The Worst Idea Of All Time - AJLT S2E03
Episode Date: August 25, 2023Miranda is struggling with her phone and her relationship with her son, just as Tim and Guy are struggling with their relationship to AJLT Season 2. Brady The Rat King is back on the scene and we need... to discuss how his story mirrors Prince Harry’s. After all - nobody wants to f*** someone who USED to be the Rat King. Seema has a full narrative arc about her expensive bag being stolen and then returned to her.Intro theme: Brendan Lott (linktr.ee/brendanclordan)Outro theme: SterlingSupport us via our Substack for access to premium content Hosted on Acast. See acast.com/privacy for more information.
Transcript
Discussion (0)
I'm genuinely pretty confused by the ending, at least, of that one.
I, well...
Has she...
Tim?
Where are we?
Hey, guy.
Hey, Tim.
We can't...
I mean, we can start at the end.
This was a bad episode
Yeah
And you know that I love to go into band for this show
Yeah you do actually
You're not even saying that facetiously or sarcastically
No
You've championed the series
I
Online
Offline
I'd like to think that I engage with the show as a sincere fan
And yet still an honest critic
Yeah
He's tough but he's fair but he's loving
yeah but he's also fair a lot of tim's confusion is built around the fact that carrie bradshaw
spends half of this episode pretending to have covet 19 to avoid the emotional heft of reading
chapter three of her book reflecting on the death of her husband. A virus I might add that Guy has also spent a lot of time championing
over the last few years.
There's one thing I like more than just like that.
It's COVID-19.
Awareness.
Of course, Mr. Big died while getting his dick jammed
in the pedal of a Peloton.
So Carrie can't read the book.
She lies to her publisher and the sound guy, who I was sort of flip-flopping on whether or not I liked, and says, I can't read the book she lies to her publisher and the sound guy
who I was sort of flip-flopping on
whether or not I liked and says I can't do this
I've got COVID and then
the episode marches on
she wrestles with her emotions
she comes clean to some friends about how she didn't have
COVID. She's out for
a drink with Seema at the end of the episode who's also been
on her very
Seema's had a huge journey this episode
and a lot of screen time
and I'll just quickly
go through the whole journey
okay
she got her
$20,000 bag stolen
and then she found it
that was
pretty impressive Tim
and so they're out
for a meal
and they're going
ah bloody New York
and then
eight guys who look like they've never
heard of rugby before yeah and one of them opens their mouth and immediately immediately i was like
okay what are they trying to do my guess was denmark i thought these guys were danish he's
yeah good day ladies i haven't heard a more confused accent since we got introduced to, was it Dickbot?
Yeah, yeah.
He had that kind of pan-European.
Who needs, who needs, I don't know, when you have sand dunes and sunset.
Yeah.
Who needs?
Point on the map and tell me where you're from, mate.
Well.
But these, so anyway, on this episode of and just like
that season two episode three it carries so carries she said she's at cover she hasn't had
cover the whole episode and then at the end we go back to voiceover and she says and just like that
oh there's sorry there's we didn't say these guys are australian yeah they're from sydney and also
no they're not yeah and they're here for a rugby trip.
It's what Michael Patrick King goes to
when he can't think of another way to throw a bunch of hot dudes in the mix.
Just like, I don't know, Aussie rugby players?
Yeah.
Chuck some Kiwis in there, man.
We're the best in the world.
It's a harder accent.
And these, I mean, there are so many Australian actors in America.
It is an affront to decency
To employ these
The Hemspreads have taken over Hollywood
We know what they sound like
These American battlers
Who just wrote Australian
On their accent list
Yeah
So anyway
They come and sit with them
And then Carrie says
Just like that
I got COVID
And so I believe
She got COVID off these guys
She got
She
Fucked a dude Yeah Begged herself an Aussie Probably sucked and fucked And so I believe... She got COVID off these guys. She got COVID.
She... Fucked a dude.
Yeah.
Bagged herself an Aussie.
Probably sucked and fucked this struggling actor.
She ripped the scab off a cold one, by which I mean had sex with a Sydneysider.
Yep.
And for our American listeners, if you're from Sydney, Sydneysider is the correct non-Clementia
for the people.
And it's always struck me as odd.
It's a funny one.
Sydney cider.
Sydney cider.
What are you?
An Aucklander.
Well, what are we right now?
An Aucklander.
