Toronto Mike'd: The Official Toronto Mike Podcast - FOTM KOTJ, Vol. 5: Toronto Mike'd #617
Episode Date: April 11, 202010 FOTMs kick out the jams in volume 5 of this critically acclaimed series....
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Welcome to episode 617 of Toronto Mic'd, a weekly podcast about anything and everything.
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I'm Mike from toronomike.com and joining me this week are FOTMs who emailed me an audio file
of them talking about their favorite song
or one of their favorite songs.
All you have to do to be a part of an FOTM
Kick Out the Jam episode
is record yourself on your phone or on your laptop
and maybe talk about your favorite song for 30 to 60 seconds and then email that audio file
to mike at torontomike.com. Everybody should do this. This is volume five. Volume six is already in production. Get your audio file in now. You can be a part of
volume six. And if you miss that deadline, you're on volume seven. Every time I get 10 new files,
I'll create an FOTM, K-O-T-J episode of Toronto Mic'd. I'm absolutely loving these. They're helping to get me through this
pandemic. I listen to your music. I listen to your stories about your music and I just love it.
So keep those audio files coming. Now let's kick it. Thank you. The hungry heart
To regulate their breathing
One more night
The winter boys are freezing in this mountain
I'm walking alone, along the northern seaboard
Down below, the winter boys are waiting for the storm
Bye bye Empire Empire
Bye bye
Shallow water channel
And I
And I can trace my history
Down the generation to my home
In one of our submarines
Thomas Dolby, one of our submarines
From the brilliant record, The Golden Age of Wireless
I love the gloom
I love the lyrics I love the gloom.
I love the lyrics.
I love the impeccable pop symmetry.
I love Thomas Dolby.
She blinded me with science.
I love one-hit wonders.
It's a thing I harbor.
It's my own thing.
You don't need to question it. I'm here dealing with it on my own way, in my own terms.
One of our submarines is missing tonight. Seems
she ran aground on maneuvers. Bye-bye. Stay with the boys Drinking heavy water from a stone
Bye-bye Empire, Empire, bye-bye
Shallow water channeling tide
Bye-bye Empire, Empire, bye bye
Tired illusion drowning in the night
And I can trace my mystery
Down one generation to my home
In one of our submarines
In one of our submarines ¶¶ One of us of the land Is missing tonight
Since she ran aground on the moon
One of us of the land Thank you. I know the only feeling you have is rage
And I know I feel the same as you
But I think you better take a good look around you
because you're so pissed you can't even find your drink.
And sometimes it's wise to know which way the gun is pointing before you yell.
I see the whites of their eyes.
Sometimes you'll find your senses all disjointed by the lines and wires of salesman's cheeks and lines.
Well, she left without one word of tenderness, and no one saw you cry for me.
Your friends used to say good riddance, I'm better without it, but face up, you thought about diving into the dawn. We'll see you next time. Your senses all disjointed by the lies and whys Of salesman cheats and lies
Hey Mike, this is Tom, and I might be your only FOTM in the state of Iowa.
Growing up in western New York in the 90s, I was lucky to be exposed to so many amazing can-rock bands
like the Barenaked Ladies, The Hip, and Sarah McLachlan, all before they were big.
Your interviews with Tyler Stewart, Jake Gold, Ron Hawkins, and Lawrence Nichols are some of my
favorite episodes. One of my fondest memories was working on a homecoming float during my freshman
year in high school and listening to The Lowest of the Lows, Shakespeare by Butt on repeat. Like
so many others at that time, I fell in love with the band and album. I've never seen
them live, and they are at the top of my bucket list. I hope to catch them and a TMLX the next
time I'm in the area. My FOTM, K-O-T-G, is Salesmen, Cheats, andars Of salesmen, cheats and liars
Of salesmen, cheats and liars
Of salesmen, cheats and liars
Of salesmen, cheats and liars guitar solo Thank you. Kanskje vi kan se på denne scenen på en av de fleste scener i Sverige? It was my third time in New York
It was your fourth time in New York
We were fifth
and sixth on the bill
We talked a little
about our plans
Talked a little
of our future plans
It's not like we
were best friends
Why would he do?
But now my skin comes back to me
And time's beyond our heartbeat
Hi Mike, this is Kathleen of Maryland, originally from Attica, New York.
I'm ready to make another pledge to Goldie on Channel 17.
Anyway, I chose Escape Is At Hand for The Traveling Man by The Tragically Hip as my jam.
This is probably my favorite hip song.
The lyric, the melodies come back to me
at times beyond our heartbeat, is so beautiful.
