THE ADAM BUXTON PODCAST - EP.225 - MIRIAM MARGOLYES
Episode Date: September 21, 2024Adam talks with British/Australian actor, writer and presenter Miriam Margolyes about airing strong opinions and causing offence, embarrassment around death, her houseguest policy, steamed veg, why Ba...rbara Streisand is up herself, why Martin Scorsese is interested in posh people and much else.THIS EPISODE CONTAINS VERY STRONG LANGUAGE This conversation was recorded face-to-face in London on July 22nd, 2024Thanks to Séamus Murphy-Mitchell for production support and conversation editing.Podcast artwork by Helen GreenRELATED LINKSADAM AND JOE LIVE AT ROYAL FESTIVAL HALL - 5th December, 2024OH MIRIAM! STORIES FROM AN EXTRAORDINARY LIFE by Miriam Margolyes - 2023 (2nd HAND FROM ABE BOOKS)THIS MUCH IS TRUE by Miriam Margolyes - 2021 (2nd HAND FROM ABE BOOKS)MILLION DOLLAR LOVER (BBC SOUNDS) Hosted on Acast. See acast.com/privacy for more information.
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I added one more podcast to the giant podcast bin.
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I took my microphone and found some human folk.
Then I recorded all the noises while we spoke.
Then I recorded all the noises while we spoke My name is Adam Buxton, I'm a man
I want you to enjoy this, that's the plan
Hey, how are you doing, Podcats?
Adam Buxton here, reporting to you from the usual crunchy farm track in Norfolk, East
Anglia and it is just into the second half of September 2024.
It's a beautiful sunny afternoon here and I am not with my best dog friend Rosie.
She's back at home. She's doing very well, but she went for a run this morning with my wife, her mum, not
actually her mum.
Rosie's real mum was a dog, but they went for a run and I think that was enough exercise
for one day for Rosie.
When I proposed going out for a summery ramble, she looked at me askance.
And when I gently encouraged her to join me with the harness and the lead, she made it
absolutely clear that that was not going to happen. I didn't want to drag her along against
her will, so I just walked her back, left her curled up on the floor in
my wife's office while she does important law business. So I'm out here on
my own I apologize but look Rosie's fine if you're wondering she's actually been
very well we had a lovely summer we went to the Lake District as a family which
we've never done before. I can't believe
it's taken all this time for me to get to the Lake District and we went for
some lovely long walks and Rosie came along. We did the whole of the Derwent
Water Walk, 10 miles or something. Rosie was yomping along very sprightly, having a great time, which makes me slightly annoyed when
she refuses to come out on relatively short walks out here with me.
I don't know, maybe she just doesn't like the podcast.
Fair enough.
It's not for everybody, is it?
But look, I'm glad you're back.
It's been an extended break this year because I've had a lot on. I was doing the live podcast shows back in the summer.
Thanks to all of you who came along. They were great fun. You'll get to hear some bits and pieces from some of those shows at some point.
But since then, I've been recording some more conversations for the new run of this podcast and trying to finish my book that's the main thing. I've got another quite serious looking deadline looming so one way or
another it's going to be wrapped up fairly soon but right now let's get back
into it shall we? Let me tell you about podcast number 225 which features a rambly conversation with the British
Australian actor writer and presenter Miriam Margulies. Margulies facts!
Born in 1941 in Oxford, England Miriam grew up in a Jewish family and studied
at Newnam College Cambridge where she was part of the legendary Footlights Theatre Club.
Her professional career began with voice acting for radio dramas and TV commercials, before
moving on to working in film, TV and on the stage. In the theatre, Miriam has starred
in acclaimed productions of She Stoops to Conquer, The Killing of Sister George, The Vagina Monologues, and,
in 1989, Dickens Women, a one-woman show written by Miriam with Sonia Fraser, in which Miriam
portrayed over 20 different characters from the works of Charles Dickens. In feature films,
Miriam has voiced characters in Babe and Happy Feet and appeared in front of the camera,
most famously, in a couple of Harry Potter films where she played her
biology teacher Professor Sprout and in Martin Scorsese's 1993 adaptation of
Edith Wharton's The Age of Innocence, a tale of suffocating upper-class mores
set in 1870s Gilded Age New York. Miriam won a
BAFTA for her role in The Age of Innocence. She has also played a demonic
nurse who works for Satan in End of Days, the Arnold Schwarzenegger film. Miriam
writes about that production in her memoir This Much Is True and talks about the fact that she accidentally farted
in one scene and Arnold Schwarzenegger was so outraged that in another scene when he had to
pin Miriam down, he was fighting the demonic nurse in the film, he took the opportunity to fart while
he was on top of her which Miriam did not find cool.
To mention just a couple of Miriam's TV roles, she appeared in the mid-1980s as Lady White
Adder in the second series of legendary sitcom Black Adder, and more recently she played
the part of the sharp-tongued Sister Mildred in the BBC's Call the Midwife.
As you'll hear in our conversation, Miriam also had a brief dalliance with American TV in the early 1990s when she was cast as the lead in
Franny's Turn, a short-lived sitcom executive produced by Norman Lear who
created the legendary American sitcoms All in the Family and The Jeffersons. In
the last few years many of Miriam's TV appearances have been
as herself, for documentaries in which she has visited Australia and America and talked
to people there in her candid and typically open-hearted way about identity and politics,
and of course she has popped up a number of times as a guest on the Graham Norton show.
It was these Graham Norton appearances, the first
of which was in 2012, that provided many people with their first taste of the full unfiltered
Margulies experience, and they were at least in part responsible for Miriam ending up doing those
documentaries and indeed writing two memoirs, This Much Is True, which was published in 2021, in which she talked about her life and her
career, and Oh Miriam, published in 2023. That contains more of her own thoughts and opinions
on love, sex, politics, old age, and much more. My conversation with Miriam was recorded in a London
studio where she'd just been doing a voiceover towards the end of July this year 2024 and that was shortly after the first assassination attempt on
Donald Trump and that was also before Joe Biden had stepped down when it
looked as though Trump was definitely going to win on November the 5th. Now
he's running against Kamala Harris there's a few more
options. He could win or he could claim the election was stolen. Having read both
of Miriam's memoirs I was aware of the kind of subjects that she's comfortable
discussing which is basically anything as far as I can tell. Even so there were
a few times during our conversation when I worried that I'd misjudged her tolerance for crudeness.
But if I had done, she didn't let on. I'm happy to say still.