Yeah.
How do you identify as an Aucklander?
Probably a Wellingtonian for some reason.
I think it's because it's where I spent
my formative teenage years.
Yeah.
I'm an Aucklander though.
I'm from Christchurch, but I'm an Aucklander.
Yeah.
Yeah.
That's nice.
That's having your cake and eating it too.
So this was a, you know,
it didn't want for some juicy tidbits
or, you know, the idea of excitement,
but it just struggled to put it all together
in this episode, I thought.
It was a lot of incompetence.
Let's cut the shit and get to what we really want to talk about and that's shay so shay diaz is uh in
production week it would seem with their sitcom shay pasa uh and we see shay and miranda running
lines and um i went to the trouble of writing down some of the dialogue.
I didn't know that.
Shay is not the only writer, remember.
I've spoken of Dee Dee from the previous episode.
Dee Dee of the blue hair and zoot suit.
Dee Dee's the writer.
Sure, Shay must be.
Shay's got their fingers on the script as well.
I think it's a shared script.
Okay, gotcha, gotcha. So they're running lines know there's a point of tension where it builds to a scene
where uh and this is just shay running lines around it where shay's meant to cry
and shay feels like to cry would be which is it's quite a um sort of old school mask concept of crying
Shay is afraid to cry on camera because
crying represents weakness
and it paints
being non-binary as a tragedy
yeah
is that their exact words? Is it tragedy or trauma
or something? I thought that was
actually one of the more deft
bits of the whole episode
and it came right at the start
well i thought it was because i thought it was because shea can't act can't cry yeah yeah and
so the but the dialogue we get to hear a little glimpse of the dialogue in the scene around this
uh sort of tension and uh tony danza's line miranda's playing Tony Danza and Shay's playing Shay.
And Tony Danza
says, how are you
my little cannoli? And then Shay says,
don't call me that.
And then Tony Danza says, I'm not
allowed to call you my little cannoli
now? Who am I offending?
The pastry or the cream?
And then, you know...
I've got COVID now.
It builds to a bit of a moment
and Miranda and Shay have it out
and Shay says,
oh, yeah, I don't want to cry.
It makes it look like, you know, being non-binary is a tragedy
or, you know, it's something to be upset about or something.
And then goes on to say, and Miranda's like,
well, just tell them you don't want to do it.
Shay says, well, no, I said no to the zoot suit.
I said no to the, I said no to the zoot suit.
I said no to the blue hair, you know, like, you know, they get some, I said no to the zoot suit. I said no to the, I said no to the zoot suit. I said no to the blue hair, you know,
like, you know, they get some, I get some.
And then also goes on to say,
they cut 10 lame they them jokes.
So, I mean, I just,
I just feel like,
because we've seen Shay do stand up.
Yeah.
Go on.
What are we, what is it in place of that more uber to the bathroom material is what i'm one like the guy is wondering aloud what jokes didn't make the
shaker basically i just to introduce the idea that there's any sort of discerning comedy, you know,
voice emerging through Shay in this world.
This is so funny to me because the more we go on with this,
the clearer it becomes that you are too close to this character.
And that is what is annoying you.
That there is this person who is excelling in their standup comedy career,
has been given a TV show,
and you're too close to it,
and it's fucking you off,
because that is always the thing that we find the most annoying.
It's almost an uncanny valley version of ourselves,
where there is enough similarity with the wants and desires,
but they haven't quite nailed the representation,
and it's frustrating for you.
I mean... the representation and it's frustrating for you i think i mean you as another non-binary comedian struggling to get a sitcom about your life with tony dancer that's right starring as your dad
yeah so the tony dancer thing by the way well it sort of paid off in this episode because we
we do get to go to the production we We get to see the sitcom being filmed.
We get to see the...
Huge for the boys.
Yeah, we get to see the sets.
Huge for the boys.
Very exciting day.
The issue is that the focus of the scene
is barely the sitcom itself.
The focus of the scene...
I mean, you'd think by the way that we're recapping it
and the sort of key benchmarks we're mentioning
that this would have been an episode
for the books because the reason that the sick the focus of the sitcom scene isn't on the sitcom is
that uh well first of all let's let's let's get through the android and what you call anti-android
propaganda yes miranda lost her phone in the previous episode in this episode she got talked
into getting a samsung by salesman at
the shop yeah she doesn't know how to operate it how do you feel watching that it's just it's
classic mattress pikelet king isn't it is it is it slanderous to you it's just like guess what
the phone's not broken billions of dollars of r&d and some of the smartest people and like thousands of people
have gone and developed this thing to be idiot proof and if you can't operate it you're fucking
dumber than all of those resources have tried to safeguard against this miranda but of course
the representation on a show like and just like that is androids they don't work too good guess
what miranda you don't work too good guess what mattress pike, they don't work too good. Guess what, Miranda? You don't work too good.
Guess what, Mattress Pikelet King?
You don't work too good.
It's a fucking cell phone.
It's designed to be operated by a child.
Okay?
And what sort of problems is Miranda having with the Android, Tim?
I think she's got it on silent.
And she's trying to figure out how to get it off silent. She's having trouble with the font sizes, the pinch pull,
you know, too big, too little.
She can't get it right.
And anyway, so she receives a phone call
from a very devastated Brady who's in Amsterdam,
and he's learned the hard way that you leave New York,
you leave your rats, you also leave your power.
Yeah, shit falls apart when you also leave your power.
It falls apart when you get off the throne.
He has been dumped.
And we don't get, you know, we haven't had the exposition on as to why yet,
but you've got to assume.
If you dated someone and they were royalty
and then they were stripped of their powers
and you're young and impressionable.
This is a Prince Harry story.
Go on.
That would be a very unattractive.
That would be unattractive, wouldn't it?
Yeah.
Like if you were dating a or the Rat King.
Yes.
And then the throne was removed from them.
Yeah.
You don't want to fuck them anymore.
You don't want to fuck someone who used to be a rat king.
Yeah, that's true.
That's the damn truth.
You know, it's embarrassing.
Yeah.
All the rats laughing at you.
You're still fucking that guy?
Oh, man.
You're going like this.
Even the rats don't respect him.
Well, they're taunting.
Fucking hell.
Yeah.
In Dutch, no less. This is his subjects. His prior subjects. Fucking hell. Yeah. In Dutch, no less.
This is his subjects.
His prior subjects.
Former subjects.
Former subjects.
What happens?
Because, you know, obviously the most recent monarch who lost power did so by dying.
What happens when a monarch is...
What's it called when you get stripped of the crown?
Oh, the fucking thingy did it.
Isn't that what the king's speech is all about?
Colin Firth?
I think it was about him having a stutter.
I want to say King Edward.
His brother was like supposed to be the king.
Yeah.
And then he fell in love with a divorcee and that was not allowed.
And so he, I forgot what it's called. Was the divorcee and that was not allowed. And so he,
I forgot what it's called.
Was the divorcee not his cousin?
That is against the rules.
Cousins, like is the rules.
You have to marry your cousin.
Yeah.
But if it's not your cousin and they're a divorcee,
that's disgusting.
What if it's your hottest cousin
who just got divorced?
We'll allow it.
First cousin?
Yes.
Second cousin?
No.
No, you've got to be tied in.
It's got to be first?
Yeah.
God damn.
That's how we keep that bloodline clean.
If you're with someone for their power and their power is taken away,
I understand why Brady got his ass dumped.
So he calls Miranda.
That's so rough, man.
I understand why Brady got his ass dumped.
So he calls Miranda.
That's so rough, man.
Dude, Brady, the reason he's the rat king is because of who he is.
He is not who he is because of the throne, in my opinion.
The reason he's the rat king is because Miranda was too busy at her corporate law job.
Steve was too busy running for mayor.
He was raised by Magda yeah and the mice yes and how many people have been in that situation in new york city where they've got two
hard-working parents or parents that are otherwise busy they don't grow up to command an army of
rodents they either grow up to be like normal or worse i'm not taking anything away from what he
achieved it sounds like you kind of are
though because the way you're describing it is like brody brady stumbled onto some magical like
i think no no no no no i just think this is like you know it's fine he's the best kind of king
because he wasn't born into it yeah he made the throne i'm not taking anything away from him. It's fine to be the king. It's fine to earn the throne.
It's fine to fall in love.
It's fine to go on holiday.
But you can't spend a couple of weeks smoking ganja in Amsterdam with your girlfriend,
letting the rats do God knows what back home,
have the throne stripped from you,
and expect everything to just be tickety-boo.
That's the decision he made.
He went on holiday.
That's fine.
I don't have a problem with that.
Don't come back to me and say that, you know,
he didn't have something to do with the throne being taken.
And don't be surprised at the person that, you know,
we don't know why people fall in love with us.
We don't know what's happening for other people.
You don't know what's happening in anyone's relationship.
Even your own? You know what's happening for other people You don't know what's happening in anyone's relationship Even your own?
You know what's happening in your own I know my part
I know my part
And I like to think I know Chelsea's part
But I don't know the whole thing
Yeah that's true
How could you?
You can't, it's impossible
And that's what makes it so magic
So what happens
This is quite sad the way you're describing it
Because it's sort of turned me on to the fact that despite the fact that Brady's on screen for, oh, I don't know, 16 seconds of this episode, we're seeing a very Shakespearean downfall of a man who had it all and lost it all.
He had love and he had his rats and now he has neither.
That is fucking sad, bro.
They call him Brady Icarus,
the king who flew too close to the trap.
They call him King Rat Midas,
the man who got all his wishes granted
and then he turned his rats to gold
and his girlfriend to someone who doesn't like him anymore.
He turned his rats to gold
and the rats lost their agency and he lost his power.
Yeah, it all works.
All we're saying is he's in turmoil.
He calls Miranda while she's waiting in line.
No, I think there's more.
They call him Brady the...
Brady Crockett.
Brady Crockett because he's got a crazy hat.
Yeah, he's got a hat with a huge, like it's got a hundred rat's tails.
Yeah.
Plaited.
Fuck, that's powerful.
That's his crown.
It's so thick.
It's so thick.
Have you seen those steel ropes, those ropes that are made from metal, like thatched metal?
Yeah, yeah, yeah.
This is stronger than that.
Holy shit.
And he doesn't wear it out.
He tucks it in.
To what?
Like the back of his shirt?
Yeah, he tucks it into the back of his shirt.
Oh, my God.
And he runs it down, and he doesn't pull it up between his legs.
He wraps it around one of his legs.
Oh, my God.
Does it look like carpet?
No, it looks.
If you know what a lot of rat's tails together look like.
Yeah. You know it's rat's tails together look like Yeah
You know it's rat's tails
Rat's tails
Like it's
Because in my head I'm going rat's fur
I've got to erase that picture
A rat's tail is like
It's pinkish
There is something strong about it
There's something biologically strong about a rat's tail
Does it grow back?
And then a thousand of them
I imagine it does
I think if you cut a rat's tail off,
a rat's tail grows back in its place.
It's stronger than before.
Yeah.
Two.
Two of them.
Two grow back.
Anyway, so he's got it.
It's down the back of his shirt.
He's pulled it between his leg.
It's wrapped tight around his thigh,
down to his ankle.
Something's fucked up about the asymmetry of it.
Yeah, it's super not chill.
And then he calls up Miranda and he says,
look, I've been dumped.
He's an absolute, he's just gutted.
And you can see it's actually the emotional,
there's emotional gravitas to see Miranda's in line
to watch Shay's sitcom, takes the phone call.
He's tried to call her a million times,
but Androids don't work.
Hasn't got through.
That's right.
More propaganda.
And they're putting the phones in the pouches so it's not to disrupt the sitcom and
you know as soon as that she hides the phone and says she doesn't have a phone that it's going to
go off during the scene check off his phone that's right so they're watching the scene the phone goes
off right at the pivotal moment but they set up earlier yeah Credit to the writers And it's all It's all action
It's all problems from there
We've got
You know
The whole thing grinds to a halt
Everyone gets upset
Miranda still can't really
She doesn't recognise her own ringtone
So she doesn't really know it's her
Until everyone's looking at her
Pulls the phone out
And it's very funny
Because the way they've staged and shot it
Which I guess is just what sitcoms look like
It is identical
To how the I think you should leave Scene looks staged and shot it which I guess is just what sitcoms look like it is identical to how
the I think you should leave
scene
looks
when
they're doing the sitcom
and it's mic'd up
have you seen this one
keep going
where he whispers
so they all like
laugh
and they've got
applause sides and stuff
and in between
he keeps talking about
like the suit guy
they ripped him up
in the limo drive
and it's got the false wall
and the Superbowl ring
that keeps stealing ice and the wall keeps dying around yeah yeah yeah it is exactly the same it's exactly the same
and i just as soon as they did the shot i was like oh that's so good it's the same we were
also funny because this was probably written way before that scene yeah but because of you know how
all of this works that came out we're also treated as some other lines of dialogue. Just before we get to the fallout of Miranda's phone going off,
they're learning.
Tony Danza is saying,
I can handle anything that you're going to tell me, Shay.
What about when we went and played mini golf
and then your cousin told me he was gay?
Yeah.
And for a gay kid, he was pretty good at putt-putt golf,
which is crazy, crazy, crazy line.
And then Shay says,
Dad, you're not not getting this.
And there's like, I mean, I know in sitcoms,
you've got jokes and you've got jokeettes
and you've got like funny lines
that are on their way to an emotional point,
but they're choosing what they show us in this show then the then the scene
comes up shay's actually doing a fantastic job of acting it the phone goes off and the dd the writer
who honestly has been giving me bad vibes the whole time remember my parents are in town and
i got therapy the same day not a coincidence that's That's Dee Dee in the last episode. Dee Dee blows up.
Starts saying,
Shay's a stand-up,
can't act,
we're never going to get it.
You fucked everything to Miranda.
Then the audience,
warm-up guy,
kicks into gear.
Miss Genders Shay,
like three times on the trot,
keeps saying she was sitting at the table,
she was doing this.
Yes.
And then Dee Dee,
who's just in the middle of
an absolute meltdown,
starts going,
Dee!
Dee!
Dee!
Yeah, and just to rewind the tape a little bit this
is after dd has said like goes off at miranda she's like sorry they are like you've ruined this
take and we'll never get it back because she's not an actor she's a stand-up and like so unnecessary
so wild it's like thoughtful but angry which is not there's no honestly behind
that honestly it's um it speaks to the dysfunction of the production now is it problematic that the
two non-binary characters in the show the sole two non-binary characters are the ones we hate the
most maybe there's not for us to look at they're not for us to dig into. No, that's totally true. And in our
defense, it's the way they're written.
I really think it is.
I totally hear
what you're saying.
So, basically, then
Che and Miranda blow up.
Miranda's booked flights. Booked Brady a ticket
back to New York. Booked herself tickets
back to New York. And thank God.
Because this means Brady is back on the East Coast where he belongs. He's back on terra firma. to new york yeah booked their self tickets back to new york thank god they blow up this mean brady
is back on the on the east coast where he belongs back on terra firma uh they have a blow up in the
warner brothers in the water brothers lot and it's actually i mean it's not just having brady back in
new york it's having miranda back in the house in brooklyn and it's a it's a house i remember from
season one it's a house i remember from the movies. It's a house I remember from the movies.
I don't want to call it the house that Steve built.
Yeah, I'm having a longing for Steve.
He helped put some vibes in there. I feel sorry for the actor who was playing Brady's girlfriend
in the previous one because they're referenced
but she doesn't get to be in it.
That's a good payday.
There's got to be a good payday.
Yeah.
Put me in a scene you know what
let's shoot a scene
where I break up with them
I didn't even think of her
didn't you
nah
she's the trajectory
for this whole
she's the propellant
for this little storyline
I just think
this episode
everyone is riddled
with incompetence
it's impossible to invest
in anyone's stories
the other
arguably most exciting thing
is that Charlotte and Lisa,
Lisa Wexley, who are parents at the same school,
find out there's a MILF list at the school.
Yeah, which rocks.
That's a fun storyline.
And they want to find out who's on the MILF list,
and they're two and three,
and then everyone knows the top of the list.
And then they're at the school with some other parents,
and they're all saying, oh, it's so bad that they do this.
And then they find the kid who does it. He comes out of the classroom. Yeah, and then the storyline at the school with some other parents and they're all saying, oh, it's so bad that they do this. And then they find the kid who does it.
He comes out of the classroom.
Yeah, and then the storyline takes a turn
because these mums,
who are all in the early 50s, I'd say,
see this 16-year-old boy who comes out
and they are fucking drooling over him.
One of them says the H stands for hot.
Yeah.
It's bad.
I mean, it's crazy.
It's crazy they do that on campus audibly while he walks past.
Yeah.
And they do get pulled up on it by the principal.
Yeah.
Who calls a meeting and then about the MILF list, I guess.
That's why all the parents are there.
Yeah.
It's a mothership maybe.
