The Weekly Planet - Dredd - Caravan Of Garbage
Episode Date: October 23, 2020After a full week off we're back to take on Dredd 2012 to wash away the taste of Judge Dredd from 1995. Karl Urban takes over the lead role from Stallone with a more grounded take on the 2000AD comic.... Sure nobody saw it and it bombed horribly but it grew in popularity over the years enough to get a sequel series maybe? Anyways this is our Caravan Of Garbage review, thanks for watching!Help support the show and get early episodes at https://bigsandwich.co/SUBSCRIBE HERE ►► http://goo.gl/pQ39jNVideo Edition ► https://youtu.be/iR3UMT7Hbp0James' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownTWP Itunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4TWP Direct Download ► https://play.acast.com/s/theweeklyplanetTWP YouTube Channel ► https://goo.gl/1ZQFGHPatreon ► https://patreon.com/mrsundaymoviesAmazon Affiliate Link ► https://amzn.to/2nc12P4T-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies Hosted on Acast. See acast.com/privacy for more information.
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We're back for Caravan of Garbage.
Last week we looked at something Judge Dreadful.
James is going to turn it around in the next sentence.
He's got a pun play on words for dread that means good, right?
Yeah, I do. Here we go.
This week we're looking at a better movie.
Leave a like.
Leave a like.
We're, of course, talking about Dread 2012 or Dread 3D,
as it was known when it came out.
Was it?
That mustn't have helped.
It was on all the posters.
It's in a lot of the official titling.
Huh.
Yeah.
Was it in 3D?
Should I have gotten a better movie-going experience
by watching it in 3D?
The idea that it was in 3D is not what killed it. It's that it's an R-rated have gotten a better movie going experience by watching it the idea
that it was in 3d is not what it killed what killed it it's that it's an r-rated action movie
based on a comic book premise that nobody yeah has any idea about marketed weirdly yeah people
like bad faith from the last one people thought it was a sequel the last one yeah i knew about it at
all and this was like i mean the avengers had just come out i think yeah so it was still a
comic book movie stigma attached
of like comic book.
I don't know.
I think Avengers was a fluke.
Yeah, right.
Okay.
I mean, off the back of, you know,
the Dark Knight trilogy and the Avengers,
like a property like this, like lesser known-ish,
it is a risk.
You know what I mean?
Yeah.
I feel like if this had have come out now,
it probably would have made more than the $41 million
it did make off its $45 million
budget.
Oh, dear.
Tragic.
Yeah.
I figured out why this movie is so good, though.
Okay, I'm ready.
It has a screenplay by Alex Garland.
And you might be like, Alex Garland from Ex Machina and Annihilation and the guy who wrote
Sunshine?
And I say, yes, the very same.
That's right.
And apparently, Carl Urban has mentioned, he's the one who actually directed this movie.
Like, the actual director-director,
you know, he was involved to some extent,
but this is really considered Alex Garland's
first directorial effort.
That's very interesting.
And that makes a lot...
Is that scandalous?
I guess.
How does a writer-director film?
Are they like, more description?
Say more description.
These words, say these words the way I've written them.
Or maybe put your own spin on it.
That's directing, right?
I'm not a director.
I am the director.
No, you're not the director anymore.
I'm the director.
I'm Alex Garland.
I'm the director.
So I think that's why this works so well, in all honesty.
What else is fascinating about this is it's a bottle episode.
You know what I mean?
It really is, yeah.
It's not end of the world, stakes are high.
It's like drugs and we'll just stop these drugs.
Is that to cut costs?
Yes.
Yeah, right.
There's a lot of cost-cutting things associated with this.
The question here is does this really feel like Dread, Judge Dread,
like the comic book Judge Dread?
And I guess the second question is does this need to be a Judge Dread movie?
Well, yeah. Dread and I guess the second question is does this need to be a Judge Dread movie well yeah and look aesthetically it doesn't really feel that much like Judge Dread no like it's certainly been
pared down it's not like you know weird Gianni Versace glam of the last movie big heels big
boots right a big codpiece yes it's not the you know super outlandish mega cities of you know
just the comics and that one street they built in that last slide.
Yes, exactly.
The mayhem and madness and everybody is some sort of bizarre neon clown
on the street.
It's more like an exaggeration of just modern day.
Yes.
The modern day slums of the world,
except expanded out to cover 800 million people.
Yes, exactly.
And I think it might be the downfall of this movie a little bit, I guess, but at the same
time, I really liked that aesthetic because they filmed in like Johannesburg and Cape
Town.
