Toronto Mike'd: The Official Toronto Mike Podcast - Marc Weisblott: Toronto Mike'd #1321
Episode Date: September 7, 2023In this 1321st episode of Toronto Mike'd, Mike catches up with Marc Weisblott as they discuss what's movin' and shakin' in the Canadian media landscape. Toronto Mike'd is proudly brought to you by G...reat Lakes Brewery, Palma Pasta, Pumpkins After Dark, Ridley Funeral Home and Electronic Products Recycling Association.
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Welcome to episode 1321 of Toronto Mic'd.
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Today, returning to Toronto Mic'd,
it's FOTM Hall of Famer Mark Weisblot.
Thank you, Toronto Mic.
I know for a fact, thanks to Tyler Campbell,
VP of Sales,
the official statistician of the Toronto Mike podcast,
and everything else at TMDS.
He's a busy man here.
Today is the 60th appearance that I have made on your show.
And for my 60th trip.
Into the basement.
Including a bunch of virtual ones.
When the COVID-19 pandemic.
Locked us down.
And then we did a bunch of episodes.
In the backyard.
I think today.
I have the least advanced.
Understanding.
Of what it is I am doing here.
That's the way I like it, by the way.
I don't like it when guests know what's going to come.
Just tell me you'll arrive.
Trust me to treat you with the respect you deserve.
And hold my hand.
We'll go on a journey together.
Okay.
Now you know how everyone else feels. The last appearance back in June followed six months of absence from Toronto Mic'd.
Right.
Which you had to clarify to the listenership was something that was voluntarily decided upon by me.
That you kept inviting me back.
That the door was open.
Right.
For me to return.
Right.
At any time.
at any time.
And it took from January to June for me to get back in the mood
to get back into your studio.
And after we recorded,
you put on Twitter that you thought
the first 30 minutes of that last episode
was like a wild ride,
something you'd never experienced before,
me confessing my state of mind?
I didn't know that I could possibly have that effect on you.
But that was your report after the fact.
And since then, because I hear myself being referenced with a lot of guests, a lot of different episodes along the way.
You know I'm always listening on double or triple speed to hear what you're going to say.
A continued mischaracterization of my circumstances.
I feel like I have not given the correct impression of why things have changed for me.
Why it became difficult for a while for me to make those
monthly visits into the basement.
But much like I'm not too sure what I'm doing here today, I still haven't necessarily
sorted it all out.
Still trying to get to the other side, to move myself to a different place than I was before,
I gave some thought to bailing out of this episode.
Really?
Once again, that I wasn't ready to make this appearance.
And in the past couple of weeks,
I've been having dreams about Toronto Mike.
And in the first nightmare, I've been having dreams about Toronto Mike.
And in the first nightmare was a situation that I found myself in.
I can't remember all of the details,
but the only thing that stuck with me when I woke up in the morning was someone who you had just had on as a guest,
your resident lawyer, your legal specialist, Lauren Honigman, that something
had happened where Lauren Honigman had to take me aside.
Like, give me a lecture in his avuncular voice about something that I had done wrong.
Something that I had said on the podcast that was inappropriate,
maybe that I had gotten you into some kind of trouble,
and he wanted to make me feel bad about what I had done,
and some implications were coming about something that I said.
The second Toronto mic nightmare involved me
coming out to visit you here in New Toronto
and being distracted with some other work,
a couple of phone calls.
And as a result, I wasn't able to show up on time.
And it wasn't a situation where I was able to inform you.
And you got very upset
with me for you
clearing your calendar,
for making arrangements
to record, and me
just forgetting about it.
Just not getting in touch.
Not being able to talk to you.
And then I found myself on the phone
with you, like pleading my case,
trying to explain what was going on.
And in this nightmare, I encountered a character who I'd never met before.
Evil Mike.
You were vindictively recording what I was saying to you on the phone.
And you were uploading it as a podcast without my permission.
Wow.
I'm refreshing my feed on my app on the phone,
and there in the Toronto Mike feed is the phone call that I had with you
begging for mercy that it wasn't my fault,
and you made it possible for everyone to hear me in dire straits,
in the height of desperation.
And then when I wanted to get in touch with you, you had blocked me on all social media.
I couldn't get in touch with you on WhatsApp.
There was no way to correspond with the other members of the DM group.
I was excommunicated
as an FOTM.
This was something that
was actually running through
my mind in the middle of
the night. Mike, what do you
make of all of this
happening to me? Do you have any
interpretation of these dreams?
Of course, that's what I do.
First and foremost, happy
TMLX 13 day.
As we realize,
it's going to be very difficult for
anyone to hear this episode before
TMLX 13, which is
6 to 9 p.m. today, unless you're
on the live feed, live.torontomic.com,
because literally we'll drop this thing
at 4 o'clock, and then I'm going to
be at GLB to receive the
Palma Pasta at 5.30pm today.
But happy TMLX 13 today.
You and Lorne Honigman will be there
so it's possible he will pull you aside
at TMLX 13 and have that chat
with you. You might have seen the future.
You respond, then I'm going to psychoanalyze you
because I know exactly what's going on
in your big brain there.
Well, I'm definitely embedded with Toronto Mike here today.
Way to compensate for your own scheduling error,
the fact that you had set up this TMLX to be at the end of August,
our traditional weekend last year at TMLX.
I smoked my very first joint, right?
Canada Cub, right?
I consumed cannabis for the very first time, a package that was furnished to me by my fellow
Hall of Famer, Stu Stone, and I still think I have like three or four joints left in the
pack, so maybe we'll break those out as part of TMLX.
Yeah, I'm not sure if they're still good
to smoke anymore. Well, let Canada
take a puff and he'll let you know if it's still
a year here.
Mike, what do you make of the
fact that you're invading my
dreams and turning them into
nightmares in the middle
of the night? First, do you want to tell
us what we listened to there? So I had a little music in the background. Yeah,. First, do you want to tell us what we listened to there?
So I had a little music in the background.
Yeah, I mean, look, that's the ultimate midlife crisis anthem,
the Talking Heads' Once in a Lifetime,
and here we are on the cusp of the Talking Heads' reunion in Toronto.
Panel discussions stopped making sense.
I've talked about that album over the years,
how I won tickets to the movie and a cassette and a booklet from John Major on Toronto Rocks.
It was kind of like my passage to a new world.
Talking heads, letting bygones be bygones.
And a personal anthem for me, Once in a Lifetime.
I first knew that song when I was around 10 years of age.
It's like David Byid burn performing it on
saturday night live very ominous night february 29th 2020 right before right before the lockdown
right that song has been living with me my entire life once in a lifetime as it ever was okay my
turn yeah you may You may ask yourself,
why am I dreaming about Toronto Mike?
Your subconscious is feeling guilty.
Let me tell you now.
You are ready to be excommunicated, as you put it.
You're anticipating a falling out where evil Mike shows up
and does stuff that Mike would never do.
And you're going to be cut out of the FOTM group.
And you're going to be cut out of the FOTM group. Maybe I'd kick you out of the. And you're going to be sticking your lawyer on me.
Right.
And I'm booting you from the FOTM Hall of Fame.
You'll get cut out.
I don't know.
I'll be like Milli Vanilli with the Grammy Awards.
Right.
Can we give our Grammy back now?
Scratch it from the record books.
But this to me it's clear.
It was an award of that year.
You're feeling guilty because TMDSds client ralph ben murgy who had the podcast not that kind of rabbi on the tmds network
that i worked with him on for for years now i got a note not from ralph himself i'm actually
disappointed ralph has never communicated with me about this but i got a note from like a a techie guy at canadian jewish news
to please uh forward the rss feed for not that kind of rabbi so that it resolves on our server
the cjn network so in a sense i got this note and i complied immediately because i'm a of course i
complied immediately but that's essentially not that kind of rabbi leaving tmds for the canadian jewish news and you feel guilty
about that well first of all toronto mike yes uh this was a bit of an awkward situation let's hear
it uh because i knew i was complicit in the kidnapping of one of your clients.
Now, I can tell you for a fact, okay, I'm way up the masthead of the CJN.
This has been my focus, especially for the past year, reimagining the Canadian Jewish news.
And one of the participants in this relaunch from the start, 2021, 2022,
veteran broadcaster Ralph Ben-Murgy.
And he did a podcast that was originally called, remember the name, Mike?
It was Yehupitzville, which was about Jews in small-town Canada.
Right, so he had a podcast on the TMDS network
called Not That Kind of Rabbi,
and he had a podcast on the CJ network.
A side hustle, a side project,
but it got a sponsor, okay?
It was relatively successful.
What sponsor?
I'm going to post that sponsor in retaliation.
Pear Tree Canada Investment.
I'll make a call later.
It seemed like the boomers liked
these stories. They know Ralph. They remember
him from the CBC. They don't
hold that Friday night
with Ralph Ben-Murgy show against
him. They're all
very forgiving.
And Yehopitzville was the name of the show.
That's a Yiddish
reference, which has
come to mean a small town.
You may recall Mark Hebbshire used to use that word on Hebsey on sports.
Ralph said he was finished doing these interviews, that he'd run out of road.
He wasn't interested in doing that show anymore, but he wanted to do spiritual interviews.
And that was something that he had already developed
in podcasts with you.
It was called Not That Kind of Rabbi.
I remember.
He wanted to focus in this case specifically on Jews, right?
So no more Lou Skeezus.
No more Lou Skeezus going toe-to-toe
with Ralph Ben-Murray in your basement.
No more accommodating Michael
Corrin to talk about whatever
religious faith he's discovered
this week that it would be
an exclusively Jewish
version of
his show. And
it was low-maintenance
enough. The person you heard from
was not some techie guy. Who was it?
Head of the podcasting department, Michael Freeman,
a podcast executive producer from the Canadian Jewish News.
And I threw out some ideas for names.
You know, like the naming of these things tends to be a challenge all its own,
and Ralph wasn't buying anything that was thrown at him.
So based on the description of the show,
I suggested he's not doing anything with his TMDS feed.
Why not call this new venture Not That Kind of Rabbi?
Where do you stand on this then?
Do you actually think that I double-crossed you,
that I was involved in a behind the scenes
conspiracy to rob you of one of your star clients?
No, I think we need to call a spade a spade.
Like no hard feelings.
Like this is the game and it's all fair and it's all good.
Except you can't sugarcoat it like, oh, he was going to start another podcast.
It was going to have a different name.
But it's like, just use the old name, and that turns
into, oh, just redirect the old feed,
so essentially the podcast now is
100% CJN property
or whatever, which is fine, but don't
sugarcoat it or softball
it, call it what it is, which I'm
fine with, I bless it, you've been very good
to the show, I'm a big Mark Weisblatt
fan, that's why the open invitation exists.
What you're saying is that if
this person pulling the strings
was not me,
you would not be as forgiving?
And that I'm having
nightmares about my dealings with
Toronto Mike? Your nightmares are because
you think I'm upset about this.
You think I'm upset
that, you know, you poached
Ralph. I'm actually upset at ralph i have zero
problem with what everything else ralph has never communicated to me that his podcast has moved to a
different podcast uh network no communication not an email not a text not a phone call and honestly
i thought ralph was a bigger guy than that so i actually if i'm upset at anyone it's ralph for
not having a like a quick phone call to say hey i, I'm moving my podcast to the Canadian Jewish News because it's a better fit or whatnot.