And those melodies come back to me
as I reminisce about the time I saw the band
front and center in New York City back in 2012.
There was Gord, my musical hero, right in front of me. Stay safe, everyone. too slow You said any time
of the day
was fine
You said any
time of the
night was
also fine I walked through your revolving door
Got no answer on the seventh floor
Elevator gave a long moan
Pigeons sag the wire with their weight I'm a fader, I'll give a long home.
Pigeons sag the wire with their weight.
Listen to the singing chambermaid.
She sang they checked out an hour ago.
I'm a chuckle.
And another day is coming back to me Time beyond our days
Guess I'm too slow
Guess I'm too
Guess I'm too Yes, I'm too Slow
You said any time
Of the day was fine
You said any time
Of the night was all so fine I heard a pain
I heard a pain
I heard I heard
I'm the restriction or idle chit chat
Maybe nothing or maybe hang back
Ah
Ah
Ah
Ah I don't know what you're doing
I don't get you
Maybe not at all
Maybe
I just met Maybe not, you know, maybe guitar solo If I keep it cracked, they won't be there no more And who'd you leave along the way?
And even that don't come back today
Yeah
Yeah
Now who's the one who treats you right?
And even that don't come back to find
Now who's the man who wants to be?
It never was and it just can't be me
And it just can't be me.
My luck is wasted.
I'm on the run somewhere.
My luck is wasted.
I'm on the run somewhere. Hi, Mike, Kevin in Alberta here again.
The song I've chosen this time is The Oaf by Big Wreck.
The reason why is because it takes me back to the time I first saw them at Lee's Palace in Toronto,
back in 97, 98 I want to say,
and I won tickets from Q107 to go see them for free. So I took my buddy Ryan,
and I'm not sure why, but we did end up speaking about the local girl from our town that had made
the cover of Playboy College Girls Edition April Morgan. Now, I would actually be interviewed by
CKVR Television a few weeks later in regards to that, and I happen to mention how Ryan had told
me that he actually went to school with her, yeah so that's of course another story for another time please enjoy the oath © BF-WATCH TV 2021 guitar solo So who's dragging at my door?
I shut it now, it don't come back no more
God, I hope for me
My luck is wasted
I'm on the run somewhere
I'm locked and wasted
I'm on the run somewhere Thank you. guitar solo Look at you
See the love
That's sleeping
While my guitar
Gently weeps
Look at the floor
And I see it needs sweeping
Still my guitar gently weeps
I don't know why
Nobody told you how to run for your life.
Someone controlled you They bought and sold you
I look at the world
And I notice it's turning
While my guitar gently weeps I could have easily gone While my guitar gently weeps
I could have easily gone five or six Beatles songs deep in my original Top Ten Jams, but now I have a chance to add on my second favourite one,
While My Guitar Gently Weeps, right after A Day in the Life.
This song is my way of paying homage to George, my favourite Beatle,
who wasn't taken seriously by Paul and John as they were so used to cranking out their tunes and George's were afterthoughts. It wasn't
until George brought in Clapped and the play lead guitar that it got the attention it rightfully
deserved on the White Album. This masterpiece, easily ranked the top song on the double album,
is also one of the Beatles' greatest as well. George playing 3rd fiddle in the Beatles hierarchy
was totally justified in the early years but his music evolved
with his Indian influence more than Paul and John's. Who knows how many more
Beatles Harrison classics could have been part of our repertoire today if he
had the support and respect he sadly never got. You were invited No one alerted you
I look at you all
See the love there that's sleeping
While my guitar gently weeps
And I'll look at you all
Still my guitar gently weeps
talk, gently breathe guitar solo Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, Travels by the cloud
Is what all the good time people know
I'm facing crowds
All dressed up and laughing loud.
I can't talk to him, and I can't love him.
Many miles to go, how many bridges do you cross?
Winter rain and snow, over mountains high and low.
I can't talk to him
And I can't love him
Ooh, I'm Chester Hi, it's Rick again, and I'll happily do these songs for as long as this goes on.
Hopefully it won't be that long, but I don't have any confidence in that. In any event, another song I discovered a few years ago. It's an older song. This one's
by a group called Nirvana. No, not that Nirvana. It's called Rainbow Chaser. ¶¶
Once upon a time you dressed so fine Threw the bumps of time in your prime
Didn't you?