They filmed a bunch of like regular streets because it was apparently very grid-like,
the areas they filmed in.
And then they throw in the big towers with CGI, a few highways and some cars and here
and there, but it's all very much real locations.
And I think that, you know, that really speaks to the look of this movie but beyond that if you look at judge dread himself
they built him like a riot cop yes you know and intentionally you know if you look at he doesn't
have like the crazy shoulder pads you know what i mean the big the big gold chain and the eagle
and all that i mean there's an eagle but it a... Yeah. But even like the badge is probably the most outlandish thing on it, I guess.
But to answer the other question, could you make this movie without Judge Dredd?
You could.
But no one would see it more or less.
Or less?
I don't know.
But that's the thing.
Like, I think this is a more subtle take on Dredd.
Yeah.
A great example would be how each particular actor says or screams,
I am the law.
Yeah, sure.
But this particular Judge Dredd,
he more encompasses the spirit of Judge Dredd, I think.
Yeah. Because in this, he's less of a man and he's more of a vibe.
Yeah.
You know what I mean?
When we first see him, like we just see him
from like a distance
and like we often see him
from like,
from the perspective
of his hand
drawing his gun
out of his holster.
There's a lot of shots of him.
It's just his mouth.
You know what I'm saying?
Like it's just...
I mean,
if you can't focus on the eyes,
what else you got?
Exactly right, yeah.
We get two perspectives
in this movie.
We get
rookie Judge Anderson
who at one point
we see look out
into the the mega city from the peach tree tower block they've just come out of a firefight and you
know she's she's she's wrecked and ruined by this and she looks out in the cities and she realizes
that everything is like that the whole city is like this and the whole city is this awful nightmare
yeah but for judge dread from his perspective this is literally just any other day yeah If you watch from the perspective of like, he does this every single day.
Like every move he makes is just like, yeah, I'm going to do this tomorrow.
And I'm totally fine with that.
Like, you know, at the point where the tower is like locked down and, you know, dangerous gangs are out to destroy them.
He's still like, okay, Anderson, you're the rookie.
Make a play.
Yeah, that's right. This is still a training exercise. He's still like okay anderson you're the rookie make a play yeah that's right exactly
this isn't this is still a training exercise he's still in it yeah yeah there's never a moment of
panic there's never really a moment of compromise but i guess there is kind of more towards the end
but what i think also uh distinguishes him from the stallone dread is he's not the worst person
he's not the worst he's fair like he'll stun a kid even if the kid is going to shoot him.
Yeah.
There's a little bit
of leeway in him.
You know what I mean?
There's a...
He's fair and it feels
earned, like his fairness.
Well, exactly.
And that's hard to do
even if you're not aware
of the character
of Judge Dredd.
But in the first one,
in the 1995 version...
The very first incarnation ever,
we should point out.
Exactly, that's right, yes.
That version...
And it's hard to do
because, again,
Judge Dredd is supposed to be an iconic character
and also a caricature, so how do you play that?
And Stallone went with just an unbelievably unlikable character
who will not bend for any extenuating circumstances whatsoever,
and when that character falls afoul of the justice system,
you don't care.
And he can't comprehend it either because he's like,
what do you mean?
Everything's black and white, and this guy's like this gray area this exactly that right as they
approach the peach trees like there's a like a homeless guy and he's like move along yeah he
could have given him you know weeks in the iso cubes kind of thing but also that moment really
speaks to the character because when he comes back even though he's got a million better things to do
he's like i told you you're coming in right you know what i mean he's just he's got a million better things to do. He's like, I told you, you're coming in. You know what I mean?
He's that kind of guy.
He's like, I'm fair, but fuck you.
That's the kind of attitude I get from this guy.
I've got a question about him though.
I don't think he's famous the way that the comic book version
or the Stallone one is.
I think he's famous among other cops,
but most of the other people in the real world, they just think he's another judge. I think that's famous among other cops, but most of the other people in the real world,
they just think he's another judge.
I think that's true as well.
And I think it's never, I don't think, outwardly stated,
but I think this is meant to be quite early on in the career of Judge Dredd
because, again, in this movie,
Judge Anderson is like the first judge cadet
who exhibits any kind of psychic powers.
