TRASHFUTURE - TRASHCINEMA - The Emoji Movie (ft. Lulu Popplewell and Alex Kealy)
Episode Date: August 23, 2017EDINBURGH EPISODE NUMBER TWO No Charlie (@cfppalmer) this week, so Riley (@raaleh) and Milo (@milo_edwards) kidnapped our friends Alex Kealy (@alexkealy) and Lulu Popplewell (@lulu_popplewell) and rol...led into the Edinburgh cinema at 11 AM one fine August morning and literally BROKE OUR CEREBELLUMS watching this gossamer web of dreams unfold into the body horror phantasmagoria that is... THE EMOJI MOVIE. The Emoji Movie is basically the tape from the ring, but the ghost girl comes out of the screen immediately and instead of killing you, she just lobotomises you. I've bought three timeshares since making this recording. Fuck you all for making me do this in theory. You can check out Alex's show, the Art of the Keal, in Edinburgh at Just the Tonic at the caves, every day at 4:20 (nice). Lulu's show, Chumbags, every day at 5:45 in Southsider. You could probably sell them both reverse mortgages now.
Transcript
Discussion (0)
This is Riley's mic and my mental state is degenerating.
Lulu's mic, ditto, similar.
Milo's mic, my mental state was never in a condition of not being degenerated.
Alex's mic, I was having a nice time this afternoon.
Hi, welcome to Trash Future, the movie, the movie?
Trash Future, the movie.
You've already fucked the podcast up Riley and we're like three seconds in.
This film has made you stupid.
It's the movie where we watch a bad podcast and we talk about it.
I love watching those podcasts that we hear so much about.
Shouts out the flop house.
You tried to mock your cat phrase and then you didn't get it.
Shouts out to Steven Seagal who's actually in this movie.
We couldn't get anyone else.
Steven Seagal plays all the characters.
It's like a Christmas with the clumps nutty professor situation.
Steven Seagal doesn't need a fat suit.
We watched the emoji movie today for some reason.
I don't know why that was, but who's here?
Oh hey, it's me, Lulu Popplewell.
Could it be our first female guest finally?
I'm your first lady.
You're the first lady of Trash Future.
There's so much to live up to.
You're the first lady who's turned up.
What did you do?
Well, I don't know.
It's not our fault, basically.
That's our policy.
We're very hard to approach.
Mistakes were made.
You're the first real life woman on the podcast.
As we know, this is internet rules.
If it doesn't go well, women aren't funny.
That's how it works.
Weirdly, quite soon,
something I'm going to bring up will come back to this.
Who is saying this?
In fact, this will be your first time on the podcast as a broadcast.
Your second time as it's released.
I'm Alex Keely, a comedian.
I'm doing a show at the Festival of 420 at Just On The Cave.
We're all doing a show, mate.
I'm to blame for you guys not plugging your shows.
It's not my fault that I've been a sensible one.
It's because of my tiny woman brain.
That's it. The show plugging is over now.
That's it. No more.
No one can see Lulu's show or know her surname.
My man brain is deteriorating.
I'm doing a show of 545 at Southside.
It's called Jump Bags, but it is with two boys.
In case you're worried that it's just a woman.
Even if women aren't funny, you can spend two thirds of the time enjoying it.
Adam, I know you're joking with that.
It does seem to be how it's gone so far.
It's really close to the bone.
The weird thing about a podcast is there's no audience,
so you never really know how your ironic misogyny is being received.
Always, always good.
You've taken a lead from the right.
Is it the emoji film to really telegraph the irony?
You have to make sure you have a statement which says,
my misogyny is ironic in the same way that every possible emotional line in this film is telegraphed.
I'm just aware that there have been media hatchet jobs on me two times in my career.
Both times the attempted takedown move has been Milo Edwards as a misogynist.
I build into my brand now.
I'll be the arbiter, it's fine.
If it's genuine misogyny, I'll get one boob out.
That would be the worst way to indicate to a misogynist that they should stop.
It's making her aroused.
This must be what they like.
This negging I've heard so much about.
Women love being dominated.
I've just had a stapling.
As per usual trash future format, the podcast about how the future is trash
and your shopping guide to the dystopian hellscape of late state.
By the way, I'm Milo Edwards.
You might remember me from the previous episode of this.
And several hatchet jobs calling me a misogynist for no reason.
I'm Riley.
You may remember me from slowly degenerating into the patient zero of this new wave
of Croitzfeld-Yakob disease that is eating my brain from inside
because I've seen the emoji movie.
What is Croitzfeld-Yakob disease?
Mate, do you not know?
Shit.
I mean, I know.
Must be my tiny man.
I'll let Riley explain, but obviously I know.
Well, basically, it's okay.
This will be mansplaining, though, technically.
Because Lulu already knows and you're explaining it to her anyway.
Well, Lulu, since actually, just to clarify for you.
I'm making the gestures.
I'm making the patronizing gestures.
It's mad cow.
I think I've gotten mad cow.
What did you call me?
Lulu.
Pull out our fat cow and hang up.
That's for the watchers of the trailer that gets uploaded to Pornhub.
Previous trailers have been mostly male.
In other news, what did we watch today, guys,
that has driven us all to the brink of gibbering madness?
Okay, I think we should start.
It's fully gibbering, but you have on the line quite the state of mental health
for your party in.
You're just confusing Slavik.
Come on.
Could someone give us the guest of the film?
I think it's important to highlight that we watched this at 11 a.m. as well.
The witching hour.
The witching hour.
The watching hour.
I want someone to explain to me the premise of the world,
because I got, there were rules, sure there were rules,
but they got broken as swiftly as they were made,
and I quite like someone to lay out for me what the structure was.
Freight Oxbridge analysis.
Thank you.
Two one.
Two one.
Two one.
It's all good.
It's all good.
So as far as I can, okay, as far as I can tell,
I took notes, but they degenerated into a sort of biography of my mental state
as we were sort of going through this blessedly short film.
Shall we literally compare notes?
Well, I think let's, why don't we go through the plot,
and then we'll have letters from listeners.
I mean, no, sorry, not that, not that.
This is not the flop house.
You can't send letters to this podcast.
It's the future.
Just trash.
Only emojis.
Only emojis.
Send us a Snapchat.
Snapchat's from the listeners.
Oh, can I say before we even, like before the film even began,
what I enjoyed right before it started, when the...
The compliment.
The compliment.
I don't think you make a compliment sandwich.
It's going to be a compliment, Tabata.
It's not a compliment for Chattery.
Well, before the film was when it was rated U,
and then it said mile language, et cetera,
and then it said comic threat,
and I thought it is a threat to comedy for sure.
I did some looking up, actually.
I researched the different levels of cinema grading in the UK,
because I do my homework.
U.
Here's the description of films that are rated U.
It is impossible to predict what might upset any particular child.
But a U film should be suitable for audiences
aged four years and over.
You guys want to check?
We are all over four.
Yeah.
Well, I may have regressed now.
Ventilation is over four.
Yeah.
U films should be set within a positive moral framework
and should offer reassuring counterbalances
to any violence, threat, or horror.
I mean, there wasn't genuinely horrifying moments.
Maybe we should come onto them later, but...
Why can't a U film be set within, like, an A moral framework?
Why can't a U film be, like, just, like, nihilistic,
and, like, if there's no swearing in it, you know...
I accept that children mustn't be exposed to swearing,
but why can't they be exposed to the nihilistic horror of the world
in which we live?
Right.
So that's what I always find very funny about stand-up shows
that give you a clean...
Stand-up shows that give you a clean content policy
where you're not allowed to swear,
but it's, like, I think that's more my material
about, like, depression or death as much more harrowing,
even if it doesn't have, like, fuck or bum in it.
Like, it's like...
As a parent, I'd rather much fuck or bum material
rather than, like, well, we're going to die one day.
The kid's, like, what? Like, that's much, that's much worse.
Like, it's a two-hour piece about, like, my mother's rape,
but there's no...
Right, right.
You don't say the words, but...
My mother the rapist.
Fuck, my bum life is pointless.
Yeah, yeah, yeah.
By the end of the film, just get a spoiler alert.
Spoiler alert for the Emoji movie throughout.
Yeah, if you're worried about...
If you're worried about having the Emoji movie spoiled for you,
stop listening to this podcast now and kill yourself.
Because you have nothing to live for.
And so just by the end of the film,
if we're not talking about a positive moral framework,
everybody dies briefly.
And then copies of them are brought back to life.
