On Purpose with Jay Shetty - Robert Greene: How to Deal with Negative People When They Are in Your Family, Friend Circle or Work
Episode Date: August 5, 2024How do you deal with negative people close to you? How do you stay positive around negative people? Today, Jay welcomes Robert Greene, known for his bestsellers like "The 48 Laws of Power" and "The Da...ily Laws." Robert's works draw on historical figures and events to provide insights into the dynamics of power and social influence. His books are often used as guides for personal development, leadership, and understanding the complexities of human interactions. Robert shares tips on dealing with negative people, emphasizing the importance of emotional distance and understanding that everyone has their flaws and shares his thoughts on the idea that our sense of self is just a mental construct, and real enlightenment comes from letting go of our egos. He also stresses the importance of questioning your beliefs to truly understand who you are and what you’re meant to do in life. Followed by Jay and Robert's discussion on why it's more important to judge people by their character rather than their intelligence or charm, how a strong character is shown by handling criticism well, working well with others, and managing stress. They also talk about how modern life can make us less empathetic and the need to genuinely connect with others. In this interview, you'll learn: How to deal with negative people How to develop empathy in modern life How to question your own beliefs How to stay true to yourself How to handle criticism constructively How to manage stress effectively By understanding the nature of the self, maintaining emotional distance from negativity, and focusing on genuine connections, we can foster a stronger sense of empathy and authenticity in our lives. With Love and Gratitude, Jay Shetty What We Discuss: 00:00 Intro 05:31 How to Deal with Negative People? 09:04 Look Behind the Mask 13:26 Getting Attracted to the Wrong People 15:02 Filling Up the Emptiness 17:23 Surprising Characteristics in Humans 19:10 Our Capacity for Empathy 21:31 What’s Your Most Repeated Thought? 22:34 How Quiet the Mind 24:54 Becoming More Aware 30:20 How We Process What We’re Experiencing 33:42 Who Really Are You? 37:44 How People Think About You 41:00 People’s Perception of You 43:46 The Before and After 46:57 Timeless Knowledge in Books 49:58 What Makes You Excited? 53:16 The Second Self 55:57 The Core of Your Reality 59:21 Limited Language 01:01:41 The Limited Circle of Harmony 01:04:49 Different Thoughts About the World 01:11:04 Slowing Down 01:13:21 Robert on Final Five  Episode Resources: Robert Greene | Website Robert Greene | Instagram Robert Greene | TikTok Robert Greene | YouTube Robert Greene | Books See omnystudio.com/listener for privacy information.
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If you're dealing with your own weaknesses
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Hey everyone. health and wellness podcast. Jay Shetty. The one, the only Jay Shetty.
Hey everyone, welcome back to On Purpose,
the place you come to become happier, healthier and more healed.
Today's guest is one of your favorites,
someone who's been on the show before.
You absolutely loved our first episode together
and so I had to have him back.
He's also one of my favorite authors,
someone that I've been rereading recently,
especially when I fell out of love with learning. And I'll tell you about that in a second.
Today's guest is Robert Green, the author of the New York Times bestsellers,
The 48 Laws of Power, The Art of Seduction, The 33 Strategies of War,
The 50th Law, Mastery, the 50th law, mastery, the laws of human nature, and most recently of the daily laws.
I am so excited to welcome back to the show Robert Green. Robert, thank you for being here.
Thank you so much for having me, J. Thanks for that great introduction.
Of course, grateful to have you back in the sea. And as I was just saying to you offline, over Christmas, I spent last year
touring, I was on stages, we did nearly 40 cities across 90 days.
My book had come out, I was really pouring out externally.
And whenever that happens to me, I always kind of after that get a feeling of I need
to grow again, I need to learn again, I need to nourish myself. And I really believe that last Christmas, the daily laws of power became my daily
read and I have recommended it to so many people.
My wife started reading it, my closest friends have started reading it.
And it was just such a great book for anyone who's either stuck with reading
someone who's kind of like not sure what to read,
someone who's trying to figure out their direction in life.
The Daily Laws of Power is a great starting place, I'd say.
Thank you. Thank you very much.
And I've always been a fan of your books and you sent me this beautiful limited
edition version, which I'm getting to show off on the show, but the 48 Laws.
What a phenomenal book.
So thank you for being such a big part of my learning journey.
For having me. You're a rock star, but what a tour you've been on.
I've never been on a tour like that. That sounds like fun.
It was fun. It was fun.
We went to Sydney and Melbourne and Brisbane.
We went all over India.
I went to Dubai. I went to Amsterdam, Paris, Berlin.
It was phenomenal. It was amazing.
Would you consider yourself more of an extrovert or an introvert?
So that's a great question. And I'm going to let you define the two for me It was phenomenal. It was amazing. Would you consider yourself more of an extrovert or an introvert?
So that's a great question.
And I'm going to let you define the two for me, because you'll probably have some wisdom to share with us.
I energize alone,
but I enjoy connecting with small groups of specific people.
So I assume I'm overall an introvert,
but 99% of people would say, Jay, you're an extrovert.
But if I was in a big group of people,
I would find the one person who I share values with
to have a deep conversation.
I wouldn't be milling around
introducing myself to everyone.
So if that makes any sense.
But do you need to be alone?
Do you feel...
I crave alone time a lot.
Yes, a lot.
So you're a mix.
Yeah.
You're a mutt.
And be the, yeah. If that's what it's called, yeah. And be the, okay. Yeah, a lot. So you're a mix. Yeah. You're a mutt. And a bit of a, yeah.
Yeah.
If that's what it's called. Yeah.
And a bit of a, yeah.
Okay.
Exactly.
Yeah.
Uh, but I have so many questions for you Robert that I want to go into.
And I'm really coming to you with questions that I know a lot of my
community and audience repeatedly ask.
And I think you're specifically positioned to answer a lot of these.
The first one I have is one of the biggest things I get asked is,
Jay, how do I deal with negative people?
How do I deal with negative people in my family?
How do I deal with negative people in my friend circle?
How do I deal with negative people at work?
In close, intimate circles,
I feel a lot of people feel they're dealing with negativity.
Well, you know, it all depends on the details, intimate circles, I feel a lot of people feel they're dealing with negativity.
Well, you know, it all depends on the details, the kind of negative person you're dealing with.
There are several kind of ways of looking at it, some kind of micro and some kind of much larger.
The larger picture is we all have negative traits, we all have dark traits, right? And so you kind of, if you have this idea
that it's just humans, human beings are like this,
it's like a flower or a rock or a tree, it has its nature.
You know, I just accept it.
I accept people for who they are
and I deal with them on that level.
I don't judge them, et cetera.
Now, of course, when you're dealing with negative people,
it can be very difficult because negative people
like to stir up a lot of drama around them.
And that's the kind of power that they get.
They like the attention that they get
from making people upset, from pulling on your emotions.
So you have to have this kind of larger look at them
where it's not about me, right?
They're dealing with their own issues, their own problems.
There's a history behind it.
It could be their parents, it could be their family,
it could be their spouse, their children, whatever.
And they're venting it on me in this particular moment,
but it's not personal.
I tell people don't take everything so personally, right? But then, you know, so there's all these
different levels and it's it all really depends on the specifics because a lot of people come to me
for advice. But a lot of times you're enmeshed with a negative person, like it's your boss,
it's your spouse, etc. etc.
And it's very difficult to do what I'm talking about, right?
And so you have to try and get a little bit of distance from them.
You have to be able to say to yourself, they're not me, right?
They have their own problems. I'm separate from them.
The sense of being separate from them is very liberating, right?
So they have issues and they're trying to drag me into it
and they're trying to drag me down.
But I'm not them. I have my own life.
And I'm not going to get involved.
Sometimes you need to have empathy, but sometimes you need to shut that off.
