Stuff You Should Know - Les Paul & Leo Fender Part II
Episode Date: August 26, 2021Today we continue the story of Les Paul and Leo Fender, inventors, innovators and rivals. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for priva...cy information.
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Welcome to stuff you should know a production of I heart radio
Hey and welcome to the podcast everybody, I'm Josh and there's Chuck and Jerry's out there running around somewhere
And this is stuff you should know
about Fender and less Paul
part due
Should we recap real quick. Yeah, I think so it seems appropriate
All right. Well where we left off with part one was Leo Fender lifelong engineer tinker and non musician
Has made a career making amps and trying to figure out the problem with electric guitar feedback
less Paul was a
budding superstar guitar player and session player mm-hmm also tinker trying to figure out this problem of
Amplifying the electric guitar without feedback. Okay, and they were introduced in 1947
Trying to figure this out together and then enters a third gentleman who may have had more to do
With the invention of the solid body electric guitars. We know it then either one of them. Yeah for real
This is where things get a little bit shady little murky when Kerry Grant enters
What's the guy's name his name is Bill Paul
His name is Paul Bigsby and I've heard of the last name. I've seen those guitars before is it still are that is the company still around?
Yeah, so here's the deal Bigsby is now
Most well known for what's called the Bigsby tailpiece, which is he's the guy who kind of invented the whammy bar
If you know nothing about guitars
But you've ever seen like Eddie Van Halen play not all guitarists use these things
But if you hit a note and then you reach below the guitar and grab that little steel bar and make it go wow wow wow wow
Wow, mm-hmm. That's a whammy bar Bigsby invented that and he is still most well known
Like you can get a Bigsby tailpiece put on to a less Paul or an SG or
You can't do it to offenders because they have their own I guess you could with a telecaster, but
Any guitar without a whammy bar you could put on a Bigsby tailpiece. They're beautiful
They look great, and that's what they're kind of most well known for today. Okay, gotcha, but at the time
Bigsby was he was the oldest of so Leo Fender if you didn't realize was older than less Paul and Paul Bigsby was older than Leo
Yeah, he had started out his career as a motorcycle racer then went on to start to make up
Motorcycle parts I believe and then moved on to instruments and he
Was known to Leo Fender and that they were competitors because Bigsby also made electric steel
Guitars at the time. I don't know if they were
Friendly necessarily, but I do know that they definitely
Worked together in Fender's workshop
Kind of working on electric
Instruments together, so I would guess you'd have to be somewhat friendly. It wasn't like, you know Macy's and Gimbles or anything like that, you know
Yeah, I think I think that's about right
Okay
So they definitely worked together at some point in time and they were friendly enough to do that and they're they were dedicated to
creating that big
electric sound out of a guitar
And Bigsby if you ever have seen those the guitars that he made they were beautiful. They were it was a lot like Gibson
They were artisan
Just just crafted works of art basically
One at a time kind of things exactly and so he already had Paul Bigsby already had a name for himself in that respect
And he was hanging out at a radio station as guitar makers do in LA
KXLA which featured country music played live kind of like Grand Ole Opry stuff
I guess and a country musician named Merle Travis was there
I believe playing and Merle Travis a new Paul Bigsby at least by reputation and said hey
You know, I heard you can build anybody whatever whatever they're looking for if I draw you a picture of a guitar
Can you make it for me? And I guess Paul Bigsby said challenge accepted good sir and
And
We should probably fast forward about a month or two, huh?
Yeah, and I just again I want to stress the fact that at one point in 1947
Les Paul Leo Fender and Paul Bigsby are all together in a garage and count in Southern, California
Mm-hmm, and this is like I
Mean it makes my mind explode to think about those three men in a room
Together like working on something. Yeah, I mean like I'm trying to think of another industry where
Like three separate top brains got together like this and I can't even think of a of anything to compare it to it
be like if Steve Jobs Bill Gates and
Yeah, all Gia Mati all got
Couldn't think of it. Yes. Yeah
So anyway a very just special moment in history. So yeah
He comes back a few months later
Uh with this guitar Leo Fender is backstage at a show and Merle Travis is there playing
And he pulls out this thing that uh, Paul Bigsby made
And if you look up Merle Travis Bigsby guitar, this thing is beautiful
It is a gorgeous guitar and looks like and is a real deal solid body electric guitar
Yeah, and he pulls it out in front of Leo Fender. No less who said hey Merle. That's a pretty neat looking guitar there
Uh, you mind if I get my hands on that for a little bit and just check it out. I want to see what it's all about
You know, I'm gonna do a little black prototype out of the way, right
Uh, and Merle Travis was kind enough to let Leo Fender borrow it and Leo Fender and so so we should we should caveat this
Supposedly Leo Fender where he alive today would be like no, no, that's not true. No, this is not correct
But supposedly
There are informed people who say yeah that Merle Travis let um
That let Leo Fender take his guitar that Paul Bigsby had made for him back to Leo Fender's workshop and basically
Have a reverse engineer session all over it
Yeah, this is where it gets a little hinky because Leo Fender was a great man and a great inventor of things
Um, but what he was really really good at was improving things. He was like the Japanese
Yeah, it's maybe and um
They make some pretty good guitars too, I think right but they're well the Japanese are well known for taking something
That's pretty cool and then just improving the heck out of it and like here's how you should do it. Yeah, exactly
Uh, so yeah, I mean definitely a point in history sort of a crossroads where
Some people are like Leo Fender stole this from Paul Bigsby
And was able to mass produce it whereas Bigsby was intent on making these artisan pieces one by one
and just got left in the dust
um
There may be something to that if you look at the headstock
for that original Bigsby guitar and you look at the headstock and the headstock is at
The the very end of the neck where the strings end up and where the little tuning pegs are. Yeah
It looks a lot like the Stratocaster headstock almost exactly like it
and he denied kind of even
Ganking that but in meetings at Fender later on there were higher-ups at Fender that said go out and make us something like that
Bigsby
Like they literally said that so it's kind of undeniable at this point
Um, he was even sued there was a lawsuit that Bigsby sent about the headstock
Sure, and they basically said, you know, they were
There were too many just sort of similar kinds of things before this so it's not going to hold water
Well, not only that, um
There there is some there are other similarities too. Like you talked about that little whammy bar
uh, um
The the Bigsby had one and it's called the Bigsby pure vibrato where basically you're
You're you're you're pushing pushing down on a bar. That's actually
Manip I don't understand actually chuck what is manipulate. Maybe you should take this part
All I know is that it affects the sound like wow, wow, wow, wow like that
But I don't know the the the mechanism by which it does the wow, wow, wow, wow
It's really easy because it's purely mechanical. It's the guitar bridge
Is the part where you're if you're right-handed players where the right hand is and that's where the strings are rooted
So what the whammy bar and what the Bigsby tailpiece did is
It lifts up the back of the bridge and it literally manually loosens the guitar strings
Until you release it and then it snaps them back
So if you press on it, it just it's literally loosening the guitar string enough to make it go
Oh neat, okay
And that's it and you remember when you do this around the pickup the the metal strings the steel strings
affect the the electrical signal that's produced
So if you're messing with the strings you're messing with the electrical signal and hence the sound
Right. The other thing we should point out that Leo Fender probably kind of stole was
The all the tuning pegs on the headstock are all on top and in one line
So if you look at telecasters and Stratocasters and that's sort of the Fender thing
They're all in a row because it's just really easy to access them as a player whereas
Gibson models were based on acoustic or Spanish guitars where there's three on one side and three on the other
And in order to turn to tune those lower strings or I guess the higher strings
You have to reach under and around
And Leo Fender was I guess he saw this design was like hey, that's kind of brilliant actually to put them all on one side
That's superior frankly. Yeah
Yeah, so yeah, it's really tough to get around like if you put the
I've there's plenty of pictures out there if you put that first Bigsby Merle Travis guitar
Next to the first guitar that Fender ever mass produced. It's pretty much the same thing in a lot of ways
And so
Yeah, I don't know. It was tough to swallow. But like you said the idea
The idea of impugning Leo Fender's character
Right
It just doesn't it doesn't quite make sense because he was a great guy and he did do a lot for the industry
And he founded Fender, which just that alone is pretty amazing too
But one of the things that he doesn't necessarily get credit for
At least outside of like musicians circles, I'm guessing but
Is is the bass that he created, right?
Yeah, the precision bass
Before the electric bass guitar the basses were all the big standard upright basses
And they were a problem because they were huge. You either had to strap it to the strap it to the top of your car
And you know, potentially have it get beat up by weather or you had to ride
Separately from the rest of the band because that thing filled up the entire back seat
They were just big and bulky and hard to transport. So
Leo Fender again was not the first
Um, I got a paul tut mark
Who worked on he was a big lap steel maker and he founded the audiovox company, which is still around
Oh, yeah
15 years before the fender p bass the precision bass he invented
What's generally known as the first electric solid body bass guitar?
It just didn't take off like the precision
And again the p bass is called a precision because the upright bass doesn't have frets
So if you knew how to play it, you know how to play it, but you couldn't be like go to the fourth fret
You would just sort of I see not guess but you would generally know where it falls
The electric bass guitar the p bass had frets. So they said it had more precision. So that's why they called it that
But that's another thing that's easy to overlook too is like, you know, the electric guitar
It's it's pretty different from like the electric Spanish guitar
But it's still in the same general
So it's like a progression from that the electric bass was like whole cloth and a new invention basically
And it changed everything too. I mean like I was reading an article. I think yeah that you sent from maybe pitchfork
um where I was talking about like
Just how much that changed things having that around like basically motown and then later on funk
like like none of that would have existed without the electric bass and like um
Um, like another one bites the dust and like pink floyd's dark side of the moon and like, you know, parliament
Like all these like bands were predicated on the fact that there was like a nice
slappy electric bass
that um
You just couldn't get around you couldn't ignore it
It became like a part of the band rather than just some background thing that was more visual than than
audio or wait oral
Yeah, because the upright bass kind of ended up having the same problem as the acoustic guitar and that once they had electric guitars
That upright bass wouldn't really cut through live
And so you had you know, the a song is driven by the rhythm section the the bass player and the drummer
That's when you ever hear about the rhythm section. They they drive the heart of the song
Everyone follows them
Like as much as you think is the guitar is out front
It's not leading the band the the low end is what's actually leading the song
And everyone else kind of falls in line with that because they're setting that beat with the bass and the drums
But he's he's working on this and again not to get in the weeds with the amps, but this whole time
He's making leaps and bounds
Uh on amplification
That works at really high volume with these fender amps
Yeah, and then one of the other things that made fender really innovative was he um created
the
He created like instruments for everyday people
That was the big innovation for him like his company set out to create to bring this stuff to the masses
So that you know
Teenage kids could save up from like their after-school job and like buy one of these things and buy an amp and start a band
And maybe actually get kind of good and it like I mean I hate to use this word because it's so overused these days
But he kind of democratized starting a band
Whereas before you had to you know
You're you had like a 20-piece band and you had to know all these people and you had to do dance halls and everything
And now you could you could because everything was amplified and electrified you could get away with just you know three or four pieces
and um
Everybody could hear you and they could hear you louder than they could hear the big bands from before
Because it was amplified, but it was affordable and he also made them really durable too
Yeah, and it was because he introduced kind of like a factory process to it
Whereas over at Gibson and rickenbacher and big speed. They were all still making these hands kind of
Not one at a time, but they were making them by hand very slowly
uh
One of the big reasons he was able to
factoryize it was he started he was the basically the only company using a bolt-on neck
Um, so in other words you take the neck and you literally screw it in to the body of the guitar on the back
And that's why anytime you see a fender guitar on the back
They have this little silver square plate where the neck meets the body and under that is where it's bolted together
um
Gibson and basically everyone else was using uh, what's called set neck which are glued on
And you might think that like hey bolting sounds a lot better than glue
Yeah, but what glue does is that actually adheres it and makes it more like that log
Almost like a through neck. It makes it part of the body
And gives you more warmth and a little more sustain and
It's just a bit of a different sound whereas a bolt-on guitar got a little more known for
sort of being
Kind of pluckier and you know, they both have their advantages. Some people swear by one or the other but
Uh, neither like nowadays neither one of them is superior to the next really
It's just sort of two different methods. Gotcha. I got you
But I could also see that bolt almost represents that mass production to yeah, for sure
so chuck, um, leo fenders working on that, um
big we'll call it big's be inspired design
And at the same time, um less paul
Uh is about to have a life changing experience in oklahoma of all places, right?
Yeah, so he
Well, like I said, it was not a good husband to
Either his first wife or his second really. Uh, he had a long time affair with a woman her with her stage name of mary ford
She was a singer and also a
champion guitar player
Uh, and they had a duo going on it was less paul and mary ford and they had tons and tons of number one hit records
And uh, they had been together for quite a few years before he even got divorced from his first wife
But in 1948 while traveling, I think back to la from wisconsin
They were in a really bad car accident on the icy roads of uh near davinport, oklahoma
And it was a a really really bad wreck that could have killed both of them
Um, yeah, so, um, they were both thrown from the car along with all their equipment
Um, and from what I understand mary's injuries weren't nearly as bad as les's
Um, his spleen was all messed up a bunch of other stuff
But the big problem for less paul was that his right elbow was shattered and at first the doctors
Said well, we're gonna have to amputate your arm and that obviously would have been that for his guitar playing days
Yeah, um, apparently when he was faced with this news one of the first things he started doing was
um, coming up with how to
Create um, an effect where you could play a guitar one-handed
Um, but he luckily didn't ever have to actually follow through and invent that because uh, some doctor was aware of his
His status and that he played guitar and like that. He just
They couldn't take his arm. So he said about trying to figure out how to solve the problem
While keeping his arm and allowing less paul to somehow play one way or another
Yeah, I mean he basically gave less paul the choice. He was like you can either amputate it or we can try this procedure
Where we kind of screw your arm back together and we don't know if it'll work
And he said but it's gonna be permanently bent in
some kind of direction
And less paul said why don't we at least try it?
First so we know if it works before we cut the arm off and he said and just
Bend it and point it toward my belly button and leave it there. Yeah
So he could play guitar and that's what they did and for the rest of less paul's life
Like if you ever see a picture of less paul that right arm is bent
Yeah, and the doctor just to put a little flourish on it made it so that his thumb was always in the thumbs up position
So it always looked like less paul was really happy about whatever was going on when that picture was taken
All right, so that's where less paul is he recovers
It literally takes him about a year in the hospital to fully recover from his injuries
So he's on pause when leo fender
builds
The fender esquire guitar and debuts it at the 1950 national association of music merchants
That's a convention in chicago. I say we take a break here and then we come back and talk about that and keep going
How about that? It sounds great
Okay, we'll be right back
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All right, chuck so um, so leo fender takes his um
um, paul bigsby inspired guitar
Uh and creates a prototype out of it that's known as the esquire
And I think there's some differences between the esquire and what would become later known as a telecaster, right?
It's not the exact same thing just with a different name
Uh, yeah, I mean, I think there was only one pickup and the tele ended up having a couple
But it was when you look at pictures of the esquire. It's the same body shape
very utilitarian
Not the most comfortable guitar to play
Which we'll see later on was kind of a big deal in the creation of the stratocaster
But it was a real deal guitar and it was loud. It was clear. It could be mass produced
And everybody basically said this is the future. Yeah, he's at the national association of music merchants convention going
Hey, you like you like this?
You like this guitar?
And they all said yes very much. So he went back after the convention and kind of tinkered with it a little more
He had a collaborator named george fullerton
And they ended up producing from the esquire
There were a couple of problems with it apparently from the steel strings when they were tuned tightly
Eventually the neck would start to warp a little bit. Yeah, that's a big problem
So they figured out how to reinforce that with the rod and they solved some other small problems and then ended up coming up with
The broadcaster, right?
That's right
A guy we should mention here is
I think dav called him his marketing sales guy. It's true. He was that don randall
But he was leo fender's 50 50 partner in the fender music corporation
And a huge huge part of the story that we really won't get into but don randall was there the whole time and and sort of
Was everything that leo fender wasn't as far as when you're looking for a good business partner
Um out there hitting the bricks selling this thing
Drumming up deals and the broadcaster
You know the ads came out and he's got that first cease and desist from
Uh gretch the they made drums and guitars and there was actually a drum set called the broadcaster with a k
It sounds like a sound you make when you burp and choke at the same time
Yeah
Broadcaster no gretch
Oh
I misread that one. Sorry, you know broadcaster with a k sounds evil remember. Yeah. Yeah. Yeah
Um gretch still makes beautiful guitars and great drums, but they had a drum set with a k
Uh, so they said all right. We got to think of a different name
And so tv was the latest thing and so they literally called it the telecaster because of that
I know and people were like boy. Howdy. I love this
They did so that was a big deal the telecaster was I guess the first mass produced
Widely available electric guitar solid body electric guitar that
Shredded that you could shred on I guess. Yeah, it kind of started it all. Yeah. And so, um
Les Paul by this time, uh, he had gotten in that car wreck in 1948. You said it took him about a year to recover
Um, he got divorced from his wife. He ended up marrying mary ford
um
and
Together they actually his his music career got even even greater than it was when he was working with bing crossby
Yeah, um, this is when they had four
Slots on the billboard top charts, uh, at one time on one week. That's enormous. They were the first to do it
I'm sure maybe some others like michael jackson the beetles and a couple others have done it since but
They really kind of gets across just how huge les paul was as a popular musician, right?
Yeah
Mary was great and um, everyone loved her. She had a beautiful voice
Uh, again, he was not a good husband to her. He was
Uh, eventually when they got divorced, uh, it was on grounds of cruelty was one of them because
He was just a a workaholic and would never stop and he would not let her stop and she was like where
They were really really wealthy at this point from their career and
She was like, can we enjoy life a little bit?