A hundred percent, I did everything right away for this gentleman who asked me to because
I wanted to help Ralph Ben-Murgy.
But it is strange.
I never heard boo from Ralph.
You, I have no problem with.
Otherwise, I would have done as your nightmare suggested.
I would have, I don't know, I would have canceled this appearance. I would have said,
I'm moving on from Wise Blot on Toronto Mike,
but I'm actually happy to see you. I'm excited
to chat for a couple hours with you. I have a lot of
things on my agenda. I want to hear what you think of
some recent episodes, and I can't
wait to see you at
TMLX 13.
Let's crack open our beers. You can
respond. You are on such a roll.
I know. What am I doing?
Too many acronyms.
Is that on the mic?
How many times have you been here?
60 times?
That was like a foot away from the microphone.
You got to get right in front like this.
Okay, so we're cracking open Great Lakes beer, everybody.
And that's significant because that is where we'll be tonight.
And again, none of you will hear this.
None of you will hear this before TMLX 13.
But that is where we're going to be tonight.
And I want to thank Great Lakes for hosting
because they're going to buy every FOTM who shows up.
Even if it's just you and Lauren Honigman,
they're going to buy your first beer for you.
So you get your first beer on the house.
And because I'm shouting out what's happening tonight,
I just want to say much love to Palma Pasta.
Delicious, authentic Italian food.
And they're catering this event tonight. I'm literally receiving a truck delivery of fresh, delicious
pasta. I'm going to be receiving that at about 5.30 p.m. tonight at Great Lakes Brewery. Wow.
We're all going to get full on pasta and we're all going to enjoy our Great Lakes beer. Go ahead.
Let's talk about the sacrifices that I have made in my life in order to be me
how long will that take do i have uh the 10 hours because you know i have to get to tmlx at 5 30 so
when i mention the fact that i hear about you talking about me with other guests okay i don't
even know i do that tell me you you've characterized the idea that I have been distraught by the fact that I had a deal to do the 1236 newsletter, and that was taken away from me.
The company was SJC Media.
Well, distraught's your word, but go on.
Well, there were a lot of changes going on there.
That change affected you.
I witnessed it.
And it couldn't be facilitated anymore.
But at the same time, it's become a different company with different people,
a different culture. Yeah, there was no premise under which I was going to be involved anymore.
If anything, I was done a favor, including the fact that I was handed over the assets.
I've been sitting this whole time on a significant email list.
So why are you sitting on it? That's going to get cold. You've got to keep that list going.
Why did you...
Here's my question.
Let me ask a question.
Why did you stop sending out the weekday 1236 email newsletter?
Well, at one point, I had this logic last September.
I thought I would do it a lot less,
and that somehow that would draw people into my orbit
who would want to encourage me to do it a little bit more.
And I gave it two or three weeks.
I couldn't find those people, and the notion burned out very fast.
Now, in the process, I have come to lament this decision.
I have not been able to click with the right people, with the right kind of conversation.
And those conversations included you, Toronto Mike, right?
But you've got a family to feed.
You've got a burgeoning small
business here.
I recognize that your
patience is short
when someone comes
to you right now,
here, you, pushing
50 years of age
that is not a sure
fire idea with an actual
plan, right? Like, you don't have the patience that you probably used to, and I fully understand this.
Because I can't deal with it anymore either.
I can't do things hypothetically.
It doesn't, I'm no longer motivated to create content for free and watch what happens.
20 years ago, that's how you and I met, right?
There was the whole blogging thing.
We were exploring this new frontier.
We didn't have anything to lose because we didn't think that there was anything to gain.
In the process, you've built up this media empire. I come on your show and I have
access to an audience that is feeling somewhat elusive when it comes to finding it for myself.
Right? I need allies. I need partners. I need people to believe a little more
in me you need a business plan
right
you say I'm out of patience I'm actually not
out of patience I have a lot of time
but I can't talk about like the vaporware
we're going to be selling like I need to talk about
specifics like what product
and or service do we provide
where people will give us money
and I pitched you a bunch of
ideas and i'm still here vp's on on standby we'll meet in a park and drink glb but there was uh i
didn't run out of patience i think you might have run out of patience with the fact that i didn't
have this like silver bullet this like a multi-millionaire fotm who would finance the
whole thing okay here's the good news, though.
Where is that guy? Contact me, Mike at TorontoMike.com.
It's not all bleak.
I can see
a path to getting
out of this thing.
I don't feel
like I'm forever going to be
in this void.
But what are we talking about?
The determination, right?
Why would anyone want to going to be in this void but what are we talking about the determination right why would why would
anyone why would why would anyone want to become a digital creator right yeah it's it's lonely
but that's what you're isolating you're good at it we need them i felt like I was getting somewhere when I could feel like I was in the center of the action.
Not to become famous.
St. Joseph's?
Not to get any gratuitous attention for myself.
No, just to feel like I was riding along to something bigger and better than before.
to something bigger and better than before,
that I was going to be involved in putting creative people together, right?
Creating synergies, some excitement, some enthusiasm.
I'm a lifelong student of media.
We've seen how things get created,
how legacies get built, how empires are made.
And it drove me crazy to be in a situation where I felt like I was trapped in a vortex that I couldn't get out of.
Because I couldn't see what was ahead of me, right?
I couldn't see what was ahead of me, right? Like all I was going to be doing here was going down this dark tunnel,
trying to make something happen on my own with my phone, with my laptop.
And by the way, right, all these feelings have come over me
at a time when the whole social media thing has has become upended right mike you felt
that too oh with twitter for sure yeah with twitter with elon musk and x and it ain't what it used to
be no and then you're told everyone will be stampeding over to threads or blue sky or mastodon
and the new solution is right around the corner and everybody will be reconnected.
We're in a situation with Facebook,
not that it would have affected anything
that I was doing directly,
but they have blocked all Canadian news on that platform.
Also on Instagram,
it not only affects the ability to put something out there,
but also what we take in, right?
Suddenly like a different reality
as far as what we're seeing during all these hours
when we're pacifying ourselves online.
And I have to wonder,
is this what I should be doing for the rest of my life?
Scanning all of this clickbait,
trying to make value judgments
on other people's mediocrity.
Like, is this any way to live?
Is this something that I need to dedicate myself to?
Thankfully, I've been involved with this idea of saving Jewish journalism in Canada, which
has been a whole interesting ride.
I'm involved in the redevelopment of a print magazine.
Looking forward to what can happen there.
There's podcasting, news articles, live events are happening,
including one this fall with Ralph Ben-Murgy.
are happening, including one this fall with Ralph Ben-Murgy.
I'll see what I can do, Mike,
for getting you a free ticket
to see Ralph relaunch the
Not That Kind of Rabbi podcast.
I don't know what's in front of us.
I want to make my remaining time feel like it's worthwhile.
Can I ask questions?
Because I know you're feeling things out here on the fly.
But okay, so you mentioned I'm pushing 50.
So you've already hit that milestone.
Would you consider an industry change?
Like, I mean, I'm thinking about like Storm and Norman Rumak,
the security guard, or Howard Berger, the funeral home personnel.
Would you consider leaving this digital content creation space for another gig?
Absolutely not.
I mean, it would be unfathomable.
I have to see this thing through.
And once again, to restate, to to reiterate i have continued to work right i have
continued you're working very hard at poaching tmds clients i have gotten an opportunity that
i can make something of but there's still this despair in the air well Well, you wonder why. A feeling of unfinished
business. Okay. Because
I can't get
to the point here, post-pandemic.
I'm still living in
lockdown, right?
Isolated here. But you're the only one doing that.
Nothing but my devices
through which to see the
world that's going on around me.
And I'm trying to make that breakthrough.
It sounds like you can't get out of your own damn way.
Like you have this list that you keep talking about
that you got from St. Joseph's in the separation there.
What if you just did what you do best?
You know, bring back to life the newsletter that is 1236
that many people loved receiving
put your energy into that you already have the stuff in your brain you just got to type it out
into whatever platform you're using there like what if you just get back to your core skills
you can still do of course you're still doing your canadian jewish news work of course you build up
your own brand 1236 and if you put in the effort and the people come back
and people love it and share,
then we'll figure out how to monetize this excellence of yours.
But you got to do the work, man.
Do the work, Don.
I talked about a year ago.
But no response?
Well, I mean, look, I thought I would become a pothead, okay?
It's legal now.
How's that going for you?
Well, as I said,
I couldn't even get through the first pack.
That's how much it appealed to me.
Right.
I wonder if psychedelics are a solution.
The answer's not...
Look, look.
That's not the answer here.
Because yesterday I was looking at the storefront,
selling the shrooms.
I thought maybe I should enter my psilocybin years.
Turns out you need a health card to get some kind of pseudo prescription
to sign up for the mushrooms.
Look, what did we learn here under lockdown?
Reality can be taken away from us at any time.
We can be hurdled into circumstances that we have no control over.
And now that we've gotten out of it, for the most part,
hopefully everybody will feel safe this fall.
Why not take some control over reality of our own?
And I think that's where the appeal has come from.
I think that's why here in my middle age,
I'm more accepting of the idea of doing shrooms.
This look on your face, you're
not buying any of it. No, I don't understand what
this has to do. You realize we're just like, whatever,
two steps away from arguing about the
Freedom Convoy and
you calling me an
anti-vaxxer even though I've gotten
four shots. How many up to
Toronto Mike? I've never called you that, but listen,
this is important. You've come close enough
No, no, no, no. I said maybe don't visit
when you're coughing up a storm.
Okay. So, very different from...
How many vaccines
do you have?
The last one I got was that combo pack they
offered. I can't remember what it was called.
The combo pack.
I've probably got four shots in my arm.
Okay. Well, I guess we're tied.
We're all tied up here.
And I regret everything.
I will tell you, your answer is not becoming a pothead.
Your answer is not getting into shrooms.
You've got to figure out, you know, where to put your brilliance,
that energy that made you an FOTM Hall of Famer,
you've got to channel that somewhere that will help you pay your rent
and feed yourself, and that's your answer.
And you said, you know, you thought I was distraught
when St. Joseph's cut me loose or whatever,
only because you kept coming over and saying you're distraught
because you're kind of rudderless post-St. Joseph's,
but you never needed St. Joseph's.
St. Joseph's is the feather that Dumbo would have in his trunk when he would fly. You never needed St. Joseph's, but you never needed St. Joseph's. St. Joseph's is the feather
that Dumbo would have in his trunk
when he would fly.
You never needed St. Joseph's.
Listen, no one has interviewed
more unemployed media people than you.
That's true.
And mercifully, for the last few years,
I have actually not been in that situation.
Good.
But at the same time, something is missing.
There is something that I haven't been able to recapture,
something that gave me satisfaction that required,
I think you're underestimating it,
a very intense amount of focus to stay on top of things every
single day to make this
newsletter happen. But you're so good at it.
I don't fault a company
that gave me a shot
that believed enough in me
to pay me something for
not figuring out how to
take it to the next level.
But what kept me going all that
time was the thought that eventually we would get there.
And now that link isn't there anymore.