And so the best thing in life, though,
is that's why I say there's just so many angles to approach
this from, is if they're like a deep narcissist,
and that's probably the most common type
of negative person you deal with in the world today,
and we all have come across this, the power that you have
is to recognize people like that before you get involved
with them and to you get involved with them
and to not get involved with them, right? And so they have signs, things that you can pick up in
advance. People who are toxic, I don't know if we're going to say toxic and negative are the same
here. They don't show it immediately. They're good at deceiving you. They can be very charming. They
can be very dramatic. They pull you in with their great stories.
They have, sometimes they're even charismatic.
A lot of important CEOs in the world,
people like Elon Musk, are raging narcissists.
They appear very exciting and you want to get to know them.
But you have to recognize that these are people
that are probably going to use you, right?
They don't see you as an individual.
And the people you associate with were very, as humans, were very open to the emotions
of other people, right?
And so the people you associate with have a huge role on who you are and the energy you
have, you know, your daily life, etc. etc.
And so you have to be very, very careful who you let into your life.
Right. And, um, Gajay, I don't know. There's so many different angles to approach it from.
No, I tell people that don't judge people as far as who are you going to let into your life.
Don't be deceived by the appearances. Don't judge people as far as who are you going to let into your life. Don't be deceived by the appearances.
Don't judge people based on their intelligence, on their charm,
on whether they're good or bad, etc.
Judge them on their character, whether they have a weak or a strong character.
What are some of the signals, the signs we can look out for?
Because I think what you just said is so true that
we naturally get attracted
to people's appearance, intelligence, charisma, access, because we haven't really been trained
to view character. So I remember when I lived in the monastery, the highest quality or character trait that was considered the epitome of internal
emotional evolution was humility.
And so when you met someone who is humble, and you met someone who didn't have false
ego, they were considered of high character and we were trained in order to understand that. But in the modern world, that isn't how the material world works. We're
almost attracted to people who can come off arrogant and showboaty. And even if we sense
we don't like that, we still believe that person has power. And so what are things that
we have to look out for?
Well, also there are people who appear to be humble, but they're not really humble.
There's a lot of people now who feign humility
because it's seen as a positive trait.
Yes.
So, humans are born actors
and you have to kind of look behind the mask.
So, I tell people, I view it as strong or weak character.
A strong character is a person who can take criticism, right?
Who can work with other people, right?
Who can deal with stressful situations.
Who can handle responsibility.
And if there's something goes wrong, they take, I am to blame for it.
They don't look at other people.
There's somebody you can rely on.
You lean on them and there's something there to lean on.
You can rely on them in situations.
A weak character is somebody who cannot take criticism.
That is probably the number one characteristic.
The worst trait I think in people and a definite trait of negativity
is somebody who can't take any kind of criticism.
Right.
They're so defensive.
So that means they can get away with anything.
They can say anything they want.
And there's just like a wall, a shell around them, right?
So the ability in a work situation, in a relationship,
to take criticism and be able to use it constructively
is an incredibly useful and powerful trait to me
that reveals strong character.
How people handle stress is a really good sign
of their character.
So in a work situation, people are good at faking it
and pretending that they're very strong.
But when it gets really stressful
and there's a lot of pressure on it,
the mask falls off and they reveal
that they can't handle it.
They're too weak.
They're reacting to everything.
They can't get out of the moment.
They're so impatient, you know, and fragile.
And so the ability to handle stress
shows that somebody has something strong
inside of them, right?
How they handle power, right?
So when people are kind of climbing up the ladder
in a group or in a job, they generally try
and pretend like they're with the group.
But once they have power, that all falls off and they can become abusive and they feel
like they can get away with anything that they couldn't get away with before.
They treat people below them miserably, etc.
So when people have power, how do they handle it?
Are they responsible?
Do they suddenly become somebody different?
Or do they maintain the character
that they had beforehand, right?
What kind of partners do they choose?
Do they choose a spouse, a husband, a girlfriend, et cetera?
Somebody that they can push around,
somebody that's inferior to them
so that they can feel better about themselves. How do they look when they're
playing like a game or they're in outdoor activities or something that has
nothing to do with work? Are they so competitive they have to win at
everything even when it's like outside of that kind of environment, you know?
These are kind of traits that help me sort of judge a person's character.
Yeah. And these are often the does that say about us that we often
get attracted to the wrong things within people what does that say about us does that make us
a strong or weak character I know that uh I tend to be I tend to get involved with narcissistic
people it's a weakness of mine right? And maybe it's because of my upbringing
and maybe it's because I feel a kind of emptiness inside of me
and that their charm and the attention that they pretend to give you
is kind of enchanting or casts a spell on you and it draws you in.
Yeah, so if you're dealing with your own weaknesses
and your own emptiness inside,
you're going to be drawn weaknesses and your own emptiness inside,
you're gonna be drawn to people who fill that up.
Are you gonna be drawn to causes and charismatic leaders
that pretend to give you a purpose in your life
because you don't have a purpose
but they have it for you kind of thing.
So a lot of it has to do, yeah, with ourselves
and we're attracted to, we're even attracted to negative people.
And there are people who have patterns in their life where they deliberately choose
the wrong, the worst kind of person for them, right?
And over and over and over again, because at least that makes them feel alive.
At least the pain of it, you know, gives them a sense of
something's half, something's dramatic,
and so they deliberately bring on those kind of,
that kind of pain.
So it's complicated, yeah.
Yeah, when you said that often we feel an emptiness inside
and you were saying maybe because of your upbringing
you felt that emptiness inside as well,
have you tried to fill that emptiness or is there another solution?
Well, to me it's why I wrote the book Mastery.
The way I fill my emptiness and how I've done it since I was a kid is through my work and through my ideas and my thinking and
and how I'm constantly looking for new thoughts and new ways of looking at the
world. So I find that if I don't if I didn't have my work as kind of some
people think of work is something that you just have to do.
Right. It's just a way to get money.
But for me, it's a way to to feel like I'm a human being that I am who I am.
I was destined to write these books and it gives me every day I wake up and I know this is what I need to accomplish, et cetera, et cetera.
And so that's why I read so many books. That's why I'm so intrigued by ideas. That's why I'm writing a book right now about a subject that very much captivates me because it does feel that
inner kind of emptiness. But on the other hand, as someone who meditates and practices a form of Zen meditation,
there is a purpose to emptiness, right? It's not necessarily good to be always having to fill things
up in your brain, like you're just pouring food into your system. You know, there is something
actually kind of intrinsically beautiful about the idea
that there is emptiness, that I don't really have a self,
that there is actually not, that there is no such thing as a mind actually.
It's an illusion that we create, right?
It's something through words that we have.
So that sense of emptiness that, you I'm I don't have an ego or
that I'm confronting the world and I'm just hearing and seeing things as they
are it's actually a beautiful thing so you have to kind of struggle
against this idea of always having to fill myself up. What's something you were
saying you like observing humans and humanity what's something that you've observed about humans over time that surprised you?
Well, nothing really surprises me because I read a lot of history and I see that things just keep repeating over and over and over again. I know though since I had my stroke and since I'm physically weak and there are things
I can't do anymore, I've actually noticed that people respond to me differently and it's actually
very positive. So sometimes I can be very negative about people. That's kind of my inclination. That's
how I'm my mind tends to work, which is not necessarily a good thing. We all have these attitudes that make us look at the world a certain way.
I tend to have a negative bent towards human nature.
But I must say, people have been very, very kind to me since I've had my stroke.
And it's sad that you have to have an accident like that to be able to perceive it.
But I've seen another side where everyone wants to help me.
They kind of empathize with the fact
that I'm a little bit helpless in these situations.
And it's also made me kind of feel differently
about other people who have disabilities
or things that they can't help in their lives.
But the sense of I'm a little bit helpless
and people are really
eager to try and help me actually is something that has kind of surprised me in a way.
