Office Ladies - A Benihana Christmas w/ Rashida Jones and Jen Celotta
Episode Date: August 5, 2020Break out the nutcrackers and fire up the karaoke because we're breaking down A Benihana Christmas. This is a supersize episode and we're bringing on not one but TWO amazing guests! Actress Rashida Jo...nes and writer Jen Celotta join us to share their memories and insights of this episode. We deep dive on the history of Benihana, and we talk about The Party Planning Committee v. The Committee to Plan Parties. Finally, we answer fan questions around Angela Martin’s siblings, some continuity errors, and who got a Dundie for 'Tallest Music Dude’.
Transcript
Discussion (0)
I'm Jenna Fisher. And I'm Angela Kinsey. We were on The Office together. And we're
best friends. And now we're doing the Ultimate Office rewatch podcast just for you. Each
week we will break down an episode of The Office and give exclusive behind-the-scenes
stories that only two people who were there can tell you. We're The Office, ladies.
Merry, merry Christmas. Merry, merry Christmas. It's Christmas on The Office again.
Well, someone showed up very festive. That's right. It's a Benihana Christmas. Well, I
think Angela Martin would let you know it's a Nutcracker Christmas. Oh, wow. Mm-hmm. Oh,
wow, you're already going there. I am, lady. I am here. The Party Planning Committee has
arrived. Well, we'll talk about that. Guys, this is Season 3, Episode 10, written by Jen
Solada, directed by Harold Ramis, a Benihana Christmas. And this is an hour-long episode.
Yeah. So buckle in. It's going to be a super-sized episode of Office, ladies. And we have some
exciting news. We have two special guests this week, Rashida Jones and writer Jen Solada.
So much fun. And both of these ladies will be joining us for interviews during the episode.
Well, Jenna, how about giving us a summary? Okay. It is Christmas at Dunder Mifflin.
Carol breaks up with Michael the day of the Christmas party after Michael photoshopped himself
under her family Christmas card. He put his face on her ex-husband's face from a family ski
trip and sent it out to people. Yeah. Oh, Michael. Well, Andy suggests he and some of
the guys take Michael to Benihana to cheer him up. Meanwhile, Angela kicks Karen out of
the Party Planning Committee. So Pam and Karen band together and start the committee to plan
parties. We're going to have some dueling holiday parties. Oh, she should have had better ideas.
Oh, boy. You, you are in it to win it today. And I came to play. I came to play. Well,
later, Michael and the boys come back from Benihana with dates just in time for the two
parties to merge. And we end with everyone singing their hearts out to karaoke. All
right. Fast fact number one, Harold Ramis. Harold Ramis. I mean, Jenna, my whole childhood
were his movies. Legend. I was so giddy, nervous, excited to work with him. I mean,
meatballs, caddyshack, ghostbusters, ghostbusters too. Groundhog day for flippin' sake. Stripes.
Stripes. Oh my God. Yes. Stripes. Oh, also, Angela, he got his start at Chicago Second
City. Yes. He's just like so talented. He's such a great writer as well, you guys. He's
a writer, actor, director. He was just a comic legend, and I was in awe. Well, you know,
he passed away in 2014. I just can't believe that I got to work with him, frankly. I know.
Harold Ramis was just a teddy bear of a human. He just made you feel so comfortable, and
he was so fun to talk to. And I have some great memories of him. We did a lot of conference
room scenes, obviously, in this episode. I was in the conference room quite a bit, right?
Because my party versus Karen's and Pam's party. Yeah. And Harold was in the conference
room with me, and we were just chatting, and he told this great story about how when kids
would come trick-or-treating to his house, he lived in Illinois, he would put on the
Ghostbusters uniform and answer the door in his Ghostbusters uniform. Yeah. He did that
every year. I thought that was so delightful. It was the sweetest story. All right, let's
move into FastFact number two, which I'm calling guest star breakdown. Okay. We got a breakdown.
All of our guest stars, the Benny Hanna waitresses. The main waitress in the restaurant, Cindy,
is played by Brittany Ishibashi, who you might recognize from Runaways. She starred as Tina,
as well as recurring roles on Hawaii Five-O and Grayson Frankie. But here is something
very interesting about Brittany and me. What? Okay. Weirdly, both Brittany and I have had
guest appearances on the TV shows Off-Center and Mismatch, but we were not in the same
episode. So the office was the third project that she and I have both been in, but we've
never shared a scene and we've never met. That's crazy. Our lives have sort of been
intersecting. Brittany, am I going to meet you one day? You're on track to finally be
in a project together at the same time on the same day, in the same scene. So Angela,
there are two more guest star waitresses. These are the waitresses that Michael and
Andy bring back to the party. So first there is Amy, who is played by Cat On, and she's
done just a ton of sketch comedy, stand up, funny or die. And then there is Michael's
girlfriend Nikki, who is played by Kulap Velisok. Okay. I worked with Kulap on Hot Wives
of Orlando. It was the show on Hulu. It's a really funny spoof of the Real Housewives
and she was great in it. She's great in a lot of things, but that was a lot of fun
to do. Well, lady, you know I loved that. I know. Okay. Fast fact number three, I got
the scoop from Kentopedia on the Benihana location because we got a lot of fan questions
about it. I wanted to ask about that because I was wondering if it's the Benihanas in
Encino. It sure is. I have been to that Benihanas and when I was rewatching this, the way you
walk into the restaurant, you know, it's the same. And I was like, yeah, come on, that's
Benihanas in Encino, California. Well, lady, we got some fan questions from Ashley Hildreth
Rachel Martino, Hannah Holtman, Malia Holbrook, Abigail Hess, Rupinder Gossel and many others
all asked, were the restaurant scenes filmed at an actual restaurant? How long did it have
to be shut down? And is the chef at Benihana an actual Benihana chef or was it an actor?
I'm going to say yes because he was too good with that knife. Yes. We will start there.
It was a real chef. We hired all of the chefs and all of the wait staff of the Encino Benihana
to perform in the episode. And we also hired 78 background actors to play diners. We shut
it down for a whole day. We rented out the entire place and it took about 12 hours to
shoot those scenes. This is reminding me that we had a bigger budget because when in the
past could we go in and be like, well, take the whole place. I mean, even Chili's was
like an out of business boarded up. Yes. That's right. Restaurant. But this was like an actually
like very successful restaurant that was always full of people. And we closed them down for
a day. Wow. Wow. Well, and I did a deep dive on Benihana. And I'd like to give you now
the history of Benihana, the restaurant. Well, I didn't see that coming. So I'm, I'm ready.
It's fascinating. This is from the Benihana website. And this is the first line from their
description of the history of the Benihana restaurant. I'm going to quote it because
it is fantastic. Quote, like any good story, the history of Benihana begins with the descendant
of a samurai warrior and a small Tokyo coffee shop. Are you intrigued? I'm riveted. Okay.
It's amazing. So this is what happened. So there's a couple in Tokyo, Yunusuke and Katzu.
They started a coffee shop. And in order to set themselves apart, Yunusuke would bike
over 20 miles to get real sugar to serve with the coffee in his shop. And this little detail
caused the shop to be a huge success. The name of their coffee shop was Benihana. All
right. Cut to years later, the couple's son, Rocky, moves to the United States with dreams
of opening a restaurant. He starts by going to night school to study restaurant management.
And during the day, he sold ice cream on the streets of Harlem. But here's what he did.
He put a little Japanese cocktail umbrella into the ice cream and this really set it
apart. And eventually he earned $10,000, which he used to open his first Benihana restaurant,
naming it after his parents' coffee shop in Tokyo. Well, that was adorable. Also, I'm
a sucker for anything with a tiny umbrella in it. Give it to me. Any drink with a tiny
umbrella tastes better. It really does. Oh, yeah. I mean, that's a fact. I might have
saved a few of those like from special occasions and they're in my kitchen. I don't doubt it.
That is very you. I know. My husband's like, do we still need these? I mean, the little
stick is broken. I'm like, no, don't throw it away. Okay. So there's more to the story.
Okay. His first shop, which was on West 56th Street, it was exactly like how it is today.
His vision was to have the tempanyaki grills set up in front of the customers with the
chefs doing all the knife work. But it was, it was struggling at first until six months
after they opened, the restaurant got a boost when a famous food critic came in and gave
the restaurant a fabulous review. Here's my favorite part of that. Can I tell you the
name of the food critic, this famous food critic, like you wanted this person to come
to your restaurant? Are you ready? Who? Clementine Paddleford. Oh, God. She sounds like a made
up character in a Mary Poppins movie. She sounds like an improv game that I used to
do when I did improv. Hey, guys, come on, we're going to do Clementine Paddleford. Let's do
it. Right? I was like, what is happening? We're in a Disney film. I want, I want that.
All right. Wait, wait, wait. There's just so many ways I want to use that name now.
I want it to be a cocktail. I'll take a Clementine Paddleford, please. It comes with an umbrella.
And thank you, Clementine, for giving Benihana a rave review because the restaurant became
a huge success and there are now over 70 Benihana restaurants in the United States, Caribbean
and Central and South America. How about that? That is a really good one. And you know what?
If your name is Clementine Paddleford, you are the best food critic in New York City.
I mean, yes. I have a clear picture of this woman and her discerning food eating looks.
Yeah. Oh, I need to see what she looks like. I only imagine her eating with like very tiny
cutlery, like a tiny fork in a, right? Mm hmm. Why, why is that? All right, lady, thank
you for indulging my deep dive on Benihana and Clementine Paddleford. Are you kidding?
I loved it. I need more Clementine Paddleford in my life. Same, same. But listen, should
we move on now to our first interview? Yes. Okay, guys, we had such a fun storyline with
Rashida Jones in this episode with the whole dueling Christmas parties and it was such
a blast to shoot. We couldn't wait to reunite with her and talk all about it. So let's get
to it, Sam. Run the interview with Rashida. I'm so happy to see your face. I know me
too. This is so nice. I don't think the three of us have been, well, we're not in the same
place, but we have at least been all talking to each other for like a decade. Oh, yeah.
All in the same one place. Yeah. I think you're right. That makes me a little sad. Easy.
Isabel asked me a really random question the other day. She's like, mom, who of your friends
have you been on a boat with? And I was like, well, I mean, Rashida and I went on an ocean
conservation trip for Oceana. So we were on a lot of boats. Wait, a lot? I mean, we were
like on a boat almost every day for a week in Belize. And so we were like clocking how
many boats. And I'm like, well, technically maybe same boat, but a boat every day. That
one dive that we took that day where there was like, it was like the 101 of the ocean.
It was like sharks and eels and turtles. It was just the coolest. It was the coolest.
I know. That was great. I miss all of that. I know. But yeah, I just thought it was just
like one of those questions your kid asks you. And then she's like, wait, you've never
been on a boat with Jenna? I was like, no, Jenna, have you guys never been on a boat?
We've never been on a boat. We've got some adventures, Jenna. You got it. You got to
make that happen. You might have to do like a recording of your podcast on a boat. Oh,
dear Lord, Rashida, look at our setup right now. Doesn't it sound good to imagine though?
Yes. The future. Yes. One day we'll be boating and podcasting together. Oh, God, I love it.
Well, we can't thank you enough for being here. We're so thrilled to have you. I'm
so happy to be here. Well, Rashida, one question we always ask our guests is how did you come
to be on the office? I auditioned many, many times. I knew people socially before I joined
the cast. And I went to college with Mike Schur. We were in a play together freshman
year. Oh, man. Oh, it was a doozy. I would love to see what Mike Schur was like in college.
