Why Can't We Talk About Amanda's Mom? - