The Daily - 'The Interview': Jelly Roll Cannot Believe How His Life Turned Out
Episode Date: August 17, 2024From jail and addiction to music stardom — the singer tells David Marchese he’s living a “modern American fairy tale.” ...
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From the New York Times, this is The Interview. I'm David Marchese.
I think we've all had the experience of feeling pretty low and wanting to put on a song.
It doesn't necessarily fix things, but the song can have the effect of feeling like someone has reached out and put a hand on our shoulder.
For me, the musicians who do that are Joni Mitchell or Prince. Prince's Sometimes It
Snows in April is one I listen to a lot when things are rough. But for many Americans today,
the artist who they're turning to in those moments is Jelly Roll.
Jelly Roll's real name is Jason D. Ford, and he's the rare singer who's been able to cross
over on the pop, rock, and country charts,
which means a ton of different types of people are really into his music.
And his songs are almost all about struggling to get by, which is something he knows about.
He's a burly, face-tattooed singer from Antioch, Tennessee,
and he was in and out of prison starting as a teenager and into his mid-20s.
He's dealt with loss and addiction and years of professional frustration. But in 2021, when he was 36, his music career finally
started taking off. Jelly Roll is launching a cross-country headlining
arena tour this month and has a new highly anticipated album coming in the
fall. He was also nominated for the Best New Artist Award at the Grammys this year,
but he's become something more than just a star.
He's also a figure of hope.
Many of his fans see in him someone who has experience
with the battles they're fighting every day
and is still standing.
Here's my conversation with Jelly Roll.
And you prefer if I call you Jelly, right? Yes, sir.
Yes, sir.
That's what my mama calls me.
I'm way more comfortable with that.
And why does your mama call you Jelly?
She gave me the nickname when I was a kid.
I love Jelly Donuts, so she just called me a little Jelly Roll.
The bad joke I make is, imagine if I'd have loved Slim Jims and she'd have called me Slim.
I might be 185 pounds and be a porn star or something,
you know, but it just worked out different for me.
So you're, at the end of this month,
you're kicking off a headlining arena tour.
Can you tell me some of that more intense things
that fans come up to you and tell you,
if they meet you before a show, after the show?
Man, I think I've heard it all, to be honest, Bubba.
I think I've heard...
everything from your music was played at my daughter's funeral,
she had an accidental overdose, or to your song,
helped me get through rehab.
I listened to Save Me on repeat for 30 days straight,
or it was our morning song before we did our gratitude list.
Yeah, everything from funerals to hospitals
to recovery centers, how much I think Save Me is,
they've documented as like one of the more played songs
and recovery centers in America.
And I've heard and I hear, you know,
the good stories too that I got sober.
This song did this.
It's so crazy, the range of emotions I hear.
Is it ever hard for you to be the recipient of that,
to take on that kind of stuff that people are telling you?
No, I feel more honored that I have like a purpose
or that I'm able to be useful.
You know, I spent so much of my life not only not being useful,
but being counterproductive to society,
kind of making an already bad place worse,
that to be in a place where I'm actually being able
to have service and help people
has completely changed my whole mentality.
So it never feels like they're asking something from you
that's more than you can give?
Well, that happens outside of fans telling me their stories.
I'll cry with a fan and now three of a grocery store over a real cathartic story and I'll
get my car feeling better about life.
But I see a missed email from a friend, you know, to say, hey, you've been blowing me
off for five months, you know, and they're just kind of laying into me.
It just hurts your feelings because you're like, man, you just have no understanding of where I'm at in my
life right now, you know? Last week, I went from Canada to Tampa to LA. I was in Alabama last night.
I'll be in Michigan tonight. I'll be in Wisconsin tomorrow night. I'll be in Wyoming Saturday night.
I'll be in LA Sunday night. I'll be back in Dallas by Tuesday. Time management for me gets a little walky,
you know what I mean?
So what I've had to do, and it hurts my friends' feelings,
but I just have to be honest to say
that I have no priority outside of what I'm doing
right now musically and my direct family,
the people in my household.
That's all I have time for respectfully.
