SmartLess - "Bryan Cranston"

Episode Date: January 11, 2021

Bryan Cranston, aka 'the man with two fake-fingers,' joins us this week for some jolification on the pod. An unbelievable talent on-screen and behind the camera, Bryan talks about his early life growing-up, his colorful journeys through Hollywood, and he even gives us a taste of his Vince Gilligan impression. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Happy New Year's to everybody from us here at SmartLess. Every week you already know the drill. One of us brings a guest and the other two don't know and then they're everybody surprised and then when we talk to them and then basically just try to get to us making fun of Bateman. Anyway, it's SmartLess. You're listening to it. Let's go. Smart.

You want to do a snap so we can start chatting? I think our guest is already ready to rock. Good. Let's do it. You start. Have fun. We are rolling. Be safe.

We were already rolling. We better have been rolling on that, Rob. Yeah, sure. I don't think we can't afford to clear... That's a wham song, isn't it? No, that's Band-Aid. Oh, God. Band-Aid.

Do they know it's Christmas? Do they know it's Christmas time as a wham song? Wait, but wham? Wasn't wham in it? George Michael was... Andrew Ridgely was not invited. He was not? How do you know?

No, but Magier was in it, Abano was in it. Bob Dylan was in it. He just sold his records. Bob Dylan was not in it because he did the American one. Oh, no, that was the... Yeah. So that was Live Aid, right? I don't know.

That was Band-Aid, which was the precursor to Live Aid. That was when they did the Christmas song that was put together by Bob Geldof, Sir Bob Geldof to you. Sorry. Name the band that Bob Geldof was in, five, four, three, two... Pink Floyd. Boomtown Rats. God, God.

When did you become such a music dork? Boomtown Rats' biggest hit, Tell Me Why, I Don't Like Mondays, Tell Me Why, I Don't Like... Where does your album drop, Will? It already dropped, and then it smashed. It dropped and smashed all over the... So there was Live Aid, right? Which was the Quincy Jones...

No, wrong again. Wrong again. Band-Aid was the first one was, Do They Know It's Christmas? Then the Americans did that with Quincy Jones put it together. We are the people. We are the world. Bruce Springsteen famously showed up at a... I'm brand new to the planet.

That was the Constitution. That was a little earlier. That was a little earlier. That was a little earlier. That's a great song. The Constitution is a great song. Oh, it is such a good... Yeah, that's jazz?

Sure. The Constitution. Few... But then they did... I watched Live Aid, and here's another great fact about Live Aid. It was both the American and the English version were opened by... Anybody know? Phil Collins opened the one in London, then he got on the Concord Flu to Philly and opened

the one in Philadelphia. Hmm. What do you mean? Opened this? Like, was the opening act. Oh. But needed the Concord to make that curtain. To make up the time.

Yeah. Yeah. Hey, why didn't they stop making the Concord? It was always my dream as a kid to get out of that thing. You could get over to London in like two seconds. I know. From what I understand, the operating... Kind of like brands operate those huge flagship stores.

They don't make any money, like on 57th Street or Fifth Avenue, they don't make any money, but they're good for the brand. That's kind of what the Concord was to Air France and British Columbia. Jesus Christ. I know. Like a fire hose. Did you take a smart pill this morning? I know.

Or are you back on Coke? Yeah. Fuck. Shut up. Do you not want answers? Jesus Christ. I did fly on it twice. It was quite nice.

Did you? The first thing was... What was it like going through the sonic boom? You know, it actually pulsed. There was like this like little pulse every like 30 seconds. Is it like accelerated and went through these speeds and it descended at a really steep, steep angle, I guess, because I had to keep up that speed as long as they could before they came down.

I don't know. That was like a dream of mine to do that as a kid. That's so cool. You got to do that. Let me tell you what a dream is. Is our next guest. I don't see you're pulling up something else to bore us with. Is it about...

Is it still loading? No, we're just looking up the Concord crash. A few people did... Yeah, just a few. But anyway. Huh. Look at that. Not just...

I never said just a few. Are you still reading? Can we carry on? Can we just start now? Giving us something to tighten up in the edit? Yeah. Will, still there? I'm still here.

I'm right here. Let's just go. Sean, this is what Coke does to you. I'm looking at it all the time. You can start to just obsess over something on your phone. What are you? A Coke expert? Jesus, look at this guy.

We brought in a Coke expert. Guys, listen, tighten up. Let me pull up my notes. Oh, Jesus. Yeah, I do a little bit of research when I invite somebody. Don't say it. So pretend that you know what you're talking about. No, I don't want to trick anybody.

All right, now listen. This week's guest is a little something different for us. While, yes, he is an actor, he hasn't always been one, okay? Started out as a political science major. He then became a young cop in training. He then became a motorcycle vagabond. He then broke into Hollywood playing beloved characters such as Zordon, Dalton, Snizzard, and Walter.