He was the same. He was the same. Yeah. He was like floppy haired. I mean, he was a
little less. I remember in our 20s, he got a fancy shirt for the first time and making
fun of him for a really long time. So he was like Mike without any sort of socialization.
And we were in a really bad farce together. And yeah, we became fast friends and we took
a lot of classes together. Anyway, so I knew Mike and I came to know about the U.S. office
because he moved from New York and said, I got a job in LA and I'm going to write the
U.S. office. And I was really mad at him as I think a lot of people were because we were
like, how could you do that to the U.K. office? My favorite show. How could you even try?
Yeah. And then it was in a lot of ways, you know, its own thing and even better and great.
And, you know, but it was a big mountain, I'm sure, for you all to climb. Oh, yeah.
My first reaction was like, no, no, no, no, no, it's perfect. It's perfect. Right. Right.
And then of course I was like so thrilled, you know, when it was like Greg and such smart
people in the writer's room. You guys had the benefit of playing characters that didn't
have a British counterpart. Like I was always worried, oh no, I don't want people to think
that I stole my performance from Lucy Davis. Right. And so, but I had seen her performance
and I'm sure it seeped in. How could it not? And also the lines were the same in the pilot.
Right. But you guys had a big part, I think, of getting
to influence your characters. Is that true on your part, Rashida? Angela's kind of talked
about that before. There was some, remember there was some third
point in a triangle that showed up in the U.K. office. There was like a love interest
for Tim that came up, but a completely different like characterization of somebody who, you
know, who would be like a threat to that relationship. To end that other point, just to say that
I auditioned many, many, many times and I remember having a distinct feeling then when
I got to the point, Jenna, where you and I sat in a room and read lines together and
then got to improv a little bit. Like everything just like made sense all of a sudden. You
know, like it all, it was such a cool like counterpart. Like it made me feel like, oh,
I really, like I feel like I really get this dynamic, you know. And I feel like you kind
of got me the part in a lot of ways. No way. Yes. No, you did.
I had that same experience with you in the room and it's very similar to when they paired
me up with John. I was like, oh, when I'm paired up with this person, I just turn into
Pam. I think I read with two or three different people and Mike asked me, so what did you
think? Who'd you like? And I just went on and on and on and on and on about you. And
I was like, I mean, she was amazing. I told him all those things. She made it so easy
to be Pam. And he was like, okay, noted. But he didn't say like, oh, she's my best friend
from college. I can't wait to tell her. So he played it so cool.
No. And by the way, with me too, like I wish if there were a time I really wanted a part
and I had, I could like curry some favor with people I knew this was the time, but like
nobody would do anything for me because you know how Craig is too. I mean, he was like
asking everybody he could not make up his mind. There was like another woman who was
kind of trying to decide between us. I came in so many times. I waited for so long. Mike,
you know, Mike is like ethical Mike. So he wasn't going to be like, I'm going to just,
I'm going to gun for you. He was like, it has to be the right person for the part and
everybody has to be on board. So like, it was torch, it was torturous. Like they really,
really took me to the bitter end before I, before I got the call.
I'm so glad you got the part.
It changed my whole career.
Yeah.
Yeah. I was like about to quit acting before I got the show. So it was, it was a big deal
for me for Jen and I. This was the first time I had rewatched the whole Benny Hanna Christmas
like all in one sitting. Yeah. I had seen little clips because you know, it's the little
drummer boy and people like send me clips of me doing that, but I hadn't really sat down
and watched it all. And what about you? Was this the first time you rewatched it?
Yes. I hadn't seen it. I don't think since it aired and I was giggling so much. And like
a couple of things occurred to me. One was that we got that payoff, Jenna. Finally, like
that thing that like came to life in the audition, I don't think it really got to really manifest
until this episode, you know, because up to now we were kind of like rivals and like sniffing
each other's butts. That sounds gross, but you know what I mean? If we were dogs, we
would have been doing that.
And this is the first time that like, I think the humanity in both characters recognized
the mutual humanity in the other one and was like, you know what? Like it's Christmas and
we work in this in these closed quarters. And also we have a common enemy in Angela.
So it was like, it just was easy for us to, to, to like, to, to be a team, which I thought
that was really cool.
I don't mean to toot our own horns, but I think we had amazing chemistry in this episode.
I just, I mean, we are adorable. Can I say it?
You can say it. You can say it.
There could have been a spin off. That's all I, I just want to say.
Say Pam and Karen Christmas special. Yes.
I can tell you guys, we would hang out between scenes and I would just start cracking up
and just be with you guys. I'd be like, Hey, I'm hanging out. It's the girls. And then
like on action, I had to be so mean to both of you. And then you like got to have this
whole other hangout. It was hard.
I know.
Phyllis Phyllis really gets to emote how much she's like missing the other party. I wasn't
able to, but that's how I felt.
I know, I know, but it's good because it all plays out in the episode because we
like, we joined forces. We did what we needed to do, which is just like teach you a lesson
and help you to stop being so controlling. And then you got to sing, you know?
Oh God, I was terrified. I don't like singing front of people. You guys, that was hard.
But God, I listen, I had to do it at that, in that wedding episode where to sing the
police and I was so scared. Do you remember that episode?
Whose wedding was it?
Is that Phyllis's wedding?
Phyllis's wedding. Yes.
Oh, yeah. Yeah.
It is interesting time to watch these episodes again. You know, Jenna and I have talked about
this a little bit. That was interesting for me to rewatch it now. How was it for you?
I mean, listen, that was the second thing I was going to say is watching the off. I
haven't watched the show since it aired. And, you know, I think so much of the show and
so much of Michael and what works about Michael is this delicate balance between full cringe
and like well-intentioned, loveable, like bad boss. And to watch it now in the current
climate, like that balance feels different. It just feels so different. I mean, there's
so much stuff. It's not, it's beyond cringe. It's like, wow. But it's also to me, like,
you know, I think there's so much conversation right now about what's acceptable, but also
like in retrospect, what we're allowed to kind of partake in, you know, in a time where
things were considered more acceptable, even if they weren't and they shouldn't be. I think
it's good to have things that read really badly now and didn't read badly at the time
because it is a mark of our progress. And it's also like the show resonates because
Michael reminds people of their bosses and people they work with and maybe a little bit
of themselves. And it's like really important that people see that like you have to measure
up to the moment that you're in. So much of the show is like people putting up with like
his bad behavior and being like, oh my God. And now I think people feel armed at work
to be like, you know what? I don't like the way you're talking about that person or that
woman or that whatever. Like, I don't, that's not acceptable behavior anymore. And you could
say something and feel empowered as like an employee to do that, you know. So it was
super fascinating. I think a lot of times we on the show as characters, we would speak
up by giving a look to camera or indicating our disapproval. But you're right. I think
today we would speak up right to his face. Michael wouldn't have a job with that behavior
though. It's one too many infractions, Michael. Geez. He's like a human resources nightmare.
And that's the funny thing too is that Toby is the enemy. Like Toby's trying to like
he's sensitive and he's trying to take care of people and be tolerant. And like Michael
hates him so much for it because he's killing his party. And like that this feels like like
a relationship you couldn't even write today really, you know, one of the notes that Greg
gave Steve when Steve was like starting to perform as Michael is that he saw the character
as this guy who thinks maybe Jennifer Aniston might see this tape someday. Like, so to sort
of play it like, right. And you I so see in Steve's performance how Michael Scott thinks
he's an entertainer. He thinks he's funny and cutting edge and pushing boundaries.
And he's just so inappropriate. But I, I see his performance in a different way knowing
that note from Greg. Totally. Well, also because, you know, there's a conversation around who
is entitled to push the boundaries. And I think that entertainers feel like they can
in a way that normal people can't. And so it would make sense that like Michael would
think he's one of those entertainers and not one of those normal people, you know.
Yeah. Yeah. We have talked a lot about party planning committee scenes and how much fun
we had getting to do them as actors, right? Yeah. And I just loved, loved Rashida that
you got to be in on that and that you guys, like that we got to sit in there and play.
That was the most fun. So fun. Particularly there's that scene, Rashida, where you try
to participate in the party. You try to throw out some ideas of things you guys used to
do in Stanford and Angela just shuts you down. Yeah, they're like good ideas. A raffle.
Very good. As we will see played out in a successful party in the break room. She just
had it out for me. I mean, I don't actually, I don't take it personally. I think it was
just like that's that was your place to shine. And that was your committee for so long.
Well, it's like the people that only have a tiny bit of power, but with that power,
it just means everything. Yes. Everything. Yes. I mean, so I think that was the party
planning committee was her thing. And if you mess with it, she spiraled out. There's a
deleted talking head that's not in the episode, but it's on the DVDs. Oh, you're like, I
don't know. We didn't have a party planning committee in Stanford. Like, it's really funny
because you're just like, why is there a committee? Yeah. I mean, I love, I also love those scenes.
Those are my favorite scenes on the show is like when you're all kind of stuck in a room
and there's like a rhythm to the scene because A, I get church giggles, even though I'm Jewish,
but I do. And also like, it's just so fun to watch the ping pong of like, you know, Phyllis's
eyes dart or like, you know, like, Kate be like, yes, like, please, anything with alcohol
I'm in. Or like, just to see that I love watching the rhythm of like, especially because it
was like, it's all ladies that scene, right? Yeah. Yeah. Yeah. It's just so fun. It's great.
Rashida, I have to bring this up. We've been tracking this. I call it wishy washy gym.
And I want to get your take on wishy washy gym. I am annoyed that Jim did not tell Karen
about his past with Pam at Dunder Mifflin. She walks into this whole world, this whole
thing, she has no idea. Yeah. And then it's sort of, he doesn't tell Pam that he's seen
Karen. So there's this whole like, many episodes where these two women, Karen is in the dark,
Pam is like, sensing something, but trying to figure it out. Well, I think this speaks
to a larger thing, which is like, in the lore of the office universe, like, you know, I
take Umbridge with like, what Karen means now in the modern day, because I think neither,
neither Rashida Rashida is definitely not a Karen. And even Karen is from the office
is not Karen, like, because she's she's up for a good time. She's not a tattletale. She's
not a racist. But anyway, the point being, like, there is this thing, right? Like Karen
is sort of designed to be the third point in the triangle, which is was designed to be
a thing to, to like, make people feel like they wanted they wanted Pam and Jim to be
like drawn closer together, driven closer together. So like, I was kind of a tool in
that way, you know, and, and so everything was like, I remember like the writers talking
about it, they just didn't want to push anything too far in each direction. But yes, I think
that the that the end, end result is that Jim ends up being like, not great to me and
not great to you because he's like, not really being honest with anybody. But I guess you
could chalk it up to his confusion about what he wants. Yeah, but I agree with you. It's
irritating. And I think in real life, that would be like super annoying. You know, yeah,
well, I think what I found in the rewatch is that I am siding more with your character.
I'm having sympathy for her. Like, of course, I want Jim and Pam to end up together. But
at the same time, it's it's making me like the tension. I just like this poor woman.
Yeah, she just loves him. She's just she knows nothing. She knows nothing. She knows nothing.
