like, they're getting all the compact cars
in the area.
So Chevy Cook comes down the road.
Some of the 11 worth seven,
height and near-bright brush with the hostages
and the rest of the game, force the car to stop.
They approach the four passengers inside
are all young people who are in their late teens, early 20s,
who heard about the prison break
and are driving around to check out what's happening.
Oh my god, you guys.
Right.
So now they're a part of what's happening, sure.
So the escaped inmates, all the passengers from the car, they give them careful instructions
to go walk down that road, not look back even for a second until they've gone over the
hill that's in the distance, right?
So it's like, walk that way, keep walking, don't look back even for a second until they've gone over the hill that's in the distance, right? So it's like, walk that way, keep walking, don't look back.
The group of teens walk away, leaving the escapees to discuss what they're going to do next.
They know this foreseater isn't going to get all of these hostages and all of the seven
out of there.
They're getting more and more stressed.
And during this conversation, Earl Thayer looks toward the four young people and sees
one of them, of course a dude,
turn around and look at them.
So Earl raises his rifle.
No.
Warden White sees this.
He immediately reacts yelling for the other hostages to run as fast as they can while he manages to grab a gun from the Sevens arsenal.
The hostages run, but as they do, one of the seven bashes Warden White over the head with a butt of a gun from the Sevens Arsenal. The hostages run, but as they do, one of the seven
bashes warden white over the head with a butt of a gun, and then will green fire
his shotgun directly at the warden, blowing him into a ditch. Oh my God. So now
the Escapies are panicking. They're in the middle of the road. They don't have a
getaway car that can fit all of them. Their hostages are gone, and they think they've just murdered
the warden of Leavenworth Prison.
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Bye.
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Charlie Burda, Stanley Brown and Tom Underwood takeoff running through the nearby
woods.
And meanwhile, Will Green gets behind the wheel of the Chevy Coop, Grover Durall, Charlie
Curtis and Earl Thayer hop in beside him, as green
scramble to start the vehicle, the men see a car speeding toward them and it's the wardens
Buick that they didn't have the keys for before. Inside are the deputy warden, two prison
officers, and the mayor of a nearby town called McLeough, Kansas. There's a note for me
from Marin that says, I don't have a great explanation
as to why a random mayor is involved here.
I bet you anything, he was up for a reelection
and he wanted to be one of the people who caught the seven.
How do you live near Levinworth?
And when the prison break alarm goes off,
you don't go, well, I'm heading over there
to see what's going down and what's needed.
Definitely.
So now a shootout erupts in the middle of the road between these two vehicles.
The passengers in the wardens car have a submachine gun while the 11 and worth 7 fire back with
their shotguns and their rifles.
The inmates get away car, is riddled with bullets and people on both sides are getting
shot.
An officer in the wardens car is shot in the neck and the arm.
And on the 11th, worth seven side, driver will green is shot in the head
and he's temporarily blinded, but amazingly nobody dies in this gunfight.
Holy shit.
It's like, it was such a different time.
Yeah, the bullets were different, I think, too, right?
In the guns, I think.
In the guns, yeah.
So somehow green manages to drive away from the wardens vehicle
because the wardens vehicles been damaged in this shootout.
So even though they have a small bad car,
it's not as bad as the wardens at this point.
And he's able to take a sharp turn
on what he thinks is a country road.
They keep thinking these are country roads.
When will they learn?
Yeah, how city are these people? Because again, it's another driveway to a farmhouse,
and like every other road we've encountered so far, it's extremely muddy. This makes the third
getaway car that sinks and gets stuck in the mud. So the remaining prisoners abandon that car.
They start running up this mud road with a new level urgency except for Earl Thayer. Thayer does not want to go into another farmhouse
just to have this exact same scene play out again. No car no phone. So he tells
Green, Durrell and Curtis that quote, we have a one and a million chance of escape
if we enter that house. So Earl Thayer breaks off from the group
as the other men continue up the road.
The farmhouse is owned by 73 year old Emerson Salisbury.
He lives there alone,
and he maybe can't hear the personal arms going off
because as Green, Dural, and Curtis approach his home,
Salisbury asks,
howdy boys, you going hunting?
Ha ha ha ha, old Salis. Salves just never gets it.
He never catches onto the plot.
And he's never met a stranger.
It's like even if you're carrying a large shotgun, he's like, what's up?
Oh my god.
Get over here.
The three men push past old cells into his house.
They draw their weapons and they wait for the posse to show up.
It only takes a few minutes before Sal's Bury's is showered with bullets, bombs, and tear gas.
Holy.
Luckily, Emerson Salisbury somehow manages to escape unscathed and he will later say,
quote, there was so much tear gas I thought I was going to suffocate.
So a 73 year old got to look back on the time that like he was involved in a prison break.
It's amazing.
Okay, so this shootout at the Salisbury home lasts for hours.
Finally, when the gunfire coming from inside the house stops, a member of the posse carefully
approaches, goes inside and finds the bodies of George Curtis, Grover, C. D'Auril, and
Will Green all shot to death.
A later investigation will reveal that these men took their own lives.
So basically it was like they knew there was no hope, and they weren't going to go back
to prison.
