The Worst Idea Of All Time - Episode Sixty: Bloody Money (ft. Matt Gourley)
Episode Date: December 13, 2017Guybo and Timbly are joined by the lovely and talented Matt Gourley for a live LA show to end this God forsaken project. Let's not beat around the bush, Monty is hammered, Tim is a rambling shambles ...but luckily Matt's sharp mind is able to deliver the most incisive deconstruction of WE ARE YOUR FRIENDS to date. Also, one banging hot pitch to executives, periodically interrupted by two dumb boiz. Hosted on Acast. See acast.com/privacy for more information.
Transcript
Discussion (0)
Are you going to play that dastardly intro again?
You forget that films are supposed to have a point.
Good evening, Los Angeles.
How the bloody heck are you?
That's good.
What a way to start a podcast.
Welcome to the worst idea of all time episode.
This is the last fucking one.
We are done.
I'm standing.
This is unprecedented.
Who could sit at a time like this?
We just, it's gone now. It's done. We're finished.
Take a photo, take a video. I don't give a shit.
I would see some phones in here. This is an auspicious occasion.
Before I get too elated and too deep into it,
can we please welcome to the stage an incredibly special guest
joining us this evening
on the 60th watch.
First for him,
it's Matt Gourley,
ladies and gentlemen.
Hi, everybody.
Hi.
Oh, I am so thrilled to be here.
Standing too.
I'm going to stand.
I was afraid I wouldn't have
that much to say about this film
when it started.
It has broadened my mind.
I have so much to say.
So much to say.
That's good, man.
Yeah.
Because I have nothing left.
That's okay.
I've got a chart.
I've got a timeline.
All of these represent
at least a half hour.
Ladies and gentlemen,
this is a podcast.
This is like this specific episode uh dedicated i think i mean to matt's notebook but also i think a little bit about feelings i want us to talk about
our feelings in there you are all feelings so Yeah, I'm full of feelings, sure.
It's just not what I imagined.
It makes sense.
Of course we talk about our feelings.
How do you feel, Guy?
So good.
Yeah?
Literally as good as I've felt in four years.
Yeah.
It is... It's a sweet release isn't it it's uh i feel like we've tricked
death you know the grim reaper came and tapped on our shoulder and was like time to go boys and we
were like you dude we're bouncing that you guys are serving hell on earth now and you will be rewarded in the afterlife yeah you seem pretty
confident about that no i know for a fact i got a line on this yeah this is happening it's very
it's good man because you know i don't really think too much of it but now so look if this is
your first time tuning into the worst idea of all time this is is a podcast where Guy Montgomery, international piece of shit,
and myself
watch and review
the same movie.
What are you?
Are you just yourself?
Yeah, I'm just Tim.
I'm an international
piece of shit.
Yeah.
Do you want to know why?
Because you moved to New York.
And you want to know
something else?
You're a real piece of shit,
Guy Montgomery.
I think you should also
be something. You're, you know of shit, Montgomery. You should also be something.
You're nationally okay.
Great serve, mate.
That's a decent burn.
I got you, man.
I got your number, motherfucker.
This is a podcast which has been parading as a film review podcast.
We're in.
Guy and I watch the same film and review it once a week,
every week for a year, except in the years where I penalise us for letting lapse a few weeks in between takes.
But in actual fact, it's a podcast about feelings.
So here's some of mine.
Elation. Joy. so here's some of mine elation joy uh happiness release and don't do that
gross release isn't a feeling isn't it yeah and you don't see many of those
what do i see man just ready isn't it? Yeah, and you don't seem any of those.
What do I seem, Matt?
Just ready.
I am ready.
People are listening to this mostly,
but we must make mention of your shirt.
I'm ready.
I'm ready.
I bought this shirt because it reminded me of SpongeBob so much.
And so you saying I'm ready is like perfect.
Yeah, yeah, you're ready to go.
Like to cross over.
Is that not the loudest shirt you've ever owned?
Yeah, I actually think it is. And I bought it just today, just for you folk.
Well, mainly myself because I get to wear it.
But I thought, you know what?
Time for a fun shirt to celebrate an auspicious occasion
and so I did and here
it is. It's got a lot of jellyfish and some
crazy colours and the gentleman who sold it to me
gave me the back story and it turns out
it's from a company which became famous
in the 1940s for really pushing the
envelope on Hawaiian shirts and their colour palettes
I was
intrigued, fascinated
and captured by this old man's tales of days gone by and colours that we haven't seen in fashion for a long time.
And there I was, a sitting duck, a foreigner, who had changed his money for an indiscriminate exchange rate and just started throwing notes at him.
How much is the shirt? I never said.
Just started throwing money and he said, great.
Love what you're doing here.
And then eventually my wallet
was empty and the shirt was put in a bag and I
was on my way. I actually, I was going to say
this, but I was
in the same shot with Tim.
You guys met the ghost of
Tommy Bahama?
Yes.
He's taken a pretty powerful physical form.
You guys are ready.
You are ready.
And he's done some pretty fine wares
down wherever the fuck romancing the bean is,
which is the cafe from the movie
that Tim and I went and had a lovely breakfast burrito at
this morning.
And first of all, the breakfast burrito is nothing morning. And, first of all,
the breakfast burrito
is nothing but egg and cheese,
which is not enough ingredients
to breakfast egg.
It didn't even provide a hot sauce,
which was intriguing.
You can't have like
three white foods,
egg, burrito and cheese
and not throw a little spice in there, do you know?
You've got to have something to break it up.
Chuck some veggies in there.
Red onion would have sufficed.
Capsicum.
Mayonnaise.
No.
Mayonnaise would be something.
A little salt.
Anyway, I mean, I read the Yelp page for that cafe a while ago
and some of the arguments that were laid forth,
which seemed pretty wild at the time, now sound pretty all right.
But when we were there, we talked to the guy behind the counter
and we said, did you know that the movie We Are Your Friends was filmed here?
And he said, yes, I did. Have you seen it?
And we said yes 59 times and he said okay yeah he said okay
yeah they filmed in here over there that's where Zac Efron and Emily
Radich-Karski's characters
broke up.
And Guy said
no.
That's where
they forged their relationship, dude. That's
basically where they got together. And this guy
went, oh, okay.
I've only seen the movie once
but they filmed a bunch of different endings. And then Guy and my oh, okay. I've only seen the movie once, but they filmed a bunch of different endings.
