Trillbilly Worker's Party - *UNLOCKED*"Screwy Stuey & The 6 Million $ Man Do Gatlinburg"(w/ Special Guest: Sturgill Simpson)
Episode Date: February 16, 2020We got up with Sturgill Simpson to talk Jam Bands, Work, Bernie Sanders, Gatlinburg, The Music Business, Leaf Hound Melting Motherfuckers' Faces Off, Canonball Run, Caleb Landry Jones, Jim Jarmusch, T...he Monkees, Kanye West playing Pigeon Forge and Running for President, his upcoming tour, and much much more.
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I'm fucked either way. I got anthrax, so...
Don't get too caught.
Literally. Thank the U.S. Navy for that one.
Thank you, Tom Ridge.
Yeah. Alright.
Are we rolling?
Yeah, I have drugs that I have to take for us to be able to do this show.
We have a special guest.
Flomax for my prostate.
We have Billy Gibbons from ZZ Top.
Shit, I wish.
Damn.
I almost met him back in September.
No shit.
We played a show at the True Bird War in LA
and I found out after the show,
thank God, that he was there or I would have choked.
I wasn't feeling good so I left right after and everybody was like, thank God, that he was there. I would have choked. But I wasn't feeling good, so I left right after.
And everybody was like, dude, Billy Gibbons was there.
Like, God damn it.
I mean, out in the bar.
I was like, are you kidding me, man?
I didn't get to talk to him.
Let me ask you this, Sterling.
Since your rise, who are some of your more fancy friends?
My what?
Your fancy friends.
You know the people that you're like
i don't want to name drop but god damn it i'm friends with
well let me get a hefty bag out real quick for all these names i'm gonna drop
my fancy friends like people i'm i would say i'm actually friends with yeah uh danny mcbride
hell yeah that's that's dream come true shit. Johnny Depp. That's cool.
I mean, Merle Haggard, that was like, I still don't know how that came to be, but I'm very grateful that he gave me time.
I don't have a lot of friends, man.
Walton Goggins' buddy, Joe Rogan's buddy.
Walton Goggins is going to come on the show.
You mean like famous people?
What do you mean?
Yeah, yeah, yeah.
Or just cool people?
Yeah, cool people.
Famous. Cool people.
Well, you guys are pretty cool.
We're friends now. We are
cool. We are at a very
specific tier of fame.
That does not exist.
Tyler Childers is a buddy.
I would consider Tyler a real friend. Chris Stapleton
has always been very kind to me.
But in the music world, I tend to stay pretty isolated
just for the sake of I don't want to end up sounding like somebody else.
I've got an idea here because I think that you like to change your sound up a lot.
I don't like to.
I just get bored.
Right, right.
So I'm going to give you some unsolicited advice as if you don't get
enough of that already. Oh, please.
Starting off. Please, I fired all the people
that used to do that.
Well, you can ask me to leave if you want to.
We ain't going to get ten minutes into this.
With the rise of Bernie Sanders,
I feel like 1980s Burlington,
Vermont is sort of having a moment.
Alright.
I like LLB.
Well, here's where I'm going with that.
Wait, is that the Coke factory?
I got it twisted.
That is the Coke factory.
LLB's in Maine.
Damn, man.
For three minutes in, I already look stupid.
Yes, welcome to my life.
We don't even have to talk politics.
I already look stupid.
So here's what I'm thinking, okay?
Okay.
We've all been bagging on jam bands for
the last decade dmb ha ha ha you know whatever it's not for me either man hey listen though
let me ask you this let's we might should give fish a different look in 2020
did you have to add trey anastasia to that list of fancy friends uh i would i'll look i'll hang
out with anybody like even if i don't like your music if you're a'll look i'll hang out with anybody like even if i don't like your music
if you're a cool person i'll hang out with you i'm just gonna be honest that i don't listen to
your music um so and i don't dislike their music i'm just not familiar mostly because i think
at a period in my life in my early 20s after i got out of the military and moved back
to a town you know like i wasn't in college i never went to college but most of my friends
were in college and college kids get in these cliques.
And there was one bar particularly that was just like,
if you didn't listen to fish, you didn't hang out at that bar.
So I never really knew if I belonged in that bar
because I didn't know what was happening.
And I was into other things.
You know, I was always kind of weird like that.
And I was never a deadhead.
But, you know, all the guys from the band I met are super cool.
I just don't know enough to have an opinion because it's not something that I ever gravitated towards.
Well, it's an investment.
I couldn't name you a single Steely Dan song if it ain't on Double Q.
That don't mean I wouldn't have a beer with them.
I love Steely Dan.
I'm saving it, actually.
One day when I'm like 50 or 60, I'm just going to sit on the porch and go down a steely
Dan Rabbit hole.
You won't regret it.
Fish is like Tolstoy.
You know, you've got to set aside years to get through.
Which, the ironic thing of this is I played the country singer thing for a few years because
I thought when you moved to Nashville and I wrote this country record and that's like
I got up and sing these songs. But after after a while you just start feeling like a karaoke machine
yeah but I always wanted to be a guitar player in a rock band like as a kid even when my grandfather
was shoving bluegrass down my throat like I was into Roy Buchanan and Danny Gatton and
Roy Gallagher and Hendrix and all these guys so now it's like I finally found myself at 41 in the
rock band I always wanted to be in and tired of singing King Turd, so we just jam now.
And that's just how it is, man.
Sometimes you just.
So here's what I'm thinking.
It's Ronan.
Yes, sir.
But 28 minutes long.
That might happen.
Just you fucking just.
By the time we get to Rupp Arena, that will probably happen.
That's what I want.
I'm going to time it out
while I'm there.
Well I guess today
everybody is
not Billy Gibbons
from ZZ Top.
I'm so sorry.
But Grammy Award winning
Eastern Kentucky's finest.
I got his number too.
I'm sure he'd love
to talk to you.
Hell yeah.
Break them all up. stargell samson
yeah stargell are you familiar with a writer by the name of jd vance you remember that name
absolutely so um for the audience i knew this was gonna happen
he's from uh well he's from jack Jackson Where I'm from That's right
Sort of
Sort of
Right
So I mean yeah
I think that it's
It's fitting
Like we started our show off
With a sort of
You know
Grand roast of J.D. Vance
Like he says he's from Jackson
I mean technically he is right
I guess
Is he
I think what it was
His grandparents were like
Throughout 23
His Meemaw's from Jackson
Right
Right Right Did you read his book people. His Meemaw's from Jackson. Right, right, right.
Did you read his book?
Tuesdays with Meemaw, I did.
I read half of it.
I literally read half of it.
I read half of every book that I like.
I don't want to trash anybody, man.
I really don't, but I will.
A funny story, because I've gone on Hollywood gone all hollywood and shit right so i know
all these casting directors and yeah uh they all know me and they know where i'm from so i got
some phone calls when it's time to make this movie about if i would you know uh give an opinion on
some things and that lasted about 10 minutes and i you know here's what i'll say this for i'll give this to jd
like so many coastal elites over the decades that have come to eastern kentucky
and found a way to point out all his problems much like them he offered no solutions he just
found a way to get fucking paid for it right twice right twice so you gotta hand it to him
wherever he went to ivy league to Ivy League school, it wasn't
for nothing. That's right. He got that Ron Howard
bag. That's what we do, basically.
We point out all the problems. Have you seen the credits
for the movie? It's like Holler Girl number
two. Oh, yeah.
Holler Ant. Which is like a
real archetype, though. Right.
You're a Holler Ant. Drug dealer.
I am a Holler Ant. Yeah, there was one that was like
dealing by the tree.
Dealing by the tree.
Let's just say at the end of the conversation, it was basically like, so we take it you're not going to submit any music for the soundtrack.
But it is funny, though, that with what you've done and your success and all this stuff,
and, you know, however we feel about it, it's a different thing.
It is kind of strange that Jackson, Kentucky, Kentucky sort of sits at the center of culture.
Did you ever anticipate that?
Wow, man.
Bill Monroe had a bluegrass festival there.
It's the only county in the entire nation that never had one single draftee in any of the World Wars.
Everybody volunteered.
Because I guess they figured we can stay here and get shot, or we can go over there and get shot.
Right.
Well, I mean, if it's like, okay, I'm I'm gonna die in a coal mine or if I'm gonna die
you know yeah for the country or whatever my my grandparents originally from Perry County uh
and but man one people were both born like one mountain part in separate coal camps yeah and I
guess they moved to Jackson probably for work people ended up working at a
place called falcon cole which is down off the highway between jackson and hazard which eventually
became diamond shamrock and mom's brother worked there and so they settled in jackson so at some
point in the late 60s it's not to be fair i mean it the the town and the community that i knew when
i was a child and lived there and would even after I moved away because of my dad's work, I'd go back every summer and stay with my mom and papaw if they didn't go to the lake in Waspar.
But it was a different feeling then, I guess.
Yeah.
Now, I mean, nothing's changed.
The shell hasn't changed.
But I guess when I go back, and maybe I've changed or just you know been away too long but i feel like and all my you know my uncle's still there
my cousins are still there but the feeling i guess it's still home right you know it's all i
could be i don't sleep very well probably sleep three hours a night but if i go home to my
grandmother's house and sit on the couch i'm out cold in five minutes sleep like a baby you know get a good ac on get
that grandma house smell you know it is but uh i don't know man and then i've been talking with
with the sheriff down there for a couple years now trying to come up with i don't you know
this job comes with a lot of self-applied pressure.
Maybe I'm probably hardest on myself than anybody.
Yeah.
And I don't, I'm just coming up short with like what I could actually do.
Yeah.
That would make any kind of difference or helping him.
Not that anybody needs help.
You know what I mean?
But like you, you build it, what do you build a park?
You build a stage or a theater for the high school and then put your name on it and say,
look what I did and hire your publicist to tell the world about it.
I don't do that shit.
I just don't know what would actually make a difference other than showing up and going to schools and playing music for kids
and then telling them there's so many opportunities out there that you don't have to imagine.
Just know they're real.
Yeah.
You know,
and you don't have to necessarily abandon your community or leave where
you're from or be ashamed where you're from to accept and understand those
opportunities.
Yeah.
But nobody's bringing any opportunities there.
That's for damn sure.
Yeah.
Right.
I remember reading a few years ago,
the FBI called breath of County a full-time job because there is so much corruption
in the local government well that's another reason i've hesitated to do anything it's like
what am i gonna write a check and hand it to somebody i might as well wipe my ass with it
light on fire man you don't know it'll it'll come out on the other end as like a tank or surplus
tank left over from there used to be a woman that ran jackson marie Mrs. Eversole, I think her name was back in the day.
Everybody had respect for her.
She was still around.
She held them all to the fire, the judges and everybody.
She kept Jackson accountable.
But Marie, what was her name?
I think it was Eversole.
Yeah.
Anyway, that was a bygone era.
One of my favorite parts of Jackson is the oxbow.
Why was that? how was that created did they you know what i'm talking about like that lake um
that lake i guess it kind of runs like a river yeah yeah like pambo lake pambo yeah okay yeah
that's that's off of uh of lake south states which is the second house i lived in in my life
was in that neighborhood next to pambo okay and i put a hidden song about pan bowl i'm at a modern at the end of it
it's a man-made lake okay and this time i guess you can fish it now we're my all my time on pan
bowl was uh my uncle played music a very good musician kind of saw me gravitating and had an
ability and and really encouraged it and but he had two
buddies wade and walter they were twin brothers and they lived down on pambo lake in this house
that was basically like one big shotgun and they had set the entire front of the house up like a
stage with lights and everything and they just kept the drums and everything set up in the pa
and on the weekends they'd have parties and I was probably I mean six seven years
old going and sitting in playing guitar with these grown-ass men and watching Danny Gatton and Roy
Buchanan VHS tape stuff way beyond where my musical palate was even right possibly able to absorb at
the time but it stuck with me and uh but their house was right on Pan Bowl and I'm sure there
was things going on all around me I was unaware of,
like in terms of the partying.
But, like, they just thought it was cool this kid was so into music.
Yeah.
And that's sort of really where my early education in music came from
was Wade and Walter Begley on Pan Bowl Lake.
Hell, yeah.
That's awesome.
Every time I drive by it, I'm like, this is what makes Jackson Jackson.
In a way.
And you can drive all the way.
I think if you go up that entrance where the lake is and drive around the backside of Lakeside
and Mountain, you'll dump out on the other side of town, kind of up close to Walmart.
Right.
Yeah.
My cousin Brad could probably show you every four-wheeler trail in Bertha County.
And put us in contact with Brad.
Another funny.
Shit, but she's a good dude, man.
Another fun
little Jackson
piece of trivia
or tidbit
is like
a few years ago
there was a big
rock fall
above the Walmart
and it
blew a hole
like in the side
of the Walmart.
Oh, that's a damn shame.
Yeah, but it was
really funny
because the local news
was interviewing this guy.
Walmart blew a damn
hole in Jackson. Yeah. That's but it was really funny because the local news was interviewing this guy. Walmart blew a damn hole in Jackson.
Yeah.
That's true.
It was funny.
They were interviewing this guy afterwards on the local news, and he was like, well,
I guess the local Walmart got a drive-thru at least.
Just totally like deadpan.
That's what you have to do to keep from crying, though.
You know what I mean?
It's just our thing.
I'm sorry. We were talking shit about J.D. V keep from crying, though. You know what I mean? It's just our thigh. I'm sorry.
We were talking shit about J.D. Vance.
No, I don't know.
I didn't mean to take away from you.
No, I don't have anything else to say about it other than you're both from the same place.
Well, I mean, they didn't even film the movie there, right?
I don't think that.
Well, they have filmed two movies in Jackson.
I don't know if you're aware of this.
The first being next of ken featuring
the one and only patrick swayze that's right and then you may remember the scene uh where he gets
off the train there used to be an old train depot in jackson it was right down in stray branch where
my great-grandmother lived and my cousin brad and i would go play at that train station all the time
it wasn't safe but they filmed that scene there and immediately after the shooting wrapped they tore the train station down but the old man that he sees when he gets off the train
standing there had this long beard you guys have no idea what i'm talking about i can tell
no i'll next go back and watch next to kenny liam neeson's finest outing i just want to say that
but there was an old man on the train station had this beard well when they were shooting
doing location scouting they went to hardy's and they saw this old man at the train station who had this beard. Well, when they were shooting and doing location scouting,
they went to Hardee's and they saw this old man in there.
And I can't remember his name, but he won the fucking lottery.
And they called him the six million dollar man around Jackson.
He never changed anything about the way he lived.
I think he put his kids through school.
I hope I'm getting this right.
But he still lived way back in this holler.
He was a hermit.
Yeah.
He had this big, long Billy Gibbons beard, you know?
So they saw him and they're like, oh, he's perfect.
So they put him in the movie.
I think he pissed all the money away somehow,
or somebody did for him.
But, and then the other movie they filmed
was Fire Down Below, Steven Seagal.
Steven Seagal is filmed partly in widespread time.
So there's probably a bunch of like illegitimate Seagal. Steven Seagal. It's filmed partly in Weisberg, too. So there's probably
a bunch of, like,
illegitimate Seagal kids
running around Jackson
with little ponytails
and shit.
My friend Amanda Black
being assholes
makes a little cameo
in that.
Well, till this very day,
there's a frame
next to Ken Poster
in the Hazard Applebee's.
Oh, man.
My cousin Brad
almost ran him over
on Main Street
at the intersection.
He walked out in front of his truck and he's like, holy shit, that's Steven Seagal.
That's awesome.
Yeah, I don't know why Ron didn't film it there.
Yeah.
But it has always been a centerpiece for Appalachian culture.
I know, yeah, like I said, Bill Monroe used to do a festival there until somewhere in the mid or late
seventies.
I think he ran off with all the money one day,
so they just didn't do it again.
Yeah,
man.
Yeah.
So you've been getting into acting a little bit.
I didn't,
I didn't,
I got sucked into it.
I enjoy it.
I tell you why I did it. When the opportunity, I got, I got a into it. I enjoy it. I'll tell you why I did it.
I got a weird call.
We're out in L.A. playing at the Greek Theater.
This was probably three years ago.
And my agent said, hey, do you want to go meet with a lady and read for a part on a TV show?
And that's all they said.
And I was like, well, that's weird.
Okay, that's all I can think about.
Sure, I'll go and do it.
And I went and met this really nice lady, Vicki,
and they didn't tell me even what it was.
It was so secretive and weird and cryptic that I walked out of there
just kind of like, what the fuck just happened?
And we got home a week later from the tour,
and my agent called and he's like, hey, they need you to fly back to L.A.
and read with this woman in Mahershala Ali again for True Detective.
And I was like, okay.
And it's only like the most anticipated third season
of television in history somehow they knew my dad was a state trooper and yada yada and art is art
expression is expression so i flew back fuck it why not and and went and read what this dude was
like oscars and shit and it went in the whole like producers and the writers and the director
everybody's in the room that wasn't uncomfortable at all and uh and i didn't get the part thank god probably because
that's the most anticipated season television i've never done it before and but that led to
another i guess the same production company that worked on that show did this other thing and they
they knew or saw the tapes and asked me if i want to do this
other thing in pittsburgh and i was like yeah why not i'll try that was so burnt out on the road at
this time yeah it was 2017 first of all anybody that came to my show in 2017 i'm sorry i did not
want to be out there i was missing my wife and my kids terribly i've been asking for time off for
two years had literally had to fire everybody to get it.
And I just was burnt out, like, and exhausted in a way that I'd never really.
I was not understanding what I was processing at the time.
Like, I'm one of those people, if you just point me in a direction,
I'll just keep going until I die.
And I should have known when to say when.
And then I took a second job
in between all that touring
and making that TV show.
And that led to an audition
for this movie Queen and Slim,
which I went out to LA
and auditioned for the director,
Melina, who's brilliant.
Yeah.
Absolute visionary.
And I just being in the room
with her, I could tell
I have to work with this human being.
Just sheer creative energy. I just wanted to like learn from her. And, uh, and that was a lot of, a lot of fun and very educational experience. Yeah.
Is that the one where you play a police officer? Yeah. Well, it's kind of underspoken, but yeah,
it's there. Um, and it was, and I got to work with daniel kalia who's obviously brilliant
yeah and uh and lena waithe and some other people we shot that thing in cleveland right in the middle
of polar vortex that whole 12 minute scene took like a week and it's like negative 27 degrees
outside it was very like i'll never uh sell short what those people do again as long as I live.
You know what I mean?
Like, that is work.
It's absolutely work.
And I would go home at the end of every day and just fall face down on the bed with my clothes on and pass out.
Yeah.
I was in the theater in Lexington watching that, and I said, I think that's Sturgill Sampson.
Yeah.
And this lady that was sitting beside me was packed down.
This lady was sitting beside me, and she was like, you know, you're pulling him out of the car and all this stuff and opening the trunk with the shoes and the gun everything
she's like you know this is what i gotta you know tell my son about you know and all this kind of
stuff and then five seconds later she said god they cast that so good i hate that motherfucker
i know that's how you've done well so you did good
well I mean you know
like I said
dad was a state trooper
he was not that cop
but he certainly worked
with some of those guys
I was around him
so I knew what it looked like
I knew
you know
I got a lot of friends
that are
that's the most
whitest thing you can say
but I got a lot of black friends
I got a lot of gay friends
I know what their life has been
the guy who
my tour manager
I've literally been pulled over in a car with him three or four times in my life.
And when I was driving, you don't get a ticket.
And when he's driving, we got a ticket.
You know what I mean?
Even when I tell the guy who my father was after they've written the ticket,
and then they say, oh, tell him to put a good word in front of him.
I'm like, no, motherfucker, I will not do that.
Right.
So, yeah yeah there's
but to me that a big part of the conversation in that scene was that we wanted everything to be
below surface like there was no it wasn't blatantly racist it was just more of like power dynamics
you weren't cartoonish i wasn't oh yeah you don't want to make it a cliche yeah right but this guy
could have been having a bad day.
He's a human being.
But at the same time, once he got disrespected and reminded, like, his superpowers aren't real, then the switch flips.
Right.
So.
Just how the way it often goes.
It's very, very rarely is it cartoonish and, you know, characterized.
Well, I watched about 200 hours of YouTube traffic stops, and sometimes that shit gets cartoonish yeah yeah you're right you're like how did these guys get this job you're right
yeah you know yeah yeah um well i've still not seen the movie i haven't either
well i die in like the first 12 minutes
yeah it is a beautiful film though though. I don't know.
I'd swim an ocean to work with Melina again, though.
Yeah.
Oh, yeah, what a dream.
She is an absolute... Well, it's a bummer that you lost out to Stephen Dorff, though,
for True Detective.
It's a bummer.
I'm guessing that's the...
Everybody, yeah.
Is that the role you were auditioning for?
If nothing else, I could have spared us all from that wig.
Damn. auditioning if nothing else i could have spared us all from that wig damn well that's fine i was uh so when i had reached out to you about doing that thing that we're working on ashley atkinson had given me her uh cbs all access credentials to see another
ashley like you've seen black klansman yeah yeah i know her like i literally know her she's an
amazing beautiful human being.
But I watched that movie in Pittsburgh with her sitting three feet away,
and I'm like, I fucking hate you.
Like, who, how can this be the same person?
You know what I mean?
She's so good in that.
Damn.
That's a shout-out to Ashley.
Ashley's the shit.
It's like, I know that's you, but I fucking hate you.
Yeah.
I want to talk about, so, you know, you talk about, like, pulling from real world experiences and stuff like that.
I want to talk about working on the railroad.
Okay.
I would love to talk about working on the railroad.
Nobody ever asked me about that.
No, I want to talk about it because of, like, the specific place you were working.
Right.
What is it?
You said it was, like, a mid, it's like a a juncture between like mid all
midwestern and i worked at a union pacific intermodal switching yard in salt lake city
which is the main cross artery for the entire western region of the united states so any train
coming from seattle or california going anywhere else east of there has to come through our yard
so it was just this major busy intersection right and we'd
get trains coming in from both directions and we'd tear them apart rip out cars and manifest
throw them in differently holding tracks rip cars we were holding to go on those trains and cargo
and rebuild them and throw the power on and get them crude and send them down the line yeah so i
was i started as a switchman like actually tearing the trains apart sloughing them down to the tracks
then i was an engineer for a while and then i was a yard master which is like you're rolling around in this big
beefed up four-wheel drive truck with 18 radio antennas that's also just a killer talking to
everybody coming in and out of the yard is kind of playing chess with the train yard right and
being an artist i learned in the navy i have a natural ability for gathering assimilating
information and then like literally playing chess yeah or it comes in real handy in the Navy I have a natural ability for gathering, assimilating information and then like literally playing chess.
Yeah.
Or it comes in real handy in a studio when you're producing or,
or seeing things 10 steps ahead.
I can't,
it took me three years to pass algebra one,
but like I can,
I can laterally think like nobody,
you know?
Um,
so the,
the,
and the Western region director's office happened to be on that yard
and he he called me screwy stewie because he knew he knew i was a little different in touch but he's
like just let that bird fly and you know do not disturb the exotic bird and everything will be
just fine and then so from that i fucked around into an assistant management position at night
and about three months after
I took that the guy running the yard I guess didn't want to work or went somewhere else
uh or when he moved up so I took the operations manager position this is all like a year and a
half yeah so I fucked up real good and proper and did a good job and I was out there kind of like
it's the first time I'd really stepped away from music and all the sorrow
and disappointment that that had brought me up until that point yeah and i stepped away from
drinking and and drugs and all this shit and really just decided to throw myself into that job
and uh it was a great job yeah but the management position is where i fucked up because now i'm not
on the yard anymore which was sort of good because it was in the desert Utah sun 12 hours a day.
I literally aged 10 years and three years out there.
And, um, but now you're on these conference calls and now you're, you got to go to the seminars and the khaki pants and all that shit, man.
And I just hit vapor lock and, uh, was, got real depressed.
And so the guitar came out of the closet, started writing and playing.
And my wife was just like, you're a fucking idiot because that's what you should be doing.
Right.
So we got to quit the job, and we moved to Nashville.
Yeah.
So that's the last job you had before?
Well, the last job technically that I had was working stocking shelves at a grocery store.
I see.
Once we moved to Nashville.
That was a tough blow going from like 62 a year yeah to less
than minimum wage and like being a songwriter at 35 you've never questioned your life decisions
until you're 35 years old sleeping on the floor in a fucking hotel room with a bunch of 23 year
olds barely making enough money to put gas in the car to get to the next gig right you got a wife at
home with a baby on the way you're thinking am i insane right or am i
just a real thirsty bitch or like what what is it you know yeah um and luckily things worked out and
i got really lucky nobody else wrote a song about turtles and drugs one year well the reason i ask
and trust me i'm not a terrorist or anything um but it is like see now everybody's
you talk about pressure points in america's infrastructure yeah grid and everything that
is one of them if you shut that down oh the whole economy collapses right no dude like if a train
showed up two minutes late you know uh that's the end of the world because now we have
not only to get it done we have to get that two minutes back and get it out early.
Right.
And if it's 45 seconds early, literally four motherfuckers I will never meet in my life are calling my office screaming.
I mean, screaming, cussing, screaming.
It was like the military all over again.
Right.
It was a very tyrannical environment because there's so much accountability. Right can't stop it can't not run you know uh we go to war oil goes
up trucking gets more expensive train freight jumps through the roof everybody's going going
going train now you know that's right they ship cars they ship you want every one of those cars
it could be flat screen tvs it could be 80,000 spark plugs you know you don't know
what's in those things unless you open up and look at the manifest that's right sometimes we'd uh
we'd have space rocket boosters there was a there was a a nasa no there was an actual aeronautics
like air force something other down the road yeah there's air force base but then they had
the place where they actually made the boosters
that they use at Kennedy Space Center
to lift those things up
and send them up there.
So like giant bombs.
That's crazy.
Like boosters full of rocket fuel.
They would ship them by train.
Jesus.
Department of Defense,
Homeland Security,
they'd come in and they'd brief us all
and they'd have to like,
we'd store them for days on end
down in the swivel holding track
and then ship them out.
So like,
it was big boy pants stuff, man. Yeah. Cle cleaning up train wrecks is big boy pants yeah um and then watching a train
wreck happen right in front of you is definitely a very sobering experience yeah um i've watched
them but only figuratively it's terrifying you know it's terrifying it happens so fast you're
completely powerless until everything stops moving from its own inertia.
But it's, I mean, literally within a matter of seconds, it goes from being on the track to 15 cars on the ground, like displacing enough earth to build an Olympic swimming pool.
That's insane.
And you're just like, oh shit, I was sitting there in my truck 15 minutes ago.
Right.
Where that stuff's all piled up now, you know.
They did it in a way so that they didn't have to use their own guys.
Yeah.
Because they're not efficient.
I see.
A coal train wrecked down from my house when I was growing up.
Just the sound alone was fucked.
The sound is awful.
It was terrifying.
We didn't know what happened.
Gnarled, twisting steel.
Yeah.
Right.
You know, and you think like one locomotive is a diesel turbine locomotive
is about 30 000 horsepower so if you got four of those hooked up together pulling the train man
like i could rip this hotel right off its foundation the power is just inconceivable right
right um so you'd be sitting in the locomotive if you're the engineer and you're pushing back
and say a car you know however 25 30
cars back you know you're talking some of these some of these things are a mile and a half long
right and if it goes in the dirt you have no idea because you're you're sitting on 140 000
horsepower just pushing backwards right until somebody gets on a radio and says hey dumbass
well i think that's uh it sounds like that's kind of a recurring theme though and a lot of your You lost half your train. That's crazy.
Well, I think that's a, it sounds like that's kind of a recurring theme though in a lot of your stuff.
Like, um, not twisted metal, but also kind of that.
But like, uh, but you know, like systems of hierarchy and tyranny and like.
Hegemonic structures.
Yes.
There you go.
That's what I've found that you can't escape it.
Right.
Um, all I can do is try to change the world I operate in, which is the music business.
And I've learned that nobody really gives a shit.
You're not going to change anything.
You can bitch all you want.
Then you just look like a bitter asshole.
But really, by trying to bring transparency towards essentially a paper-thin operation,
definitely a hegemonic structure, because there's gatekeepers.
And they decide who gets the platform.
structure because there's gatekeepers and they decide who gets the platform.
And if you're not servicing their,
their business model or directly benefiting them, you're not going to get the platform.
You're always going to be on the outer,
the outer brink.
So I just saw that early on and discovered there was a career there too.
And just going out and doing whatever you want.
Yeah.
Um,
is that a conscious decision?
I mean,
what you've done with your career
i mean it had to be at one point realizing well that ain't gonna happen if you're not if you're
not on the inside you never will be right and you know they prop up the insiders and it's all
there's a lot of marketing there's a lot of manufactured horse shit yeah you know you read
about things blowing up it's because somebody's paying a lot of money for those things to blow up. Whereas opposed to some like
My Career or
Jason Isbell or Tyler,
those are all grassroots.
That's the fans making that happen.
Yeah.
Like Bernie.
Exactly like Bernie.
Would you call yourself the Bernie
of... The Bernie Sanders
of rock and roll. I'll be honest, man.
I don't know enough about Bernie or that whole world in general to call myself.
I've tried to remain beautifully above hell the last three weeks.
We're ambassadors for Bernie.
We'll tell you all about him.
Well, here's the thing.
You got me for like, what, an hour, two hours?
I'm all ears.
My dad, the last half of his career he was
a bodyguard for governors it was like handle executive security for three or four governors so
in kentucky in kentucky that was my first introduction to politics and what i learned
is they're all crooks totally and so like and nothing ever really changes it's all like this
big distraction mechanism because the people that are really pulling
the strings, we don't even know their names.
Right.
You know, and I feel like they finally found the perfect distraction mechanism.
Like this guy is more than happy to distract, but like, I don't see him being any more dangerous
than anybody that came before or after.
But now on the burn, you know, I've i've i travel europe extensively i've seen the benefits
i don't consider myself a socialist i'm probably an anarchist yeah um i've seen that i have seen
and directly benefited and experienced the benefits of socialist health care my wife and i
were in belgium on vacation once and our our baby came down roseala like two in the morning we're
staying at this airbnb i called the lady we're renting from just to see if she had a thermometer
in the house you know because like my nine-month-old son was limping my arms like scared the shit out
of me you know and this woman maybe 12 minutes later was downstairs with her car and took us to
a hospital we walked in the hospital and within four minutes, we're in a room, not with a nurse,
not with somebody filling out our insurance paperwork with a doctor.
Yeah.
In four minutes, we're looking at a doctor at two o'clock in the morning.
Right here.
It would take you hours.
Treated the kid.
Everything was fine.
Took care of it.
Yada, yada, yada.
Alleviated our stress and anxiety.
I think it was $14.
Yeah.
Um, so I was like, Oh like oh maybe maybe there's something to
this whole not benefiting off the suffering of your country's citizens you know what i mean
exactly i know but my question y'all is if i'm gonna vote for burn why wouldn't i just pack my
family up move to spain and and get the benefits of a real socialist economy in a country with an
uprising fascist movement you know what what I mean? Or as opposed
to like wait around for this guy to die in office
before he actually makes
any difference. And then we were stuck with
Warren anyway. Right.
Or whoever gets the
sycophantic coattail VP
nod at that point. I don't know.
Just tell me what's the fucking point
in a broken system to think
any of this shit's going to make a difference my my guess my answer would be sort of actually what
you said earlier about the music industry it's like you change what you can affect and i feel
like exiting the system it's sort of like oh brother i tried to to the extent of probably
destroying my career i tried to make a difference to change things. I didn't do shit. All I gave them
was a perfect marketing plan
to sell their own fucking people.