So it's making me very much side with your character, I have to say. And I'm Pam. There's
like this meme that's like, like for kids who grew up watching the office, it's like,
like that feeling when you realize that the only reason you hated Karen was because you
wanted Pam and Jim to be together and you realized that she did nothing wrong. But that's
like a thing. Yeah, that's like a thing that kids are like, which is kind of cool. It's
like providing this opportunity to like see people in a more nuanced way for kids who grew
up being like, that's the enemy and that's the people that want to be together. Now they're
like, wait a second, she's like, not that bad. It's just that I wanted her not to be
with him. I wanted her to be with him, you know, they're growing, they're learning. Well,
before you leave, do you have any other memories or behind the scenes stories that you want
to share? It doesn't even have to be about this episode. It could be about just your
time on the show.
You know, it's funny watching it, I was like, it made me really nostalgic because it just
reminded me of all the like little moments and like, I don't, you know, like I haven't
talked about it in so long, but I just remember like, Ed and I, there's a line where Andy
says in this episode, oh no, sorry, it's the next episode where he goes, there's only two
left and I'm going to be the last man standing. And he was the last man standing. But like,
you know, Ed and I were like, it was so weird because we like started in this like weird
like bizarro world version of the office for like, none of you guys were there except
for John.
And then we like moved over to like actually work with you guys. And then like, we didn't
know how long we were going to be there. And I was like signed up for, we were set up for
four episodes. And then it was like 10. And then they were like the whole year, but it
was this weird thing that was like, what is going on? Because we were like on this little
train together where we were both like, just like, what's going on? This is like a crazy
huge opportunity for both of us. And we would just have these little like powwows at the
at our trailer or tiny little trailers and just like, try to check in and see what was
going on because it really was like, it's such a game changer for me. And like, and
everybody was so nice to me. And it just just everybody was everybody's so different on
the show. So like, I think just to like get to know you all and Phyllis like the ladies
were like my favorite, like just so it was such a like formative time for me in my life,
you know? Yeah, really was. Well, Rashida, we loved you too. And I know we should probably
wrap up your interview because we could talk to you forever. But I want to give a little
shout out to hashtag black AF. It was so fun to get to work with you again. You're so hilarious
in this. You play Joya. Yeah, that's such a fun character. So fun. She's so complicated.
She's so layered like she's like a good mom. She's a crappy mom. She's all over the place
like in her marriage. I know it's done in the mockumentary style to like the premises
that your daughter is doing this documentary of your family, her dad, who's this writer
and creator of a TV show. And it's for it's like in place of her college essay, right?
Is that the idea? Yeah. Yeah. And so you guys do talking heads, but she's also like capturing
video and then more formally. Sometimes you guys are performing for the camera a little
bit. A little bit. As you know, it's there. Rashida, you're such an amazing writer, director,
performer, actress. Is there anything else we can share? I mean, oh, I have, I produced
a show that's on Quibi that I love and I think everybody should go watch if they have Quibi
or if they don't, then they can, I don't know, get a trial or something. My friend Maurice
Harris, he's this beautiful florist, artist, dancer. It's just like a magical person. And
we produced this show called Centerpiece, which is where he sits with an artist and they talk
about their process and their life and their childhood. And then he creates this beautiful
like magical centerpiece. It's like the embodiment of their life and art and journey. And it's
just like a cool, like wonderful little inspiring show. I want to see it. I want to centerpiece.
Yeah. Centerpiece. Okay, guys. Well, Rashida, thank you so, so much. Thank you. So fun.
I'll come back. Come back. I mean, you didn't invite me, but if you invite me, I will come
back. Okay, okay. You are officially invited and you will officially come back. I can't
wait. Great. Rashida, I hope we get to go on a boat again. I know. We'll podcast. I do
love a boat. So I can, I can be the recurring character on your boat cast. Boat cast?
Roadmark. Roadmark. Boat casting with Jenna and Angela, with special guest, Rashida Jones.
Oh my God, I love it.
All right, guys, we're back because it's a Christmas miracle. Dwight has run over a
goose. It's a Christmas miracle. That's what he says. And then he flops it on your desk.
Yeah. He flops a dead goose on Pam's desk. And then my favorite is when Toby comes in
and he's like Dwight, we've talked about this. He said we talked about it for like
half an hour. Yeah, you have to stop bringing dead animals into the office. Well, we had
a lot of fan questions about this cold open Angela. Okay, let's hear it. This one always
delights me. Logan Yencer, Kayla Sewell, Carrie Rice, Dmitri Lizzu and Harshita Verma all
asked if Phil Shea made the goose that Dwight carries in. He did. Yeah. He had to make
and find that goose. That's another day in the life of Phil Shea. What are you doing
today, Phil? Yeah. I'm making a dead goose. Actually, I'm making five different types
of dead goose. And then I'm going to take photos of them. And then, you know, the executive
producers and writers are going to pick which dead goose. But I have eight dead goose. You
know what I mean? Exactly. That's more of what Phil Shea did that week. Yeah. He's going
to have like a portfolio of dead geese. Jenna, so many people have huddled around Pam's desk
about this. Phyllis, Kevin, Creed, Jim, Toby, they're all discussing this. Everyone has
grossed out. But Phyllis. Yeah. Phyllis is kind of like, that seems reasonable. She's
got no problem with it. What's that about? What is that about? I mean, I feel like this
is the first time ever, quote me if I'm wrong out there, internet folks. This is the first
time that Creed says something is crazy. Creed is like, that's crazy. Well, we've got a fan
catch, Angela. Nia Shaw, Christian Harper, Kimberly Klassen and Rebecca McAllister all
noticed that while Creed is in this cold open, giving his two cents about the goose, in the
next scene, he enters for the day and takes a toy. Yes. At four minutes, 10 seconds, all
of a sudden, Creed is arriving for the first time. He's in his coat, the whole thing. And
I was like, wait, that's continuity error. So we probably shot that cold open a different
day, right? Well, guess what, Ange? I went back to the old script Aruni. Oh. And this
entire cold open about the goose is not even in there. They added it. They added it. They
added it. The original beginning of this scene was Michael riding in on his bike. So we shot
this cold open and added it later. And somebody obviously just forgot that Creed shouldn't
be at work yet. Yeah. Well, I have a little bit of a Creed catch that I'm going to call
spiky Creed hair. Oh, okay. Got some classic spiky Creed hair in this one. All right. I
mean, literally, it's like this, like I want to take a screen grab of it and text it to
Creed and be like, what was this phase of your hair? It's very floofy. I would describe
it more like floofy than spiky. Okay. floofy Creed hair. Track it. Okay. I have taken us
on a hair tangent, but let's get back to the episode. Do you remember Steve trying to ride
that bike in? I about fell off my couch laughing from the memory of shooting that scene of
Steve riding the bicycle into the office. When he curses, that was Steve and they bleeped
it out and it was so funny and you can almost start to see him break. But that was like,
I feel like that was take like 72 or something and he was like, you guys, you have to understand
there was not a lot of space there and it was like, it was like, like an S. Do you know
what I mean? So you, you had to come out of that elevator and then about five steps, there's
like a hard right, then there's like a left, then a right and he had to get on a bike and
balance and then try to maneuver this really quick zigzag into the office in one take.
And it was not easy. So then Michael does something in this episode that I just love
so much because I love a Christmas pun. I really enjoy them. I also really enjoy any
pun and like the hair salon genre, if you will, the hair salon puns are the best like
hair today gone tomorrow. I love all those. Now let me ask you this question. Okay. Is
that hair like hair on your head? Like a rabbit hair today gone tomorrow and then
it's like a rabbit hopping away. Why would, why would, if you were a hair salon, why
would you have a rabbit and not use the word hair? If you were a hair salon, why would
you use the pun hair today gone tomorrow because they cut it off? Yes. Oh, lady. Okay. Anyway,
so he hits Pam with a whole bunch of Christmas puns. I can't believe you're just getting
that what's happening. So he just is about to lay him out one after another. He's like,
I was like a nice slice of Christmas Pam with the side of candy pams or perhaps some pamp
chops. He's just like boom, boom, boom. He really does. While Michael has a talking head
where he says it's going to be the best Christmas ever because his girlfriend Carol is coming
to the Christmas party and he has a surprise for her two tickets to Sandals resort Jamaica.
It's all inclusive. He's just so proud that this resort is all inclusive. It's his selling
point as he tries to get many women to go on this trip with him. So guys now Carol enters
and she's looking for Michael. She goes in his office and she confronts him. She's upset
that he photoshopped a picture of himself onto her old family ski trip photo with her
ex-husband and he sent it out to people with the message skisans greetings. He says a Christmas
Carol skisans greetings. Sand question from Allison Catrion, Sarah, Joe, Lisa and Elise.
Were the kids in the Christmas card photo actually Stephen Nancy's since they were married in
real life? No. No. They had Nancy pose for a photo with a couple of kids and a really
tall guy that was going to be her ex-husband and then they photoshop Steve's face onto
his face. But those are not Stephen Nancy's kids in real life. I like that it's a crappy
photoshop because I believe it. It's not even well done. Well, we've seen Michael's photoshop
skills from when he photoshopped us in that office group photo. Yeah. So he clearly has
not learned anything from then until now. But Carol ends up breaking up with Michael.
And Michael is devastated because he's like, no, Carol, can I tempt you to stay with me
so that we can go to the all inclusive Sandals Resort we leave day after tomorrow? Well,
I mean, Michael, come on. She's a single mom with two kids. You can't spring a surprise
trip. That's not to say you already did a grand proposal to her. Now you have photoshopped
your head on her ex-husband. And now you're gonna like try to say, but we have this last
minute trip that you haven't planned for this will seal the deal. I thought the same thing.
I was like, she has two small children. It is the holidays. You think she doesn't have
her own holiday traditions and a very complicated like custody arrangement? Probably you think
she can just fly off to Sandals Jamaica with 48 hours notice? This is just another example
of the disconnect here for Michael and this relationship. Yeah. By the way, once you have
young children, there's no last minute anything. No. As far as like your adult life, you don't
just get to go out to dinner last minute or meet people for drinks last minute or take
a trip last minute that those days are over. Michael and Carol have a pretty fantastic
breakup moment. If you're Carol, cause it's sort of a power play. Michael goes, you walk
out that door and it's over. And Carol goes, I know. It's kind of, it's kind of like boss
lady moment. Yeah, I know. I'm walking out the door, baby. Bye. Should we talk about
another gift that doesn't go well in this episode? Pam's gift to Jim. You mean the scene
that I just wrote on my note card as. Yeah. Oof. Ouch. Pam calls Jim over to her desk
and she's like, Hey, I need to give you your present early. I've been sending Dwight communications
from the CIA for a couple of months. And the gift is that you get to decide his final mission.
Oh, she's so excited. She has a little red folder. She's handing him. She's so excited
that this is just going to tickle Jim and they're going to be back together in their
prank wars with Dwight. But Jim turns her down. He's like, you know what? I just, I just
don't think I should be doing this anymore because of my promotion. But then he has a
talking head where he says he can't fall back into doing all the things he used to do. Otherwise,
what's the point? He said it's a chance to start over. That one had to hurt when he walked
away and didn't take the folder and Pam, it's just holding this folder of these ridiculous
CIA letters. Your look, it's painful. Yeah. Well, now, Michael is devastated because
Carol has broken up with him and he comes out and he says, Christmas is canceled. He's
canceling it. And Stanley's like, you can't cancel a holiday. And Michael is like on the
verge of tears. And he's like, Jim, take New Year's away from Stanley. Like, he's really
about to spiral out.
Well, lady, did you notice that eight minutes and 47 seconds, there is an amazing shot of
the accountant's stack. I say the accounting stack, but with Andy. Yeah.