And then Guy and Maya's imagination ran wild.
And we locked a stare with this gentleman.
Was there a breakup scene that they potentially shot?
Yes.
So there is multiple endings potentially sitting around.
Fuck off.
Yeah.
But we digress.
Anyway, look.
That's a worthy digression, I think.
If ever someone was allowed to digress on you.
Can I?
Sorry, you go.
No, look.
That's all by the by.
No, go.
I'll go.
What I was trying to tell you was that at the store where you bought that shirt,
I also bought some things.
And because you got, I saw what you paid for the shirt,
and it's a fine shirt, but that man made a prince-less-um.
What do you pay?
I actually also...
I'll never tell.
I'll double it.
I got very excited in the store and thought,
because it's the last show, I would buy gifts for all of us.
And I bought gifts, which I have in my pockets.
So they're real warm?
Matt, do you want to provide audio commentary
for our listeners at home
on what guys are tipping to do right now?
Well, right now his fingers are sticking
in kind of a soiled and frayed pocket.
I bought them like that.
It's called fashion, idiot.
All right.
Okay.
So I bought gifts for all of us,
and the first gift is for you, Tim.
Okay.
They're all badges, by the way.
What's a little badge?
New cologne, or have you been rolling in dog shit?
What the fuck?
Can I say something?
Guy bought this at the store and was...
He said to the proprietor
who in retrospect
definitely ripped me
off of the shirt
I would like to have
a look at those badges
but we've got to
keep it secret
because I'm buying
a present for my
friend over here
so I was expecting
something very specific
that relates to me
like some sort of
it hits on something
in my past
this is just a
dumb gag badge
that you could
have given to anyone look on the back of it how
much should it cost five bucks it's not the most expensive one in this guy is
charging a lot of these badges what is this billionaire with a vintage store
Some billionaire with a vintage store.
Just next to romancing the bean.
Anyway, I got one for you as well, Matt.
And this one I think is good.
Peace on earth.
Hold on, but is that... I thought it was in the font of The Hobbit,
but it isn't, so who cares?
$12.
Yeah.
Wait, what?
I don't choose the prices, man.
I just buy the badges.
There's a clue on here.
In the small corner, it just says Gil, G-I-L.
Is this a consignment shop
where people have little corners and booths?
This is Gil's corner?
That is possible.
As far as I could tell, this guy is a billionaire.
Gil?
Yeah.
And he's just doing whatever the fuck he wants.
This is the nicest inflated price badge I've ever received.
It gets worse.
I bought this one for myself.
What is it?
It says big boy for president.
Fucking hell.
Let me attempt to move this along.
And it cost me $35.
There's no way that's true.
Really?
Holy shit.
Matt Gourley is confirming
the authenticity of that price.
What about this badge?
Tim, I got you one more badge as well.
Oh, okay.
There is another one.
Oh, now that's a winner.
It's a McCain-Palin Republican ticket from...
Oh, my God.
No, 2012 badge.
This is great.
Thank you, sir.
$12.50.
Eat it, Matt.
Hey, thank you so much, Guy.
That was really sweet of you.
I appreciate it. That was a bad idea. Yeah. Hey, Matt, can, thank you so much, Guy. That was really sweet of you. I appreciate it.
That was a bad idea.
Yeah.
Hey, Matt, can I ask you?
We've seen, I'll put mine on in a moment.
We've seen the film, obviously, 60 times now.
This was your first take of the Zac Efron slightly indie venture,
We Are Your Friends.
What did you make of it?
This movie is my worst nightmare.
And not watching it, I enjoyed this process.
I like watching movies for this kind of reason.
Hold on.
Let's delve into that a little bit.
What do you mean by that exactly?
Well, you know, for a podcast, and it's often something I do.
Guys, just bust out a disposable camera to take a shot.
Such is this boredom.
No, I'm listening, Matt.
I'm just excited.
Alright, take it easy.
Peace on Earth, you guys.
Big boy for president.
Or McCain-Palin.
You gotta choose a side.
Where do you stand?
But if I were to live in this world, it would be my worst nightmare.
I just don't...
I just am tired. It seems tiring to have to live that life. I just don't... I just am tired.
It seems tiring to have to live that life.
I've got bad news for you, brother.
Oh, season four?
No.
You know how there was an after the credits scene where Tanya Romero receives the cash from Zac Efron
from him ripping off everyone and stealing the houses?
Tanya Romero included.
Yeah, correct.
Blood money.
We didn't get to the after the full credit scene,
but that's when it is revealed
that we are living in the same universe
as we are your friends.
No.
So I'm sorry for that revelation,
but we're in it.
Did you not see that end titles credit
where it says this movie took place
in the same universe that you exist in?
Open parenthesis,
we're talking to you, Matt.
They get that specific?
Fuck.
The original release title of this film
was We Are Your Friends, Matt.
But some executive changed it.
Wait, no, I love this movie.
No, sorry.
Hold on.
No, no, no.
What is this about, face?
Mister, this is my nightmare.
I like to have friends. Oh, wow. This, no, no. What is this about, Face? Mister, this is my nightmare. I like to have friends.
Oh, wow.
This movie is for you.
Yeah, it is my friend.
I don't want to be in this world, though.
I don't want to live in the...
I don't want to run with this gang.
You know what I mean?
It's tiring.
I don't like that they're just...
They're somehow suffering for something that isn't an art.
Do you know what I mean?
Yeah.
Who did you not like the most?
Oh, boy.
Well, I made a little chart here.
Let's get through some notes, shall we, man?
Let's dive into that notebook.
You got Cole, you got Squirrel, you got Jarhead and Johnny Depp, right?
I just want to let you know, I'll be got Jarhead and Johnny Depp, right?
I just want to let you know, I'll be right back,
and I am listening the whole time.
Okay.
Seems suspicious.
I'm not lying.
Yeah, I'm listening.
Okay.
These are like character parables or archetypes from Trainspotting and Entourage.
Have you guys covered this?
We have not spoken about this.
So Cole is Renton from Trainspotting and Vinny from Entourage.
Squirrel is Spud and Turtle.
Jarhead is Begbie and Drama.
And Depp is Johnny Lee Miller and E.
Also, this...
I would argue that Jarhead is E
and Johnny Depp is Johnny Drama,
but otherwise, sir.