You know what I mean?
Right.
Anybody who's followed our show
will be listening to this
and noting the irony
of me trying to convince...
Start to censor the film.
Yeah, because I personally
have felt this many times before.
It's like the system
is so fundamentally broken that...
I think we need to start over.
I do, too too the whole idea of
having this one dude that resides in office and yeah well it's all an illusion and as far as first
of all but like you know the senate doesn't represent us no mitch mcconnell certainly does
not represent the people of america he represents his fucking rich friends right his buddies and
lovelies never done shit for eastern kentucky and never will
except bring what a fucking aluminum plant ran by the most human rights violating country on
the planet right they're gonna invent like new forms of lung cancer to give to hillbillies i
guess is the whole uh that's their favorite destroyed the water in the soil let's fuck
the air up too and give everybody alzheimer's i don't i don't just don't at this point man it like numbs my head yeah right well i think that like um it's like you were saying it's funny like all
the things that you were just saying i think apply to all this now like you can only change what you
can affect like you have to change the world you have to enter you have to find a place to enter
into the stream of history and for me personally i guess that's bernie now i don't i'm under no
illusions that it will change't i'm under no illusions
that it will change everything i'm under no illusions that it'll turn everything around or
fix a fundamentally broken system i do like his style though i do like his style i love there's
no gray area with bernie sanders you know exactly what he's feeling and thinking and that to me is
refreshing and a politician you knew it in 1979 well and 1962. It's consistent. Well, and I think that also
the thing is,
the important thing for me
is that his campaign
is harnessing a large movement,
a sort of large mass of energy
that I've not seen
sort of harnessed
in politics in a while.
So did Obama.
Well, so did Obama.
That's exactly right.
That was a huge letdown.
It was a huge letdown.
I mean, it gave me $8,000
for my wife to buy our first house. That was awesome house that was awesome but uh you know he spent four years cleaning up
rumsfeld's mess but i didn't really see all the hope come to fruition that we all were promised
my response to that and this is what i think i think that like and look what it led to it led
to trump in many ways because he didn't he didn't prosecute the banks
he didn't end the wars didn't do any of that so i think that's why we've got trump but i think that
like i think that so much has happened in the last 12 years since obama that it's for me personally
i don't know if we could be able to replicate obama again again i could be making a huge error and putting my faith in this
guy he could be lying to all of us he could get in there and be like all right well we're gonna
do everything like obama i don't think he's lying i just think he's a very idealistic old man right
i don't you know no matter who gets in there they they soon learn like they have no power right and
everybody has to kiss the ring have you ever met any other idealistic old man i
feel like they usually go in the opposite direction the older you get the i'm a pretty
idealistic old no i'm a cynic i'm totally cynic um idealistic old i don't know many old men
with wisdom that are idealistic exactly so there's something to it well i guess would idealistic
so when you say they have to kiss the ring whose ring would it be i guess the bank the corporation There's something to it. Well, I guess with idealistic...
So when you say they have to kiss the ring, whose ring would it be?
I guess the banks.
The corporations.
The billionaires.
The corporations.
Petroleum.
The military.
Big pharma.
The string pullers.
Right, right.
The ones that directly benefit from maintaining the hegemonic structure known as the United
States of America.
Right, right, right.
Well, do you think, though, that it's possible that people...
I mean, we're an empire at this point.
Oh, yeah.
Not for sure.
We're empirical.
Let's say, for example, though, the people who are working at the railroad that you were working at.
Also an empire.
But let's say they became...
A monopoly, even.
Let's say they became politicized to the point to where they were like well we want
to change this too let's shut the fucking railroad down let's shut down commerce let's grind the
the cyst like the gears of the system to a halt because you know in the conventional thinking
then like once you've ground the system to a halt then the people in power actually have to
listen to what you're saying and in fact it can actually go no quickly
what they'll do is they'll kick you off your own yard and hire scabs to come in and run their
fucking train they will do that because somebody's always going to need that money but if that's the
case then why do anything you know what i mean like then there would be no point doing anything
we're going to need a few more hours if you want to have that conversation i did part two
i do not have that answer i i'm struggling with it a bit myself
yeah yeah yeah well what i think what i think is interesting particularly and it kind of mirrors
the railroad thing too is like people where we came from all of our forebears what were they
were doing they were sitting in the cold true i was that was a go ahead that was power in this
country that was building places like chic and New York and all these places.
Then they get left in the dust.
But at one point, what did they have?
They had labor power because they would go on strike and we would take China's economy.
We had unreasonable power.
That doesn't exist anymore. And there were real repercussions to that in eastern Kentucky in the 70s when the unions was straight.
And they bring scabs in.
The union guys whose jobs gets taken were hiding out in the tree line with shotguns blowing the scabs fucking guts out yeah the bulldozer that they were driving yesterday
that gets people to pay attention against people breath of county for sure
everybody talks about bloody harley nobody talks about bloody breath
no that's true that's true it's just i think that's one way to get a raise yeah
yeah i just think that um yeah i don't know my point i guess it's
just that like you know this country owes like people like where we're from a great deal and
oftentimes treats us like oh well what have you done for me like all the right way yeah yeah yeah
well you know yeah they owe the people they owe the people this country all over this country a great deal
and now we're serving them for you're lucky you know i i don't know man i've worked every odd job
known to man literally in my life i've done some shit work that i can't even believe i did just
out of some of it was just for the sake of the experience. I worked on a shrimp boat once because I wanted to.
Watch Forrest Gump.
Well, I got out of the Navy.
I was kind of crazy and wanted to be on the water.
Isn't that one of the most dangerous jobs?
It can be.
It's shit work.
You get like staph infections.
If you ever see a living shrimp, you'll never eat shrimp again as long as you live um did they get staph infections you can you have to wear gloves
if you handle like get your hands yeah there's a lot of brine it's just they're disgusting
but like yeah you know people out there have to go wake up and do shit most people
don't want to imagine i'm very fortunate i don't have to do that anymore. Yeah. I got real lucky, you know, uh,
I can't even comprehend it some days how, how much my life changed in one check. Yeah.
And my wife's life, my mother's life, you know, and, and it's, you struggle with it. Cause like,
you don't want to be the Nissan commercial song guy. And I haven't been, but those are hard
decisions when they offer you
more money than my grandfather ever made in his life for 45 seconds of some jingle you know what
I mean yeah but you have to you got to wake up and look at yourself how do you have that discipline
to do that because how much do you need man like I'm you know i don't need that that's the uh that's the campaign line for bernie
how much do you really need how much do you really need that's why i was bringing this back
and then it goes back to my world you know in the mainstream country
world there's there's guys that for all intents and purposes have the talent and ability
to make some of the most beautiful traditional country music you've ever heard and they but
they keep pumping out formulaic horse shit to sustain a lifestyle or i don't know maybe it's
to pay the people that they're now responsible for when they're jokers i don't know but like
how much do you need yeah yeah yeah you know how much do you need? Yeah. Yeah. Yeah. You know, how much do you need to where when 50 people get shot to death at a music
festival and your,
your stream pullers tell you you're not allowed to answer questions about gun
control.
Yeah.
That everybody's too afraid to say shit.
Yeah.
You got $45 million fucking dollars in the bed.
What are you scared of,
man?
Right.
Truly.
Yeah.
But we talk a lot about how, what what a bernie um country could look
like and you know people with 45 million dollars in the bank it's hard to even imagine what that
is they have a lot more to lose than we do oh don't ever give me 45 million dollars i'll hire
somebody to breathe for me i swear to God. Man.
That's a lot to lose.
You lose your mind quick.
Yeah.
That's part of it, too.
It is a very, it's a toxic industry.
And it does toxic things to you. And if you let it, you start buying into all that manufactured horse shit yourself.
And that's where it gets slippery.
Now it's not just about creation,
which is the true gift of the job.
The opportunity in itself is like,
you're getting to make things that maybe cheer people up that have to go to
work and do shitty jobs every day or,
you know,
um,
so I,
if you're asking me how you maintain the discipline,
I just always remind myself it's not
as much as they all want you to believe it's about you yeah it's not about you and there's
been times where I've even forgotten that you have to have a healthy ego to even want to do this you
know you have to be a little fucking crazy to want to do this job and it's a slippery slope, man. You can get caught up, you know,
and, like, that's why I'm not on social media
because I see so many people that are contemporaries
or what have you.
They beat this mentality into, like,
you have to constantly tread water or you're going to drown.
Yeah.
And you're only as good as your last record,
and you've got to stay visible and relevant.
So you see people out there, like,
pandering all over fucking social media for, media for running for mayor of enlightenment and shit.
Or beating their chest, telling everybody how feminist they are.
It's just like you've got a 50s media narrative that we're all supposed to be the definitive horse shit of our generation.
You know what I mean?
And at a certain point, probably about three years ago i just
realized it's all a fucking racket and they're and even the good people and a lot of them are
good people man they but they're they're parasites yeah and the amount of mental gymnastics that they
have to do to sleep at night will make you exhausted and then you just sort of like i just decided i'm not gonna do this part of it anymore and if i sell 200 000 less records oh well like
my family's okay yeah yeah you know um if i want to make a rock and roll record completely isolate
my entire fan base because that's what me and my band wanted to do when i went to studio i love
that fucking shit so much.
But, you know, we're music geeks, man.
It wasn't like I did have to process a lot of anger and clarity.
Yeah.
But, like, I also grew up on rock and roll,
and I'm playing in a band with a lot of great rock and roll musicians. So, like, let's make a rock and roll record.
And then when we're done with that, I'll go to Japan
and get all these brilliant motherfuckers to make some crazy porno cartoon.
That's just so good.
You know, because why not, man?
We're going to die, right?
Yeah, that's right.
That's right.
Let me ask you a question.
I don't know if this, and this could be my own projection onto your work, but, you know,
you've got that line on the new record that's like, you know, truth's been shrouded.
I think it's time to switch up the sound.
Does that come out of, because I've always been curious if I ever had noise.
You don't want to peek behind the curtain, man.
Just a little bit.
I said everything on that record I don't want to sit and talk about in interviews
because it'll just get twisted out of context or like Rolling Stone will, you know,
Sturgill farted today or whatever.
You think they'll listen to this, Rolling Stone?
I don't know who
listens to what or anything anymore.
Maniacs listen to this.
We've made this record.
We've made this movie.
I believe in it. I love it.
I didn't promote it.
I didn't do 8,000 interviews. I didn't play
a single late night TV show because that's all
the game as far as I'm't do 8,000 interviews. I didn't play a single late night TV show because that's all the game.
Right.
As far as I'm concerned.
You have no control.
Yeah.
No control.