Mm-hmm. There you guys are. You're all standing there at the edge of the desk in your accountant's
stack. We're, we're standing there. And this is the first shot you get of the blouse. I
absolutely hated. I hated this blouse so much because it had, and I counted 32 buttons. What?
32 buttons. And they were tiny little pearl flat buttons, like the size of like your pinky
fingernail, like tiny. And I had to button 32 buttons. And literally, they would knock
on my door like, Angela, they're ready for you on set. And I'm like, still buttoning.
Well, couldn't you have just undone a few of them and pulled it over your head? No. No.
Because it was so fitted in the armpits. Oh. And I had, and they buttoned all the way
up to the top of my neck. It was like a turtleneck, but in full of buttons.
Lady. Wow. I remember that. Now that you're saying it, I remember the week of the tiny
buttons. Mm-hmm. And I remember Carrie, our wardrobe stylist, saying to me, if we ever,
ever use the shirt again, I'm going to strip out these buttons and put a Velcro or something
because it was driving us both crazy. But I believe you never wore that again. No. I
think Carrie and I were both like, forget it. There were buttons down the arms. There
were buttons from my neck all the way. Like, I mean, literally to my thigh. That shirt
was so long, too. I think it was such a good shirt for your character, though. No, it was
perfect. It was so fussy and lacy and I know it was like ye olde Christmas. And I had my
nutcracker. Yes. I had my nutcracker pin on because for me, the theme was very clear
of this party. Well, I think this leads us very well into the conference room for our
PPC meeting on the nutcracker Christmas, which you start by insulting Phyllis. Yeah, I'm
mad and I take it out on Phyllis and repeat. That is Angela Martin. I tell Phyllis to get
green streamers and Phyllis gives me a little Phyllis sass and says, I thought you said
green was hoarse. And I mean, Angela is not having it. She's like, no, orange is hoarse,
which is the color that Phyllis was wearing. Well, Karen now decides to propose a few traditions
that were typical at Stanford. We've got the raffle. We've got the karaoke. And Angela
just shuts down everything and then throws Karen out of the meeting. Well, she suggests
a Christmas drinking game and I'm like, God help you. That's it. And I escort her to the
door. Angela is just so ticked off. She starts off ticked off. She finishes ticked off. But
I love Jenna that she just keeps going back to and none of them are on the theme of a
nutcracker Christmas. A nutcracker Christmas. I don't know if you've ever tried to coordinate
a party with someone who's very, very big on theme. Have you in your real life? I'm
not you, Jenna. Well, that's what I was going to say. I feel like maybe you've done that
when we've planned a party. I think there are two type of people who play on parties.
There's people who are just like, we'll just throw it together, which is kind of me. I'm
just like, yeah, yeah, whatever. Let's just I'll grab whatever snacks we have and we'll
just invite people. But then there's the people that are like, I need a theme and we're all
going to stick to the theme. And here's the theme. And if you waver from the theme, I
will be passed off. And
Well, the funny thing, Angela, is I think you would throw the Margarita karaoke party.
You would throw the party with just all the random most fun stuff.
Yes. And you would throw the nutcracker themed party and there'd be nutcrackers everywhere.
Yeah. Nutcracker cookies, nutcracker cake. There would be, I don't know, maybe a handout
on the history of the nutcracker, perhaps. I don't know. We'd have the nutcracker playing
on television.
The ballet.
Yes.
You know what I'm saying?
Yes.
Well, now we go into Michael's office and he is wallowing. He's listening to a clip
of Goodbye My Lover. He hasn't purchased it, though.
Just a clip.
He's just listening to the free part on repeat.
Goodbye, my love. Goodbye, my friend.
And Dwight enters and he's like, we're getting rid of everything that reminds you of Carol.
We're getting rid of all of it.
Dwight is that classic Dwight thing, though, of while someone else is maybe hurting or
trying to forget about something. He thinks he's helping, but he's just like, wow, Carol
was a really good realtor. Oh, look what she did with this mold. She's like going through
her condo, like contract and praising her. She's smart.
Yeah. Well, Pam is over at reception and she sees Karen now. She has a talking head where
she says, I've been a little cold to Karen for no reason. She's never done anything to
me. And then we see Pam walk over to Karen's desk and kind of apologize and say, hey, I'm
really sorry that meeting was like that, that Angela was mean.
And now I guess Pam and Karen are going to bond. And if you look at the shot of Jim's
face, it's so good. He's like, what is happening?
Yeah. Well, listen, I mean, I feel like Jim set a clear boundary at the beginning of the
episode. He's like, hey, listen, things are different now. I'm not going to get into it
with you. And I think this is a little bit of Pam taking him at his word and being like,
okay, well, you know what? I'm going to step up and I'm going to treat this person the
way I would treat them if I didn't have a past with Jim.
Right. If this woman came into the office, this is how I would behave. And that's how
I'm going to behave.
Yeah. I think Pam is trying to be a grown up too. Well, now the war has begun. I mean,
Angela, of course, is, you know, being crappy to Phyllis, they're hanging up their sign.
And she was like, this should have been hung two days ago. And then who just comes in and
hangs up their sign over my sign? Yeah. Our party also starts 15 minutes before yours.
And our poster is more brightly colored, shady. And Kelly says, this looks fun. And then Kevin
walks over and Angela's getting ticked off. So she rips your sign down.
I know. And then Karen rips down a nutcracker Christmas sign.
I know it is on. And there is a deleted scene. So right after I ripped that poster down,
my character goes over to Toby and is like, you have got to cancel their party. We can't
have two parties. This isn't like sanctioned. They don't have a budget and on and on and
on. And she's just reading him the riot act. And Toby says they can throw their party.
It's a free country. And my character slaps him across the face. What? Yes. Yes. And then
Toby's like, oh, that really hurt. And then I say, I'm trying to wake you up. Wake up.
There can only be one party. And then Toby's like, that really hurt. And you can't touch
people. You can't hit people. And I'm going to write you up. Wow. And then I say to Toby,
you know what? Michael was right. You are pathetic. Wow. I know. Well, so, you know,
Angela, what you didn't see in deleted scenes is that she goes to Toby for help and he's
no help. So now back in the real scenes, she goes to Dwight, but there would have been
a progression. She was mad. She went to Toby. He didn't help her. Now she goes to Dwight.
Yes. As number three, how can he help her? He walks over to reception where Pam and Karen
are on Pam's computer and he says, I am dismantling your party. I'm dismantling your committee
and I'm canceling your party as ranking number three. But then Jim walks up as ranking number
two and he assembles a one man committee to determine the validity of the party planning
committees. Wait, I have to tell you, this is the actual name of his committee. Ready?
I love how many committees there are. So there's the party planning committee. There's a committee
to plan parties. Now Jim is the sole member of the committee to determine the validity
of the two committees. I love that. I love that. And Jenna, what does he decide?
He decides in favor of Karen and Pam. He says their committee to plan parties can stand.
Dwight asks if he could please become a member of the committee to determine the validity
of the two committees. And Jim says permission denied. There you go. So now Michael is still
moping in his office and Andy invites him to lunch at Benihana to cheer him up. And
then Michael invites Jim, Ryan and Dwight. But Ryan has the delicious list of excuses
as to why he cannot go. He rattles them all off in a row. He says, I'm not feeling well.
I've got a ton of work to do. MSG allergy, peanut allergy. I just ate there last night.
And Jim is like, wow, thanks for taking all of the excuses. And then Ryan goes, doctor
appointment, car trouble, planner warts, granddad fought in World War II. He's got like a ton
of them. He keeps them on his phone. He's like, I keep them on my phone. You have to
like stay sharp, Jim. Yeah, step it up, Jim. Welcome back. We had a fan catch from Casey
Hilton who wants us to know that there is no Benihana in Scranton or even near Scranton.
I looked that up. They have one in Pittsburgh, which is a four and a half hour drive and
one in Plymouth meeting, which is a one hour and 45 minute drive. We didn't even try. We
just, we're like, okay, clearly there's not one there. We're just, we're just going to
write it in anyway. So they're getting their table at Benihana. And you guys know how it
is. You all sit around like the stove top, right? Yeah. And, and so Michael and Andy
sit together and Jim, and then there's a seat next to Jim, but a couple scooches in there
before Dwight can get in there. Cause Dwight and Andy were like wrestling for the seat
next to Michael. And now there's a couple there. And you guys that have watched the
podcast before, you will know Stephen Sox, our stand in is the man in the couple. He
got to be in the scene. And I just love that. Well, you know, on IMDB, he is credited as
playing the role of Justin Spitzer. The name that they gave to the character sitting at
the table is our writer's name, Justin Spitzer, played by our stand in Stephen Sox. I love
that. Here's the thing. Now Dwight's on the other end of the table and he's going to have
to shout throughout the rest of the time they're at Benihana. He has to keep shouting. And he's
really annoying this couple in between. And Jenna, I was just like, I know it's for comedy's
sake, but you know, that couple would have been like, do you want to trade seats so you're
next to your friend? I thought the same thing. I thought the same thing. What? They want
this guy shouting over them through the whole meal? No. Of course not. But you know what?
Maybe they had already started to get their food or something and it just felt like a huge
headache. I don't know. But they, they stay. They're like, no, we want to be in the center
of the table. We want to see the chef most clearly. I don't know what their motivation
was for not letting this guy sit with his group. But so Michael is still being mopey,
even though they're at Benihana, you know, he wants to call Carol and Andy's like, uh-uh,
let's start ordering drinks. He starts ordering this weird eggnog sake concoction. It sounds
disgusting. We had a fan question from Dan Solomon who wanted to know, was that a real
drink or was it invented by the writers? It's a made up drink. This is not a real drink.
Angela, someone on cracked.com did an article where they made all kinds of fake cocktails
from different TV shows. Like they made cocktails from 30 Rock and Parks and Rec and they did
a review of this drink. Just to remind you, it is one part eggnog and three part sake.
It sounds so gross. All right. Here's what they had to say. Quote, it looks like so many
different disgusting things and none of them are anything I would want to put in my mouth.
You can actually hear the eggnog curdling in the glass. Gross. Then they said, it's
not the worst thing I've ever had, but it is far from the best. The real problem lies
in the aftertaste. Both of these drinks have a tendency to linger on the breath by themselves
and neither is very pleasant. When mixed together, they make your mouth taste like toes. I wish
I could say something nice about this drink, but every time I attempt it, I suddenly forget
all the good in my life. Oh my God. Well, what I want to know now is what were those
guys actually drinking on the set? Were they drinking water mixed with eggnog? Were they
just drinking eggnog? I don't know. I don't like eggnog, so I'm not a big eggnog person.