In a way, I actually think raises some fundamental questions
about, like, the nature of sentience.
Yeah, some deep philosophical issues there, aren't there?
Is it Buddhism or...
Is that Buddhism that's... there's a reincarnation?
Yeah, but you're not reincarnated as yourself.
Yeah, right.
But I think maybe they're different.
Maybe they're all... maybe all of them.
You fuck up so bad that you come back as you again.
Oh, no!
Third Emoji got reincarnated as, like, crying Emoji.
Maybe they all just swapped bodies when it happened.
That's not something that's not explored.
They're so happy because they all got to be the better versions of themselves.
So they... yeah, they got to...
They truly got to serve their gods and masters.
Smiley Emoji starts making those poo jokes.
I really feel like for those who haven't seen it,
I mean, why wouldn't you have?
But I feel we should lay out the framework of the world.
They come as to the Emoji movie.
Brief aside, though, in Buddhism, if you are reborn as yourself,
that's their version of hell.
Is that what happened to us by going to watch the film?
I'm still relatively certain that I actually just clicked the floor
and I'm still hallucinating.
I was reborn inside Stephen Seagal.
Finally.
Okay, so...
I've been reborn inside Stephen Seagal for 45 years.
So I'm going to try to not use Wikipedia as much as I can
to try to recap the plot of this film.
What plot? Like, what?
Okay, well, I think it's a basic Bildungsroman.
You know, we're...
You've wanted to say that,
or you've been gearing up for that for at least two hours.
All of my notes are just me writing the word Bildungsroman
over and over and over and over again.
It's like...
All Bildungsroman and no play makes...
You know, when the police interview victims of crime,
like after a crime, but the people were so sketched out during the crime
that they don't really remember...
Or they think they remember it clearly,
but that is wrong.
Are you familiar with this?
It's like psychological resurgence.
So Ian McEwen, like unreliable narrator, had us, right?
So we now are not trustworthy.
Something like that.
Yeah, so basically, most victims of crime,
like people who've been mugged or whatever,
are then interviewed by the police right for a statement,
and they're convinced that they remember it all clearly,
but because of the traumatic nature of the event,
they usually remember everything wrong,
like what the person was wearing, what they looked like.
They sometimes get like the race of people wrong,
like seriously, they remember shit wrong.
And basically, I feel like this about this film...
Like, yeah.
Like this was a very traumatic film,
but nothing about it.
It was like...
That were emojis.
Yeah, like that is about it.
Okay, so the opening beat of the film is that...
It's set in a phone, number one.
It's set in a phone.
All these millennials are always looking at...
Oh, with their phones.
The millennials are always looking at their phones.
And within the phone, it's set in Textopolis,
which I guess is a Greek city.
I'm trying to think of text as a Greek word now.
I think it's Latin.
It's Latin.
Yeah.
Some Latin...
Yeah, I know.
Combining Greek and Latin.
50 historical inaccuracies in the emoji movie.
Someone's getting fired.
It should be the herbs of text.
The herbs, textana.
Yeah.
We didn't make any Latin jokes last episode we recorded.
I'm glad we're back on form.
As a Marxist, Raleigh is glad we're back on to Latin,
a topic in which he feels at home.
I'm sorry.
Fuck you.
Raleigh's giving me the finger for taking the piss out
of his poorly thought through political views.
Good.
So it's called the emoji movie.
Yes.
And yeah, it seems very quickly to branch out
into a whole other kind of galaxy
into our phone object.
So it's not really just the emoji.
It suddenly just becomes...
The plot of the film is basically, what if phone?
What if a phone?
What if a phone, but also being yourself?
Yeah, yeah.
What if a phone?
What if a phone making be yourself?
What if the real phone was the friends we made along the way?
Okay, no, wait.
So I have questions.
We all have questions.
Sure.
Okay, so the bit at the beginning, the premise is
he's an emoji.
Everyone's got their emoji that they're born with.
And he's the male, like moody one.
And then one day it's...
Don't you say he was the mayor?
Like he's the mayor of emoji town.
Well, he describes himself as meh,
but his name is Jean.
Yeah, but his parents are called like
Mary and Mel.
And it's sort of like the shite pun
that opens up the film.
If we want to talk about shite puns.
Oh my God.
Wait, wait, wait, wait, wait.
Sorry.
There's something really fundamental
that you need to explain.
Yeah, so we're raising women again already.
Okay, so the whole thing is
when it's your day comes,
you step up to the plate and you become the emoji
that's like scanned when the master
of the phone wants to send a text.
Your description of the film sounds even weirder
than the film itself.
I mean, that's exactly what we all saw.
Yeah, but somehow when you're explaining it,
it sounds weirder than when you're just watching it.
Oh, I'm sorry that my women were...
I'm sure if a man were explaining this,
it would be much more normal.
No, this is my question.
Why, like, there's a huge city of emoji.
Why is it like he's the only one that's meh?
Like before that day, is there no meh
that the guy can use to text?
It's parents, yeah.
So both of the...
But then does it...
Exactly why do emojis die
and therefore their children need to take over,
it seems.
That's a bit that I want to explore.
Do they get too old to emoji?
Also, do they fuck?
Yeah, yeah, exactly.
They're the only one where there are two of them.
The weirdest thing.
The other ones have like a fellow...
Why is meh the only ones that are coupling?
Well, the Donut had a whole family of Donut babies.
Yes.
Or maybe they're different colours.
They're...
They're autochthonous.
Yes, I guess it's woman meh and man meh.
It's a comment on marriage.
No, no.
So the weirdest thing, right,
is that the meh couple only have one child,
meh boy Jean, right?
It's like the whole Adam and Eve problem all over again.
There's just going to have to be a lot of incest
for this emoji.
Otherwise they're going to have to, like,
start mixing the blood of emoji
and you'll get, like, something that's like
a flamenco dancer in half poo.
Imagine that.
To clarify, it's literally...
Sorry, Milo's just spoiled one of the big,
like, love-actually style tied up loose romantic ends
where, like, turd, like, turd personification
and flamenco woman get it on.
Yeah.
I mean, you don't see them.
It's heavily implied.
It's heavily implied.
Nice.
I may not always love you.
If you go to the departures lounge of Heathrow.
Are you taking the best out of love, actually?
Yes.
Shall we?
Shall we?
No.
I actually like that film.
We're going to save that for Crash Christmas.
Okay.
But I do want to hybridise it with the emoji movie.
I want to do an episode now where we do love-actually
because I will defend it as a film.
I feel like I should confess something at this point.
Okay.
I mean, it sounds like a clang, but...
Were you in love, actually?
I was in love, actually.
Are we in the presence of Keira Knightley?
Yeah.
I have some cards to show you.
It's a podcast.
Oh, Matt Knightley.
It's on a podcast.
Yeah.
I was in the lobster in that film.
Oh.
Yeah.
Quang.
Wow.
It is a lot of names, David.
That's not how lobsters...
That's not the sound of a lobster mate.
It's weird that they give me a pop.
So we're here with...
These damn clanging lobsters.
This is perfect.
We're here with Cinema Insider, Lulu Poppawel.
Cinema and crustacean insider, Lulu Poppawel.
Literally, inside a crustacean.
Oh, God.
No, inside a representation of a crustacean.
Ah, yes.
You know what?
No one's inside me just to be very clear for the list.
No, this isn't a matryoshka pen.
Matryoshka?
Is that the stacking...
Matryoshka.
Oh, why am I bad at words?
Sorry, there's two different Russian speakers.
One, a much better Russian speaker than the other.
That's mine, though.
But I have A-level and conversational Russian guys.
As opposed to an A-level in Russian,
an A-level in conversational Russian.
It's atrophied pretty hard.
Yeah, much smoother.
Do you have an A-level in Russian small talk?
What a beautiful samovar.
You don't even say in Russian.
You just say, with a Russian accent,
no, I won Russian reference.
Wait, очень красивое...
How is it?
Красивый.
Красивый samovar.
Очень у вас красивый самовар.
Yeah.
We're steaming to the floor.
Matryoshka is a lot more...
That's a Russian section.
It's great.
We still have that Russian section in the podcast.
Me and Keeley just talk in Russian
for the rest of the show.
That's going to be a short show.
Hello, this is Thresh Voucher,
a podcast where the future is Thresh.
And now we're going to talk about emoji film.
Yeah, so I only understood about a third of those words.
So I wasn't probably listening to the problem.
We're talking about a complete shit.
Yeah, fine.
Moving on.
It's always good to experiment.
Yeah.
So I'm going to rest us back
into the plot of this movie.
Then I have to go and post
weird diversion into Zurich.
I'm dunking our heads back
into the ice water tub of the emoji movie.
So Jean has to go to work, I guess,
as an emoji.
But as far as I can tell,
their whole job consists of standing in a box
and just staring into the middle distance,
doing nothing.
It's basically like being a prostitute in Amsterdam.
Oh my God, you're right.
Or just like any sort of like security guard thing
where like if your job is preparedness
for doing the thing that is only about 1% of your.
Yeah.
I mean, have you ever actually seen a security guard?
I mean, like they're not prepared.
Like they're standing in a box.
It's like an old dude in a shirt.
Like they're just standing there.
They're not going to,
like if someone seriously robs that place,
they're going to be like, please don't kill me.
Like those guys are not going to do shit.
Okay.
So the emo,
emo institutes in the red light app are standing around.
The thing about Jean is Jean has a little problem.
Jean is able to express a wide range of emotions,
which on the basis of the fact that I've been hanging out
with a lot of comedians recently,
does genuinely seem like a superpower.
But his problem is actually hepatitis.
It's glossed over in the film.
And so what happens is he,
he goes into work for the first day of standing there.
And then the owner of the phone,
the real hero,
someone who's paid money for a device.
We can all relate to that.
And who is one of the,
one of these dang teens that just can't stop texting
and won't get off his phone.
Oh fuck.
The ham-handed satire at the beginning about all teens
being on their phone the whole time.
And then like the two kids who are texting like walk into each other
and they fall on the floor, but they continue texting.
And it's like this film is literally encouraging this behaviour
by making a whole film fucking keyboard.
It's not even in all phones.
It's accessible on one particular brand of phone.
They didn't mention the brand in the film.
I noticed.
They didn't.
But you fucking know that they're paying royalties to Apple
for using the emojis.
Oh, and Dropbox and Spotify,
every other app that's mentioned.
But Facebook didn't pay.
Yeah, I was gonna say they don't say that it's Facebook.
They just show the...
But they use the Facebook reacts and stuff
which must all be like TM'd.
These companies must all just own little bits of one another
and this is just what they happen to have the shit
they happen to be able to sweep into this pilot track.
But it was clear.
But this seemed the beginning
where all the zombie kids are texting
and talking about texting and how much they love to text.
And no one uses words anymore because those aren't cool.
We all use emojis now.
They literally say the word.
Oh, sorry.
They do literally say we don't use words anymore.
Words are name.
It's where one of them asked the guy,
the kid whose phone it is says,
what should I text Addy?
Because that's her name.
Because it's her name is Sean Fadderall.
He's in love with someone in his class.
And his friend goes,
don't text her words.
Words aren't cool.
And then that is literally like their analysis.
That is how they explain that no one uses words
for the rest of the film.
Only fucking emojis.
Like how...
It really does support my theory
that this film was written by a committee
of aggrieved grandfathers
who really just want their grandkids
to put down the goddamn phones around the table
and listen to my theories about Syria
and where the migrants are coming from.
And actually we're taking...
The committee of aggrieved grandfathers presents.
I really want that to be a thing.
It's like the NRA and the committee
of aggrieved grandfathers, CAG.
So that's the same point when there's a joke.
Now, Riley's an American.
You can clarify.
I have an objection, structurally, to a joke that occurs.
I have an objection to you calling me an American.
You are an American.
You are from the continent of America.
Are you not?
Sorry.
And also, that's quite rude of me
to apologize for the...
It would also be fine if you were American.
You just seem ignorant enough that you being American
is plausible.
Your accent isn't...
Anyway, this is...
No, he has an American accent.
Did we not cover this when you were previously on the pod?
He doesn't have a Canadian accent.
I've lived in Britain so long.
I have an American accent now.
Right, right.
That's how it works.
So it's like an acid alkali thing or something.
So basically, there's a joke where...
I think it's in the same scene that Milo's talking about,
where the kid's like...
Oh, gee.
She sent you a thing.
Don't send her...
It could be a spam.
It could be a hat.
Don't send your social security.
These are 14-year-olds.
They don't have social security.
It's a thing that you get at 16 or 18
when you can start working.
I'm pretty sure.
You don't get...
You're not born with it.
I don't think they have one.
How would you get loans in the name of a child?
What do you do with the social security number,
even if they did have them?
Are they literal child?
Yeah, yeah, yeah.
She'll defraud you.
Yeah, amazing.
So it's the first of many jokes that don't work,
which is always good.
We also haven't quickly talked about...
So the actor who plays Jean
is an American comedian, TJ Milo,
who has recently got into a sport of ball
by claiming that women are not as funny as men,
although those comments were found behind.
This is why I said that it was amazing.
And Lulu Popwell is going to prove this wrong today.
All right.
By the end of the podcast, we will have decided
with a sample size of one.
The thing is, he was right in a sense.
If you look at the emoji film,
it was written by a women...
No, it was three men.
It was three men.
It was all the writing roles were men.
Three people went into writing that.
It was actually written by three men
who've never met a woman.
It was like they were kept in a sort of
kind of hermetically sealed chamber.
And all they had access to were iPhones.
So there was actually...
I know we're being silly about it.
There was actually such a heavy-handed
look, weird, pro-feminism moment
when they were like,
wait, the hacker is a girl.
It's a she.
And I think that was the moment
in which we were all meant to stand and applaud.
I didn't know.
Oh, no.
It was so good when she was like,
the firewall recognizes your face.
So if you get it wrong once,
you can't get through it.
And he's like,
but I can do loads of different faces.
So I could just do different faces
and we can get through.
She's like, yeah, thanks.
It was my idea.
I would have liked to have said it.
She's like, you know,
men are always saying stuff that women
have actually come up with
and taken credit for it all the time.
And it's like, oh, God, this film is so woke.
Heavy-handed ideas just inserted
into what is an incredibly bland fucking
status quo film.
At that point,
the actor playing the emoji,
just turns to the screen
and points to the audience,
you men in the audience.
You men.
Not the men writing this.
No other men.
Other worse men.
Not all men, though.
Hashtag not all men.
They didn't let her get too out of hand
because there was a bit.
I don't know if you noticed.
She was having like a 10 second stop.
She was like, oh, there's no stereotypes
about women.
And he went, I'm so sorry.
Yeah.
One of them,
one of them sort of slapped her.
That was the original edit.
She's like, yeah, sorry.
Shall we get there organically
through a plot discussion, perhaps?
Oh, sorry.
Sorry.
No, no, no.
Sorry.
Are you kidding me?
We went off track as soon as we bought tickets
to the emoji movie.
And it's also the fact that that character,
the hacker,
has blue hair.
So, you know, she's an SJW,
because that's how it works.
It's like,
all feminists have blue hair.
We'll get to the hacker,
because the hacker comes as a key stage
in the Bill Dunks Roman.
Yeah.
As the,
as the mysterious helper.
Right.
What language are you talking in right now?
I'm talking in books I remember from university language.
Bill Dunks Roman.
I don't understand.
Can you send me the Bill Dunks Roman emoji, please?
Hang on.
I might be able to try and figure that out.
No.
Later.
I'm just stapling enigmatically.
Sorry.
Yeah.
The little clicking noise you may hear intimately
are me slowly stapling,
but it's to my flyer.
So that's very,
I've treated you the listener with a great deal of respect.
Yeah.
This is the Edinburgh experience.
To the listener,
it just seems like you're
artistically comforting yourself by stapling.
Like there's like,
I'm like, the movie is fine.
The movie is fine.
Get a review, Mac.
I've had a review, guys.
What does a,
what does a review say?
Look, the thing is,
the important thing is I've not put the stars on there,
not because it's a positive three star that I have assembled
the quote in such a way to make it look very positive.
But actually, because I'm,
he's a five star on it,
I thought it'd be a bit rude to boast.
Is it, is it with words?
Words,
words are not very dot,
dot,
comedy show dot,
dot,
ended dot,
dot.
Yeah.
Verily.
Alex Keely is dot,
dot,
dot a comedian.
Present in this room.
Yeah.
Okay.
So Jean goes,
who with his ability to display many emotions is,
or emotions.
With his ability to emoji is,
it goes into the box.
Totally.
Everyone's like,
oh,
you won't be able to do a good job as you,
you can express multiple emotions.
We only do one thing here.
Everyone is one thing.
And that's this,
that's,
this is not a straw man plot at all.
It's great how everyone does one thing.
And then,
you know,
he is selected because he wants to send a meh emoji to this girl.
He likes,
which is what you do.
Yeah.
Because if you,
if you,
if you show any genuine reaction to women that scares them.
Well,
they burst into flames.
Yeah.
I had that.
Well,
this actually again serves,
I think this serves,
well,
there serves my theory that two of the writers of this movie were
aggrieved grandfathers.
And one of them,
and we'll go into this more later on,
is like,
like a red pilled,
it's made,
this movie was written by Paul Joseph Watson and two
aggrieved grandfathers.
Because like,
treat women poorly because feminism has ruined women and
also men and,
and hurting everyone.
Colour me.
Shocked.
Colour me.
Shocked.
Imagine my surprise.
I mean,
but seeing this movie is something Paul Joseph Watson would
genuinely do to trigger the libs.
Don't,
don't say anything.
Don't say anything to her.
You'll excite her.
And then she might suffocate you to her constricting whale bone
undergarments.
Wear all the men hackers,
women hackers,
left,
right and centre.
Imagine my shock when the emoji movie,
Oh, it's all right.
Dick Van Dyke again.
I also thought you tried to say emoji.
Oh, the chimney sweeps were women and Mary Poppins was
played by Steven Seagal.
I will never be able to do Paul Joseph Watson's voice without
transgender Steven Seagal.
Speaking of which,
so James Corden's accent in this film sound like James Corden
plays a high five who used to be a widely used emoji and
like an exclusive favourites club and now is keep trying to
get back in.
I think he's a cokehead.
James Corden getting a look into his own future.
But it's like he,
it's like he's been asked to do like a not an English accent.
Like they've said,
all like what an American thinks an English accent is.
So they've gone like,
a bit more British mate,
a bit more British.
And it's fairly like turned Australia.
Americans won't recognise just a British accent.
What it means to do,
like, yeah.
That's just a gay.
He ended up doing a weird impression of Ricky Gervais for
the whole film.
I was like,
I don't remember Ricky Gervais on the cast list for this film.
But this is actually us introducing the B plot,
which is the high five emoji trying to get back into the A
list.
The high five emoji who is definitely a sociopathic
cokehead,
a co-coded former celebrity.
There's one point in the film where the high five emoji,
they get stuck in the,
in like the candy crush game and the high five emoji eats
loads of candy in a really like I'm doing coke kind of way
and then goes,
I can't feel my face.
Yeah.
But also he throws it up,
but does that imply that he has like bodily,
like where's his asshole?
At one point it's shown.
And then he did again.
At one point he is shown as having a butt.
Like a dog.
He's shown as having an anthropomorphic butt on the back of
his wrist.
Oh, I missed that.
Oh, his wrist.
What?
And furthermore,
other other stray emoji.
His wrist, which has legs.
The month,
the month of June,
the calendar emoji is portrayed as sexy two separate
times.
I missed this.
I totally zoned out a bit of this film because you remember
things that I don't remember at all.
I might have made it up.
What was sexy about it?
Well, the first,
the when Jean was originally walking to his like hell job
as a emotion prostitute.
Yeah, emotional labor is labor guys.
He walks past the month of June emoji standing over a
great getting its pages blown up like Marilyn Monroe.
And then another.
I missed that.
Why does June have skirts?
And another another separate occasion,
the month of June is like walking by and someone like
Wolf whistles it.
Why is June so sexy?
One might well ask.
Well, to be honest,
I am at my randiest in the month of June.
It's like once again,
like the further theory development about the writers may
there are two aggrieved grandfathers and Paul Joseph Watson,
but grandma was called June and she was quite the striking
one in her day.
Only women may be called June.
Imagine my shock, etc.
How did we feel about the pirate calling the dancing lady
a saucy gypsy?
That's a slur, isn't it?
It is.
It felt uncomfortable.
The gypsy, the natural enemy of the pirate.
So just to we travel the high seas,
they travel the parking garages of Southeast England.
So just to give some context for this,
I'm going to briefly sprint through the plot.
Okay, sorry.
I'll shut up for a bit.
There I go.
Don't miss out any important details, Riles.
So the emoji who's being selected for this meh text
is so amped to serve his god and master to human.
I have to give some flyers to my flyer,
so that's why I didn't want to say that.
I'm to the microphone because it's pretty raw.
Just take the keys.
Yeah, that's why I did a key hand signal.
I just thought you were doing a knob switch.
I guess you could say you did that hand signal pretty key-like.
Okay, no.
So just to reiterate for the listener
who won't be emotionally invested enough in me,
my surname's Keely, so that is why that joke happens.
But it was a setup for me not to say Keely.
Yeah.
No, it happened and I guess we're still here.
We're still alive at this stage.
No one has yet killed themselves.
This is finding your keys with Alex Keyloss.
I hope you know this is all staying in.
It is both a better plot point and a better poem
than anything in the Emoji movie.
Okay, I'm going to close my eyes,
I'm just going to grit my teeth,
and hopefully the plot will just come out
like I'm speaking in tongues.
So he goes to get selected
so he can send a meh text to this girl
so we can try to erode her self-esteem
because, you know, feminists and SJWs.
But then the Emoji is so amped to do his job
that he makes a bunch of faces
and then a whole bunch of faces
end up getting sent through to this girl's phone.
And she's like, gross.
And then the whole world of textopolis
starts just falling apart.
Because crucially, one Emoji is enough
to completely change someone's opinion of you.
So at first she wants to go out with him or whatever,
but then he sends her a weird Emoji
and she's like, oh no, I must have misjudged him.
He has poor taste in Emojis.
Not even the Liberian flag.
I mean, come on.
And then, and so that sets in motion
a sort of the plot device
that sort of the Emojis can actually act on the phone
and then act in the real world,
which sort of sets the peril in motion,
the ticking clock, which is after it fucks up
a couple of times, the kid is like,
I'm going to go get my phone wiped
because obviously, like, I've downloaded a virus
while I was surfing porn, which I've just discovered,
which we will get to, because it's heavily implied
that that's what's going on.
I love it, I love it.
Yeah, there are no nudie bits.
No, no.
Well, because the emojis don't have genitals.
It's you.
Well, that's the thing.
Is a sort of a sentient smiley face
with legs in no genitals
that somehow managed to bear children.
Is that really something
that's not going to shock a young child?
Let's go back to that you rating.
Do we really think that's appropriate?
Well, it's impossible to tell
what will upset a child.
That's the thing.
You can have a go.
The thing is, actually,
they weren't giving it a you rating.
It's just a you film, an undersea film,
which, you know,
stalks the depths of the Atlantic
and torpedoes American shipping.
When it sank the Lusitania,
quite rightly entered the war
and burnt the emoji movie in textopolis
or text herb or textum, whatever.
The the herbs, text on the herbs,
text on them to the ground.
The library of text.
OK, we're talking about I had.
I had a take about something
that we were talking about.
I can't remember it.
Was it hot?
It might have been a hot take.
It might have just been a take.
I think it was at least
it was at least like a moderately good take.
They were just like,
what are we talking about?
Hang on.
He doesn't.
You develop.
No, you do.
You too have developed a brain disease
for watching this film.
It's so bad.
Oh, yeah, that was it.
It was because you were talking about
like they introduced the peril,
which I realised you're using
in like the technical film term sense
of like every film has like the peril, right?
But like there was so little
fucking peril in this film
because I did not give a fuck.
I wanted them all to die.
There was a bit right at the beginning
when he fucks up
and he goes and sits on top of a building
to like contemplate his life.
And I was like, I'll just jump
and we can all go home
in the first half an hour.
Why are there buildings inside a phone?
Who knew?
Yeah, also how come like the
do the emojis need to sleep and eat?
Like how come there's a city
that's full of emojis,
but all the emoji business happens
in one central company.
Also, it's a company
because this movie is so wedded
to sort of existing power structures
that they can only imagine
a human's organised
in a corporate structure.
They can't imagine anything else.
There's an emoji to have a board
of directors that have a boardroom.
One of them's the poo.
So what we've got to is we've got
to the point where he's fucked up
is a problem.
The peril has been introduced.
We're in the act five structure.
Are we then two?
We are two now.
We're entering act two.
We're entering the second act
where he is about to be deleted
after the board meeting decides
to murder him
because in this also this film
imagines a world in which
a company board can just decide
to have one of its employees killed.
So that's fun.
So they basically live in the world
of the firm, that Tom Cruise film.