Trying to make something happen this fall will be a tremendous challenge.
And I look forward to coming back to you with a story of success.
But in the meantime, Toronto Mike, I'm still in between. I'm still trying to figure out
how to get from there to here. And that's the kind of year it's been. Do you remember this Stevie B jam?
Remember it.
This was like my personal anthem back in my teenage car driving days.
I'd crank this one up.
It was Stevie B, the king of freestyle, longing for the love of his life.
And Stevie B later on had number one hit.
Remember that one?
It was a solo piano song, the Postman song.
Postman, I got your letter from the Postman just the other day.
But before that, it was Stevie B, Stevie Bartholomew,
and he had a few smaller hits like this one,
which came to mind as I listened to a recent episode of Toronto Mic'd
where you were talking about Stevie B as if he was he was Bob Dylan or
John Lennon or Paul McCartney because of the role that Stevie B played in one of the intersections
related to former Much Music VJ Michael Williams and that case, it was the fact that Stevie B was appearing on Electric Circus
at the time that Michael Williams was still co-hosting on City TV,
Saturday afternoon with Monica D'Ole, early on in the history of that show.
Stevie B's manager discovered Maestro Fresh Wes who uh at the time was a unsigned
toronto rapper and gave him a record deal that based on what we've heard about here uh in in
the history of toronto miked uh what was a situation that left maestro fresh west without
even like two cents to rub together right this? This was like a typically unfortunate early career record deal just because this impresario
who had broken through Stevie B said to Maestro Fresh Wes, kid, I'm going to make you a star.
And that's why Maestro Fresh Wes now lives in New Brunswick because he didn't get any royalties
from Let Your
Backbone Slide.
And he didn't clear the sample, drop the
needle, of course, and this is
from Dance Desire, Haywire's song,
and that's where FOTM Al Mayer
comes into play because there was a deal
like, we'll sue you or we'll
distribute you. There was a whole,
you know the story, but it's a fast
to me. You're right. We do treat Stevie B
in that regard like he's Bob Dylan or John Leonard
or something because
we're fascinated by minutiae of
the maestro fresh west origin story.
And Michael Williams.
Do not call him Mike.
I did not. Right. The way he
spoke about interviewing Stevie B like there
was a car accident on the way to the studio.
It was all very, very dramatic.
He told me Mike is something I talk into.
So Landsberg said Mike is the guy who fixes my car.
And Williams said Mike is the thing I talk into.
So these are two individuals who will never refer to themselves as Mike.
But in all of the conversation involving Michael Williams
and all of his fun facts,
a fair number of which were...
Do you want to do the corrections?
Well, totally inaccurate assertions,
but the confidence with which he delivers a factual mistake
makes you admire his determination to get things wrong.
Do you have a list? I know that
he got the wrong Pink Floyd song, right?
Do you want to make... There's a couple of corrections.
I got a number of notes about, and from
you, of course, that he
had the wrong Pink Floyd
song that was performed by that artist.
Do you have the list of corrections?
I can dig it up somewhere
in our chat.
He said this line, and I've been using it,
and I'm going to add it to the FOTM lexicon.
He said,
no Cleveland, no Bowie.
And I know the root of that, but that is
quite hyperbolic.
But here's the thing. Michael Williams
on Toronto Mic'd was the kind of guest
that I don't know
if you want to issue a correction on the guy.
I'm not sure he would take very well to being fact-checked
because along with the fact that it took you 11 years of cajoling
to get him on the show.
And he's back later this month, by the way.
He came down here on his debut appearance
spending an inordinate amount of time referencing the fact that he did not want to do any interviews.
And he alluded to the fact that he had been on a podcast and he almost stormed out of the room and that people get so many things wrong about his life.
An extremely reluctant appearance on your show,
and yet, through the magic of Toronto Mike,
you managed to soften him up to the point where, like you said,
as soon as he walked out your door,
he was wondering when he could come back for part two.
Isn't that amazing?
Like, isn't that wild that for 11 years,
he was kind of proud about the fact
he was dodging me
and he had people
like Joel Goldberg
who were calling him up
and saying,
do the show.
Not just dodging you,
but dodging the whole
nostalgia circuit,
the whole much music
retro factory.
He comes on,
I think it was last week,
I've lost track
of all the weeks,
but he comes on
and literally the next day
he phones me up
to get the return appearance
in the calendar and he is returning. to get the return appearance in the calendar
and he is returning.
He'll be here before Cam Gordon gets back here.
So I got Michael Williams on September 25th
and then I have Cam Gordon on the 28th of September.
Are you going to give Michael Williams
a list of corrections about things
that he got factually wrong?
If he got something wrong,
I would correct it for the
public record. Things that are
opinion wrongs, I would leave them.
The no Cleveland, no Bowie
is one of those...
What am I supposed to do?
I know Space
Oddity was out in the late
60s. I know this Cleveland appearance
is like 72 or something.
I'm sure that without Cleveland, there's still a Bowie.
I won't touch that stuff. But when he
misnames the Pink Floyd
song, I would correct that. Of course. It's now
30 years since he was last on
Much Music. And
like everyone who had this background,
this history, I don't know that it was
always the easiest time that he had
trying to get back into the game.
I don't know if he would be as
candid as i am in explaining the frustrations of trying to flip that reputation that he that he had
into another job but we grew up watching the guy right uh we were in our suburban living rooms. Loved him. Watching 80s, early 90s, much music.
Rap City.
He probably was given the tap on the shoulder
and said packing before he was ready to go.
Probably.
There might have been some ageism involved with that, right?
He is probably currently now around 70 years of age.
He looks great for 70.
A determination to still make it that he
talked to you about still having a story to tell right that he is not looking to retire that he
has a lot more to say and that made him maybe one of the best toronto mike guests of all right to
the point where it does seem unnecessary to get into the weeds with him and talk about
what went wrong back in back in I don't know like 1994 when he was not a much music anymore
yeah here's what I'll say about Michael Williams the guy was there okay shout out to brother Bill
but the guy was there the guy's a great storyteller I love his voice you know he's got the bona fides
Michael Williams is welcome on Toronto Mic anytime he wants,
and that's going to be later this month.
But there was another episode,
and it's a very rare thing nowadays.
I don't do many remotes anymore.
I like people in person, you know.
Even Harold Hossein has to get his ass
into the basement here.
Paul Langlois had to get his ass into the basement.
But one person I made an exception for,
just because I thought,
let me chat with Jane Sibury,
and she was on Manitoulin Island. Shout out to Steve Pakin, who will be at TMLX 13 tonight. He spends
a lot of time in the summer on Manitoulin Island. Please, I need to know, what did Mark Weisblatt
think of the Jane Sibury episode? Because that has resulted in more feedback for any episode
since, I don't know, Gino or Molly, a lot of feedback on the Jane Sibury episode.
I don't know that I was capable of thinking anything at all,
even though I listened to you interviewing her.
It seemed to be one of those thrilling Toronto Mike episodes
where you thought it could go off the rails at any time.
Love chaos, yeah.
The future Mike might have had to make an appearance with that disclaimer.
And you said she took a little while to warm up, right?
It wasn't her replies.
I know, there's no future Mike on that episode. disclaimer and you said she took a little while to warm up, right? It wasn't her replies.
Her replies weren't as instantaneous
off the top as you
like them to be.
They were a little difficult. She took
issue with the fact that you find it fascinating
about the director of her video.
Like the thing she's best known
for, Mimi on the Beach.
The director of the video, what was his name?
Something Oleksiak.
Penny's father.
And that you found that a fun fact
and she could not process
where you were coming from. Why would you even
care who directed a video
that I made 40 years
ago? What does that mean to you
when you're bringing up usual Toronto Mike
style discourse
and diversions about how it's Mimi on the beach
and his daughter grew up to be a gold medal winning swimmer.
But not just gold medal.
I spent the morning with Donovan Bailey.
He's got two gold medals.
No, Penny Oleksiak, the reason it's a remarkably fun fact,
and you can make the final ruling in a minute,
is because Penny Oleksiak is not just a run-of-the-mill Olympian
who won a gold medal.
Nobody in the history of this country has won more medals than Penny Oleksiak.
You did it, Toronto Mike.
You are too discursive for Jane Sibury.
And yet you would say she came away satisfied?
Yeah, she wrote me a note how much she loved it.
This was a successful conversation?
She loved the conversation.
I think it took a while to warm her up,
and then once she realized what was going on,
she was digging it.
Like, that's not a Molly situation,
although Molly seemed happy at the end, too,
but I've never heard from her again.
Jane Sibri is welcome in the basement for round two
anytime she wants. You had a few other unicorns down here this okay let's hear it uh fergie
oliver what what do you think i once appeared on television with i'm still hunting for the footage
as a contestant on just like mom uh fergie oliver who had been laying low, he talked about leaving the CFTO studios in tears
after they told him his services were no longer required
in the mid-1990s, right?
Dan Shulman was a new kid on the block.
Yep.
Fergie Oliver wasn't needed anymore.
And ever since then, no public appearances, right?
Not even like nostalgia i actually looked at
baseball card conventions no but he did not someone you see hanging around several years
ago he showed up at a like a hall of fame induction in saint mary's ontario that's where
the canadian hall of fame is so he made appearance that's several years ago mind you but it has
absolutely been a long time since uh fergie oliver has made a public appearance
and he was down here we talked a lot of what was it stew stone i want to ask you what you thought
of stew stone too but stew's like i i don't stew's basically told me he wouldn't bring up the video
if he had fergie oliver in his basement but my brain which is you know debate whether it's a
typical or not doesn't know how you can have have Fergie Oliver in your basement for a recorded conversation
and not ask him about that video.
Like, I can't do that.
And it was a long time coming
because how long has it been
since that thing showed up on YouTube?
Okay, this is exciting.
The compilation of Fergie Oliver
talking to little girls.
A decade or whatever.
Just like mom.
Yeah, and I will tell the listenership
that's live here
because now there's suddenly an audience
at live.tronemike.com.
DJ Dream Doctor says that he
loves the fun facts. Basement Dweller
was happy, you know, he's talking about
Michael Williams. He says he thinks he's around
65, 66 years old.
Rosie's on the live stream. Moose Grumpy's
on the live stream. Shout out to
Cambrio who was there a moment ago. But
I digress. Okay, so
Fergie, Fergie, Fergie
Oliver. Fergie Oliver has no eye in it,
but what I'm trying to tell everybody,
and I just remembered where I was going with all that is
Carrie Oliver.
Is it going to be at TMLX tonight?
And I have a special gift for Carrie Oliver that will be presented by Paul
Burford's driver,
Tim Heron.
So Tim is bringing a special gift.
We're going to have a moment where we present Carrie with a special gift.
And also tonight, we're going to present Peter Gross with a special gift that VP of Sales is bringing.
So don't you dare miss it.
All of this had better live up to the billing because I can't follow what's supposed to be happening here.
All I know is...
Come hungry, darling.
