The Moth - The Moth Radio Hour: Autonomy
Episode Date: October 1, 2024In this hour, stories of self-reliance and autonomy. What's in a name, the ties that bind us, and a life-altering diagnosis. This episode is hosted by Moth Senior Director Jenifer Hixson. The... Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media.Storytellers:Shaylan Clark grows up in Harlan County, where every family has at least one coal miner. Quetzalli Castro is frustrated by teachers who can't pronounce her name.Daisy Joy Rodrigo worries that her parents won't approve of her boyfriend.Brian Jeansonne describes how living with ALS has impacted his family.Podcast # 889
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Wherever you get your podcasts.
From PRX, this is the Moth Radio Hour.
I'm your host, Jennifer Hickson.
In this hour, we'll be exploring stories about autonomy, the ability to make your own decisions
and the agency to do what's best for you, despite the obstacles that life invariably
throws your way.
We'll hear about autonomy in the context of a family, a classroom, or in the case of this first story, a community,
and the desire to be the one to tell its story.
This was part of a show in Whitebird, Kentucky, where we partnered with Apple Shop,
which is a media arts and education center known for celebrating all things Appalachian.
Live in Kentucky, here's Shailen Clark.
Live in Kentucky, here's Shailen Clark. I grew up in a small town, the small town of Lynch, Kentucky, which is located in
Harlan County, Kentucky, right across the mountain.
The thing I love most about my home is my close-knit community. Everyone takes care of everyone. We care
about each other. We take care of our home and our people. I remember in grade
school we had this this thing called Spirit Week, right? And it was a week
right before homecoming and there would be different themes every day of the
week. So you had Decade Day and P pajama day and all these different days but one day that always
remained the same thing was coal miner day. And they had this because one thing
that we had in common in my small community is everyone's family had a
coal miner. My father was a coal miner.
If your father wasn't a coal miner,
then your uncle was or your papa was.
Didn't matter who you were,
you knew a miner or you were related to a miner.
And so Coal Miner Day was a day that all the kids
got to go home and ask their parents,
can I wear your uniform?
Can I put on your hat with the light on it? Can I put on your jacket with your name on it or your big boots or
your striped pants? And I just remember coming home being like, mom it's coal
miner day. I need to borrow dad's big coal miner uniform. Do you think he'll let
me wear his jacket or his pants or his boots? And he was a much bigger man than
me. And so he would always let me wear his jacket with the orange reflection stripes on it and it was so
big it came down all the way past my knees and I remember finding the biggest
pair of boots I had and wearing them to school the next day so proud. All the
kids would come into school with their family names on their jackets and we'd
rub our hands in the dirt and put it all over our face and to make it look like we just
got off a second shift. We'd walk through the hallways and the teachers would be
smiling and it was like our way of honoring the hard-working men and women
of our community. In high school, I remember I was a freshman,
and I made so many new friends that year.
One particular friend I remember, her name was Kelsey.
Me and Kelsey clicked immediately, became best friends.
Her dad was a coal miner too.
As the year went by, I remember there was whispers in the classrooms of people being upset because their families were having to move.
And I was like, why is everyone having to leave? And it was because their fathers were losing their jobs.
The mines were shutting down. There was no work.
And so I just remember pushing it to the back of my mind because my dad still had his job.
And so I was like, it's whatever.
Your dad can just find another job, you're being dramatic.
Until one day I walked into my science class
that I had with Kelsey and she was crying.
And my immediate thought was,
girl, who are we fighting after class?
Like, who is it, it who did it what are we
doing what's up you know I'm down to ride for you like Kelsey was good just
let me know and she was like no we're not fighting anyone but I'm moving I
was like why why are you moving why would you leave you're my first friend that I
made we clicked so well why are you having to leave?"
She said, my dad lost his job.
The mine shut down.
That was the first time that it really hit me personally.
And I realized that what is our community without coal mines?
We love it here and we love each other,
but without these jobs, my friends and their families
had to leave.
It was my junior year of high school, the summer of my junior year, and it was in July.
And I remember coming downstairs and my mom was cooking dinner and she just got off the
phone.
And I was like, what's wrong?