I was curious to know how much that openness and outspokenness, which has become her trademark,
has led to trouble in her personal relationships, especially when it comes to
speaking out about something as divisive as the Israel-Gaza war, where criticising one
side is often taken as a blanket endorsement of the other, or indeed, if you're criticising
Israel as anti-Semitism.
Anyway, I hope you have a sense now of some of the subjects that will come up in this episode in case you would
rather avoid any of those. It's also a bit of death chat. There's some sexy business as well,
and a little bit of very strong filthy language.
So be aware. But we began with me positioning mics in the studio and Miriam
wondering how she entered the pop star phase of her career.
I'll be back at the end with Adam and Jo live podcast news and a bit more waffle.
But right now with Miriam Margulies. Here we go. RamblChat, let's have a RamblChat We'll focus first on this, then concentrate on that
Come on, let's chew the vat and have a RamblChat Put on your conversation coat and light your talking hat La la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la One, two, three. One, two, three. Sounds great.
Buxton and Margulies. Here we go. For what the world's been waiting for.
Thank you so much for doing this, Miriam. No, I'm very glad to have the opportunity.
I'm so pleased to meet you and I'm really grateful for your time.
Not at all. I'm still kind of bewildered at what's happened to me.
Yeah.
You know, that I'm suddenly terribly, well not terribly famous, but I'm, I don't know,
I've entered that curious world of the minor celebrity.
And that's, it's just very bizarre because people keep coming up to me in
the street and saying I love you and I don't know why I don't know why they do
do you really not know why you must have an idea no I don't know why I think I'm
nice you know I think I'm friendly and all that, but the kind of, when I come out
on stage, when I'm doing the show that I do, really to sell the book that I've written,
they roar like a pop star.
And I'm not a pop star.
I always say somewhat disingenuously that I'm a little
old lady trying to make a living, but I do find it puzzling. I really do.
I think that the thing people love about you, one of the things, is how straightforward
you are, how you seem fearless about saying what you really think in a climate where people are
treading ever more carefully in a good way. In some ways, you know, they're thinking harder
about the things they say and the way they might affect other people. But also people
feel that they'll get in trouble if they say the wrong thing.
I know. I've noticed that that conversation is wary. Now. People are a little bit anxious
about how they're going over to the general public and I just have no time
for that. You can't constantly be self-editing. It's not good for you.
Otherwise the directness, the immediacy of communication, which is what I love, disappears and I love
connection. I was trying to think what what's been the the watchword of my life
and it is connection. It is wanting to be with people and seeing them absorb my
personality and then my absorbing their personality and it's
that's what I long for. But you have to have confidence in yourself to do that
you have to have confidence that you are fundamentally a decent person that
you're happy with what's going to come out of your mouth more or less you may
regret the way you say certain things but I think it's most people don't know their
own mind in that way that you seem to.
I've always known my own mind. I've sometimes been wrong and one of my best points is actually
that I always admit when I'm wrong and I say that was wrong, I'm sorry. I'm very good at
that because I think it's important. I think the
word sorry is one of the words that I look for. If I pull someone up on something and
I do pull people up on things, if they don't say sorry, I get really pissed off. But I
just love immediacy. I don't want to censor myself or be anxious about what I've said.
You mustn't hurt people. You mustn't say cruel or nasty things.
But you should, and I do, say what I think.
I mean, the other day we went to a restaurant.
One of the joys of touring is that you can go out with friends and eat.
I love doing that. And the food was excellent but there was one thing that wasn't good.
And I had to say to them, the potato salad missed and I'd like you to taste it.
And they said, no, no, no no we you know we don't do
that I'm afraid I said well what a pity but I don't know how to tell you what
was wrong but if you taste it you'll know and she mentioned it to the chef
and I think he did taste it because when we went in to say goodbye afterwards he
said you were right well there you go that's good feedback.
What about though if you were in a restaurant that was just all over terrible and really they
wouldn't like where would you even start with your criticism? Would you just think I'm not going to
bother I'll just chalk this one down to experience it's not my kind of place or would you sit down
and say look I've got to tell you you're running a terrible establishment here. I wouldn't do that
I would just forget about it because you know I'm not a hotel inspector. Yeah, it's not my job
But if I thought there was some hope of saving things that I would say something
But if they were just hopeless I'd I would lie. I mean I would say something, but if they were just hopeless, I would lie. I mean, I would say,
that was great, thank you very much, and just leave it and go.
Yeah. How does it work? I'm interested because I've read both your books. Have you written
more than two books?
I wrote a book called With Sonia Fraser, who was my original director on Dickens' women, we wrote Dickens' women, we wrote it as a
book, but it wasn't a book about me, it was a book about Mr.
Dickens. I've read O Miriam and I've read This Much Is True, your memoirs, and do
you change a lot of names when you're talking about your uncle-in-law, for
example, your auntie's
husband and you call him an absolute shit of a man and then you name him, have
you changed that name? No. Wasn't that complicated for your extended family? I
don't know. I don't know if it was complicated or not. It was true, that's the point.
I didn't think about that.
But don't you get people coming after you from your family?
Do you not get email blasts out of the blue saying, hey, I just read what you said about
Uncle Trevor.
That wasn't cool.
No.
Okay.
I think they just leave me alone or they agree because usually if people are really ghastly
everybody thinks so and
I'm not sure that it was a man that that I spoke about. I think it was actually my
My aunt that was so awful who married my father's
brother
she was married my father's brother. She was the... Can I say bitch?
You say what you want.
Okay. She was.
You can go for it. Use all the words on this podcast. How about your partner though? You
do talk about her and you describe your relationship in a very beautiful way, and you talk about how you met.
You're also quite explicit about the passion
that there was between you.
You're, I mean, it's not absolute pornography,
but it's more explicit than I would be
about my wife, for example.
I know that if I even described having a kiss with my wife
the way you do with your partner, I would get some grief.
Oh, what a pity. Well, Heather is a very private person and she hasn't read either of my books. And I must say I'm relieved because I don't think she would like her name mentioned at all.
She gets very irritated actually when she looks herself up in Wikipedia or
something and her name is mentioned, the partner of Miriam Margulies. That offends her and
I understand that completely. So I dedicated my first book to her, perfectly certain that
she would never read it and she hasn't. But I don't think I've said anything that she would dispute. She just
would rather it were not available to the general public.
Yeah.
And I think that's fair enough. I kind of regret having been
perhaps a little specific. But you you know we've been together for 57 years
and that is an unusual number of years for people to stay together and it
hasn't all been wonderful it like every relationship it's you know how people
say oh we've had our ups and downs. Of course, of course, life is ups and downs.