He's an amateur pedicurist. He has only one real eyebrow and three fake fingers, men. It's Brian Xavier Cranston the fifth. I didn't know a lot of that. Three finger, what are you talking about? Three fingers. Look how real they all look right there. He didn't just, yeah.

I believed you. I believed you when you said three fake fingers. I only have two fake fingers. He fibbed. Damn it. How are you guys? Oh, Brian. Oh my gosh, it's so nice to see you.

Brian Cranston, how are you, man? Yeah. I'm okay. I'm doing well. I'm excited to be on this smartless show and I can't think of three more smartless guys. Thank you. Between the three of us, we can get one good thought together.

Right off the bat, Brian, I want to say, first of all, we're so, gosh, honored to have you here, Jason. What an incredible guest. This is a classy guest here. We don't know each other well, but we've met many times over the years in the hears and there's, and you know, you're one of those guys. You're such, I don't want to embarrass you. You're such an incredibly talented guy, and I mean that because you can and have done

it all. You're super funny. You're a super great actor, and you've done it kind of seemingly, you've just kind of done what you wanted. Does that resonate with you? Do you feel like you've done kind of what you wanted? I was waiting for the third thing, the incredibly handsome part, I guess. That goes without saying, man.

Okay, go. Come on. He put that in the chat window. Did you not, you didn't read that? Yeah. He put it in the chat. You know, maybe when he starts texting you in the middle of the interview. But I mean, I do mean that you are handsome.

Sorry. Did I not mention that? Yeah. No, but I do mean that you really have done so many different things. You have so many different gears, and it's so admirable. And do you, again, go back to my question. Do you feel like you've done it the way you wanted to do it on your terms? Hey, well, all of us began somewhere.

And when you first started out as an actor, I mean, you- Just so you know, short answers, Brian, short answers. Some of us are pricks, and some of us are really nice people. Good. There you go. You know, you just learned to say yes right away, because you want to pay your rent and pay for your pictures and resumes in those days and classes and stuff. If you get lucky, like we all have, one job begats another, begats another, and all of

a sudden you're in a position where you kind of have actually a little say so in your destiny. And you know, that's a really lucky break for any actor. I think so too, because a lot of people don't like the word luck. I think I completely believe that a lot of it is luck. But luck, there's somebody, there's a smart saying that I don't have right now, but it's- But butcher it. Feel free to butcher it. Yes, you guys will probably straighten me out.

But something about like, luck comes to those who are prepared, something like that. When opportunity meets your preparation, that's- Yeah. Yeah. Luck of, yeah. Oh man, that's amazing. I'm going to get that printed on some plates. Yes.

And then break them. We get so much cover with our title. You know, we can just be as dumb or eye-can as I really am with SmartList. Now Brian, in the incredible research that I've done for this interview, I did stumble upon sort of a kindred experience with our upbringing. A, you grew up in Canoga Park and I was just up the street in Woodland Hills. But B, you had a father, I don't know if he's still with us, mine is, but that was also in the industry and had something short of overnight success.

And I'm wondering how that affected your commitment to your career, to your ambition. Did it give you rocket fuel or did it worry you? It gave me great pause actually because my father led by the ideal that he was destined to become a star and when he didn't become a star, it really destroyed him and through extension it destroyed the family. My whole family just blew up when I was about 11 years old, 12 years old, went to live with my grandparents, we were foreclosed on our house and so this little house in Canoga Park where my mom and dad raised my brother and myself and my little sister, which was home

and which was a sanctuary for us, all of a sudden was non-existent with a big red sticker on the door, foreclosure, bank honed, get out, it was like a scarlet letter. How old were you about? I was 11. And my dad always was working, wasn't working, he had a job, he didn't have a job, he had a good year, a bad year. I remember one year we got a pretty new car and then the following year we got rid of that car and got a really old car and then one year we put in a built-in swimming pool

which was fantastic. The next year I remember my mother saying we couldn't afford the chemicals to swim so it turned out to be this pond of mosquitoes. Everything you're saying is exactly painting, breaking bad, chemicals. So that didn't drive you to study a career that is a bit more of a meritocracy as opposed to something that is left up to the decision of a sometimes unpredictable audience? Yeah, it did. Well my dad was gone, I didn't see him for at least 10, 11 years.

And so with that vacuum I kind of got attached to the idea of law enforcement because in those days, I don't know if you're old enough to remember, I'm older than all of you, but they used to have career days at high schools and they used to take over the gym and have military and firemen and the gas company and everybody represented and one of those was the LAPD and so I thought, wow, that's an image of a masculine man and so that looks like the right thing to do and they're in control. So I started kind of wondering about that and I became a police explorer and I did really well out of 116, 16 year olds all throughout Los Angeles, I graduated first in the class.