Can we stop and and live and he was like, no, like we're not getting anything accomplished if we're doing that and
the stage uh act was a little
I mean, I guess for the time it was what it was, but it was kind of misogynistic. He would make cracks about
About mary, you know singing in between doing the dishes and
And kind of you know making him dinner and she would sort of laugh and it was their banter
But it was just the whole thing was kind of gross in retrospect
Yeah, for sure, especially today and then the cats on the unicycles with the sparklers. It was just widely considered to be over the top
Yeah way over the top. So um, but because leo knew les paul
I mean, like you said they they and paul bigsby were all working in a garage together working on electric guitars
Like he knew him. He was friendly with them enough so that um
Leo fender and don randall said, you know
If we could get les paul who's like the most well known guitar player in the world
To endorse our fender guitars. This would be a huge deal
Huge so they sent him a telecaster and with a note saying like hey, this is where I'm going
I'd like you to to consider coming here with me something along. I'm paraphrasing. Um, and uh,
Les paul was like
Nah, that's all right. I don't really like this guitar that much
Yeah, I think he was fairly kind about it. But he just said the sound is too bright. I had that bolt on neck
And you know, it's a different sound and he didn't like it and remember like that was the whole reason
He dedicated himself to coming up with the electric guitar and cracking this code for a decade or more a couple decades by then
Because he wanted to he was searching for that one perfect sound
And so that actually he didn't give up the quest after fender said, you know, here's my guitar and it didn't work
Um
Les paul despite having been turned away by gibson a full decade before
Went back to gibson and said hey
You guys have to listen to me this time like it's this is this is where things are going
Leo fenders just come out with this telecaster
Like it's very clear that you guys need to be developing a solid body electric guitar
And gibson said funny you should mention that because we've been working on it ever since we saw that esquire at that music convention
And it knocked our socks off. That's right. So they were kind of already on it
They
Worse different they were they were sort of modeled after those acoustics with the tuning pegs on both sides
the gibson
guitar was really heavy and that's
It's funny later on many many guitar players started with what would end up being the les paul air clapton and the
and keith richards and
All these people played the les paul early on and a lot
I think uh, pete townson and they all eventually switch to fenders later in their career because the les paul
Ways between nine and ten pounds and the strats and telly's weigh about seven pounds
And that's a big difference two or three pounds strapped on your back when you're touring is a big deal
Like I can tell a difference when I play a heavy guitar
You know being 50 years old in my basement after a few hours
So I can imagine what like touring year after year what it what kind of toll that takes for sure for sure
But this gibson was heavy
it had that glued on neck which gives you a little more warmth a little more resonance
and
It was a really good guitar and so they say to les paul like now he's being courted by gibson officially like hey
What do you think of this?
We will let this be your guitar. We will slap your name on it
We'll give you a five percent royalty
And you've got to play it exclusively and he said the done deal my friends
Yeah, because he was like like he'd always only played gibson. He loved gibson. This is like a dream come true for him
You know
And for them to also to come back to him now
Um, I had to had to feel awfully sweet
Yeah, but it was so stupid too because this is a decade after he went to them with this idea the first time
And now they're finally getting around to it, but it was a big deal. So les paul now played
Gibson guitars exclusively and they named that first model the lebson the gibson les paul
Yeah, I wonder if in that meeting he said can also tell people that I uh
I designed and invented this thing because that's what I'm gonna do for the rest of my life. Just so you're cool
Yeah, which which is really something because he apparently didn't there's a guy named, uh, I think paul mccarty
George mccarty. I think George mccarty. I'm sorry. I'm pretty sure his his name is george mccarty
Um, he was the president of gibson at the time. His last name is mccarty. Let's just call him that or mr. X
mr. X was the president of gibson at the time and he um largely designed the guitar
but yeah, they kind of let I guess as part of the endorsement deal they let um
Les paul just basically claim it like he'd had a lot to do with it
He made some tweaks, um
For sure, but he he never designed the les paul that that is also a fact, right?
And he did not invent the electric guitar. A lot of people still say that les paul invented the electric guitar
And he was always happy to just sort of nod his head
right
All right, chuck. So like by the by the mid fifties by the early fifties
Um fender had the telecaster out
Um gibson had their les paul model out. So there were now
Widely available electric guitars being produced and that that sounded awesome like this sound had finally been achieved
loudness
charity shreddingness
gnarliness all of that stuff
Was now extant in the world did not exist before now it did
But the the one that really changed everything the the electric guitar that changed at all was um fenders
If not their second model, they're definitely their second well-known model the strata caster, right which came out in 1954
Yeah, this was a huge innovation because the problems with the tele is that it
Uh, like I said, it was it was it wasn't rounded. It wasn't sharp and I'm talking about the edges of it
It was you know, it kind of dug into your body and wasn't super comfortable
So leo fender does what he does which is make improvements like the japanese
and he got into the back of it and he
He carved out where the top of the back of the guitar meets your belly
He shaved that down to where it was contoured and then where your right arm if you're a right hand player
Your pick hand where it
Where your forearm kind of rests on the top front of the guitar