But I found somebody, I think, quite, quite perfect.
She did not.
She found somebody who was good, a good person, but not perfect.
She is perfect.
Ah, that's nice.
I guess the thing is,
the longer I am married, I've been married since 2001.
That's not very long.
I mean, nearly 25 years. That's quite good.
Yeah, it's true, because you're not 83.
Yeah.
I mean, you have to be 83 to be married to somebody for 57 years.
Exactly.
So I don't feel I'm doing too badly,
especially as I'm
now entering a phase where some of my friends are getting divorced and their long-term relationships
are coming to an end. And now because that has begun to happen, me and my wife are, I've noticed
softer when we have a row because we're a bit more
Protective of the relationship now that we have seen that it can end
You know what I mean? Like watching other friends suddenly split up and you think oh shit. That's an option, is it?
Yes, it's it it is a perilous adventure marriage and
It's worth it if if you get the right person but some people really choose badly and obviously you have chosen well and I chose brilliantly yes
but do you ever think people have the wrong idea when it comes to the perfect
relationship ie they are too much the perfectionist,
they've seen too many films where you're waiting
for the right person and they are everything
you want them to be.
And actually, the secret of a successful
long-term relationship is making peace
with the fact that there are many areas
where you're never really going to connect,
but overall, there's a meaningful
bond. Does that make sense? Yes, yes it does. I think ours is slightly different
because we don't live together and most people live together and I think that is
a stressful closeness. Living together.
Living together.
Ours is a less stressful closeness because we don't.
But now we want to.
Now we want to.
And bloody Boris Johnson with Brexit
and all that nonsense has stopped us living together
in the place that we intended,
which was in our house in Italy, because we can't stay there for longer than 90 days in every
180. So our plans for our ending together, to be together until we both stop, then
we can't do that, and that is really irritating.
So we're working out now, or trying to work out what we do with our last days.
Because death is the last big thing, as I say, and I think we need to prepare for it.
I think you're right. We're not a culture that does really prepare though, are we?
No. I think people are right, we're not a culture that does really prepare though, are we?
No, well I think people are embarrassed by death. I mean one of the things I was saying last night I was in Cardiff and I was talking about death and I said it's an embarrassment,
people don't really, you know, you say pass away instead of die and I don't like that I always say die and death I prefer to
be absolutely on the nail with it and people are embarrassed by it they don't
talk about somebody who's recently died and I I always do if I hear that
somebody's husband has died I will always say I'm so sorry to
hear that your husband's died tell me about it if you want to because I think
that is genuine you know that's facing a true fact and and dealing with it but
people don't want to do that and they put people in these funny plush coffins. I don't get that. You know,
Jewish people never do that. We always have very, very plain deal wood coffin. I
had one, I did one on a program. I did a program about death and coffin club have
a special coffin that you can mail order and I tried it out and the
thing that was embarrassing I'm a bit fat and I had to get into it quite
gingerly and I just about fitted and then of course you had to put the lid on
and that was not an easy business but you know I had to kind of hold on to my tits to stop
them from poking into the lid. To get some guys to sit on it. That could happen
I mean it but it was just a rather odd feeling. Yeah I'm sure it was an odd
feeling but you haven't picked out the casket that you're gonna end up in yet
have you? Oh yes, if I get buried
and I'm still not sure about whether I will or not but it seems an awful
taking up of space. No I have the coffin I got it from Coffin Club. Oh yeah. It's
in I think it might be in my attic if If not, it's in Hastings waiting for me.
But it's very plain.
It's just got a Star of David on it,
because I thought I ought to make some acknowledgement
about my Jewishness.
And so that's all.
But death is an unvarnished business, I think.
I was speaking of coffins though,
I saw a program the other day with a guy there who does bespoke coffins for car
enthusiasts so he will build you a big what looks like a Cadillac a beautiful
Cadillac but it is actually a coffin. Oh I think that's appalling. The height of vulgarity.
But what does vulgarity mean after you're dead though?
Well, it means something to the idea of non-vulgarity.
I mean, vulgarity is a real thing.
We're guilty of it sometimes, but I think to have a Cadillac for a coffin.
It's really nice though.
I mean, a built one.
Yeah, I like Cadillacs.
It was beautifully made.
But the other day, me and my family went walking
in the Lake District and we attached the roof rack thing.
You know, one of those, it's a Tula, T-H-U-L-E,
and it looks like a kind of silver.
Oh, I know, yes, I know what that is.
Coffin.
Yes.
And I was thinking, I said to
my wife, this is where I've got to end up, in the Tula. On the top of the car. Bury me
in the Tula. I think that would be, surely someone has been buried in one of those roof
racks, don't you reckon? I don't actually think so, but I think it's a perfectly fair
enough thing to do. I want to be in the roof rack in my fleece with my shorts on
That's quintessential me. Well, I don't know you very well
Yet and um, I might think again about that
It's not biodegradable
No, it wouldn't be so that's not not good. Yeah but the body is. Yeah yeah.
The body is biodegradable. But there's lots of room in that tulah, it's pretty good.
Have you known someone who was, we're not going to just talk about death for the whole time. No
no we'll talk about life. Sure but I do think it's an interesting subject and if you don't mind me asking you about it. Not at all. Have you known someone who had a quote good death who was prepared in some way and dealt with it well?
I think my father dealt with it well. He wasn't a great thinker. Life just happened to daddy
great thinker. Life just happened to Daddy and so he didn't mull over things and prepare but he was 96 when he died which is quite an age and he was largely
unworried by death I think because I remember saying to him are you not
afraid to die Daddy? Don't you worry
about it? He said, no, why would I be worried about death? I mean, nothing to worry about.
It's inevitable. You just accept it. And he was like that. He was very, he wasn't spiritual
in any way. He was temporal and a very good, decent man. And I said to him,
Daddy, I think you might have Alzheimer's. And he said, well, you know, at my age,
I'm entitled to Alzheimer's. And I thought that was a very sweet remark.
He wasn't always sweet. I mean, he was very, he wasn't pleased that I was a lesbian. And we watched
a program once together, sitting together watching the television, and there was a man
who was changing sex or something like that. And he looked at me rather nervously. He said,
you're nothing like that, are you? I said, no, of course I'm not. I was quite irritated
that his perceptions were so blunted that he knew by that time that you
were a lesbian. Yes. And so he was seeing this person and
thinking, Oh, is that is that what you're going to be? Yes.
Yes. And, you know, he wasn't, he wasn't liberal in his
attitudes. He was very closed and fixed. But he was kind and he was decent, a decent man.
And you still had a relationship with him after, so it couldn't have been disastrous
the way it is for some people when they come out, the relationship really suffers.
Well with Mummy it was awful because, I mean it was just the collapse of all her hopes and dreams for me and
for herself as well to be a grandma and it destroyed her I think in some ways I
really do but daddy I don't think he was capable of deep emotion he doesn't feel
things the way that mommy and I felt things. And when he died, he was looked after
by women from the cradle to the grave. Because first his mother and nursemaids looked after
him and then my mother looked after him and then I looked after him. And when I stopped
looking after him, nurses looked after him and I had
him at home. And that my sweet, I think, sweet story about daddy is I brought him to live
in my house because he really was incapable, he had a stroke I think, he just stopped being
able to look after himself. So I sold the house in Oxford where he lived and I brought him to London and for two weeks he was recovering in London and then I said
daddy I want you to live downstairs in the flat that I have which I now live in
in fact and he said a doctor doesn't live in a basement flat and I said look
it's not really a basement. It's lovely. I
want you to look at it. Well, he wouldn't, and he locked himself in the room that I had
reserved for him when he came to London. But eventually I said to him, look, Daddy, I give
you my word of honour. I won't make you move downstairs. I won't do that to you, but please will you look
at this flat because I've really done my best with it. I gave the people notice who lived in it
and I paid them actually to leave early and I had it decorated and it was really nice."
And he said, all right, if you make that promise that you will not move me to a care home or something like that,
I'll have a look at it, a promise.
So he came downstairs and it was just down the front steps, you know, and into the garden and all around.
And he looked at the bedroom, the kitchen and the bath.
He said, it's very nice actually then he paused he said this is not a basement
flat Miriam this is a garden flat and so he moved in very nice why didn't he like
the idea of the basement flat well in the world that he had lived in before, in Glasgow, and he lived in the slums of Glasgow
when he was a boy, people who lived in basements were the dregs, they were the hoi polloi,
and he was very class-conscious.
And so he wouldn't have wanted to be part of that cohort at all. When you write about your dad in This Much Is True
you say he was handsome despite being of below average height. I was a bit offended
by that line. Are you below average? Yeah I I would say. Are you really? Well, I'm practically
a dwarf. I mean, I'm four, I think I'm four foot ten, which was the height of Queen Victoria.
And you know what a funny, dumpy little woman she was. But I used to be five foot. You know,
I had class. But as I got older, and this does happen, I shrank.
And I'm irritated by it because I now have to carry a stool with me everywhere so that
I can reach the cupboards.
If I'm in a house, I might be touring and renting somewhere which has high cupboards.
And I hate that.
So either people have to reach down all the cups and
blades or I have to bring the stool with me and get up on it. Yeah. I must say you do look very
well, like you're in good shape. You're 83 years old and I got a look at your schedule because we
were arranging this podcast and you very kindly fitted us in to an incredibly
busy schedule that just made me tired just looking at it.
You've got sort of three or four big things every day, whether it's an interview or a
TV appearance or an acting job or whatever it might be.
It's absolutely packed.
And I'm just in awe of how you have the energy for that.
I would find that difficult now, aged 55, if I was that busy.
It is difficult and I do get tired.
But when I talk to somebody, I can perk up and the adrenaline kicks in and the joy of
contact invigorates me but then when you go out of the room I'll just
sort of deflate, I'll slump and be just a just a slumpy old lady. You'll lose
another edge. I'm afraid so but I'm glad to be able to do things and I want to do
things as long as I can that's what I want. You talk as well
about you're very honest when you talk about wanting to be liked and that seems
like a very vulnerable, a vulnerable thing to say. Well it's the truth.
You know truth makes you strong. If you tell the truth you're stronger than
anybody in the world. I'm stronger
than Trump and Boris Johnson because all they could do is lie. But I tell the truth and
that always works. That's stronger than anything.
It's a funny thing though, admitting to wanting to be liked because doesn't that make people suspicious of your motives?
Doesn't it make them... because there's a thin line between wanting to be liked
and being ingratiating, right? And you don't want to be ingratiating.
I don't find relationships difficult. I don't find that I have to pussy foot and negotiate every contact and every meeting and every
Every moment with people. I just
Enjoy it. I sail through my my intercourse my social intercourse and I
Don't think I'm ingratiating. I mean, I don't give a fuck whether I am or not.
I do in the moment what I want to do.
And I think the immediacy,
and I'm blessed with this really open face,
you know, it's a good face for contact.
And so it connects, I connect with people.
And I don't think I'm ingratiating.
I mean I might praise somebody when somebody else might not praise them, but I don't hold
back with that.
But it's not just to make them like me.
But if you want to have real contact with people, and I'm sure you know this because your life is making podcasts and talking to people and having them open to you. People need
a little bit of oil for the door to open, just a little bit, but it has to be pure
oil, it can't be rancid. Otherwise it doesn't work.
Yeah, yeah. Maybe the difference between wanting to be liked and being ingratiating is that
you want to be liked on your own terms. You don't want to be liked for the sake of it.
No, I mean I don't want to be liked by people who are shits.
I don't give a bugger about them. So you don't waste too much time. I mean, I've seen you talking a little bit about some
of the uncomfortable and unhappy conversations you've had around Palestine and around Gaza.
And the fact that you have ended up losing friends over that, because they don't like
what you say about the issue, or how you say say it maybe. I mean, that must be painful in itself, but are you tortured by it? Do you worry that you have
said the wrong things? Do you worry about the friends that you have lost in the course of having
those conversations? I worry about having lost a couple of very close friends and when one in particular who is Jewish and
lives in Israel, when he said, I don't want to be friends anymore, go well on your journey,
don't contact me again, and he was somebody to whom I was very close and that was and is a deep hurt
and that doesn't go away but I can't help it because I know I'm right I don't
know that I'm right about everything but I do know that I'm right about everything, but I do know that I'm right about the immorality of the Israeli
position on Gaza and the activities of the Netanyahu government. That I know for sure.
They have done wrong, and it doesn't please me to say it. It's uncomfortable. But if I didn't acknowledge it, if I
pussyfooted around that issue, I would be, I think, in a moral quagmire. And I
don't want to do that. As I've got older, I think it's clear to me what's good
and what's bad, and that is why I do what I do and say what I say and although my heart was
broken I accepted it because he could not make the the effort to see what was in
my mind and he only saw the betrayal and the shock of seeming to endorse the killing that Hamas
started on the 7th of October. Well, it happened and I'm terribly sad that I've offended some But to me, they proved that Hitler had won.