And it hurts my feelings because I've lost
a lot of friends over that.
So you find that people are not understanding of that explanation?
The real friends are, the few.
But it's funny how fast you find the ones that just don't get it.
And a couple of them I've even took with me,
like, why don't you come spend a week with me?
And then they'll leave like, OK, I get it.
And then they just ask for money, too.
That's a whole other problem.
We got a whole phone that's just people asking
for the philanthropy, people I know from Antioch phone.
Antioch, the town in Tennessee where you grew up.
Yes, sir.
Yeah.
So do people hit you up for money a lot?
Oh yeah.
Yeah, and you know what's funny about money in our business?
I'm sure you know this,
but we don't have the money people think we have
until five years after they think we have it. It's on the way. I think I'm gonna have the kind of money people think we have until five years after they think we have it.
It's on the way. I think I'm gonna have the kind of money they think I have, but I don't have it today.
And they think I had it yesterday. People quit asking for light bills and started asking for motor vehicles and houses.
And you're just like, whoa!
How do you let people down from that?
You just gotta be honest. You just gotta tell them the truth. But that's the other problem too, is that in other places,
I'm not in my life where I have a lot of time to explain.
Hmm.
Also, I'm in a weird place in life where I'm starting to be really introspective
and reflective of who I owe an explanation to.
I'm raising my daughter to be a decent young woman.
I'm raising my son to be a decent young man.
I'm in love with my wife.
That's one of the biggest priorities in my life.
If I got a little spare time to hang,
it's with my brothers and my mom and my dog.
You know, I want to ask a question about your wife.
I saw something, I think it was on her Facebook page
earlier in the year about how she was sort of commemorating
the one year anniversary of being able to give up sex work.
And the way she said it was that she and you used to have conversations.
You said something to her like, one day you're not going to have to do this kind of work
anymore.
Do you remember that day?
When did that day come?
Well, we had the conversation early when we were dreamers laying in bed together and I
was really broke and she was pretty broke.
She had a little more money than me.
I had no money.
I had less than nothing. And that was kind of our dream, man, was that, you know, I wanted to get away
from the life of crime. I wanted to do music, but I wanted to do country music. And she
kind of believed in that dream and steered me towards it. I believe that she had a personality
and a story. And to see it actually come to fruition has been, you know, it's unbelievable.
I mean, it's a modern American fairy tale,
kind of, right? It's this really kind of white trashy one, but it's kind of poetic and beautiful
in this really fucked up way, you know? And I think that's what's so cool about our relationship,
too. But was there a day that you can recall where either she said to you or you said to her like,
recall where either she said to you or you said to her like, I don't have to do that work anymore?
I remember it.
The business is it happens in such a gradual way that you don't actually have a real moment.
You have moments where you see it after it's happened.
Like even when Bunny posted that I was like, yo, you know, that was like two years now
or three years now.
Like you're that far detached from the reality of, cause in her mind,
I think that was her just having a real vulnerable moment of like, yo, it feels
like it's been a year since I walked away from this. You know what I mean?
It's like, we've also been in a vortex, David, you gotta remember that like
days and nights are starting to blend together.
The fact that I dropped son of a Center in 2021 blows my fucking mind.
And when I sit here and think, dude, that's only been
three years, I've lived a decade, David.
I've went across the United States.
I've seen the craziest shit.
I've had the best time.
It's been so wild.
I've been to the Grammys.
I've won awards.
I've been on TV things I never thought would happen.
It feels like it's been a decade,
but it's been 36 months since I went to country radio.
Well, you know, just that little list you ran down,
you know, stuff has been going really good for you.
It's fucking crazy.
But the question I had is, like I was listening to the,
I think there's eight or nine of the new songs
you're working on.
I got sent those and I was listening to them
and they were about painful subjects, you know,
or subjects that people understand as jelly roll subjects.
You know, they're about addiction, you know, adversity.
They're about when you feel like you're at the end of the line
and you don't know where to go, but you got to keep going.
You're not singing about joyful stuff.
Given that your life is in a better place,
is it harder to come up with that kind of material?
First of all, I hear these stories every night, what the songs are doing for people.
All of a sudden, what was so isolated to what I thought was just my story becomes the story
of tens of millions of people.
For the first time in my life, I experienced something called purpose.
Now I know who I'm speaking for.
And it's deeper than my story. This is my child's
mother's story who's still actively in and out of jail and in her addiction. That's how close this
still is to my house. Regardless of the size of my house, I still have family members that just got
out of rehab. I'm so impacted by this and I'm such an empath and how I feel things that is so just natural
to write these stories. It's all I've ever known. I also think about this perspective,
right? I lived a really shitty life, mostly self-inflicted for 20 years. I've lived a
pretty wildly unbelievable amazing life for 24 months. I'm still catching up. We're going
to know jelly rolls healed when I'm like, I'm losing weight right now.
If I keep getting this weight off,
this is the beginning of me starting to heal my demons.
You might get a happy album with Skinny Jelly.
Skinny Jelly might drop a happy album.
How have you talked with your kids about the period
in your life when you were in and out of prison?
And how have you explained that to them?
Honesty, vulnerability.
So I just talk to my kids the same way I've always been honest.
Bailey was different, right?
My oldest, because of what her mother was dealing with
at her being seven or eight years old,
I was trying to describe what addiction was to an eight-year-old
without using words like addiction or drugs.
Is that possible?
Well, you know, I've been to enough programming
to know how many people truly, and I believe
too, that it's a disease, that it's a thing that happens that truly changes the genetics
of a human.
That I don't know if you've ever really experienced a drug addict really close to you or not,
have you?
I have not, no.
The strangest thing happens, man, and I'm so glad, please, let's talk about this for
a few seconds.
Somebody you've known your entire life turns into a different person.
It is unbelievable. I mean, you know them one way.
I'm talking because I've had it happen to baby mothers, cousins, biological brothers.
You know a person one way your whole life, and they turn into a completely different person, man. That's a raging disease. It is unbelievable what it does. And that's the way we tried to explain
is that your mother is kind of, you know, your mother is struggling with something.
It's a medical thing.
There are a couple more questions I have about music for a second. You're working on these,
working on putting out these new songs. You put out a couple new singles recently. In what ways do you see it as sort
of moving the Jelly Roll story forward? Well, it's what you see is what you get with me.
It's always kind of been that. I'm not thinking about what an arc is here. I don't think about
me being on Act 2 right now. Really? Yeah, it's just not the way I think of it, man. I think of more of everything as a going
out of business sale, and I give everything I got everything I do every time I do it right
now. And hopefully I can ease back and start arcing this stuff and thinking about next
year and years after that. But right now it's just trying to impact as many people as we
can while God's given us a platform to impact people and hit it as hard as we can while we can.
Plus, I don't know me.
You know, I probably—my publicist is going to hate this, but I don't know enough about
myself yet to know how long I'm going to do this.
I don't know how I'm going to feel after I do this for a few more years or what God's
going to send my way or what purpose God might want me to tell my story a different way.
I'm not sure.
I might go to college.
I mean, I got options.
You know what I mean?
I came from nothing, dude.
You know what I'm saying?
It's like, man, I might wanna learn something, dude.
I might come in turn under you for a year, dude.
What's up, man?
Talk to me, dude.
27, 28, what's up?
So I'm still treating everything like,
hey, man, I just wanna serve people.
I'm looking for songs that have purpose.
When I go to put out a song under the name Jelly Roll,
I think to myself, why?
Because for the first time in my life,
in the last three years, I can tell you,
it has nothing to do with a financial decision at all.
I'm well past putting out anything for money.
I own my masters.
If people see my record deal,
they've made big announcements about record deals for artists that are own my masters. If people see my record deal, they've made big
announcements about record deals for artists that are worse than mine.
Wait, so what are we talking, tens of millions?
I'm okay. If I sold my catalog today, it would be one of the deals they would
write about it. So it's like now it really is a why. Songs like Winning Streak
from the new album. Tell them you heard Winning Streak, right? Can I ask you a question about Winning Streak? It the new album. Tell them you heard Winning Streak, right?
Can I ask you a question about Winning Streak?