But in the comic books the side judges
are quite commonplace like there's a whole division of them to uh to you know use their
powers to fight crime whereas she seems to be the first so i think you're right i think this is
meant to be early days and yeah he's he isn't a legend amongst the world he's just known
amongst other cops as kind of being a bit of a prick yeah yeah and you're like and you get that
sense for when he comes up against some crooked judges but there's never bad guys that are like oh shit it's dread
you know they're just like it's just another cop we gotta exactly we we the audience learned to
respect him because of his actions not because of like a legendary aura that's been dropped on us
by the director yeah exactly so i wanted to also talk about how there's future stuff in this, but not really.
And I wonder whether it's because we're now in 2020 and this came out in 2012,
but it's like facial recognition, drones, like smart guns and shit like that.
There's bits and pieces.
You're like, that's futuristic-esque.
Oh, yeah, yeah.
But there's nothing here that's like, wow, the future.
I'm trying to think back to 2012.
I know there were like the start of drones and there was facial recognition.
But is there anything here that really feels like, whoa?
Implied cannibalism?
I think so.
Is that a futuristic thing?
I guess it is.
It's a timeless thing, James.
Okay, yeah.
Depending on the economy, right?
I mean, they never outright say it, but there there is a mass shooting quite earlier in the movie, a vehicle is sent out to take the bodies in for re-psych.
Right, yeah.
And it's never really implied what it's for, but what else would it be for?
Yeah, exactly.
As far as I'm concerned.
As far as I'm also concerned.
Think about this movie as well.
It's grim and it's bloody and it's awful.
Oh, and also people seem to be quite all right with it.
Like people, like it's a world that, again,
30 minutes after this mass shooting, people are like,
well, open them all again.
Open them all again, yeah, right?
Exactly, yeah.
I think about this movie as well.
It's like it's grim and it's bloody and it's awful,
but it's also, it's a beautiful looking movie.
It really is, yeah.
I mean, outside of the slow
mo stuff but also the slow mo stuff they filmed that at something like 4 000 frames per second
don't quote me on that it's probably a different amount of frameage but even the one frame per
second james you were way off but even you know watching somebody get shot through the face yeah
it's it's balletic and it's beautiful and it's colorful and it's vibrant.
And a lot of that was done practically where they'd shoot someone with like an air cannon
and get the ripples of their body.
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Oh, wow.
And then they'd add like the CGI blood splatter or that they'd film in front of a green screen.
And I think it really makes you go,
this isn't so much...
It's bloody, but it's not turn-away, wincing.
Yeah, right.
You can see bones breaking through arms,
bones piercing skin and stuff like that.
You say that, but several men are skinned alive.
Yeah, I mean, there are exceptions.
In real time, though, yes.
But, you know, do you know what I mean?
Absolutely, yeah.
Even the death of Ma at the end when she hits the ground,
you don't really see her, like, face, like, split apart.
It's just this, like, this beautiful display of, like, blood.
You want to talk about Mama?
I do, yeah.
Lena Headey, who's normally, like, what I like about this is she's committed
to being, like, a femme fatale,
but not in that classic way of beautiful,
but with the deep, dark secrets.
And she's using her feminine ways.
To reach the top of the food chain.
No, she's just...
She's killing people all the way up.
Chopping people to bits to reach the top of the food chain.
Yeah, like she's committed to the scars and the hair and the teeth.
Yeah, exactly.
The dirt.
And I'd imagine that's something if she wanted to, she could fix.
Yeah.
But it's like, no, this is very much who I am.
And we don't get a huge amount of screen time with the character,
but we do get enough of her origin to be like,
oh, I get how she ended up here kind of thing.
Oh, she dug out Domhnall Gleeson's eyes.
That's not cool, you say?
Not cool at all, but I understand.
She's had it pretty rough.
I think also the reason that you were like,
was this in 3D or whatever?
Is because it's not filmed in the way
that a terrible 3D movie is filmed.
Sure.
You know what I mean?
They used all the riggings and all that kind of thing
so they don't have to post-convert it.
But there's nothing like,
look out, Dredd, there's a bullet flying towards you
and the audience as well.
Look out.
Anderson, the only way you're going to be able to defeat these guys is with a ping pong paddle with a ball and string on it.
Tap-a-da-tap-a-da-tap-a-da-tap.
Yeah, so I think it was probably a waste of time.
And I didn't see this in the cinemas because I was teaching up north at the time.
Did you see this in the cinemas?
No, I was against movies at the time.
Wow.
What were you doing?