If I go on TV, like, yeah, everybody's going to see it, but I don't get to say what the
mix sounds like.
So I'm compromising my art.
Yeah.
Not even thinking about that.
You know what I mean?
Yeah.
Did you have to do that a lot for Metamodern?
Oh, I did it all.
Yeah.
I did so much shit that I didn't even know what i was doing or why anymore and a certain point it's you're not you're not it's not promoting the art you're
you're selling magazines man you're you're now you're because now you're now you're a product
and now you're now you sell advertising space and every time you fart they write about it because
people click on it you know i mean i just don't i didn't want to be that anymore yeah that was
that was sort of the base side to that question not to even get into to the lyrics but you know what I mean I just don't I didn't want to be that anymore yeah that was that was sort of the b-side to that question not to even get into to the lyrics but you know I think that like the
sort of milieu that like writers and whoever else puts you know you and Jason Isbell and now Tyler
and Chris Stapleton and like the saving country music guys I was curious if that had something
to do that lyric had something to do with you not wanting to carry that mantle necessarily anymore.
It's not about not wanting to.
It's just like, why should anybody have to?
We're just making records, man.
We don't have any fucking answers.
We're not the definitive this or that.
You know, there's going to be a new flavor next month because the business, they exist
off new flavors and they know thirsty bitches are coming in every day.
They'll bend over backwards and do whatever they say to have that opportunity um but to me it's just about
clarity seeing things clearly is what that record is about to me and regaining control of myself as
a person in my own identity instead of uh being marketed as this idea of something because that's how you end up looking at rooms full of people you don't really relate to.
You know what I mean?
And I know what that feels like, too.
Or it did for a while.
And it just makes you wonder what you did wrong.
Yeah.
You start to wonder if there's something innate in you that resulted in this.
Yeah.
Because I deal with this. And like yeah, because I deal with this.
And like I said,
you know,
it's an industry
and it provides jobs
and 99% of the people
are good people.
Yeah.
They're just doing a job.
And the job is the job.
But at the end of the day,
ultimately,
they don't believe
in anything.
Right.
Except getting paid.
Getting paid, right.
Because that's what
we're all here for, right?
That's right.
Trying to figure that part out.
Well, I mean, it makes me wonder, though, like when you, okay, let's rewind time, go back to the railroad yards or even stocking groceries.
Well, see, where I screwed up is thinking, well, I moved to Nashville, I thought i want to be a songwriter okay that's when i quit the job i was like all
right well i like writing songs i've always sit on the couch and play guitar and wrote songs i
want to write songs and see if i can get paid for that and i moved to nashville out of naivety
thinking that that was something i could realistically stomach because i didn't know
what writing songs in nashville now really meant until i got here as a 35 year old man and looked around
and you see the writing on the wall and you, you, you see what that means now. I'd rather go die in
a train wreck than do that. Sitting in a cubicle with eight other people, like writing literal
horse shit dribble, right? Feeding the formula. And, uh, I was like, well, all right, I don't
want to do that. I've got all these songs. I guess I'll try to record them and make a record and, you know, yada, yada, yada.
So you kick around the can.
My former manager, he was a good dude.
He was the only one that really wrote me back.
And that, you know, he actually was like one of the good ones.
We just reached a point where I was creating my own opportunities.
I didn't really need a manager anymore. And and you realize when nashville is not going to be any
help so we just got busy playing shows and touring and then like i said every other town
in the united states that would be my advice not to answer we're talking about the apple shop
my advice to being by coming to nashville don't come nashville just get a van and start playing
everywhere else right because you're not going to get paid to Nashville is don't come to Nashville. Just get a van and start playing everywhere else.
Right.
Cause you're not going to get paid to play here.
And everybody,
everybody,
there's only like 30 players.
They're all going to show up and decide whether your star is bright and shiny
enough for them.
And if they decide no,
then you're just going to end up spinning your wheels or five years for
nothing when you should have been playing everywhere else.
Yeah.
And that's it in a nutshell.
Yeah.
You need a lawyer and you need a good booking agent.
You can trust. You don't really need anything else anymore. Yeah. You need a lawyer and you need a good booking agent you can trust.
You don't really need anything else anymore.
Right.
We played our second show here.
The same people showed up and they're like, are y'all hard up for money?
Stuff like this.
A good publicist helps.
And I had a really good one from Metamodern.
And the visibility's there. Like for High Top Mountain, my first record, I did not really good one from Metamodern, and the visibility's there.
Like, for High Top Mountain, my first record, I did not really have any money, because I recorded it.
I took a loan out and just went out and played shows, but I didn't have any PR.
And what I learned is if you don't have a publicist, nobody's going to write about it, because you're feeding the racket.
Right.
The publicist handed it to the outlets.
They decide this is something we're going to blow up and generate content for, and y yada yada well i'm out of modern that's what happened so people knew i
wrote a song about turtles and drugs right um and then you play late night tv but like these are all
gatekeepers again you know you gotta you gotta you gotta feed the monkey or you don't eat but
in a certain after a certain while i realized like well I'm a monkey, so I'll eat the bananas.
Yeah.
Which are very nutritional, but can give you heartburn.
Right.
Speaking of monkeys, I watched Head for the first time after I heard you.
You watched Head?
Yeah.
I was actually talking to Ashley about it.
She's like, you got to see that fucking shit, dude.
That shit is trippy, man.
It's so fucking good. It's so fucking good.
It's so fucking good.
People sell the monkeys short.
I love the monkeys.
The band we're talking about now.
Yeah, yeah, yeah.
They're kind of like Kiss in a way where they like, you know, like you start out as a fake band and then you become a real band.
Yeah.
And then the post sort of takes hold.
You become a real thing.
Oh, man.
What was your, you had a a question something about the blogs and the
and the if that's what no man really it's just i learned i i'm i have to turn off everybody else's
expectations yeah to do my job i can't i can't serve anyone other than my own muse um you said
saving country music that guy he well not specifically that blog but i'm just saying
like that you know they talk about
y'all like oh this is like sturgill simpson makes you know the real stuff and jason is what makes
everybody has their own identity and their own uniform they have subscribed to and as soon as
you step out of their understanding what they think you are yeah now you've betrayed them like
kyle at saving country music he's literally the first person that wrote about me yeah you know
he's always been supportive yeah but then at certain point, you got to stop calling yourself a journalist and realize
you're just like a butthurt obsessed fanboy.
And I'm not going to make Metamodern 15 times.
Right.
Right.
Nobody would want that.
And if I make another country music album, then he'll be my biggest supporter again.
But until I do what he expects from me, my records suck.
You know what I mean?
Why do people need there to be this alternative country?
I don't know.
Because they're hipsters.
Yeah.
And that's their brand of hipster.
That's right.
That is true.
I'm a hipster because I don't wear cowboy boots.
But to me, everybody has their uniform, man, and their realm of understanding.
Do you think it has to do somewhat with...'ve talked a lot about about this on the show that
in the last 10 or 15 years or so there's kind of been this like revival of the south in terms of
like aesthetics and like as a commodity it's oh yeah you think it's tied into y'all culture it's
so hot now we call it y'all culture yeah Bacon got hot, and then artists will catch up.
But now, everything's just so southern.
There's like, I don't know.
It's fucking weird, man.
You go to that new outdoor mall they built in Lexington,
and even the trash can say, trash, y'all.
Everybody's wearing these Michael Landon hats,
like the Pilgrim hats and shit.
I don't know what's going on.
I'm still dressing
the same way i did 20 years ago i mean just because i stand up with a guitar and sound
like a hillbilly when i talk i guess i'm supposed to put a fucking halloween costume i don't know
all right somebody needs to explain that shit to me yeah yeah yeah i remember they used to talk
about you wearing sneakers and stuff i'm comfortable i had to wear boots in the navy i had to wear
boots on the railroad them shits hurt your back. I'm not going to stand on stage for two, three hours a night hurting my back.
I want to be comfortable.
Especially now I've got money.
I'm going to be comfortable.
Do you feel like you've met a new type of fan?
Oh, my God.
We're all over the place now, man.
I mean, Sailor's Guide, really, I saw.
And that, to to me is awesome when i look out and
i can see like 14 or 15 different subtexts of society all staring back that to me is like
willie nelson is a hero of mine and like he brought the rednecks and the hippies together in austin
because somebody needed to yeah you know there's so much division and like divide and conquer
mentality now um which i contributed to i guess in a way with that CMA protest.
Somebody asked me what I thought about Donald Trump.
I told him what they didn't ask me is what do you think about all politicians?
So now you're like a leftist, progressive, fucking extreme.
You know, I wish they'd burn the whole thing down but um but like to to look out and see rednecks and frat boys
and punk rockers and and gays and and black people and just i mean that to me is like i don't know
how this happened but i'm gonna take it because as long as everybody's here to party and have a
good time who gives a fuck you know like why do i need to be told where i belong i got a theory
about that go ahead That cracked out synth.
Oh, dude.
God damn.
That's the through line, man.
Everybody loves that shit.
Well, Bobby, my keys player, he's a bona fide genius.
I mean, no question.
Musical engineer.
The guy's on the spectrum.
And I knew I wanted to make a rock and roll record, but what I also knew is I didn't want every song to have some wanking fucking guitar solo on it because that shit hasn't been cool in 30 years yeah we'll play
a little guitar but this is definitely not going to be like a van halen record right um but like i
love the cars i love dr gray i love elo you know all these things uh van morrison astral weeks
there's a there's a moog synthesizer on that record everybody talks about how primitive and acoustic it gets sorry bitch there's a synth on there the beatles had mogs
all over the place um so yeah we had a really good one we had a really good old i think it's a 72
mini moog model d and it just he was just getting these cool sounds with it and there's one record
in particular i was like i want a moog solo when we dialed it in and we triple layered it and put all these octaves on it was
just this big thick ass crispy fucking laser beam and i was like that's it that's the sound man like
we're gonna put this shit all over this thing to the point like i want to see music critics hate
this record because they can't understand what the fuck we were thinking you know but we were
having fun we were watching samurai movies on the on the wall on mute in this tiny little shitty
hotel in detroit and just locked in this thing for two weeks just like being geeks with nobody
there to say what in the fuck are you doing yeah you know that's just so good and it was fun man
we had a great time now we're gonna go do it live it's like 52 nights and by the end of the tour
i'm gonna wish we could record the record now because we're gonna figure out all the things you just don't process when you're in the moment
right yeah um and surprisingly i a little a little bit was trying to destroy my career
i'm like i'm totally at a point where i'm ready i probably got another this tour for sure we'll
see how it goes but like i ready to I don't want to put
too fine a point on it
but I'm ready to go home
and be a dad.
Yeah.
Because I have enough.
Yeah.