Of course.
You know, that song describes somebody basically going to an AA meeting, you know, in a church
basement.
Is alcohol addiction something that you struggle with or have struggled with, or are you just
playing a character in that song?
I was actually writing from the perspective of a story I seen happen for real.
So I actually watched this story unfold and every other way we tried to write it except for first
person didn't work. So I'm sitting in a meeting, an Alcoholics Anonymous meeting, right? And my
deal is for my demons, which I still will have a cocktail every now and then, and
I'm a known weed smoker, but I got away from the drugs that I knew were going to kill me.
And it was really hard for me to get away from those drugs.
And something I do to maintenance my relationship with those drugs is I will still attend the
meetings, even though that I'm not a textbook sober guy, but I never share I just quietly sit and just appreciate the message and the meaning
This is the first time I've talked about this publicly at all. I don't tell people I go to meetings
It's not a part of my story that I share because I have so much respect for the men and women in that program who got
Actually completely sober that I never want my stuff to get in the way of them
so I just sit and I'm watching and this kid's just,
just he's going through it.
And one of the old men sitting in there was like,
look man, it's all good.
Nobody came in here on a winning streak.
And it was such a beautiful thing where if you've ever been
to an AA meeting, a big one like this room,
packed on 20, 30 people.
And it felt like you watch the room kind of split
when he said that, because half of the room are old sober dudes who remember being the young dudes
so they chuckle and the other half are other dudes who just immediately fill in their bones
and cry.
But it's all the same emotion and feeling, right?
And right then there it was.
That was the beginning of Winning Streak.
And no matter how we tried to get to it, writing it outside of first person, it didn't feel
as personal.
Plus, I don't write first person songs from the perspective of like, me, me, me, as much
as I know how much first person songs inspired me.
Because when you're seeing a first person song as me listening to it, it's my song.
I'm expressing my emotion, you know what I mean?
So it just, it felt more right that way.
What are some of the first person songs that inspired you?
Can you think of any?
Uh, in, uh,
in my mind, I'm gone to Carolina.
James Taylor, yeah.
Uh, I have to say I love you in a song.
Jim Croce.
Yeah.
Um, you know, You started as a rapper,
and then not too long ago,
you started singing,
and then there were questions,
and you can still find questions online or people criticizing you
online for saying like you're inauthentically country.
The conversation about authenticity seems so much more central
to country music than to other genres. Why does the country world seem to care so much
about who is really country and who is not really country?
I don't think they care as much as we think they do. I think it's the textbook story of America right now, where
we're listening to the smaller groups of people more than the larger groups of people that
we've like, well, really, 95% of the people agree this is really good country music, but
yeah, we're gonna live and die on them five. Ain't that the story of America? Even in country
music, right? Like, Like now duplicate that in every process
of being an American and we wonder
why the country is so sideways, you know?
But this is an age old story that goes for every genre.
Rock and roll, what, ah, man, I'm gonna get in trouble.
Rock and roll's problem was, they allowed this same problem
to create 30 sub genres of rock and roll.
Explain to me what you mean.
So like, do you remember like, it was just rock and roll.
And then they started, well, no, this is heavy.
This isn't heavy.
This is more classic sound.
And they started putting rock and roll
in 30 different rock and roll boxes.
And then it kind of became hard to follow.
Where country music has always been wild.
I'm just a part of the width of the story now.
Country music's just, instead of sub-genre-ing,
they've just always been like,
you know what, we just accept the width
of country music wherever it's at.
So if the length of country music right now
is somewhere between Colter, Wall, Tyler Tyler Childers, and Post Malone.
If that's the width of it right this moment, or Brandi Carlile,
Sturgill Simpson, and Morgan Wallin, and Zach Brian.
That's the beauty of country music.
Why couldn't Beyonce get played on country radio?
But see, now you're trying to put an entire
genre into one part of what it does. Because I can also tell you that she dominated the streaming
play listing and the algorithmic radio with that record. I mean, it was her three months.
Country programmers didn't, weren't picking it up to the same extent. Yeah, but think about it this
way then. Is it similar that what she did is the reason that it opened up wide enough for Shaboozy
to have the number five on country radio right now?