It's sort of like a
rictus grin
neuromancer, more or less.
Right, right.
And so he goes on the run.
He meets the high five.
They go down into this basement
where all the very unused emojis
are hanging out.
They make some hackneyed
like, oh, they're eating Chinese food.
One of them is just a Chinese woman.
The Chinese woman emoji.
Yeah, no one likes the Chinese woman.
Go fuck yourself, Chinese woman.
But I really laughed a lot when Keel said,
oh, they found the Anne Frank emoji down there.
We're not going to cut that out.
The Maddie emoji.
That's reported speech.
We have no idea if that's just
using me as a vessel for her own.
And the Kate and Jerry McCann emojis
were like, oh, we had no idea.
She was still alive.
I'm more OK with that joke than the Anne Frank emoji.
And they just say, OK, we have to go to
how I know it was a basement.
The Anne Frank emoji would surely be an attic.
Oh, come on, guys.
At least some structure to your horrible
Anne Frank humor.
I'm not anti Anne Frank.
It's more Anne Frank theme humor, I guess.
Yeah.
I guess they were hiding from a totalitarian.
They were hiding from the villain
who is constantly also happy.
When it comes to the film Schindler's List,
I'm very much team the Jews.
I'm not.
I don't even really flirt with team
that I'm on girtha in that film, you know,
very much sticking with, yeah,
our Semitic friends.
OK.
That is like something that Trump
would like stomp on around.
Trying to show he was like,
sort of fine as Semitic friends.
It's just like, you've over-explained the way
that makes us more suspicious.
They all agree.
All my Semitic friends agree
that I'm really fun at parties.
And you can see, they all signed my yearbook.
I have lots and lots of friends.
Some of whom are Semitic.
Others whom are not, and they're all fine people.
Fine people.
I'm sure.
He's the guy that also means our people as well.
And he's like, well, I'm not.
Because he's, you know...
So here we get to the first, I don't know,
like tied pool that I kind of want to pause in,
which is the Pirate app,
because they escape out of the text app,
walk along the phone background
and enter the Pirate app,
because that, A, not a thing,
but it's disguised.
It's disguised as the dictionary.
Why is it disguised as the dictionary?
I was wondering whether it was a thing,
and I was just really stupid,
and I didn't have this app that everyone else has.
No, it's not a thing.
Is it the...
Is it an app version of that game I had as a child,
pop-up pirate?
Did anyone else have that?
Where it was like a barrel,
and you pushed the pirate figure down inside,
cutler swords through slots,
and then eventually the pirate,
if you stick the sword in the wrong slot,
it would pop up in a sort of weird sexual metaphor.
And start shouting about gypsies.
Yes, and start shouting about gypsies.
This is where we get the weird gypsy take,
that I don't fully understand,
but it's the weird gypsy take.
The saucy gypsy is what he calls that.
Yeah, you saucy gypsy.
And then the woman goes like,
Oh, you junkies, junkies bastard!
If you've not seen the video,
Junkies, Junkies Bastard,
I seem like I'm just making a weird statement about gypsies.
The funny thing about that pirate moment,
is that there's all these different characters in this sort of...
It's like a kind of shitty sort of moz-eyes,
the vibe they're trying to do,
of like, oh, look at this...
Oh, the young protagonist is now finding a grander world
full of crazy characters in one place,
all with very...
Recording, get the rights to that music,
so there's another song.
Katie Berry in the background instead.
Oh, yeah, we have to go into the soundtrack later though.
So when that pirate says the gypsy thing,
what's really funny is that there's all these trolls in there,
and they're trying to have these...
And then the troll says something,
so the pirate goes like,
Oh, gypsy!
It sort of breathes racial apathetic.
And then the troll pops up with a kind of like,
your face looks a bit silly type thing,
and I'm like, you got those the wrong...
One of those...
One of those is very...
If a troll said that to me, I'd be like,
I don't really give a shit about it, whereas it's like,
where's all the racism coming from?
The gypsy comment is so brushed over there.
They're like, look what this troll said about,
you...
I rule and you drool.
And all...
And also, like, the trolls live inside the phone.
They made the phone.
And the viruses too.
When, like, trolls are either, A, other people
who live not in a phone, or trolls who live under a bridge.
So hackers, though.
Yeah.
I feel like everything that happens when they go inside
that piracy app or whatever it is,
it's just all the ideas that they had in the writer's room
where they were like, oh, trolls, there's a pun in that,
let's put that in there.
Trojan Horse put that in there, and they all just kind of
rammed it into one scene.
Was that a Trojan Horse?
Who was literally... Who would speak to them?
I was paying so little attention.
It was literally full of hoplites.
Wait, actually...
Yeah, but it was literally...
I was about to make a joke, but you know...
No, no, no, the troll...
Which, A, they came out of his stomach in the story.
They came out of the bottom of the horse.
Yeah.
And that is our main problem with this film.
Yeah.
Because they rode Rothschild over the plot of the Aeneid.
Yeah.
Because for anyone who really knows the classical literature,
the Storming of Troy is not described in the Aeneid.
It's described in the Aeneid.
The Emoji movie didn't even try and come up with a good foundation myth
for the herbs text on it.
I was very...
There was no like emojis being suckled
at the teats of a wolf emoji.
Well, you know, in the novel...
In the Emoji movie, the novel...
Wasn't it an epic poem originally?
Yeah.
Handed down from the ages.
Yeah, there's so much they miss
from the original.
So, go ahead.
There's just one...
Welcome to Alex Keely's jokes of work.
Don't work, corner.
It's my favourite segment of my podcast.
Alex Keely over-analyzes a kid's film.
Alex Keely is actually in a corner as well.
So, there's a bit where someone says something about like...
You're being really annoying.
You're giving me a nose bleed.
And then like the nose emoji is next to me like,
Hey, that's really offensive.
But I'm like...
You're not a nose, but you're like a nose.
You're not a nose, but like it's not...
It's just another...
It's like me saying that film is so bad,
it's giving me cancer.
And then Riley coming up and going,
Hey, I'm right here because he's a person.
And I'm like, yeah, but you don't have cancer.
I'm a person vulnerable to cancer.
Although you have just watched this film,
so you know my...
I'm pretty sure most of it is just a brain tumor
pressing on my brain causing me to hallucinate.
I'm really just...
Brain tumor pressing on your...
It would be very strange if a brain tumor
was pressing on anything else.
I really wanted...
So for the purposes of this podcast,
I really wanted to take a position of like defending it
and saying how brilliant it was.
But about 10 minutes in, I was like, I can't.
I can't.
There's nothing to commend this.
I'm disappointed.
I'm going to return to my notes.
I don't want to miss anything crucial that I wrote down.
The obvious like big takeaway from this film
is that if only there had been
in the last, say, 12 to 18 months
a film that had been released
which was about anthropomorphised emotions
and that was really...
Oh yeah, there's Inside Out.
There's like one of the better Pixar films
is exactly like...
It's not in premise terms a million miles away.
It's almost a quite similar premise,
but it's just like excellent.
The Emoji Movie doesn't have to be bad,
but it was very bad.
It's obviously a shit concept, but it could have been fine.
It does have to be bad.
I think it was still worse than I thought
it was going to be, which is really going some.
It was tonally so varied
that it couldn't...
It had some really dark and weird shit
that was maybe a very game to the adults
in the room that was...
I don't know, all the death...
Christina Aguilera is just being murdered.
What happens is
the police
who are sort of protecting the interests
of the corporation.
I feel like...
Socialism.
Takes hot, delicious
takes.
Pretty sure.
He said...
I said...
You hear the McDonald's...
Yeah, and so
they chase it.
Into the pirate bar
and just start indiscriminately murdering.
Like the police
just start indiscriminately murdering people in the pirate bar.
And they chase...
Is this like when cops shoot people's dogs?
It's also really funny that
there's a bit when one of these
security bots goes up to this
sort of... I don't know, this guy
and they were like, where's the people?
He's just a lone security bar.
Yeah, exactly.
Before we move on, while we're on the subject
of cops shooting people's dogs,
when they break the door down in America,
I was going through
Steven Seagal Wikipedia page
and there was a lawsuit
against Steven Seagal because of an episode
of Steven Seagal Lawman or whatever it's called
that show where he is a cop
and goes with the cops and he's like
a volunteer cop in Arizona or some shit.
Yeah, right, good, we've covered that.
He broke into some Mexican guy's house with the police
and the guy filed a lawsuit
for the fact that the police shot his dog
dead for no reason.