It seems like when you introduced the topic of the infamous Just Like Mom compilation video
that you got Fergie Oliver's reaction and that he used a certain word
that you have now spent, what, the past two or three months
trying to decipher his intentions in using this particular terminology what was the word that fergie used to describe
the the person who cut up this video now fergie is an 80 year old man and the uh he's not i don't
think he's focused on the etymology am i saying it or am i missing a uh a content i can't etymology yeah yeah close enough for this show
right i can write it i just can't say it the etymology of the term cocksucker i don't believe
80 year old fergie oliver is thinking about that i don't think he might even and he might not even
be consciously aware of it but that is the term that was i think 14 years in the making when he
wanted to call out this person who did the supercut
and put it onto YouTube.
He called him a cocksucker,
and the conversation behind the scenes was the fact that,
and he would agree with this, I think,
that the term cocksucker has a homophobic origin.
Okay, not necessarily.
I think you can thin slice this to the point of complete irrelevance
like it it it's just uh an emotional outburst it's just a a term that was on his mind something
cruel that you can i prefer somebody okay that's just me you're gonna get in trouble here for too
much swearing oh is matt is matt listening matt laden uh who didn't like much swearing on the show. Oh, is Matt listening? Matt Layden,
who didn't like you swearing
back at him. Well, he's asking me what I'm doing on
Labor Day, and I wrote, I'm going to do fuck all
tomorrow, which is true. For the first time
I think in the history of TMDS, I
blocked myself on a holiday Monday.
Maybe I've done it on Christmas days and
stuff, but anyway, I
said that, and he was quite upset and
asked me to please stop swearing on
twitter but he didn't say stop swearing on tronamite a less scandalous uh octogenarian you
had down here was harold hossein right less scandalous indeed and again these are two people
you're referring to uh you know fergie oliver and harold hossein who i literally like i dig them up
i dust them off and i put him in front of the microphone.
Like, I think that's my role now.
It was good to get the clarification from Hurricane Harold
that if you are not a meteorologist,
you do not deserve to be in the same pay grade
as someone who brings that scientific specialty to doing the weather forecast on local TV news.
But you will concur that there are weather presenters in this market
who are receiving more money than a meteorologist.
You will concur to that.
You will agree to that.
Well, they pay good money to get those degrees.
I mean, why go to school for anything?
Just to go on TV and
read off a teleprompter.
Anybody can do that.
You need some authority
to back up you telling people the weather.
You know who else will be at TMLX13
tonight? Kim McDonald from the Weather Network.
And when she heard, because she did listen
to Harold Hossein, and when Harold Hossein
referred to the presenters as rip and readers,
I think that was his term, rip and read,
that's a little offensive because they're not scientists, okay?
They're not meteorologists, but they do more than rip and read.
Like they are readings into some forecasting.
There must be some work other than reading what's on the teleprompter.
So shout out
to the weather presenters,
but all things being equal,
two equal people,
one with the meteorology degree,
one who is just
a weather presenter,
not that there's anything
wrong with that.
In that situation,
I would think you would
compensate the meteorologist
with more money,
much like a doctor,
for better or worse,
makes more money
than the nurse.
Stu Stone,
a fellow Toronto
Mike Hall of Famer,
who also ghosted you for the first half of 2023.
Yes, he did.
One of the more bizarre episodes of your show, I felt.
Elaborate.
Because Stu came down here,
and he was like in confessional mode.
Almost like there was something
that he had to reveal about himself,
and it never actually came through. I didn't hear him say anything that was something that he had to reveal about himself, and it never actually came through.
I didn't hear him say anything that was all that exciting.
Didn't seem like anything was going on in his life,
except for flying around America,
interviewing wrestlers for the dark side of the ring.
But it was like this buildup where you had Stu Stone on his own, right?
Yeah, a very rare Cam Gordon.
No Cam-less appearance by Stu.
But like he was kind of contrite,
or that like something dramatic had happened to him.
Uh,
unlike me,
uh,
we never got any kind of confession.
Like it was just like Stu pretending to be a guest on the Dr.
Phil show,
but there was no followup,
no,
no follow through.
I was trying to figure out what was going on with my friend Stu.
Don't you think that's Stu stone when he's not in toast,
Cam Gordon cohost mode? Like that is, like I
haven't talked to Stu without Cam
in years. Okay,
years. I think that's the Stu
you get when Cam's not beside him
calling him an idiot
for liking a song or whatever.
Was it a shoot or a work? I don't know.
Get me out of here. So I got good,
I think that the Stu Stone appearance without Cam was pretty strong.
Maybe it's because we had six months break and we had to talk about the passing of Andy
and there was a lot of, you know, the Iron Sheik.
And of course, he was ghostwriting tweets for the Iron Sheik.
And I thought it was a strong appearance by Stu Stone.
I look forward to his return.
And there might be a major announcement about tmlx 14 in december at
palma's kitchen stay tuned for that it might involve stewstone yes sir are you going to a
song will you break things up a little bit here put me in a different mood okay let me do this
change the channel on the topics
that we're talking about.
Did you notice anything different
on the studio wall?
Did you notice anything different?
Okay, just today I printed in color
the new poster for The Advantaged Investor.
The Advantaged Investor is a podcast
from Raymond James Canada.
Whether you already work
with a trusted financial advisor
or currently manage
your own investment plans.
What about you, Weisblatt?
You got a financial advisor
or you manage
your own investments there?
Is that too personal a question?
I can barely figure out
how to like clean up
all of my personal archives
of newspapers and magazines.
Have you invested wisely, Mr. Weissel?
I feel like I should get that over with first
before I figure out what to do with whatever money.
Well, The Advantaged Investor provides the engaging wealth management information
you value as you pursue your most important goals.
This is important because they're looking at the numbers.
We need FOTMs to subscribe and listen to the advantaged investor from Raymond James, Canada.
And one more exciting note here before we move on.
I hear that Taylor Swift in the background.
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It's back, everybody.
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buddy. Love the people from Pumpkins After Dark.
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Is this the song of the summer, Mr by radio expert Sean Ross,
a friend of several decades, who is the expert on such things.
What makes him the expert?
Taylor Swift.
Sean Ross, he's the expert.
Okay.
I heard the news today that
FOTM Richard Trapunsky is going to be doing some work
with Billboard.
Yeah, some kind of Canadian digital editor.
I'm going to shout out FOTM.
Also, he's the son of an FOTM.
Good to have employment in the world of music journalism.
Not the easiest thing to find.
And Rich Trapunsky, someone who was left in a lurch by Now Magazine.
There's still a Now Toronto website.
It seems to be the least exciting of Toronto's clickbait websites.
Was that our easiest prediction?
We've been wrong on predictions in the past.
Here's a supercut of all the predictions.
Incorrect by Mark Weisblatt.
Boom, boom, boom, boom, boom.
We've been wrong.
Here's a super cut of all the predictions.
Incorrect by Mark Weisblatt.
Boom, boom, boom, boom, boom.
We've been wrong.
But one prediction I think was very easy was that the spirit of now was 100% dead.
Shout out to Ridley Funeral Home.
There was a purchase by the Brandon Gomez group
to buy the logo and the URL,
and that's literally all they wanted.
There's nothing with the current now that resembles the old man.
Yeah, but even then, I think they were standing by
for some brand equity
recognition that wasn't going to happen.
Did we ever find out what they paid?
Somewhere between $50 and $100.
I'm not sure.
Whatever they
paid, it doesn't seem like
anything is going to be
recouped here. The press release cost more money.
Look, I mean, when I'm talking about
wanting to get back in the game, it's me
looking at all these ClickBay websites
who don't even have, in Canada,
distribution on Facebook,
right? Like, they're blocked. You're not allowed
to share this stuff. I'm not blocked. Do you know that?
You can't access these things.
So I don't even know what that's doing to their
business models or what they
imagine what was going to happen here. These websites
like Narcity.com, just twisting in the wind, like the whole premise, the whole concept, everything
that they built a whole media business around is at least temporarily on hold because this
government bill, Bill C-18. And I want to help and fix these things. I think there is a better way to do digital news
that is somewhere between those legacy newspaper websites
and doing it as a clickbait thing.
Why can't you do it independently as 1236?
It's easy for you to ask.
I'm looking for allies.
You're looking for a money person. I'm looking for my person. I'm looking for allies. People can figure out how to get in touch with me.
I'm looking for my person.
I'm looking for momentum.
I can do multiple jobs.
But if you take in the temperature.
I'm a good multitasker, but I cannot do everything by myself.
So I'm just trying to create this new universe.
Cast the characters. I think you should do it by yourself.
I'm not pessimistic here.
Do you actually want me to
go more berserk
than I have already been?
What kind of nightmares
am I going to be having this fall?
Right? How many months
do you want me to be estranged
from you again because Toronto Mike
that is what you are asking for I have come this far there was a vision that I had for myself
dreams of what I wanted to do and I'm still determined to make them happen. You're telling me that I don't have to start doing mushrooms
in order to get in the mood
to do this again.
But something has to happen.
There has to be
a different factor.
You need to believe in yourself.
We have to change the channel.
Thank you for the vote of confidence.
Do you know how many people are in the FOTM Hall of Fame?
I wish I could come to your basement
every single day.
You can.
If that's what it would take to get me
back on track with the
things that I wanted to happen.
I have to get
back to the center
of the action.
I feel like I'm on the fringes
and I don't like what it feels like there.
Do you want to come with me
to the David Kine's Hollywood Sweet Breakfast tomorrow?
Absolutely not.
If you want to put me in a scenario
where I'd be cowering in the corner,
wondering what I'm doing with my
life if it's with a
bunch of people who get up for a free
breakfast buffet.
I think Brian Dunn will be there.
Okay, well, I won't be alone. Hey, I have a
specific question about a story I broke.
A radio story I broke
and then it happened as I
said it would happen and then I didn't
catch anybody giving a fuck and I want to know, Matt, I'm sorry, I said it would happen, and then I didn't catch anybody giving a fuck.
And I want to know, Matt, I'm sorry, I said the F word.
What say you, Mark Wiseblood, about the fact an FM signal in this market,
103.9, which was Proud FM, went silent at the end of August?
I don't think there's anything to say,
because nobody could pick up the station anyway.
And that!
The signal was awful lousy to begin with.
It was part of a play by the Evanov Radio Group
to try and boost the presence of their other station, Z1035.
Technically, it was a thing where one frequency overrode the other,
so they were the only ones who could
have wanted this other frequency because it wasn't viable for anybody else uh and then they tried to
play these stations up against one another that the idea that they were going to be doing canada's
first all gay radio station at one point uh your your client your colleague, Mary Jo Eustace,
was on the morning show. Ken
Kostick, right? Yeah, what's for breakfast?
She'd want a free breakfast.
They did a breakfast show, and I
remember it was in the media at the time. This only
lasted a matter of months. It was them
realizing they had this studio
at Church and Wellesley. Didn't you once record
out of there? Yeah, for Humble and Fred
podcast. Because Bingo Bob Ouellette was the program director, so he at Church and Wellesley. Didn't you once record out of there? Yeah, for Humble and Fred Podcast.
Because Bingo Bob Willett was the program director,
so he had the keys to the studio.
But then they found out, like,
you couldn't even pick up the station.
Like, sitting in Toronto's, Canada's gayest intersection,
you couldn't hear this LGBTQ radio outlet, which I don't even know what it was representing.
I don't know.
I don't know that, that like campy dance music,
like what part of this community
was that supposed to represent?