And then gets like
A piece of paper
Headed to him
In the middle of that
Saying
Word just to hand
Apparently
Some parents have been
Objectifying
What's his fucking name
Adrian
Milo H
Milo H
Come on man
Are you even watching this thing
Dude I'm trying
I'm trying
I got too caught up
By the weird
Sexual politics
Of who's lusting after
Whom in the show
And also like A little bit of a tangent.
It's interesting who this episode thought was hot, guy-wise.
Those Aussies, they weren't hot.
And Milo, he's a child.
Yeah, and he's not even that hot of a child.
Yeah, so there you go, two strikes.
And in our defense, we haven't researched it but
we assume that the actor who was playing him was at least 14 so there's nothing wrong with us saying
that carrie's big storyline in this episode is that she can't read she can't read she's swallowing
her teas she's popping her peas and she is still grieving big now all i could think when i was
watching that was,
SJP, if you need lessons on how to grieve,
you just get in touch with your husband, Mr. Broderick.
You get on a plane to Ireland, he'll show you a thing or two.
You know what she should have named her book?
Losing John.
Life was never good to me.
Losing John.
I don't know. I'll finish I don't know What is it?
I can't remember actually
I like that
Often I feel like it's me who has that happen to them
But that happened to you
Carrie has a line in this where she says
This is the only time I like
Had a visceral response to what was happening on screen
Where I had to say something out loud
Like it triggered me
I'm ready.
Carrie said,
I'm not one to feel sorry for myself.
And I said,
yes,
you are.
Yeah.
She was claiming that she is not a character who,
who is self-absorbed or self-centered or,
or overly down in the dance while other people are going stuff around here.
And I took complete issue with that in the moment on a chemical fucking level.
I could not let that line stand without some sort of rebuttal.
The backbone of this series.
I feel as though we're drawing to a close in terms of reflecting on this episode.
I don't know if that's true.
I do.
I can see the timer. Okay, I've got a really good shining light
well I think that's what we need
I think that's what we need right now
did you want to do your one first?
I felt like you were grabbing the reins
give it to me
the crew have
for this episode for the first time got a new dolly yeah now dolly is the machine that
you put the camera on and it's usually got like a gas operation so if you think about like an
office chair where you push the lever and it goes up and down so you can adjust your height it's a
gas operated operation so you can really smoothly move the camera around they're on they're on like
wheels on like rollerblade wheels so they're real smooth. And there's just a whole bunch of wild shots
in this one and camera moves
where they've clearly like bought a new dolly
and they just want to try it out.
There's one where the gals are all having lunch
and there's like a Michael Bay parallax shot
where the dolly is just circling around them all.
And it is completely foreign visual language for the show.
Yeah, you were activated though.
You literally set up straight up.
I was like, they've got some new kit in the arsenal.
And then there's another shot where Carrie is in the voice booth
and this was a shot that was made famous in Jaws
and it's called a dolly zoom
and it's where you make the lens zoom in,
but the dolly go back,
and it creates this very unusual effect
where the subject in the middle of the frame
doesn't change their size,
but it sort of feels like everything in the background
is kind of closing in on them,
and they just pull one of those out
for when she's reading her own book,
an audio book,
and I'm like,
this is not from Sex and the City at all.
It is now.
And just like that, Sex and the City became Jaws.
It's probably not fair to call it a shining light.
Seema's through line in this episode is that she doesn't like the sort of crime
and the theft in New York.