She had a look on her face. She was like
your dad's mind shut down and I just remember thinking oh my god do we have
to move? Do I have to leave this place and these people, these mountains that I
love so much? Is this really what takes me away from my home? And she's like, I don't know.
So fortunately, my father had been in the mines
long enough to where he could get his retirement
and I was able to stay in a place that I love.
But for a lot of other families,
this wasn't the same outcome.
When I graduated high school, I got into film
and I did the AMI Summer Documentary Institute
internship here in Whitesburg, Kentucky with Apple Shop.
And they showed us many different films.
And I remember one day we were learning about perception, and they showed us films of what
outsiders see us as.
And one film they showed us was the Diane Sawyers' Hidden Children of the Mountains.
And I just remember at the end of that film there was steam coming out of my head because
all I had seen for that entire film was kids with no teeth in them
cleaning it was because they were drinking too much Mountain Dew and kids
with no shoes running around in the dirt and I was just like I have all my teeth
I've lived here my whole life all my friends have their teeth and we all have
pretty nice shoes although we prefer to be barefoot. And so after that they showed us another film, Harlan County USA.
This film struck me in such a way that it brought tears to my eyes and there
are not a lot of films that can make me cry but I remember
at the end of it being so proud to see what the people of my community fought
for. These miners were fighting against these companies for basic human rights
and I just remember that's that's the way I see my community. This is how I see my
people. We're fighters and we'll fight for what we work for.
So it's the end of this summer.
It is July 30th.
And I remember I'm sitting on a couch
and I'm scrolling through Facebook
and I see that black jewel miners
go on protest on a coal track,
on a train track in Cumberland, Kentucky.
They're blocking a train from taking coal out of the mines.
So what happened was the black jewel coal company shut down
and went bankruptcy and they had paid their miners
on the weekend of the 4th of July.
They got their checks, they cashed their checks, they paid their bills, they went
on vacation. Come Monday all of that money was taken out of their accounts
and there were thousands of dollars in the negative. Families having to leave
their vacation to pick up their children and say we can't stay at the beach anymore. We can't
afford it. And so when I heard the news I ran in the kitchen I showed my mom she
was cooking dinner and she looks at me and she goes well I know you're going
down there. So I didn't have a camera of my own. I called some friends at Apple
shop and I was like, I need a camera.
They were like, girl come get it.
And so I came over here, I got the camera, I got the equipment, and I went straight to
the protests.
And I remember pulling up by myself with this huge camera bag and this monopod, this camera
around my neck, and I'm ready.
I'm ready to get the story. And I walk up to
a group of guys and one of them looks at me with a straight face and he goes,
who were you with? Excuse me? Well sir, yeah, I was a little taken back. But there
were some other guys there that I went to high school with that recognized
me immediately.
And they were like, no, dude, she's from here.
She's with us.
She's going to tell our story.
You can talk to her.
She's going to tell it right.
And I understood where that miner was coming from.
People come in here with their cameras and they paint us in a completely different light
of what we are.
And I want the Black Jewel Miners to know that no matter how long this fight takes,
the bloody Harlan fight took 13 months and we are six weeks in.
And we will continue and they will have the love and support of their community behind them.
And I will be right there with my monopod and my camera
and my microphone ready to tell our story the way it should be told.
Thank you.
Applause
That was Shailen Clark.
She's gone on to be a facilitator, organizer, organizer and filmmaker and is the director of an education workshop series.
She's passionate about creating safe and comfortable environments for queer people and people of all bodies.
Shailen says that she will always be proud to be from Appalachia and call it home.
As for Black Jewel Mining Company, the bankruptcy went through and left miners in four states without jobs, and the promised restoration of the land unfinished.
In a moment, complications from dating outside your faith and taking control when folks can't seem to pronounce your name. The Moth Radio Hour is produced by Atlantic Public Media in Woods Hole, Massachusetts,
and presented by the public radio exchange prx.org.
As executive producer of The Moth,
I travel a few times a year to places like Nairobi,
Johannesburg, Boston, London, Anchorage,
often staying in an Airbnb.
And it's always a great experience,
comfortable and cozy.
I feel right at home.
Then I often think back to my own home
and I think about how hosting on Airbnb while I'm away would be a great idea.