Didn't understand the format,
didn't understand the music,
didn't understand what they were selling.
But you're not a member of that community.
Well, they were trying to play
one frequency against the other.
Actually, I shouldn't say I have no idea.
They were trying to get more coverage
for Z103.5.
Right.
And that somehow they would get the CRTC
to recognize that both signals weren't very good
and technically they could do something
to get a power boost of both operations.
It didn't work in the end.
Nobody cared.
And they were running the Elvis D duran z100 morning show out
of out of new york city like during a weekday there was only one live body in the studio right
there was afternoon drive guy even have that much but no i do not i i don't know what community that
station was aiming for and i i'm not sure you could find anyone who would claim that this radio station
was ever speaking to them.
But at one point, they took it seriously,
seriously enough to have FOTM Bingo Bob Ouellette
as a program director.
Yeah.
But in the end, it was just playing the game
of saying, like, here, we will represent
a certain demographic on terrestrial radio
that doesn't have another outlet.
This was all very 2005, 6, 7 idea
of how to do things.
And a lot of these media stories,
and you know, Toronto Mike,
I will reluctantly review any of them that you want.
Well, I have more questions for you now.
We're dealing here with obsolete technology
and things that people don't care about anymore.
And owners like Bell Media
that don't even want to be in this business.
So what does it matter what they do with their frequencies?
Why is Bell Media still doing shit?
They have a national morning show called Your Morning.
They have a big CTV national news with Omar.
Well, they gotta do something.
I mean, there's still revenues, but this was all a previous regime's idea. show called your morning they have a big ctv national news with omar something i mean they're
still revenues but this was all a previous regime's idea uh which a plan that they hatched
a whole other era right before there was ubiquitous streaming uh when when there was still the idea
that these amfm frequencies that these cable channels, that everything in the old paradigm would still apply.
And we saw a lot of change in the 2010s, right?
When we saw things that were worth billions of dollars
now not being worth anything at all.
And the people in the boardrooms at BCE posting on LinkedIn,
like asking out loud, saying like, what do we do here?
Like the government has
to help us because this is no longer a viable business. They are admitting as much. So what
does that mean? Where do we go from here? But we're still enraptured enough by the moves that
they're making because these are still companies that employ a significant number of people,
some of whom have a certain level of fame
that we're always intrigued about who's moving where
and who's got the tap on the shoulder, right,
and all these behind-the-scenes, backstage, backstabbing stories.
I think we're still compelled by them,
but we also have to recognize that we're in the last stage
of there being anything to say about what's going on
here and what does that say for canada as a place where uh content creation can happen this was at
the root of all those parliamentary debates bill c11 b bill c18 what does the future hold toronto
mike you built up a whole podcast empire without government intervention.
That's true.
People should follow your lead and just forget about the whole thing.
Like that the system, the system is something that never did anything for you
because you never expected to get anything out of it.
But what if you have one of these jobs that's predicated upon
a certain kind of system continuing to be perpetuated? Somehow, we got to figure out
how to make this all work. And we're seeing time after time, scheme after scheme, eventually,
it's all just going to run out of steam. Nobody's going to do anything anymore. What do you think is coming for us in the future?
Like, will we have any of these media stories
to talk about anymore?
I don't know why.
Will there be any kind of corporate media culture
in this country to talk about?
Look, I'm going to ask you in a minute
about a Rogers enterprise called 680
because you can see here my microphone.
What are they called?
The flashes? Anyway, I have
the 680 news. That was courtesy of Scott
Metcalf. Shout out to Scott Metcalf. But
Bell Media, like it seems to me like Bell Media
doesn't give a fuck about its media properties.
Like it barely gives a shit
and, sorry Matt, I'm
swearing a lot now. That's why I'm bloodspoiled. I didn't
swear at all with Scott Metcalf.
I want to put that on the record right here.
But like,
I'm just,
oh,
not only that, here, that's where
I wanted to go next. They're
pulling their funding in support of TIFF.
Have you heard this? They just don't want
anyone to like them. They don't want you to like
them at Bell. It's like they're going to play the heel
and they're going to embrace it. Well, they're expecting
a bailout, some amount
of government support here to keep them
going. 299
Queen Street West, this
iconic address that is the
title of a documentary.
They'll be vacating those premises
shortly because
they'll be building the Ontario line
right in that space.
And after that construction is done, those would make some pretty good loft condos there
at the corner of Queen and John, which ain't the intersection that it used to be, right?
Ever since they stopped shooting much music on the street corner, no one really walks
around there thinking that they're part of the living movie that Moses Nimer imagined for
the street. That's vacated off to Liberty Village. So we've got changes here happening in media
real estate. They still do a nightly CTV News with Omar Sachedina. CFRB News Talk 1010 continues
the broadcast on AM radio.
They shuffled the hours around for John Moore,
more in the morning.
Why did they do that?
He's now on until 10 a.m.
I guess they figured he was a better bet.
So there's more people going to tune in to him than Jerry Yeager.
He's more of a consensus candidate.
We also have a scenario where CFRB program director,
Mike Bendixon, he has a new job over at Chorus Entertainment.
He's the guy who's been hired,
the latest recruit to try and make something out of AM640.
And AM640, in the last couple years,
has done a curious amount of outreach to you, Toronto Mike, right?
You got invited to the launch of an AM640 beer.
What did they call?
Breaking Brews?
Breaking Brews.
Yeah, that wasn't very long ago.
This was all under a young program director named Amanda Cupido.
You also had her on one time doing a Zoom interview.
She was all very well-intentioned, and she was maybe an unlikely choice
that she had some experience in podcasting, also in charity work.
Chorus was undergoing all this upheaval, all this drama
surrounding these talk radio personalities.
They didn't want to be political on the air anymore.
They didn't want to push the wrong buttons. There was too much going on, backlashes from different corners about
doing right-wing conservative radio, that this wasn't working anymore. The stock price was
plunging for the company. Chaos all around. And I guess Amanda Cupido was the safe kind of choice here.
We could install someone with a few different ideas.
But I didn't see how launching an AM640 beer had anything decide that their life would be better if they were listening to Greg Brady.
And while it was good that they had someone with enthusiasm for these ideas, it was weird enough that they were asking you, leaning on Toronto Mike, to kind of bring some hype to this terrestrial radio station.
It all seemed a little
too desperate. And now Mike
Ben Dixon, veteran of CFRB.
That wasn't a financial transaction. I didn't receive
a penny from Chorus. I was actually
remember, it was also happening at a sponsor
location, right? So this is that nice interjection.
But they were also looking to you
to help them with their hype.
Because they can no longer count on like an article in a newspaper, right?
There's not a lot of social media interest in what's going on with the radio station.
I should point out, you mentioned Chorus.
It was like a vanity thing, right?
For them to say like, look how cool we are.
We got Mike Boone to show up to one of our events.
I don't think that's accurate.
But they were happy to have me at GLB Group Homes.
I don't think I've ever said anything more accurate, actually.
Okay, so you're right.
Chorus blessed that event and everything, of course.
But I do want to point out,
Rogers recently reached out to me and said,
Mike, would you consider having Richard Southern,
Mike Epple, and Scott Metcalf on your podcast
to chat about 680 turning 30?
Those are three FOTMs already.
And I said, of course I do that.
That's what I do.
Well, that's easily done.
But that was also initiated by Rogers PR.
And this is an opportunity to say I had yet another negative experience with Bell PR.
This is specific to a Crave program.
with Bell PR.
This is specific to a Crave program.
And I don't understand why I get such fucking grief
from Bell Media PR
when Rogers is saying,
please have our people on your show
and Chorus is saying,
please have our people on your show.
I don't understand.
Now, did you listen
to that 680 News episode?
Well, you threw a fly in the ointment
because they think they're going to have
sanctioned, approved
Rogers employees
and then you invite into the basement
the guy who they fired for
falling asleep on the air.
They should have cut a check then. This was not, again,
this was not a paid sponsorship. I would have disclosed
that. They gave me $0.00
although Scott did give me this
lovely microphone flash.
And yes, I knew,
I didn't want it to be
an infomercial for 680.
So I said to myself,
how do I make this
a Toronto Mic'd episode,
which will be respectful
and will do all the wonderful things
Scott Metcalf wants to do.
But we need a little real talk in there.
The answer is fellow FOTM,
Hall of Famer, Peter Gross.
He'll be at TMLX 13 tonight.
You talked about 680 a couple successive days
because you also had paul cook stephanie smythe uh a couple who met at 680 news uh based on what
they said on the podcast initially married to other people and now married to each other, happily ever after. But in all this chit-chat about AM News in Toronto,
30 years of 680, I don't think you got enough
into the business that for a lot of years,
and possibly including up until this day,
the radio station that bills itself as 680 News
doesn't necessarily tell you anything important
about current events, right? This is ultimately a form of entertainment programming. The decisions
about what they talk about, which have gone down a few different roads in three different decades,
roads in three different decades have not always been the most intellectual ideas, right,
of what you can do with news radio, because this is Rogers.
This is a commercial concern.
And for a lot of that time with 680 News, ultimately what you had going on there was entertainment radio, the same stuff that used to be on radio stations, the chit-chat that would go on between playing
the top 40 tunes, and they figured out how to present it as a newscast instead, with
the traffic and weather interspersed together.
Now, I'm not saying you had to get into this deep media criticism,
but there was maybe a lack of self-awareness about what actually is going on there.
Because at the end of the day, all they've really done with 680 was figure out how to get ratings for providing something that is close enough to resembling information.
But the depth, the context, knowing what's going on in the world.
I realize like on 9-11, they would have dedicated their entire programming day to the unfolding
tragedy in the world and other important bulletins that are happening out there.
But let's get a sense of perspective here, okay?
Richard Southern is not pretending to be providing
like deep intellectual content
about what's going on in global affairs.
This is ultimately an entertainer
doing entertainment programming.
And good on them and Rogers Media
that they figured out how to make something work
for 30 years on the AM dial.
I mean, we'll see what happens next, right?
Smart Money says, because they did in Calgary,
AM 640, Chorus Talk Radio will soon enough
be moving to FM.
Like, we'll wake up one day,
be a breaking news bulletin.
Maybe Monday.
TorontoMike.com.
That there's a new frequency, 95.3, 102.1.
I don't know.
I don't care.
That'll be surprising to me.
A new home for what has been going on.
It'll be a Hamilton station.
Program director Mike Ben Dixon.
And you've tangled with him over the years, right? Has he banned? I don't think that was in public. under the new program director, Mike Ben Dixon.
And you've tangled with him over the years, right?
Has he banned? I don't think that was in public, though.
Was he refusing hosts to appear on your show?
John Moore.
People were turning down appearances.
Who I can now refer to as FOTM John Moore
because he did find a side door to get on Toronto Mike
talking about a colleague who passed away
for a Ridley Funeral Home memorial.
Yeah, yeah, Tarek Fatah.
Right.
But John Moore was literally,
I mean, he's good friends with Maureen Holloway,
who had a great time on the show,
and Maureen told her good friend,
John, you've got to do Toronto Mike,
and John wanted to do Toronto Mike,
and we booked it,
and I was sitting here with my notes all set,
and my phone rang,
and John was a little embarrassed to tell me
that his boss, Mike Bendixson,
told him he's not allowed to come over
and talk to Toronto Mike.
