The Magnus Archives - Mag 14 Piecemeal
Episode Date: April 24, 2016Case #0112905Statement of Lee Rentoul, on the murder of his associate Paul Noriega.…Thanks again for all the support from everyone since we launched. All your reviews and recommendations have really... had an impact on our launch.The Magnus Archives is actually registered with the People’s Podcast Awards and they are taking nominations till the end of April. Being nominated would be a huge deal for a small, independent production company like ours so if you take the time to nominate us it would make a massive difference to us.Just head over to www.podcastawards.com and enter The Magnus Archives under the “Arts” category (and “People’s Choice” category if you are feeling generous. You could even enter our other Podcast Rusty Quill Gaming into the “Games and Hobbies” category while you are there.Our URL is www.RustyQuill.com and be sure to leave a name and email address to prove you are a real listener. It’s easy and takes less than a minute to fill in the web form but doing so would really help us continue to bring this content to you for free.Be sure to subscribe using your podcast software of choice to get every episode automatically downloaded to your device. Visit Rustyquill.com/subscribe for quick and easy links. It’s more convenient for you and really helps us out.Like what you’re hearing? Let us know.Find ad-free episodes and bonus content on our Patreon: https://www.patreon.com/rustyquillCheck out our merchandise available in our official stores:RedbubbleTeepublicCrowdmadeYou can subscribe to this podcast using your podcast software of choice.Please rate and review on your software of choice, it really helps us to spread the podcast to new listeners, so share the fear.Join our community:WEBSITE: rustyquill.comFACEBOOK: facebook.com/therustyquillTWITTER: @therustyquillTHREADS: @rustyquillukINSTAGRAM: @rustyquillukEMAIL: mail@rustyquill.comThe Magnus Archives is a podcast distributed by Rusty Quill Ltd. and licensed under a Creative Commons Attribution Non-Commercial Sharealike 4.0 International Licence Hosted on Acast. See acast.com/privacy for more information.
Transcript
Discussion (0)
This is the first radio ad you can smell. The new Cinnabon pull-apart only at Wendy's.
It's ooey, gooey, and just five bucks for the small coffee all day long.
Taxes extra at participating Wendy's until May 5th. Terms and conditions apply.
Hi, this is Alexander Newell, founder of Rusty Quill and director of the Magnus Archives podcast.
I just wanted to take a moment to thank all of you who've helped us in the weeks since we launched,
leaving us reviews and sharing our content on social media. We're only a small,
independent production company, and recommending us is by far the best way that you can help us
keep bringing you content for free. With that in mind, I just wanted to let you know that
nominations for the People's Podcast Awards are open until the end of April, and the Magnus
Archives is registered. It would be an amazing boost for us if we were nominated
and it's something that you can do to help us right now.
Just go to podcastawards.com,
scroll down to the arts category and type the Magnus Archives
along with our URL which is rustyquill.com.
Also, be sure to do the same under the People's Choice Award category
and if you're feeling extra generous,
you could nominate our younger, less horrifying sister podcast,
Rusty Quill Gaming, in the games and hobbies category. Just be sure to leave your name and email address to prove you aren't an eldritch doppelganger. Our team spend a lot of
time, money and effort to bring you all this content for free and it would be an amazing way
to thank them for all their hard work if you were able to help out. So thanks in advance from me,
Johnny Sims and the rest of the Magnus
Archives. Enjoy today's episode.
Rusty Quill Presents The Magnus Archives Episode 14 Pe Piecemeal. To be continued... Original statement given May 29th, 2011. Audio recording by Jonathan Sims, head archivist of the Magnus Institute, London.
Statement begins.
Let's get one thing straight right off. This is not a goddamn confession, alright?
goddamn confession, alright? If you go to the police with this, I will deny every word,
and I know enough about the law to know that even if I spill my guts to you about all the horrible things I've done, it will count for nothing in court. It's not like you'll even
be able to help me. I just... My mate Hester said he came to you a few years back, been
seeing ghosts and that, and you guys looked into it and told him it was some sort of noise messing with his head,
infrasound or something, and he's fine now.
I need that.
I need you to tell me that it's just coincidence and my mind playing tricks,
and I need to not lose any more bits of me.
So yeah.
I killed that asshole Noriga, stabbed him in the throat and left him
to bleed out on the dockside. Maybe that shocks you a bit, maybe not, but trust me when I say he
had it coming. Eight years we worked together and it was him that got carried away kicking
McMullen's head in and moved it from assault to GBH, but sure enough, when we get picked up,
he turns on me and I get pinned for it. Five years I served because of him, while he walked free as you please. I'd say that I was due a bit of payback, and I certainly got it.
It wasn't my first choice, though. I'm not stupid, and parole keeps you on a short enough
chain that slitting Noriega's throat was not my top priority. Don't get me wrong, it was something I'd
been itching to do for five goddamn years, but I wasn't in a rush. I had plenty of
time to arrange something nasty for him, and I wanted him hurt more than I felt I
had to do the deed myself. So when I got out in June last year, I bided my time and kept my ear
to the ground, tried to get in touch with him but was told by the few friends we had
in common that he wasn't interested in talking to me. He'd clearly done okay for himself
in the years I'd been away and could afford some muscle to make sure I didn't bother
him. I ended up with a couple of bruised ribs when I finally got tired of the runaround and tried to have it out with him properly.
It was laying there, some grim side street in Lewisham of all places,
that I came to the decision that if I was going to hurt this asshole, and I mean properly hurt him,
I was going to have to think outside the box a bit.
I decided to pay McMullen a visit.
the box a bit. I decided to pay McMullen a visit. Before Noriega had gone to work on him,
Toby McMullen was just some street punk. These days he was just a street punk who had trouble turning his neck. I've met plenty of born losers in my time, I mean it's kind of a given in this
business, but I've never met someone so intent on being a screw-up as McMullen.
When I saw him he was high as a kite and barely knew I was there but you bet his eyes lit up when I mentioned Paul Noriega.
It took hours to get anything useful out of that waste of skin
but eventually I pieced together his side of this sorry tale.
Noriega had paid him a visit in the hospital apparently
before the police had picked us up,
and promised that if he fingered me for the assault, then he'd have all of the narcotics
his little junkie heart could dream of. Only once he was out of hospital, and my conviction
had gone through, it wasn't two days before McMullen was out on his arse again, and Noriga
didn't want to know. Any idiot could have seen it
would play out that way, but not poor, stupid Toby. Still, he'd been itching to get the
knife in for almost as long as I had, and he had had the freedom to plan it. So I asked
him if he had anything I could use. I shouldn't have been surprised when he suggested magic
Toby had always been into all of that mystical crap
even before the drugs
and if there was some half-baked new age fad going round
you could bet you'd find it dribbling out of his mouth
whenever he was coherent enough to actually talk
I punched him in the gut and turned to leave
he followed me, doubled over and struggling for breath, begging me to help him.
He said he was serious, said it wasn't like the other stuff,
said he knew someone with real power who could put the hurt to Noriega,
but he just didn't have the money.
I should have kept walking.
I should have shaken him off.
I should have beat him so bad he couldn't turn his neck the other way either. But I didn't. I stopped, and I listened to what that piece
of human garbage had to say. I was an idiot.
So Toby told me to see his friend Angela. He never gave me her second name. I asked him what it was,
wicker, voodoo, some crystal ball, but Toby said no, nothing like that. Said he didn't really know
how it was supposed to work, but he had a girl a few months back had told him about Angela.
Said she'd used her services on a particularly unpleasant ex-boyfriend. Apparently he'd
disappeared, and they never found a body.
So then I'm thinking maybe there's no magic there,
just a killer with a shtick.
But hey, if that was the case, it was fine by me,
just as long as an origa got done.
When I finally met Angela, it was all I could do
not to cave McMullen's head in.
I'd just about convinced myself I was going to be meeting
with a hardened
killer, maybe one that kept a bunch of spooky Halloween crap around, but still someone who'd
get the job done. I wasn't even put off when we pulled up to a well-kept suburban house in Bexley.
When the door was answered by an old lady in a lilac dressing gown, I almost lost it.
McMullen asked if she was Angela, speaking in a quiet voice, like he was actually scared
of the geriatric fool. The old woman said yes, she was Angela, and asked us to come
in.
The house felt almost as old as its owner, faded floral print wallpaper, dark oak furniture
and threadbare carpets. The walls were covered with framed portraits,
the sort you get in any cheap antique store or charity shop.
Although as we went into the living room, I noticed something I didn't expect.