But they're the troublemakers,
the rabble-rousers, you know?
Well, they are rabble-rousers.
Yeah, thank you.
Also, I'm convinced that whoever made this film
had something like...
Maximum Joseph and Megan Oppenheimer,
who I should hope are in the audience this evening.
Make yourselves known!
Chickens.
It's fucked up.
He definitely lives here.
Anyway.
Look at this.
They had these films
on their shelf
in this order.
Train Spotting,
Saturday Night Fever,
Glen Gary, Glen Ross,
Point Break,
Boogie Nights,
Usual Suspects,
and back to Train Spotting
because here it goes.
It starts with
Train Spotting
and the voiceover and you learn the characters. it goes to saturday night fever where you learn the
world then it goes to glenn gary glenn ross for the real life intrigue of working day men
then you go to point break for the mentor apprentice relationship with the love triangle
of the girl that belongs to the mentor but wants to be with the apprentice into the fall of the
characters of boogie nights then to the usual suspects wants to be with the apprentice into the fall of the characters of Boogie Nights
then to the usual
suspect's twist
of using everything
from the film
for your
like denouement
and then back
to Trainspotting
for the repeat voiceover.
Matt,
while that is brilliant
you have pretty much
undercut
the last 59 weeks of mine and Tim's life.
Well, it's good we're wrapping this up.
But I have a question for you guys.
All three of your co-hosts were impressed by that, Matt.
It's great.
I have a question.
What?
I have a question for you guys.
No, hold on.
Why?
You got a weird look on your face.
No.
Yes. No, you don't have... Yes, guy. You got a weird look on your face No Yes
No you don't have
Yes guy
Oh is that
A third player appears
Third co-host
The knife gen 3
The audience do not look delighted
To see this
I'm concerned
How have you been travelling with that Have you been travelling with that to see this. Oh, it's hard to think why. Concerned.
How have you been traveling with that?
Have you been traveling with that?
Oh, man.
I'm so glad you asked.
So, I actually think I told this story in the New York episode,
which hasn't come out yet,
so I'll forgive you for not having heard it yet.
Do you not remember, Tim?
I know you're such a die-hard fan.
How could you not remember?
It was a bit two nights ago.
I took it through. I had a closed circuit feed of that, so I have heard this. Yeah? I know you're such a die-hard fan. How could you not remember? It was a bit two nights ago. I took it through.
I had a closed circuit feed of that,
so I have heard this.
Yeah.
Well, you're being very kind
to be the audience surrogate there
for these lovely LA people.
Ladies and gentlemen,
the knife, as we all remember,
Gen 1 got lost to some TSA agents
who were disguised in Australia
as Australian customs officials.
And I'm sorry to say that
the knife Gen 2
was also taken by similar kin
when I forgot to put it in my checked-in luggage.
But I'm glad to say that for merely one episode,
we have the Knife Gen 3 joining us.
So he's, like you, Matt,
making his worst idea debut and exit
all on this same show.
Tim earlier described that knife to me today as the bluntest knife that ever knifed.
But it's got a good weight to it, so you can sharpen things.
It's health heavy.
Health heavy.
I didn't realise we were dealing with such a pro, Matt.
Holy shit.
Matt's busting out some real stabby knife tricks.
Jesus Christ.
Matt is currently performing some pretty incredible knife work.
Is that good, man?
That's amazing.
No, no, no.
No, no, no, no.
No, no, no, no.
At least let me put the blade away so we don't...
No, we'll leave.
We're good?
Yeah, it's okay.
Nothing has ever gone wrong with a knife just lying around.
It's fine.
Okay, so the last time
I owned a leather jacket,
which was one time in my life,
someone put it on
and it looked fabulous on them
and I see, goddammit,
now I don't own a leather jacket anymore.
That is your knife.
No, really?
Yeah, absolutely.
I couldn't do what you just did.
That is now your knife.
It's found its rightful owner.
Oh, thank you.
Goddamn.
I will put it on the shelf of podcast treasures.
How big is that shelf, you sad man?
Getting bigger and bigger every week.
Hey, so, sorry, jumping back into the notebook,
I love that you have managed to absolutely rip apart this film
by figuring out which movies it's aping
That's great
Let me ask you this, Matt
How did a film which did so famously poorly at the box office
draw in so many hits and yet miss itself?
I don't know, that's a good question
Thank you
You're welcome
It's like the sum of its parts
are somehow less than the total I don't know it's just yeah it's like a bad bicycle
yeah hold on
yes yeah yes too many bits
ruins a bike guy do you think that bikes are too complex
no if you get a good one what's a good bike to you just exactly as many parts
necessary not one more or less than you need? That sounds perfect to me, Matt.
So what, like a bell, like a bell on the handlebars,
is that a bell too far? If you need a bell, then a bell it shall be.
Are you anti-mountain bikey?
I'm all for mountain bikes, if you live in the mountains.
Okay.
So, Matt, jumping right back into that night boat,
what else did you have down there my friend?
Well I have a question for you guys
Okay, so you guys, you did Grown Ups 2, you did Sex and the City 2
Those are clearly to me movies that are made for a payday, they're jobbers
This actually seems like someone set out to make a passion piece
How did that, you don't
I'll say what you will about how shitty this
movie is someone's heart and soul went into this thing I'm not saying they were
successful but or that they had a heart or a soul but it went into it yeah and
so that that how did you feel watching something like that word this I this had
to be made by a DJ right this is a DJ's movie I mean we know DJ we made the we met all
the people who made it except for maximum Joseph who we've met and it's
Joseph yeah he's not a DJ we know him for his you know gonzo television shows
catfish all right it's a documentary yeah Yeah About cats that like water
And who might be fish
No they're definitely cats
It's a pretty amazing movie though
Because I mean traditionally felines are afraid of
The substance we call water
Yeah
A couple of bits of hydrogen
One part oxygen
Yeah yeah
You know what cats call it, though?
Meow.
And they fucking hate this stuff.
They absolutely hate it.
Yeah, I know.
Maximum Joseph managed to find some freaks out there in the big cat world.
Do you feel that he was making something that he considered art?
Because that seems to be a theme of this film.
100%.
Yeah, it's felt pretty bad this year
watching someone try so hard week after week
and very rarely meet the standard.
And yet it's a movie about that very thing.