People call, say beware doll You're bound to fall, you thought they were all
kidding you
You used to laugh about
everybody that was
hanging out
Now you don't talk so loud
Now you don't seem so proud
About having to be scrounging
Your next meal
How does it feel
how does it feel
to be without
a home
like a complete unknown
like a rolling
stone on like a rolling stone
Oh, you've
gone to the finest school, alright
Miss Lonely, but you know you only
used to get
juiced in it.
Nobody's
ever taught you how to live out
on the street, and now you're gonna
have to get
used to it.
You say you never compromise
with the mystery
tramp, but now you realize he's not selling any alibis.
As you stare into the vacuum of his eyes and say, do you want to make a deal?
Make a deal How does it feel
How does it feel
Behind your own
With no direction home
A complete unknown
Like a rolling stone
Mike Boone, you want me to give you one of my favorite songs of all time?
It's really easy.
It's Bob Dylan's Like a Rolling Stone.
And the reason I say that, there's every element in there of Americana music.
There's the piano, the guitars, the mesh of organ by Al Cooper.
The words, the lay of that song,
I don't think there's anything of that generation
which really explains or lays out,
makes a visual picture of what it was like in America.
There's dust, there's the roads, there's people,
there's, it's just history.
There's something in that song, in that track,
that moves me every time I hear it played. How does it feel to have you on your own?
With no direction home.
Like a complete unknown.
Like a rolling stone. Thank you. Got it made Exchanging all precious gifts
But you better take your diamond ring
You better pawn it, babe
You used to be so amused
That Napoleon in rags
And the language that he used
Go to him now, he calls you, you can't refuse.
When you ain't got nothing, you got nothing to lose.
You're invisible now, you got no secrets to conceal.
Oh, how does it feel?
Oh, how does it feel How does it feel To be on your own
With no direction home
Like a complete unknown Like a rolling stone ¶¶ Thank you. Never-ending tablets of time Recall all the yearning
Unfairing all appearing
Message divine
Eases the burning
Whether willing
Fitness waits in my mind
Whether hope Damns memory Hi Mike, Feel Flows the album was ironic as the group had left the surfing sound behind for years. The cover of the
album is fantastic and features an aboriginal American person submerged in water. John Whetton,
a one-time member of Family, King Crimson and Roxy Music, among others, called the album the
greatest prog album of all times. Feel Flows is a track written by Carl Wilson,
and it features jazz flautist Charles Lloyd.
I feel like it's the 1970s again,
as I used to request this song on Chum FM
and some of the Buffalo progressive rock stations,
and they would play it.
Thank you again, Mike. Thank you. And love listening shall we flow And love listening shall we flow
And love listening shall we flow
And love listening shall we flow Soda Estéreo
Buenos Aires, Argentina. Thank you. Música Deberás volar por la ciudad de la furia
Donde nadie sabe de mí
Y yo soy parte de todos
Nada cambiará con un aviso de curva Mike Moniz here again, a.k.a. Hamilton Mike.
The last KOTJ, where Juan suggested Los Fabulosos Cadillacs, got me thinking about a song and a band.
They're called Soda Stereo.
They're from Argentina.
I went to high school with a friend, still friends to this day, originally from Argentina.
He turned me on to these guys.
Apparently, in South America, they were the
biggest thing throughout the 80s and
into the 90s. I mean, U2 level,
Rolling Stones level, you name it.
They were huge. If you weren't Latin American,
you wouldn't have known about them. But if you were
down in South America or of
Latin heritage
up in North America, you knew who these
guys were. They were incredible.
I turned it on to them because my friend gave me one of their CDs to try to learn a couple songs for him
to teach him on guitar. And I was hooked. The song I'd say you could play is from their final
live album. I put that with an asterisk because it was 97 and then they did reform for one more
kind of reunion tour in 2007. But 97 el último concierto this song is
on la ciudad de la furia translated basically is in the city of fury it's a great you got a crowd
all amped up um it's a amazing performance of the song and even at the towards the end of the song
where he does a little breakdown and he tells him in spanish are you ready for a big night and then
bang kicks right back in just still sends shivers up my spine uh hopefully juan will appreciate that
one and other uh fotms that enjoy any latin american music hey my spanish is absolutely
non-existent the only reason i understand any of it is because i'm portuguese background so
linguistically they're somewhat related but uh yeah if you're
like amazing rock that kind of fears into u2 police xtc uh i don't know that kind of early
80s new wave style these guys were the the the top in south america sadly the lead singer he died a
couple years ago he fell into a coma years ago he was in coma for probably three
years and it was a sad end for him because he has amazing solo collection as well if you ever want
to dig into his stuff gustavo cerati but yeah on la ciudad de la furia from soda stereo from their
concert album el último concierto Thanks Mike Lo que en sus caras persiste Nombre alado
Nombre alado
Prefiere la noche ¿Están preparados para una noche larga? guitar solo This is a throwdown, a showdown
Hell no, I can't slow down, it's gonna go
First offense
Okay, party people in the house
May I have your attention please?