Oh, I see what you're saying.
There's always somebody just pushing it a little further.
And country's been smart enough to continue to let it get further instead of sub-genering
it.
So one could say that Willie and Merle and them, Johnny Cash had to walk so they could
run. One could say that Beyonce had to crawl
so Shaboozy could walk.
So I wanna go back to your struggles a little bit.
You first were incarcerated when you were about 14.
Yes, sir.
And what was that for?
It might go back a year before that.
I got caught with a cannabis charge, an Antioch,
and a pack of cigarettes, a juvenile and they cited me.
And I didn't go to court because this is how wild the 90s was. The cop trusted me to take
the citation to my family and go to court, which of course I didn't. So the police had to show up
and haul me to jail. That was my first one at 13. At 14, I think it was a schoolyard fight.
And then I think the way you've described it
is you were sort of in the, I don't know,
what metaphor use revolving door,
conveyor belt of in and out of, you know,
so there was a drug dealing.
I think there was an aggravated assault charge.
There was an aggravated robbery charge for my youth.
So you were in and out of prison till about 25,
and then kind of famously in the Jelly Roll story,
you were inside and I guess somebody told you
your daughter was born, and that was kind of like
your epiphany, where you said, I gotta change my life.
But was there anything that someone could have said to you
or done for you before that,
that could have changed the path you were on?
I'm not sure.
I'm learning to forgive myself for the decisions I made
when I was that young, because I felt like an adult
and I was very conscious about the decisions I was making
and they were wrong and I knew they were wrong
and I was doing them with a sense of pride and excitement.
But I've learned to give myself the grace
to look back at that and go, man, dude, I was 15 though.
Cause I have a 16 year old that lives with me now
and she's really smart and she's an old soul,
but man, she's 16 dude and she shows it all the time.
You just gotta look at that and the perspective of it.
So, sorry, sorry, I've been,
I just never get to talk about that portion,
but I was so young in
those early years of that, I don't know what could have helped me, to be honest.
Was there any aspect of the incarceration experience that felt rehabilitative?
Towards the very end of my sentence, I went to a program to get your GED, which was in
the short haul of the CCA I was in.
Tell people what CCA is, though.
Correction Corporation of America.
It's one of them for-profit prisons that's everywhere.
It's making trillions of dollars a year, probably hand over fist from the federal government.
Insanity, by the way.
But I wanted to get my GED because as soon as they said I was having a kid, I was like,
I need to figure this out.
I don't have a GED.
I'm 24 years old or something, 25.
I went to that unit and got my GED, which I'm super proud of.
The unit next to it was a Christian program called Jericho for a company called the Men
of Valor that helps rehabilitate men here.
I spent six months in that program and then went to their halfway house when I came home.
That was the first time I experienced something that was really cool.
But once again,
it wasn't a state-funded program. It was a nonprofit, Christian-based program that the
state had allowed into the facility. But that's the only time, especially as a juvenile. Even
now when I go to that juvenile, I go there and hang out and they're working with me to
make changes there because it's sad. They treat those kids like, I know they've done
heinous crimes for sure, but
you know, they're 15 years old. Can we get some color on the walls in here? Can we not
make this place feel as dreary as a life sentence?
And you're saying it shouldn't just be up to nonprofits to provide those kinds of services?
The government should be doing more?
Well, I mean, the government puts itself in every other facet of our business.
I wish the government would either get more involved or get more out of the way, but pick
one, you're in the middle.
It seems like you only infringe on us when it's convenient for y'all.
But when we actually need y'all to infringe, you know what I'm saying?
We can't get y'all over here, you know what I mean?
But that's my own thing with the government.
So, I'm not a politician. I'm a dumb songwriter.
You're not dumb.
But because of your felony, you can't vote.
Is that correct?
No, I can't vote.
So how does that color your view of politics?
I'm not a, I don't have a view.
But you just described a point of view on politics.
So now don't say I don't have a view.
Well, because I'm a taxpayer now, right?
So my view is real simple.
It's like, where is this money going?