And that for me was such a shock.
That really hurt me, because I didn't want to think that was possible.
But it's true. The essential decency and compassion of the Jewish people has been squeezed out, evaporated,
and it is a terribly sad thing.
But if I don't speak out against what I think is wrong, who am I?
What can I say about anything? It takes away the point of being alive.
Your relationship with your friend who wrote to you and said that he didn't feel he could still be friends with you,
would you have been prepared to continue your friendship with him despite your difference of opinion? I think we should have talked.
I don't think he should have responded as he did.
It was because I signed a letter with some other protesters about the situation, a lot
of artists, and he just wrote it off completely.
I think he should
have, we should have talked. I feel bad asking you about it. I can see how
upsetting it is. It is upsetting but you know that my decency is is true it's there
and I'm glad I'm as I am I don't want to be different. These are strange times in
so many ways when it comes to these kinds of divisions and these kinds of
very painful conversations and the disagreements around them, because you do feel like, well, we do have to get
along whether you feel absolutely right or in the right on any subject, there is a possibility
that you're not completely right. There is a possibility that those you extremely deeply disagree with have some valid points. You know, it's like do we
try and find some common ground or do we all just have to turn our backs on each
other if we can't concede to each other's way of looking at the world?
Better jaw jaw than war war. Yeah, you know, probably we're looking,
I don't want to get especially political, but we are probably looking at another four
years of Donald Trump. Oh, I've been saying that for years. Yeah. So it's going to be
a challenge to those who disagree with him and dislike the way he does things to get it right as far as how they talk
about him. I was wondering what it was like for world leaders who must also of course be pondering
the forthcoming election in America and wondering how they're going to react to it and much more
important how they'd react than how we as individuals react.
Yeah.
And I think we're all thinking about that.
What happens when he takes over?
What happens when he tries to undo gay marriage?
How do we deal with that?
What is the correct human response? And I'm afraid I feel a
bit intransigent about it. I want always, I mean, you know, I do documentaries and
one of the things I say in my documentaries is I want to meet the
enemy. I want to try to understand the enemy and then maybe they won't be the
enemy. If I understand why, I might be able to move my position and it won't be so tense
or so hostile. But you know, with Trump, I absolutely feel hostile.
If I had him in front of me, I would say exactly the same.
You are contemptible.
But I think with him, with someone like him,
part of the problem is that he is never really
going to concede very much at all.
No, I know that.
To anyone, he's not gonna go,
well, I hadn't really thought about it like that.
That's a good point, let me go and think about that for a while. His whole MO, a person
like that, is to project strength by not dithering and just saying, no, I'm right about this and,
and I'm not going to hear anyone's differing opinion at all. Which is what I just said about
differing opinion at all. Which is what I just said about my attitude to Israel.
I know.
But you see, I'm good and he isn't.
I don't know how else to establish a difference between us.
I don't know what is going to happen.
I think we're all pondering and wondering.
And I just tell my American friends to leave, to get out while you can.
It's a shame isn't it? It's a beautiful country.
Yes, it is. I've lived there for 16 years.
Where did you live?
In Santa Monica.
Oh.
So it's not really America. I mean it wasn't the...
Santa Monica is part of California is it?
It is.
Yeah.
Yeah. Near Los Angeles. it's the kind of beach city
of Los Angeles. Yeah. And it's very beautiful and you know, I had Seaview and
and sands and money and friends and a car and all those sort of things. Living the
Hollywood High life? Yes, in a way. In a smaller scale. When was that? It was in the late 80s and 90s.
You were doing a fair bit of film work around that time. I was doing quite a bit of film work and
it happened because I met Norman Lear, who was a well-known comedy producer, and he took me on as a kind of possible talent and he paid me a
lot of money to do nothing at all. I couldn't believe it. I was just there
swanning about and being wined and dined by people and having supper with Walter
Matow and things like that which was gorgeous. So I had a nice time.
Yeah. But you did a sitcom out there in the States, didn't you?
Yes, I did. That was Norman Lear's stable.
Right. What was it that he had seen you in that got him so excited and he thought,
I've got to develop a sitcom for Miriam.
He saw me on Johnny Carson's chat show.
Ah. Johnny Carson's chat show and Johnny Carson saw me on the Today show with
Katie Couric and he brought me over to LA and interviewed me and everybody
thought I was terribly funny and sort of amusing and charming and different I
don't know whatever they thought and I knew I was clever, and I am clever, but I don't know why they
reacted quite so. Anyway, he signed me up to do, and I got an agent, a wonderful agent,
Susan Smith, and that was it. That's how I came to do a sitcom, and it was lovely doing
the sitcom. I adored it. My fellow actors were simply heavenly. Tomas Millian played my husband,
who was a, he was Cuban and he played a Cuban man who was unreconstructed. And I was Franny,
who was a sparky semstress from New Jersey who wanted to be modern and have a modern way of life.
And that was the premise of it.
And I was good, but the writing didn't work and it folded.
After six or five episodes, it was an ignominious end.
And the interesting thing for me was that the minute it was taken off air I
never got another phone call that was it. That was it from Hollywood?
Absolutely. Yeah it's brutal. I was a dead duck. Brutal. Did that not sting? It was
puzzling at first I didn't quite understand because I didn't know that people could be so
Nakedly nasty that they were only interested in success and
Also, and I this is kind of a joke, but they were terrified of fat and so I
was always fat and
There was also a suspicion that I might be gay
I was always fat and there was also a suspicion that I might be gay. But Susan Smith said, don't talk about it, please.
Just leave that part out.
You don't need to say anything.
So I didn't.
But you know, people knew.
I don't know.
The Americans, well, the Californians, they're scared of failure.
Failure for them is a bitter pill.
And I don't like failure, but it doesn't define you.
It just leads you to the next success.
Yes.
Well, they're the most valuable learning experiences in most ways, aren't they?
Absolutely.
And people said to me, you will be successful
when you're older.
And as I say, I never expected to be this old.
I thought it would come a bit sooner.
To be 83 and everybody knows me, it's OK.
But it would have been nice if it had been earlier.
Oh, yeah. But it was all ticking along quite nicely before then. I mean, come on.
Not bad, but it could have been better.
What would the ideal of success have looked like to you 30 years ago or something?
To be asked to be in things at the National and the RSC, to be a working actress in quality
material. And that didn't happen.
Yeah, but I mean, you ended up in so many quality productions despite, but maybe not
as many as you would have preferred.
No. I mean, nobody has the career. Sure. You just don't get that.
Even Judi Dench is sort of irritated that she didn't get some parts and do
some things. But you can't look back. You just have to be grateful for what you've
got. Plus you have got a lot of good anecdote fodder out of your various encounters being
farted on by Schwarzenegger, etc.
Yes.
Yes.
Well, I owe a lot to Graham Norton because when he brought me onto his shows, I started
to become well-known. And that was what began everything. Everything for now. I'm gonna be a good boy. This is, by the way, of your career. This is just a sort of questionnaire about what
you're like as a person and what you would be like if I came to stay with you. Do you
have houseguests ever?
Oh, God, I have houseguests all the Right. But the reason I have house guests is because I've got Marina, who has been looking
after me for 26 or 27 years. And you know, she does the sheets and cooks and things like that.
I don't look after people. I have the space to offer and that I do
well so let's pretend I'm coming to stay at Chez Margulies for a few nights if I
use the loo at night should I flush no why not because it will wake me up wake
you up and it doesn't matter look if you have you have a shit, you flush. If you don't have a shit, you don't flush.
You flush in the morning.
Thank you. How long can I lie in?
As long as you like.
That's cool. Is it okay to smoke in bed?
Not in my house.
Can I look through your books? Oh, yes, I love people doing that. I don't
like them taking them away. Sometimes people just take them away. I don't like that.
On the last day should I strip the bed? I do prefer it if people do that but some
people, you know, my guests are usually quite elderly, So I say could you leave 20 pounds for Marina and she will
do what's necessary.
Perfect. What kind of a present is best for your houseguest to bring? Would you like your
houseguests to bring a present?
No, I stipulate what I want. I either want a spray perfume of Joe Malone, lime, basil and mandarin. If
they're, if I know they're not well off, I say the smaller spray bottle. If I
think they can afford it, the larger one. And the other present that they could
give me is a rose from David Austin's roses.
Beautiful. Noted. May I ask you what your wanking policy is?
Is it like if everyone is out of the house, would it be okay to crack one off?
I don't know that I have a wanking policy because most of the people I know don't ask me about it.
No. I hesitated to ask you. Oh, no, I mean, I'm
glad you asked. I think the problem about wanking is that when men wank, there is an
issue. There is. And I think an issue must have a tissue. So I really really do I would rather not have stained sheets that
upsets me and would upset Marina but it hasn't come up recently so I don't think
anybody I mean I suppose people have wanked in my house but they've never
told me and I I haven't actually seen evidence of it. Mm-hmm. You've never been in a fancy house and thought
type of wank
Not for years, I
Honestly don't think the last time I went was because I had my yoni steamed in Australia
Which was last year. What's a yoni? Yoni's a cunt
which was last year. What's a yoni? A yoni's a cunt. It's what they call it. I thought it was like a device of some kind. Well it is a device if you like.
Yeah. It's an enclosure. Sure. And it's steamed. Yes, it's I talk about it actually
In my show what you do is you boil water you sit in a chair, which has no seat
You put the water the steaming water in a bowl and fill it with herbs I said galo and oregano and everybody said no, it can't be gone in a rig. So garlic I mean, um
Garlic and oregano. Yeah, but I think I got muddled with pasta so I don't think
that's that's actually what it is I think it's you know there's lavender and
mint and sage you know things that have a nice smell and then you you you sit
over this steaming saucepan and you part your labia and your legs and it wafts up and just soothes the area.
Hmm. I mean you could probably, men could probably do something similar, right?
Men can do it up their arse. I don't quite know how effective that's going to be because I can't
quite imagine an arse hole. But you could do the meat and two veg though, couldn't you? That
would be worth doing. I don't know what that means. The scrotum, the scrotal area. Is that
what they call it? Meat and two veg? Yeah. I've never heard that. You're not. I think that's... Meat and two veg! Sure. Ha ha! That's funny.
Ha ha!
Ha ha!
Oh, I think that's quite funny.
Now, I've heard it called tackle and, you know, that sort of thing.
Yeah. But what were you inquiring about this dish?
The steaming, the steaming of the meat and two veg.
No, I think it has to... well, it could be front body.
Yeah, I don't know.
But I mean, I haven't for many years bothered about wanking.
It's not because I have a partner in any way
I'm not interested in sex now.
Does it, I wanted to ask you about that.
I don't know how much, you see,
this conversation would make my wife cringe.
She would go- I'm sure it would. Yeah. And I apologize- Well, don't play it to her then. Okay, I won't, I won't know how much you see this this conversation would make my wife cringe she would I'm sure it would yeah
And I apologize don't play it to her. Okay, I won't I won't
I mean, maybe I will one day and it'll be sexy. But um, is it a question of sexual desire sort of just very gradually?
Diminishing or does it is it like one from one week to the next you just think well, I'm not going to do that again
Is it like from one week to the next? You just think, well, I'm not going to do that again.
No, I think it's just gradually as you get older.
In my case, as I got older, I stopped being interested in it for myself.
I'm still fascinated by other people's sex lives and how they conduct them.
But I know that I love my partner and she loves me and we don't do sex anymore,
but we are happy together and we want to be together.
And that for me is enough.
I think sex is wildly over discussed and over stimulated and it really is.
And I've somehow cornered the market, not exactly, but a bit, in being
extraordinarily explicit in front of people in these shows that I do. And I think they
do come to hear that. They want to hear a well-spoken woman say, cunt and cocksucker and they laugh and they find it funny. I suppose it is funny
a bit, but there are limits to how long you can go on talking about that sort of thing.
Well, I hope I haven't strayed too far below for too long.
Not at all. No, I mean, it is worth talking about because everybody's interested in it.
It is a universal, practically an obsession.
Yeah.
But...
Plus I've been introduced to the concept of steaming my...
No, you haven't got a yawning, I have.
Yeah, but I've got bits. They can be steamed.
Dear boy, your bits are not in doubt. Here's a question from my wife and she says you were in the film Yentl.
Yes.
In 1983 that came out.
1983, I mean a big deal for a film in 1983 to be co-written, co-produced and directed
by a woman, Barbara Streisand, and she is well recognized and well respected as a powerful
woman in the industry and an extremely accomplished person. My wife was wondering
what it was like for you as a similarly powerful and self-possessed woman working with someone
like Barbara Streisand. Was she the kind of woman who would feel threatened by someone
like you?
