Stuff You Should Know - Short Stuff: The Mona Lisa
Episode Date: January 15, 2020The Mona Lisa is a captivating work of art. But why? We'll try and figure it out in today's short stuff. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/lis...tener for privacy information.
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On the podcast, Hey Dude, the 90s called,
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Hey, and welcome to the short stuff.
I'm Josh, there's Chuck, there's JJ over there.
Let's get to it and talk about maybe the most famous
painting in all the world.
Perhaps.
Sad Clown Hobo.
By John Wayne Gacy.
Right.
Have you seen the Mona Lisa?
I have.
Same here, I'm sure your first impression
like many people was, huh, sure is small.
It's impossible to not have, you can go into it
saying I'm not going to think that I've been prepped.
I'm not going to let myself think that
and you will think that.
Yeah, it's two feet six inches by one foot nine inches.
It's a small little painting.
It is, and they have it behind some seriously
protective casing.
Yep.
You can't get too terribly close to it.
You can get kind of close, but not, you know,
you can't just walk up right on it.
No.
And I think we talked a lot about why they have it
under that casing and how the Louvre works episode
if I remember correctly.
Yeah, I think we covered that.
This is a little more about the lady herself.
They think for sure that Mona Lisa was a person.
Yeah.
A real person and there's been a lot of debate
over the years, but the current thinking is.
What's her name?
No, boy, is Lisa Gerardini del Giancando.
Nice.
Also known as La Giocanda.
Very nice.
Because she's a lady.
Yeah.
And she was a wealthy woman,
married to a wealthy silk merchant.
And the thinking is that he had this commissioned
to celebrate the birth of their impending birth of a child.
Yeah.
And it's bizarre to think that we don't know much
about the Mona Lisa.
It's not that old.
I mean, Da Vinci started it.
And I think,
1503 is when he started the painting.
Exactly, which is what I was gonna say eventually.
Okay.
So it's not so ridiculously old
that it's just completely lost the history.
And yet it is because the Giocando family
never took possession of it.
And the reason that they think that they're almost certain
that that is who it is,
that it's La Giocanda in that painting is that
there was a book written about it in the time
that Leonardo Da Vinci's sons were still alive.
And so still around to refute this, if it was incorrect,
that it was her, that she was the one who was seated there.
And then years and years later,
somebody found a margin note somewhere in some book
or some notebook that said as much that Lisa Giardini,
Giardini, sorry, was the Mona Lisa
and that she was going to be sitting for this work
that Da Vinci was working on.
Right, and they speculate about the impending pregnancy
because she has some kind of loose clothing on
and that little smile is interpreted as,
oh, guess what's coming, I'm about to give birth.
I can't wait.
So we should probably talk a little bit
about the artistry of the Mona Lisa.
I'm gonna go ahead and throw it out there, meh.
Oh really, are you crazy?
You don't like it?
It's not that I don't like it.
I'm just, I'm not a big fan of portraiture period.
Not a lot of portraits knock me out like other paintings do.
Okay.
I can appreciate them for sure.
But I've never looked at a portrait
and been like, man, I want that in my house so bad.
Not a big Rembrandt fan, huh?
Nah.
So I think one of the reasons I appreciated Chuck
is because I recently saw Decoding Da Vinci
a little Nova documentary.
The Tom Hanks movie.
Yeah, he's got a mullet in it running around all over the place.
No, this was even more legitimate than that.
Oh, wow.
But they really go into the techniques that he used
in this painting, especially this Fumato method
that he's very well known for,
which uses shading and some other stuff.
You're gonna have to watch the Nova episode
for it to be explained.
But the upshot of it is there's no lines in the Mona Lisa.
There's no hard lines.
There's no, he didn't paint a line.
He suggested lines.
Every line in that painting doesn't actually exist.
It's all an illusion created by the painting techniques
that he was using on the Mona Lisa.
And they really go to town explaining this
and it really makes it that much easier to appreciate.
Yeah, another thing that's mentioned here
in the House of Works article is the fact,
and this kind of stood out to me
is mostly when you see portraits especially,
oh my Lord, from that era is you have someone in a room maybe
and not necessarily a landscape as well.
There were landscapes and there were portraits
and never the tween shall meet.
But he blended those two things together
and there's a landscape behind the Mona Lisa
and an aerial perspective.
And she's very much in a big open space
with these mountains and winding paths behind her.
And your eye doesn't always go to that
because you're looking at that face and that smile.
But that dreamy landscape is certainly back there.
Yeah, and I think what they're remarking about
is that it's supposedly an imaginary landscape
and that most people didn't paint imaginary ones.
And people have tried to prove
that it actually is an imaginary.
Most recently, a pair of Italian researchers,
Olivia Nesci and Rosetta Borgia.
I don't do it nearly as well as you.
But they said, no, it's this place in Montefeltro
in the east of Italy, east of Florence
on the Adriatic coast.
And they're like, this mountain is this one.
This is this mountain.
They said this bridge used to be there,
but it's since been destroyed.
This lake is no longer here, it's filled in by mudslides.
But they're pretty sure they pinpointed it,
but that doesn't necessarily mean they're correct.
It's still speculative,
but they seem to have a pretty good case to back it up.
But their supposition is that
Lagioconda posed in front of that?
No, no, just that he, that's what he painted.
Okay.
Gotcha.
Yeah, so yeah, I don't think that they were saying
like he made her sit there for four years
or that she was ever even there.
But their point is that it's not a made-up landscape.