I see the check.
That's where I have a little skin in the game, finally.
It's like, yo, you're telling me I can't get my brother
into rehab when he needed it?
But I paid this much money in taxes last year?
It's like, yo, either get clean out of the way
and I'll
community together and build one ourselves or come the fuck over here and
help. But it's like you're just in the middle with me. Yeah, it's like I don't
keep up with politics. I don't want to get deep into this because this is
always the shit that makes headlines and I don't want to be headlines, but it's
like somebody asked me a question about jail the other day, David, and they said,
is it like it is on TV?
Do they have baseball and basketball and football?
And I was like, they might have a basketball court,
but that's it.
Because anything that involves two people
going against each other can end in a fight.
And when I said that, it hit me me I was like, wow.
And then we wonder why the country's divided.
It's a two person fight, always happening at every level.
There it's always pick this guy, not this guy.
It's like a system made for us to fight about.
I'm just not getting involved in that shit.
I have enough causes to fight about.
Politics ain't one I'm venturing into. Do you feel like in country music,
there's a particular feeling of push or pull
to declare your politics or say what side you're on?
I think that that's not in country music.
I think it's everywhere.
Think about how politically charged this country is right now.
Like there's a pressure from everybody
for us to talk about it a little bit.
And I'm not getting involved. That shit is, we really think our vote counts. as country as right now. Like there's a pressure from everybody for us to talk about a little bit.
And I'm not getting involved.
That shit is, we really think our vote counts.
That's where we are.
It's like, that's how naive and much we,
like I wish people would just get behind
the causes that matter.
I'll give you one.
Yeah.
While I'm mad enough.
I think my vote does count by the way.
So I don't.
Oh, I'm sorry, David, it don't.
You're fooling yourself.
You're wasting your time.
Don't do it, man. Don't fall into that trap, David. It don't you're fooling yourself. You're wasting your time. Don't do it, man
Don't fall into that trap dog. It's a big you know what if you need an afternoon off you fucking go vote
But if you think it actually weighs any merit of what's happening in this country, it's great. That's crazy
That's that's madness. David. Stop it. You're smarter than that
Wait, cuz you mean it's just a drop in the bucket? Is that what you're saying?
Yeah, man. It's just something to fire people up, man.
It's it, dude. It's not...
This has been happening.
My daughter hates when I talk like this.
I've seen this. This is a tale as old as time.
Every four years, they get the country to fight against each other.
It's the goal.
You're telling me if they said you as a felon can now vote, that wouldn't be meaningful
to you?
To have my right to vote?
Yeah.
Because I would like my basic rights as an American.
Whatever the ground minimum rights we are given in this country, I'd like to fight to
prove that I deserve them back.
But as far as am I going to get up and go vote with it?
No.
This is a slightly left field,
but I know you got your first face tattoo
when you were in prison.
I did.
And it makes me sound like such a square
to be asking this question,
but could you talk to me about the thought process
behind the face tattoo?
I don't know what the real thought process was behind that one.
I can tell you more about the ones that I've decided to do as an adult male.
Sure.
That is more thinking about reflection.
Like this is because I carry my own cross every day.
Yeah, it's a cross on your cheek, yeah.
Yeah, and it's the first thing I see when I look in the mirror, when I brush my teeth,
and I immediately know that I got to carry my cross. But some of when I brush my teeth, and I immediately know that I gotta carry my cross.
But some of these younger ones, man,
I don't know what I was thinking.
I was in such a hopeless place, man.
I probably thought I wasn't gonna get out of there anyways.
You know?
What's the one that looks like a scar down your eye?
Oh man, this right here, thank you for bringing this up.
Nobody ever asked.
This isn't meant to be a scar.
This right here is a clown.
Oh, like a harlequin kind of thing.
So why'd you get that one?
That's a real personal thing.
Ah.
Yeah.
Did you listen to my last album?
Yeah.
There's a song called Nail Me On There.
That's the feeling of this tattoo.
I don't know how to,
sometimes when I can't articulate it, the song can,
but that's what this is.
Jelly, thank you so much for taking all the time to talk with me. I appreciate it.