It's true.
But even within the movie,
Ziccoli's character is pursuing electronic dance music success,
fails.
Even within the film when he succeeds at the music festival,
he fails objectively to achieve that goal of being good at his job.
You're absolutely right. It took you 60 watches to get such a crystalline observation from the movie.
Better late than never.
I am so impressed.
I've been thinking about this for a while now.
My word.
I'm talking to the audience from here on out.
I'm not talking to Guy and Matt.
I'll talk to Matt and three of the audience.
This is the last one.
You can do this.
Yeah, we're cool, man.
We're friends.
We are your friends, Matt.
That wasn't somehow threatening. No, that's just how I say it. We are your friends, Matt. That was somehow threatening.
No, that's just how I say it.
We're friends.
Yeah, yeah.
Friends need to say it out loud and gift knives to each other.
That's how you know friendship is there.
We are your friends.
Matt, we've got a couple of established benchmarks in this podcast,
which we've been dipping back into the well of throughout the season.
And if, Guy, I may be able to count you in.
Whoa, you look not happy about this.
Are we cool?
No, I'm just squinting, man.
I'm cool.
Oh, okay.
Sweet.
All right.
Now my eyes are much more wide open.
Fantastic.
Five, six, seven, eight.
Getting sentimental with James Reid.
Yeah.
It's... Dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee-dee- from a popular New Zealand rock band called The Feelers. And he's now... Yeah.
Those are some good songs.
We've got some Cantabrians in the audience, right?
No, we don't.
That fell flatter than anything I've ever said
in front of a crowd of 100 people.
But more or less, he gifts...
At some point during the movie, he gives Ziccoli
the gift of a MacBookbook pro box the contents of
which are never revealed to us mere audience members uh and so for this our 60th and final
screening of we are your friends i would really like for you to tell us what in god's name you
think is inside of that box well i hope this hasn't been said before because it seems like
the obvious choice especially as they're stealing from all these like seminal films that it's
clearly he's going to open it up and it's just
the light from Pulp Fiction.
But what is it?
Exactly. No, no, no.
People don't generally
get the opportunity to define what
was in the briefcase the whole time, but you, Matt,
do right now. Okay, I guess I do, but let me
throw this at you. We also talked
about, you asked me whether or not they actually
have sex in that scene, you know?
Yeah.
We will need to provide a little more context.
So it's Ziccoli and Somerle in one scene.
They hook up at a music festival and they go back to a hotel room
and, you know, the filmmakers dance around
exactly what happens in the hotel room.
Rest assured, they may or may not have had sex.
I asked Matt entirely without sort of suggesting which way to lean.
Oh, but fuck you.
I was going to let it slide, but no.
Fuck you, man.
That's fair.
Pretty much.
That's so fair.
Pretty much, you were going to say whether or not you thought they had sex.
Well, I'm not going to say that's the thing,
is that I think that this film takes itself so seriously
that the reason I can say it's the light from Pulp Fiction
is because they're leaving it ambiguous enough
as to whether or not they had sex in a way of like,
how did Inception end?
Waiting for Godot.
Like, this is for you to now,
now we've made our art,
now you put your art on this.
Did they?
You are in this film.
You decide whether they conceive a child
and it grows up with Richard,
the dispossessed kid that lives in the home
with the mom that...
But they fucked.
I just...
Yeah, they fucked.
They fucked.
They copulated.
They do because Wes Bentley confirms that later, basically.
When does he confirm it?
Well, he says, you fucked.
And what is Sid in response?
What is...
I don't remember.
No, you don't.
No, his response is exactly that perfect ambiguity.
He went...
Yeah.
So I guess, in a way, we'll never know.
Exactly.
This movie wants you to keep asking the hard questions.
You fucking dragged like two smart funny guests into this dumb idiotic conspiracy theory of yours.
Just to fucking get in there.
I'm with you.
I tell you what.
Fucking bullseye motherfucker.
You son of a
you son of a gun
I do think they did
though personally
that would be what
I would put on it
but I think the film
itself is saying
we don't want to
tell you what to think
that's right
it's that pretension
this film's saying
a lot of things
I don't think
that's one of them
here are some things
this film is saying
top 21
one boys are dumb number two house music sucks number three EDM I don't think that's one of them Here are some things This film is saying Top 21 One
Boys are dumb
Number two
House music sucks
Number three
EDM
Take it or leave it
Number three
People like Johnny Depp
Exist in the world
You just said two number threes
I know
That's why I'm counting on my fingers
To make sure I don't get caught out
That doesn't work
Because you just
You just got caught up
Everyone's got range He doesn't just have to just got caught up. Number four, everyone's got range.
He doesn't just have to be in High School Musical.
Number five, Johnny Weston.
He can act sometimes, but, you know, not the whole time.
Number six, sometimes within one movie you can change a character's hair
and no one will notice if you put it in one of those transitional scenes.
Number seven, you know what's fun to break up a movie that isn't working too good? Some interstitials
involving animation. Number eight,
hey, pumping
beat will forgive many script woes.
Number nine, editors.
Who needs them? Number ten,
Megan Oppenheimer. Her
uncle created the atomic bomb and
his niece created a bomb of a film.
Number eleven. Are they
related, really?
Number eleven, it's And his niece created a bomb of a film. Number 11. Are they related, really? Number 11.
It's important to name your film after the title track of said film.
It encourages memory on what's going on.
Number 12.
Just because you've released a film to a lot of cinemas doesn't mean a lot of people will see it.
Number 13.
That's a good one.
Emily Radishkowski. Actor, model, you decide
It can't be both
Number 14
Can you improvise a scene in a film
That costs multiple millions of dollars to make?
Sure, why not?
There are no rules
Number 15
Poetry in motion can apply to anything
if you say it with enough confidence.
Number 16.
If you run out of things to say in a movie,
you can just play some music and film anything you want
and edit it together,
and suddenly you've got a montage.
17.
Right, 17.
17.
If you run out of things to say in a list,
you can say anything,
and if you use the word poetry in motion,
people will buy whatever you're telling them.
Number 18.
Directing a film is a lot like life.
Sometimes people will listen to you.
Sometimes they won't.
But either way, as long as you have a plan, you might fail.
Number 19.
Is that right?
19?