Yeah, I liked what you said there that it's sad that someone has to go through something for us
to then show that side of ourselves, which means that it's always there. It means that it exists
inherently within us. Yeah. Do you think it's because we...
Why do you think that is?
Why do you think that is that if it's inherently there,
we don't display it at all times to all people?
I don't know.
I mean, we're all born with a capacity for empathy.
It's something that interests me a lot
because of the feeling that I'm connecting very deeply
to another person, let's say my wife, et cetera, is a very overpowering emotion.
It gets me out of myself and I'm seeing the world through her eyes as opposed to me always
projecting myself onto her.
It's a very moving experience.
And sometimes you go to a movie
and you find yourself getting inside the characters,
you're getting outside of yourself,
and you're feeling this empathy for them,
you're identifying with them.
These are all very powerful emotions, right?
And we all have the capacity for that.
But the world we live in is actually machinery
to deaden those emotions, that sense of empathy, right?
It just puts so much emphasis on ourselves,
on our individuality, on who we are, our needs,
the attention that we want, that we deserve.
We're so focused on ourselves that that natural feeling
of wanting to get inside of another person.
And you know, it's very strange, Jay, because if you think about it,
our inner lives are actually quite boring. The same thoughts repeat over and over and over again,
the same emotions, the same preoccupations, the same anxieties, and other people,
they're so different.
They have their own worlds, right?
They're like, it's like traveling to another country.
So we should actually be much more oriented
towards other people.
We should have a natural interest in their world
because it takes us out of ourselves.
It's like therapy, but it's been deadened
by so many things in our world, by social media, by the pressures we're under, by just modern lifestyle.
And so that empathetic muscle that everybody has is kind of atrophying.
And yet there'll be moments where it kind of sparks to life and you feel like, God, I want that.
I want more of that in my life, more of that in my world. How do I get it?
What would you say is your most repeated thought
on a daily basis?
Like, what do I need to do today?
What's on my schedule?
So I'm meditating in the morning
and I'm trying to empty my mind
and I'm going into what's known as a koan, right?
And then these thoughts keep bubbling up
and they're so annoying.
And it makes you aware of the machinery of your own mind.
And so to answer your question, it's always like,
oh, did you remember that you have to call this person
this afternoon?
Did you remember that you have to change that reservation?
Do you remember that you have to do this, that,
the scheduling things? So unimportant, so trivial, where I'm trying to
open my mind up to something vast and important. It's little things like scheduling and stuff like
that. Then there'll be other thoughts that will be repeating, you know, like if I saw a movie from
images will keep popping up from that and such. It makes you aware that you're not in control of your own mind.
Right?
How have you found over time with meditation and other practices,
what have you used in order to start quietening, emptying,
whatever the right word is for you, releasing those thoughts
so that you can connect with the vastness, be creative or self express?
Wow, it's not easy and it's an ongoing process
and I could say I'm maybe 10% of the way
where I'd like to be.
But first of all, you recognize,
you go through a thing where a thought pops up
and it's like, why am I thinking about that?
I don't like it.
You realize that it's just a why am I thinking about that? I don't like it. You realize that it's just a
thought and what is a thought? Now I know we're getting really weird and metaphysical here.
I like it. But it's not real. It's a phantom, right? It has no reality. Reality is your body,
the present moment, the birds outside, the sky, where you are sitting, the fact that you're alive, that
your blood is pumping, these are real.
But that thought in your mind is a shadow.
It's a phantom.
It doesn't exist.
It has no reality.
And so I go through this process where don't engage with it.
And it's really weird because then my mind plays tricks on me and it pulls up a thought
that's definitely going to engage me, right? Because it wants that. It's like a sugar
rush. And so I go, okay, no, I'm not going to engage with it. And it made me realize
as I went through that process that this is what social media is based on. Social
media has mirrored the human brain on a large scale. We have thoughts that are designed to grab our emotions
and make us think about them repetitively over and over again,
compulsively, right?
And there's probably a purpose behind that.
But social media is actually a genius at that,
picking at, putting up things up there,
they're gonna engage our emotions,
so we have to pay attention. So I always try and every time that happens I withdraw and
I say it's just a thought, it's not real, it's not who I am. This is a very
important part of meditation. Your thoughts are not who you are. They're a
separate part of yourself. You are something different from your own
thoughts. I don't know if that means anything to you. Something that makes me crazy is when people
say, well, I had this career before, but it was a waste. And that's where the perspective shift
comes. That it's not a waste that everything you've done has built you to where you are now.
This is She Pivots, the podcast where we explore the inspiring pivots women have made and dig
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Join me, Emily Tish Sussman, every Wednesday on She Pivots as I sit down with inspiring
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Get emotional with me, Radhita Vlukya, in my new podcast, A Really Good Cry.
We're going to talk about and go through all the things that are sometimes difficult to process alone.
We're going to go over how to regulate your emotions, diving deep into holistic
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life. We're going to be talking with some of my best friends. I didn't know we were going to go there on this. People that I admire. When we say
listen to your body, really tune in to what's going on. Authors of books that have changed my life.
Now you're talking about sympathy, which is different than empathy, right? And basically
have conversations that can help us get through this crazy thing we call life. I already believe
in myself. I already see myself. And so when people give me an opportunity,
I'm just like, oh great, you see me too. We'll laugh together, we'll cry together,
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It does, it does definitely. And while we are not our thoughts and we are not our mind,
our thoughts become our reality. We find that a repetitive thought turns into a habit that turns into a pattern that turns into an action becomes our reality. For example,
into an action becomes a reality. For example, I am a unorganized, lazy individual
usually translates into, oh, I forgot to send that,
it didn't happen because now it's a belief that's built up.
And so it's so fascinating that something that's so not real
becomes so real.
And I've been really into seeing how thought editing is so useful as an activity
and an exercise, because I've found so many of my thoughts become my beliefs that become
my life. And I think a lot of people don't realize because they don't realize that their
thoughts are like clothes that you can change,
we do believe that our thoughts are real and our reality,
and whatever we're hearing in our head is exactly what is.
We don't realize that, oh, it's like looking in your wardrobe and saying,
I don't like the color green anymore, I'm going to change it for blue.
It's as simple as that.
Well, there was something I read recently in one of the Buddhist books that I like
to read that said our minds are basically topsy turvy.
They're upside down.
So the reality is we don't I mean, I don't want to get too deep into this,
but we don't really have a self.
The self is a construction of our minds.
There actually is nothing there.
And that kind of emptiness, that egolessness is enlightenment. It's a beautiful feeling.
And maybe in your life, you've touched upon it briefly. I know I've touched upon it briefly.
It's not the reality I have every day. But that's real. And what's not real are the thoughts, but everything is turned upside down in our worlds.
And so these delusionary thoughts about people, about who I am, about my habits, etc.
They become our reality when it's exactly the opposite. But you have to be able to be aware of that.
And so, you know, meditation is all about being aware of,
is becoming aware of these things
because we walk around like automatons.
You know, I'm very into this writer named Gurjev.
I don't know if you've ever heard of Gurjev.
No, I haven't.
He was this, he's basically from Armenia.
He was in the beginning of the 20th century.
He was this man who was very interested in mysticism
and he traveled throughout Asia,
trying to find the essence
of all the different esoteric philosophies.
And he created his own philosophy.
And it's very interesting, very exciting stuff.
He wrote a book called,
In Search of the Miraculous
that I highly recommend people. And it's not woo-woo stuff. He was a book called In Search of the Miraculous that I highly recommend people.
And it's not woo-woo stuff. He was a very, very practical man. He puts it in very practical
terms. But his idea is that we walk around asleep. We're on automatic pilot constantly.
We're not really aware that we're breathing, that we're existing. We're not aware where
our thoughts come from. We're not aware of how our body moves etc etc etc. And so it's a process of slowly becoming aware
of these kinds of things that is really kind of, I've been doing this 14-15 years now and it's
really really kind of changed the course of my life I have to say. Yeah, I love that. And I can't wait to read that book now.
I couldn't agree more.
I feel we're so disconnected from our mind and body
that we constantly believe that someone outside of ourself
has the answer for how we feel.
And while that may be true when you're seeing a doctor or a dentist
or something of that
professional nature, we don't really know how our body's been feeling for weeks or months until it
crashes. And then we've realized that we haven't paid enough attention to X or Y or Z or a
relationship in the same way has to end in order for us to realize that he had lost investment and energy or
whatever it may be.
And we're so far away from the self or at least this version of the self that yeah,
we're not really aware.
I love what you just said about the idea of how conscious are we of the fact that we're
breathing, we're here, we're present, we're together versus how much are we living up
here?
Yeah. And, and it's really interesting, isn't it?
Because there's almost two realities that we're always dealing with.
And if we're getting too heady, I'm happy to move away from it, but it's, it's
almost like I've been thinking a lot about how in one sense, what's out here
is real and in one sense, what here isn't.
And at the same time, actually what's going on here is the real, because it
defines how I interact with everything else.
And, and it can help me be a better filter, a better, a chooser, selector of
the people I'm around and the places I visit.
So you say you have to kind of use the mind to be able to become present.
It's a process.
I would say I'm alluding to that in discovery, not in pushing it.
If that makes sense.
Yeah.
Yeah.
It makes sense to me.
Yeah.
I agree with that.
Definitely.
Yeah.
I've been reflecting a lot recently about how most of what's happening is
in the invisible world in that.
That's very interesting.
Tell me more about that.
So I've just been, I was thinking that in, in one
sense you have reality externally, the visible world,
but how I make sense of that visible world is all
in the invisible space.
And ultimately how I make sense of it is the reality
that I experience regardless of what's happening around me,
which is why we realize that people who, well, we all are telling ourselves stories and narratives
all day long, but how we're processing what we're experiencing is our reality as opposed
to the event or what someone said or social media, as you gave an example. Like, I can either sit here and say,
like, I know that when I wake up in the morning
and I start scrolling on social media,
my mind is now moving 10 times, 100 times faster
than if I don't do that.
And I know that brushing my teeth and showering
is a much more peaceful process
if I haven't looked at my phone than if I do.
And so that choice is being made in the invisible world. And the visible world is simply something I'm interacting with and taking from or being affected by. Well, so we mostly live in things
that are invisible. Yes. Right. Symbols, etc. etc. Language is a symbol, it's not reality.
And so things like government and
social behavior, they're rules and codes that we abide by,
but they're not visible, they're invisible, right?
Yeah, definitely, and we're not aware of that. And so we're trying to raise our awareness
of the invisible world. I'm're trying to raise our awareness of the invisible world.
I'm always trying to raise my awareness of why do I process this way?
Where does this come from? Where's this idea taking root?
That's a very interesting process to go through.
Yeah, it's hard. It's not clear.
It's not like a here's the step-by-step process.
It's just something I've been engaging with a lot.
Yeah.
Yeah.
I like to try and go through a thing
where I question all of my beliefs and things of why,
where does that come from?
Why do I believe that?
Why has that become something
that's so hardened into my brain?
I believe that about myself and who I am,
about other people.
I continually try to challenge it
and look at what might be the source of it.
And then maybe say, it could be the opposite.
Right.
And actually it can be, it can lead to a lot of problems because it's like, my
mind is always swimming and I'm never really think anything is certain.
I'm always, you know, seeing the opposite side of it.
But, um, I think it's in the end, it's a very healthy process.
How do you, I love where we're going
because it kind of comes back to your same point,
sorry, your earlier point about how someone
of strong character knows how to take criticism,
which means they know how to deal with the opposite
of what they think or feel.
And so this idea that you're sharing now
that it's healthy to be able to question,
to evaluate, to assess our beliefs
and values. But like you said, it's one of the hardest things to do because you get into
a space of uncertainty, you question your identity, you lose a sense of direction. How
do we question ourselves without losing ourselves and actually realize that that is the process
of discovering and building ourselves. You know, like who, who really are you in the end?
You know, what, what, what constitutes you, the essence of you, what were you
meant to accomplish in this world?
Right.
Your sense of purpose, you know, to use the title of your show, what is it that
makes you an individual, makes you unique that you alone are meant to accomplish in
life?
Well, it's not given. We don't know it. And a lot of people really, really struggle with trying to figure that out, right?
Because they've been programmed by their parents, by their siblings, by the culture, by their teachers, to say this is who you are, this is what you should believe in, this is what you were meant to accomplish in life,
this is what's cool and what's not cool.
And so you have to question yourself, you have to say,
is this really who I am?
Am I really interested in this subject?
Am I really interested in this kind of person,
getting in a relationship with this kind of person?
And so question yourself on that level.
You're getting at a deeper and deeper core of maybe who you are at essence.
You're cutting away all of the social stuff
that has been foisted upon you, that it has nothing to do with you. Right.
So in some ways, you're kind of a mystery to yourself
and you're sort of trying to solve that puzzle.
And you have to ask these questions, is this something I'm actually really interested in?
Is this an intrinsically important thing to me or is it something that's in the culture
or something that other people have told me?
And questioning that over and over and over again is not to lead you into this abyss
where there's nothing real, it's to get you closer to who you are, to what really matters,
to what that essence of you is, to what you're meant to accomplish in life.
And once you reach that, that inner kind of gold,
then you have a degree of certainty.
So I know, I knew from a very young age that I wanted to be a writer, right?
I had a struggle to figure out what kind of that I wanted to be a writer, right? I had a struggle to figure
out what kind of writing I wanted, but knowing that that's who I am, probably
about the age of eight, it allowed me to go, I'm not interested in that. I don't
want to do that. This isn't important. Why am I following this career path? Why am I
wasting my time here? And then, so knowing that kind of core, you don't have to keep questioning
yourself. So I'm never going to question myself, why are you a writer? Why are you writing books?
You should have been a pop star, you should have been a rock singer, you should have written poetry,
you should have been a lawyer. No, I'll never go there because I have that that firm ground beneath
me. And that's what your questioning is supposed to lead to,
get to the essence of who you are.
And once you're there,
you have a degree of certainty in your life.
Yeah, it does, it does.
And I feel like a big challenge,
something that I've been thinking a lot about lately is,
a big challenge of where that comes from is,
because we care so much about what people think,
and we're scared of being an unsuccessful version of ourselves,
because we'd rather be a successful version of what someone else wants us to be.
And so we're scared of being an unsuccessful writer, if we could be a successful accountant.
We're scared of being an unsuccessful artist because we'd rather
be a successful tech person. Whatever else it may be, fill in your blank. And
because what we think people think of us has such a strong hold on us that we
can't pivot to our passions, we can't maneuver to our purpose, we can't accept
that maybe I'm not what this
person wants me to be. And I've been spending a lot of time in this to try and figure out,
and I'll let's let's dive into it from different perspectives. But I guess, how much Robert
do you care what people think of you? And how have you made sense of that over your
time as someone who obviously
writes that a lot of people enjoy your reading, people may disagree with you, they may agree with
you, people as you said debate, discuss, but how have you made sense of that and what's been your
process of dealing with how you think people think about you? This is how people think about me who
know me personally and there's how people think about me in the social realm
who don't know me personally,
and who have an idea of who I am,
which is often very different from the reality.
But naturally as a human being,
I care that people understand that I'm a certain way,
that I have a certain character,
that I actually love jokes and silly bathroom humor and that I
like stupid movies and that I'm not always reading heavy philosophy.
My wife can tell you all about this childish side of my personality.
It's always been important to me to feel kind of authentic and sincere.
And I've always hated, and that's probably why I wrote the 48 Laws of Power.