I liked it as a kid, but as an adult, it's just, it's very thick. It's like drinking
a dessert. It's so sweet. Yeah. We should go back because I need to talk to you a little
bit about this scene with Roy. So Roy comes in. He's looking cute. He clearly just wants
to talk to Pam. He's asking her about her gift wrapping techniques, and she says she
only uses three pieces of tape. Are you crazy? Yeah. Well, Angela, Adrienne Thornblum, Sydney
Layton, and Elisa Schroeder, and Kelly Lubbert wrote in to say, how on earth can you wrap
a gift with only three pieces of tape? How? Yeah. They are all saying there must be at
least four. Why is Pam giving such bad advice here? Guys, it can be done. You can wrap a
gift with three pieces of tape. I personally, Jenna Fisher can't do it. I use more than
three pieces of tape when I wrap a gift, but because Pam says this in this episode, every
Christmas, when I, Jenna Fisher, give a gift and I use more than three pieces of tape,
people comment on it. Oh, no. Do they really? Yes. Yes. They're like, use more than three
pieces of tape, eh? And I'm like, I am not Pam. I can't wrap. Apparently, Pam can. You
can watch a ton of YouTube videos on how exactly Pam does it. Many people have made
videos on how to wrap a gift with only three pieces of tape, so it can be done, but... Hold
up, lady. Yeah. People commenting on your tape, that's got to be in your family because
who you're giving? At Christmas, you're like, with your family. Yeah. So you've got like
some aunt that's like, oh, you use more than three pieces. Yeah. Yeah. I get grief. I get
grief from my family and some friends for not being your character. Yeah. I mean, that's
the tricky thing about having a character that you played for a long time who makes
grand declarations. It gets super imposed on to me. But you know, do you know what I
get almost every single year from a family member? I get at least one gift that has a
cat on it. Yeah. I like cats, Jenna. Angela Martin likes cats. Yeah. I like cats. I don't
need a gift every year with a cat on it, guys, from my own family. Yeah. My favorite is more
than once. More than once, I have gotten a cat calendar and there's usually a photo
of a cat hanging for dear life from a tree and it says, hang in there. Yeah. I've gotten
that calendar more than once. Oh, no. Okay. Wait, wait, wait. We have to get back to
the scene because they're flirting and then Karen sees the flirt, sees Roy and is like,
he's cute. You should date him. And then Pam does not say a word. She doesn't own up and
she just says, maybe. Well, I feel like Pam can't tell Karen that she used to be with
Roy without it opening up a lot of questions that might lead her to having to tell her
things that she knows Jim hasn't told her. I agree. Well, lady, I think we should pause
our breakdown for this episode for a moment because this is kind of the halfway mark and
we thought that this would be a good place to play our interview with Jen Salada. Yeah.
I think it would be great to hear from the writer of this episode before we dig any deeper.
All right, Sam, will you play the interview with Jen? Hi, Jen Salada. Hi, Jen. Guys,
look gorgeous. You look literally, literally looks like time stops since I last saw you.
I love you. You stop it. I'm so excited. My favorite guests are when we have writers
on because you guys have this perspective that is totally different from the actors.
And I could just listen to you guys talk forever. That's my it's my favorite side of the story.
That is probably Phil Shea having to make all the weird props. I remember about Phil
Shea is constantly when if I had to come in on like a Saturday or a Sunday because I
needed to do a little work or I forgot something at the office. He was always there. He was
always there making a prop. Like he just never stopped working. He was just to get brilliant.
Yeah, my memory of him is him running. He was always like like across the break and
he had things in his hand and I'd be like, hey, I'll be like, hey, I just got to attach
this hat to the squirrel. And then I'm like, what? What made me laugh when you told me
that I forgot that he presented everything on a tray and the bird thing made me laugh
so hard because I'm sure that is I can imagine that I can picture that. And I wanted to tell
you the when I was listening to the bird stories that you guys were telling from your own home.
But I googled it and I found out that there was an article about why we're seeing dead
birds and birds that are struggling now. It's because of quarantine. It was the most interesting
article. They said that we are just around and we're noticing nature more and we're more
aware because we're not like in our offices all day long. So that unfortunately this is
a time where birds struggle, but we don't usually see it. So I don't know. That's like
yay or boo or somewhere in between. But no, this is the big bird baby boom season this
time of the year. And a big part of because I looked it up to Jen, a big part of a bird's
life cycle is that between the nest and being a full adult bird, they actually nest on the
ground. So they the parents kind of kick them out of the tree. And they nest under bushes
or on the ground for a couple of days. And their parents visit them. But it's sort of
like that's like they're going to college phase, you know, they're out of the nest,
but their parents are still kind of like sending a money from time to time. And so in that
little period, like 80% of birds die because they are, you know, peril meets them. Maybe
it's, you know, a raccoon or a cat or something a squirrel. Yeah, this is the part of their
life that where they meet the most doom.
Oh, this is sad. But I read that somebody rescued another person like a bird fell into
a pool, but they rescued it. So it's like there may be more rescues happening because
we're more aware and vigilant right now next year, an article that says a rise in birds
due to people intervening and has now bled us of all of the gnats. And it turns out gnats
were necessary. I know this is Benny on a Christmas and I'm sure you will deal with
this. But like, I do remember reading articles that people's lives were saved because of
being alive in the safety training as a safety training in the episode where I'm specially
stretch relief. Yeah, because I remember I wrote that I wrote that and I remember having
to make sure I remember wanting to make sure it was correct in case anybody watched the
show and actually use it. But then I started to hear news reports that people remember it
from the office and are saving people's lives from that.
I've read those same articles.
It's crazy. You're saving lives, Jen Salada.
Well, I don't know.
Jen, we always like to ask people when they come on the podcast how they got their job
on the office. I was on the show Malcolm in the Middle, which I really enjoyed that show.
But I every every morning after the after the office aired, I would come in and just talk
about the office forever. And they were like, let's get to work on Malcolm stories. And
I was like, yeah, yeah, sure. Did you see what happened on diversity day? So I was a
big fan. And I actually wrote a short story about a woman falls in love with the middle
of a man. She works in quality control in a button factory and she sees the middle of
people walking by a window all day long and she puts all her hopes and dreams in the middle
of this man. And oh my God, I love that. That is brilliant.
It was so crazy. I had never written a short story before. I wrote it. It took me forever
to write it because I took me forever to sit down and figure out what I had to say if any
did I have anything to say? And it kind of anyway, I wrote it. And then Suzanne Daniels,
I found out that they have piles of scripts. The Daniels house has piles of scripts to
the point where the kids have told me that they almost forget that their scripts they
think of them as furniture, like a coffee table somewhere to put their legs up. And Suzanne
Daniels, I guess, grabbed my short story, probably thinner than the rest of the scripts
on the pile and responded to it and gave it to Greg. And then I met him at a coffee
bean had a meeting right before he was about to go to up front for season two. And it just
probably begged to be on the show was really excited and just loved him, loved meeting
him. And that's how it happened. Oh my gosh. That is such a fantastic story. Well, Jen,
we have a question for you about, you know, obviously, we're talking Benihana Christmas
today. What was the inspiration for this episode? Do you remember how it came about how you
came to be the person to write it? Like, sort of the beginning of what was Benihana? The
initial idea was Michael goes through a breakup. And I can almost see myself leaping out of
a chair at that moment. If that came when I came from the room saying this, I need to
have this episode because I just felt like taking Michael through a breakup is just like
having how would a 14 year old boy deal with a breakup, you know, just kind of just riding
those waves for the first time. Has he ever been that close to a person to have, you know,
to a romantic partner to have those waves so you can really take him to the point where
he's lying on the floor. So I put in a little bit of 14 year old boy and then a little bit
of me, you know, listening to James Blunt goodbye my lover and breakups that I can't
understand. So there was a smush of the two of us, my version of Michael stuff. And when
I ended up leaving the office, which is devastatingly difficult to do, but I ended up telling Steve
that I was leaving and his I'll never forget his comment to me. He said, I think this is
going to be really difficult for you. And I said, Yeah, no, definitely. But he's like,
because I think you work a lot of your own stuff out through my character. I was like,
there's this game that people play of who are they in the office. And I'm like, I can't
be Pam or Angela or Phyllis like, I'm Michael. Michael thinks I'm Michael. Steve was aware
Steve was aware when it was a genselotta script. Oh, well, we're going to work out some issues
this week. Yes. So I, I think that for the breakup, I put myself as being sort of delayed
in that area and experiencing a breakup. I think my first breakup with a boyfriend was
late, you know, mid twenties, you know, just experiencing that. And then also just having,
you know, just thinking of a young, a younger boy going through it. And I just let I wanted
it so badly. So I think I probably just wrestled someone to the ground. Oh my God. Well, Jen,
I would love to talk to you about the party planning committee versus the committee to
plan parties. What the hell? You were saying on a previous podcast, Jenna, that I really
am drawn to Angela and writing for Angela. And there was something, I was starting to
think about why that was beside just being brilliant. And it's so funny. And it's just
fun to write for you. But I was thinking, I can't stand sometimes rules and bureaucracy
and all of that stuff. And I feel like your character represented so many of those lines
and things you can't do and limits. So somehow it was like cathartic for me to go deep in
there and like, have you pushed those lines with people, you know, comedy writers oftentimes
want to push against authority and rules. And so you were, you represented that. So I
just kind of love to give you that. So then it's, what do you do to your character? You
threaten her with a rival party and just kind of up the stakes, arrival, a planning committee
and up the stakes and have you kind of lose it? When you run out to try to get the permission
from Dwight that the party needs to start now, it's just like the intensity with which
you're clinging to the fact that you need to maintain the balance of your structure
is like, I just, I just delayed in that.
I remember that scene. I remember actually talking to you about the dialogue and you
and Harold. And, and I guess the first take I did it, maybe I didn't have that urgency.
Like, and, and you guys like pulled me aside and you're like, no, like, like, think like
the building's on fire. Like, you know, and that kind of like stakes. And then while we're
talking about this, I had a line where I said to Meredith as she's deciding which party
to go to, I say, Meredith, like, if you go to that party, you're going to be very, very
sorry. And then Meredith is like, is that a threat? And I go, no, it's an invitation.
I don't think I really got the joke on the first time I read it. And you're like, Angie,
you like maybe when you say it's an invitation, switch gears to like a smile. And I remember
it changed the whole scene. Like, I love that moment. That moment reminds me of in horror
movies when like the deranged ex-boyfriend is like, and then then there's like silence
and he's like, Monica, I'd love to come inside. And you're like, whoa, that is super creepy
me. That's scarier than the banging on the door. So that's when I watch that scene, Angela.
That's an invitation was like super unnerving was like, what just happened? That was a note.
That was a note from Jen Solana. That's just a peek into her brain.
Well, maybe there's definitely an alternate reality where the office is a horror and Angela.
There are moments where you're standing by the copier and then just, you know, jump out.
But I feel like there's something where you get to see Angela's struggle of her real feelings
in the episode because they leak out all over the place. But then the pop back to this is
a work. This is an office. We have to be professional. So there's like, we get to see that like
moment where you where you the threat comes out. And then, you know, this is an office
decorum. Here I am. It's so creepy because we just saw what you really are or what part
of you is. Oh, yeah. I love the storyline too, because it serves that whole purpose.
And then it also serves the purpose of putting Pam and Karen together and freaking Jim out.
So that's why I it's so rich with storyline. Should we head over to Benny Hanna because
Jen, we were not there that day that you shot in the restaurant. And there are so many delicious
scenes. Delicious. I feel like that was a really good use of, is that like a metaphor? Because
Benny Hanna serves food? I don't know. Oh, well, I think that the idea of Benny Hanna might have
come up because it always cheered me up when I was a kid. If I'd like been sick or if I could
grade, we'd go to Benny Hanna. And I remember they used to like fling shrimp in your mouth.
I heard that when I was doing research for this episode that they stopped doing that.
I think that they were worried about it being dangerous. And so flinging hot shrimp across
a restaurant. But Jen, I love to know like how Benny Hanna was like part of your childhood
memory because our youngest son, when he turned eight, the one thing he wanted to do was go to
Benny Hanna. Oh, yes. Well, it's like our eight year old's birthday. It's dinner and a show.
