Stuff You Should Know - Short Stuff: Robert Johnson and the Devil
Episode Date: June 5, 2019Did the legendary blues singer really sell his soul to the devil in exchange for amazing musical skills? Probably not! But there’s still an interesting story there and it features the Coen Brothers.... Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
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On the podcast, Hey Dude, the 90s called,
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Hello, and welcome to Short Stuff.
There's Chuck, there's Jerry, I'm Josh, and this is,
wow, I already said short stuff.
I've already screwed up and wasted time.
Squander precious time, Chuck.
Let's just get started.
Bam, bam, bam, bam, bam, bam, bam.
Oh yeah.
Bam, bam, bam, bam, bam.
Like I said, oh yeah.
Ha, ha, ha, ha.
Who was the, God, I can't remember
the Simpsons character now, what a dummy.
Bleeding Gum's Murphy.
Bleeding Gum's Murphy.
Well, he played the sax.
Yeah, I know, but I don't know.
He was a jazz man, not a blues man.
He was a hip cat.
He was super hip.
He wore like sandals year round without socks,
with suits, I believe.
So yeah, this is about the blues,
and specifically Robert Johnson.
And this is, I have an interesting relationship
with the blues.
Oh yeah?
Yeah, in that I love occasionally putting on like
a Sunhouse or Robert Johnson or something like that.
And enjoy it for a bit.
But then I have to turn it off.
And I also recognize that blues is the foundation
of rock and roll.
Sure.
Like full stop.
Right.
But I also hate like, I just call it
the Blind Willys Blues, it's a place here in Atlanta.
This legendary blues bar where like.
It's like the blues version of Smooth Jazz.
Yeah, it's like where you see like the 52 year old
in flip flops and cargo shorts up there
playing the blues.
That's the stuff that makes me hate the blues,
despite loving rock and roll and recognizing
that blues is the foundation of that.
I'm with you.
So you can be selective.
It is complicated, actually.
That's a really, really good way to put it.
All right, so we're talking about Robert Johnson
and whether or not he sold his soul to the devil
at the crossroads to gain more talent
as a blues guitarist and singer.
Spoiler, that did not happen because there is no devil.
What?
I have wasted my life.
But we're gonna talk a little bit about
Robert Johnson's history and he's certainly a man
who sang the blues for a lot of reasons.
Yeah, he had a pretty rough life.
So he was, as a little kid, he got moved from place to place,
mostly between little towns in Mississippi
and I believe Memphis.
And he lost his dad early.
I don't think his dad left.
His stepfather abused him and he,
yeah, he just kind of had a rough,
especially after he became an adult.
He married his girlfriend, Virginia.
They had a kid and Virginia and the baby
died during childbirth.
And so he kind of got unmoored after that
and very, very quickly started singing the blues
more than ever and became a pretty hard-core alcoholic,
I believe, as a result.
So yeah, he definitely had it rough
and he lived the life that you could live
to be the foundation of the blues, basically,
which he grew up to be.
Yeah, and they think even,
he's a member of the 27 Club, perhaps the first even,
if you really think about it.
But he died at 27 years old supposedly out of,
and records are tough on guys like Robert Johnson,
but supposedly was poisoned by the husband
of one of his lovers when he was 27 years old.
Right, so in that time, though,
he managed to create a body of work
that, like you said, is basically pointed to
as one of the major blocks in the foundation
of rock and roll.
This is in the 30s that he was playing prolifically, right?
Yeah, and he followed in the footsteps of,
he wasn't the first blues guitarist by any means.
No, no, he wasn't, he wasn't, and in fact,
there's the story, and this is the whole thing
where it's like, why did he sell his soul to the devil?
What's the story?
We're gonna tell you the story.
The whole thing starts back in 1930
in Robinsonville, Mississippi, and there is a juke joint
where the blues is being played by a couple of legends,
Sun House, who you mentioned.
Yeah, love it.
And I think, who else was there that night?
Willie Brown.
Willie Brown was playing that night,
and these guys were already established
as Delta Bluesmen, right?
And the house was packed, and I guess in between sets,
a very young Robert Johnson came up to the stage
and grabbed, and I'm sure the stage was just a chair
that was on the same level as the other chairs
or wherever people were sitting and understanding.
And he grabs a guitar, not even his guitar.
I mean, the audacity, right?
Yeah.
And he starts playing, and because it's Robert Johnson,
you would assume that everybody was just stopped,
transfixed it, how amazing he was.
That is not how it went down at all, as a matter of fact.
No, he wasn't very good.
And Sun House, you know, even says,
he said that people came and told him,
why don't some of y'all go down
and make that boy put that thing down?
He's running us crazy.
Right, because his playing was so bad.
And this is humiliating enough.
They went over and basically said,
you not only need to stop playing,
you need to leave this jug joy.
You just showed you're actually not cool enough
to even sit here as like an audience member anymore.
So he left and he disappeared and he vanished.
And then a year later.
As legend has it.
Right, at another blues place.
Again, Willie Brown and Sun House were playing,
and Robert Johnson shows up.
And he shows up with a guitar, his own guitar this time.
And he starts playing and it's like nothing
anyone else has ever heard.
This guy has turned insanely good almost overnight.
And he's got a seventh string on his guitar
and everyone was like, what?
Yeah, and he used it to great effect.
Eric Clapton put it kind of succinctly.
He said that he was simultaneously playing
a disjointed bass line on the low strings,
rhythm on the middle strings and lead on the treble strings,
which had the effect of sounding like
there were multiple people playing
when it was really just him on that seven string guitar.