So that told me, well, this is what you should do then, very pragmatic. So I got involved in it and I went to Valley Junior College to start studying it because we had no money and then I was going to transfer to UCLA with this police science degree and then go into the LAPD, that was my whole plan. Second year of Valley College, my counselor says, you need some elective courses. So I took, oh, acting, I did some of that when I was a kid, my dad was an actor and I did a couple of commercials and things like that. That sounds like fun, let's do that.

So the first class I got into was a black box theater and the teacher who was over this whole thing and we're teaching these young kids. So he's handing out these scenes, you two read this and depending on who you were standing next to, that's who you're reading partner with, you two read this, you two read this, you two read this, go. And I looked down at the page, very nervous and it said, a couple is making out on a park bench. Oh my God, I looked up and I saw the girl I was supposed to read with and she was really

cute and I thought, oh my God, oh my God, oh my God, I'm 19 years old. If you tell me that's your wife, I'm going to freak out. It's not my wife. It's your wife, Jason. What? It's your wife. We'll be right back after these messages. She was amazing.

Oh, she was amazing. I agree too. Guys. By the way, it should be noted that Jason's so nervous, he has career day on the set of Ozark once a week. I mean, this is how nervous he is, okay? I don't trust employment in this business. Wait, Brian, I want to know like family questions.

So how did your mom raise you? Where did your dad go when you guys finally reconnected? What was that like? It's kind of sad. My mom started drinking and married four times and had numerous boyfriends. She was kind of like Blanche de Bois and put all her attention and effort and energy into the attention of men. And my dad remarried and went off and, I don't know, they were drinking a lot and probably

doing some drugs and it was very unstable. So we just stayed away for a long time. And you were with your grandparents at this time? I was with my grandparents for a year. Then I went back and my brother and I lived with our mother again, but there was bad influence. And so by the time I was 16, I was pretty much on my own and trying to figure things out. I mean, the obvious question is why are you not, you know, holding up liquor stores right

now or incarcerated or, I mean, why are you so high functioning? Because I'm out on parole. Why are you so balanced? You know, you strike me as a very kind man that's probably a really decent onset and probably a great family man yourself. I mean, is it just because you had an opposite model to look at and basically I'm just going to go left where everything else went right? Yeah, that's it.

It's like, okay, so that example didn't work and neither did that one. So don't do either one of those things. And you know, it's not the thing I would wish on anyone else and I wouldn't give that to my daughter. I've been married now for 31 years and we have a 27 year old daughter and life is good. And yeah, Jace, what you said is right is like you learn from your parents, hopefully it's good things and sometimes it's the opposite of that and so you have to just kind of forge your own way.

Can I just say as the sort of the outlier to these kinds of backgrounds, the three of you what I sort of what I've noticed is the three of you have stories that are not dissimilar in the sense that you had moments in your younger life. There was a lot of sort of trauma and familial trauma, et cetera. And all three of you guys and Brian, I'm just sort of just finding this out. All three of you guys kind of went the other way and I think that that's really interesting. Jason, you have gone since the day I've known you, you've always sort of sought out having a really firm, solid family life and in a home life and you settled down once you kind

of got to a certain age and you sought that out and Sean, you too, you have a very- I was in the circus. And you still sort of are. Let's be fair. No, but you also have, you know, and all three of you guys, it's funny to see three guys who had a lot of adversity at a young age dealing with problems and issues that aren't necessarily appropriate for 11-year-olds or 12-year-olds. It's a lot to take on.

And don't sell yourself short either, you know, you will grow up in a house where you never had to fold any clothes at all. You know how to fold a shirt and run a load of wash now, right, in the last couple of years. Look at you, you can load a dishwasher now. Because it was always taken care of by the magic people, but the point is. Every morning you just show up, how did these get folded, mama? That is, listen, let me just tell you something.

When I was at boarding school, I don't want to get into a back and forth with you, Bateman. I'm fascinated with what happens in a child's brain that makes certain kids turn on and become self-aware and know to make those opposite decisions that were presented to them in a negative form. Why do some kids go left like Jason said instead of right or vice versa? Why is that? Yeah, because it also speaks to the sort of nature versus nurture thing. You know, if it is nature, then I am pre-wired to repeat some of the same challenges that

my parents went through. And if it's nurture, I'm also perhaps predestined to go those directions because this is the kind of parenting that I'm getting. Now, having said all that, I had great moments of parenting from both of my parents. But thankfully, I had somewhat of an ability to kind of cherry-pick the best moments of their parenting and eliminate some of the things that they probably would admittedly do a little bit differently today. But Brian, when you were 11, this is not a typical conversation on our show.

This is probably about as heavy as we've ever been. Jesus Christ, Cranston. You really killed our vibe, Brian. We're going to get into his tequila company in a minute here. Yeah, yeah, yeah. This is going to be good. By the way, this is a great story. So he didn't turn to booze and stuff.

He just actually started a booze company. He was like, I'm going to just monetize this. No, but when you were 11, did you know that? Did you recognize that, hey, shit, this is tough or did you just kind of roll with the punches at the time? Well, you know, that's a tough age, 11, 12, when you're just starting to look outward thinking that your foundation is all set. This is mom, dad.

Oh, God, now what's out there? And all of a sudden, the rug is pulled out and everything that you thought was solid is not. So it caved me in. I became an introvert for many years, all through middle school and high school. There's probably a half a dozen people that remember who I was in high school because I was just sucked up against the wall. I didn't have any confidence.

I didn't have a safety net in anything. So I would just observe. Now, consequently, I think that actually helped me in later years because I was watching everything. Right. But somehow you managed to avoid the booze and usually that pushes people into alcohol because they're so reserved and looking for a way to open up. Yeah.

I think it's also that sense of I don't want to be out of control. There's a certain amount of safety in staying in control. And I think that's what did it for me is that I saw my parents. I was going to say, what is your fear from growing up like that, that you don't want to what? What did that make you become? Because of everything being out of control, one of your fears is not being in control. It's also looking at people doing something that perhaps you don't want to do when you

get older. I wonder how that affects like comedy versus drama for you. If you're like me, you don't really make a huge distinction between the two because neither one of us are usually cast as like the real crazy comedy guy or the real dangerous drama guy. We kind of play kind of the guy in the middle that's either getting chased by the scary guy or reacting to, you know, the idiot like Will Arnett or Sean Hayes. Right.

Hey, listen, I, first of all, I take offense for Brian on this because I remember there are plenty of episodes of Malcolm in the middle where Brian was a fucking idiot. Thank you, Will. You're welcome, man. I got your back. Such a good show. So do you really care about comedy versus drama or are you just kind of looking for the other parts of the package?

You know, I care about it if I've been doing too much of one. I care about going into the other, you know, and I don't want to be known as any one thing. I want to keep challenging myself. I want to keep trying new things and discover if I'm any good at it. But at the very least, you know, I just don't want to be pigeonholed. So when Malcolm in the middle ended after seven years, I was offered two pilots to play a sweet goofy dad. And I immediately, of course, it was no because I would be derivative of myself if I went

right into something else. You just can't. God, that's the danger though, right? Because like in the perfect scenario, the thing that you're doing becomes a huge success. But with that comes being pigeonholed as that, because now that's a very high profile thing like Malcolm in the middle was. Hi. But they're shown.

Oh my goodness. But fortunately for you, you had a preexisting relationship with Vince Gilligan. So he was able to kind of look past that and throw a breaking badger away. Yeah. It was unbelievable. You know, my episode of X Files was just an actor needing a job and going out and doing it. And then nine years later, I get this call after Malcolm finished.

And Sean, this speaks to the luck factor, Fox said, keep the sets up. We might do an eighth season of Malcolm in the middle and everybody's like, yeah, that would be great. In April, late April and early May, they called when the up front are going on. They said, no, we had a very good pilot season. Thank you guys. You did well. And you're on your own.

So we thought at the fur. Oh, that's too bad. Later that month, I get the call to go see a guy named Vince Gilligan. Do you remember him from X Files kind of? And he wants to see you about this new project called Breaking Bad. And I read it and I thought, oh my God, this is amazing. I met with him. He says, I want to turn Mr. Chips into Scarface.

And I think you're, you're the guy to do it. And I know that AMC and Sony both said, wait, no, wait, wait, wait, Walter White can't be that goofy dad from Malcolm in the middle, please, please, let's see others. Let's, you know, and he was my champion and I needed that good fortune to have someone in my corner to say, no, no, no, he's an actor. That's what he was doing then. And this is what, and so he copied off his episode that he wrote and produced on X Files and sent it to the people at Sony and AMC and said, look, this is when I met him.

So now you tell me, do you think he can do that? Wow. Wow. The in on that show is that, you know, you don't start at the beginning of it as how you end in it. You start as a very unassuming sort of passive type of almost Malcolm in the middle type of character was so that part of it is a huge fit. And hopefully, I guess they did see that that might be a nice smooth transition point and

therefore you would be perfect. Yeah. Now, what was interesting in the luck factor comes in is that we shot the pilot February and March of 07. Had we got that eighth season of Malcolm in the middle, I would not have been available to shoot that pilot and someone else would be. Isn't that amazing. Yeah, you know, listen, isn't it interesting, Brian was going to say something, just cut

our guest. Well, no, I was just going to say that it is absolutely my belief. I dogmatically believe this, that a career in our business cannot be fully realized without a healthy dose of luck sprinkled throughout. I totally agree. For sure. But what I was going to say, isn't it kind of interesting that when you start getting recognition for your amazing work and, and fame kind of just happens upon you, you're

feeling is like, well, I don't understand it. I've always been here doing my thing and it seems like everyone around you kind of changes. And we all know that recognition on a wide scale is always a good thing because it helps getting your next gig. But what was your feeling like when breaking bad because you weren't not famous because of Malcolm in the middle, but breaking bad just made you hugely successful and famous. So what was that feeling like? Did you feel like, oh, finally I got the thing that I've been after?