Oh, I remember. So there was a scene where Dwight talks about the knife that the chef is using
and how, oh, I bet you're bummed that you want this other knife. And the chef is saying, no,
no, this knife is better. Dwight, you don't know what the best knife is. And I kind of put this
together when I was rewatching the episode. But when we were there, there was a problem making
the onion volcano. So that was sort of the biggest pull up of the day. The chef couldn't make the
onion volcano. And then they brought in another chef to make the onion volcano. We couldn't get
an onion volcano off the ground. It was, and I think we had one of the more celebrated onion
volcano chefs there. And what immediately happened to me, even though I wrote the scene with Dwight
talking about knives, is I was like, well, maybe the, is the oven hot enough? Are you sure that
the right positioning of the onions? I'm like, they know onion volcanoes. I don't know onion
volcanoes, but we were desperately trying to get this. And so all of us were sitting around
giving notes to a person who was already in a difficult time making the onion volcano,
trying to get help, you know, how can we help this? So secret little fun fact, the steam from
the onion was added in post because we've never, the volcano never erupted on the day. There was,
I think, a fluttering of smoke that came out after I want to say hours of trying to get this
off the ground. And I think it was Dean Holland who was editing the episode. He's like,
here's what we're going to do. We're going to add some, we're going to add some smoke to the onion.
We can do this. And I, I can just imagine my past Jen crying at that moment of relief because
the onion sputtering would not lift up a heartbroken Michael. And, you know, we needed,
we needed that onion to do its part. Yes. Yes. Oh my gosh, I love that story so much.
So Jen, now we want to talk about the storyline with the Benihana waitresses
and how Michael can't tell them apart. And I know we traded emails about this,
even though we're saying, Michael, you should know better what you're doing is wrong.
Is it even right to put that storyline out there? Can you share your reaction to rewatching it?
You know, it's like, I feel conflicted about the whole, like there was this like Archie Bunker,
Michael Scott, David Brents thing that we would make a joke that this is clearly inappropriate.
But some of that stuff is just not appropriate, even if it's being made a joke. Fun of, and some
is, and I don't know where some of the line is, but what is, what is offensive, what is going to
hurt somebody? What is making fun of a character who does this? And is that even okay? Or where's
the line for that? We're constantly growing and, and, and have to understand, you know, even if
our intention was to do something to show how ridiculous this behavior is at the time, how does
that portrayal come across? And is that affecting people and just taking it all in and just trying
to educate myself as much as I can about how, what we put out there affects people.
Yeah, absolutely. I feel like as a creative community, we need to learn and, and reevaluate
how we tell stories. Yeah. And, and like you said, Jen, how those stories affect people.
Yeah. Yeah. All right, Jen, well, before you go, can we ask you just a couple of quick little
questions about this episode? Okay, first of all, everyone wants to know, is there a significance
to Jim and Karen both giving one another a copy of Bridget Jones' diary? Is there a story there?
I, as far as I remember, it was that they saw it together. I don't think they were fans of it,
and they kind of gave it to each other as sort of a joke gift. I remember we were talking about
they wouldn't be giving each other a really significant gift, right? At this point, it's
not like a really big gift. But at the same time, it should be a gift that if Pam is watching will
feel like, Oh God, they're on the same wavelength. So it was like, you don't want, you know, him to
give her jewelry, but at the same time, you don't want just two different gifts where it's just,
you know, a for just the efficiency of a script where they have to both be explained. Why does
this mean something? Why does this mean something? So it was a quick way to sort of say, they're
on a similar wavelength, but it's not a real serious gift. There was a debate between
Mindy and Mike about that movie, because Mindy would talk about her classic comedy movies,
and this is more about her age. She, you know, would say Bridget Jones is like a classic comedy,
and Mike would probably talk about, I can't remember the examples of the apartment or like,
just sure. Right. So Mindy got Mike, a Bridget Jones diary poster and signed it,
and Mike hung it on his wall. So I think the fact that it was a bit of a joke between Mike and Mindy,
it ended up getting that was the specific that we use. So it wasn't just let's make fun of a
movie that's super popular and great. Angela, you wanted to ask about karaoke. I did. I wanted to
ask you, Jen, how you guys decided on the songs that each character would sing. Kevin sings,
you ought to know, by Alanis Morcette. Michael and Andy sing, Your Body is a Wonderland,
John Mayer. Kelly sings We Belong, which is hilarious by Pat Benatar. Creed sings his own
song Spinning and Reeling. And then of course Dwight sings Lady by Sticks. Yes. So all right.
I remember We Belong, definitely me, because I came up with that because I, as soon as I like
the guy, I would start singing that in the shower. That is me. That is where me and the Kelly
Kapoor character collide. However, I am 99% sure it was Mindy that said, We Belong Together, Ryan.
But I did not have that in my comment. I just had her singing. It's genius. It makes the moment.
It's so good. I just looked up. I had in my writer's first draft, Kevin singing,
one second please, Mo Money Mo Problems by Notorious B.I.G. instead of Alanis Morcette.
So somehow during the rewrite process, it became You Want to Know, which is just fantastic,
where he just goes for it at the end. I watched that scene and I noticed, I don't know if it's
Jim or if it's John, where you see him laughing and smiling at Brian. It feels like he's breaking,
but I agree. I wrote it in a tiny code and everything. He's clearly breaking. You can see
his cheeks bulging and that's why he doesn't turn around. He's like fixated on Kevin because John is
breaking. That's amazing. And I do remember we wanted Creed to sing one of his own songs. We just
thought that was incredible. What a cool opportunity. How often do we have that? Dude was in a band.
He was in a band. He's phenomenal. I was going to say one thing that's in another song thing,
but not from here. I wrote a joke where Michael says, I got two tickets to Paradise. He says,
pack your bags. We leave the day after tomorrow. And at the Sound Mix, I found out from Kent
that that was a $60,000 joke. I was like, it's a fine joke. None of my jokes I've ever written
have been a $60,000 joke. But I remember not so long after that, we had some of our music budget
pulled away from us. And I can't help but think, I mean, I was sitting at the mix and had no idea
that because he's saying that song, that song had to be cleared. And that joke was $60,000.
Jen Salado, you're such a delight. I just enjoy you so much. And we just want you to come back
as many times as you will, please. Oh, I mean, it's so much fun. It's so much fun. All right,
Jen, thank you so much. Thank you so much, Jen. Okay, we are back. Let's break down the rest of
this episode. We are at the Hibachi table and Dwight is decided that he knows more about knives
than the Benihana chef. Yeah, he's sort of like, ooh, is that a Nakiri? And the chef is like, no,
it's a soba. And Dwight's like, oh, I bet you wish you had a Nakiri. And the chef's like, actually,
this is better for large quantities. Yeah. And Dwight's like, I'm not sure. And then I, I wrote
down a restaurant lady sass. I love this moment so much. And the actress's name is Annie Surtick.
And she says, I think he would know. And then they look at each other, they like glare at each other.
But I loved the way she delivered that line. Also want to give a shout out to the chef in
the scene who I believe was a real Benihana chef. That's what Kent told us. I also noticed this is
his only credit on IMDb. He also really knew what he was doing. And his name is Chatri Yovizetsak.
Good job schooling Dwight Chatri. Exactly. Well, there's a deleted scene that happens right here,
Jenna. And it's so good. Michael sneaks off to call Carol. And he asks her what he did wrong.
And he's on the phone for a long time. And then he says, well, all right, could you tell me something
that I did right? And then she hangs up. Oh, no. Oh, oh, that's crushing. But just watching Steve
as Michael play the moment where he's listening to her rant. And he's like, okay, well, did I do
anything right? It was really funny. After that phone call, is that when he would go back to the
table and then Andy's trying to cheer him up? Yes, exactly. And then Andy's like, let's get
around to drinks going, you know, and he tells him about this smoking volcano onion that's going to
come. So that he comes back from the call really dejected. Ah, and this is what we talked about
in the interview with Jen about the steam from the onion. I tracked it. It's 21 minutes 44 seconds.
If you want to see a real good shot of some fake onion steam, I tracked it too. Look, I have my
timecode and everything. I got really excited. Okay, where are we? Oh, well, we're back. We're
back at Scranton. And Pam and Karen have announced that their party is starting. And this is when
Angela starts to spiral out. And she's like, I have a very important announcement. And she's
trying to like make sure her party starts before theirs. Yes. And then this is when Angela calls
Dwight. And she announces that her party started early. And it's also here. I tracked this Angela
because we talked about this with Jen as well. At 20 minutes 50 seconds. This is that scene
where you say, it's an invitation. Yeah. That was right there. It's an invitation. That's
when you see how Angela Martin would be in a horror movie. Well, also in this scene, we didn't talk
about with Jen at 23 minutes 20 seconds. There is a really good shot of my gray tights that I'm
wearing instead of pantyhose. That's all. That's all. Well, Jenna, I have something that I got
really excited about. This is a great background catch for my folks that love the background
like I do. I mean, I froze it. I took a picture of it. I'm very excited. At 23 minutes 10 seconds.
In the deep background, Andy's screen and accounting looks like someone was surfing the
internet. Zoom in. So then at 23 minutes 28 seconds, there is a picture of a cat with a cowboy hat
screensaver on Andy's computer. I want to say Angela, this same thing happens in the cold open
when Dwight comes in with the goose. I am surfing the internet. And then the next shot when you see
me at my desk, I have changed it to a screensaver. We were really surfing the internet in this
episode clearly. What happened? We were just like there like, you know, paying our bills and shopping.
So now Angela has announced that her party is starting. Do you know who the very first person
to go to the other party is? Stanley. He stands there for a long time and looks back and forth
and then picks Karen and Pam's party and he gives a look to camera. Is this Stanley's first like
direct look to camera? Yes, I think it is. Yeah, I think it is. I also want to say Stanley,
what were you mulling over? I mean, what took so long? There was there was a chance you were ever
going to go to Angela's party? A lot of suspense. Well, he might have to put up with Phyllis,
you know, because you know Phyllis is going to my party. So maybe maybe it was more layered of a
decision. Alright, so here's a breakdown of who goes to Karen and Pam's party. You have Stanley
and you have Kelly and Ryan and Meredith. And then later we see that Daryl and Roy and Creed
are all there as well. The only people that go to Angela's party are Hannah, who's by the way
really snarky. She's so snarky and Kevin and Phyllis. Yeah, but then Kevin is going to leave
your party and come to my party. I know, I know, we'll get to it. Something I want to point out
to everyone is that there is this huge Pam, Karen, Angela stare off, right? Yeah, yeah. It is for
nine seconds. That's nine seconds of dead airtime. It starts at 24 minutes, 30 seconds. It goes to
24 minutes, 39 seconds. And I don't know why, but I wrote that's longer than you have to stay on a
bull in like professional bull riding. You get eight seconds to stay on a bull. We stared at each
other longer than you have to stay on a bull in professional bull riding. Well, Angela, I loved
that you tracked our stare in bull riding seconds. I think that should be a new standard on our show.
You're welcome. You're welcome. Is it longer or shorter than a bull ride? Well, Angela, this leads
me into your talking head. It's so wonderful. You explain that you don't back down. It's a source of
pride. And in fact, you have not talked to your sister in 16 years because of an argument that
you guys got into. You're that good. You don't even remember what the argument was about. Yeah.
She's really proud of it. She's proud that she hasn't spoken to her sister. She doesn't even know
why anymore. But she's not making that phone call. Well, we had a fan question. Okay. Hannah Mack,
Lindsay Neame, Allie Burke, Veronica Ramirez and Jesse Clark all said, Angela says that her sister
was her best friend, but they haven't spoken for 16 years. But then later, her sister Rachel appears
at the end of the series in her bridal shower, where Angela describes them as being very close.