I would say directing a film
Is a lot like getting through
A list of 21 things
I'm so close
Incredibly challenging
Number 19
If you can't come up with
A compelling story
Of a hero's journey
Maybe put four central characters
In your film
And then introduce
A whole bunch of
Secondary characters
Spread the load
Number 20
If at first you don't succeed,
make a show called Catfish
and then convince some executives to give you money
for a motion picture and then
fail in such a historic fashion
that a podcast picks you up
for holding a record for how poorly
the financials of your film was
and it will gain a second life.
And of course, number 21.
There is hope for everybody.
Of course.
Of course.
Wow, that was very well impressive.
Because this is highly unorthodox,
but this occurred to me so strongly in the film,
is that what's in that MacBook Pro box?
My dudes?
My dudettes?
My people who associate with neither dudes nor dudettes
in describing themselves.
What is in that box is hope.
Truly.
And I think that actually...
That's what the Pulp Fiction...
Exactly.
...to me would be.
Yes.
What is more hope?
How more could you describe hope visually than a shining light?
Hey.
You know what I'm saying?
Yeah, it's pretty neat and tidy. Matt has described
literally what's in the MacBook
Pro box, the shining
light.
How crazy is that?
Yeah, it's pretty cool.
I'm not even on mushrooms
this time.
It was a real journey. I'll tell you what my
shining light was this week,
if you're asking, which you kind of are.
I've never liked it when Jarhead is tossing a gold bar
in the background of Frame,
whilst the Coley talks to Tanya Romero
and begins the process of stealing her house.
But he's tossing a gold bar and he says,
Cole, come check this out.
Cole, baby.
And then the scene continues.
And the way he said coal, baby, this evening,
I was like, that is affection.
That is friendship.
I don't necessarily like you as a person.
Yeah.
But I now like the fact that you like your friend enough
to enjoy calling him coal, baby,
in a professional environment
in your first week.
That's love.
He doesn't give a fuck.
He's disrespecting his employer
by not working at all.
His screen isn't like open on a spreadsheet.
It's dark.
He hasn't been on it for five minutes.
He's holding not his gold bar.
The guy's irresponsible with money.
He has found a gold bar in the office,
just picked it up as though it's anyone's property,
started throwing it around in his hand,
and as if he's not drawing enough attention
to how incompetent of an employee he is,
he's just like, fuck, I love my friend Cole.
As much as I hate this job hey Cole baby he catches it powerful yeah and then moment and then coldest keeps it I think of a fuck
he's like I can give your friends with me I'm busy I got to take this lady's house from her. Immediately. And he does.
Credit to him.
What a brilliant shining light, guy.
Thank you so much.
Yeah, I guess I really empathised with the characters this week.
I guess so, dude.
Matt, did you have a moment in the film
when you were watching that permeated through the fog
of maybe not liking it too much
into like, that was a cool moment, man.
It's the most realistic vomit scene I've ever seen
because there is that sound of like,
usually when you see vomit in a film,
it's someone's mouth is full of some substance
that they spit out
and it just sounds like they're spitting,
but there was like a resonant guttural like launch pad of a sound in
there that I have to hand it to and they didn't show show him like spit a bunch
of Campbell's soup out you just heard that sound may I normally wouldn't put
people on the spot but you are noted and gifted improviser famous for your roles
and super ego community drunk History and other things.
Could you please do that sound for us?
Oh my God.
That was so much more realistic than I was expecting.
And I was expecting something good,
but that made me physically ill.
Holy shit, dude.
That's the point, right?
You are a good actor. You should have been
in this goddamn movie. You might have saved the thing.
Fucking hell.
Game recognize
game.
Oh boy.
So I mean for you was it
do you think that was either
ADR or some sound
effects that got added on later or do you think that was
Zac Efron just being a good actor? Yeah I can I think that's ADR but some sound effects that got added on later? Or do you think that was Zac Efron just banging?
No, yeah, I think that's ADR.
But I think it's great ADR.
But by Zac?
Like you think he came into tape or something?
You know he didn't sing all the numbers on High School Musical on the soundtrack.
He's been known for using ADR before.
Are you, is that true?
I don't know, maybe.
This is how the worst kind don't know, maybe. This is how
the worst kind of
rumours get started.
Here's an idea
that maybe
could have happened.
I watched that movie
like 10 times
and someone told me
and it stuck with me,
you know,
I did my research.
Are you fucking serious?
Yes.
How do I not know
this about you?
I've never seen
High School Musical.
You've seen it 10 times?
Do you have another podcast?
Not everything deserves a podcast,
Matt.
We'll see about that.
We are testament to the fact that
almost everything can be a podcast.
Damn, man. Hey, so
shit, really?
Did Zac Efron not perform all the numbers
on the soundtrack or you made that bit up?
No, no.
Some things you hear by happenstance and you choose to believe.
And some things you hear by happenstance and you're like,
no, I'm either going to research that or just choose not to believe it.
This one I took on board and I was like,
I'll tell other people about that.
Nice.
Be part of it.
You're saying he didn't sing it or that he was ADR'd by himself?
Can you?
Can one ADR oneself, Matt?
I mean, yes, that's what ADR is.
It's a simple answer.
All right, Guy's clearly bored with this trick.
He's pulled out the disposable camera again.
It's a learning moment.
Just took a still photo of himself on a disposable camera.
Such was the poignancy of the learning
guys just experienced.
But
I think that someone else
recorded the most
of his numbers
on that movie.
Oh, okay.
And if I met him
I would not bring it up.
I would try and become
friends with that guy.
Yeah, yeah.
He seems fucking awesome.
Yeah?
Yeah, I like him.
Can I throw a shining light at you, boys?
I would like nothing more.
Yeah.
Fuck, I love you, Tim.
I love you so much, bro.
I love you too, man.
It was such a ripe opportunity to call you a piece of shit,
and I just, I can't do it.
I can't do it.
It's because you're wearing your badge on your shirt,
and it's just such a confusing one too
no one who would wear that shirt
would wear a badge running for McCain and Palin
especially in 2017
I don't know
if you've met America yet
there's a scene in the film
which is in the moments and actually
for a bit of context so I'm really sorry to spoil the film for which is in the moments, and actually for a bit of context,
so I'm really sorry to spoil the film for anyone,
but Squirrel dies.
And immediately before it happened,
Matt saw what was transpiring and what was about to be revealed
and was kind of devastated.