Books. Yeah, books yeah books yeah books but i don't know i feel like if there was a sequel to this
which we will talk about you kind of need to go mutants and more telekinesis and weirder weapons
and well i guess you know we we can build up to that again if this is early days and and radiation
is just causing some psychic
abilities in some people, but as
the dialogue maybe suggests, most people are
getting horrible mutations. We will see that
later on, but yeah.
Going out to the wasteland and all those things.
There's something that I know people want to know about
you and what you think.
Oh, Mesa's Minigun Minute? Correct.
We do it every week. That's right. We do it everything
from Aladdin to Zool week. That's right. We do it everything from Aladdin to Zoolander.
That's right.
That's my ABC.
Those terrible miniguns in those movies,
in the sense that neither of them had miniguns at all.
You've got stipulation for miniguns, though.
Do you want to lay them out?
Okay, well, the minigun, traditionally, it has to be...
Are they mini at all?
They're not mini at all.
It's a miniature version of the kind they hang on fighter planes.
That's why it's called a minigun.
It's kind of a joke.
But they're not meant to be manned portable,
but in a lot of instances they are.
Like the classic one, Terminator 2 Judgment Day.
Correct.
Here's the thing.
You have to have six barrels.
Heavy machine gun, that's not a minigun.
Eight barrels, it's not even a real thing.
Are you kidding me?
Whatever movie that is in, what are you...
Stop.
And three, it has to be a real one. real thing are you kidding me whatever the movie that is in you what do you stop and and and three
it has to be a real one yeah these ones i think fall down a little bit because they look like
they're cgi but yes i mean they are yes but they are cutting through people oh my god the action
is spectacular it fits we haven't really even covered that i mean we're talking about the slow
mo stuff but the action in this movie aspect that seemed particularly just just incredibly brutal
and speaking of mama just the idea of like she'll just cut through a level of people she
doesn't care no exactly you can see the kill one guy yeah you can see the glint of the muzzle flash
in her eyes at one point and i'm like she's loving it she's absolutely loving it yeah see i i would
give it a pass if it was james's minigun minute it's not i just want to clarify that with everybody
because it is this hyper violentviolent, stylized world.
So I would have thought that maybe you would give it the same, but he...
No, it should have been real miniguns and Carl Urban should have been willing to cop at least three or four slugs.
Sure.
In order for this to get my seal of approval.
Well, speaking of, Dredd does get shot in this.
And I got the sense through this movie that him and his comrade, they could die.
You know?
Right.
He's not just like running through when he's fine and like, you know, he shoots over his shoulder and like four guys fall down.
Though that probably does happen in this movie.
You feel like, Dredd, you need to be careful because there's a lot of danger going on here.
You know what I mean?
Yeah.
He feels like he could die at any minute and then that's just the end of the movie, I guess.
Yeah.
Yeah.
But they also, again, like you were saying, there's no shooting over the shoulder,
but they sort of behave like real cops.
There's a scene right at the end
where it's him and Anderson working their way up to Mama.
They're working together.
They're clearing the rooms together.
It looks incredible.
It does look good.
And there's a couple of great action sequences early on.
We get the slow-mo one,
but we also get a sequence where they're fighting
through the Stum gas cloud.
It's all green and neon.
And there's another one where they fight
through a flashbang explosion.
And that gas, I don't know whether it is,
but it looks real.
Because often when you see gas in a movie,
say like Batman v Superman,
you can see that it's not quite...
I mean, maybe it isn't real, I don't know.
But I got the sense that it was.
If you worked on the movie Dread,
if you're the gas man,
please write in, let us know.
What I also thought was really incredible about the way they made this movie there's a sparing use of cgi
shots you know when they're going like up the the center of the complex like they obviously didn't
build that whole thing they built one corner of one level and then they just redressed it so they
didn't even do the whole side so every time they did it you know they swap everything around and
do it from a you know it sounds like they did take something out of 1995's Judge Dredd.
Just that one street, they kept moving around.
Yeah, but you didn't get the sense that...
No, no.
I thought they built them all, Mason, is what I'm saying.
What a huge waste of money.
Now, before I do trivia, three-treatment trivia, which we do every week,
have you got any more things to add?
It's a grand old time.
Like, it's tough.
I was going to say it's tough to be funny about this movie.
It's tough to be funny at the best of times, James.
You know us.
Yeah, sure.
When a movie is just straight up enjoyable and there's no glaring production errors,
it's hard to make fun of it.
But you know what?
Not all of this is jokes, all right?
Not all of it is jokes.