He carved that down too and contoured it
So your arm and your belly weren't pressed against these sharp edges
And it was just a more comfortable guitar all the way around it had a it had a cool look
this was a time in the early 50s mid 50s when
You know these these cars has had these big fins on them and everything just had this sort of look like
It's hard to describe what the how weird the Stratocaster
And how sort of modern and futuristic it looked at the time
Because we all just see that as like oh, that's what a guitar looks like exactly
But at the time it was revolutionary and everyone literally was like what in the world is that hot looking thing
Yeah, one of the other things that made it look hot those fins had a purpose the horns at the top of the guitar
Where the neck met the body
It carved out space so you could get your fingers to press those frets on the higher notes
A lot more easily than you could have before when you were reaching all the way around it
Which again allowed for great of shredding
That's right and the the fenders did those on both sides
Whereas the Les Paul was only carved on the underside so you could still get to some strings, but it took a little bit of finagling
Later on Les Paul would come up and I have one of these two
What's called the double cut where it's cut on both sides and the Gibson SG
Which is cut on both sides, but originally it was just Fender doing that and then the Les Paul did something
That just did away with that all together and made the coolest guitar of all time the Flying V
Which is the one I always associated with heavy metal and by Les Paul, of course, I mean Gibson, but that that
That's the one like Jimi Hendrix played that one like
I can't remember like a bunch of people played it. You've seen this before but it looks like a strat
Well, he also played a flying V. I've seen it. I've seen pictures out of it on the internet
um, but the the um, like it's what you associate with like
like just
Just rocking out with a guitar and it turns out the thing was designed in 1958
It's one of the most mind-blowing facts I learned in this podcast
I couldn't believe it because I associated with 80s hair metal
And um, it's been it would it had been around for a good 30 years by then and it
Like the 50s is when this thing came out. It's like the coolest looking guitar of all time for my money
No, I love the flying V and I'll probably own one at one point
At some point you should look up reverse flying V because they are one of the ugliest guitars
Yeah, I've seen that before
But yeah, Gibson was tinkering around they made the flying V and they made the explorer
Which is the one that's kind of looks like a lightning bolt
And then the firebird and those all did okay, but they they weren't like
You know and leo fender did the same thing after the Stratocaster success
He came up with the jazz master and the jaguar and he thought these were all improvements on those guitars
Because they added a lot more options for switches and switching and additional pickups, but they were
I mean, they're kind of cool now, but they were a little busy for a lot of players back then
So they didn't take off like the strat did it was just this utilitarian
really comfortable
Players guitar that everyone really wanted after buddy holly jumped on tv
And and played one because buddy holly was huge
Yeah, he was huge and he was actually bigger in the uk than he was in america at the time. Oh, yeah
Um and I didn't realize to see this is another fact of the podcast
There were two tours of the uk in 1958 that changed music history
I just think it's so cool
But one was buddy holly who buddy holly and the crickets went on tour in 1958 with the stratocaster front and center
And then muddy waters
Came to the uk and muddy waters had been around for years by then
He actually was just kind of like an old relic in america by then
But it was super cool in the 60s in the uk to be into old style blues
So they brought muddy waters over and muddy waters didn't show up with the spanish style guitar
He showed up with the stratocaster and blared it then those two tours
Produced bands like the Beatles the who the rolling stones led zeppelin
um like
basically every band in the british invasion
Were in the audience as kids or slightly younger
Men
For those two tours and were inspired to go on and form some really amazing bands afterward
Yeah, it was funny. It was kind of like either you were in the Beatles camp where
You saw buddy holly and you wanted to do sort of upbeat pop music
Or you were eric clapton going to see muddy waters and you wanted to do this sort of raunchy blues rock thing, right?
But either way it was a stratocaster front and center
And uh, another well, I guess we should take a break now before we get to the next guy, right?
All right, let's do it. All right. We'll take our final break and talk about surf guitar legend dick dale right after this
Splim
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Hey, i'm lance bass host of the new i hard podcast frosted tips with lance bass
The hardest thing can be knowing who to turn to when questions arise or times get tough or you're at the end of the road
Oh, okay. I see what you're doing. Do you ever think to yourself?
What advice would lance bass and my favorite boy bands give me in this situation?
If you do you've come to the right place because i'm here to help this. I promise you. Oh god
Seriously, I swear and you won't have to send an sos because I'll be there for you
Oh, man. And so my husband michael um, hey, that's me. Yep
We know that michael and a different hot sexy teen crush boy bander each week to guide you through life
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Listen to frosted tips with lance bass on the i heart radio app apple podcast or wherever you listen to podcasts
I'm mangueh shatikah there and to be honest, I don't believe in astrology
But from the moment I was born it's been a part of my life in india
It's like smoking you might not smoke but you're gonna get secondhand astrology and lately
I've been wondering if the universe has been trying to tell me to stop running and pay attention
Because maybe there is magic in the stars if you're willing to look for it
So I rounded up some friends and we dove in and let me tell you
It got weird fast
Tantric curses major league baseball teams cancelled marriages k-pop