I hate people who are pretending to be something that they're not.
Deeply, deeply wounds me, and I don't know why.
I don't know why it's been like this since I was a child.
Maybe I suspected that in my parents, the kind of falseness that upsets me deeply.
And so I wrote the 48 Laws of Power
because I felt people are such hypocrites.
They pretend that they're not interested in power,
but that's all they're interested in, right?
They wear this front that, oh, I just want to help people.
I just want to make movies and culture and art.
No, you're interested in power.
So it's always been deeply important to me
to kind of reveal what's really going on in someone
and to sort of feel that way about myself.
So when I don't feel like I'm myself,
when I feel like I'm faking it,
and sometimes to be honest with you, Jay,
being a kind of quote unquote self-help guru,
it feels false.
It doesn't feel like who I am.
I feel like a bit of an imposter.
That's not really what I wanted to be. I just wanted to write books. I love ideas. I love thoughts. I love expanding my consciousness.
So the feeling that I'm not being who I am and that other people are kind of glomming onto that is upsetting to me.
Yeah.
I don't know if I'm answering your question.
Oh, no, that's, I mean, that's resonating so deeply with me. I think
it's so interesting, isn't it? How your self-perception is so different from
people's projection onto you. And so I can identify with that. I do what I do because I'm just sharing what I love.
So I love meditation. I love wisdom books. I love traditions. I love ancient wisdom and modern
science and seeing the parallels between the two. And I just love talking about that and sharing that. Yeah. And I don't think I've ever thought of myself as a guru or a guide or a, or that
kind of individual, but we in society, if someone shares or teaches or gives
insight or advice, we box them or bucket them as that's the same as you.
Right.
We'd go in the same bucket, even though we kind of do similar things,
but very different things.
And we probably have some similar interests and some different interests.
And it's interesting how there isn't a space.
Like I often say to people, I'm just trying to be everyone's spiritual friend.
Like that's my goal.
Like I'm that guy who's introducing my friends to cool things that they may not have come
across, whether it's Eastern spirituality or wisdom or whatever it may be.
Like I'm that guy and that's all I want to be.
I don't want to be anything else.
But it's hard when you almost get put on a pedestal, even though you didn't ask for that
or didn't want that.
Well, people's perception of you can almost become how you perceive yourself if you're not careful. For sure. You know, and so that's why I keep coming back
to myself and going, is that really who I am? Yes. I don't think so, Robert, you know, and also,
I actually am a flawed individual, I'm a flawed human being.
I have blind spots in my nature.
I have compulsions that I wish I didn't have.
And I don't like this idea that people think
I'm this powerful person who's figured everything out.
Because I'm not, I have.
That's why I wrote the book, The Laws of Human Nature.
It was because I understand that I shared the same flaws,
that I have narcissistic tendencies,
that I too can feel envy, that I have moments of grandiosity.
So I'm not comfortable with the idea
like that I'm this somebody that I'm not,
the perception of me is.
But that's what happens to a lot of successful famous people.
They become trapped in what other people are thinking about them.
They become trapped in that image.
And I honestly think, I could be way off base,
but I'm thinking of somebody like Anthony Bourdain, who committed suicide.
I think he was burdened and weighed down so much by how people thought of himself.
And it wasn't who he was.
And it kind of made him feel deeply uncomfortable. and weighed down so much by how people thought of himself, and it wasn't who he was,
and it kind of made him feel deeply uncomfortable.
I'm sure there were many other issues going on,
but a lot of times it can make you uncomfortable in your own skin,
the way people perceive you,
and it can lead to deep feelings of depression
and a loss of who you are.
Yeah.
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Yeah, absolutely. I mean, cause right.
A new book called the flaws of human nature.
It's like, thank you.
That's what the book is.
Yeah.
Yeah.
Yeah.
It's the 18 dark corners of human nature.
But yeah, that's a good idea.
Yeah.
It's no, it's just a, you know, a thought of like, it is true.
It's there's a seeking of perfection and there's a sense that we've created in the world of
before and after.
In the sense that if you look at like a workout program and there's nothing wrong with this
because it makes sense, but there's a before picture and there's an after picture.
And if someone's wealthy, it's like they were poor and now they're rich and everything's
a linear before and after journey.
And what we're talking about, and I fully agree with you on this, is that actually all of my challenges are cyclical and they're different.
So it's not that I never feel envy anymore.
It's that I feel it differently to how I felt it 10 years ago.
differently to how I felt it 10 years ago.
And hopefully I'm a bit better at dealing with it and understanding it and,
and engaging with it than I was 10 years ago. But it's not that it doesn't affect me anymore.
And same with spiraling thoughts.
It's not that I don't have anxious or negative thoughts anymore because I'm
enlightened. I still have those thoughts.
I just deal with them better than I did 10 years ago.
And I probably have more tools to help me engage with them.
That's true.
That's very true.
And I think that cyclical nature is a wonderful thing to accept as
an individual and as someone who's learning because you then don't
fool yourself to think, oh, there will be one day where I will no
longer have a negative or anxious thought like Jay and Robert.
Like, you know, they probably never have it.
It's like, well, yeah, you probably have less, but it's not that I never have them.
Exactly.
Right?
Yeah.
Yeah.
And so that kind of idea of this before and after, I think, is what confuses so many people because it feels like,
oh, there is a point at which I never
have to go back to being this version of myself.
Well, that life isn't like that.
You know, it's weird sometimes because before the 48 laws of power came out, I was just
this nobody living in a two one bedroom apartment in Santa Monica, rent controlled, you know,
never really made any money, never really had any success in life.
And I was constantly giving people advice,
but nobody would listen to me because I hadn't written the book.
And suddenly the book comes out and I'm supposed to be a different person.
It was very strange.
But I'm actually the same person that I was
when I was living in that miserable one-bedroom apartment
and giving out my advice that nobody listened to.
Now people listen to it.
But the only difference is because suddenly I have this credential, which is very strange.
Yeah, I can relate to that in so many ways.
I was I used to be a mentor and coaching people in my community.
I would do these little events in London 10, 11 years ago now
where like five people would show up.
And, and it was, you know, I was just doing it.
I would speak at universities for free for years.
Like I was, it was, you know, it's been such a big part of my life to just do this.
I've always wanted to be someone who's learning and sharing.
That's what I enjoy.
I enjoy learning and I enjoy sharing.
And I enjoy synthesizing and making and I enjoy sharing. And I enjoy
synthesizing and making things simple and practical for other people. That's what I get my joy from.
And I was always inspired by two quotes. One is Ivan Pavlov, where he said,
if you want a new idea, read an old book. And so that's always been something that
my work has been inspired by. It's always based on ideas that seem timeless, but they're an old.
Yeah.
And then there's another thought from Einstein, which is another part of what
inspires my work, which is if you can't explain something simply, you don't
understand it well enough.
And so these were the two kind of tenets that what I enjoyed doing in the world.
And again, I don't think they're magnificent, miraculous or brilliant.
They're just what I meant to do.
And there's such a beautiful significance and insignificance in that very understanding.
Like it's really significant building because I'm like, I know what I have to do.
And there's really insignificant because I'm like, it's just what I have to do.
It's, it's not the best or the worst, or it's not comparative.
Right.
And I think that's how, when you're talking in the daily laws of power, that's, that's kind of how, in different words, how you describe like your life's, you know, your life's gift, your life's work, your life's path.
I've always liked old books myself.
So, you know, I read a lot of books of philosophy,
et cetera, history, but I also read books
of famous Zen classics.
The 20th century books, I'm not so sure,
but I'd read like something from the 11th century
where the thought process is so different,
but it's timeless, it's human. Man, it is so beautiful, it so sparks these ideas that he
or this writer, this thinker was dealing with the same things now a thousand years later,
but they still strike a truth, but it's in this language that's very weird and primitive and
barbaric. I don't know why that excites me so much.