The three members of the 11 more seven who tore off into the woods, Tom Underwood, Stanley
Brown, and Charlie Berda, are tracked down before the day is through.
They're spotted hiding in a ditch, and when the officer's approach,
Brown pulls a hail Mary move,
he pulls a stick of dynamite out of his pocket and says,
we all might as well go up to see St. Peter.
But then because of the rain,
the fuse is too wet to light.
Because that's a great line, too.
And then what a, wow, you know.
I'm gonna blow a swallow up.
And then there's like lighter, lighter, lighter, lighter.
Yeah, yeah.
And then the prison official walks up
and snaps the dynamite out of his hand.
Yeah.
So the escapees are brought back to Levinworth.
And as Tom Underwood is put into a cell,
he pulls another stick of dynamite out of his coat.
Nobody patted him down.
No, no, they did.
He hands it to the office, they're saying matter of factly,
quote, I won't have any use for this anymore.
I don't understand how this wasn't found.
I've been searched three different times.
Wow.
That is a burn.
And also just like, I don't know, it feels like that was
a different time. Like he just gave up. He gave up fair and square. And was like, here, I don't know, it feels like that was a different time.
Like he just gave up.
He gave up fair and square.
And was like, here, I'm not gonna score this away
for a future plan.
You can just have it.
He called uncle.
He really, he really did.
Earl Thayer has finally captured a couple days later
after approaching two men in a garage
and asking if he could exchange his rifle for some coffee.
Ooh, that's desperate times.
Yep.
Of course the men are local, they know who they are is,
and they restrain him, and Earl doesn't fight back.
He's taken back to Levenworth,
and he's treated for pneumonia.
While we're covering, he tells his doctor, quote,
I didn't do so bad for an old man.
He was 63.
Not bad.
The four surviving members of the Levenworth 7
are handed additional charges and additional prison time, of course. In the wake of this event,
11-Worth Prison Protocol changes entirely. Security measures are beefed up, more gates are added
throughout, and new protocols are put into place regarding hostage situations. Fortunately,
every single one of the 11-Worth 7 many, many hostages, escape unharmed,
although poor Emerson Salisbury's home was seriously damaged from all the bullets in
the bombs.
I know.
What a bummer.
What about the warden?
Well, let me tell you this.
Okay.
When warden Thomas B. White's body is found lying in the ditch where he landed after he
was shot with a shotgun, Incredibly, he's alive.
Despite severe injuries,
he survived being hit with a shotgun blast
and makes a miraculous recovery
although he never fully regains
the full use of his left arm.
Once he's healed,
Warden White is transferred to a quieter job
in his native Texas
at the Latuna Federal Correctional
Institution. This prison is brand new and according to Kenneth Lamaster, quote, the institution
was the federal bureau of prison's first meaningful effort at the rehabilitative side of corrections
as opposed to the punitive side." At the age of 70, white leaves Latuna and joins the Texas
Board of Pardons and Pearl in Austin.
And after six years, he finally retires and lives a quiet life with his wife, Bessie.
Thomas B. White, Morden White, passes away in 1971 at the age of 90.
Wow.
Yeah.
As for the four surviving members of the 11th and the 7th, Earl Thayer dies in 11 more
three years after the escape attempt.
Tom Underwood and Stanley Brown finish out their sentences and are released and fade
from public view.
Charlie Bird would actually go on to serve time at Alcatraz before being paroled in 1949.
And once he's released, he works at a local bar which which reportedly has a direct views of Alcatraz, and he's often spotted
riding his bike across the Golden Gate Bridge. So he just becomes like a city guy. Wow. And I'm trying
to think, like, there's several bars that it could be, but I'm just thinking of what's that bar
that's famous for the Irish coffee? Oh, that's right there in Fisherman's Warth. Is it the Buena Vista?
The Buena Vista. Yes, thank you. It just would be cool if it was like a super tourist bar.
Yeah, super super famous. I mean, it's just like, it's me. Much later,
Warden White's FBI agent Sun, who is also named Thomas, is told by another agent that quote,
Charlie Berda asks about your dad all the time and considers him one of the
greatest men ever to live. Wow! And that is the story of the spectacular failure of the 1931-11
worth seven prison break. Holy shit, that was a caper. Right? Yeah, that was wild. That was
great job. Great holiday story. Thank you. It was kind of a fun one. Yeah, but then also with shotgun blasts and sticks of dynamite. Totally totally. Oh, man. What a mess. Yeah, we hope your prison break goes better than that and your holidays too.
The prison break, the holiday prison break of leaving your parents house and going to a bar to meet people you want to high school with.
Oh no! Enjoy! Enjoy!
Yeah, enjoy that!
Thanks for listening, guys!
Thanks for staying with us.
We love you.
We appreciate you.
Stay sexy.
And don't get murdered.
Go go!
Elvis, do you want a cookie?
Aaaaah! This has been an exactly right production.
Our senior producer is Alejandra Keck, our managing producer's Hannah Kyle Crichton.
Our editor is Aristotle Acevedo.
This episode was mixed by Liana Squilachi.
Our researchers are Marin McClashan and Ali Elkin.
Email your hometowns to my favorite murder at gmail.com.
Follow the show on Instagram and Facebook at my favorite murder and Twitter at my fave
murder.
Goodbye!