Well, no, I mean, I'm sure he took a photograph of her right
and then just worked from that.
Yeah.
Knowing Da Vinci, he probably did.
I will say that the Mona Lisa's eyes following you,
the Mona Lisa effect, which she did not invent,
but it is referred to that way anyway.
And I know you're pretty into this idea
that eyes can follow you.
Sure.
That works on a laptop even.
It does.
And that's a whole other short stuff, if you ask me.
But this Mona Lisa effect, it being called that,
the eyes following you around the room
and painting, that it's actually a misnomer
because they've proven that the Mona Lisa
does not actually demonstrate the Mona Lisa effect.
Oh, it did to me, man.
Does it?
I mean, I don't know.
Maybe it was the fact that I got super drunk at lunch,
but I was sitting at my desk
and I was going heavy back and forth to the left and right
and they seemed to be following me.
Or maybe it was suggested, so I saw it that way.
I don't know.
I wonder that, man.
I wonder if that is because when I looked
and saw that she doesn't have that effect,
I was like, oh yeah, I totally see it.
Some researchers measured where people pointed
on the screen or pointed on themselves
where she was looking and most people said
she was looking past them to their right
at a 30 degree angle.
Well, it may have been power suggestion.
Yeah.
For both of us, who knows?
All right.
Well, let's take a break here and you will hear
what we will say a little bit about when
and why the Mona Lisa became Supe's famous.
Living things with Chuck and Chuck.
Chuck and Chuck, all the way, stop you should know.
On the podcast, Hey Dude, the 90s called
David Lasher and Christine Taylor,
stars of the cult classic show, Hey Dude,
bring you back to the days of slip dresses
and choker necklaces.
We're gonna use Hey Dude as our jumping off point,
but we are going to unpack and dive back
into the decade of the 90s.
We lived it and now we're calling on all of our friends
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All right, Chuck, I thought that break would never come.
Right?
So, it's funny to think as famous as the Mona Lisa is,
but she was fairly neglected by the world
until the mid 19th century.
And even then, just like a small little group
of French art critics finally discovered this Da Vinci
painting and were like, this is a masterpiece.
This is an amazing work of Renaissance art.
We haven't noticed all these few hundred years,
but it's amazing.
They didn't really tell the rest of the world.
And people liked the Mona Lisa, it was fine,
but it wasn't until she was stolen off of the wall
in the Louvre in 1911 that the world really sat up
and took notice.
It's very much like that Cinderella song.
You don't know what you got until it's gone.
That happened with the Mona Lisa too.
I think they wrote that about the Mona Lisa, right?
Probably.
Yeah, August 21st, 1911, there were three handymen
that just kind of went out the side door with the Mona Lisa.
It took 26, and this is kind of evidence
that she wasn't that big of a deal yet.
It took a whole 26 hours before anyone even noticed
she was gone.
And whereas today, you know, there would be alarm bells
like the second it was removed.
Yeah.
But it was put in the papers,
and all of a sudden it kind of ran away in the press.
The Louvre shut down for a week,
and everyone from Pablo Picasso to J.P. Morgan
were named as potential suspects.
Yeah, they thought J.P. Morgan was financing people
to steal like artworks for him.
Amazing.
Yeah, and actually it's funny that we raised this other thing
Chuck real quick, there are accusations
against wealthy Chinese people who are funding art heists
to repatriate Chinese art.
Oh, interesting.
If there's like a whole string of art heists
around the world that are just ancient Chinese works of art,
and they think that some people in China are financing it.
It was a GQ article called The Great Chinese Art Heist.
Wow, well, I certainly believe in repatriation
to a certain degree, but I don't know
if you should go to that link.
So anyway, the newspapers get it out, Louvre shuts down,
people were coming to the museum to see
what was known as the Mark of Shame,
that empty, you know, non-cigarette stained square
on the wall, and everyone went and went,
is that how big it is?
That little non-dusty square.
And then it took a full 28 months for this thing
to finally reappear with an attempted resale
from Vincenzo Pereguia, and the owner of the art gallery
that was being offered this painting,
said, yeah, this is the Mona Lisa.
You know what?
I'm gonna make sure you get a good reward for this.
Just stick around and stay right there.
I'm gonna go in the other room and make a quick phone call
to the reward center.
Right, and make sure you get your reward.
So just reward right there, reward.
And then Homer Simpson just stood in place
and waited for the Italian polizia to come.
Yeah, and he got busted,
and he got eight months in prison for this.
It was a pretty big art heist,
but he was in Florence trying to sell it.
So he'd stolen it from the Louvre in Paris,
and his defense was Napoleon stole this from us,
and I was repatriating it myself.
And I think he actually kind of got, you know,
eight months isn't exactly a slap on the wrist,
but it's also not a ridiculous sentence either
for what he got, or for what he did.
So I think that actually helped that defense worked.
Do you know if he ratted out his two buddies?
I don't know, and I don't know if it would have mattered
because he was the one that lived with it
in like the false bottom of his steamer trunk
in his apartment for two years before he tried to sell it.
So I don't know if it would have helped at all.
Man, I wish I had a false bottom.
Steamer trunk, those would be pretty handy.
Oh, oh, I thought you meant like a bottom.
No, no, no, just a false bottom trunk seems like that.
False bottom girls, they make the rockin' world go around
kind of false bottom.
Stop it.
Can we say that?
It's not the 70s any longer.
I think we're okay.
Okay, you got anything else?
Nothing.
Well, then everybody, short stuff says Arrivederci.
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