But just when I thought I had to handle on this sweet and curious show about astrology
My whole world can crash down situation doesn't look good. There is risk to father
And my whole view on astrology
It changed
Whether you're a skeptic or a believer. I think your ideas are going to change too. Listen to skyline drive and the i heart radio app
apple podcast or wherever you get your podcasts
All right, so all these people are being influenced uh by people like buddy holly and muddy waters
Then comes a gentleman named dick dale in the 1950s
He's a great guy
He's a great guy
He's a great guy
He's a great guy
He's a great guy
He's a great guy
He's a great guy
He's a great guy
He's a great guy
He's called dick dale in the 1950s
Uh, the you know, everyone knows him now, of course is the the head of the surf guitar surf music movement
And that was big. That wasn't just like a
Sort of like oh, some people are listening to that. That was like the the most popular form of music for a little while in the 1950s
And dick dale's thing was he wanted
He was the first guy to really want
enormous amounts of volume
Like more than just like let me amplify this so it can cut through
He wanted to blow people's eardrums out, and he actually accidentally blew out Leo Fender's eardrum
When they were working together trying to figure out this problem
Leo Fender bent down and said he thinks he hears a hum. He said don't play for a minute
He literally put his ear on the amplifier speaker and no one knows what happened
If he bumped the guitar or something but cranked all the way up, which is how you would listen for a buzz or a hum
He literally destroyed one of Leo Fender's ears. So now he's down to one ear and one eye
Yeah, Leo Fender famously clutched his ears and went Gretch my ears
They said hey, we'll see you for that. It's like Marty McFly getting blown across the room and Doc. Yeah
sort of is
but he was a huge huge influence on
Achieving volume for rock bands that would come along later. I actually saw him in Athens
You know
Toward not toward the end of his life because he just died a few years ago, but it was saw him at the 40 watt
It was amazing. That's awesome. I'll bet that was very cool show. Yeah supposedly he inspired Jimmy Hendrix
He was like a guitar god himself for sure an overlooked one
I saw and I think an article you sent that it he's not in the rock and roll Hall of Fame
Which is like the kookiest thing I've heard in a while. It's ridiculous weird
Yeah, so he's playing the strat the Beach Boys are playing vendors
We have to shout out legendary session bass player Carol K sure a woman among men who played the Fender precision bass Bonnie Ray
Yeah, I mean if you think of just about any popular song from the 1950s and 60s
There's probably about a 75% chance that Carol K played bass on it. Oh Nita
Yeah, every Motown song every Beach Boys that record like you name it. Wow, that's really cool. I hadn't heard of her
Yeah, it wasn't there's a great documentary called the wrecking crew
Mm-hmm about these legendary studio musicians who basically played all that stuff like the Beach Boys didn't play their instruments on the records
It was the wrecking crew be quiet
Don't tell me things like that. I'm sorry Brian Wilson's a genius, but he played bass on stage Carol K played bass in the studio
Okay, so Leo Fender. Well, here's the thing about him. Remember we said that he was a tinkerer and engineer
Those guys don't translate to head of
Highly successful and grow quickly growing company very well, right?
They tend to get a little stressed out and overwhelmed and that's exactly what happened to good old Leo
He apparently had ulcers which has nothing to do with stress as we learned thanks to the guinea pig scientists who drank a bunch of
That bacteria to prove that it was caused by a bacteria rather than stress, right?
Anyway, so he tried to sell out in the early 60s. I believe yeah, and I guess Randall didn't accept it
What do you why why not? I think they had been partners for so long at Randall
It seems like genuinely thought like you don't understand the value of this company asking for a million dollars. Yeah, and so he started
Cording other companies. He courted Baldwin to sell the whole company. He courted eventually CBS CBS CBS records
And they ended up paying what would be the equivalent of a hundred and ten million dollars
for the Fender music corporation and
Don Randall and Leo Fender each got checks
For five million bucks, which is about fifty something million dollars today. That's amazing. Wow. Don Randall was great
Great guy to have in your corner, huh? He really was
And they were friends and I think you know Leo also had this he was just always in bad health
He had this and I had never heard of this be it a case of strep that apparently literally never went away
Like he had it for years and years and years
And was always sick for a week sucks, but I can't imagine having a chronic case of strep
Yeah, so he I think part of the terms of the deal was there were two parts of the company that were
Brand new that didn't make any money. They actually lost money, which was the Fender Rhodes electric piano
Which everyone was like what the heck is this of course now? It's amazing
And then the Fender acoustic division which really never did take off like I mentioned earlier
And part of the deal was that they had to include those
Even though they weren't profitable as he said fine
And then they had to keep Leo on for five years as a consultant which they were happy to do
And I think he couldn't do anything else with anyone
I think he had a non-compete for ten years, but he would go on later to start new companies even after that and he died in
1991
He's lived a pretty pretty good life pretty good long life got to tinker for a pretty long time
Ended up being a wealthy man and really kind of like became one of the people who's known as the inventor of the electric guitar
for better or worse
And bless Paul's story kind of took a slightly different turn
Than Leo Fender's Leo wanted to fade into the background that decision was made for less Paul not necessarily
In conjunction with his wishes his innovations with electric guitar his and Leo Fender's
Creation and introduction of electric guitars changed music like we saw
Created rock and roll or led the the found bait and created the foundation that rock and roll was built on
And all the kids said we don't really like less Paul's music anymore