And I don't know why
I need to subject
myself publicly
to anything else anymore.
Yeah.
Probably keep making records
but
as a father of three
young boys
and a wife I love very much,
I kind of want to wake him up in my bed.
But you owe the fans to go out and rock balls,
and that's what we're going to do.
Yeah.
You do.
I feel like you handle your fans with a lot of love,
even when they're wild.
Tom and I.
I just want to be a dude, man.
Anybody, if you walk up to me and treat me like a dude,
I will literally talk to a dude, man. Anybody, if you walk up to me and treat me like a dude, I will literally talk to you
all day long.
But if it's that like weird gerbil-eyed idolatry thing and like the handshake lasts a little
too long, I'm probably going to try to get the fuck away from you, man.
Well, Tom and I saw you in Northern Kentucky years ago and a fight broke out right in front
of the stage and you had to stop the band and say, boy.
We had a problem with that for a while.
We're just here to have a good time.
We're literally up here like singing love songs
and like dudes are fighting each other.
What is really going on?
It's the state of America right now.
I could draw a through line to that for sure.
I would love to hear your theory.
I have my own.
Yeah, I think men in particular,
they're lonely because they
they're not cultured they're not cultured to love my wife to feel my wife says uh because i'm a
fairly masculine dude i guess i don't know i mean i'm a sensitive guy but like you know again you're
this you're marketed people are marketed an idea of who you are and i'm like i got this deep voice i'm a big
manly truck driving bronco guy you know i mean it's like you get a lot of that but the music
is so inherently emotional and and personal that like you're you're arising all these
undercurrents of feelings that manly men maybe don't normally want to like deal with
they get a few beers in them and start thinking about that girl from a year ago
that dumped them.
Then they look over at Flannel Joe
and they're like,
I'm going to beat your ass, man.
Making me feel this way.
Or maybe they look at Flannel Joe
and feel other things they don't understand
and they just want to process it.
That makes them angry.
Yeah, that makes them angry.
I've seen some of that too.
I'm like, man, you're looking at me the same way your girlfriend is yeah totally natural
totally natural right you gotta be honest you know well are you gonna um hit up gatlinburg
pigeon forgery on the tour i went there on my honeymoon i went there and then we loved it so
fucking much we went back on our five-year anniversary
i got a story i love gatlinburg first of all my grandparents and my papa had a trailer on
watts bar lake and in um just outside of knoxville blue springs marina and so we would go to
gatlinburg a lot in the summertime pigeon forage ride the go-karts hillbilly golf all that shit
so when my wife and i got married i was still working at a grocery store. We didn't have any money and we weren't going to do anything
at all. We were driving, we got married in Versailles, Kentucky, and we were driving back
to Nashville. We were already living there. I was like, fuck this man. I'm not going to marry this
woman and not take her on a honeymoon. And we had like $312 or something, literally. So we went to
Gatlinburg and I'll never forget this i had long hair at the
time and probably was wearing like some big old stupid elvis sunglasses or something and uh
we're walking around gatlinburg now you know i was just crushing that deep fried oreo
and we passed this this couple and this dude was dressed head to toe in real tree camo. How'd you even see him?
Exactly.
He had a shit you not man.
He had the most bitchin' mullet I've ever seen.
When they walked by, he looked at me and he turned to his wife.
I'll never forget this line.
He goes, there's a bunch of goddamn weirdos around here.
We died laughing, man.
I love Gatlinburg.
I took my kid there as soon as he was old enough to ride them with the two-seater go-karts.
Oh, love it.
We went to every single go-kart place up and down the strip.
Oh, it's so good.
Before we get too far down the road, we had a little Pigeon Forge item we stuck a pin in.
Yeah, that's why I brought it up. Before we get too far down the road, we had a little Pigeon Forge item we stuck a pin in.
That's why I brought it up.
One Mr. West comma Kanye.
Oh.
Bringing Sunday service to Pigeon Forge. You want to know my Kanye theory?
You had a Kanye theory started.
All right.
Here's my theory.
Kanye, well, he's a marketing genius.
I'll give him that.
And he used to be a musical genius.
He kind of lost me after Yeezy. But I think he's running for president yeah i think he's really i think he's really
running for president yeah so he knows he's gonna get all the like the coachella vote yeah so now
he's like how can i get the right wing vote yeah you know i'll start a church and and go around
with this maga hat and like build the constituency. That's actually,
I don't think anything that man does is an accident.
I think he knows how to use his illusion much like Axl Rose.
Yeah.
And it's all,
it's,
and it's frightening how much we pay attention.
Yes,
it is.
And feed right into the cult personality.
But like,
he knows what he's doing.
Right.
Yeah.
I've gone all over the place trying to figure him out, but like he knows what he's doing right yeah i've gone all over the place
trying to figure him out but nobody's that crazy trust me i might be
but you do wonder how much of it is like his own self-awareness of celebrity and how much of it is
a commentary on celebrity and i'll say this i have the same birthday as him. Really? So I'm probably, I don't know, going to go fucking nuts too.
But what I was going to say is, in case you've ever hated on his footwear design, don't ever try a pair of Yeezys on.
Because you will buy that shit.
Because they are literally the most comfortable shoes you will ever put on your feet as long as you live.
I got drugged to a shoe store in New York City by John Caramononica who's a pop writer in new york times because he found out me and
kanye had the same birthday i was like i'm not buying these fucking shoes man you're out of
your mind he's like well just come look at him just come look at him we go there try this shit
i was like god damn it sure as hell walked out with some yeezys and then then he put the maga
hat on and i had to throw a a $700 pair of shoes away just out
of sheer fucking principle.
Yeah, well, I mean, it's a MAGA hat.
I mean, come on, man.
What's your favorite?
Or go ahead.
Go ahead.
And I was going to say, what's your favorite Kanye album?
Oh, man.
I think Yeezy's probably the most punk rock record in the last 30 years.
Yeah.
There's a lot of similarities between Yeezy and your most recent album in some ways.
A lot of synth heavy
that buzzsaw synth that he opens up but I love that fucking shit yeah um yeah man no I know I
think he's really I think he is an artist an absolute brilliant artist I do believe that uh
but I don't know what he's saying anymore with his art yeah I'm with you there what was the name of
the New York Times writer you were with?
John Carmonica.
Yeah, John Carmonica.
Do I?
Yeah, he's on Twitter and stuff.
You've read his stuff.
Well, I've read two
of the things he wrote about you.
Like, did y'all go to Jackson?
I took John Carmonica to Jackson.
Yeah, I was going to say,
you took him to Jackson.
In a race car.
I get fast and furious.
I bought this Subaru STI and tuned it all to fuck, man.
It's like throwing 550 horsepower to the wheels.
It doesn't have the spoiler on it.
It's kind of sleeper.
But I watched Cannonball Run when I was a kid way too many times,
and the two Japanese guys in the Subaru.
Yeah.
To me, also all-wheel drive and a separate front and rear differential
so I can manually throw power to
the front or back wheels depending and i turn so they like slingshot your ass till you shit your
pants like kurt russell sitting dread death with you really need to be sitting in my seat you know
what i mean so i was like yeah i'll take you jackson man and we tore ass down mountain parkway
um i mean yeah some tops some top speed shit i took him up high top mountain where the family
graveyard which is literally like a winding gravel coal road with a fucking sheer drop on
on one side and we got on it man we straightened some curves and he's sitting over acting like he
was cool with it my cousin brad's in the back he knew i knew the roads he's just about his
thing's fucking awesome man um but yeah john John, a little bit might have came out.
He was a good sport about it.
I took him to Popeye's on the way home to make up for it.
I was going to say, did he get a napkin on your mom's couch?
No.
Well, she doesn't live here anymore.
My grandfather died, so I bought, well, before he died, I bought them a house in Lexington
so they could be closer to my mom so she could take care of them.
And then Papaw passed. So yeah, the only family I got left in Jackson now is my uncle and some cousins
that's the thing it's hilarious you gave him the New York Times reporter treatment
he strapped him in he said he wanted to see where you're from I said okay man I'd love to
we went to the white flash and uh drove all over all over jackson for like seven hours and then and then
did like 148 back back down in nashville well it's interesting like i think the first thing of
his i wrote about you was in 2013 where you were playing in new york city and so it's like yeah
that's right that bracket of time from that that first article in 2013. Not a lot of time. And then until now, I think this most recent one was in September.
That article was still very much in the questioning life decision days.
Yeah.
Because I was 30, 2014, so I would have been 36.
Yeah.
36 years old, which, you know, also maybe has has been you ask how you maintain that discipline
coming into this game as a very cynical jaded 36 year old and not some thirsty bitch 19 year old
who's been doing this shit this is all you've been doing your whole life yeah like i can identify
those people pretty much right off that like we are never going to have anything in common because
like this is all they know is chasing attention and irrelevance yeah and i i'm slowly working towards embracing my relevance
like there will come a day where i will disappear like david copperfield none of you motherfuckers
will ever see or hear from me again i've already started you know yeah. Yeah. Yeah, that's, gosh.
Yeah, you should.
You should do like a, honestly, do like an Andy Kaufman type thing.
How do you know I'm not doing one now?
I mean, honestly, I kind of did.
Yeah.
When I did, when Metamodern came out, I literally had to talk to everybody.
Because this is what you do.
You're trying to build awareness and sell product and feed your kids.
And you talk to everybody.
And every journalist I sit down with, every single one of them wanted me to talk shit about Music Row.
And at the time, I just like I had no need or want or I didn't know anything about it, you know, but they wanted to because my music sounded so different.
They needed this poster boy.
because my music sounded so different they needed this poster boy yeah and you realize like at a certain point you're sitting down with these people for two hours and the whole conversation
is literally just so they can grab two or three sentences to fill in the blanks on this piece
they've already written or their editors already told them what it's going to be about and they
turn you into this fucking poster boy yeah and i realized well there is no controlling the narrative
you're you're just providing sound bites for their narrative and so when it came time to do
sailor's guide i realized well all right all i ever really wanted was to be recognized
and maybe shown a little bit respect from country music since i love it so much
and they made it very clear that that was never going to happen and that i did not belong in that
world so much to the point even people on my team were telling me,
oh, you don't belong there.
Well, it's like, who the fuck is anybody to say who deserves to hear our music
and who doesn't, or like where Margo Price is allowed to go play or be heard,
or what platform, you know what I mean?
Like the whole thing to me is like, oh, so this is just,
there's less fucking politics in politics.
So if they're going to make me me that guy then i'll just fucking be
that guy because there's money to be made there too yeah you know uh so i did i just started
taking pisses and and and shit and every time i opened my mouth really out of self-amusement but
i got bored with that so fast that it was like well shit why did i even do that because now
you're like you're part of the fucking thing, you know? So I just stopped talking altogether.