You know what Mike Bendixson was doing this summer?
He was involved in the Toronto mayoral election.
He was doing the media behind the scenes,
pulling the strings for a mayoral candidate
named Anthony Fury.
Who was at that event at Great Lakes Brew Pub?
I think Andan Senzani showed up on 640.
He's like the first new recruit.
Now you've got Anthony Fury on 640.
John Torrey returning to active duty, filling in on News Talk 1010.
They said, oh, this is a one-time, one-off, one-time only thing last week.
No, no, he's back on this Friday, filling in again.
So I think John Torrey gunning for that old job back.
He'll be back afternoon drive. Get Reshminar out of there. Put her back on this Friday filling in again. So I think John Tory gunning for that old job back. You see, he'll be back afternoon drive.
Get Reshmin Air out of there.
Put it back on TV.
And all will be well with John Tory on the radio again.
Doing what he does best.
Right wing boomer rage.
And 640 has his own brand of that.
And we'll see what happens there.
Best of luck to Mike Van Dixon.
Making lemons out of lemonade.
He's got to turn this talk radio format into something before it is too late.
There's not a lot of growth there with this idea of talk radio in Toronto.
If anyone can do it, he's got a proven track record.
If anyone can make something happen, it's him.
Why did he lose his job at
News Talk 1010?
I just think they were getting rid of
anyone that they didn't need anymore.
Just trying to cut things back.
No more newscasters.
No more newsroom.
Just bare bones.
No more live weekend programming.
It was all
over.
Collateral damage.
Nothing to be proud of.
Nothing to be excited about.
Mike, it's up to me and you to make it happen here.
You gotta fucking get off your ass and do it.
I want a 1236 newsletter in my fucking inbox in October.
Oliver Anthony, the ginger playing his banjos, ukuleles,
guitar
out in the forest, out in the field.
Number one hit
song. Were you
hepped to this one? Rich
Men North of Richmond. Bags of fudge rounds. Young men are putting themselves six feet in the ground.
Because all this damn country does is keep on kicking them down.
Lord, it's a damn shame what the world's gotten to.
For people like me, for people like you,
wish I could just wake up and it not be true.
But it is.
Oh, it is oh it is
living in the new
world
DJ Dream Doctor in the live
chat live.torontomike.com says
Mike
are you drinking
beer at 2.19pm
and I am drinking a
Great Lakes beer and I'm going to be drinking
more Great Lakes beer tonight
at Great Lakes Brewery.
The brother is here to say shout-out to Ridley Funeral Home
with regards to Proud FM passing away, essentially.
They unplugged that thing.
It never happens in this market, but there you go.
Unplug the transmitter or whatever.
Silence. Silence.
Basement Dweller hates this song.
It's making his ears bleed.
And...
Okay, thank you. But he also
made an interesting observation a moment ago.
Let me go back up to that.
But he tells us that the great 1236
Mark Weisblot had a show
on 640 many moons ago.
Yeah, you knew about that. I know that, yes.
I do know that. But many, many moons
ago.
It doesn't matter anymore.
Okay, nothing matters.
Nothing fucking matters.
Oliver Anthony.
You can't talk about the summer 2023.
But I actually don't know that song.
Without rich men north of Richmond.
Well, it's part of a pattern.
U.S. Billboard Hot 100.
Yeah, I'm out of the loop, man.
Four country song number ones in a row,
and none of them were Fast Car.
Everybody figured that was maybe the song of the summer.
Luke Combs' cover version, that was a crossover to Top 40, Pop Radio.
You would hear that on a station like Chum FM,
but not a number one hit in the U.S.,
but we had Richmond men north of Richmond.
This guy comes out of nowhere.
He's embraced by Matt Walsh of the Daily Wire
and suddenly becomes this conservative hero,
and there's a reference in there to Jeffrey Epstein,
and he's criticizing welfare recipients
for spending their food stamps on a bag of fudge rounds.
Did you catch that reference there?
The fudge rounds?
Missed that.
Missed that reference there.
And it helped make country music.
Okay, so quirky song go viral,
but we'll see if we ever hear from this guy ever again, right?
Then he's immediately catapulted to do like a four-hour interview on the joe rogan show and it turns out the guy has absolutely nothing to say
well that's worth four hours i've done that before but i will say that this uh trend of
country music dominating the billboard uh 100 uh hot 100 i just uh opted out like i have no
interest in these popular new country songs but i'm sure it's very offensive
to your bike riding pinko sensibilities here i didn't say that but uh i just have no interest
in the style or the message or the the genre and more like a bad cover version of mumford and sons
uh that oliver anthony richmond north of richmond, you know, he comes out like explaining
that this is not ideological.
He's not a right winger.
He's just an old fashioned centrist.
He's just observing
what's going on here.
But he also might have been
a member of QAnon.
I don't know.
People start digging up
social media posts
and trying to figure out
is there some anti-Semitism in there?
Who knows?
The milkshake duck
effect right you know what that's all about like a guy becomes famous out of nowhere and suddenly
his entire life history is only around 30 years old been online his entire life uh and then you
wonder why like why even care like what is what does it even matter what this what this oliver
anthony thinks about anything but we enjoy well-lusted Richmond
north of Richmond. I want
your take on the move
that saw Meredith Shaw leave
Chum, which is a Bell Media radio station, for
Breakfast Television with Sid
Sixero on
the Rogers station.
But before we do that,
can you please tell me what you thought
of the recent Mike Richards episode of Toronto Mike?
He came back.
What was the deal with Mike Richards?
He's always got something to announce on your show.
But I love the fact he doesn't come down here with it.
Now, you would think he would have a bigger megaphone.
He was the sports talk radio star for both Bell and Rogers, right?
They considered him like their greatest asset.
They put him on TSN.
He's a good FOTM.
TSN 1050 when they launched that station.
Well, it lasted.
He did the morning show over there.
I guess TSN 1050 is still around,
but they're no use for him anymore.
And Sportsnet Radio, once again,
his best way of amplifying something
is to be on toronto mic'd
he announced he will no longer be doing his uh morning live radio show on saga 960
the sketchiest of gta radio stations and now he would be hooked up with, do I got this right, Leonard Asper,
who inherited the Canwest Empire from his father Izzy,
and through the 2008-2009 financial crisis,
very quickly found that entire multimedia empire fall apart.
And I think ever since then, he's been trying to get things back on the rails.
You think I have determination to get back to the center of everything?
Look at these characters who managed to try over and over and over again
to make something work.
In this case, do I got this right?
It's some sort of streaming platform?
Where exactly can you access
the Mike Richards show?
Firstly, it hasn't debuted yet.
It got pushed back a bit
because I believe Mike Richards
needed a surgery
and he's recovering from this surgery.
He's doing fine though.
I chatted with him the other day.
But it's going to be a digital only thing. So I mean, he does say you can get it on
TV, but I was unclear on all that. Like, I mean, for modern people like us, this is going to be
like an on-demand thing. If you want Mike Richards, and I know for example, FOTM Dale
Cadeau, he's a big Mike Richards fan. You'll be able to, I don't know, subscribe to the podcast
or watch the video on demand somewhere, probably YouTube.
It's coming soon, and if you love your Mike Richards,
you're going to get more of it digitally.
And that Saga 960, I never really understood that deal,
but he did have a run there, and now he's going in a different direction.
But at one point, the idea was that he would do his daily morning podcast
from the front window of a restaurant,
which I did some podcast appearance from on King Street East,
like across from the new building from the Globe and Mail,
and that Mike Richards would be setting up shop there every morning.
What show did you do there?
That was, who was that?
Kareem Kanji, remember?
I did it too.
Podcast, and he was doing it out there.
But Mike Richards, a running joke to this day,
that he said that his show will become so big
that Aubrey Drake Graham would be dropping in
to appear on this show.
And I do not believe that ever actually happened.
Meredith Shaw.
Can we get a fact check here?
I'll get a fact check on that.
Meredith Shaw is an FOTM,
lovely woman,
and she quit her job on Chum,
10,
oh,
sorry,
104.5 Chum,
and she surfaced recently.
This is the worst kept secret in the business.
Uh,
she resurfaced as Sid Sixero's co-host on Breakfast Television.
So the,
uh,
the,
the women co-hosts of that program are,
uh,
Ann Romer, to Liza From Fromer to Dina Pulezi
to now Meredith Shaw.
What does that say about Sid,
that he has now cycled through multiple co-hosts
on the Breakfast Television program?
I don't know because Sid has never come on Toronto Mic'd.
And Sid, if you're listening, come on Toronto Mic'd.
We did have that clip of Sid crying,
which was a tremendous example of somebody driven to tears
by the fact that he was not on the Tim and Sid show anymore.
Somebody seemed to get the idea that Sid doing his rants
on the morning show were tremendously popular
because I think one morning he got off on some tangent.
Who mentioned this?
It was something about, initially it was about Doug Ford,
who was going out shoveling during a snowstorm.
No, I'm basing it on the fact that he caught fire one day,
went viral for something,
and it was a situation where he just keeps doing it again and again and again, right?
Thinking that if he keeps doing it, another one will get popular,
and it never actually happens.
So we get the entertainment of watching Sid trying so hard
to get somebody listening to him going on a tirade,
and it hasn't seemed to work.
Now, maybe this will be tamed down,
but they've got Meredith Shaw in the mix,
a sunny morning show disposition,
but her previous home, as you mentioned,
was primarily radio.
We've got Pooja and Gurdip,
TV people from CP24
who are doing a morning show on CHFI.
And they do not sound like they know how to do radio.
Still, still, based on what I've heard.
Are you still tuning in?
Seconds per month,
just to see that they're still alive and well.
And our speculation was,
okay, they're standing by to be on the TV morning show.
Now, Meredith Shaw, primarily a radio personality, is on television. and our speculation was okay they're standing by to be on the tv morning show now meredith shaw
primarily a radio personality he's on television uh i'm still standing by waiting for that
switcheroo if anybody cares and the loser in all of this will be sid six zero he can
bring his dancing act somewhere else maybe he he can just be somebody on TikTok.
So TikTok, TikTok, waiting to see what happens to Sid.
Kind of fascinating character, very much earning our scorn
as one of those Toronto TV personalities who we love to hate.
I don't want to jeopardize his appearance on Toronto Mike.
I don't know Sid, and I don't watch breakfast television.
I just listen to you.
But I do know my buddy Elvis loves Sid Sixero.
So he's got his fans out there for sure.
I'm a big Steve Paikin fan.
I'm going to see him tonight at TMLX 13.
He works at TVO.
I need to find out from you what's going on there because I do have in
my calendar that I'm going to be visited on Monday by Steve Paikin and John Michael McGrath.
These two gentlemen are visiting me on Monday to record a podcast, but they're on strike,
right? What's going on? Yeah, I don't think we've had a strike before at a terrorist public
broadcaster and it's well-timed because now they're striking right along with all the
Hollywood screenwriters and
Actors Guild and TVO.
Picket line at
Yonge and Eglinton. Steve
Paken, who is the
highest paid
TVO employee.
A verifiable fact
because he appears on the Sunshine List.