And then the conclusion of this lawsuit
is the lawsuit was eventually dropped
because the Mexican guy
failed to sign certain
papers in time. The conclusion I draw
from this page is Steven Seagal shot this man's dog
and got off
on a date in Calty because the man was too
poor and illiterate to file the proper
documents.
Good lord.
So the police are trying to find out where Jean
is. The main emoji.
I've seamlessly gone back into the emoji film.
And he met the hacker.
Oh my god, it's from earlier. Oh my god, it's a girl.
The girls can hack. Yes, I'm
a tough lady.
She's got some of these annoying opinions though.
So they've in the process
of scarpering and then
the droid is like, you know, talking
to these people in this bar, these criminals
and then the
what goes to one of them like, where is it?
And then the person's like, hey, maybe if you make it
worth my while, I'll tell you. And then the droid
just kills him. I'm like, right, but you're not,
you need, like it's like
it's like my shoes
or something. You just, you just be like,
it's such a weird
like if Jack Bauer just shot
every terrorist in the head, I mean,
that's actually more than better than torturing them
in a way, but like you're not, you're not doing
your job either way. That emoji just wanted his dick
sucked.
And he got shot
for his trouble.
Imagine it's the
director. Imagine the director was like, well, we can't cut
that. We need that's going to go from a U to an
A to an
obviously gay
to the
story I'm trying to tell.
The whole reason they go with the hackers
that he can get his face fixed
to go to the cloud.
And there's a rumor that the princess emoji lives in
the cloud now.
Something like this. Yeah.
These are bits of plot that
sort of just sailed.
Bits of plot that even the people who wrote the film
didn't really
understand or know.
And sorry to skip, but there's a moment
when she says, we made a pact.
Didn't we?
No.
At no point. I don't think they made a pact.
But everyone, everyone watching the film is by this
point lost too much blood
to really remember or care.
Well, no, it's because the two of the
angry grandfathers
both definitely have Alzheimer's.
I feel like the only way to watch this film is like
Seneca, like in a warm bath with
the veins of your wrists open.
Like that is like
just watch something else at that point.
It's easier to turn over the channel than just
end your life unless you're in a cinema and you can't.
And that's
but you can end your life.
There is in every
because, you know, I'm a
writer, you know, I've read
some screenwriting books because I'm a
success.
And I've read every act to
there's a part of the movie that is often called
fun and games.
This will be like where the person who's
discovered a superpower might
trivially solve a couple of like
or her might trivially solve a couple.
Yeah, we're all about equal representation.
A couple of crimes and maybe fly around
and go woohoo. If a woohoo is going to happen
in a film, it will be in this part of the structure.
We have clearly after the
Pirate Bar, if they run away,
we clearly land in a very literal
interpretation of fun and games
because they end up in two game
maps that are sort of putting them in some light
chronic peril. So they start in the dance
one, don't they? No, they start
on Candy Crush. They go Candy Crush first.
They have a brief, they have a brief
flirtation with Facebook. They don't spend
long time. Everyone's just talking about themselves
and showing pictures of their breakfast and it's like, no,
that's not what happens on Facebook, guys. Like,
mainly it's hate speech from your uncle.
Yeah, and it's like
and it's like, and it's like, so these are all
his friends. It's like, no, they're just people who like him
and that's all that matters. And then the emoji and
Wokeway goes, but I'd rather have a real friend.
It's like
fuck off emoji film.
No one who has real
friends is watching this cunting film.
It's also, it's also very like
it's very like, yeah, all these
all these young men,
they're not doing the proper Kimmich coming to this dark
room for two hours and not speak to someone else.
You're still doing a film. Who's this for? Who's the
message for? The, yeah,
it's not, it's, it's like we
is the main thing in the film is totally very
varied. There doesn't seem to be anything.
For the benefit of the listener, we watched this film in a
cinema that was completely empty, apart from the four
of us and like a mother with a young
child for whom we ruined the film.
Yeah, we couldn't let that rip.
No, sorry, the people who made this film
ruined the film. Yeah, we can't take the responsibility.
If anything, we improved it with our fun
MST3K style
sort of just descend into madness
in the front, near the front row.
Moving on. So one thing
I noticed they do as well is in lieu of dialogue
and character development,
they just, they recap the plot
and premise of the film over and over. But you
can express so many emotions, but I'm a
tough lady. That's actually would be dialogue
that they'd have, but also in
Candy Crush, they'd recap the rules of Candy Crush
a couple of times while
the high five character, James Corden character,
ex-celebrity
is off just like
hoovering up the sugar
getting high and not being able to feel his face.
They do eventually save
the game by
sort of through it by playing a round of Candy Crush.
A game which, by the way, is algorithmically
designed so that you mostly don't
win and it sort of entices
you to buy more plays per day.
I'm full on addicted to Candy Crush.
I'm really ashamed of it. I've spent
money on it. I'm that guy.
It's literally just like, it's no different
to like other games that have been around since the
fucking 90s. Like that one like Gemstones or whatever
it was called. There's something about it that
makes it just more appealing
and I don't know what it is. It's because you win
a few times. It's because they put fructose in it.
It's full of coke as the film is proof.
You play Candy Crush.
Now sniff the screen.
And so then
they go into what is, I think, the most
ghoulish David Cronenberg
bit of the movie.
Which is what they enter.
The just death. Oh, we've really Cronenberg
the world up, emoji.
When you try and teleport and you leave a jelly bean.
Oh, you're talking about that bit is the more Cronenbow bit.
I was going for a fly.
Candy Crush. Anyway, sorry.
So the
by the way, in real life, the phone is going crazy
in real life. It's like a Candy Crush
sounds are playing while he's trying to talk to
his Adderall crush.
Yeah, this is so weird as well because like he starts
talking to the girl and then his phone makes a noise
like, oh, you're really crushing that candy.
And she's like, stop saying weird shit.
As if like, as if like that's actually
him saying it's like, first of all,
it's like a man's voice saying
something completely unrelated from
his one. I'd
be like at least be like stop saying weird shit.
You exceptionally good ventriloquist.
There's no like
throwing your voice into that phone.
It's more
yeah. This is just the first time it
happens. I hate this girl. I hate her so much.
She is awful.
She only exists to be sort of a distant
passive.
Go. Yeah, she's not even just a passive
objective desire. She's like
she's like a fucking dick.
Like she's continually like every
line that she has paints or is an
irredeemable cunt. Like there is
actually no like like to the point
and then like that he is completely personality
less as well. His only personality
trait is that he likes her and
apparently likes to hide his jacking off
in a pirate app.
The stakes are very
low in this film. That's why I mean
it's weird that simultaneously the stakes are
very low and also every
major protagonist briefly dies.
It's like we could set the right smiley
face. This one by the way, everyone's dead.
It's like the eighth Harry Potter film
on acid.
So we're in this calm about it as
well. They were like bye.
When his parents
dissolve in front of him, the thumb
one, like I don't want to cut it.
It's the thumb one.
It's like an existential crisis about
it.
It's terrifying as a flash forward.
That's because the solution is to delete
the phone and have it come back.
But before that happens, they end up
in the Just Dance app, which I didn't know
was an app.
This film is completely technically
illiterate on top of emotionally
illiterate.
Oh, fuck.
Yeah, like just he's going to delete the
phone.
It's like he unplugs a cable that is
deleting the phone and that makes
everything come back to life.
And also the phone has been deleting
from top to bottom because that's how
phones work.
The messaging app is right in the middle.
It's good thing it wasn't up in the corner
like it is on most humans phones.
It's like the messaging app is like a metaphor
for like the most basic functions
of the human brain.
It's like the very centre light in the brain
stem, you know, like where they consider
the phone is the texting app. And of course
the app is a place, a physical place
in the phone, much like consciousness in
the brain is a physical place.
It's very convenient that as everything's
like collapsing and dying,
he's the last thing to go.
Yeah, it's just like Elon Musk.
As climate change
kills everyone from the outside in.
I said we should go to Mars.
And then a flaming
Tesla comes down from the sky
and rescues him.
And then he's like, do you want to reveal
how it's resolved?
Well, I do want to talk about the
Cronenberg horror world of the Just Dance app
because that's when I realised that the film
was slowly becoming
saw. Cheerful, happy,
Richter's grin saw as Christina Aguilera
plays a like
some kind of dance.
Boxing lady. Like a dance
furor.
She looks a bit like a stripper,
like a well-meaning businessman would try
to save in an 80s film.