Do you think you could ever stop playing music, though?
I mean, let's see.
I'll always play music, man.
I played music my whole life.
Before I did it for a living, I played music.
Because I had to.
Yeah.
It makes me feel good.
It makes me feel better.
It makes me not feel pain.
It makes me not feel depressed.
Like, you know, for all the good and bad
as cliche as it sounds i'm a fucking artist i don't want to be an entertainer i'll never be
an entertainer i'm an artist because i don't know what else to be all i know is what i feel
luckily i found one woman in the world that's able to put up with it and not only put up with
understand it and help me understand it better um but like yeah like i said if i disappear tomorrow
i'm still going to be sitting on my porch playing music from and whether i go to these arenas
and play these shows whether 10 people or 10 000 people show up it's going to be the same show
because i'm fucking playing for me yeah so much to the point some journalists think i don't i
don't connect with the audience anymore well motherfucker, motherfucker, I'm lost in my head.
I'm trying to find my bliss.
Yeah.
You know what I mean?
And if people enjoy it, great.
If they don't, they won't be back.
Right.
But, you know, that's okay, too.
I like theaters and small rooms more anyway.
Well, if you succeed in tanking your career, come to Whitesburg.
Come back.
I'll come back.
Come back with us.
Yeah, we have theaters and small rooms.
I'll come back and play Whitesburg tomorrow.
Do it. I promise. I swear to God. to god those two gigs we had great time down there
i saw i saw i think y'all were talking about that's where i spent 10 years playing in rooms
like that yeah you know this shit's all new to me man um and no i don't think anybody deserves
this kind of attention or idolatry or adulation i'm not even like famous you know i'm like a g
level celebrity you know i mean i get some weird shit thrown my way sometimes.
But to me, yeah, I mean, it's, you know.
I like the theaters.
I really do.
I'd rather be playing two or three nights in the same town in one beautiful room
where I can connect, and that's just being honest.
I don't mean to sound ungrateful at all.
I don't.
That's just the reality of it.
Let me pitch you on an idea, Sturgill.
We want to do this thing called Trill billy days all right we're at and we want to do it at jim
webb's property up on pine mountain and we just thought we might just do a no frills like come
camp out and we've been looking for a headliner as it turns out i like you can pay me in fried
chicken that's good because that's all we got
and i want to i want to i want my own dune buggy okay hey we actually can make that
and we will give you the nicest uh wind stream on the mountain
i have seen the wind stream i'm not a complete idiot i will bring a bus
i got i got social anxiety man i'm gonna come a point i'll be like all right i love y'all but
i'm done here i'm going to the cocoon uh no i mean i seriously like we play these festivals
i'm just like who are these people that are paying all this money to come get a sunburn for four days
man because it looks like hell out there totally and i'm in we're in a bus and air conditioned waiting to go play like we got it easy you know but like if you're
not it looks like hell you're breathing dust i'm looking at all these like third degree sunburns
like drinking 10 dollar bottles of water i'm just like man that's my motherfucker we went to bonnaroo
this year kanye was there yeah funny you mentioned kanye we went to bonnaroo one year but this year it was raining we had to go for work trust me i don't know it wasn't we didn't like but like i'll never forget
this me and tom standing in uh the middle of a muddy road you know rain pouring water everywhere
and then these people come up and they crowd everybody to the sides they stop nobody moves
everybody to the side to get to the sides of the road.
So we all huddle up against the sides of this road.
And a big caravan starts coming through.
And it's Kanye.
And I think he was with Kim Kardashian.
Kim Kardashian and Kanye in a caravan of suburbans.
Black suburbans.
It was the most feudal, medieval thing I've ever felt in my life.
You felt like a peasant.
Like the peasants were being pushed aside.
And like the king processed them. I can't remember what fest might have been a farm aid who john mellencamp
when he played like they closed the whole stage down like all the bands had to clear up i'm just
like motherfucker it ain't 1984 who do you think you are he's a bloomberg guy he's a bloomberg
that's what we're saying like michael bloomberg's paying all these people to do, like, to shield for him and stuff.
And it's like, he has, like, the worst people around him because they're like, okay, who are the biggest influencers we can think of?
And it's like, oh, yeah, John Cougar Mellencamp.
So they drove Mellencamp probably a half-million-dollar check to send a tweet.
I mean, don't get me wrong.
He has some good tunes.
But I remember just being like, what the fuck is going on?
I wasn't going to go up and watch Side Stage anyway, motherfucker.
I'll go back to my air-conditioned bus and play PlayStation or whatever you do.
I don't know.
Let me ask you this, Sturgill.
Who are you a fan of that people might be surprised to find out Sturgill Simpson's a fan of?
Musically?
Musically.
Or, you know, film or anything else.
I don't want to say guilty pleasures
because that sounds fucked up but you know what i'm saying uh music i see most of the music i
listen to either predates like 1978 and back but like i'm a big fan of uh frank ocean yeah i think
he's a genius uh i'm a i'm a fan of people who do things that I don't know how to do. Yeah. Or that I can't understand how they do them.
Or basically anybody that impresses me, which is really hard because I'm a fucking asshole.
And if it impresses me, I'm a fan.
God, you put me on the spot.
God, well, anybody that's willing to work in a film just because it's such an arduous and crazy, brutal schedule.
The directors, they also have to be a little crazy and visionary if you're good at it but musically
i think angel olsen's amazing i think uh tamen powell's pretty badass yeah um i have all the
same music taste i'm so i'm sort of out of touch to be honest because stilly dan you need to get
into still i'm gonna get back to you on you now but like i was listening this morning i was listening to on the way up i got about a two-hour
drive i don't live in nashville anymore um i listened to jerry rafferty and i listened to
rod stewart and i listened to uh some whalers and i listened to 461 ocean boulevard by eric
clapton did you know that Bunny Whaler wrote The Electric Sly?
Really?
I did not know that.
Are you serious?
100% serious.
That's crazy.
That's amazing.
Yeah.
It's probably wrong.
There's a lot of wrong facts on this show.
No, that's a fact, and it's about vibrators.
I don't know.
I think that was debunked.
That was debunked.
Yeah, we put it on the sex ed page and someone was like this ain't
right we're like okay we're always consider the source yeah i mean anybody that impresses me i'm
a fan of even if it's like totally outside my wheelhouse which to be honest like i listen to
just about everything except country yeah interesting like like well i mean i listen to
the older stuff and especially bluegrass music
from, uh, from like mid seventies, world war two era.
But like, I, I listened to all that so much in my twenties and mid early twenties absorbed
it that at some point you just step away.
Like I'm, and I'm not trying to make records.
I've said this before.
Like, you know, I don't, I don't want to make a Merle Haggard record because Merle already
did it and I'm never going to do it as good as he did.
I want to make Sturgill records, you know.
But I'll listen to fucking Goody Mob or whatever.
Fuck yeah.
Like, get pumped up.
Like, Leaf Hound.
If you want some good sleeper stoner rock
from back in the day, man,
look up some Leaf Hound.
That shit will...
I literally...
Matt knows Leaf Hound.
I've literally watched it rock
like two, three people straight to sleep.
I mean...
With a name like Leafhound.
I'm not going to give him up.
I won't sell you out.
But we hired a guitar tech and his first day on the bus.
We did this charity tour for my buddy, Justin.
He's a Green Beret combat medic, lost his legs back in March.
And we went out to raise a bunch of money for him and his brothers and their families, like guys that didn't make it back.
And then we were getting ready for this arena tour, so we got a new crew.
Because now you've got to have like 40 fucking employees to go out and play these shows in these places.
And I had this guitar tech who I love dearly, so I'm not going to say his name.
We were jamming some Leafhound in the back of the bus.
It was a little foggy back there.
And he was drinking some canned wine.
And he came back and hit this big old tarantula boomstick.
And we're listening to freelance theme and i'm watching standard like he's standing up with his eyes
closed head banging because this shit's heavy as fuck and slowly but surely just like on his like
timber man he like face planted right down in the floor of the back lounge and i'm like whoa what
happened and luckily we had a green beret combat medic
there and he just so calmly reaches down and like trakes him and does some kind of adrenaline spike
thing to wake him up and he kind of came out of it which was even more traumatizing than witnessing
the guy passed out but uh i watched leafhound rock his ass straight to sleep dude all right
what about the last good in my estimation the last good era of country music the 90s
what about some john anderson tracy lawrence john anderson's god absolutely keith whitley
god bless him not from the night we'll see again i grew up i didn't grow up there i went to high
school in this town kind of like a 4 four H farm town in Woodford County,
Woodford County.
And,
uh,
you know,
we first moved to Lexington from Jackson.
I got made fun of for the way I talked.
And then we moved to Woodford County.
I got made fun of the way I talked.
I was like,
can y'all not hear yourselves?
Like,
what the fuck are you talking about?
You're literally driving tractors to school,
man.
You know?
And,
uh,
it was weird.
We had like a race war war they called school off one day
because some kids wanted to wear confederate flag shirts and what the black students were
wearing malcolm x shirts wow and it just got really weird and i was like where am i and uh
fascinating yeah it was fascinating and what was the fuck was the point what were we talking about
uh john anderson john anderson so yeah so when the 90s country thing took off you know i'm on like seventh eighth ninth grade and there's all these people got
really into like don't take the girl yeah you know and i was like what happened man like i
believe if keith whitley hadn't died garth brooks would have never happened that's the theory i have
like because the i think the neo-trad movement that ricky and those guys started in the 80s wound its way in and uh john anderson was a boss i mean i remember vividly being five years old
and standing on the front seat of my mom's car like just screaming swinging and black sheep
you know oh god what a badass and he still sounds as good as he ever did my buddy ferg just did a
record with him with dan erbacher and it's just like, you will not believe how good he can sing.
Yeah.
My girlfriend just,
she loves John Anderson.
She just told me.
That 90s shit,
no man,
I checked out.
I checked out.
I was listening to like
John May on the Blues Breakers
and Mississippi John Heard
at that point.
So I was just like,
this is hot garbage.
Where do you fall on Joe Diffie?
On my face,
I guess.
I don't know. I don't know what does he sing he's there's a
what's that song he has about uh oh oh didn't he just like try to do the comeback with like
a tractor rap thing or something yeah he just played no wait i don't know i do know about joe
diffy i used to say everyone that's on a on motorcycle was Joe Diffie. I don't know, man. Look, everybody's got to get paid.
And all of it, whether you like it or not, it creates jobs.
It feeds people.
I try to find the positive in it all.
I just wish that it was a fair playing ground and that some of this was based on artistic merit.
Or, you know, everybody had the same chance of recognition as, say, the people that are kissing the ring.
But it will never happen because it's a hegemonic structure.