Oh, not at all. She wouldn't feel threatened by anybody. No, I mean, I was an extra in that film and I remember meeting her and liking
her very much and I think she liked me. She was young, I mean, we were all, well, not
that young, I mean, we were 41. She's the same age as me, actually. And I said, you
know, she said, how old are you? And I said, 41 you're 41 hmm I'm 41 and I thought Christ the difference in our lives you you have the
world at your feet and I'm scrabbling for an extra part but she gave me the
respect and attention that she gave people and I loved her for that she was
great I mean I didn't tell her that
years ago I joined her fan club because I remember at Cambridge somebody played
a record of hers, Who's Afraid of the Big Bad Wolf and it was brilliant and I
thought that's a talent. I didn't realize you were a fan. Have you exchanged? Not now,
not anymore. Right.
I'm not a fan now. I worked for her again and I found her cold and dismissive of people
and really locked into the persona of being Barbara Streisand, but immensely gifted nonetheless.
When was the second time you worked with her?
About five years ago on a film called The Guilt Trip.
Oh yeah.
With Seth Rogen.
Right, haven't seen that one.
I haven't seen it either.
But it was, you know, she was just too up herself really.
And I require people to be humble. I think it's extremely important.
Maybe she was having a bad time, maybe she just felt out of place and she was defensive.
You can make any kind of excuses but I don't accept them.
Maybe Rogan rubbed her up the wrong way. I wouldn't be surprised. I don't think they got that close. Right.
Have you ever compared notes with Richard E Grant who is an absolute stricend fanatic?
Yes I have. Oh yes we've talked about him. I love Richard. He is a majestic, wonderful
man. I love him.
Did you get to know him on Age of Innocence? Was he in that?
He was. And it was full of English people.
And I have mentioned this before, but I asked Mr Scorsese,
why do you have so many English people? Why are you making a film about Tony people,
about posh types, when your milieu has always been
the criminal gangs of New York?
And he said, because I'm interested in brutality.
Oh.
I thought that was an amazing remark and I think
It's true that there is brutality in the upper classes
You only have to look at Jacob Rees-Mogg and you know, there's a violent criminal in there
Jacob Rees-Mogg he's doing a
reality show now where they follow him and his family around and I
think it's part of an effort to kind of reinvent himself after the collapse of
the Tory party as a more approachable and furry figure do you you're not gonna
be watching that no no I shall be watching that? No, no, I shan't be watching that.
I think he's contemptible.
Well, I talked to another podcast guest, Tim Key, about that image of him slouching on
the benches and how contemptuous that image was.
And that sort of left me with an impression that I've found hard to shake, however polite
he is, because he's one of those people that many impression that I've found hard to shake, however polite he is,
because he's one of those people that, many people that encounter him will tell you that
he's very polite and...
Oh, I'm sure he is. He's very well brought up. He has every advantage. But his remarks
about those who perished in the Grenfell flames, they lacked common sense. I can't forget that. That's a lack of compassion,
a lack of humanity. So he can go on a reality show till the cows come home, but I shan't
be watching. Brutality is a good word. Well, maybe that kind of brutality is part of the experience of being a boarding school and
having a class of people who are prepared to have that be the standard way of educating
their children, to send them off.
It may well be. I think it does. The class system perpetuates itself.
Yeah. Miriam, we are coming towards the end of this conversation.
Are you okay to carry on for about 10 minutes or something?
Yes.
Would you like a break or a drink of water or anything?
If I break, I won't be put together again.
All right. Okay.
We'll go on.
Okay.
Am I like what you expected?
Yeah, in the best way.
Everybody says that. It's
really quite bizarre. Well, nobody's ever surprised by me. No, that's a nice thing,
though, isn't it? Yes, I suppose it is. I mean, it's just... Maybe I'm surprised that
you are what I expected. There was part of me that thought perhaps she's a little bit
more reserved or perhaps some of that willingness
to talk about outrageous things is a bit of a front and actually when it comes down to
it, it might not be so easy. So I'm glad to find that that's not the case.
No, I haven't got a front. It's all just a window.
I want to ask about getting older, if that's okay?
Yeah, I'm an expert on that.
Yeah, well, I'm 55. I was interested to know what you would say to the 55-year-old Miriam.
Was she a very different person to the one you are now?
I don't think so.
I would say just keep going.
So there's nothing you've learned in the intervening years?
Oh, I hope I have.
I hope I've learned something.
But I'm not sure I listen to what I've learned. I, because I would say, don't worry so much.
Relax.
Don't care so much.
But I still do.
And I still worry.
I'm anxious.
I'm a little frightened of things, I think.
But I don't know if age allows you to learn because as you age things go
wrong with your body and that's the real bugger because I could run if I could remember things but I can't so you just do the
best you can and that's what daddy said no I'm not afraid of death you just do
the best you can that's all you can do after all do the best you you can. When we were talking earlier about
people's awkwardness around the subject of death and you were saying they find
it embarrassing, I suppose I was thinking, well, perhaps more often they find it
fearful and they would they just don't want to even engage with the subject
because that would mean engaging with their own fears.
Yes, I'm sure that's true. I did a whole program about death on the BBC and I went to Holland and I sat in one of those pods which they inject you or something and you just kind of sail away in
your mind to music and pictures of the sea.
As a final exit?
As a deliberate exit.
A euthanasia chair.
As an euthanasia, yes.
Which I strongly believe in, I do.
But it's so funny because you know, people when they think of me, they think of me as
somebody who's funny.
That's one of the things they think.
But you and I have talked and I have not been funny.
I have been immensely serious, almost groaningly melancholic.
And I wonder, is that you that's doing that to me,
or am I doing it to you?
But it's certainly true.
I had an audience in Stitches last night in Cardiff,
lovely people. I was so witty and funny and
fast and amusing and I haven't given you any of that side of myself. I've only been contemplative,
reflective, a little anxious, a little sad. It's still Miriam but it's only half, half the pudding.
Well, it was a delicious half.
I fear that that's me projecting my own anxieties onto this conversation.
I don't necessarily think that's true because I've thought about it a lot.
I'm concerned because I feel my powers waning, my bodily powers, certainly. When my mental
powers go, then I think I'll pack it in. I mean, that really is the fucking end. Think
about Biden. I mean, that poor chap having to say to people in the world, I'm finished.
I'm not good enough to finish what I started, I've got to leave in the middle.
I mean that really is a hellish thing. I feel very sorry for him.
And you know, I didn't want Trump to die. If we want him to die, we're as bad as he is, we've let ourselves down. But I certainly
feel a bit like that photo of Melania that everybody saw which said she was on
the phone and she said, what do you mean he missed?
And do you mind if we take a photograph with both of us in it?
Yes, of course.
Who listens to these programs?
That's a good question.
Lonely...
Lonely wankers.