It's a great way to make some extra income and share my place with travelers who will love it as much as I do.
I've been looking into setting up a host account and it seems like a practical thing to do.
Your home might be worth more than you think.
Find out how much at airbnb.ca slash host.
This is the Moth Radio Hour from PRX.
I'm Jennifer Hickson.
In this hour, stories of forging your own path.
Cultural traditions are vital to families,
but time and time again,
romantic love creeps in and stirs things up.
This next story refers to endogamy, the custom of marrying
only within the limits of a specific community. Live in Brooklyn, where WNYC is a media partner
of the Moth, here's Daisy Joy Rodrigo.
So I'm sitting in the living room of my parents' home, and I am freaking out.
What I'm about to say is going to change
the way in which they thought my life was going to unfold.
What I'm about to say can change everything.
There were girls in our community that were shipped off to India never to
be seen again after saying what I was getting ready to say. My family are not
just Indian Catholics but they are Kana Indian Catholics. So what I'm going to
tell you about this is that in the culture, the roots are deep and
the rules are endless.
Short story form, the Kanas are the descendants of a nomadic tribe that consisted of 72 families
and seven clans that were all of Jewish Christian Syrian descent. They were led to the
southern coast of India and lived in the state of Kerala by Thomas of Kena where
they practiced endogamy since the fourth century. So what am I trying to say here Canars. But I was in love with Ken. And Ken is not Canar. But he is Catholic. But
Ken's Puerto Rican. So I'm telling myself I can do it, I can do it.
And there's my older unmarried sister next to me like, do it already.
But here's the thing, right?
I'm scared.
I'm actually petrified.
And when we think about rebels, we always talk about, oh man, they're so brave, they're
so strong, and they're all those things.
But deep, deep down inside, they're also very scared.
So I took deep breath, and I said to my parents,
hey, you know my friend Ken?
I think I wanna marry him.
Okay, so a little side note about Indian parents. Indian parents do
not want to know who you are dating. They want to know who you're marrying. Kind of
puts unnecessary pressure on a first date like, hi my name is Daisy, where's
this going? So Indian women, we tend not to share such details until we're a
hundred percent sure on where this is going. So
what that means is that Indian daughters are fiercely loyal to their
parents but they do keep separate worlds. Keep their dating world a secret and
then their traditional Indian world as well. So back in the living room and I'm
looking at my parents and I'm like if if they go with this, I will be the first in the family
to get to marry a Puerto Rican guy.
Eee.
Marry outside the culture, not have an arranged marriage.
And so my mother is like looking at me
and then she looks at my sister
and then she looks back at me and she says,
you have to ask her if you could get married first
because she's older than me.
And remember, I told you, canas, endless rules.
So I turned to my sister who knew about this plan all along
and said, hey, are you okay with this?
And she's like, yeah, sure.
And I'm like, okay, great.
But unfortunately, that's when the questioning began.
So my parents, where is he from? And I said, Brooklyn. Thanks to
the evening news in the late 90s and the early 2000s, my parents had a terrible
perception of Brooklyn. Then they asked, well what is his job? And I said, well
he's a manager with Federal Express. And all my mother heard was federal.
And she said, oh, federal job.
Very good.
And I was like, listen, I'm going to take this as a win right now.
There are a lot of details we've got to iron out.
Just going to skip through this.
So then they ask, well, what is his religion? And I said, he's Catholic.
So there was common ground and a lot of silence. So we're like in this living room, right? And now
all of us are like staring at the ginormous Sacred Heart of Jesus painting that is up on the wall.
And all these years, I have never
thought about what my parents were
thinking during that time, right?
Because I'm like, this is all about me.
And I know I was praying in that Jesus picture,
like you would not believe.
But now that I think about it, I think they were praying too.
And so then my dad kind of says, well, it's tradition,
we have to inform the elders of your plan.
And so he stands up and he leaves the living room
and he walks down the hallway
and he opens the door to his master bedroom
and my mom is right behind him and they shut the door.
And I'm like, this is really happening.
They're making the call.
Like that's the official, like this is really happening.
And so I can hear them on the phone and with that one phone call,
you wouldn't believe the number of phone calls that came after
because the Indian community does not play when there's dirt out there.