I'll also say that this came out around the same time as The Raid,
and there was a lot of people saying that this borrowed from The Raid,
you know, because it's about storming up a building and whatever
and crime lords and et ceteras.
It just doesn't line up timeline-wise.
You know what I mean?
They're two kind of independent ideas which kind of developed independently.
No, I think this studio was like the raid, huh?
Well, quick, get a C-list superhero comic book license.
Get a quick, build a building.
What have we got?
Yeah.
Anyway, so Alex Garland actually wrote three treatments,
because this is three treatment trivia.
We do this every week.
We do it from every movie from Aladdin 2 to Zoolander 2.
So these are some of the ideas he came up with.
One was the Dark Judge's treatment,
which features an encounter between Dredd and the rival judge
by the name of Judge Death.
Yes.
What's he all about?
Death.
Probably his skull.
He's got a skulled face sometimes.
Yeah, he's got a pretty scully face, yeah.
Cool, good on him.
Yeah, yeah.
The second treatment is related to the Dredd and Cursed Earth storyline.
Oh, yeah.
Which I think, did we talk about that last week? Maybe a little bit. Yeah, or maybe we didn't. You don't have to go outread and Cursed Earth storyline. Oh, yeah. Which I think, did we talk about that last week?
Maybe a little bit.
Yeah, or maybe we didn't.
You don't have to go out of the Cursed Earth, right?
It's an option.
It's an option.
You don't have to take it.
Okay, fair enough.
And the third one was an adaptation of the pro-democracy terrorist attacking the judges storyline.
So there you go.
But they went, all of these are too difficult to kind of get in scope-wise and budgetary,
so let's keep this bottle episode. Let's get dread getting some asthma inhalers garland this is primo stuff but
how about think of a corridor think of a corridor think of think of a regular motorbike
if you could yeah yeah carl urban is really on that motorbike didn't take his helmet off the
whole time i should make we should mention that um it totally doesn't detract from this movie
no how do you like in some great chin acting i mean when that's all when that's all you're Talmanoff the whole time. We should mention that. It totally doesn't detract from this movie. No.
How do you like in some great chin acting?
I mean, when that's all you got.
What a frowning.
You know, like that sad lob fish.
Yeah.
You know what I mean?
Absolutely.
Great stuff.
Really good.
Hard to do, I'd imagine.
So there's been talk of like, is this going to get a sequel?
What else is going on in this universe?
I can offer some updates here because I'd love to see more of this.
But whether or not that happens, we'll see, won't we?
There is a prequel motion comic, which you
can watch on the YouTube. Here's a
clip of it here. What do you think?
Ooh, it's just like being there.
In this room,
watching that.
Sure. There's also a sequel comic
called Dread Underbelly. I
actually just read that before the start of this.
It's very similar. There's a new drug on the street
and it's even more dangerous than the previous drug.
So I would have liked to have seen it kind of expand out more.
It's called Fast Forward.
That's right.
You take it and then it's like two hours later
and you're on your couch.
You're like, what?
And you're 40 years older.
I missed all my favourite TV shows.
And I'm 40 years older.
So I did like it it it's a good read
and it's a beautiful looking book
and it brings in a little bit of
kind of the mutant element
because there's a mutant refugee
kind of storyline going on with it
but part of me was like
this is a comic
you can do literally anything
like you don't want to bring in something else
have you read some of the other Judge Dredd comics?
of course they do a lot of weird stuff
that makes it it's cool
it's really good
and the other thing is thered comics. Of course, they do a lot of weird stuff. That being said, it's cool. It's really good. And the other thing is, there's a Mega City One series,
which is happening.
It's not not happening.
They haven't said it's not happening.
Oh, great. Terrific.
Yeah, so.
But why would they say it's not happening?
You know what I mean?
I don't know.
Carl Urban says he would definitely take the role.
Of course he would.
Yeah.
Carl Urban said, nah, not for me.
This critically loved fan favourite.
No, I wouldn't do it again for money and acclaim.
Nope.
So according to Carl Urban himself,
the concept is to build this show around more rookie judges
and the new younger judges where Dredd himself would come in and out.
So he stated that he would be interested in reprising his role for this show
on the condition that Dredd's part be implemented in a meaningful way.
Kind of like Limitless, the series probably.
And he could do that from home, you know how?
Full green body stocking, except for the mouth.
Except for the mouth.
And then he films it in his house, like the shower or something.
Also, great callback in this movie, right at the start of the movie,
he's like, are you ready?