It's the same idea that a modern writer might write.
But put in the words of somebody a thousand years ago, it suddenly touches me.
Yeah. Can you explain that, Jay?
I mean, I don't know if I can.
Apart from the fact that you've reincarnated and you had some connection to it.
But can I explain it?
I can't explain it, but I can I can reflect on it. I mean, I find that there's a part of it that that writer or creator may never have known
if anyone would ever read it.
And so that privacy and that secrecy and that intimacy with their work,
not knowing that it would ever be viewed, seen, read,
broadcasted.
That has some power to it.
Yeah, there's a humility to that.
Whereas now people, right, we're expecting all these people to be reading it.
We do it for the attention.
Yeah.
It was much different back then.
Yeah, that's very interesting.
I never thought of that.
Yeah, I've definitely found that I try and re yeah, I try and sit with
ideas for longer now and try and kind of, I'd love to know your process for that.
How have you managed that since that moment of where you became quote unquote
successful because externally, because of 48 laws, how did that change your
creative process?
How did you hold on to the, the roots of this kind of thinking?
So after the 48 laws of power came out and it was successful,
I was at a turning point in my life.
And it's a turning point that a lot of people I think have faced was,
do I just continue redoing the 48 laws of power?
It was successful. It worked well.
Why don't I just write the 48 laws of power
part two it'll bring in money it'll bring in attention I'll just riff off what I wrote there
and something about me was not comfortable with that it seemed cheap it seemed easy and it seemed
lazy and I know myself that if I'm not challenged by something different, I grow bored.
So I have to write something that feels like there's energy behind it.
There's anger. There's love. There's something powerful behind it.
I have to feel it or it won't be in the words.
So if I'm just doing the 48 Laws of Power Part II, it won't be there.
It'll have an emptiness. And damn it, a lot of artists and writers fall into
that trap. And it's why their books kind of have this sort of
hollow ring to them. Right? They're just going through the
motions just repeating what worked before. And I can't stand
that feeling, I have to feel like I'm off into a new land if
with this new book. So each book has to represent a challenge, right?
And so the one I'm writing now is completely different from all seven of the other books,
and it's an incredible challenge, but it makes me excited about every day because I know I cannot
repeat the same kind of books over and over again. My soul becomes dead and I have to feel alive with
each project. Am I answering your question?
I keep feeling like I'm not answering your question.
You are, you're totally answering my question.
I'm loving these personal answers.
No, no, I can resonate very deeply with that as well.
I always try and write about something that I'm working through or struggling with,
whether it's personal, whether it's with clients, whether it's with someone in my life,
friends, family, like it feels alive.
It needs to feel alive.
Yeah.
I can't write from a point of theory or knowing, like the book has to be a discovery.
Exactly.
And I've only just started my journey.
I've only written two books, but as I'm hearing you, I'm happy to that.
I feel that I'm thinking about it in a healthy way because yeah, I was, I was
about to write my third book and the topic everyone
wanted was so predictable and expected and it made sense.
And I was like, I don't want to write about something that makes sense.
Like that's boring.
I could say, I want to write about something that feels like alive in my life
and electric and makes me I'm like now that I've chosen, and I will tell this
to you later, but I've chosen my next topic and I've just been like writing
notes about it, I'm reading about it. I'm seeing connections.
That means it's going to be a great book. Yeah, it just, it feels, I mean, it's harder.
It's harder because you don't know. So you're spending more time. Like we said earlier,
you're spending more time with emptiness because there's a sense of, well, I don't know which
direction this book's going to go in. So it's that comfortable with discomfort and uncertainty.
Yeah.
But there's a joy in that.
Yeah, very much so.
Yeah.
When you're discovering your process through a book or work,
how have you learned to become comfortable in the discomfort of creativity in that,
like you don't know where the path is going to take you, don't know
if it's going to land or not. You don't know if it, like how are you grappling with that
process of what we're discussing?
Well, it's very strange because I'm dealing with it right this very moment. I'm writing
something that's driving me crazy. And the very subject I'm writing about is about what I'm going through.
So I'm writing it, this is in my book on the sublime,
and I'm writing about the concept of the daemon.
Are you familiar with that?
It's the idea, it's an ancient Greek idea, but it's in many other cultures,
that we have a second self, that there's something,
there's a voice inside of us that is guiding us to something
higher or better, but it can also lead us to something lower and worse.
It can be demonic, which is where the word comes from, or it could be something.
And Socrates had his daemon, there was a voice inside of him.
And it said, it always just said, this is the right way to go, or this is the wrong
way to go. Nothing more than that. Right.
And so when I'm writing, it doesn't feel right.
It's driving me crazy.
And I'm doing through this right now.
It doesn't feel right.
It doesn't resonate.
It's not truth.
It's not real.
You got to start over.
You got to do it again.
And the back of my mind, I'm thinking, God, I've lost it.
I'm getting old and I just don't have my mojo anymore.
But then I realized I've gone through this like 85 times, every single book.
It'll come to you. It'll come back. It isn't right because it doesn't feel right.
It doesn't resonate. It hasn't have a reality to it.
So I have to go through this process where I write something and it excites me
and interests me and it just flows out of me
as opposed to like I have to pull every word out.
And so I learned to trust myself
that eventually I'll figure it out.
But each time I hit that wall, I go,
this is it Robert, you're finished.
The book isn't gonna come out, you're done.
The wells are dry.
Yeah, that's so interesting.
I feel like that is every creative's journey.
Like it has to go through that.
The wells are dry, as you just said, that kind of experience of that's it,
it's over, there's nothing else coming out now.
You know, and, and it's almost like we, as, as we know, like the cliche of like,
it's on the other side of that feeling.
Yeah.
But it's, but it's true that there is a sense of when everything is just not
making sense, how have you learned to sense whether something feels true to
you, because it obviously felt true to someone.
How do you decipher between, oh, this feels true.
It feels real to me, even if people don't agree with it.
Because it just feels that way.
It's purely just a feeling.
First of all, it like...
I'm always trying to get at what's real and not at what's theoretical.
I have a real dislike of abstraction for its own sake.
Right? It feels like it's a way of eluding something.
It's an evasion. I want to get at the core and
the reality of what I'm trying to write about. And so when I get it, I feel it and I know
that I've done that. And I have the reader in my mind and I know the reader can connect
to it, it's going to have a personal appeal. Whereas I have a tendency to be abstract and professorial and theoretical.
I cross all of that out. If you saw my notebooks, 95% of it's crossed out
and I don't let the public ever see that side of me because I don't like it.
I want my books to feel like I'm hitting something that's actually truthful and real
that people don't like to talk about kind of thing.
You know, so right now I'm writing about what is ourself, what is the sense of self that
we have in our world.
It's a very limited idea of the self.
We have a very limited idea of our consciousness.
We have a very limited idea of what it means to be a human being in the 21st century.
We're actually much more immense and much more interesting
than we think we are.
We have these possibilities, these connections, because we're a part of something incredibly
vast and to have consciousness is absolutely an astounding thing.
So I want to sort of expand what you, the thinks of who you are what yourself is it's much larger than you imagine
But I have to it convey that in language that feels right to me that feels authentic that feels like
everybody in
Africa in China in in India in Idaho is gonna be able to relate to it, you know
Yeah, no, no, for sure.
And that's, I think that's what I was alluding to with that invisible world point of like how
that's what we don't see.
Like there's so much to ourself that we don't see that we're fully unaware of that we don't have,
we don't realize we have access to.
Right.
And yeah, finding the right terminology, I find to be such a, there's one word that I love, which is a bit more ethereal, but I guess an astronomer could find some beauty in it.
But there's a term in the Vedic literature is called antarakash, which means inner sky.
Say it again.
Antarakash.
Antarakash.