Right?
So I can hear bits and pieces of his conversation
and I can hear the banter.
And it was like, well, she's not marrying an Indian person,
so she can't have an Indian wedding.
She cannot follow tradition.
She's breaking tradition.
And I remember hearing my father say, the only way I know
to send her off is using the Kananai traditions so I'm
gonna marry my daughter off the only way that I know how and he said a lot to me
that night and as he every phone call he took there after his voice became like
stronger and stronger and like the one message I remember is him saying, Daisy knows the way to her happiness.
So I'm gonna follow her.
I am so badass.
I am so badass.
I am so badass.
I am so badass.
I am so badass.
I am so badass.
I am so badass.
I am so badass.
I am so badass.
I am so badass. I am so badass. I am so badass. I am so badass. I am so badass. But you know what? The truth is, it's actually my mom and dad who are the real badasses.
Because not only did they okay it, they had my back. They gave me the greatest gift of
all. And that's the gift to allow me to be who I truly am. And for that, I am going to
be forever grateful.
Thank you.
Thank you.
Thank you so much.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you.
Thank you. Thank you. Thank you. Thank you. Thank you. Thank you. calls her Indo-Rican family. She and Ken have three kids. Daisy is a New York City school
principal who proudly serves the same Bronx community her immigrant parents once lived
in as they began their journey in America. Before he passed away in 2011, Daisy's dad
shared that he believed Ken was, in fact, the one, the best partner for her. He said
that good people are good people no matter where they come from.
Ken and Daisy have been married for two decades and going strong.
To see a picture of Daisy, Ken and their kids visit themoth.org.
You can share these stories or others from the Moth Archive and buy tickets to Moth Storytelling events in your area through our website themoth.org. There are Moth events year round.
Find a show near you and come out to tell a story.
And find us on social media too.
We're on Facebook and X, at The Moth,
and on Instagram and TikTok, at Moth Stories.
["The Moth Story"]
Our next story was told in Chicago, where we partner with public radio station WBEZ. Here's Ketzaly Castro.
I am the Mexican daughter of two Mexicans who would have thought. And my parents were
born too late to be hippies and too early to be hipsters. But I definitely
know they did a lot of things before it was cool. They met each other at a
Mexico City ashram. They got into vegetarianism.
They did a lot of yoga and meditation.
And then they decided to immigrate to America with me.
And in their wisdom, they decided to give me the name of Ketzali.
Let me spell that for you. Q-U-E-T-Z-A-L-L-I. Quetzali.
Quetzali. Now, I love my name. I really do. And my parents have told me the stories
and I've done the research. And Quetzali means beautiful feather of the Ketsal bird.
And this bird is important to Mesoamerican mythology because these are probably the feathers
that go on a feathered serpent god named Ketsal Kowatl, or as the Mayans call him, Kukulkan.
And that's so cool.
I love this name. I loved it even when I was little, until I
got to school. Now, everyone knows this moment. It's the first day of school and
the teacher's like, shh, I'll wait. I'm not gonna talk while you're talking.
Erin Anderson, Brittany Barton, Miss Castro. And that's quickly followed with, do you have a nickname?
What's your middle name?
Isabel?
Izzy!
You're an Izzy!
Now normally, I guess I didn't mind that when I was a kid, but nowadays it makes me think about Ellis Island and how so many people came into the US and at that
island they had to make some big decisions right they probably just came
from their home country where they had just been rejected and they are not
about to get rejected by the US and neither am I. All right and in these moments where I'm back in this classroom
and this teacher is asking me what my name is I guess it's Izzy. All right. In
other moments they'll start off with I'm gonna butcher this. Oh you know it's the first day of school and I'm
gonna butcher some names and probably yours for the rest of your life so
let's start now okay. Quizzilla? Cat Sally? You know there was this one really nice
white lady teacher who didn't even pause
and proudly called out for Cassidy Acastro.
It's Izzy.
Call me, call me Izzy.
I've been Americanized.
And that's okay, but I want you guys to realize that it takes quite a bit of nerve for a student
to stand up to an adult and kind of fight about how their names are pronounced.
And these decisions have to be made really quickly. And when these moments start happening,
you sort of get this sense of a small rejection
from a community, like an emotional paper cut.