But, Steve is a decent fellow and he's showing that because he appears on the Sunshine List. But Steve is a decent fellow,
and he's showing that because he's right in there too,
advocating for the fact that the producers who work with him
on the agenda on TVO are not paid the rates that they should be.
Like that other broadcasters, even these Bell and Rogers and
Chorus empires where there's no job security, where things aren't happening. I guess the CBC
becomes a comparison point as well, that the salaries are not where they should be at TVO.
I'm not sure what's the sense you get of this?
This is not necessarily like an Ontario government thing. There is a budget. There is leeway. They
can decide to pay these people more, but they're not doing it. So at the same time, right now,
you've got a standoff between the employees of TVO who are on strike. And in the process, a lot of drama involving Queen's Park
and Doug Ford and the Greenbelt,
which is not getting covered
unless the hosts of the TVO podcast
come to hang out with Toronto Mike.
Is that what is happening here?
Bingo, bingo, bingo.
John Michael McGrath was on Twitter saying
he wants to podcast with Pagan
about what's going on with the Greenbelt and Doug Ford's party
and he can't because his employers don't think it's important
because of what's going on there.
Again, I side with the talent on this.
But I offered up my
podcast as a forum
because I think it's an important discussion
if John Michael McGrath and Steve Pagan
want to have it. I'm happy to record
it in my studio and that's
happening Monday.
So tune in. At the same time,
there's always a chance. The Ontario government
might pull the plug on the entire thing.
They have an educational
component.
They create
content that is
of educational value to people
in Ontario, but these other
elements of TVO, these attempts to get more commercial, but these other elements of TBO,
these attempts to get more commercial,
to monetize what they're doing there.
I think the Ontario Conservative government
is on the record of maybe not being the most enthusiastic
about what's happening here.
Now, Steve Paikin will be the first to remind you
that progressive Conservative premier, Bill Davis, was responsible for the creation of TVO.
Bill Davis is Steve Paikin's personal hero, and Bill Davis essentially furnished Steve Paikin with a viable broadcasting career.
But there's, I think, a cliffhanger with the whole thing
because whether or not they settle the situation,
we're standing by to wonder what's in store for TVO.
And like all these broadcasting concerns,
is there a place?
Is it even necessary?
What do you think?
Do you have an opinion on this about
the whole concept of the province of
Ontario funding
an independent media outlet, public
broadcasting? Is it something
that we should save? Is it something we
should protect? Of course.
Of course. Of course. Of course. Pay them what they deserve.
They do great work there and I love TVO
and a long May TVO run.
I'm this close to grabbing a long-made TVO run.
I'm this close to grabbing a sign and showing up at the picket line.
Love those guys.
But more conversation about the TVO strike on Monday when I talk to Steve and John Michael.
That's two first names.
Do I need to call him John Michael?
Or is Michael a middle name, and I can call him John?
Do you know?
Do you know this guy?
Just call him Mike.
Mike fixes my car.
Shout out to recyclemyelectronics.ca. If you have some old electronics, an old device, an old printer, an old 8-track player,
what do you got in that closet there, Mark?
If you got some old recorders, what do you got there?
I'm trying to purge, okay?
Well, good. I have an answer for you.
Don't turning into a
years-long project.
In the garbage. Don't
chuck that antiquated
tech because the chemicals
end up in our landfill. Go
to recyclemyelectronics.ca
and find out where you can
drop that off. I hope Cliff Hacking makes an appearance at TML X 13 tonight.
He of course is with EPRA and they're behind recycle my electronics.ca.
Love those guys. I live on a gun in bed
Watching how you face the world in fact
And I remember that
But you're not
A heavy heart
Mark, do you have a heavy heart?
What am I listening to?
A Barquee Strange.
This is a jam I got into thanks to an online Buffalo radio station,
WBFO, The Bridge.
And the lyrics to this song, Heavy Heart,
reference the city of Toronto.
You know, you're listening to a song,
and you hear Toronto mentioned in there.
Oh, they mention us by name.
Where does this come from?
Yeah, this is a singer-songwriter.
It's not Lois DeLoe or Kurt Swinghammer.
From Washington, D.C.
Wow.
4AD Records.
And first time that I remember getting caught off guard with a Toronto reference
since a song by Falco.
Remember?
Vienna Calling that references Toronto, Canada.
I thought you would say the Kings, right?
Because in Kings, they shout out Toronto.
Well, they were from Toronto.
What I'm saying is there's a lot of longing for Toronto.
Toronto kind of sucks now.
I'm sorry to break it to you.
Whoa, whoa, whoa, whoa. You're bearing the lead. Any affection that I had for the city. What do you not like about the city? Toronto kind of sucks now I'm sorry to break it to you but any affection
that I had for the city
is fading fast
you know why? because you don't fucking bike
you don't drive either
but if you take transit and drive
you end up hating the fucking city
and if you bike everywhere like I do
I was at Ontario Place today
you'll still love this city if you just buy a bicycle
and embrace it
between inflation and the real estate thing Ontario Place today. You'll still love this city if you just buy a bicycle and embrace it.
Between inflation and the real estate thing and just
again, like the vibes are off.
It's expensive here.
We've not gotten to the point. We've not
gotten to the place, I think, where
we can feel confident
in what's happening after the
pandemic. I think the mayoral
election,
the by-election that we had,
was also captured a lot of despair.
It was hard to find a lot of enthusiasm for the city here.
When the new mayor, Olivia Chow,
talks about how wonderful Toronto is,
I don't feel this reflected
on the streets of the city anymore. And keep in mind,
I've lived here
my entire life. I've barely
ever been anywhere else ever.
And yet, I think
I'm seeing
Toronto in a bleaker
light than before.
I'm not saying it's entirely
dystopic. How come I'm not feeling this, though?
I'm born and raised in Toronto. I'm as Torontonian as you are. I'm not saying it's entirely dystopic. How come I'm not feeling this, though? I'm born and raised in Toronto. I'm as
Torontonian as you are. I've never had a
residence outside of the 416.
Why do
I not feel this? Is it because
I'm independently wealthy? What is
the difference? Listen, we've got this
weekend, early September, the Toronto
International Film Festival, and even
though there won't be a lot of celebrities on the red carpet,
Nickelback will be taking over King Street
and doing a concert in conjunction with their documentary film.
So Toronto is still hospitable enough
to have Nickelback take over the streets of this city.
When I heard this news, I was surprised.
I feel like, am I wrong?
They could still
fill the uh scotia bank arena right well no one said they were doing like a full two hour long
concert but are they gonna do it the white stripes did a new song or whatever on the on the street
chad kroger and the gang wow and all premise of the the nickel the whole premise of the nickelback
movie here right is like that nobody actually likes nickelback all
right it's like an investigation into the nickelback backlash and how these guys from
rural alberta have persevered and i'm sure there's like a final scene right of a nickelback concert
and we get to meet all the actual Nickelback fans
who have gotten a tattoo of the group's logo on their chests,
and they're faithful to the cause of Nickelback.
You know how these things play.
It makes you even more grateful for the talking heads
and what they represented.
These are like polar opposites,
the whole aesthetic of David Byrne and how wonderful
it is, right? That he's let bygones be bygones
with his bandmates.
And that there will be an onstage interview with Talking
Heads with Spike Lee.
I'm sure footage of this will come out
for the 40th anniversary
of the movie Stop
Making Sense.
We no longer have the whole
Ridley Funeral Home Memorial segment
that is now an exclusive
Toronto Mike
production.
I was quite thrilled to hear
what you have done
with those memorial episodes here
over the months in 2023.
I don't think anybody misses me at all
because you take people on
a journey, whether it's someone who passed away
who you talked about
in the Toronto Mike podcast archive.
You're also doing original interviews
like when FOTM Bob Segarini died.
You got another FOTM,
Camp Carpenter on the phone.
Talk about this curious iconoclast
on the Toronto music scene.
Hal Harbour, who was a DJ for a few years on CFNY
and then went back to his native Halifax radio personality.
No, he's not from Halifax.
He wasn't from Halifax.
No, he's not from Halifax.
I thought he was too.
Hal Harbour connoted his home in native land,
but he was on Trailer Park Boys and a memorable personality
and somebody who was very creatively passionate as well.
Brother Jake gave him that handle, by the way.
Who else have we lost among the FOTMs lately?
Well, we lost the drummer for the Jeff Healy band, Tom Stephen.
Oh, yeah, I'm the one who told you to have him on the show.
And you know that Amanda Marshall, the singer,
who often talks about her bad manager who derailed her career for 20 years.
That's Tom.
Tom Stephen was the manager.
One day you've got to get Amanda Marshall down here to explain what was actually going on.
Possibly even after death, she's not allowed to mention his name anymore might have
been uh some kind of uh stipulation that i have a question for you say his name again this is uh
as we're speaking now it is 2 47 p.m on september 7th 2023 and we're scheduled for tmlx tonight at
6 p.m okay so we're a few hours away from TMLX 13.
But as we speak, we're in a basement.
There's no windows down here.
I understand it's pouring out.
So I'm now, okay, so now I'm in touch with,
I just, you know, shout out to the meteorologists
doing the hard work at Environment Canada.
But they have this likelihood of precipitation
at 80% until 6 o'clock,
at which point it drops down to 30%.
So let me feel you out.
Now, this is a rain or shine event.
I'm there for the whole thing.
I've got the palm of pasta coming.
We're going to put up tents.
I'm going to make the most of this because I do not control the weather,
contrary to popular belief.
I have no control over the weather.
But do you think there will be FOTMs who will look
out their window and see a
thunderstorm out there and say,
I'm not going to Great Lakes Brewery tonight
for TMLX 13? What do you think about this
rain affecting our event? As long
as Loren Honickman shows up
so that I can complete the
circle and
actually maybe fulfill
what was happening in my dream.
Let's do a couple RIPs before you kick me out of here.
Here, we're going to do the RIPs before we wrap up.
But I have just a few more real quick questions about Toronto Mic'd episodes.
Bob Wiseman came in and he was in person and there was kind of a polarizing reaction to him.
I had notes that thought he was kind of a dink.
And then I had notes that thought, oh kind of a dink, and then I had notes that thought,
oh, this artist gave you 60 minutes.
Unbelievable.
What did Mark Weisblatt think of Bob Wiseman?
Bob Wiseman, who is now what, a PhD?
Is he a music professor?
Is that what was going on now with his life?
He seems to have retreated into academia
after doing a lot of avant-garde music things.
But what seems to hover over his head is
the fact that he was once in the most successful of Canadian rock bands, and that he walked away
from it all after a certain number of years. Like, Blue Rodeo came through the Queen Street West
music scene in the mid-1980s. Out out of nowhere it seemed that they had their their
peak with a few albums and it was somewhere around uh early 90s 91 92 93 that bob weisman
had enough of this whole thing and it seems like he's very defensive very nervous about
coming to toronto mike's basement and just being being uh asked a whole bunch of questions about a band that he had left behind three decades ago.
He was very blunt in the way that he described the fact that he has no contact with any of them anymore and no, no interest in revisiting that relationship and that association.