Or were you kind of like trying not to buy into the critics, no matter how positive or negative and just kind of keep your head in the game? I think getting back to the beginning of the conversation, I just learned to take my ability to apply the work ethic, just keep your head down and go to work. If someone taps you on the shoulder and says, hey, we want to give you a job, oh, great. If someone taps you on the shoulder and says, we want to nominate you for some, oh, wow, really? Oh, that's fantastic.

You never, ever look to take a job because you think it's going to get you nominated for something. Yeah, Jason. Well, no, with Sean as well. And now, Brian, this is the other thing I have to admit to you now that we're sitting or talking to each other. I was really, really late to the breaking bad game. And we've met each other passing through the business over the years.

I've always been so kind and I've always looked up to you as one of the most talented people in the business. And somebody's funny. You haven't seen Breaking Bad. You've got to see it. So I just watched it like a year ago, two years ago. And so this is really kind of crazy for me to meet, to see you right now again. Oh, that's good.

Because I was like, holy shit. So it's much fresher in my mind than- Here come the notes, though, Brian. Here come the notes. Here come the notes. You can be locked, Sean. If the picture's locked. Definitely locked.

Little thing. It's not a big deal. Honestly, honestly, it's just a slight adjustment. I actually want to know, when you were making that show, did you feel that storytelling kind of that satisfaction making it? Because the writing was so strong. I mean, the performances were off the hook. But did you feel that sense of like, every time you got a script going like, yes, yeah.

As we know, it's all about the strength of the writing. If it's there, then you can elevate that and really embrace it. But if it's not there, there's not much you can do. That pilot script was audacious. He's what he wanted to do. He told me, he said, I want to change the lead character from a good guy to a bad guy. And I thought, that's never been done. Yeah.

Even Tony Soprano was who he was and Vic Mackey and all these characters I came before, but to actually change a character. But without knowing how many seasons you guys were going to get, were there conversations with Vince about how you were going to calibrate that arc based on not knowing whether it was going to be a three-season arc or a six-season arc for it to land the plane where that character goes, he didn't really know what kind of angle he could put the pitch at, right? Now, that's the good thing about Vince Gilligan's anxiety is that he said, well, I don't know if they're going to let me do this, but we'll just give it a try.

They'll probably cancel us within the first six episodes. I know they will. They're not going to let us do what I want to do, but what the hell, we'll just give it a try. And the actors are the ones with the anxiety and insecure. Yeah. You know, I mean, people always ask us, did you know your show, Will and Gray's are arrested or Ozone?

Did you know that was going to be a hit? And of course we don't. You just react to something. You respond to the writing and the character and you give it your best shot and you hope. And then it turned out to be the way it turned out. And it's like, oh my God. Yeah. Brian, of course I have to ask the stock question because we're talking about the thing that

really just catapulted your career. And I'm sorry for asking it, but do you ever feel a sense of having to match it or top it? I mean, obviously you probably ignore that because you're a great person and you're a super smart person and your head is in the game and you're a great actor. But does any part of you inside just go, oh my God, this next job, it has to be as big as Breaking Bad at least. You know, when we were about to close out our production in 2013, I had that for sure.

I thought, oh, the bar is so high, I'll never be able to find, it's got to be something. And I was offered the movie Godzilla and I turned it down. You didn't think you could play a lizard? I think you've got an incredible range, Brian. Yes. You're going to be nicer to yourself. Yeah. And I said, I don't know, that's not going to work.

And I turned it down twice. And then I started thinking about it and I realized, well, wait a minute, am I being snooty about this? This is not in nowhere the same realm as a Breaking Bad. It's a completely different genre. And I loved Godzilla when I was a kid. And this is a good role and you know what, maybe that's exactly what I should do is something so different that it can't be really measured in the same way.

And plus those two passes taught you a little something about negotiating too. A little bit. A little bit a little hard to get. Yeah. The feet. And it filled a lot of gaps. It filled a lot of gaps. Sure it did.

Brian, how do you cope with downtime? Are you always like, I got to work, I got to work? You know, that syndrome of saying, yes, as a beginning actor, it's hard to turn that bus around. So just naturally, I love to act. It's really a passion of mine. I've been doing it for 40 years and it's so much fun. So when it stops being fun is when I retire.