And you really have to decide, do I fight this teacher today?
Do I take this paper cut?
Do I take this paper cut? Do I change?
Do I become less of who I am?
You know, and that really created a craving in me and a reason to start fighting back
in my own way. to dream of a future where people would be culturally competent.
And they would say names, my name, the right way, the first time.
And so I started this crusade.
And one eternity later, I'm the teacher.
I'm the teacher now taking attendance.
And oh my goodness, so much and so little
has changed in public schooling.
Let me tell you, there are Black Lives Matter posters.
There's all sorts of rainbow things everywhere. You have the hate has
no home here and I'm glad for that but I still see that Ellis Island is alive and
well in a lot of my students. One of them didn't even let me take attendance first
he's like call me Aki. Okay Akin de le. I practice though.
My Lisienne wants to be called Leslie.
A teacher will come in looking for Gail.
You mean Gael?
Gael's here.
Go Gael? Gael's here. Go Gael. Gael.
And it takes a lot of coaxing, but I get most of them to really start thinking about how they are valued and they belong and their name is their name. Sometimes when I give my
spiel to students they also get interested and they're like miss Castro
what's your name? And that's when I like playing this game it starts with a Q and
you'll never guess what it is. They usually never do until one year this girl raises her hand and she's like is it Ketsali? What? Who told
you? Who told you? Oh no that's my little sister's name. What? I am so ready for her, oh my goodness. And if Kit Sally is on her way and I get to teach her in a couple of years, if she knows
now what I wish I knew back then, I would get her to tell those teachers and those bullies, often one in the same. But I would tell her to tell them that you are
named after a precious feather of a feathered serpent god. That this god has
a pyramid in Mexico that many travel to go see and it is a wonder of the world.
And they should probably take better care of your name
lest they displease these gods.
That was Ketsali Castro. She is currently a seventh grade teacher.
I asked her if she had advice for fellow teachers and she said that learning about and honoring
all your students' cultural identities
ultimately enriches the experience
for everyone in the class, including the teachers.
When I was growing up, I had a classmate, Siobhan,
the Gaelic spelling with a BH right in the middle. It threw some teachers at first, but they eventually got it right
because that's what we do in a nation of immigrants.
And to all who have had their names botched, I know there are a lot of you.
Thank you for taking the time to let us know. Getting your name right is important.
Thank you, Ketzali.
Do you have a story to tell us about staying true to yourself, bucking the system, or circumventing
the traditional way of doing things?
We'd love to hear a pitch about it.
You can leave a pitch right on our site, themoth.org, or call us and leave a less than two minute
pitch at 877-799-M-O-T-H.
Transitioning from fifth grade to sixth grade was my opportunity to have a fresh start.
I could break out of the confines of the Catholic school uniform where my options were a dress
or a skirt and put on whatever I wanted, girls or boys clothes.
I could finally create the vision of myself I had in my head already.
Confident, cool, and with a fresh new haircut. That summer my mom and I walked
to our local hair salon, Estetica Mari, with my hair in a braid. I remember
sitting in a salon chair and seeing my braid leaving my head. The hairstylist
tried to convince me I looked beautiful with a bob haircut
and I shouldn't go any further.
I had to call my mom and for backup to convince her in Spanish
that I wanted to get shorter and shorter.
Finally, they raised a mirror to the back of my head
and I could see how short it was,
evidence of what had happened all over the floor. I was so damn proud of myself
and ready. On the first day of school I stood in the entrance way dressed in the t-shirt and skater
boy shorts from the boys section. For the first time I felt like the inside matched the outside
that I didn't have to compartmentalize who I was at school and who I was at home
For the first time I was showing up as myself
by myself
Remember you can pitch us your story at
877-799-MOTH that's 877-799-6684.
Or online at themoth.org, where you can also share these stories or others, from the Moth
Archive.
When we return, a man who loses almost all control finds ways to stay grounded. That's when the Moth Radio Hour is produced by Atlantic Public Media in Woods Hole, Massachusetts,
and presented by PRX.