But in the end, you found his vibe invigorating i don't know a lot of people like
consoling you i'm sorry that this episode went sideways i enjoyed my visit with bob weisman i
enjoyed my in-person hour with bob weisman i did get a couple of one person who thought i uh why
are you playing music when bob weisman's there meanwhile bob had sent me an email wanting a
whole whack of music played.
I curated that and pruned it down.
But he was really digging hearing his music,
non-Blue Rodeo music. Digging hearing his music,
but at the same time,
like checking his watch every couple minutes
because he had to get up and go.
Bit of a different vibe,
but much like the Jane Sibury episode,
I think sometimes these artists are going to be artists
and you can either vibe
with them and roll with it or you can kick them out.
You know what I mean?
What are your options?
Okay,
look,
you've been doing this for long enough that you embrace the chaos.
And it's almost like you have the,
you have this cocky confidence when it comes to the idea of having a guest
down here,
it's going to be difficult.
I am,
I may be trying,
I may be trying too hard to get to the point with you.
I mean,
the fact that I'm having nightmares
about being blacklisted, about being canceled.
Because of Ben Merge.
About being blocked by Toronto Mike,
like that you won't want me in your life anymore.
I don't even know where I stand after this episode.
I don't know if I'm going to walk out of here
and you're going to wonder what is wrong with me.
I happily give you the gift that is Ralph Ben Merge,
but any FOTM listening who's subscribed
to Not That Kind of Rabbi to support
the TMDS network, you can unsubscribe
now. Any other episodes
we're going to mention from this summer?
I had back-to-backs
in person with a gentleman from
soul to soul.
Back to life.
And then via Zoom, live in
New York, as they they say with the founder of
in living in living color is he got the in a guy which ones the the band has is it in living no
it's just living color just living color it's not in living color vernon reed guitar god so i want
to know what your thoughts were on the back-to-back. Well, a big exception for the podcast here, because you have not had guests on this show
who do not have a history of living in Toronto, in Canada,
or at least being born here.
Simon lives here, Simon Law.
But you had Chuck D, a public enemy,
and you also made an exception for Vernon Reed.
True.
So Chuck D and Vernon Reed might be the only two guests
in this program's history that had no real connection.
Like they might have come through on tours, but they had no real connection to Toronto.
Simon Law, of course, was here, much like Roger Christian.
Simon Law is here because he now lives in Toronto.
But yeah, Vernon Reed had no connection to Toronto other than Living Colour came by.
Look, look, quite a juxtaposition to where music was at around 1990.
That you had Simon Law, who was a white guy in
the group soul to soul and then you had vernie reed who was all about the black rock coalition
right that was the novelty of living color that this was uh an entirely black rock band and that
they made that uh a central focus of of their appeal and what they were about, and at least that first album, that Vivid
album, which had the
seal of approval, Glamour Boys,
Mick Jagger, remember that? That was
part of what we
remember Living Color
for. But
there you went through his whole history, including
playing jazz, avant-garde
stuff, Vernon Reed, a very
enthusiastic guest.
Yeah.
He was happy to be there.
He actually was excited to be interviewed by this podcaster
calling in from his basement.
And so a shout-out to Vernon Reed, Simon Law,
Back to Life, and Cult of personality.
Out of this world Out of this world, out of this mind, out of this love for you.
Out of this world, out of the blue, out of this love for you
Sometimes I don't know you
You're like someone else
But that's alright
I'm a stranger here myself
And she don't shed a tear
When I walk out that door
She knows, she knows
I'll be coming back for more
Out of this world Out of this world.
Out of this world.
Out of this world, Out of the Blue, by the band.
A very emotional song for me, Toronto Mike,
because I remember hearing this as a kid.
It was on the chart, 1050 Chum.
I don't even think I even knew who did this song,
like the whole context of the
last waltz or the band uh this was all foreign to me still like single digit age but uh was a song
that stuck with me ever since decades probably went by where i didn't even hear it until i was
poking around online and then it came back to me out of the blue by the band.
One of those studio tracks that was
on the last Waltz.
I know your favorite is The Wait with the
staple singers. That's true.
You mentioned that on hundreds of episodes. At least three.
But this one,
I'm not gonna cry.
I don't have to break out the Mary J.
Blige.
Not gonna cry,
but yeah, I get
teary about this song.
When I heard that Robbie Robertson died,
I
had this immediately on my phone.
I was wandering around
Yorkville, saddened
by the sudden news
he was suffering
with prostate cancer.
Was that it?
Robbie Robertson
who died at the age of 80
the last few decades
also synonymous
with Martin Scorsese
after the last waltz
he continued to collaborate
with him doing film scores.
There was also that movie
Carnie
which was inspired
by Robbie Robertson
working at the Canadian National Exhibition,
something in common with Toronto Mike.
Also, Robbie Robertson, the fact that his father was Jewish
is something that has kind of hovered over him through the years.
But this was a father that he never met.
This was a father who died before he was born.
And this is a thing that goes on, I'm allowed to talk about this, with the Jewish people who like
projecting an identity on people that they can relate to as one of their own. So I know over
the years it's come up a lot with Robbie Robertson kind of people assuming that this was an identity
that he assumed like it was a focal point in his life,
and that was quite far from the truth.
It's not like he denied it.
It came up in the recent documentary about the band.
It was Ronnie Hawkins talking about how Robbie Robertson's dad was a Hebrew gangster,
but the actual ties that he had with his mom was,
well, she grew up on the Six Nations Reserve near Toronto, and his biological
father, someone that he never knew, and then we know the story from there, right? Levon and the
Hawks and Robbie Robertson, the architect behind the band, but this also came up from FOTM Michael
Barclay in a piece that he wrote in his newsletter, which was
those of us who were a bit younger
maybe didn't realize it when Robbie Robertson
had a solo album in 1987,
that was Robbie Robertson's debut
as a vocalist. So we
had that song from the last waltz,
but that was a rare thing
that Robbie Robertson was acting
like a frontman for the
band, even to the point in the last waltz,
he's on camera singing, but his microphone was turned off.
So it's all about him writing these songs
that were performed by these other guys in the band.
So he very much worked as that mogul who kept things going.
But it turned out that these other guys eventually
really came to hate him,
including for the fact that he called the whole thing off, right?
Like, he decided that they weren't going to be a group anymore.
And eventually there was a reunion of the band.
Do you remember any of this?
Like, from the 1990s?
They even did a cover of the En Vogue song,
Free Your Mind, with Levon Helm.
All this stuff is lost to memory or in the delete bin or maybe a CD that you find in
Value Village.
But Robbie Robertson took the high road and continued to make so long, put his voice more
front and center.
And he lived a pretty good life. As someone said upon
his passing, this was a guy who operated with the satisfaction that he got to do what he wanted
to do. Lessons for everyone. Robbie Robertson, dead, age 80. Each of these my three babies I will carry with me
For myself I ask no one else will be
Mother to these three
Mother to these three And I'm a coarser like a wild horse
But there's no other way I could be
Water and feet are not tools that I need for the thing that I've chosen to be.
In my soul, my blood and my bones, I have wrapped your cold bodies around me
The face of you
The smell of you
Will always be with me
Hey, I'm not sure I ever agreed with Sinead O'Connor about anything.
Like, where her opinions were coming from.
The more that she said, the more ridiculous she seemed.
But you cannot distract or detract from when we first heard her name and first heard her on the Lion and the Cobra album in 1987.
And when she died, Mandinka was the song that I think was the default favorite
because it still sounds fresh enough.
There was also that one she did with MC Lyte.
Remember?
It was an early track.
The idea of having a guest spot
from a rapper.
I want your hands on me.
And then the Monster album,
the second one,
I do not want what I haven't got.
Prince cover version.
Nothing compares to you.
It's like real Gen Xer stuff here, right?
This is like the Gen X musical canon
of what we remember from the turn of the 1990s
and came into possession of this compact disc at the time.
I remember being captivated by Three Babies,
this Sinead O'Connor song here.
Do you remember this? Do you know this?
Sound familiar at all?
Yeah, only because I've heard the CD, but yeah, for sure.
And I found myself actually held captive in a room
where this song was being played over and over and over and over again.
Kind of like this effect of being hypnotized
by Sinead O'Connor, Three Babies.
And when I heard that she died, what did I do?
But listen to Three Babies on repeat.
And think about the legacy she left behind before she died.
Maybe not entirely a surprise.
Where would you register this on the scale of celebrity deaths?
Not a surprise at all.
Unfortunately, I think she gave us plenty of warning that this might happen,
and sadly it did.
56 years old, Sinead O'Connor.
Just wanted to represent her here
as a recap of the summer
with a shout-out to Ridley Funeral Home. Okay, how did I do?
Like, was I all right?
Did I live up to all your expectations and more?
Are you willing to have me back in the basement again?
Because two hours into this,
Toronto Mike, I'm still not sure what I'm doing here.
And between now and when I come back to your podcast again,
I'm determined to figure at least a little bit out.
60th appearance.
You'd think you would have figured it out by now,
but it was as advertised.
It's always great when you're on the program.
You know, I love it.
That's why I've invited you over 60 plus times
because there was a period of time where you said,
no, thank you, but you're back.
You're kicking ass.
And I can't wait till your next appearance, bud.
And that.
Wear a raincoat tonight.
Bring an umbrella, but don't chicken out.
I just checked my email.
Several people saying, is this still happening in the rain?
Rain or shine?
Well, I know that I'm not going home because I don't think there's enough time for me to make all those round trips.
Mark, let's pledge.
Even if it's you, me, Great Lakes beer and Palma pasta, this is happening, man.
I'm not afraid of getting wet, okay?
Here we are in real time.
It's a little after 3 p.m., okay?
This thing doesn't start for three hours, although I'll be there in two and a half hours.
The rain will dissipate.
I'm fucking psyched.
I'd rather have five
good FOTMs in the
pouring rain than 500
FOTMs.
No, no, I won't say
I like.
I would be equally
happy with five FOTMs
in the pouring rain
than I would be with
500 FOTMs on a
shiny clear day.
Just give it, Mike. Mike, give it up.
You're not making any sense anymore.
Thank you for having me for my 60th appearance on Toronto Mic'd.
See you all tonight.
And that brings us to the end of our 1,321st show.
You can follow me on Twitter.
I'm at Toronto Mike.
Mark Weisblot is at 1-2-3-6, 1236.
Our friends at Great Lakes Brewery,
they have tents.
We'll have shelter.
They're at Great Lakes Beer.
Palma Pasta is at Palma Pasta.
That truck's going to be there at 530.
I'm going to be eating for months if no one shows up.
Recycle My Electronics are at EPRA underscore Canada.
Pumpkins After Dark, they're at Pumpkins Dark.
And Ridley Funeral Home are at Ridley FH.
See you all tomorrow when the cuddly one, FOTML Grego, is going to drop by,
plug his device into my board
and surprise me
with the best of Toronto Mike
episodes 1001
through 1250
that's tomorrow
you excited?
you need a man with sensitivity The class struggle explodes And I'll play this guitar just the best that I can
Maybe I'm not and maybe I am
But who gives a damn?
Because everything is coming up rosy and gray
Yeah, the wind is cold But the smell of snow
Warms me today
And your smile is fine
And it's just like mine
And it won't go away
Cause everything is
Rosie and Gray