Toronto Mike'd: The Official Toronto Mike Podcast - FOTM KOTJ, Vol. 10: Toronto Mike'd #633
Episode Date: April 30, 202010 FOTMs kick out the jams in volume 10 of this critically acclaimed series....
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Welcome to episode 633 of Toronto Mic'd, a weekly podcast about anything and everything.
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I'm Mike from torontomike.com
and joining me this week for volume 10
of F-O-T-M-K-O-T-J.
Are all of you fine F-O-T-M's?
I'm tired of begging you to do so.
So if you haven't recorded yourself
talking about your favorite song
for 30 to 60 seconds,
and if you haven't emailed that audio file
to mike at torontomike.com yet,
I just don't know what to do with you.
Maybe you should pause this volume 10 and do it now. Darkness is definitely falling
Moving so slow I'm barely calling
Here I sit dirt on my hands.
Lying way out in the shadow of the night.
Need my bed and here I lie.
Try to hold my head up high.
Lying to myself sometimes, bad decisions but I won't cry.
I've been down a long and twisted road Sends up myself at a record low
To do anything just to get ahead
Now it's all quiet here in this shadow land
In my shadow land In my shadow land
I've done things I knew were wrong
I've known down people all along
Sold my pride for a song
Lost my way but I'll go on I'll go on Hey, Mike, it's Garbia. For me, picking a favorite tune is like, it's a moving target
scenario, because I tend to gravitate towards tunes that are providing a soundtrack to what's
happening to me personally in the moment, which is what I think a lot of people are like. I think a lot of
us do the same thing. So the end credit music for Spike Lee's criminally underrated film Bamboozled
was scored by the criminally underrated Bruce Hornsby. They've worked together a lot. So the
tune is called Shadowlands, and it's been on repeat for the last while for me. It speaks of human fallibility and frailty and hubris and ego
and regret. It is so sad and melancholy. Tortured is what I would call it. But sneaking in underneath
it all is this brilliant, bright light of redemption. Some music makes you grin ear to ear.
Other tunes are like the sharpest dagger into the
heart of things. And I got to tell Bruce to just hold up and stop for a minute because he's killing
me. And I love it in Shadowlands. I'm going to the shadow land. Yeah.
Yeah.
Yeah.
Yeah. Thank you. guitar solo Thank you. guitar solo Well, well, well
From this moment
Life has begun.
From this moment, you are the one.
Right beside you is where I belong.
From this moment on.
From this moment on From this moment
I have been blessed
I live on thee
For your happiness
And for your love
I give my last breath from this moment on.
I give my hand to you with all my heart.
I can't wait to live my life with you.
I can't wait to live my life with you. I can't wait to start.
You and I will never be apart.
My dreams came true.
We cry to you.
From this moment,
as long as I live,
I will love you.
I promise you this,
there is nothing
I wouldn't give. from this moment on.
Hi Mike and all the Toronto Mic'd listeners.
Lucas here.
My song is from Shania Twain.
She is one of my favorite artists.
I've seen her live twice now and she's just
fantastic. I also have great childhood memories of her. I used to have a VHS from one of her tours
and I played it so much as a kid that it actually broke. My dad had to throw out the VHS and I cried.
to throw out the VHS, and I cried.
This is also just a beautiful song.
I think it might be my wedding song, too.
From This Moment On by Shania Twain.
Thanks, Mike, for putting this together. To you
From this moment
As long as I live
I will love you
I promise you this
There is nothing
I will leave you
From this moment
I will love you as long as I live
From this moment on Oh, oh, oh. In a white room
With black curtains
Near the station
Black roof country
No gold payments
Tired starlings
Silver horses
Run down moonbeams
In your dark eyes
Don't light smiles upon you
Leaving my contentment
I'll wait in this place
Where the sun never shines
Wait in this place All right, Toronto Mike, you got me, man.
Favorite song of all time.
This is really, really tough to choose from.
But boy, boy, the one I keep going back to,
my favorite song, the one I'm going to talk about today.
This is White Room by Cream.
Rather than listening to me for the next 20 seconds, let's just listen to Ginger and Eric make some sweet, sweet music together.
Shh. As I walked out, felt my own need just beginning
I'll wait in the queue when the trains come back
Fly with you where the shadows
run from themselves At the party
She was kindness
In the art frown
Consolation
For the old moon now forgotten
Yellow tigers crouched in jungles in her dark eyes
She's just dressing, bird by windows, tired, starving.