They weren't paintings.
They were jigsaw puzzles, each completed and framed.
And sure enough, when we sat down on the worn cloth sofa, there in front
of Angela was another jigsaw, half finished. I've got no problem with the elderly, and if they want
to throw away their last year's putting together a damn picture, then I'm sure not going to stop
them. But it wasn't exactly going to kill Noriga, was it? I was so angry at this massive waste of
my time, that when she offered us a cup of coffee,
I almost put McMullen face first through the glass table in front of us.
I grunted something which Angela apparently took as a yes please,
and so a few minutes later there I was drinking instant coffee from a chipped mug that this doddering old ass clearly hadn't thought to wipe the dust off of.
When she asked if I wanted Paul Noriega dead, I nearly choked. She asked
it very matter-of-factly, like it was a question on some form she knew the answer to, but had
to fill in anyway. I glanced at Toby, who nodded at me, and I thought, what the hell,
I might as well play along. So I said yes. Yes, I did want him dead. And more than that, I wanted him
to suffer. Angela smiled when I said that, a warm smile that suited her round face, and
said that that wouldn't be a problem. I started to explain the situation, but she waved it
away and told me that Toby had filled her in on all the details, and that there was just one thing she needed from me that he couldn't provide.
I started to tell her that I wasn't paying for someone's grand to take out a heart case like
Noriga, but she said no. She wasn't after money. She said that she was well compensated for the
service she provided, and that all she needed from me was an object.
Anything that I had taken from Noriga.
Not a gift, she said, staring into my eyes with a look that I recognised from years of working with very unpleasant people.
It wouldn't work if it was a gift.
At this point I was starting to feel uneasy. Not scared, alright? I wasn't
scared of this old woman, but being around her was... bad. I don't know how else to say
it, she was bad. You've got to understand, I know dangerous. I understand dangerous.
Hell, I am dangerous. This was something else. But I wanted Paul Noriega dead so badly.
Five years ago, just before we'd been picked up by the police, I'd borrowed his lighter.
It was a battered old Zippo, used to have a picture of a topless woman on it, but now
that was almost worn away. After he turned on me in questioning, I didn't feel much
like returning it to the treacherous backstabber so I held on to it I hadn't thought much of it but here
it was still in the pocket of my jacket all those years later I handed it to
Angela and she gave me that look again and told me that it would work just fine
and then we left Angela told us not to worry about it, that Paul Noriega wasn't going to be bothering us for much longer. We just had to wait until she was finished.
Finished with what exactly she didn't say, she didn't need to. We knew whatever it was, we were probably better off not knowing.
The waging came hard, though.
After he'd had me roughed up, it seemed like Noriega had decided I wasn't worth worrying about.
I'd see him walking those streets like he owned them, his pair of leg breakers in tow,
and I knew there was nothing that I could do about it.
He knew it, too.
So I waited.
And I waited. I waited for the shot, or the knife, or the poison, or the whatever would end him
for good. It never came. Days turned into weeks, and there he still was, as cocksure
as ever. I was patient. God, I was patient. But after three weeks, I had almost written
off that useless old bag as a time-wasting con job. I was going to give her one more week, just one. But then something
came up that I couldn't ignore. Word came down that Noriga was meeting someone at the
docks, some fence by the name of Selesa. The man dealt mainly in stolen art and curios, valuable stuff and was paranoid as hell, which
meant Noriega was going to be there alone.
It might have been a trap, sure, but I'd been sitting on my ass waiting for him to
magically drop dead for so long that if there was even a chance it was on the level I had
to take it.
Turns out it was true, and went off smoother than I could have hoped for.
I found the warehouse a few hours before the meet and staked out a good spot.
Then I waited.
Selesa turned up first, a big Samoan guy with close-cropped hair, flanked by four men in
dark suits, who carried a square wooden crate between them.
They went into the warehouse and, sure enough, five minutes later, there he is,
that snake. He was alone and seemed to be limping slightly. He headed inside through the same door,
leaving it unlocked. Perfect. There was no point in me going in yet. I wasn't keen to get my head
kicked in by Salaise's goons, so I just watched.
My hand gripping the hilt of a combat knife I'd bought at an army surplus store I know is happy to sell off the books.
It was almost an hour later that Selesa and his men left, still carrying that box.