And I don't want to talk for you,
but I'm going to continue to do so.
Not devastated at the moment
of that character being robbed from us but at the film
thinking that it was entitled to kill a central character off like it had earned that i was
offended that it thought i cared enough about this character that i would be moved by that you say
that now but at the time you said how can you kill him he is the only one i care about that is what
you said but that is true but but that like is so relative
that it's still not enough relative to characters that i not only care about i would go out of my
way to write out of this film i think if i were the writer i will pay you to try and help you
with the script and i'll tell you what everyone gone. Everyone's gone. My shining light was in that moment when they first wake up post-party,
there's a bit of talk, a bit of chatter about a banana.
And the banana is actually in shot, is sort of in soft focus in a few of the frames.
I'm so fucking glad we're talking about the banana, man.
I've wanted to bring it up for so long, and here you are doing it.
Here's the thing about the banana.
Like, the banana is talked about, and I think it's in focus
in maybe a couple of shots that exist on the screen for half a second.
But it's also, it's like, you know when you do like an over-the-shoulder shot
and you got fuzzy for the person who's right by the camera,
give you the perspective, you're looking at someone. It's like they're doing an over the shoulder of the banana itself
so all of a sudden you feel like within the film the bananas stuck around for its own coverage yes
yes and it's doing a great job and something could have gone to the dressing room but it stayed to
deliver the lines from a technical point of view view, absolutely. That's how you get noticed. Yeah, well, that's how you get work in this town, right?
But from an emotional point of view, as a viewer of the movie,
you're like, I am now the banana.
And in some ways, aren't we all the banana to someone?
Because what is the banana doing?
The banana sacrifices itself in the wake of the party
where the boys have poisoned their bodies to the point
where one of them
is tragically passed away.
It's not that big of a tragedy.
Most of them are just hammered.
They've had too much alcohol
and how do you boost yourself
back up?
You have a banana.
It's a good source of potassium.
But what happens to the banana?
The banana gets devoured.
You know?
So I'm just saying like
you combine their philosophy
with the film language they've used,
and suddenly it's like they're trying to make us the banana.
And I felt like there's something in that for all of us.
Yeah, we are the banana.
We are sacrificed.
We are squirrel.
We are your friends.
Exactly.
Exactly.
The other thing with the banana is he peels it too fast.
You see him pick it up not wrong and you're like yeah cool and then like there's a shot of someone else and then a second later he's eating an open banana
and i'm like okay even if you did open it that fast you would be sweating or looking slightly scrambled.
Wait, you're saying if you, guy,
did your best to open
a banana as fast as you could that you would
break a sweat or be out of breath?
If I opened it in less than a second?
Absolutely.
You offended that guy so much he left.
He's like,
this is bullshit. That would never happen.
I've seen that guy before at Bananas Anonymous.
He has literally never opened a banana
without losing a third of it in his life.
If I may,
Matt, we didn't reveal this.
We've met a few times now.
We've spent a little bit of time together.
And what you don't know about Guy and I,
you probably know that we're New Zealanders
and we do podcasts,
but we're actually also film executives
who are willing to greenlight a project
which will catch our fancy.
This is fortuitous.
So what I would love to try and garner from you
is maybe a pitch for a sequel to We Are Your Friends.
And Guy and I, as film executives,
will assess whether or not it's worthy
of our mighty checkbooks.
Okay.
He's right, man.
Great yes-anding there
from Guy Montgomery.
What a talented improviser.
Join the front row
to take a photo
with this disposable camera.
Can you imagine
what would happen
if we gave him a real camera?
So when you give a kid
a trolley or something and they walk around like You didn't give me this camera. I bought it. imagine what would happen if we gave him a real camera you know so when you give a kid a um i don't
know like a trolley or something and they walk around like you didn't give me this camera i bought
it society gave you a toy camera my dude it's because we got to get away i guess i'm doing my
best with it i'm sorry man this yeah uh oh yeah we're, by the way. And we want to make a movie real bad,
but it's got to be the right movie.
And if you get this wrong...
I'm done in this town?
No, man, but you're going to have to take this down to the pharmacy
and get the role developed.
And bring it back to me without looking at any of the photos.
Okay.
Even though some of them are going to be super interesting, no doubt.
My mom has, over her lifetime,
taken probably close to a hundred of these things
and never, ever developed them.
And there's a box of them.
And so for every Christmas and for her birthday,
I go to the only Walgreens I can find that will do these
and get her a pack that turns out to always be black photos
or just thumbs and stuff like that.
Hey, that's fucking adorable.
Oh, that's cool.
All right.
Hello, Mr. Gourley.
Please come on in.
Thank you.
We have an open door policy here.
Thank you.
I'm a little nervous.
Here at Montgomery and Bat Film Funding Industries.
Don't be nervous.
Smile real quick.
It's just for me.
Please, have a seat.
Can I just address this to you?
Yes.
Okay.
And me.
Can I get you a water?
I'm supposed to say yes.
It shows that I'm not intimidated.
Well done.
You passed the first test.
Oh, God.
All right.
You're not going to drink any of it?
no I don't have any water at home
so I wanted to keep it for tonight
god damn it
that is charming
Mr Montgomery
quick aside
we need to let this motherfucker speak
we don't have a lot of time left to conduct our appointments.
I want to hear this one out.
We haven't greenlit a film in so long.
Are you prepared to see what this dude has to say?
Yeah, man, but before I do,
I've got a long list of grievances to clear with you.
Oh, no.
Okay, well, this feels like as good a time as any.
Maybe your top three I don't know if I can get it down to three
30, 50 maybe
But three?
You know what?
Forget about it
Let's get back to this guy
Mark, is it?
What's your pitch?
Matt
Whatever
Throw it at us
Go ahead, Mr. Mark.
It's Maximum Matt, okay?
Well, here it is, 20 years later.
Sorry, 20 years later from now?
Yeah, from now.
From 2017.
From 2015.
What are we talking about here?
The sequel to We Are Your Friends.
Oh, I saw that movie.
Yeah.
Yeah.
I tell you what. It stays with you, doesn't it? Didn't love it, didn't hate Friends. Oh, I saw that movie. Yeah. Yeah. I tell you what.
It stays with you, doesn't it?
Didn't love it, didn't hate it.
Well, right.
But get ready to love it all over again.
All right.