Is this the same sister? Okay. I don't know what you have to say about it, Angela, but I have some
facts about it. What is your answer? No, no, I want to hear your facts. I looked it up in the show
Bible. Oh, and here's what it said. Season five, episode 13, it is revealed that Angela has several
sisters. So later at the wedding, we're referring to one of her sisters, Rachel. Although in the
wedding, it sort of implies that you only have one sister again. So it is a little ambiguous.
What's your story here, Ang? I always assumed that I had several siblings. You know, I have that line
in the Martin family, we say looks like someone took the slow train to Philly. I just assumed there
was more than just me and my parents, you know? Yeah. So I assumed I had more siblings and that
the sibling at my wedding was not the one that I haven't spoken to. Unless she reached out to me,
I'm still not talking to her. Well, you made that clear in your talking head. Yes.
That's for sure. All right. So should we go back to Benihana? Now, Michael is getting wasted,
and he is going to steal some steak from a stranger's plate because he claims it's family style.
And Jim is like, no, it's not. Jenna, this brings me to, I think we need to start tracking some drinks.
Okay. I love it. If, if, how could we do this podcast without you tracking drinks? It's your
favorite thing. Truly. It's like my purpose in life is to track these ridiculous things.
So I'm going to take us back for a moment, but at 19 minutes, 40 seconds, that's when Andy
orders the first round, right? Okay. Michael's come back from this phone call that we didn't know
about. And now Andy orders the first round. Andy, Michael and Dwight all get these cocktails.
Jim gets what looks like to be like a Coca-Cola of some kind. It's like a brown looking soda.
For my own peace of mind, I'm going to make Jim their designated driver. Go on. Oh, he 100% is.
Okay. And then at 21 minutes, 25 seconds, you see Michael like downing his, he's like slamming
it back. Then at 21 minutes, 31 seconds, Cindy is giving them a second round. Now she just gives
it to Andy and Michael. I don't know about Dwight, but at 25 minutes, eight seconds,
there's two more drinks in front of Michael and Andy. So by my tracking, I think they've had
at least three. Okay. So now we have the scene with the waitress where Andy is asking the waitress
to close her eyes and imagine her dream house and then describe it to him. And Dwight can't hear
any of this. So he asked Jim to explain what's happening. Jim says, oh, she's trying to describe
how to butcher a dead goose, but she can't figure it out. So then Dwight chimes in and it ends up
being very creepy and random. And can I just say I was in food service. Guys, stop being pervy and
weird. Yeah, just be cordial. Be cordial. I mean, when they asked her to close her eyes, like,
did you see how many tables she had? She is so busy. She's probably in the weeds,
getting everything out to all these tables. She doesn't have time to like humor some guy who
wants to flirt. You're at a restaurant with chefs doing a whole food show for you. That's your
entertainment. Leave your waitress alone. In general, leave your waitresses alone. Come on,
everybody. Oh, but before we move on from this table scene, I want to give a shout out to the
guest actress who plays the woman at the table. Yes, Annie Sertic, who gives Dwight so much sass.
Yes. Guys, she's amazing. I feel like she's only got the one line to Dwight, but her expressions
and all of her reactions during the scene are so great. And she is a company member at the
groundlings. She's had recurring roles on Silicon Valley and two broke girls. And I did a deep dive
on her IMDB and I found this little interesting bit of trivia, Angela. What? She was on Curb Your
Enthusiasm where she played quote unquote buffet woman. And then she was on Cougar Town playing
female chef. I just thought it was interesting that she's had three guest roles involving food.
I'm also really envious that she got to play buffet woman because... Oh, that's got the role of my
dreams. Yes, exactly. All right, we're back now at the parties. Angela's is not going well. It's
pretty boring. Phyllis is like desperate to get out of this party. She really is one of my favorite
things in this whole episode. Her yearning to be at the other party is so brilliant. Phyllis is so
brilliant. And there is a deleted scene that's great that really would have amplified this.
She pours herself like a drink and it's like ginger ale. And she says, oh, there's not a lot
of fizz in this. And she starts to make her way to the door. And I'm like, no, no, no. She goes,
I might should get some more ginger ale. And I'm like, no, no, no. And I block her from leaving.
I was like, I'll go get it. You stay. That is amazing. But her, her, her reaction when she
pours it. And she's like, there's not a lot of fizz. It's like, you see her plotting to get
out of the conference room. Well, I also quite enjoyed in the scene. Hannah, if you look at her
in the background, she is like really examining the napkins. She is giving your napkins
like the third degree. I'm sorry, she's not going to stick around longer. Well, we'll get to that
in future episodes. Yes. All right. Well, Pam and Karen's party is a big hit, except the karaoke
machine won't work because they don't have the right cord. But don't worry, because Daryl is
going to go get his keyboard. And then there's this scene that I absolutely love as Daryl walks
past the conference room. He's like, Hey, when you're done with your meeting, there's a party
in the break room. But it's the way Craig says it, because Craig is like, Hey guys, when you get
done with your meeting, it's like he doesn't quite know what to call it. He's like a meeting.
You should come to the break room because we're having an actual party. And I love it. And that's
when at 28 minutes, 24 seconds, Phyllis is standing in the doorway and she's sort of gazing at the
other party. And then Ryan comes to get his jacket. She's like, Are you cold? That'll help.
Is it cold in there? You know what? That was an improv. That was not in script. Stop it.
Yes. Which part? The final line? It was scripted that Ryan would come and get his jacket. And
that Phyllis just says something like, How, how is it in there? And then he's like, Huh? And that
was the end of the scene. And then he walks away. So Phyllis being like, Maybe that'll help. Is it
cold in there? That was Phyllis. Well, her, maybe that would help. Like about had me fall out of
the chair. Her runner is just absolutely one of my favorites in this whole episode. So now the
guys return from Benihana and they have brought waitresses with them. So we covered a little bit
of the Benihana Waitress storyline with Jen, but we did not really talk about this. And we got a
lot of fan questions from Emma Bloom, Kelsey Kay, Kayla Bass, Abby Roll, T'Nessa Lee, Samantha
Mundan, and many others want to know why do the actresses playing the Benihana waitresses change
when Michael and Andy bring them back to the office? Is that supposed to feed into the ongoing
joke that Michael and Andy can't tell them apart? So no. The idea here was simply that Michael and
Andy couldn't land the original waitresses that they'd been flirting with all night. And then they
managed to get these two younger kind of more naive waitresses to come back with them to the
office. And in the script, it says Michael and Andy walk in not with Cindy and her hot friend,
but with two other 20 to 25 year old Asian American waitresses. So the idea was that these two
older sophisticated women would never go back to a party. But these two younger gals, college age
gals, would be like, Oh yeah, like free drinks, we'll go. Free drinks. Like they're more up for it.
Yeah. Free drinks and Michael's like, and I have a present for you. It's a bicycle.
Yes. And she's thrilled. She's like, I love it. Yeah. Well, I have a background catch at 29 minutes
when they walk into the office. The girls have on a lot of makeup. And then at 29 minutes, 12
seconds later, no makeup. What happened? Well, Angela, a lot of other people notice this as well.
Sonia Maria Raposa wrote in with a theory. Oh, she thinks that they appear with makeup at first,
because that's how Michael perceives them to be because he's drunk. And then they appear with no
makeup because that's what they truly look like. It's not the case. Jen did a little bit of a deep
dive. And she actually found an interview that her and Greg did on an office panel about this
exact thing. And she said basically it was a continuity error. Yeah, exactly. She was telling
us that the first day that they worked, they put makeup on them, then they watched the dailies
and they were like, well, wait, that doesn't really track for who they are in the show as
their characters, these younger college girls. And, you know, they shouldn't look that sophisticated.
So the next time they worked, they toned down, didn't have them have makeup on. So it was as
simple as that. They really wanted to drive home this idea that these were college girls.
To kind of further emphasize how ridiculous Michael's infatuation and belief that he's found
his true love is. Yeah. And Michael now starts going around the office and introducing Nikki as
his new girlfriend. Everyone is like, girlfriend. Huh. Really? Well, they realized pretty quickly
that Angela's party is super lame. And as they leave, Nikki takes one of Angela's decorations
and Angela is ticked off. And she insults her with the Hello Kitty backpack line.
It's just a horrible thing to say. And Michael wants to get Nikki away from Angela as soon as
possible. So he takes her to the really fun party in the break room. We have Kevin singing karaoke.
Yeah. Go to 31 minutes 14 seconds and please watch Ryan. It is the most animated I've ever seen
him. He's like swaying back and forth, singing like, you gotta know. He's like so into it. I'm
like, what's happening, Ryan? Is he drunk too? Well, I did have a fan question from this scene.
Okay. From Sasha Lara, who wants to know, does Craig Robinson play the keyboard in real life?
Oh, Sasha. Yes, he does. He definitely does. Oh, he's phenomenal. Are you kidding? He's amazing.
And in those scenes on the show, when Craig would get out the keyboard,
it really did turn into a party. Like, that was really fun to shoot. Angela, I'm sorry that you
weren't in there, but we were having an amazing time. And between takes Craig would play and we
would sing and Kate would sing show tunes. And I mean, it was like, it was exactly as much fun as
you would imagine it would be. I'm bummed I wasn't in that scene to be able to hang out with you
guys like that. But I cherish the times we were all in the conference room. And if Craig for,
you know, in the latter years, he was in the main office bullpen. And he and Kate would start
singing and Ed, I have found a video on my phone. Oh my God, Jenna, it's us in the conference room.
And they just start making up a song. And like, and everyone is singing. And it's so great. I love it.
Those are some of my favorite memories. I'll text you the video.
Lady, should we go back to your super sad party? No, I guess. Angela's having a horrible day,
but a big thing happens here, which is that Dwight holds Angela's hand. I know. It's like a very,
very small moment. She's holding her boombox in her lap. And they hold hands. Well, this is when
then Karen enters and announces that Dwight won the raffle, which of course is like a super
passive aggressive thing to try to lure Dwight into the fun of their party. And as Dwight is
excitedly opening the gift, Pam kind of clocks Angela's sadness and pulls Karen aside and says,
I feel kind of bad for Angela. Hold up. Did Dwight really not win the raffle?
No, lady, we just did that to try to lure him to our party. This whole time. I mean,
when did he have time to enter the raffle? I don't know. But this whole time, I thought he won
the raffle. And I was like, oh my God, Dwight won the raffle. I mean, I always took it to be like
another, like how we lured Kevin away from your party. This is how we were going to lure Dwight
away by coming into your party and like trying to poach him. Oh my God, main girls. Here I am,
all naive thinking like way to go Dwight. I mean, I don't think he won the raffle. That was my take
on it was that it was a little bit of a mean girls moment on Pam and Karen's part. But you
get Karen to come around and now you guys try to make amends. We do. And by the way, I mean,
we may be passive aggressively let Dwight win the raffle, but you stole our power cord and
hid it in a plant. I know I was about to say you guys fake the raffle. And I'm shocked by that.
How could you? But I full on stole the cable and hit it in a plant. Yes, you sabotaged our
karaoke machine. Okay, so now the parties have merged and the karaoke machine has its cord.
And we open with Andy and Michael singing your body as a wonderland. Michael is not sure which
Waitress is his girlfriend here. So he's singing to both of them. So we talked a little bit with
Jen about all the different songs that people sing for karaoke, but we did not touch on this one.