They didn't look happy, but I could have given a damn.
As soon as they were around the corner, I headed inside as quietly as I could. And there he was, leaning up against a pile of bricks,
smoking. I started to move towards him, but as I got near, he must have heard me and turned around. He started to say something about reconsidering and lowering the price when he realised I was not Selesa.
Then a look passed over the face of Paul Noriega that I will treasure forever. No matter what
happens to me, the memory of that look of panicked terror will stay with me.
He turned to run, but whatever was wrong with his leg meant he tripped over the bricks
instead. I grabbed him by the collar, my knife already out, and dragged him up. I had always
been the stronger of the two of us, and he knew he couldn't fight me. Holding up his hand, he begged
me to wait, to listen. I noticed that his hand was missing a couple of fingers, old wounds that had long healed over, though I didn't remember seeing them before.
It didn't matter. I could hear the blood pumping in my head, and nothing was going to stop me taking my revenge.
He begged for mercy as I plunged the knife into him once, twice, three times, again and again and again, I stabbed that backstabber until, finally, I let him fall.
He landed on the floor hard, dead weight, his head making a thick, cracking sound as it hit the bricks,
and blood began to pool on the floor around his body.
and blood began to pool on the floor around his body.
As the rage started to fade and my breathing returned to normal,
I took a second to look over poor, dead Paul Noriega and saw something that seemed to have been knocked loose when his head hit the bricks.
Picking it up, I saw it was a glass eye. I looked back at the corpse,
and sure enough there was a gaping hole where his left eye should have been. When had that
happened? He certainly had both eyes when we had worked together, and all ten fingers
as well. He'd also had all his teeth, where now I saw gaps all over that dead, smiling face.
I shivered, though I don't know why.
I won't go into detail about how I went about disposing of the body,
just trust me when I say that even if the cops did find any piece in Auriga's corpse,
they wouldn't be able to pin it on me.
And life went on. His boys did come
looking for me when their boss didn't return, but I knew to lay low for a while, and soon enough
they realised that if he was gone, they weren't getting paid either way and moved on. And so I
had my revenge. And that should have been the end of the story. But it wasn't. It was five days after I killed Noriga that I found the
first package. I was on Tottenham Marshes, near the reservoir, on business you don't
need to know, and I came to a metal bridge over one of the streams there. Now, this wasn't
a place I went often, and I don't think I'd ever crossed that bridge before in my life, but there, lying in the centre of it, was a small box.
It was wrapped in brown paper and string, like an old-fashioned Christmas present,
and had my name printed on it in clear letters.
Lee Rentoul, for immediate consideration.
Obviously I was a little bit freaked out at this, but not as
freaked out as when I opened it. Inside was a black cardboard box, full of cotton wool,
and a single severed finger. It was obviously some sort of threat, some punk reckoned they
could put a scare on me. No chance.
I threw the finger into one of the canals and set the box on fire before throwing it in a bin.
I headed home quickly, keeping my attention all around me and my hand on my knife.
I was so busy looking behind me I didn't see the hole in front of me, and I tripped.
As I fell forward, I felt a hot pain in the hand that had been on my knife.
You guessed it.
Falling had caused the blade to slice clean through my little finger.
I'm not too proud to admit that I screamed at this.
I tore up my shirt trying to make a bandage to stop the bleeding, at least until I could get to a hospital. But as I began to wrap it up, I
noticed that it wasn't actually bleeding. The wound was closed, it had healed, like
it had happened years ago. I didn't know what to think, I didn't know what to do, so I just
went home. I wasn't getting my finger back, so I figured I could try to deal with it after a decent night's sleep.
There was another box at my flat.
Same as before.
This one contained two toes.
I tried to ignore it and keep my foot well away from any knives, but...
I was trying to adjust the settings on my flat screen when it fell off the wall, hit my right foot, and... well, have you figured it out yet? That was two weeks ago. Since then, I lost
four more fingers to accidents. Most of my toes, this eye I managed to put out on a goddamn
fence post. I've lost count of the number of teeth gone, and believe me when I say that
you don't want to know how I lost the hand. Each time, a box wrapped in brown paper. Lee Rentoul, for immediate consideration.
I've tried everything. Once I thought I managed to outsmart it, spent the day in my bedroom,
nothing sharp, no edges, I'd taken out everything except the mattress.