Yeah. Brian, you've had good luck because, and also because you're very talented, but I feel the same way, I'm very not precious about doing stuff. And I've made a ton of what could from the outside be looked at as blunders, but I also don't give a shit because in the world, life is so long and so, and they're all just experiences. And I'm not, I don't feel worse as a person today because I've done some things that didn't go right. I never, I never set out to do things that were crappy.

I think you also have a great deal of faith that you're not going to suck in it. The product might be something less than what you would want it to be. But I think we all know that we don't have control over four corners of a product. You can only do your part as well as you can. And you truly, it is to me that you look at the rest of the package, who else is involved? What's it kind of going for? And the actual part itself or the prospects of success or financial growth is sort of second to what the whole thing is going to be or what you hope it can be.

Is that, is that something that, is that how you kind of factor things, Brian, or is it, is it more about the part itself? It's about the money. Yeah. Good for you. Good for you. Finally. No.

The moment that I stopped thinking about money is the moment I've started making more than I ever thought I would in my life. And it's never really been about that. As a matter of fact, I had an epiphany in one of the rounds being a working actor all through the days of those shows in the 80s. I was doing every guest star on every show, Murder She Wrote and Matlock and this and that and Gyps and, you know, you name it and all that stuff. And I kept going into an audition thinking I was there to get a job.

And then I finally realized, oh, this is the wrong way to go in. You have to go in to do a job, not to get a job. So if you walk into an office and you don't want anything from them, you're there to give them something, your energy completely changes, you're, you're coming in there with confidence and you leave them with your work, with, you worked on it and you did the audition and you walk away. And from that point on, I've never stopped working. That's the best advice.

Yeah. That is great advice for young actors because I battled that a ton. You know, you, you try to find that, that healthy indifference walking into, to a job. But man, it's so hard when you're somewhat savvy about what the prospects of this particular project could be, it's, it's tough to turn that off. Did you feel that pressure, Jason, when you were younger, like because you did, you were a big breadwinner for your family, did that ever come into it while you were going into an audition?

Yeah. Yeah. And I find that the thing that, that Brian's talking about where it's this, I'm just going to prepare this scene, this audition and just kind of do it the way I want to do it. And if they like that, then they can have that, but I'm not going to try to, to hit this invisible target and try to guess what they want because I so badly need the job. That's, that's a, it's a, it's a, it's very lucky if you can get to that place that Brian is talking about.

And, you know, it's, it's not too dissimilar from, you know, growing up and trying to, you know, attract somebody to you, you know, in school, like, you know, if you can find that sort of that sexy indifference and, you know, that kind of playing hard to get, even if it's not manipulative, if it's an, if it's sincere indifference, where you don't need this relationship, then you just become really attractive. But that's a tough line to, because then that's a manufactured indifference. Well, no, I mean, I think, that's why I'm obsessed with Jason Bateman. He won't let me in.

If you've got your room clean upstairs, right? If you've, if you've got your stuff together, then you are somewhat self-reliant in a lot of things in life. Right. And you, you kind of right size a lot of things and, and, and you don't press. I, at least that, that's my own thing. I try to apply that to as much as I can. He's the man with manufactured indifference.

He's welcome. Jason Bateman. Brian, because you're such a good, wonderful soul and you're kind and you're gentle and you are just an all around great guy and everybody knows this about you in the business. And on top of that, you're extraordinarily talented. I want to know what makes you mad. What makes, what pisses you off at work or just in life with people? Well, I, I don't, you know, if, if you are the number one on the call sheet, I, I try

to set a tone. I take out my cast, whether I'm doing a play or doing a film or whatever. And I say, all right, here's, here's what I think. I think we're the luckiest bastards in the world. So I think that we should be on time and I think we should all be prepared and come in with ideas and let's be able to feel free to have artistic frustration, but let's leave all the drama out of it. Let's go.

Let's have fun. Let's go to work and go home. Yeah. And if we can do that, that's great. I get in my car with the other cast man and be like, this fucking guy with this fucking rule. That's it. And it's like, know your stuff and, you know, know your work and be kind, be respectful.

And I'm truly mad. So how do you deal with somebody who isn't that? Well, I pull them aside. And I say, what, you know, basically, what's the problem? Is there a problem? Can I help you with solving this as a reason that you're not on time? God, you're a good guy. You're such a good guy.

Can I talk to you for a second? Just don't. Are you pulling me aside? Yeah. Yeah. What do you usually find that those people are usually afflicted with a lack of experience, a sense of entitlement, insecurity, it's usually fear, right? I've found that bad behavior usually comes from people that just don't, don't feel comfortable

at all. And then, and then you, you probably take that on as, as number one and you make them feel a bit better. Yeah. Well, it's both, you know, it's the right thing to do as a, as a person, but it's also the right thing to do for your production. Yeah. If incrementally, if every guest star comes onto your show and they feel comfortable, they're

going to perform better. And if they perform better, the show is going to be better and everything is lifted. Everybody has a better time. So, you know, that thing you talk about that kind of leadership on, on set and that kind of, there are so much I learned a lot from this guy from Jason when we were doing arrested and guys let him finish early on season one. This is true story. I don't know if you remember this and you did it very sort of gently.