But he just said he did neither love it nor hate it.
Hold on.
Let's hear Mark out.
20 years later.
How can someone love something all over again if they never loved it in the first instance?
Excuse me?
Mr. Mark.
How did you get this job?
I don't know.
Ah.
Quick aside.
I really like this guy's moxie.
I like to sing about the moon and the june.
Calling out the billionaire financiers.
Me like him a lot.
Right on.
Mark, proceed.
Yes.
20 years later
Then when?
2035
2055?
I was waiting
I was waiting for that
You literally saw me at
2035
I'm sorry quick aside
Mr Montgomery no shit.
We've got to get through this.
These insights aren't helping my fruit.
Send me a kiss, my one.
Baby, my heart's on fire.
Sorry, Mr. Mark.
You'll win this time if you refuse me.
Honey, you'll lose me and then you'll be left alone.
So, baby, telephone and tell me I'm your own.
Mr. Mark! Yes me I'm your own. Mr. Max!
Yes, I'm back.
20 years later, 2075.
Cars run exclusively on rendered down pig tallow.
The barren wastelands of Santa Monica have bled into the ocean,
and no one knows sea from land.
The buildings have crumbled into what looks like
cityscapes of giant tombstones,
and mankind itself is questioning its own existence.
Global warning, my balls, everything's frozen.
That's right, it's not what you expected.
We have a flashback to 2015
with Zuculi at Summerfest
screaming,
things will never get better.
The title flashes on the screen.
Things have gotten worse.
We are no longer your friends
because, well,
what's his name?
Jughead?
Yeah. Jughead? Yeah.
Jughead is long since dead.
Johnny Depp is running a prison farm.
A prison farm?
That's right.
What hellish future is this?
Yes, he's farming prisoners
because the prison industrial complex
has been so privatized that they need fuel grist for the mill,
so they grow prisoners.
I'll be honest, it's better than what I was thinking,
which is jails fucking each other and then birthing new jails.
There's some of that too.
Oh, no!
Yes.
Let me finish.
These prisoners are genetically bred to commit crimes
at the age of three days old.
What sort of crimes can a three-day-
Baby crimes.
That's my waddle.
Give it to me.
No, I steal your waddle.
Give me your nipple.
I take it.
Anyway, that's the prologue.
Part one.
It's more of an overture, you know, like this is a symphony.
There are movements, okay?
Can I just quickly say, Mr. Mark?
Sure, sure.
Gee fucking whiz, you've got me by the bollocks.
We're just getting started, Mr. Montgomery.
Mr. Bat.
Please, call me Mr. Montgomery.
Okay, I just did.
Mr. Montgomery was my father's name.
That's right.
You're his son because it's 2075.
I'm pitching this in the future.
Or now.
Who's to say?
Zac Efron hasn't aged a day.
His abs are just as painted on and also real too,
but they still painted on because that's an ego thing.
And now, he's still a DJ,
even though that's an ancient art like the Jedi.
It's myth.
No one was a DJ.
That's not a real thing.
It's true, says Han Solo.
Who is in this picture?
Huh?
Han Solo is in this film?
I bet he is.
He's pretty expensive, man.
On account of him being
dead? Well, the
character's dead, sure.
Harrison Ford is alive in 2075?
Oh. I'm sorry, you looked
super offended by that. Have you seen Harrison
Ford lately? Yeah. Anything's
possible, man. That's right.
He's still landing planes and laying Janes.
Okay.
Now.
Nice.
Here's what happens.
Everybody doesn't believe DJs are a thing.
And so in the Bible book of DJs, on Dust Mountain, little baby Jughead from the prison farm
is committing rattle crimes left and right
until he digs up the DJ Bible
and turns to the book of Thump Thump.
And in passage 710,
where the house man once did do a rave trip
and a baby pacifier and a mad hatter hat
gave themselves a trip dance.
A trip dance.
The most famous of all the dances.
You're not kidding.
And the prophets of D. Antwoord and Moby and Skrillex
and all that shit come flashing on the screen
like some kind of thing you've never seen, you assholes.
All of this comes crashing down
and people gather at the Mount
to see an unaged Zac Efron.
If anything, he's a little younger.
Put on a DJ set with a set in.
I'll tell you that's not really him.
It's him.
Okay, cool.
He's already signed on.
That's the other thing is I've got him.
He's attached to this.
Okay?
Yeah, that's good news.
You want him?
Fucking A.
You want him?
Yes, dude.
Then we're getting somewhere now.
Shut up.
Zac Efron.
Yes.
You heard the man.
Obviously we want Zac Efron.
Shut up.
I'll take him away.
Don't, Mr. Mark.
I'll take him away.
Montgomery, silence. Mark. Please. take him away. Montgomery, silence.
Mark.
Please.
Montgomery is my son's name.
Mr. Montgomery is my father's name.
You can call me Mr. Montgomery.
Page two.
He takes all of the house disciples down to the empty pool of Jughead's house,
which is a metaphor for their
unfulfilled careers.
Then, out of nowhere, a tree
branch lowers down and a squirrel
comes galloping along it
with a little bit of a
hat that's flipped up in the front.
A little bit
of a hat. A little bit of a hat.
Which part?
Let me guess.
May I?
Please.
Oh.
Hey, I'm looking for a writer like you.
You don't need to write for this guy.
You're a fucking billionaire executive.
I know, but I want to embellish my creative side.
Yeah, ta-ta-ta, ta-ta-ta.
Page 29.
The rest so far has just been house music.
For 28 pages,
it's just been house music.
You know, that's cheap, huh?
Mm-hmm.
What's that?
Buying house music?
Yeah, it's dirt cheap.
It's a good deal for us.
Mr. Montgomery, am I saying that right?
Mr. Montgomery?
Please.
Shut the fuck up!
Mark, please continue!
Mr. Montgomery was my father's name.
Mark was my father's name.
You can call me Mr. Montgomery.
You can call me Mark.
Well, I'm the knife, and also a banana.
So, check this out, you city folk.
I'm sharp and full of potassium.
Now let's hear the rest of this film.
Cut to the ending.
It's Dust Mountain and Bible
people love house music.
So get ready because this is
Midnight in the Garden of Dance and Thump.
In the Garden of Dance and Thump.
At this point,
Zac Efron busts open
a chest of references from earlier in the movie.