Harry Rosen is helping men look and feel their best on any occasion, from work to weekend,
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new designers like Balmain and Rude and your favorite contemporary designers
Frame and Vesia. Elevate your wardrobe with one of their trusted advisors in
store or online today. Harry Rosen for a life well-dressed.
You're listening to the Moth Radio Hour from PRX. I'm Jennifer Hixson, and in this hour, we're hearing about autonomy.
Our final story is told by Brian John Song.
As soon as he begins, you may notice that Brian's voice is synthesized by a computer.
Up on stage, everyone in the audience could see that Brian's lips were not moving.
That's because his story was written with his eyes.
He will explain.
Here's Brian, live in New York City.
Good evening, good people.
My name is Brian.
I happen to have ALS, also known as Lou Gehrig's disease, a very rare neurodegenerative disease
that affects less than one out of every
1,000 people in the US no need to fear you are all safe I
Am the one in the room
You're welcome
Now I am not much of a public speaker and I am nervous af I
Literally feel like I can't move.
I'd like you to imagine a world with me before COVID. The year is 2019.
It is a beautiful morning in September.
I awake early and head to the gym.
Following my workout, I lace up my running shoes and begin my morning run.
On this day it's just a short three-miler.
My pace is brisk as I run along Bayou Saint John in the heart of New Orleans.
The morning breeze cooling the beads of sweat rolling across my freshly shaven head.
At the one-mile mark, I noticed something
wrong with my gait. My left foot is not making its full stride, but instead is hitting the
earth beneath me as it tries to make its way through.
Eight months later, after more than a dozen doctor's appointments and multiple MRIs, in
April 2020, exactly one month after COVID broke the world.
We finally got an appointment with Dr. Edwards, a neuromuscular specialist.
We arrived at his office.
There were no administrative staff, no nurses, no other patients.
Dr. Edwards literally turned the lights on for us.
After examining my body for about four minutes, he put his instruments down,
placed his hand on my knee, looked me in the eyes and said,
Mr. Josson, I am so sorry, but this is ALS.
And then told me I had two to five years to live.
I was 43 years old. As we left his office, I fell to the floor,
feeling like a piling in the shaft of a pile driver. I had been smashed to dust.
My wife, Christy, fell with me, held me, and we wept in that corridor for what
seemed like hours. Once we were able to get our legs back under us, we made the
five-mile trek from the doctor's office to our home to see our kids who at the time were ages 15, 14, 13, 11, and 8.
I had just been handed a death sentence and I felt as though my life was over.
It didn't take long for ALS to destroy my body.
In just two years, I had lost the ability to walk, to talk, to eat, to move, to bathe myself.
Actually, the bathing part excited me because I knew that meant more showers with my wife.
However, when I realized she was going to keep her clothes on, it suddenly became less
thrilling.
I had lost all autonomy.
Every morning someone would give me an enema and return a few minutes later to wipe my
butt.
I could no longer hug my kids or squeeze my teenagers tightly when they would stand in front of me, crying, because their life is difficult.
And I can't do anything.
And a dad should be able to hug his own kids.
I could not use my voice to tell them that I love them.
Before I lost my voice, I wore those three little words out on them, even making sure the last words I ever spoke
were, I love you, to each kid and Christy.
I could no longer enjoy my favorite foods, fried shrimp po' boys or my mom's chicken
and andouille gumbo.
I couldn't smell or taste that delicious black coffee from my neighborhood coffee shop.
I could no longer savor cigars or sip on a wonderful bourbon-like
Hancock Reserve with my buddies. I could no longer smell the love of my life, or taste
her kiss, or make love to her the way she enjoys. I could hear my daughter in the backyard
playing basketball. Bounce. Bounce. Bounce. But I couldn't go out and play with her like I could with her four
older brothers before I got this awful disease. So as I was working through the
grief of so much loss I was still breathing really strong and then in
October of 2022 I got the flu. We were out of town visiting a friend where I
stayed in bed all weekend and high as a kite to keep me relaxed as I gasped for air.
Upon our return home, on October 10th, 2022, I journaled, quote, I am in a really dark place. I'm legitimately scared for the first time. I am fearful. Episodes like Thursday night and last night and this morning I
literally feel like this could be it because I can't breathe and then I start
sweating and then I am having a panic attack and it's dark. This morning I
felt like tapping out and that scares me." The next morning I found
myself in the back of an ambulance being rushed to the hospital,
having no idea if I would ever return home, seriously wondering if I had just seen my
kids for the last time.