That's how fast and how varied the music he was playing was.
And no one had ever heard anything like it.
Yeah, so the legend is that he went down
to the crossroads during that time,
sold his soul to the devil.
And Satan granted him with these special talents
in exchange for his soul.
But like you already spoiled that,
that actually probably didn't happen.
So should we take a break?
We should take a break.
We'll do some more explaining when we get back.
On the podcast, Hey Dude, the 90s called David Lasher
and Christine Taylor, stars of the cult classic show,
Hey Dude, bring you back to the days
of slip dresses and choker necklaces.
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but we are going to unpack and dive back
into the decade of the 90s.
We lived it, and now we're calling on all of our friends
to come back and relive it.
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Okay, Chuck, so we've established
that there actually isn't a devil
unless it's the greatest trick you ever pulled.
Oh.
We may have just fallen victim to that.
But not only, so does that mean
that that story didn't happen in that sense?
It probably didn't even happen to Robert Johnson.
There seems to have been a case of mistaken identity
because there's a story of an earlier blues man
who was not related to Robert Johnson
but had the same last name.
His name was Tommy Johnson.
And if you're a fan of the movie, Oh Brother, We're Out Thou
and you were only familiar with Robert Johnson like me,
you may have been wondering all this time
why they didn't just call that character, Tommy Johnson,
Robert Johnson, since he was clearly based on Robert Johnson.
Well, it turns out I know now
that the Coen brothers did their homework.
They tend to do that.
Yeah, they do.
So yeah, Tommy Johnson was in that movie
and had sold his soul to the devil in that movie.
It's been covered elsewhere.
There was that great movie to me,
Crossroads with Ralph Macchio.
Was it good?
Well, I mean, it was one of those HBO movies
that as a young kid who got a guitar at 13
watched like 50 times.
I never saw it.
I thought it was pretty great.
I mean, Steve Vai is in it.
Oh, he is?
Yeah, he plays Satan's right hand man
and lead shredder in the main cutting heads competition
at the end.
Did Pat Morita play Satan?
No, he totally should have.
No, who was it?
Oh man, he's been in stuff.
If you saw him, you'd be like, oh, he plays a good Satan.
Wings Houser.
No.
Tree Williams.
I don't know then.
Those are the only three actors you know.
Tommy Chong, no.
Anyway, I haven't seen it in a while.
I'd like to check it out, but there's always
sort of been this blues legend all the way around
is where the crossroads, you go meet the devil.
You sign up for a lifetime of hellfire in exchange
for what seems to be like a good deal on earth,
even though the tail end of that tail always ends
as like they die young or something.
Right, don't fall for it kids.
That's right.
Supposedly Jimmy Page sold us all to the devil too.
Sure, who didn't, you know?
So the story though seems to have originated
with Tommy Johnson and there's an article,
there's this site Chuck called Paranormal Academic,
which is just like a dream come true for me.
I just found it, it was linked to
in this House of Works article.
Does that mean you're not going to tinfoilhat.com anymore?
No, not anymore, I've rescinded my membership.
So on Paranormal Academic,
there's an excerpt from an interview
with Tommy Johnson's brother,
who said, Tommy told me the story of what happened.
And he supposedly went down to the crossroads.
He said, anybody can do this.
You get on to the crossroads,
get there a little before midnight
to make sure you're there on time, which is hilarious.
They included that little detail, be punctual.
And if you bring your own instrument,
like great big black man will show up,
take your instrument from you,
tune it for you, hand it back and the deal is done.
That's how it happens.
And that's what the legend became.
And but then at some point,
it seems to have been transposed onto from Tommy Johnson,
onto the later on much greater known Robert Johnson.
And Robert Johnson seems to have been like,
sure, yeah, that happened to me.
And you can really see that in some of the song titles
of the body of his work.
Yeah, Hellhound on my trail, Me and the Devil Blues.
Obviously the song Crossroads, Crossroad Blues,
Up Jump the Devil.
Here's the thing though.
The singing about the devil and talking about the devil
in that community at that time was very commonplace.
And Robert Johnson was talking about his demons,
not literal demons, just his demons in life
because he had a rough go and then fell into alcoholism
and chasing women and probably believed
that the Hellhounds were on his tail,
or I'm sorry, on his trail.
Right, and his tail, let's be honest.
That's right, the devil had given him.
So that's the interpretation by his grandson, Steven Johnson,
who also has an answer for that question.
Okay, all right, fine.
But besides the supernatural,
how could somebody go from zero to hero blues legend wise
in just a year like that?
And Steven Johnson's like,
actually it was probably more like three years.
Like, yeah, he actually probably was kicked out
of that juke joint for playing badly.
And he probably did come back
and blow those same people away.
But it wasn't a year, it was about three years.
And he didn't go sell a soul to the devil.
He went and studied under a legendary guitarist
named Ike Zimmerman,
whose family confirms that Robert Johnson
was there all the time around that time.
Yeah, so like the boring,
but also inspiring answer was practice.
Yeah, don't sell your soul.
He got good because he played a ton of guitar.
Probably, because he wanted to get better,
probably also due to a little bit of shame
and wanted to go back there and make a name for himself.
So he practiced and practiced and practiced,
like anybody who was good at anything does.
And that is the true legacy of Robert Johnson,
legendary blues man, right?
That's right.
Well, thanks for listening.
You can read about this article on How Stuff Works.
That's where we got this one, right, Chuck?
That's right.
All right, well then, until next time, short stuff away.
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