That's our takeaway today.
Prop me up beside the jukebox.
Oh, that was a good jam.
Exactly.
You know, Alan Jackson had some jams.
David Lee Murphy, that's a goddamn slapper.
We sang to that on the way here.
I'm just, some of it, I just remember, like, I don't know.
I had my uniform, I guess, at the time.
I was a greasy, long-haired pot dealer.
So I had to be cool with everybody.
But I like Wu-Tang more than that shit.
Right.
Well, I will say this, and, you know, I guess we're kind of getting here close to the end.
You make an excellent zombie, Sturgill.
Tom and I saw the Jim Jarmusch movie.
That was a dream come true.
Yeah.
It was like working with Jim Jarmusch.
Dude, you have no idea, man.
I saw Ghost Dog and Dead Man.
Ghost Dog is one of my favorites.
As a kid, like way too.
I mean, dude, you don't understand.
When I got that phone call, he literally didn't even get the sentence out.
And I was like, yes.
Yes. Whatever it is, yes. And I was like, yes, whatever it is.
Yes.
And he's like, oh, OK, well, I'm going to send you a script.
And, you know, if it's not for you, you know, and I read this shit and he did.
The script did not have included that I was going to be a running joke throughout the movie.
It was just like insert unnamed song title here where he's like, yeah the movie's called a dead don't die and
i was hoping you could you know so like i read the script and i was like oh this is talking about
modern america and we're all like we all have our own distraction mechanisms or phones and coffee and
the wool's being pulled over so we're fucking i get it so i was like uh i wanted to juxtapose
it with like a really sort of sweet 60s sort of,
not country-politan, but like a really melancholy,
honestly, I tried to make a beautiful country song.
Yeah.
And to set against the mood of like a zombie film with Iggy Pop.
And it was awesome, man.
I don't know.
And then they called and said,
we need you to come to set for two days and you're going to be zombie Sturgill.
I was like, fuck yes.
My ships came in.
Damn, now I can retire.
You know what I mean?
But that was awesome.
The movie got pummeled by a bunch of dickheads that didn't,
I guess they'd never seen a Jim Jarmusch film.
You have to know, you have to be familiar with his work.
The point of a Jim Jarmusch film is the film itself.
He's literally making fun of it all.
The most deadpan filmmaker.
It was the most deadpan film.
I was like, how did you get your job yeah that's right and i bet you'll do record reviews with earbuds
and that's all anybody fucking needs to know so yeah yeah that's right no jim's amazing and the
song is great too the europe for him it's really good um that was but yeah seeing i went to the premiere not knowing that
like i was a joke like 16 times sitting there just like this is getting fucking weird man
it was surreal already but right bill murray just threw my cassette tape out the window
like this is awesome bill murray and adam driver man that yeah that that cast was a
caleb landry j Jones is fucking amazing.
Caleb's a buddy.
Oh, sick guy.
Caleb's a good buddy of our life.
He was in Twin Peaks in Return.
Caleb's a good time.
What Caleb Landry Jones is.
That guy and I, we've gotten some real trouble in L.A.
Jesus Christ, don't ever stay out past 1 a.m. with that cat, man,
because he's fucking crazy.
I love him to death, though.
He looks like it.
I mean, he's such a...
He's so funny.
If you ever get a chance to
work with david lynch the last time i saw caleb was at the premiere in new york city and he and i
and he had this he was dating this russian girl we all went out to uh the kgb bar in lower east
side after the premiere we wanted to get out away from the cake and cock and all the horse pony show
and we went to kgb bar and it was literally we were the only three people in there with this Japanese bartender.
Very Japanese bartender.
I speak a little Japanese.
So he was nice to us.
His girlfriend was like, usually this guy is the rudest son of a bitch on the planet.
Like he was being totally friendly.
And then we started having a great time interacting and talking with him.
And eventually this table of two or three people comes in.
I'll never forget this shit.
Um,
he was so annoyed that he had to now go and like,
wait on them that he went over to their table and started doing the armpit
fart and like screaming bonsai.
I mean,
he was like,
he was like,
he was like,
let's go.
Let's go.
Like doing the,
doing the armpit fart.
This went on for like two minutes straight. He's go, Simonas! Let's go, Simonas! Like, doing the armpit fart. This went on for like two minutes straight.
He's just...
And you see these people in an utter state of shock and disbelief.
And so are we, because we don't know what's happening either.
But this guy went over and ran them out of the bar with his farting armpit until they left.
And he could come back and hang out with us again.
It was amazing.
That's so fucking good.
Take that energy with you.
I think he's the shit.
He's brilliant, man.
I think he's going to be one of the great actors.
Like a Philip Seymour Hoffman.
Yeah, I do.
He's that committed and out of his fucking mind.
Yeah.
He's so cool.
He's a sweetheart, man.
I love him.
He's got a record, too.
He just did.
It's fucking crazy. Really? Yeah. He's a musician. He he cut it at valentine out in la and he played it for me
it was just like this 35 minute non-stop psycho assault but it was brilliant it sounded like it
sounded like sergeant pepper on crystal meth man i don't know what i was even listening to you say
philip seymour hoffman i think Crispin Glover might be a little more approximate.
I can say a little bit.
Maybe somewhere in between the two.
I don't know.
Yeah, he's a good guy.
Yeah, he's brilliant.
He's brilliant.
Well, so I guess, you know, as we start wrapping this up, Sergio,
you said you got a tour coming up.
I do.
I'm leaving in like a week.
Okay.
I'm going to live.
I'm going to alternate for three months between the back of a bus and a room somewhere backstage
in the halls of an arena.
And I'm just going to sit in red light all the time.
Yeah.
And we're going to have red light on the stage.
And I've been working out.
I've lost like 22 pounds in the last three months.
Congratulations.
You look great.
I'm trying, man.
I got kids now.
I don't want to be that dad that can't throw ball, you know?
Right.
I used to be in really good shape.
I just got tired of feeling fucking fat and miserable.
So I'm just going to try to focus on my health and playing good shows and hanging out with
my band because I love them.
All important things.
Got Mr. Tyler Childers coming out.
Tyler's going to come out open.
Always a good time
i won't go anywhere near his bus because those boys eat dog shit
but i will hang out with him i'm gonna do a lot of racing i think on my days off i've been
i've gotten eat up with this going really fucking fast thing so what kind of racing like um well i
like to rally that's why i bought subaru we live way out in the country
on all these two lanes i'm gonna talk too much because they're our local law enforcement but um
i i'm a really good driver okay so i want to get really better um so the thing about having like
fans that are nascar drivers is that you can like finagle your way in driving lessons for tickets
and then formula one is also kind of some shit i'm into yeah but really
my real dream is to break the record for the cannonball run which just got recently reset
and broken and it's going to be really fucking tough to beat because these guys went full-on
jason bourne like spotters and airplane recognition software it's just like it was
insane they got incredibly lucky, too.
They didn't hit any construction from New York to Redondo,
but I'm going to break their fucking record.
Please be careful.
I got this.
I know you said you were trying to tank your career, but...
Let's not tank it that much.
No, man, it's about an untamed sense of control,
like Roscoe Holcomb's voice, you know what I control like roscoe hulcombe's voice you know
what i mean you just gotta get him you gotta know where the red is you know i agree well good luck
with that good luck with breaking the record and thank you so much and i can't i can't promote it
because it's illegal as shit but just just know like that but just know one day maybe two three
years four years five years from now you're gonna look and see this guy who used to maybe play country music
standing in front of his sleeper-ass ride in front of a hotel in Redondo Beach
with the motherfucking record.
I hope so.
I hope to see it.
I hope to see it.
Hell yeah, baby.
Well, thanks so much for doing this.
My pleasure.
You guys are awesome.
I don't know. My wife, she made me aware that you were aware.
I'm not on social media, so I don't really know shit anymore.
And what you guys are doing, especially in East Ritaki, is really beautiful.
Thank you.
I appreciate that, man.
I appreciate you doing this.
We know you don't do too much.
I try not to.
I'm lazy as fuck, man.
So are we.
We appreciate you rolling out this red carpet for us
most pretentious hotel room we're actually in a trailer somebody likes me i'm not leaving this
yeah we're on pambo lake actually well they were like do you want them to come to you i was like
that's too far i'll drive to nashville and then i don't know who even i don't know who did this
i'm sorry but there's a i just want to out, there's a fucking beer keg in the room.
All right.
It's so good.
And an espresso maker.
It's got everything.
I'm going to drink it all.
I'm going to drink it all.
You guys can stay here tonight.
I'm going home.
You can trash this place.
I'm curious to know what this big fold out. I guess it's a bed.
That's a bed for sure.
Let's find out.
Pull it down.
Here we go.
Oh, shit.
It's a bed.
I knew it.
Hey, Gail, we figured it out.
We figured out the massive cut down in the wall.
Well, anyway, Sergilsson.
I'm just saying, though,
this room is not in my name.
Okay.
You can trash this place.
I don't give a shit.
Is it in Gail's name?
Okay, okay.
I'm probably paying for it.
Is there anything else
you want to plug before you leave?
Besides breaking the Cannonball Run record
and the new tour?
And if people want to buy
tickets to the tour
they just go to your
website
I like books
if you're
everybody's looking
for a good book to read
the last book I read
kind of blew my mind
it's called
A Brief History
of Seven Killings
by Marlon James
hell yeah
is it noir
no
it's like
detective story it won a Pulitzer,
and to me,
it's the most original
voice novel I've read
since probably the first time
I read Confederacy of Dunces.
Okay.
It's all about...
I love that book.
It's all about mid-'70s Jamaica
and specifically
the U.S. government
and the CIA's involvement
in the drug trade there
that they facilitated out
into New York
with the Shower Posse gang
and bought the money back to use to buy weapons that they then used to with the Shower Posse gang and bought the money back to use to buy weapons
that they then used to train the Shower Posse gang
to attempt to assassinate Bob Marley
and successfully assassinate Michael Manley,
who was a revisionist politician and threatened.
Yeah.
Marlon James, right?
Marlon James.
Yeah, yeah, yeah.
It blew my mind.
Melina turned me on to it.
I've read it like seven times now. It's amazing. That's all I James. Yeah, yeah, yeah. It blew my mind. Melina turned me on to it. I've read it like seven times now.
Yeah.
It's amazing.
That's all I got.
Well, that's an excellent plug.
That's a good plug.
Marlon James.
Get some.
Yeah, get some.
All right.
Thanks for coming out.
Thanks so much.
Love you guys.
Thank you.
Thank you. Well, I figure lots of things are good
But they don't add up so much compared to you
And I'm gonna do as a good man should
I'm gonna bring my lovin' back on her home to you
I've seen a lot of...