After being stabilized in the ER, I was transferred to the ICU.
The next day, my favorite doctor and one of the most beautiful humans I have ever met,
Dr. Candro, sat next to my bed and said, Brian, we are at decision-making time.
We can either make you comfortable as you transition from this life to whatever is next
or we can do a tracheotomy in which you will live the rest of your life on life support.
It will be incredibly difficult and very expensive,
but you will still be here with us. I figure most people would say that is a no-brainer,
but the truth is, 90% of ALS patients decide not to get traked. Reason being, this is a
challenging way to live. You are basically a fully cognizant human being who is incapable of doing anything except thinking.
So when my doctor asked me the literal life or death decision and I was hopped up on all kinds of drugs,
I was ready to die.
But in the midst of the pain and fear and chaos,
I had a brief moment of clarity where I was fully in tune with my wife, my own soul, and the
oneness. I whispered to myself, Micah. Jonah. Nate. Lucas. Zoe Moon. And I looked at my
amazing doctor and I said, I have five kids at home who are waiting for me and I'm not
done imparting myself to them, so do whatever you have to do to keep me here. That is the last
thing I remember. I woke up 14 days later and asked Christy, when is surgery? And
she replied, baby it's done. You are traped and you are back. Six months later, I am
hanging out with my four teenage boys, a meeting we have together every Sunday night.
We call ourselves the Diamond Dogs.
I am in my bed.
The boys are situated around my room.
One is in bed with me.
Two are on the sofa to my right.
And one is sitting in a chair at the foot of my bed.
The room is dimly lit by a lamp with an Edison bulb
in the corner. Somehow, on
this particular night, unprompted by me, the boys stumble into uncharted territory and
start talking about how my disease is forming them in positive ways. This is one of those
moments when you don't know what is happening, but you do know that whatever it is, it is
sacred. But you do know that whatever it is it is sacred
Micah 18 said I think ALS has made me more understanding towards what others are going through and it has brought me
And you closer together
Jonah 17
ALS has taught us to cherish all the moments we spend together
Nate 16 taught us to cherish all the moments we spend together. Nate, 16, ALS taught me
how to deal with unrequited questions and how to embrace what may not be there
tomorrow. It is also teaching me how to love what seems unlovable. And Lucas, 14,
ALS is helping me learn to be patient and it's taught me maturity in a form that is important at my age.
They are teenagers. They know ALS means our time together will be shortened
and to hear them speak of their own formation in positive ways left me speechless.
It was the most validating moment of my life.
That the way Christy and I chose to parent might, actually, work. I
mean, who are these humans and how did I get to be the lucky guy that gets to spend part
of my life with them? This was one singular point. On the timeline of my life. When Beauty
showed her face. In the midst of the chaos. In the middle of the clusterfuck, in the black, burnt ashes.
I am, however, a man who also values authenticity and balance so.
A few weeks ago, I chose to face one of my fears and ask my daughter the question.
Remember, she was eight when I was diagnosed. She is 12 now. I was sitting in my chair as she stood in front of me, and with my computerized voice I asked,
Zoe Moon, can you think of any good things that have come into your life because of my ALS?
She thought for about 30 seconds.
Dad, I don't really remember life before ALS.
As I began to weep, I was heartbroken to hear her say what I already suspected to be true.
That my daughter would never remember a time when I didn't have ALS.
She would not remember my hugs or our tickle fights.
She would not remember all of the times we walked home from
school together hand in hand. On the ever-growing list of things that life is teaching me, is
that even in this, I trust that something good will spring forth. Because in the chaos
there is always something beautiful to be experienced. Sometimes, though, you might just have to hold on for dear life before you experience
the beautiful. So, I hold on. I have now been living with this 20-pound black box on the back
of my chair for almost two years and it is an incredibly difficult way to experience life.
experience life But I am here with my wife my kids my neighbors my friends
And in the life that ALS was determined to burn to the ground
There is beauty and love rising from the ashes all around no matter where your life takes you always remember
Life is a beautiful clusterfuck and love is here
Thank you, love.