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Continue.
Hey, welcome back, podcats.
And lonely wankers. All welcome.
That was Miriam Margulies, and I'm very grateful to her indeed for making the time to talk to me and for being so friendly and open.
If you enjoyed that conversation and you haven't yet read her memoirs, I do recommend them.
There are links in the description of today's podcast to Oh
Miriam and This Much Is True. By the way, as far as being buried in the car
storage rack, the Thula, I asked ChatGPT if anyone else had been
buried in a Thula and And, uh, Jeeps said
As of my knowledge cut off in September 2021,
there are no known or documented cases of anyone being buried in a Thula roof rack.
Thula roof racks are designed for transporting gear on top of vehicles,
not as a burial method or coffin.
While it might sound like the setup for a humorous or absurd urban legend, this type of burial would be highly unconventional,
impractical and likely illegal, giving the various regulations surrounding
burials and body handling. Thanks Jeeps. So anyway, how are you doing podcats? It's
good to be back. I'm in an unfamiliar part of the countryside around Castle Buckles in a little woodland
area and it's like a scene from The Rings of Power with beautiful sunlight coming through
the trees, although no half-foots, and elves called Grimgrom's Elibobble. It's a little shout
out to all the Rings of Power fans out there. I believe it's quite a select
club. Anyway I'm sitting beneath a tree now. You can hear the rush hour traffic
on this balmy afternoon in September.
It's really nice and peaceful.
I wish Rosie was here, but yeah, she wasn't up for it.
I'll try and get her out next time, but she's doing fine if you're wondering.
She's on good form actually.
I mentioned at the beginning of the podcast that we have another Adam and Jo Live event
coming up on the 5th of December, Thursday the 5th, at the Royal Festival Hall.
Once again we are doing some Christmas podcast waffling live on that day.
We're doing two shows in fact, back to back, and the 7pm performance is sold out,
but there are a few tickets remaining for the 9.30 performance. That'll be the even more
relaxed and unguarded performance, the 9.30, but I appreciate it's quite late for some.
Currently the plan is for myself and Joe to meet up and record a Christmas podcast
face to face after the live shows so that we've kind of got the best of both worlds because I appreciate some of you guys prefer when it's just face-to-face for the Christmas
podcast not in front of an audience I get that we're gonna mix things up and
see how it goes maybe I'll include a few bits from the live shows in the
Christmas Day podcast but if you would like to come along and be part of the live experience and see me and
Joe all old and unedited, then come along to that 9.30 performance on the 5th of December.
There's links for tickets in the description of today's podcast.
Finally a recommendation for another podcast.
Actually it was Louis Theroux who told me about this one.
And it is very good million-dollar lover
part of the intrigue
series on BBC Radio 4 I believe
But anyway, you can now hear it as a podcast on BBC Sounds again link in the description
And I think it came out towards the end of last year
2023 it is well And I think it came out towards the end of last year, 2023.
It is, well, it's not exactly true crime as I think of it, which is not a genre that I
normally enjoy, although there are definite crime elements in it.
And there's some shocking stuff in it, actually, as well about some of the things the bloke
involved with this podcast got up to in his
younger days as a drug addict. Anyway, it's really a fascinating thing. It's a veteran
journalist called Sue Mitchell, crime reporter who put this thing together. She lives part
of the time anyway in a town called Cayucas in California and it's a sort of slightly I get the
impression chocolate boxy seaside town with a lot of fairly wealthy older
people living there and one of Sue's neighbors was this woman Carolyn an
80 year old wealthy widow and Carolyn became involved with this guy called Dave a
57 year old homeless I'm trying to think of the word that is now supposed to be
preferable to homeless unhoused ex-convict ex-drug addict all together a
bit of a rough-around-the-edges guy but a charmer and someone who came into
Carolyn's life, did some work in her house and ended up living there and
having a relationship with her which was the cause of a lot of anxiety for her
grown-up children, Carolyn's grown-up children who felt that she was being
taken advantage of by this guy. So the series which is brilliantly put together,
brilliantly recorded, I mean I just don't know how, I would love to find out how Sue Mitchell did it
because she seems to be there recording at all the pivotal moments as this story unfolds over 10 episodes and she gets completely unguarded bits of
conversation and commentary from all the people involved with this story from
Carolyn, from Dave, from Carolyn's daughters, from members of Dave's
estranged family and it is really fascinating and she's got the permission of all these people to
You know put their stories out there
Even though it doesn't reflect well on many of them
Carolyn really is the only person who is sort of blameless in the whole thing, but it's one of those things where you
You pick a side fairly early
on and then you go back and forth and your sympathies shift and it's a very
complicated story about so many things you know like families, the dynamics,
complicated dynamics within families and the experience of getting older and loneliness and regret and loss and having transgressed
and being forgiven and having a new chance at life, elder abuse, you know, older people
being taken advantage of by unscrupulous people and there's so many things going on in there I really recommend it.
I've been listening to a few good things recently actually which I will recommend
to you in forthcoming weeks. Probably you'll be across all of them already I
know you're all plugged into everything you guys but just in case. Alright that's
pretty much it for this week thank you once again to Miriam, thanks to Charlotte and Georgina as well who helped set the whole thing up. I really appreciate
it. Thank you so much to Seamus Murphy Mitchell for all his invaluable production support. It was
great having Seamus on the live tour for most of the dates that we did earlier in the year. He lives
in New York but he came over for those shows and it was good fun having him there and touring around and he made
the experience a lot smoother and more fun than it would have been otherwise.
Thanks Seamus. Thank you to Helen Green. She does the artwork for this podcast.
The picture of my face that is. What a great picture it is like all her artwork although
she's gonna have to do a new one fairly soon. I'm getting a lot grayer. My temples
have been invaded by grayness. Not fully but it's crept in there like in the last
few weeks there's been quite a considerable encroachment. You know just
I know you're interested in the progress of my cowardly hair which continues to
Retreat, but there you go. That's fine. I'm fine. It's cool. That's time. I embrace you time. I kiss you on both cheeks
Even as I knee you and your stupid old nuts, but thanks most of all
To you podcats for coming back for listening right to the end
Let's have a hug. Come on. let's cuddle up under this tree. Ah, hey, how you doing? That's fine.
That's enough. Okay, I don't want to be creepy. I'm gonna go home now, check on
dog legs, and get this edited. Until next time, we are together. Next week, I hope,
there'll be another episode out next week. Take care, I love you, bye!
Also thank you very much to everyone at Acast for all their hard work. Please like and subscribe Please like and subscribe Please like and subscribe
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