And he's like, you don't look ready. And at the end, do you start of the movie, he's like, are you ready? And she's like, you don't look ready.
And at the end, do you remember the end?
And he's like, are you ready?
And she's like, yes.
And he's like, yeah, you look ready.
You look great.
That was sick.
That was sick, wasn't it?
That was sick, wasn't it?
Right, yeah.
If you haven't seen Dread, and even if you've watched this,
I don't think it's going to detract from it.
It's an absolute banger.
This is my go-to if I'm editing
and I just want something on in the background.
Because it's just a beautiful-looking movie. It's a beautiful-looking if I'm editing and I just want something on in the background. Because it's just, it's a beautiful looking movie.
It's a beautiful looking movie, great
action. You get it. Characters you
can get. Olivia Thilby
who played Judge Anderson met her husband
on the set. Really? Yeah. So it's worked
out for everybody. She should be in more things. Except for the money people.
It didn't work out for the money people at all.
We feel bad for you. But I do think though
a series could definitely work from
this now. I think there's maybe lower stakes in terms of monetary requirements. You can build do think though a series could definitely work from this now i think there's
maybe lower stakes in terms of monetary requirements you can build up characters over a series of
episodes you can get a cult following you know you can do it week to week so people you know
it gains that kind of buzz you know what i mean netflix will give you money for anything give you
money they don't give a shit they don't care they're heavily in debt and they're giving everybody
millions of dollars it's astounding how How are they going to make that back?
Judge Dredd series?
Probably not.
It doesn't seem likely.
Yeah, but definitely check it out if you haven't.
But if you're like, but what's next week, James?
We've talked about the Dredd movies.
Have you run out of things for Caravans of Garbages?
Yes.
Yeah, we have.
No, Mason, there's always things to talk about, good or bad, because that's what this show is now.
It's just whatever. Mostly bad, though, if I'm i'm honest with you yeah most of the stuff out there is bad
thank you netflix has given people so much money how are they doing it i don't know
where's it coming from where's this dark money coming from the dark web
bitcoin potentially oh my god so here's a hint towards next week. That's right. We're buying Bitcoin.
Oh no.
Is it good or bad now?
I don't know.
Yeah.
So we're doing,
for the audio listeners,
we're doing,
what are we doing?
Clone Wars stuff.
The final arc of Clone Wars. Oh, we already recorded that.
We already recorded that.
So it's ready to go.
That's a good thing, isn't it?
That we're coming back to.
Yeah.
That's fun.
I liked it.
Yeah, to line up with the Mandalorian.
And when I come out of this,
you're going to say,
oh my God,
Star Wars or something. you know what I mean?
And we'll make it an edit and Ben will fix it up.
It'll be really good.
Am I doing that now?
You can do it now. Has that already happened?
This is me teeing you up to go.
Three, two, one, and go.
Oh my God, that's a Star Wars thing.
It's a Star Wars thing, Mason, for The Mandalorian.
So come back for that if you want.
But if you'd like to see it early, you can actually go to bigsandwich.co.
They all go up early all the time, along with the extended audio edition of these.
Plus, we have other stuff on there.
We've got bonus podcasts.
We've got movie commentaries.
There's so many things going on, isn't there?
That's right.
Too many great contents.
So check it out if you want.
Also, we have a podcast called The Weekly Planet, where we talk movies and comics and
TV shows.
That comes out every Monday morning.
If you want to swing by and check out the news of what's happening in Entertainment
Hot Goss.
That's right.
Or just like, hey, they announced the show.
You know, we do a lot of that. That's true, yeah. And then we track it for three years before it getsoss. That's right. Or just like, hey, they announced this show. You know, we do a lot of that.
That's true, yeah.
And then we track it for three years
before it gets cancelled.
That's right.
It's really exciting.
And then people listen to the old episodes
and they're like,
well, you guys didn't know nothing about it.
How did you not know that was going to get cancelled?
We never do.
And we never learn.
All right, guys, see you next week.
Grabbed at Dread, everyone.
Whoa!
By his codpiece.
Is this guy got a codpiece?
No, he's just pants, I think.
He wouldn't even need one, would he?
What does that mean?
He's just that kind of guy.
Bulletproof penis.
He's free balling it.
Oh, my God.
Wow.
See you next week.
Bye.
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FX's The Veil explores the surprising and fraught relationship between two women who play a deadly game of truth and lies on the road from Istanbul to Paris and London. One woman has a secret,
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FX's The Veil, starring Elizabeth Moss, is now streaming on Disney+.