I remember thinking, I had nowhere to go, but I remember being like, what's saying to the 80, first 80, like, what time are we wrapping tonight? You know, the worst thing you can do. And, and Jason, Jason, I were in a scene and he looked at me and he goes, we got you for the whole day, right? And, and it really, and it really, it really affected me and put me in my place and I understood in that moment, I got all of it. I got the subtlety and the not so subtlety of it and it changed the way my entire behavior

on sets forever. I was influenced by Tom Hanks, Jim Garner, Dick Van Dyke, these, these people who, especially Tom, I've done several, four different projects with him and, and his comportment is just right where you want it to be. He's fun. He keeps it light. He absolutely knows his stuff and everybody coming in better as well. You know, so you're playing, but you're playing within the context of the show.

And then he wraps early, everybody goes home and it's like, that was a fun day. I can't wait for tomorrow. Yeah. I've always told him I want to get a bracelet made since WWTHD. What would Tom Hanks do? Yeah. Yeah. It would fix a lot.

Brian, what would people be most shocked to learn that you're great at? I put in my 10,000 hours, thank you to Malcolm Gladwell, of loading the dishwasher. I am an excellent loader of a dishwasher. You know, I do literally struggle with that. I don't know what to do with the bowls because the bowls will take up a great deal of space unnecessarily. And if you stack them too much, you're not going to get a lot of water through there to clean that up.

So I'm tempted sometimes to put it up on the, on the cup rack, but then there's not enough room for that. How do you fight that temptation? Yeah. I just, so at that point, I just start breaking them, you know, you don't need to clean ones that are broken. Whoa. That's a little aggressive.

Yeah. So I just break them. And then, and then my wife says, forget it, you can't load the dishwasher anymore. And I say, okay. Well, that was your plan. Yeah. Yeah. The whole, oh, petulant really quick.

Evil genius. Yeah. What's a dishwasher? Very nice. So Brian, so no, no sports, no, you're not a closet opera singer or painter, no, no, no. Wow. Green thumb.

I have been known to play the drums a little bit. Oh, really? I used to run marathons. Really? Wow. Yep. I was a marathon runner. Did you ever do the Boston?

Cause you got to do a sub four. I never did Boston. You got to do sub four hour time, right? To get in there. Yeah. And I did all four of my registered times were all under four hours. No way. For you.

Of course. Now, wait, why, why did you, why did you stop? Did your trick knee act up or something? Cause it's hard. No. I'll tell you why I did it. I was on a soap opera in 1984. Which one?

You do have an incredible jawline. Loving. Oh, yes. There's a show called Loving on ABC and I was working in New York and I was one of the young knuckleheads, you know, in the soap opera days, it was like you're either a good person or a bad person. Right. And I was a good person and I was on for two years and lo and behold, right before the

end of the year, I was thinking, well, this has been a great two years, but I think I'm going to move on and do something else and I get called in the office and they fire me. Wow. It's like they didn't pick up my contract. And of course it's like someone dumping you, right? That you know you were going to dump and then they get a chance to do it first. You go, no, no, no, no, wait, wait, wait, wait, no, we can make this work. You can't fire me.

I quit. So I, I was, I was so despondent and, and felt so sorry for myself. And a day, that was on a Friday and then Saturday moped around and on a Sunday, I said, get out of this, grab a bunch of film, of course, real film in those days. And I grabbed my camera, my camera bag and I said, I'm going to go out and I'm just going to shoot all day long and just be, do something creative. And I walk into Central Park and I go, what's all this is, oh my God, is that, it's that marathon.

I'm not going to be able to take pictures. And I said, well, the first picture I took was of these two extremely fat cops in uniform. And they're- You're like what I could have been. Yes. Their bellies were touching each other, but they were six feet apart. And with a sign, runners this way, runners that way, and I thought, oh, that's a pretty good picture.

So I started taking pictures and I stayed there for five and a half hours. And I watched this and I'm watching the sea of humanity run. I'm at the finish line at Tavern on the Green. And I'm watching it. And I said, I heard myself say, I could never do this. And then I stopped and I went, why couldn't I do that? I don't know if I can do that. Why would I say I can't do it the next year I was in that race?

Wow. Good for you. Wow. Well, I think, had I not been fired, it wouldn't have happened. Yeah. Brian, have you always had that in you, because this kind of goes back to what we started with, which is you were dealt kind of a crappy hand and you made the most of it. And there's another example.