Hey girl.
What are you doing in a place like this?
I work on Wall Street.
And so they end up there
on these little squares. And if they dance well,
they can move forward. And if they dance poorly,
they have to fall. A premise they
fall into their deaths. A premise they
restate dozens of times. But they have to
dance happily or they'll die.
It's like Roman Coliseum
Just Dance.
Yeah, it's also really unclear what the
dance is.
Yeah, because it seems to be that
there's a very, very
shit.
Oh, the girl, the hacker girl,
he's bad at dancing.
And then we see her do
these sort of weird
contortions that indicate to us the audience
that she is a terrible dancer.
Because she likes technology.
Because she's educated, so she must be bad at dancing.
That's when they have the big reveal
and they pull her hair off.
It's a myth, a myth that they
I don't think they really
a mythical seed, they didn't really plant that heavily
at the beginning of the film. I didn't really know to look for a princess.
It's like, it's so many.
Like, there hasn't been a princess around here
for a hundred nanoseconds.
I don't know what, we never know quite know what the
passage of time is, whether time is the same passage
for them. And they talk about
they refer to the 80s, they talk about
things happening in years. Oh yeah, they get
all of some finger puppets from the 80s, which is
where have they, how?
Finger puppets are not a thing inside phones.
Also, why would they, not just from the 80s,
they've just been around for a while.
What I also love is how like when, so when the
hacker girl gets revealed to be a
well, I mean, in a way
when the hacker girl gets revealed to be
and it's by like, theatrically
removing her beanie hat and blue wig
to reveal her like crown, which is underneath
somehow. And then she's like, oh, this is so
embarrassing. I've been revealed to be like
the posh one all along. It's basically like
most girls I knew at Cambridge who like bought
a beanie hat and were like, yeah, I'm actually really edgy. I'm a
king's.
They fucking went to Cheltenham ladies
and like holiday on their dad's yacht.
But I have a beanie.
Was it you that turned to me and said you thought it
was going to be a moment where it revealed she
was actually a dude and the whole thing was
actually it was incredibly woke and it was
about like trans, misunderstanding.
And he was going to have to like overcome
his own like revulsion at having sex
with a man in order to follow
his true love. Even though he has
no genitals, he's just
legs in a face.
The fist would have more luck with her than
the high part. Well, yeah. Well, this is the thing
in the in the in the world
of emojis. I mean, some in some ways
being trans is simpler because there is no
pre or post-op because they have
no genitals. No, it's true.
Except from the part for the princess who does
have a full body. She has a body, but it's really
small in proportion to her head.
It's really big in proportion to all the other emojis
bodies, which don't exist, which don't exist.
In fact, it's an infinite
percent larger. Yeah.
I mean, it's really big in comparison to like the
like general conceptual idea for this film, which
doesn't exist. Because that's the thing.
I think there might be some like some listeners
might think I can't really follow the plot
based on the way that the Trash
Future podcast is
sort of describing it.
This is about as good as it gets.
Yeah.
Yeah. You can't, you know, you can't
summarize a turd. You can make Patrick
money, but you can't summarize.
The good thing is they just, they must have gotten
some amazing, because David
Tell is in the film. They must have gotten him
to write all his best poop jokes.
We're number two and I don't flush
this one. It's genuinely
like he exists. And then just people
keep like touching them and forgetting and then
being grossed out. They just touch the poo. So it's like
the poo emoji is actually made of
poo. Like there's like poo inside
every phone. Like what does it smell?
And they emerge from the toilet. Is it meant to
say that that's where they live and they've
woken up for the morning and they're coming out?
Well, the poo emoji is actually also shit
in a really weird matter.
But if there's a poo
child, that means two shits must have
fucked to make a child.
I don't know. Maybe it's maybe
that's how Donald Trump was born.
Oh, God.
Hey, Maron.
Guys, listen to this, listen to this.
Listen to this. Co-fee-fee.
Oh,
so, but maybe Patrick, maybe just
the turd is the dominant
gene, right? So maybe it doesn't have to be two
turds. Maybe that like humans are recessive
in comparison to turds.
So the process is fucking the turd.
Yeah. And so the turd gene is just dominant
and it just produces full turds.
All the turd gene is recessive and like the
turds are amenable for like Huntington's disease.
So they're the last in the lineage
of turds and they'll soon go out or they have to
be inbred.
So I mean all the ones in the basement are
that's why they're maybe.
But also why would the turds live in a toilet?
That's like a sort of like like living on
the edge of a precipice.
I love that.
I love that one of the turds, the turds
are one of the emojis in the like
in the like unpopular emoji basement
is the like stock market graph emoji
like graphs. No one likes you graphs.
Nerd.
Nerd.
They're too young for dick.
Yeah, exactly. It's like lol
that wouldn't even like he's old enough
but the peach emoji is not.
It's like there's not, you know,
it was like the jizzing water emoji.
It was I didn't see it anywhere.
Oh, good boy.
So I think we're then about to be at the
point which I would say is one of the more
pointless, the more sort of like
why was this here? You don't even attempt
any jokes in this. It doesn't propel
the narrative in any way. I think
they just try to use it to make it like
a beautiful magical super the bit where
they go into the Spotify app. Yes.
I've been waiting for that. Nothing happens.
Like there's no attempt at a joke.
No, that's the bit where she loses her mind and then quickly apologizes.
Yeah, yeah.
It's just like they go down the Spotify
app is just like the succession of like
song waterfall, song
sorry, sorry, sorry great joke
song streams.
The word
is literal. It is literally
a stream.
So the boat goes down and they just listen to the
song and then they go on to a different
stream with a different song and that's it.
No, no, no, nothing.
Like there's no advert. There's not like a joke
about maybe like an advert dam or like there's
not a joke about like oh no it's one
that's spoken word. There's no attempt
at any sort of like what would this be
like if we were actually in this thing.
The, and because they're initially
in a rocker stream and the hacker girl's
like I can do anything. Look watch me
to handle this stream and Jean's like I
don't care for this. She's like now watch
me, nay, nay.
But then she's like okay I'll get us on to a
commerce stream. That's it.
I think much of this film is just the writer
saying okay we need to fill pages. Come on guys
pages. Let's get them out here. They're on a
stream. They can do the for quick quick. Let's
start with some chart hits from two years
going. But then they get
on to a
commerce stream but the commerce stream
isn't a song that's recognizable at all.
It's just sort of slow movie background piano
music which is
really cool.
The rest of the music in the film
by contrast is so high octane
that it gives you diabetes.
It's aggressive.
Like strong gasoline it gives you diabetes.
Like strong gasoline.
The other weird thing is
the film is full of bubblegum
pop music like Katy Perry and
fucking watch me, nay, nay.
But the thing is it's all music from
like two years ago.
Normally in these films they have music
from like you know popular music.
But it's like yeah like I mean like we're
all like it decrepit enough that like
watch me, nay, nay is like
reasonably new enough to be like part of
the same milieu of fucking dog
shite culture. But like it is actually
to I don't think like 13 year old kids now
listening to that song like oh granddad
watch you, nay, nay.
I listen to Justin Bieber
featuring some Spanish
guys. I do not
care for that song. What a surprise, huh?
Apparently it's all about
whores as well, the Spanish bit.
So apparently it's like really weirdly not
bg13. It's like you
it's impossible to tell but we'll upset
a child.
Right, so
then they go to the I just sort of want to
I just sort of there's a bit of fun stuff
to chat about at the end but there's just
three more pretty
sort of pointless scenes that happen.
They go to the cloud for a bit. Yeah there's
some peril, there's some password guessing.
The password is his crush's name by the way
because the kids sociopath.
Also like they're like we've guessed
everything. It's like that's like one of
the first things you'd
guess if you're trying to guess it.
Yeah there's like a scene in the recycling
there's a heroic rescue but eventually
they get back to
Textopolis and the phone is about to be
wiped. No, no, no.
There were two key ham-handed
metaphor like what kind of like
important like bits of like fucking
message in the film which is when they
like they're running away from the fucking
droid thing that's trying to kill them
and they run into Dropbox and it can't get in
he's like oh my god what are you doing? She's like
don't worry I can't get in here. Dropbox is secure
and it's actually like thanks Dropbox
for saving our lives with your excellent
customer service. Oh my
oh my god we've only been in Dropbox
for a couple of minutes and your dick has grown
so much bigger.
What your house price
has gone up as well.