It didn't matter.
I woke the next morning with an agony in my foot far sharper than any knife could cut,
and the big toe missing, just like the one I'd received the morning before.
I knew it was Angela.
Of course I did, I'm not thick.
Whatever curse she'd laid on Noriga must have passed to me.
I went over there,
you know. Went to confront that old... And you know what happened? She let me in.
She was nice. Civil. Offered me another cup of coffee. I told her where to stick it.
Demanded. Asked. Begged her to stop whatever was happening to me. You know what she did? She shrugged.
She just shrugged. Told me that some hungers are too strong to be denied.
Whatever the hell that means.
So I went for her.
I was going to strangle the life out of that curse-flinging bag of bones.
But as I reached for her, I don't know.
I don't know what happened.
I know that's how I lost the hand.
I know I chewed it off.
Look, it doesn't matter.
I just need your help.
I need this to stop.
I don't know how, but this is your area, right?
This is what you do. You look into this
weird ghost crap, right? Well, this is the definition of weird ghost crap, and I need you
to help me. I need you to save me from whatever is happening. I don't have much time.
I got a box this morning, a few hours before I came here.
It was a tongue.
Statement ends.
It doesn't look like this case was ever properly followed up.
According to the supplementary notes, shortly after making his statement,
Mr. Rentoul became violent towards Institute staff, and in the ensuing incident, there was... an accident.
No details are given,
but apparently it required Mr. Rentoul's hospitalization. I'm reminded of a somewhat tasteless joke about loose tongues. He did not return to the Institute afterwards,
and his statement was archived. According to the arrest records Sasha uncovered,
Mr. Rentoul was telling the truth about the somewhat checkered past of himself and his associate, Paul Noriega, with extensive files on both of them.
The last listed interaction between the police and Mr. Noriega is two months before Mr. Rentoul's statement, and since then, no sign can be found of him in police records, or indeed anywhere else.
I sent Martin to look into this Angela character. Not that I want him to get chopped up, of course,
but someone had to. Apparently he spent three days looking into every woman named Angela in
Bexley over the age of fifty. He could not find anyone that matches the admittedly vague description given here,
though he informs me that he had some very pleasant chats about jigsaws.
Useless ass.
Tim has done his best to try and hunt down Mr. Rentoul
and see if we can contact him for a follow-up interview or evaluation,
but it looks like he
disappeared shortly after making this statement. We were able to find his old landlord, though,
who said that Mr. Rentoul vanished in early April of 2011, leaving many unpaid bills and
no forwarding address. He said that when he had gone to clear out the flat, he'd been surprised to find that there was no furniture left.
All that remained, he said, were hundreds and hundreds of small cardboard boxes.
Recording ends.
The Magnus Archives is a podcast distributed by RustyQuill.com and licensed under a Creative Commons Attribution Non-Commercial Sharealike International License.
Today's episode was written and performed by Jonathan Sims.
It was produced by Alexander J. Newell,
Mike LeBeau, and Murray Porter,
and directed by Alexander J. Newell.
To comment on episodes, make donations,
and view links, images, videos, and show notes,
visit RustyQuill.com.
Rate and review us on iTunes,
visit us on Facebook,
tweet us on Twitter at TheRustyQuill,
or email us at MailAtRustyQuill, or email us at mail at rustyquill.com. Thanks for listening.
To be continued... Audible is the leader in audiobooks, so you'll always find the best and freshest selection of mysteries and thrillers to choose from.
Sometimes you just want to get lost in a classic whodunit, and sometimes you want to get wrapped up in a twisted new mystery where the tension is high and you just can't stop listening until you find out what happens next.
Audible can take you places only you can imagine and whenever you want.
On a run, doing errands, commuting or just relaxing at home.
And it's not just audiobooks. Audible also gives you binge-worthy podcasts and exclusive originals
with thousands of included titles you can listen to all you want, and more get added every week.
So, if you're into secrets and suspense, or you want to explore any other genre,
remember, there's more to imagine when you listen on Audible. Your first audiobook is
absolutely free when you sign up for a free 30-day trial at audible.ca. This is the first radio ad you can smell. The new Cinnabon
Pull Apart only at Wendy's. It's ooey gooey and just five bucks for the small coffee all day long.
Taxes extra at participating Wendy's until May 5th. Terms and conditions apply.