And I identify with that because I don't spend a lot of time, just the way that I'm made up. And I wonder if that's the way you are, that you had a Saturday to lick your wounds. And by Sunday, you said, get out of it and let's turn this thing around. And I understand that. I feel like I'm really lucky. Do you feel, do you recognize that that's something that you're just born with? Yeah.

I've never been a, I've never been a worrier. And I think if your stability is rocked early on, and again, wouldn't wish it, but I was more cautious and desiring even as a late teen into my 20s of setting a foundation that felt more grounded to me, otherwise I wouldn't be able to exist. So I had to find something that, a way of life that felt that I can stand tall on my own two feet without feeling like something's going to be taken again from me. So it's just developing it from the beginning. Yeah.

It's a good one. Brian, you have been so, so kind with your time today, sir. You certainly have set that solid base. It seems you were reaping all the rewards of all of those good decisions and going left instead of right. And we're all the richer for it with everything that you're, you're giving us. So keep going, please, keep giving us more stuff, comedy, drama, whatever you got, stage, screen, we'll take it all.

Yeah. Thanks. And I just want to say, in all sincerity, I have appreciated the three of you and your talents immensely. And I cannot wait to see everything you guys do. I do wait because I haven't seen anything you do, but yeah. You Brian, you are, you're one of the all time great, good vibe guys. I swear to God, you've got the best vibe and, and that's the highest compliment.

I think that you could pay somebody and you're just such a solid, great vibe dude. So thanks, man. Thanks, Brian. Love you, Brian. Love everything you do. Thanks guys. Thank you for doing this, buddy. You bet.

Thanks so much. Have a great rest of the day. Take care. Bye now. Bye. You know, I would love to work on one of his sets. He just seems like such a great, steady, calm leader that just would probably be no, no nonsense and lots, lots of good work.

Did you guys watch Breaking Bad when it came out? Like I was serious. Like I just watched it a year ago. Yeah. Same here. I was pretty late to it as well. I was late and then I motored through it. So great.

One of the greatest shows of all time. Oh my God. Incredible. Well, I mean it along with, with Bojack is consistently in the top five of all shows ever made. I would say that if we'll, if even if you weren't on this, I'm always stunned. I mean, it's so far for Wisconsin, that's Bojack Horseman, Bojack Horseman. Yeah.

Well, they get it there too. Oh, thank you. Oh, thank you. Okay. It's not. Turn me into him. Oh God. There he is.

That sounded like it. Fuck it. Give us a little Bojack. Huh? Will. Yeah. Give yourself some fucking Bojack. Oh, there it is.

There it is. No. Listen. He was great though. I've always, I used to run into him like on TV, you know, junket things with that when he was on Malcolm in the middle and I was on Will and Grace and always, always, always the guy is always the same. Always so kind and generous.

Always has a smile. Yep. Always has such a great attitude. And I meant it. He's just got such a great vibe. He's the guy that you want to talk to. That's why, by the way, that's, that's why he works not only is he incredibly talented, but everybody wants to be around nice people.

Yeah. I do think you need a bank of goodwill in this business because you are going to strike out a bunch of times. And if you've got a bunch of baggage behind you and people hate you or they can't wait for you to get a couple of failures and it's like, okay, well, he's out. Why do you keep eroding your bank? Why do you do that? Just keep shipping away at it because it's just too big, Will.

No. Sean, you've got a very good reputation too. It should be known. People really like you. All right. It's true. It's true. Everybody really likes you.

That's very nice. Anytime I talk to people because people are starting to listen to smart less more than the one listener. I've just found out I think we might have two listeners. Hang on. Yeah. Because we have Wisconsin. We have Wisconsin.

Will, you've got a pretty good reputation too. Yeah, you both do. But it has been taking water. Has it? Yes. Taking water. You know what? It's because, you know what it is?

It's because people are so intimidated by my plastic surgery. I think that's what it is. Right. It makes them feel insecure. I can't take how taught my neck and so they just choose to hate you and so they hate me for it. And they hate because they say it's affected my voice and I'm like, you know what, Jason great guest today, hilarious, awesome, sweet, kind, talented guy and we didn't even get

to his mezcal company dos hombres with Aaron Paul. Oh, really? Oh, really? Yes. And now I'm doing. Not to mention the show he's got coming up on showtime called your honor, I believe. I believe it is and it's not about a judge. It's not about a judge.

It's not about a judge. No, no. I hear it's very. You know what Jason said when I asked him where he asked me where Amanda, his wife was and I said, your honor. So Jason, what a great guest. He he was very, very generous to say yes to this. We're happy to have him.

We didn't get to a lot. He's slinging booze. He's a big Dodger fan. Yeah. Well, he's only got two fake fingers, not three. That was news. Super good guy. Super great get.

Thanks, Jason, for bringing him on. No, no, you're welcome. Oh, bye, bye.