Another subplot we didn't have time to get
there were two we didn't get to naya wallace is separated from her husband now and uh a sound guy
kind of because he's hot it's not crossing a line it was crossing but he like is fishing around down
her top for a microphone which is like not best practice anywhere i've never i've
never seen that no no you say could you please feed that up to me every time you do not put your
hand yeah but because it's got nice arms it's cool yeah it's real fucked up because directly
you know like we've We've We've experienced
The Me Too movement
And it came from
Entertainment and filmmaking
And television
And like
A lot of it was
Centred publicly
About powerful people
But it's stuff that happens
And
Yeah
Like that shit
God talked about specifically
Like soundies
Yeah
The shit
Is bad
It's universally reviled
Unless they've got nice arms
It's crazy That the show is've got nice arms It's crazy
That the show is
Throwing that up
As like
This is all good
That's one subplot
We didn't get into
The other one
Seymour loses her
Bergen gets robbed
Birkin gets robbed
We're meant to care
And then later on
They're at this
Remember the
Sort of
Hot noisy neighbour
Who lived downstairs
From Carrie
At the end of season one
I'll never forget
The jewellery designer
She reappears They introduced her Quite late in season one Yeah'll never forget the jewelry designer she reappears she's having yeah she's having a show in bryant park carrie says
she'll go they go they're ogling the jewelry carrie and seymour yeah and this is i if this
doesn't come up again in the season this was just a suit like nearly everything else feels connected
to something or grounded in a reality that's been established by the show i can explain this to you but go on and say the thing but in this there's a there's a
caterer who just starts pocketing jewelry yeah and then starts trying to like rob carrie and
seymour's like hey give me give me a necklace there's no it's all very calm there's no threat
there's nothing that's like you know there's no knife there's
nothing flash there's nothing scary about it it's just like a sinister serious you know strong
looking guy being like give me your jewelry yeah so have you seen all of this stuff online really
the last year or maybe longer particularly in new york city where people in america are just sort of
like taking shit from stores now because there's this line of like people are just sort of being uh allowed to do it
because the the alternative is just sort of escalates the the situation too much ah this
is people are going to like a whole foods now and they'll be like just a big group of people and
they'll just take a bunch of shit so i think it's it's like rich people looking at poor people stealing from insanely greedy corporations and being like oh no
the poors know that they actually can exert some power back over the system and it's very terrifying
it seems so then fascinating that and just like that would choose to side on the one percent
to feature that now.
Yeah, yeah.
But so that happened.
That was my interpretation anyway.
My interpretation was it was totally random, and it didn't really make any sense.
But that would seem as whole thing this episode was like.
She's literally a person who got a $30,000 US dollar handbag stolen from her,
and like, this is the worst thing that could happen.
That's right.
Nothing worse could happen.
She likens it to Carrie's being widowed.
She says, this is like my 9-11.
She doesn't say that.
And then someone says, you can't say that here.
9-11 was like your 9-11.
Now, listen, if that was in the episode, that'd be so good.
And it wasn't.
Okay.
All right. I don't know what show you were watching. My shining light was actually a lovely little comedy moment, Seema. if that was in the episode that'd be so good and it wasn't okay alright
I don't know what show
you were watching
my shining light
was actually
a lovely little comedy
moment to see
she pulls a gun
on the guy
and I actually said it to him
I said you can't carry a gun
in New York
and then he runs away
and she
and carries
you can see
carries also like
in her head
she's like you can't carry a gun
in New York
she pulls the trigger
it's a lighter
pulls out a cigarette
she doesn't release the trigger she's still got a lighter pulls out a cigarette she doesn't release
the trigger she's still alive and pulls out a cigarette starts smoking and then one of these
hapless security guy comes and goes lady you can't smoke in here and she's like yeah like i'm the
problem and i was like fucking a like these guys have not done their job tonight you don't need
like you don't need to take that shit right now you know like there's a time and a place
i really like that yeah that was satisfying it was good the rest of the episode pretty shit guys it's five i give it a five out
of ten three out of ten it's gonna get better you watch three out of ten for me you're about
to turn it around in episode four what are you looking forward to in future episodes
i'm telling you right now i can feel it in my bones steve's back there's no way there's
no way he's still he still lives in that apartment doesn't he who moved out he's back you do not you
do not send brady into crisis without bringing in steve you're right about that do you think
he's in the roof steve with with his dictionaries, having a read.
They don't know yet because they haven't gone up there. He's up there like George.
Who did Jeffrey Tambor play in Arrested Development?
Was his character's name George?
George Senior.
George Senior, yeah.
You know when he's hiding out in the roof after he's run away from business?
Yeah, yeah, yeah.
Steve's up there like that, just leafing through a dictionary.
He's going to come down.
He's got like a...
What's it called when you...
No, that's bad taste.
You're not going to do it?
You are going to do it.
He's got like a taxidermied version of Magda
sitting up there.
He keeps feeding her tea
you can't say that
I mean you can't say
anything these days
should we close out
on a song
okay
hold me closer
Tony Danza
oh yeah that's nice
and just like that
it's the worst idea
of all time and just like that It's the worst idea of all time
And just like that
They're at it again
And they're having such a gay old time
And just like that
They're back
Got Montgomery and Timothy back
And just like that
It's the worst idea of all time