And then this is amazing
quote where she's like
we've got to get to the cloud and he's like why
and she goes in the cloud you can be
whoever you want to be and it's like what the fuck
is this? Like back up your data
kids.
But then they go to the cloud
so that she can make his face permanently
bare. Yeah, you can
be whoever you want to be which means getting rid of
every possible you apart from the bare.
And that's the apparent pact that they've made.
How it works is he
invests his sort of you know feelings for
her and then just like any
woman she's like
friend zone bitch
and then she's like I have a boyfriend
he goes to another school
he also like
what I love about when that happens
as well is I don't think he's like correctly
even like
obviously he reacts in that very like
way to it but she's not even
she's sort of like two thirds of way to a
sentence he just walks off because like
she's one like he's like
yeah I can become a mere person and go about
the thing and obviously you'll come back with
and she's like no I'm like
the implication I feel of the rest of the
sentence is like but like maybe we could like
date if you didn't want to like destroy your
heart and if you just stay in the cloud
I don't think she's quite finished the sentence
she's quite like you seem alright but I'm probably
not going to like destroy my entire agency
and aim in the whole thing that we've been
doing just because you fancy me
he's like well I've got to go about the thing
all of that
he literally walks out while she's still talking and then a massive
claw grabs him and drags him
like all men do
there's this bit where like when
they arrive at the thing and she's like
well I guess I better go change your program
you see you're permanently a man now and he's like
oh wait I'm actually having second thoughts about that
she's like it's too late so we decided I'm already doing it
it's what we decided earlier in the movie maybe
although there's no need for me to insist
on doing this I'm gonna do it because
I'm not listening
I reject you wanting to do it
again the whole thing seems
like it was written by a Markov chain
what's a Markov chain?
a Markov chain it selects from like a group of
it basically is a random sentence generator
where no one word
is dependent on anything that came
before the previous word
so it's like it makes sentences
oh it's a posh version of a madlib
well it makes it's sort of a
it's a way to sort of make
a kind of sound sort of correct
but we're not in terms of like
word placement but we're none of the words
like actually mean anything
it's almost structurally
syntactically fine but it's not
it's almost syntactically fine but it's
utter nonsense
we're going through the beats of a film
but that have been written randomly
and so then they get back to
textopolis and you're about to wipe the phone
and the phone's getting wiped and this is where
all the characters begin to die
ah yes
because
he's at the store and he's like
my phone is cock blocking me
which is a real problem
in hieroglyphics class
hieroglyphics class
which they learn when they're 14 in America
apparently up to speak
it's the only class we see them go to and it's hieroglyphics
it's because actually this is taking place in the state of Texas
and there are a lot of
immigrants in the state of Texas from hieroglyph land
and hieroglyphs is actually the second language
and a progressive move to decide that all kids should learn
hieroglyph in school
so they can talk to their gardener
and all cleaner in hieroglyphs
oh yeah
and then there's this fucking bit where the
teacher goes like
a language of pictures
hieroglyphs does that remind you of anything
and the kids are all like too busy on their phones
and he's like come on kids
I'm making it easy but it just sounds like my
tutoring career, my erstwhile tutoring
career while I'm like making it so easy
for some child and they're like no
I don't know
and I'm like well you know like
the dative case which
Latin word do you think that takes
and he's like I don't know
well there's a word in this sentence datum
do you think that might go with the dative case
and he's like I don't know
I'm aggressively dumb
yeah like everyone in the film is aggressively dumb
like every child I've ever taught
Milo Edwards Tutoring
yeah I don't mind them
finding I hate children
so they're big with their big plan oh oh shit
I should be tutoring each other right now
oh how late are you
oh it's like literally the lesson is
ending like now
I was gonna cancel it anyway but I forgot
so oh shit
because he just tired of his phone cock-bucking
and that's hilarious
he takes it in to get like fixed
and they're like no we can send one amazing text
to this Addy girl
and have him not wipe
the phone for some reason
and so as everyone is again
dying every single character
in the film just dies
the main
emoji with all his range of emotions
is now inspired to have emotions again
because the manic pixie dream girl
has run back into his life
and sort of sublimated herself as a part of it
and that's his story
without any sort of agency of her own
and then he makes a series
I've heard a lot of this history
what about some herstory
am I right guys
Slay Yasqueen
he makes a series
a weird series of emotions
a kiss face, a heart face
a concerned face
a smiling cat
and then she comes over
and says that's a pretty cool emoji
a lot of emotions in one
and then they all turn to the camera and say
a lot of emotions in one
but some of the emojis
that he sends are like
weird unpalatable ones
some of them are like
weird unpalatable emojis
like the vomit face
or like the zip mouth face
and like why would you want that
it's like a flirtation
because the real plot
is that this boy is going to
kill her and wear her skin like a suit
but she looks at it and she goes
that's pretty cool
want to go to prom
do you want to finger me in a bush
it's the plot of
I mean
with best respect to his love interest
there's a plot of a high school girl
who doesn't realise that he didn't code that emoji
that she's given him like a credit of
we should go on a date
even if he just pressed a button on her
that wasn't hit
she thinks he's like a wicked
she's described to be like
that's a cool emoji
I guess I don't understand
the core
philosophy
he is being wingman
he is being wingmaned
by sentient beings
that he is in the process of genociding
it would be like
if the Bosnian Muslims
got together and wrote a really cool letter
to Radevan Karajik's
girlfriend
and then she got back with him
and he decided at the last minute to stop
genociding them
one of them alive at that point
and then they are this is fine now
then all of like Srebrenica is undone
yeah what I really wanted was for one of them
like for when the point where they're like
oh no he's
it's very much in my head
that's why I did
it's like the deleting the
when it's like deleting the phone
the only way we can save the phone
is to set off a nuclear explosion
deep inside the phone
I could stay awake
just to hear you breathing
and then
guys I think we've got
we've not seen the film Armageddon
we've got to the end of the movie
there's a post credit scene
the post credit scene is pretty crazy
there's a lot of like
there's just a big dance
it's again they thought
do the emoji hop
James Corden
apparently like does more like Coke
and then leads everyone
in like a dance about
expressing yourself I guess
but like through emojis
the important thing with the soundtracking was that
they used earlier in the film
this new I'm going to sound like an 83 year old
but like this hyperdiscord version
of Ahas Take On Me which is a song
that's already very good to dance to and does not need
any additional remixing but fine
they used that earlier in the dance off scene
and then they used it I think again at the end
for the I was like
well they didn't you know
there are only two songs in the world
so best we'll have to use one of the ones we've already used
in this film
but are turning in their royalties
well yeah because it's that bit where like at the end of the film
it's like so earlier in the film they established this thing
where like there's like the favorite section
where like the most used emojis are
it's like a VIP area
which is where James Corden wants to go
and look in it again
and like probably like
sexually assault strippers or something like that
I kind of get that vibe he's literally a hand
and then someone one of the female emojis
one of the female emojis at one point says to him
like well only if you're less handsy this time
which is like oh it's a joke about him being a hand
but it's also a joke about him being a sex pest
but yeah so then they're queuing to get into the VIP area
at the end and like our main character
Gene who's so named because he's
genetically deficient as an emoji
and then they're like you can't come in
on the list and he's like how can this be
I'm the most popular emoji now and they're like because everyone
can come in it's like well so you can
still come in
rendering it just a hallway
so the problem is
do we have to work out whether James Corden's
fist like character wanted to
be able to hang out with people or whether he wants to get into the club
because it's like a vape and good whereby you
it's only useful in other people excluded
from it so thus the complete collapse of
like division thus completely invalidated
that only works if you're engaged with the idea
of it being a VIP area whereas what it actually
is the favorite section which is a section in your
I don't know if you use emojis on your phone right but there's
the most used emojis which obviously no one
goes through all the pages of emojis they're entangling
so like if they just let all of them into the favorite section
they'll completely negate the point of it
the phone is made less useful
yeah like it's just it's like
de-improve the functionality
the sequel to the film is the fact that he discovers that
suddenly his favorite section on his phone is like
a near infinite collection of all the emojis
he's like Chinese lady in stock market
obviously like the parents of some of the emojis
really I think what this is
this is the emoji movie if we could
sum it up is the epic story
of a phone slowly breaking
a little bit
that's it that's it we're done
we're done
when it was revealed at the end
that Patrick Stewart had been paying the pool
all along that really was the best moment of the film
for me it's like you know that thing
that sounded like Patrick Stewart phoning in a performance
yeah
inside a phone
Oooohhhh
Of Maron
goodbye
you