So this yeah created this monster that ended up swallowing him basically
And he kind of faded off into into nothingness there for a little while. He's gonna become
This obscure incredibly wealthy guy
Yeah, he got divorced from Mary like I said earlier
He ended up getting custody of the kids, which was just crazy at the time
And that was kind of the only thing she wanted. It was a really ugly kind of public divorce
it was very sad and
he
You know I mentioned the Gibson SG earlier the solid guitar
They made that to be lighter and to kind of compete with these that was originally called the Gibson less Paul SG and
Eventually he didn't like it at all. So they took his name off of it. And then it was just the Gibson SG and
Yeah, he just kind of faded away. He he lived to be 92
I mean he had a great life like you said as a wealthy guy who he would always play these live kind of small club gigs in New York and
Very famous people like slash would stop through and everyone would come through to play with less ball
And he would regale people's stories and it wasn't like a sideshow act
He just he couldn't fill large halls anymore. Basically. Yeah, but he you know, he he got the recognition that he
I'm sure liked. I mean, he seemed like a pretty good guy as long as you weren't married to him
but he
He's known as like the guitar gods guitar god
I saw put somewhere that like if you are a guitar player a guitar hero
You look up to less Paul for what he did not just with creating or helping to create or at least saying that he created the
Electric guitar but also for all the other innovations that he really did invent like multi-track recording and sound on sound
You know
Yeah, and just to sort of button up the story of the guitar itself
They only made them in 59 and 60 and I'm sorry 58 59 and 60 made 2400 of these and
after muddy waters is when people like Eric Clapton and Pete Townsend and
Like kind of any big English guitar player at the time played less Paul's
Mm-hmm. Remember how I was saying at the very beginning in the first episode how when Fender was up
Less Paul was down on the other way around
The strat kind of changed the world and then the strat became kind of uncool for a little while in the 60s
when all these guys started playing the the less Paul Jimmy Page, of course and
People are like wait a minute. We need less Paul's like there was only 2400 of them
So they started making them again by popular demand and I think
60 something
Yeah, 68 and they never went out of production again. Yeah, 68 they start making them again and
since then it's you know
There are plenty of people who have both but
The question sort of always unless you play like an off like like a rick and buck or something people are always like you Gibson person or
Or a Fender person sure and I'm a Gibson person always happened
That's neat well less Paul ended up he died in 2009
But he ended up being the only person to date who has been inducted in both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame
Which is pretty cool pretty amazing great story
That's it the story of the solid-body electric guitar as told through the eyes of Leo Fender and less Paul the end
Thanks for indulging me on this. It was a good one man. I was nice to hear you just so just jazzed like a precision jazz bass
Well after 13 years, it was we finally tackled something. I knew something
Well if you want to know more about the electric guitar go pick one up see what happens and maybe you'll start your own shredding rock band yourself
And since I said shredding rock band, of course, it's time for listener mail
You know what let's not do a listener mail today
What unless we we do this occasionally where we will not do listener mail and ask people for a favor
We do this like once every three years. Yeah, never been good at self-marketing
But we like to call out occasionally for people to go on iTunes or your pod player of choice leave reviews
Leave ratings it helps us out. I don't care how long we've been around
We still need people saying positive hopefully positive things about us out there
So instead of listener mail just do us a favor tell a friend about us tell a relative tell a co-worker
That they might hate us or love us
Well done, that's why we only do this at once every three years. That's right. So clunky. Well, like Chuck said
We would love it if you left us a review specifically a positive one, but whatever, you know speak from your heart
How about that? That's what Josh and Chuck think you should do and in the meantime if you want to get in touch with us as well
As always you can send us an email to stuff podcast at I heart radio calm
Stuff you should know is a production of I heart radio for more podcasts my heart radio visit the I heart radio app
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Hey, I'm Lance Bass host of the new I heart podcast frosted tips with Lance Bass
Do you ever think to yourself? What advice would Lance Bass and my favorite boy bands?
Give me in this situation if you do you've come to the right place because I'm here to help and a different hot
Sexy teen crush boy bander each week to guide you through life tell everybody you everybody
About my new podcast and make sure to listen
So we'll never ever have to say bye bye bye
Listen to frosted tips with Lance Bass on the I heart radio app Apple podcast or wherever you listen to podcasts. I'm Munga
Shatikler and it turns out astrology is way more widespread than any of us want to believe you can find in major league baseball
International banks k-pop groups even the White House, but just when I thought I had a handle on this subject
Something completely unbelievable happened to me and my whole view on astrology changed whether you're a skeptic or a believer
Give me a few minutes because I think your ideas are about to change too
Listen to skyline drive on the I heart radio app Apple podcast or wherever you get your podcasts
Do you love movies? Well, I have the podcast for you. Hey there
This is Mike D from movie Mike's movie podcast your go-to source for all things movies each episode explores a different movie
Topic plus spoiler-free reviews on the latest streaming and movies in theaters
You'll also get interviews with actors and directors to take a look behind the scenes of your favorite movies listen to new episodes of movie
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