I'll sleep in this place with the Lord only crown.
Lie in the dark where the shadows run from themselves. guitar solo Thank you. I don't know what to say
I'll say it anyway
Today is another day
To find you
Shining away
I'll come for your love, okay
Take on me
Take on me
Take me on Take on me Take on me Take me on
Take on me
I'll be gone
In a day or two
So needless to say
I'm all decided
To follow these stone rolling away
Slowly learning that life is okay
Stay up to me
It's the better to be safe than sorry
Take on me
Take me on.
Take on me.
I'll be gone in a day or two.
Hi, Mike.
My name is Carter, and the song I chose was Take on Me, Baja.
I really like this song because when I go to Arrowhead Camp, sometimes we do games after we eat dinner all together as a cabin.
And one time we sing a song and dance to it. So I chose this song because one time we did this song. All the things that you say Is it life or just a flame of worries away?
You're all the things I've got to remember
You're shying away
I'll be coming for you anyway
Take on me
Take me up
I'll be gone
Take on me
Take me up
Take on me
I'll be gone
Take on me
Take me up
Take on me Thank you. The Rangers had a homecoming
In Harlem late last night
And a magic rat drove his sleek machine
Over the Jersey state line
Barefoot girl sitting on the hood of a Dodge
Drinking warm beer in the soft summer rain
The rat pulls and the town rolls up his pants
Together they take a stab at Ole Miss
And disappear down from England Thank you. The kids ran in just like shadows, always quiet, holding hands.
From the churches to the jails, tonight always silence in the world.
As we take our stand, down in jungle land.
First of all, I feel kind of guilty doing one song.
Because I could do about a hundred songs and talk about why I love them so much.
But what I decided to do was scroll through my Twitter account,
because once in a while I'll tweet about artists and songs.
And so what was recent to me,
Jungle Land was one of the recent ones that I tweeted about.
Just off the top of my head, I just felt like tweeting about something in that song.
And so that's why I've chosen Jungle Land by Bruce Springsteen.
Not my gateway song to Bruce Springsteen.
That was Hungry Heart.
I mean, it got me through the gate into the yard.
But Jungleland kicked in the door to the palace,
to everything that was so much more about Bruce Springsteen. I had largely ignored the album Born to Run.
I thought the song was, yeah, it's okay.
But when I got into this and I heard Jungleland for the first time,
I was amazed. I
continue to be amazed to this day. If Shakespeare had written Romeo and Juliet and set it in New
Jersey into music, he would have written, I don't, he wouldn't have written West Side Story. I know
that wasn't New Jersey, that was New York, but he would have written Jungleland in the way that
Springsteen did, I think. It's nine minutes and 33 seconds of rock
and roll glory. It's up, it's down, it's quiet, it's loud, it's musically uplifting. And when
you're finished listening to it, you just want to sit there and contemplate things for a little
while, or at least I do. And there are so many, many moments in it that are phenomenal. When he
sings from the churches to the jails and the organ swells that's amazing love that moment the guitar solo running a million
miles an hour through the middle hey that's bruce springsteen right and then for my money
the greatest sax solo in rock and roll history my favorite favorite. Clarence Clemons in this song reaches heights
that he doesn't get to again.
And that's saying something
because he still scaled mountains in his career.
But this to me is the moment for him,
his greatest moment.
And to top it all off, like Shakespeare,
in Shakespeare, he always has what a sonnet
or a line in his great plays that
make you go, wow, I love that. I don't know why sometimes. And that's what happens to me when I
hear Springsteen saying, man, the poets down here don't write nothing at all. They just stand back
and let it all be. It's beautiful stuff. Jungleland is an amazing masterpiece of rock and roll guitar solo guitar solo © transcript Emily Beynon Beneath the city
Two hearts beat
Soul engines running through
A night so tender In a bedroom
locked
in whispers
of soft
refusal
and then
surrender
In the tunnels uptown
The rats on dream guns and down
The shots echo down them hallways in the night
No one watches and the ambulance pulls away
And the ambulance pulls away
Whereas the girl sets out the bedroom light Outside the street's on fire
And a real death waltz
Between what's flesh and what's fantasy
And the poets down here don't write nothing at all
They just stand back and let it all be
And in the middle of the night
They reach for their moment and try to make an honest stand
But they wind up wounded, not even dead
Tonight in John Or they wind up wounded, not even dead
Tonight in Jungle Land Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, man, there's a lot of brothers out there flaking and perpetrating, but scared to kick reality.