Dude, thank you, man.
And I'll talk to you again sometime soon.
I can't wait, man.
What if I show up?
I got the same tattoo.
That'd be pretty good, right?
Then I'll forgive you for all the political badger.
My wife might not be so keen on that trade.
You never know, dude.
It might change y'all's whole thing, dude.
It might get another 20 years out of y'all, dude.
You know what I'm saying?
Little curve ball in the relationship.
I'm gonna plan on losing another 200 pounds,
so it's like my wife married a whole different dude.
It's like, you want to try another 10 years with this skinny motherfucker?
You know what I'm saying?
All right. Have a good one.
Thank you, Bubba.
After the break, Jellie calls me out in a nice way on the parts of his story I'm misunderstanding.
Don't take this wrong, but there's a cultural disconnect between you and I that's really kind of endearing to me.
It's what makes me like talking to you. Continue.
Can you hear me, Bubba? I can, Bubba, how are you?
Did I use Bubba correctly?
Yes.
There you go, all right, Bubba.
I love it, and I love that you emphasized
the two B's from the syllables. That's what makes it country, when you go Bubba, like you go. All right, Bubba. I love it. And I love that you emphasize the two B's from syllables.
That's what makes it country, when you go, Bubba, like you did.
Just going back to your youth and some of the trouble you got into, at some point, the
way you described it, you're in prison and you're told that your daughter was born and
then a switch flips and you realize you've your daughter was born, and then a switch flips,
and you realize you gotta change your life.
And I'm sure, you know, fundamentally,
in the broad strokes, that's true,
and that's what happens,
that you had this epiphany and then changed.
But that all also sounds almost like something from a movie,
you know, like, uh, change is never quite so easy as,
you know, you get one piece of information
and then you see the world a different way.
I don't think.
I don't know.
I do believe that immersion happens.
I do believe that dramatic change happens.
And I do believe that, I believe that you saying that right there is the opposite of
what happens in alcoholic synonymous every single day.
And I think that you saying that shows me that you've never been a part of that culture and life and never seen people have those rock bottom real experiences
where they woke up and said today's the day I quit shooting heroin. And yeah, there is a lot of steps
after that. They have to go to rehab, they have to detox, they have to work through five days of
punishment and pain. They have to find new playgrounds and new playmates. There's a lot of
steps. I had to change. So yeah, maybe the change wasn't dramatic, but the decision was dramatic. That's interesting. You know, and I
think the truth is you're absolutely right that I don't have experience with the kind of AA epiphanies
that you're talking about. It's just outside of my realm. It's weird. Everybody's rock bottom is
different. You know what I mean? For me, it was realizing that I was the most qualified person to raise my daughter, and
that scared me.
I just literally was like, I know her mother's a piece of shit.
Her mother's family, which isn't able to raise this child, my family's not able to raise
this child.
You know what I mean?
I've really got a feeling this happened.
You use the term a piece of shit, but I know you're also very understanding of the struggle of addiction.
I think you even referred to it on our first conversation as a disease.
Do you find it hard to extend sort of the same sympathy or non-judgmental attitude you
have generally about addiction towards?
Of course.
Yeah.
Of course.
Yeah.
Of course I'm human.
I have to watch the effects of this every day.
I've had hold that kid crying for eight years.
Tried to explain this to her for eight years.
And even as a 16 year old with some incredible GPA,
you know what I mean?
Just a brilliant young woman.
She's just, her brain's still not developed enough
to fully understand.
You know what I mean? She just hasn't lived enough life to get it.
It hurts.
It hurts.
And when I say piece of shit, I'm also realizing, David, and don't take this wrong, but there's
a cultural disconnect between you and I that's really kind of endearing to me, is what you
make me like talking to you.
It's like, I also say piece of shit really endearing.
You know what I mean?
Like, yo, she's a piece of shit.
Like, she's a fucking, like, I'm a piece of shit.
You know what I mean?
Like, we're not good people.
It's like, I'm always a white trash piece of shit.
I'm just actively doing better every single day.
You know what I'm saying?
I do know what you're saying.