That was Brian Johnson. ALS stripped him of his neuromuscular capabilities, except for his eyes.
The story you just heard was composed via Brian's eyes on a special computer.
Although Brian's not able to move his body, his face is still very expressive, and you
can even see when he's laughing, which is often.
On the flip side, when he's emotional,
as he was in the story you just heard,
tears roll down his face.
We first met Brian at a StorySlam in New Orleans,
where he was born and raised,
and where he currently lives with his family.
On social media, he, his wife and kids
educate the public on ALS
and share their triumphs and struggles and lots of laughter.
Here's Brian's oldest son Micah sharing what it was like when they first got the news.
It was clear there was something wrong with his leg, but nobody, no one, not even the doctors were like this is serious.
Honestly, when they texted us onto the porch it all hit us like a 18-wheeler.
That was the first time I saw him, not the first time, but that was the, I saw him cry
like, like fear cry for the first time, I think.
And it was the worst thing in the world.
And then I think I asked if they could cut his leg off.
And he said no.
It was in his spine.
And I was like, well, we can't take that out.
But everything from then on has gotten easier.
But it was that porch meeting that just the world was different.
Before Brian lost the ability to speak, he recorded his voice and trained a computer to synthesize it.
So even though it is through a computer, we are hearing Brian's voice.
I asked Brian if there was some magical muscle he built up when he was healthy that has helped him be so positive in the face of this disease, he sent me this answer.
Not so much a muscle, but I had spent years paying attention to my inner life and caring
for it by spending time in silence and solitude and meditation.
This, I believe, put me in a better position to navigate this disease.
Brian's wife Christyy, shared some insight
about how the family is able to manage.
There's like big things that we've gone through.
So we're a really good team.
Katrina, our house was destroyed.
We had to rebuild.
We just kind of took the same mentality when we chose, right?
We chose to move forward.
We chose to not just sit and cry. We cried when we
needed to, but we just wanted our kids to see us pick up and go. Like, we're gonna
keep moving. Things are gonna look different. Things are gonna be harder,
but our family can do it. It's interesting in life how when the kids
were toddlers and Brian's at work all day and he knows when he walks in that
door that I'm gonna hand him a kid, he doesn't get
off of work at five, you know.
Next job starts being a daddy walking in that door.
Well, for our kids, that's what happened to them.
They would go to school.
And then when they got home and walked in that door, they were hands on taking care
of their dad.
And they never complained about that, never.
Finally, I asked Brian how his family is so good at savoring the good times when faced with so much loss.
As parents, we have always encouraged and modeled for our kids to live in the present.
Upon my diagnosis, we, as a family, decided that we would take some time to be scared and sad, but then we would get back to living and be present for whatever time we had left together.
To see pictures of Brian and his family and to find out how to follow them, visit themoth.org. They'd love to hear from you.
They'd love to hear from you. I want to thank Brian and all the storytellers in this hour,
each sharing the ways they work to stay true to themselves and others.
That's it for this episode of The Moth Radio Hour.
We hope you'll join us next time, and that's the story from The Moth.
This episode of The Moth Radio Hour was produced by me, Jay Allison, and Jennifer Hickson, who also hosted and directed the stories in the show.
Co-producer is Vicki Merrick, associate producer, Emily Couch.
The rest of The Moth's leadership team include Sarah Haberman, Christina Norman, Sarah Austin
Janess, Meg Bowles, Kate Tellers, Marina Cluchet, Leanne Gulley, Suzanne Rust, Brandon Grant,
Sarah Jane Johnson, and Aldi Casa. Our pitch came from Crystal Vega in Bellflower, California.
Moth stories are true, as remembered and affirmed by the storytellers. Our theme music is by The
Drift. Other music in this hour from Stellwagen Symphonette, Rene Aubry, Erasmo Petringa, and Dan Romer and
Ben Zeitlin. We receive funding from the National Endowment for the Arts. The Moth
Radio Hour is produced by Atlantic Public Media in Woods Hole, Massachusetts
and presented by PRX. For more about our podcast, for information on pitching as your own story
and everything else, go to our website, themoth.org.
["The Moth"]