Yo, Dre, you've been doing all this dope producing. You had a chance to show them what time it is.
So what you want me to do?
Do. All you got to do now is press the shift.
I'm expressing with my full capabilities.
And now I'm living in correctional facilities.
Because some don't agree with how I do this.
I get straight and meditate like a Buddhist.
I'm dropping flavor.
My behavior is hereditary.
But my technique is very necessary
Blame it on Ice Cube, because he said it get funky
When you got a subject and a predicate
Add it on a dope beat, and it'll make you think
Some suckers just tickle me, pink to my stomach
Cause they don't throw like this one
You know what, I won't hesitate to diss one or two before I'm through
So don't try to sing this, some drop signs
Well I'm dropping English, even if Yella makes it a cappella.
I still express you.
I don't smoke weed or sex.
Cousins known to give a brother brain damage.
And brain damage on the mic don't manage nothing.
But making a sucker in you equal.
Don't be another sequel.
Spread the scent.
Do it, dude.
Spread the scent. Do it, dude. Spread the seal.
I'll do it.
Ice Cube.
It's not for the pop joint.
It was 1988.
I was 10 years old.
And I was shy as hell.
Scared.
Didn't have much of a voice, the new kid at school, and I was really trying to figure out who I was.
And I could sense that something was beginning to change.
I was a kid of divorce, and we had just moved into government housing.
We finally had our own place.
And there was a record store across the street.
And I remember this so well. I must have heard the song on
Rhapsody or Much Music or something. And it just clicked. And the song was Express Yourself by NWA.
Express Yourself by N.W.A.
And don't ask me how or why,
but no one around me was listening to rap or hip-hop at the time.
I didn't have a lot of friends.
Again, I was the new kid in school.
It was just a song I discovered,
and I walked across the street to the record store,
and I bought the record.
And that song just spoke to me.
It was something I could relate to in some weird way and I loved it and I played it over and over and one day I came home from school to find my NWA record melted and molded into a bowl, nailed to the wall,
because my brother didn't agree with the style of music I was into at the time.
And I was livid, but that song just stuck with me and started some kind of revolution inside of me.
And to this day, I still love it. Thank you. guitar solo We'll be right back. We're in the name of Some of those that work forces
Are the same that bond crosses
Some of those that work forces
Are the same that bond crosses Some of those that work forces Are the same that bar crosses
Some of those that work forces
Are the same that bar crosses
Some of those that work forces
Are the same that bar crosses
Killing in the name of
Kill her in the name of Kill her in the name of
Now you do what they told ya
Now you do what they told ya
Now you do what they told ya
Now you do what they told ya
Now you do what they told ya
Now you do what they told ya Now you do what they told ya Told ya. We'll be right back. Hey friends of Toronto Mike, Brother Neil here.
Hope everyone is safe and healthy.
Back in university, I was one of the DJs at our campus pub.
And when this song was released, the manager didn't like it.
He came storming into the DJ booth screaming to turn that effing song off.
It never played in his bar ever again.
Well, he was laid off a few months later, and it stopped by one night to say hello to some of the staff.
I put the song on and dedicated it to him.
Here's Rage Against the Machine, Killing in the Name. And now you do what they told ya And now you're under control
The fools who died are justified
But where are the bad? They're the chosen white
The justified fools who died
But where are the bad? They're the chosen white
The fools who died are justified
But where are the bad? They're the chosen white The justifiedools who died Are justified For giving a bad Take a truth
In white
You're justified
Fools who died
For giving a bad
Take a truth
In white
Come on
Yeah
Come on Yeah!
Yeah!
Fuck you, I won't do what you tell me Fuck you, I won't do what you tell me
Fuck you, I won't do what you tell me
Fuck you, I won't do what you tell me
Fuck you, I won't do what you tell me Fuck you. We'll be right back. Put your lady on the line Put your name on the call
Put your friend on the line
Oh, then you ain't got no love
Then you ain't, you ain't, you ain't got no love You ain't, you ain't, you ain't got no love
I remember the feeling that I could just breathe
Now I know that you never, never could leave Hi Mike, this is Javay Jaffrey here for another go-round.