It's like, when I call myself white trash, I don't mean it.
Like, you know what I mean saying. When I call myself white trash, I don't mean it. You know what I mean?
I meant like, yo.
But in the spirit of transparency with you, is like, yeah, sometimes I am way less forgiving
of her.
And I have to catch myself when I have those human emotions because it hurts.
It's so close to home.
And after so many times, you just finally get to a point where you're just like, yo,
man, is it the drugs or is it the person?
And I know how much drugs change people
so I can give them grace.
Well, I appreciate that explanation.
And I'm glad our cultural differences are endearing to you
rather than annoying.
It makes me happy, it's great,
it's cool, it makes it fun to talk to you.
Cause it's like, there's moments I have with you
where I'm like, okay, this is a little,
I thought about this,
I tortured myself about the your vote don't count thing that I was fucking with you about.
I was being very tongue in cheek, right?
Oh, you were just needling me?
Yeah, I was just kind of jazzing you a little bit.
I was just fucking with you.
It's like, I know how important voting is.
As long as you're not just after the fact
trying to do some revisionist history where you say,
oh, actually, I was joking.
No, no, no. And the point I was trying to get across,
but it didn't come through in my humor in the moment,
was like, there's just also so much more important stuff
that we should be active about.
Fixing homelessness in America and violence on the streets,
I think it would be so much further in society.
You know, I gotta say, throughout this interview,
I've been so pleased with how open
you've been to answering whatever questions I've been asking you, even the ones that make you think
this guy's from a different part of the world than me and doesn't understand what I'm talking about.
Is there a question that you'd be scared to answer? No, I mean, you know, I'm gonna get you. I couldn't imagine you have a subject you could bring up right now that's not worse
than one that's already been brought up.
It's like,
it's
been a fun interview for me because we've kind of have talked about all the shit that
I try to remove.
But I truly think that part of the superpower of what's happening with me
is just my complete vulnerability. So yeah, it's not a question. There's questions I don't
want to answer, but I'm not afraid to. Jelly, what do you think you're doing five years from now?
I hope by then that I'm not doing as much music. I hope that this parallels into a real
not doing as much music. I hope that this parallels into a real
philanthropic career for me.
The goal is to do well enough this next five years
and I can spend the next,
whatever God has for me after that to assert.
And what do you want to do tomorrow?
I want to be useful.
I used to want to be happy.
Now I just want to be useful.
I was thinking you were going to say something like, take a nap. I got a show tomorrow.
It won't be no nap tomorrow, Papa.
Sunday, though, hibernation.
Biscuits and gravy.
It's my cheat day on my mat.
I'm going to eat biscuits and gravy and a cinnamon roll for breakfast and go right back to sleep.
Living the dream.
It's the dream, David.
It's the dream, baby.
Biscuits and gravy.
That's Jelly Roll.
His new album will be out this fall.
We reached out to Jelly's daughter's mother during the production of this episode.
She couldn't be reached for comment.
This conversation was produced by Seth Kelly.
It was edited by Annabel Bacon, mixing by Fime Shapiro.
Original music by Dan Powell and Marian Lozano.
Photography by Devin Yelkin.
Our senior booker is Priya Matthew
and our producer is Wyatt Orm.
Our executive producer is Allison Benedict.
Special thanks to Rory Walsh, Ronan Borelli, Jeffrey Miranda,
Maddie Masiello, Nick Pittman, Jake Silverstein,
Paula Schuman, and Sam Dolnick.
If you like what you're hearing,
follow or subscribe to The Interview
wherever you get your podcasts.
To read or listen to any of our conversations,
you can always go to nytimes.com slash The Interview.
And you can email us anytime at theinterview at nytimes.com.
Next week on The Interview, Lulu interviews Jenna Ortega, the star of the Netflix hit
Wednesday, and a new sequel to the movie Beetlejuice.
It was a very transformative period of my life.
We shot Beetlejuice not that long after Wednesday had come out.
So one day I just, I woke up in somebody else's shoes. I felt
like I had entered somebody else's life and like I didn't know how to get back to mine.
I'm David Marchese and this is the interview from the New York Times. you