And Akash means sky.
Inner sky.
Yeah, inner sky. Beautiful.
And it's this idea of how, you know, we're so fascinated by outer space,
but there's that same inner sky that exists.
So just like the galaxy and the planetary systems and everything else that exists internally too.
Oh, I have to...
But there has to be a, just as we have to go and do space exploration,
you could do the same internally.
Oh, for sure.
And you discover so much.
That's exactly what I'm writing about. That's very interesting.
And it's fascinating.
And so, yeah, I find language as well.
I find vocabulary so needed.
And I feel like I grew up with a smart vocabulary, but not the biggest.
And I feel reading of course expands that.
And especially when you read history and other books.
And I found that language is just so powerful.
And I worry that social media exposes us
to such limited language that the brain and the mind
and the consciousness doesn't have the opportunity
to be expansive because the words don't allow for it.
If we're all reading the same memes and the same trends and the same hashtags,
and it kind of just creates this very, very limited space of consciousness.
Well, that's why I like looking at other languages. I've, I've
speak several other languages and I'm constantly learning them.
And I'm right now, I'm reading a lot about an African culture called the Akan in West Africa in
Ghana.
And they're concepts of the soul, the spirit, and the body.
And they have a word in there called sun sum.
And we translate it to spirit.
But then I'm reading the African philosophers who actually know that word and they go, it's not the same as the word spirit and then they go on and describe it.
And that one word contains all of these other worlds that are so weird and interesting
that the word spirit in English does not convey, right?
And other languages have that sense.
And so language can have that possibility where it opens up.
It's not just this, you know, this one track meaning it has other
balances, other possibilities to it.
Right.
And so, yeah, we're kind of deadening our language in a way.
And, you know, if you study like other cultures, you know, Eskimos had like 1,000 words for snow, and we have one
word.
Russians have like 40 words for the color blue, and we have one word kind of thing.
As the language gets smaller and smaller and more uniform, our thoughts become more and
more limited in uniform. So to know here a word like inner sky, it opens up all these other ideas in your mind.
Whereas we don't have a word like that in English, you know?
And then because I'm doing things with Zen Japanese language is so rich with things that we can't possibly even begin to express in English.
So, yeah.
What have been other ways of people opening up their minds?
This has been something, one of my favorite things to do.
I remember reading a quote from Robin Sharma years ago that said,
ordinary people have big TVs, extraordinary people have big libraries.
And it was one of those, you know, little dreams I had.
That was like, one day I have a home, I'm going to have a big library.
And that was one of my most favourite things to kind of put together when I moved here.
And I started spending more time in, when I would travel, I've always collected books, I've always, and, and I
started also collecting, expanding my audio library.
I realized as I grew, when I was growing up, we listened to a very limited form of
music in my home.
And even as growing up as a teenager, I listened to like one genre of music.
What was that?
Uh, rap and hip hop.
Like that was, and again, I love rap and hip hop.
I love rap and hip hop history.
It's super cool. I have no issues with it I just think that my audio library was so limited in my teens
that now that I'm in my 30s I'm now listening I'm trying to listen to so many random different
things which again inspire different thoughts different feelings different emotions and so I've
realized that vocabulary was one thing audio has has been another thing. What are other things that you've discovered
that help open up that consciousness in mind?
Because as we both keep referring to,
social media technology is almost making us more limited,
more singular, more one-dimensional.
Well, as I said, it's something I'm writing about right now.
So music and the audible stuff
is very, very interesting,
very exciting.
So this is new phenomenon where musicologists
have been able to recreate music from eras
that we never could listen to before.
So I was writing at one point
around a festival in ancient Greece.
And to put me in the mood,
I wanted to hear ancient Greek music.
Well, that doesn't exist.
I mean, there are no recordings of it,
but sure enough, there are.
And the rhythms and the sound is so weird and alien
that it makes, music captures the spirit of a time, right?
So if we're only hearing these same melodies,
you hear cars going by with that same kind of pop song.
It's such a limited circle of harmony,
such a limited circle of what music can be.
But when you open up to African music,
to music from ancient Babylonia,
to Greece, to music in South America, other rhythms,
other poetry and music and sounds.
It's mind blowing.
It's interesting.
So that's what I'm saying that the human animal is much more interesting than we
think it is reading about ancient cultures is a very mind expansive,
um, project you can go on books you'd recommend in that regard?
You know what's so exciting now is they have these books called The Daily Life In.
The Daily Life In Ancient Babylonia, The Daily Life In, I forget which city in India, The
Daily Life In Ancient Greece, et cetera.
And you get a feel for not just the grand philosophical issues, but how people ate, what their houses were like.
And so, so I was writing a I just wrote a chapter
about our relationship to time and history,
and I was trying to take the reader in my new book.
I'm giving them exercises.
And I'm saying, try to imagine yourself in a world a thousand years ago, and you walk out your front door.
There's no mechanical sounds. There's no airplanes. There's no cars. There's no machines.
It's just birds, maybe a saw and a hammer is the most you're going to hear.
That's a strange thing. There are no signs, there are no advertisements,
there's no words everywhere, it's kind of empty, right?
You're just wandering around. There are all these kind of rancid, weird, horrible
smells because people aren't bathing. There's no, but they're very human
smells, right? Your whole sensory experience is on
another level. But when you live in this 21st century world where things are so sanitized,
where we don't smell these things, we only hear these packaged mechanical sounds,
your sensory world is shrinking down and down and down.
And you realize, yeah, ancient world, they had some bad stuff.
They weren't very good. They had slavery.
I understand all of
the negatives. So I'm not painting this portrait. But on another level, their realm of senses,
their realm of language, their internal worlds were far richer than ours. And by connecting
to that, by reading these books, by reading books, not just the daily life thing I said,
but actually text from those times.
As I was mentioning when I read a monk,
a Zen monk from the 11th century
and the different thought processes,
it opens my mind to a different way of thinking,
to a different way of accessing reality.
But like I'm reading a lot about Aztecs
because I'm sort of obsessed with the Aztecs.
I don't know why.
And they had these amazing spectacles.
That was the thing about the ancient world, these festivals
and spectacles that are far beyond Burning Man or any rock
concert, right?
I could describe the fire ceremony in Aztec culture
that only occurred every 70 years.
There is nothing you can ever imagine in your life
that would be like that.
It is so utterly spectacular.
And so I have this 800 page book called Aztec Philosophy.
And it's very theoretical, but God,
it gives you an entree into a totally different way
of thinking about the world, right?
Where they have these metaphors that the universe has this energy, some of the energy is like
string that's being wound around in a certain way.
It's like weaving like other things like that, this kind of energy that the world has.
Wow, this is fascinating.
Our ancestors were actually thinking, but they're not. Wow, this is fascinating. You know, our ancestors were
actually thinking, but they're not our ancestors, they're us. It's a human being. We're all
human. We all have those same kind of consciousness.
Yeah. You know, I love also finding things in cultures that match, but are in different
languages. And so, so I went to Hawaii a few years ago, which obviously for someone who
grew up in London, it's not normal.
People in America or LA travel to Hawaii fairly often.
I went to Hawaii and, or not often, it's more accessible, but I went recently and my wife
and I went on one of the tours there and they showed us the paragraphs, which are there
obviously like markings and storytelling technique and tool.
And they were showing us how when a child is born they used to place the umbilical cord on the ground
and they would then draw a spiral around it.
And that would be seen as a place that the child could always come back to
to feel the energy and reconnect with the Earth.
How exciting!
And I was thinking that's spectacular, I wish everyone felt this connected to the Earth.
And then we would go out every morning on a canoe.
I forget their name for it, but they had their version for it.
And they would pay respects to the sun and the ocean.
And we would take part in this ceremony with them.
And in India, there's something known as Surya Namaskar,
which translates to sun salutation.
Sure.