I love the sub-genres in rock such as garage rock, country rock, folk rock,
and this time I want to highlight power pop,
a genre that combined the melodicism of the Beatles and the Beach Boys
with the power chord of the Who and the Small Faces.
There were many practitioners of this art form,
including the Raspberries, Big Star,
Flame and Groovies and many others. The song that I'm requesting is called I'm on Fire by the Dwight
Twilley Band from Tulsa, Oklahoma. This song almost made the top 40 in 1975 and is a power pop classic.
Thank you again. But you ain't, you ain't, you ain't got no lover, lover, lover, lover
And you ain't, you ain't, you ain't got no other, other, other, other
And you ain't, you ain't, you ain't got no lover, lover, lover I'm on fire
I'm on fire
I am on fire
If tomorrow is judgment day
And I'm standing on the front line
And the Lord asks me what I did with my life
I will say I spent it
with you
if I wake up
in World War 3
I see destruction
and poverty
and I feel
like I wanna go home
it's okay
if you're coming
with me
it's alright
it's alright
it's alright
it's alright
it's alright
my love
my love your love
It would take an eternity to break us
And the chains of all stars couldn't hold us
Your love is my love
My love is your love
It would take an eternity to break us
And the chains of all stars couldn't hold us
Hey Mike, it's Jay Miller.
My song choice for FOTM is Whitney Houston's My Love Is Your Love.
The song was released in 1998 as it brings back plenty of childhood memories,
such as my mother singing along in the car as she drove me to school.
She also sang the song to me as she would tuck me into bed at night as a young child.
At the end of the song, you can hear her daughter, Bobby Christina,
wrap up the song. Thank you for this, Mike. Years, the years, the years.
We stay young through each other's eyes.
Each other's eyes.
And no matter how we get on, it's okay as long as I got you, baby. I got you all around.
I got you all around.
I can't show up so wrong I can't show up so wrong
Your love is my love
And my love is your love
It would take an eternity to break us
If the tears upon my scars wouldn't hold us
Your love is my love
And my love is your love
It would take an eternity to break us
And the chains upon our stars wouldn't hold us
If I should die this very day
Don't cry
Cause on earth we wasn't meant to stay
And no matter what the people say
I'll be waiting for you after the judgment day. Thank you. Here we're taking this journey to break us And it's in the palm of our stars we're molded Stay to love and judge as a boy
Stay down to preach as sin still plays
And preaches but to heaven and the court
And the signs of mercy and grip the wheel
Can't read it Sacrifice the seed
That has fell
It's on my hands
And I listen
For the voice inside my head
Nothing
I'll do this one myself
Lay her down as priestess
Show the Lord, dear Countess
We'll be in my honor
Make a thing, a thing for liquid
Oh, promise me
I whisper in the pain of darkness
Want to be enlightened
Like a one of a sort, yeah
And the And the bell should sing Want to be in like, like a one of a sort Yeah, hand down
And the bell's a-chillin'
Directly in my head
Oh, help me, help me from myself
And I listen
From both sides of my bed
Nothing
I'll do this for myself
I miss that feeling of seeing a band you love
Performing live
And singing along at the top of your lungs
Sure, you look stupid
You sound even worse, and you're
probably butchering the lyrics, but you just don't care. That, my friends, is living in
the moment. I've seen this band more than any other band, and when I'm singing along to State of Love and Trust by Pearl Jam,
absolutely nothing else matters.
I miss that.
I miss that. Inside my head Nothing I'll do this one myself
And the fair away
Dig a chest
Ain't right at my head
Don't you help me
Help me
For myself Oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh
Oh, oh, oh, oh, oh
State of love ain't just a thing now
State of love ain't just a thing now State of love ain your stand now State of love at your stand now
State of love at your stand now
State of love at your stand now And that brings us to the end of our 633rd show.
You can be a part of Volume 11 of FOTM KOTJ.
Just record yourself talking about a song you love for 30 to 60 seconds.
Email the audio file to mike at torontomike.com
and wait for it to drop.
You can follow me on Twitter. I'm at Toronto Mike.
Our friends at Great Lakes Brewery
are at Great Lakes Beer.
Palma Pasta is at Palma Pasta.
Sticker U is at Sticker U.
The Keitner Group are at The Keitner Group.
And Garbage Day are at GarbageDay.com slash Toronto Mike.
See you all next week. Check out this podcast has been produced by TMDS and accelerated by Rome phone.
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