And also his own chest and abs that he uses as a literal washboard to go
which he samples on his own space iPhone from the future
and pumps it right into a MacBook Pro that's just a glowing briefcase
and then thumps out a beat so goddamn good
it'll make you want to wish you were thinking about something.
Yes.
And then you hear the sound in a high-tech thumping montage
of a switchblade opening, a badge pinning,
and a podcast ending.
Everybody cries and the drip drop of a DJ falling on the pad
with a bleep,
bleep, bleep
takes the people home.
We are still your friends.
Credits roll.
Can I say,
Mr. Mark,
I'm sorry,
but I do not want
to finance your movie.
I understand. I'm a misunderstood genius.
Hold on. There are two financiers in the room,
and it is going to be a hard pass for me as well.
Please see yourself out.
The fact that you thought what you just presented
was worthy of externalising
is one of the most humiliating facts.
I'm embarrassed for you
and for any generation that comes of you.
So, thanks for nothing.
Yeah.
And...
Fuck you.
Yeah.
Thank you.
Thank you, Mr. Montgomery.
I think that was the ending I was searching for.
Mr. Montgomery,
it was my father's name.
Hear me out.
Sex in the City 3.
And scene.
Matt Gourley, take a fucking bow.
That was very good, yeah.
My God, truly.
Yeah, take a slouch, man.
That'll do.
That'll suffice.
Amazing.
Hey, well, I mean,ouch, man. That'll do. That'll suffice. Amazing. Hey, well, I mean, fuck, man.
That's really almost, I just want to make sure,
because I wrote down some stuff, you know.
Jesus Christ.
Now you're getting to this?
Oh, no.
I just want to say this.
The thing is, is Matt put such a lovely button on.
I would love it.
I knew, because I'd written down something
that I really wanted to say out loud.
Guy.
This, I wish, more than anything,
would hold true for our podcast.
Go ahead.
I would love if we accidentally didn't record this episode.
Dude, okay.
So, here's the thing about that.
Wait, there's a thing about that?
Hilarious possibility.
But there was a moment at the start when we first came on stage
where I was like, you know what I definitely should do?
Check the recorder.
And I haven't done it yet.
And I want you to, I mean...
That would be fucking awesome.
So, ladies' choice.
Would you like me to check it
now or
after we end?
What would the audience like?
They want to know.
Because if it's not recorded, then
how much better was this show than just before?
Special.
Special.
Special night together.
I got good news and I got bad news.
It was just an okay episode.
Yeah.
But we recorded it!
Say something.
I thought that this was worthwhile to write down
and in retrospect it probably wasn't
but I just want to sing Shania's Twain
looks like we made it with the two people
I have on stage. Did you just call Shania
Twain what I called it?
I thought that was Shania's
Twain
I was trying to say Shania
Twain's as the possessive
of the song she wrote but did I accidentally attribute the S to Shania's? say Shania Twain's as the possessive of the song she wrote,
but did I accidentally attribute the S to Shania's?
Shania's Twain.
Which then pluralizes.
What is it?
It's the same thing as Sigourney's Weaver, man.
Attorney's General Sigourney's Weaver, Shania's Twain.
Well, that'll do for that note.
You guys ever got a good look at Dwight's yokem?
All I know is it looks like we made it.
Yeah.
Oh, that's tough.
Looks like we made it.
Look how far we've come, my baby.
I'm glad we didn't
listen
look at
what is the first CD I owned
we would be missing
they said
I'll bet
we'll never make it
but just look at
this is Shania Swain
this is the worst night to end on we go together Just look at it. This is Shania Swain.
This is the worst night to end on.
We grew together.
Still going strong.
You're still the one.
You're still the one I love.
I'm going to record it. To the one that I belong to.
You're still the one I want
for life.
You're still the one
I want to
the only one I want to.
You're still the one I kiss
goodnight.
You're still the one
Perfect
A perfect end
To what has quite literally been
The worst experience of my life
I mean we shouldn't say anymore
Because it's all done
Matt Gourley I would like to ask
If you have any final words
And you don't have to
But I would love if you did
I would just honestly say in all sincerity,
I am thrilled and honoured to be your last guest
on what is obviously a journey that I can't comprehend.
And it means a lot to me to be here,
and thank you for having me.
Oh, trick it once more for Matt Gourley.
I say,
the entire time I was watching the movie this evening,
I thought to myself,
this is how the movie is meant to be experienced.
And I don't mean that by saying for the 60th time.
I mean,
watching it,
and this is what I felt watching it with you,
is watching it to cure the knowledge
that you will never have to watch it again.
We really have to wrap it up.
In the spirit of authenticity and whatnot.
Go ahead.
Okay, good.
Got the permission.
Oh, it's just an excited point.
Yeah, good.
You'd think we'd have this down by now.
You really would.
Like, wrap it up, baby.
I'm ready for you to say whatever.
One second.
So, hey, listen,
the podcast has been an absolute pain in the ass
in terms of watching the movie,
but an absolute joy and a privilege
to go into battle with you every week
for the last almost four years,
which is an insane thing to say out loud
in retrospect.
But Guy Montgomery
couldn't imagine a
more trustworthy
skilled
beautiful combatant
to go up against this enemy
with. It has allowed us both
to
facilitate situations where we
can meet incredible people like all the
people who have turned up in Los Angeles tonight
to an amazing venue, Nerd Melt,
which is hosted by such incredible acts
and then some schlubs from New Zealand who came here
to be performing on the stage with the likes of Matt Gourley
for Crying Out Loud.
Are you getting emotional, Mr Tim?
No.
But I will say this.
A piece of shit you've been accused of often
and I will confirm that you are a piece of shit. But I may also say that you're A piece of shit you've been accused of often, and I will confirm that you are a piece of shit.
But I may also say that you're my piece of shit.
I'm nobody's piece of shit, and I love you, Tim Bette.
And if I knew you better, Matt,
I'd be comfortable saying I love you too.
Love you too.
You piece of shit.
You're a real donkey dick.
So, follow your dreams. You piece of shit. You're a real donkey dick. So, follow your dreams.
You can achieve them.
I'm living proof.
There was a paraphrased Cartman quote, but I think I butchered it.
But the point is, keep running.
Yeah, keep running.
And never stop running.
And that was the end of the worst idea of all time That's it, man.
You forget that films are supposed to have a theme.
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