Which, again, I've talked to Andrew Hooperman about this.
It's like kicking off the circadian rhythm,
but the goal is you pay your respects to the sun for everything it offers to you
and the energy that it provides.
And so to see that in Hawaiian culture, Indian culture,
and then I was in Bhutan recently.
I went on a trip to Bhutan, which I'd always wanted to visit.
And this is a culture that really feels like
you're going back in time.
You walk out there and it feels like what you just described a thousand years ago.
Where is Bhutan? Is that New Pakistan? Bhutan is landlocked between India and China.
India and China.
So right in between.
Where they're having their tensions, the kind of wars that's going on a little bit.
Bhutan doesn't have a war, no.
They don't even have a military.
It's not part of their culture.
Wow.
They believe in, they're a Buddhist nation.
Is it a Buddhist nation?
Yes, yes.
And their practices are very protected.
Their culture is very protected.
Like everyone's generally still wears the cultural dress.
How exciting.
It was spectacular.
There's no, there may be a couple of these now,
but until very recently, there's no malls, no cinemas,
no restaurants, like completely.
And it's beautiful because it's just hills and mountains.
They believe that the forest will always be 70%
of the landmass because they believe they're sacred.
You can't trek up to or ski on any of their mountains because they're sacred.
They protect them.
So there's a re and you almost, I almost felt like what you just said.
There's no signs.
You can't hear anything.
There's no machine.
Really?
Like it really does feel like that.
And we all, all of us who were there experienced this sense of slowness that you don't experience
anywhere else.
Not in a bad way, in the mind, the gravity almost of this space was really, really powerful
to experience.
That's very exciting because you can go out into nature, into the mountains and you can
feel that.
And you can feel like this is what it was like 2000, a hundred thousand years ago.
But we don't have that feeling with human things because every city has its
Starbucks, its malls, its generic culture that we've transported throughout the
world. So to have a place where you can actually go back in time is fantastic.
But I wish it wasn't so far away.
Yeah, it's fine.
It's fine.
It's worth visiting for anyone who wants to.
It was a really special trip, but you're right.
The generic culture is the right word.
Actually, there's a, every street looks the same.
Every area looks the same.
You, you lose, I know there's a lot of passion behind local
businesses and it's healthy. People want to support local business. We need more of that
because the generic culture really takes away from like you expect. I mean, I was in India
just recently on the way back and it's like there was a Tim Hortons like right there.
What? A Tim Hortons, which I think is like popular
in Canada or somewhere like that. Never heard of it.
Is it popular in the US Tim Hortons? No, it is like popular in Canada or somewhere like that. Is it popular in the US, Tim Hortons?
No, it's Canada.
All right, my wife was telling me about it, but it was just one of the, it's, it's, and
then there was a Starbucks and then it was the same, the same thing.
And I was like, I'm in India.
Like, you know, like, I don't not expect it, but it's, yeah, it's the generic, it's what's
made the brain so dull.
It has.
Yeah.
Yeah. We're becoming homogenized.
I mean, I like going to countries like Mexico because there's still pockets in
Mexico where you can feel something of another, of a very different culture.
You know, it's only in small little areas, but it's very exciting.
It's nothing like Bhutan, but you can still get it a little bit.
You know?
Yeah.
Rob, it's been such a joy talking to you today. And as always, I love how we just it a little bit. You know? Yeah.
Robert, it's been such a joy talking to you today.
And as always, I love how we just get lost.
And this is what I wanted.
I was, I was craving a authentic, real connection
of where both of our minds were in this moment.
Okay. Yeah.
But I want to end with a few,
solid, fast paced questions.
We call this the fast five.
And I probably did it with you last time. So I'm going to change it up this time
for you.
I hope my mind is fast enough to keep up with you.
So you have to answer the questions. It's more like the
final five, you've got to answer the questions in one word to
one sentence maximum. So Robert Green, these are your final
five. The first question is, what is something you had wish
you'd learned earlier?
The piano.
I mean, I know you were probably thinking about something about life, but I love music
and I wish I had learned the piano when I was young.
Do you still play?
Do you play now?
No.
No, okay.
Second question.
What is something that you used to be sure about, but that you now are less sure about?
I guess a sense of right and wrong or good and evil.
When I was young, I had a very strong sense of it.
That's a great answer.
And now I'm not so sure about what it is.
That's a great answer.
Question number three, if you could go back
and live in any age, I'm thinking you're gonna say
the Aztecs, but where would you like to go
and where would you wanna live and what would you ask?
I would go back to the Paleolithic era
and our earliest ancestors,
because I'm fascinated by their world and what they were like.
So the Paleolithic 20,000 years ago, okay?
And I would like to know about their religion, their spirituality.
I'm interested in origins of human consciousness.
Have you read any books on that?
Yes.
What would you recommend if someone's...
It's the subject that was just my last chapter I was writing about.
Wow.
The origin of language is the origin of human consciousness.
Wow.
It's the same time that there were the cave paintings, right?
The famous cave paintings in France, but they're all over the world.
Aborigines, et cetera.
And that was the beginning of symbolic consciousness.
Yeah, there are all sorts of books written on that subject.
Amazing.
Question number four.
If you could have three people over at your dinner party, any three people you
choose living or dead, who would they be?
Well, it would be Friedrich Nietzsche, because I'm reading a biography of his
right now that's unbelievable.
The other would be Buddha.
Why not?
And then the other would be a very odd mix of people, so I don't know if they're going
to get along.
That's a good pie, though.
Yeah, I'd say, Socrates and let the fur fly.
Fifth and final question, Robert.
I find these stressful.
They are stressful.
Something you're trying to learn right now.
To be more forgiving about myself because I'm extremely unforgiving.
With yourself? Yeah, not easy. It's not been my life pattern. Where did the
pursuit begin and why is it a worthy pursuit? Well I think because of my
upbringing I always had a feeling of never good enough, I'm never smart enough, I'm not doing enough,
I'm not a good enough person and I internalize that.
And so it's probably partially led to my stroke,
probably makes me drive myself too hard.
And so sometimes I just have to be more forgiving.
So instead of thinking, God, I'm never going to write anymore,
that the well is dry. The forgiving aspect is Robert,
you're tired, you're exhausted, you're doing fine. It's going
to come. It will come. Just trust it. So it's kind of like,
you know, being indulgent towards yourself. I can be indulgent towards other people, but I of like being indulgent towards yourself.
I can be indulgent towards other people,
but I can't be indulgent towards myself.
So just learning to forgive myself for not being perfect
and for not getting exactly what I want in life.
It's the hardest thing for me.
That's beautiful.
It'd be very good for my health if I could ever get there.
That's beautiful. Thank you, Robert. You's beautiful. It'd be very good for my health if I could, if I could ever get there.
That's beautiful. Thank you, Robert. You're welcome.
Everyone, Robert Green. I hope you enjoyed this episode of me and Robert truly just having a
genuine passionate conversation about things we love. Please share on TikTok, on X, on Instagram,
on Facebook, whatever platform you use in the YouTube comment section, what resonated with you,
what books you're gonna read, what you connected with,
maybe some of the creatives out there
who wanna shift the way they think,
or whether you got some great insights
on what are strong and weak character points.
I wanna know what hit you, what resonated with you,
and thank you so much for listening and watching,
and thank you again, Robert, for your time.
Thank you so much for having me, Jay.
Your presence and energy, so grateful.
As usual, I really enjoyed it.
Thank you, that means a lot.
Yeah, we go on for hours.
I know, truly.
If you loved this episode,
you'll love my interview with Dr. Gabor Mate
on understanding your trauma
and how to heal emotional wounds
to start moving on from the past.
Everything in nature grows only where it's vulnerable.
So a tree doesn't grow where it's hard and thick, does it?
It grows where it's soft and green and vulnerable.
Guess what, Will?
What's that, Mango?
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