And I have some really good trivia about it. Let's hear it. So we reached out to John Mayer to
ask him if we could use his song, your body is a wonderland. And it was actually BJ Novak who
reached out to him because BJ knew him knows their pals. He reached out to him and he was like,
can we use this? And at first John Mayer was like, I don't think so. What? He told his friend,
not happening. He was like, I don't think so. And he actually wrote about this on his blog.
He was like, one of my favorite shows on television, the office wanted to use my song,
your body is a wonderland in a scene for their Christmas episode. And he was like, now,
I'm not making apologies for my work, but it's safe to say I don't get asked to use wonderland
for strongman competitions and documentaries about aircraft carriers. I usually get asked
so that people can goof on it. So I initially turned down the request. But after thinking about it,
I decided to go for it, but with one stipulation. What was it? He wrote, I want a Dundee.
So BJ presented him with a Dundee for tallest music dude. He is very tall. He's very tall.
And then he agreed to let us use the song. Well, look, I get it. Andy and Michael are
being total idiots in this episode. And so do you want your song to be the song the two idiots
picked, right? Right. But he agreed. And Angela, we have a very fun story about John Mayer. We
danced at the Walk Hard premiere party with John Mayer. And you were very pregnant. Look, this
is like true BFF friendship, because I did not feel like being in a dress or in any kind of
fancy shoes. But this was a big premiere for you. And I was so excited to celebrate it. And then,
of course, because you and I have to, we had to dance. Listen, I left the after party before 10
p.m. I was like, I'm out. But I was going to have one dance with my best friend at her big movie
premiere. And John Mayer was on the dance floor. And he was dancing with someone. And I'll never
forget he turned around. And I'm sure he was really surprised to see a huge pregnant woman
like directly behind him. And he was like, oh, my gosh, he goes, you're so beautiful.
And then he touched my belly and he said, blessings, blessings.
I will never forget it. My belly was blessed by John Mayer.
And John, thank you from us for letting us use your song.
Yeah.
And he said he still has his Dundee, by the way. He still has it.
He better still have his Dundee. I have both of mine.
I have both of mine.
So now we have the scene that where Michael is over with Roy and Kevin, and he's kind of trying
to brag about his new girlfriend, but it's very clear that he doesn't know which one is Nikki.
Right. Kevin and Roy are like, you don't know. You should know. Michael, you should know.
This leads Michael to really spin out. He needs to figure out which woman is his girlfriend.
So he goes into the kitchen and he does this whole elaborate bit where he's like, where's
my girlfriend? Where is she? Is she in the refrigerator? And it's this such this awkward
moment where finally Nikki says, Michael, you know where I am. I'm right here.
So then when Michael goes in for a hug, he takes out a pen and he marks Nikki's arm,
because this is now how he's going to be able to determine which one of these women is his
girlfriend. And Angela this moment really made me cringe. Yeah, it made me cringe too. I just
don't think the storyline would have been written today. Yeah, I don't think so either.
All right, well, let's get back to the party. It's going really well. Everyone's having a
better time. Karen and Jim exchanged Bridget Jones diary and Jen told us a story about that.
Yes. And Pam gives Toby a robe. Where's she got it? I don't know. Maybe it's her robe.
That was a fan theory that Pam gives Toby her robe. I like that. Yeah. And that's when
the waitresses decide to leave, though. She's like, you know what, this party kind of sucks.
And we're going to take off. And Michael's like, no, don't go, don't go. She's like, I'm going to go.
So, and that's when he invites her on a trip to Sandals Jamaica. It's all inclusive.
He is determined to get someone to go on this trip. That is the third person in one day he is
asked to go. He asked Carol, he asked Pam. And now he's asked Nikki, the waitress. Yeah. But
she's like, no, I think I'm just going to take my bike and get out of here and get out of your lame
party. I'm sorry. I really love that she takes the bike. Oh, I do too. She's like, I have this bike
at least. Yeah. So Michael is devastated. Andy's on the couch with Jim. And Michael is really mopey.
He's like, she was the one. She was my true love and she's gone. And Jim is like, you barely knew
her. You knew her for three hours. She's not the one. She was a rebound. And Michael's like,
oh my God, a rebound. And Jim's like, yeah. And he goes on to say, which don't get me wrong,
can be a great distraction. But when it's over, you're left thinking about the girl you really
like, the one who broke your heart. And Jim is, I mean, we know who Jim's talking about in that
moment. He's talking about him and Pam. And he's basically saying, Karen's a rebound,
just like Nikki was a rebound. Yeah. But all Michael hears is that he's had a rebound and he's,
he's super excited. Yeah. But Jim, we hear you. We hear you, Jim. We hear you. You love Pam. We
hear you. Now, Angela, we need to discuss Little Drummer Boy. Okay. We had a fan question from
Amanda Gervais. Hmm. Hey, spelled differently than Ricky Gervais. But she wants to know,
how was it decided that Dwight should hold the microphone for Angela? I found this choice really
interesting because they don't want to look like they're dating. But this was kind of the first
impression that they gave of interacting in a personal way in front of the entire office.
Well, here's, here's my story. I was terrified to sing this song in front of everyone. I do not
like singing in front of people. I, I just am not comfortable singing in front of people. It's,
it's kind of crazy to my whole family because I will do improv. I'll do standup. I'll do crazy
sketch comedy. I'll be all these weird characters. I have no fear ever getting up on stage. But if
you want me to sing in front of people, it's like, I, I shut down like my brain computer is like,
I can't do it. And there's been a few times in my career when I've had to do this. And this was
the first time and I was terrified. And I'll never forget, I went up to Harold Ramis, who you guys,
you know, we've said he was just a teddy bear. And I went up to him and I was like, here's a thing,
Harold. I, um, I can't do it. I can't do it. I, I really just can't sing in front of people. And
I can't do it. He really calmly put his hand on my back and looked at me and said, but you will.
And I was like, Oh, God. Oh, no, I'm doing it. I am doing it. But Angela, I looked in the script
and this bit of Dwight holding the microphone is not in the script. So how did that happen?
I shared with rain how scared I was, you know, we did a take or two where the microphone was on a
stand, you know, and I'm standing holding my hands like in this very sort of like, I don't know,
I'm, I'm clutching my hands and proper, very prim and proper clutching my hands in front of my
chest. This was an idea that Jen had, you know, and so I'm standing like this because she was
saying that she thought I should look like I'm in a very serious church choir stance or something,
you know, so, okay. So I'm standing like that. And you guys, I was so nervous. I was
digging my fingernails into the skin of my other hand. I had marks on my hands where I was just
like, like death gripping myself. And after the first take, I showed rain my hands. I was like,
I am so look what I'm doing. I'm so nervous. And rain, you know, listen,
he just came through for me, you guys just came through for me. I was having a hard time.
Even though I know the song, I'm so nervous and everyone was looking at me. I was having a hard
time staying on beat. And he dropped, he took the microphone, he improvised this. He took the
microphone, he dropped to his knee. And to help me like find the song, he's just started going
bump, bump, bump, bump, bump, bump, bump. And all of a sudden, I wasn't alone. Rain was with me.
I mean, rain is six foot three. So when he's kneeling down, he's almost my height. It was
like he was standing side by side with me. And then I could do it. And you see, if you watch
ever so slightly, you see me smile. I'm not smiling because Angela loves Dwight. And she's
getting to sing a Christmas song. I'm smiling because Angela Kinsey sees her friend, Rain
Wilson, come through for her. Well, lady, I knew that story. And I was there when it happened.
And when I watched this scene, I 100% saw that this was a scene between Angela Kinsey and Rain
Wilson. Yeah. The way he's supporting you and the way you're smiling at him, it is so wonderful.
And then it translates into this moment between Dwight and Angela that just enriches that
relationship. What a wonderful, wonderful moment. It really is. Anyway, so rain, thank you so much
for coming through for me with your pump up a bums and getting me through that scene.
Now, during all of this, Angela, Oscar and Gil walk into the party. What and he's like
too soon. What brilliant timing, though. I mean, that was such a well written moment.
Here he is making his return to work. You know, he's bringing his boyfriend.
That's it. Oscar is back, right? And then he's Angela of all people,
singing little drummer boy. And he just does a pivot. He's like, Nope, not happening.
Also, during this in the background, we see Roy give Pam a Christmas gift. And we had some people
right in to ask, what book did Roy get Pam for Christmas? Was it a really thoughtful gift?
This was asked by Juliet Wilson, Donna Miller, Celia Quiggle, Dimitra Lizu, Sarah Thorpe,
Sarah Fletcher and Brooke Beagle. A lot of people want to know what the present was.
You guys, it was an art book. It was a very thoughtful present. Roy is winning me over.
He wasn't the best boyfriend fiance, but he's really trying. He's, you know, invested in how to
learn how to gift wrap. And he's dressing nicer and he's getting in shape. And he is like,
I'm going to buy you a thoughtful gift. And I know this was intentional. There was a part of
this season where I thought Pam might be won over by Roy. And they weren't even sure in the writer's
room, right? They hadn't decided. No, no, I had this whole conversation with Greg where I was
like, Greg, wouldn't it be like a crazy, crazy thing if the real true love story is Pam and Roy?
Like what if all this time, Jim is just a device that leads Pam to her real true love of Roy and
Roy completely rehabilitates himself. And that's the love story of the office. It would blow people's
minds. And Greg was kind of like, yeah, I hear what you're saying. I also think it's going to be
Jim and Pam. But I was like, I'm just saying, if we really want to shock people, maybe it's Pam
and Roy. Well, there and he was like, yeah, I don't know. There are people listening right now
and are like, no. Oh, I know instead of jam fans, there would have been poi fans, poi fans.
Ram fan. Ram fans. Well, I ultimately, I do believe that it was always going to be Jim and Pam,
but we had a break and pause. We had a moment, I think partially because David Denman's
performance, we were all a little bit falling in love with Roy right now. Yeah. Yeah, he did a
great job. I think it was such an excellent foil to see Roy step it up, you know. And I think that
needed to happen. I think Mindy sort of touched on that when she was a guest that like they,
we needed to see Roy like really make a go of it. Yeah. Well, I want to say something.
What's up with Jim? Jim clocks this through the window. And then all of a sudden he's like, hey,
Pam, I want to do your CIA joke. Oh, do you Jim? You do. Interesting timing. Well, that you're
suddenly invested in the CIA joke. Why couldn't he have just left well enough alone? Well,
Pam was delighted. It literally saved the day for her. Yeah, she was thrilled. And it's very fun.
They decide that they're going to tell Dwight that a helicopter will be picking him up.
And he goes up to the roof. And then they play that final prank on him. I know. And then he
throws his phone off the roof. Dwight. Amazing. Dwight, come on, buddy. Well, we can't end this
episode without the major cliffhanger, which is that we spot Michael on the phone in his office
inviting someone, a fourth person to Jamaica. And they say yes. And the look on his face,
he's like, oh, okay. Like, oh my God. But who he has called, we don't know, it will be revealed
next week. And back from vacation. I remember at the table read for this, when he read that last
line, there was such a buzz in the room. They're like, whoa, we know who it is. We know. But you
guys know. And next week, we'll talk all about it. Well, that's it. We had a Benihana Christmas.
We had awesome guests. Thank you, Rashida. Thank you, Jen. And thanks, you guys for listening.
Yeah, we'll see you next week. Bye.
Thank you for listening to Office Ladies. Office Ladies is produced by Earwolf,
Jenna Fisher, and Angela Kinsey. Our producer is Cody Fisher. Our sound engineer is Sam Kiefer.