In a moment, the beat will be played in many parts
Many, many parts, many
One, two, three This jam is amplified, so just glide
And let your backbone slide You listen to every word I say
Every verb you heard I play
Snap the verb, I break, you try to cover
Hover me, I roast, I fake a flag
Then I run a post-toast, I'm the most
D-E-F's how it goes, no X's or O's
A tic-tac-toes, L-T-D-N-O's
This ain't a game, I'm on a mission Call me a hip-hop tic-tac-toes, LTD knows, this ain't a game, I'm on a mission,
call me a hip-hop tip-tactician, a rapper's like a slab of clay that's shapeless,
champagne no shimmer, no glass, it's tasteless, a universe without light is lightless,
that's why I always take time to write this, I'm older than my hands before I start chiseling,
could be a rain or brainstorm or drizzling, sun could be shining, sun could be showering,
practice makes perfect, I'm powering, flowering, my lyrics are awesome and tuning, Hey, what's up? This is Big Kish.
One of my favorite songs of all time is Let Your Backbone Slide.
And there are two reasons.
One is it's just a perpetual slap.
That song is eternally dope.
The beat, the rhyme, it not only encapsulates a time but more a feeling and it represents
the genesis the birthplace and the spark that just gave life to everything that came out of toronto
and secondly because backbone really is the first in a string of amazing accomplishments that Maestro Fresh West has under his belt.
He's one of my best friends. He continually inspires me and pushes me as both a man and an artist.
He's a pretty amazing person. So yeah, Let Your Backbone Slide.
One of my favorite songs of all time. Play Tarzan, you play cheetah. Cheetah, biter, love to forge. Better yet, I'll call you Curious George.
Cause curiosity cold, kill the cat.
Can't hide, so blast to the side.
Let your backbone slide.
On the left, on the right, on the left, on the left.
The key word is synchronism, yo.
Check out my whole boy dance to the rhythm.
Hey, this ain't forte.
I'm coming double F, fortissimo, F-F for funky fresh
My DJ is LTD, Mellow Flex
You listen to the poetry, bitch, I'll project
Vocabulary golden beats from my rollin'
Stone cold lyrics with a microphone, I'm holin'
Words are ripped, egos I strip
I make sucker crews kick, take Van Dyke flicks
I get busy, they're dizzy, they start to collide
They should've stepped off, I let it slide
But now they got brazen, dry like a raisin
I glaze like a vase, I smash her like daze Until they realize, they're dizzy, they start to collide, they should've stepped off I let it slide, but now they got brazen, dry like a raisin
I glaze like a vase, I smash ya like daze until they realize
They shouldn't have riffed, it's 89 y'all, not Beethoven's 5th or 6th, it's a throwdown
I'm conducting it, the cause of high rise, I'm constructing it
T'was once a thought pen and paper, now it's a tower, a soul, a skyscraper
It's getting out of hand, I've created a monster, a musical monologue Makes ya wanna move with the maestro
You feel high, so a set to blend
The crescendo is nice, yo, I'm the guy
The rhythm is a ride, it's a ride
To the fresh side, and let your backbone slide
This is a throwdown Outro Music Well, what do you know?
Our second lowest of the low jam of volume five of F O T M K O T J.
Keep them coming.
Seriously.
If you haven't submitted an audio file to Mike at Toronto,
Mike.com,
stop what you're doing.
Record a note to your smartphone or if you're doing, record a note to your smartphone,
or if you're more sophisticated,
maybe you have a microphone attached to a laptop or a desktop,
and maybe you can use something like Audacity or GarageBand,
record yourself.
Talking about your favorite song,
one of your favorite songs for 30 to 60 seconds,
and send it
my way.
The great FOTM
Diana Swain
promises she's
submitting a jam for the next
volume. Be a part of that.
And that brings us to the
end of our 617th show.
You can follow me on Twitter.
I'm at Toronto Mike.
Our friends at Great Lakes Brewery are at Great Lakes Beer.
Palma Pasta is at Palma Pasta.
Sticker U is at Sticker U.
And the Keitner Group are at the Kightner group.
See you all next week. Eight years of laughter and eight years of tears.
And I don't know what the future can hold or do for me and you.
But I'm a much better man for having known you.
Oh, you know that's true because everything is coming up.
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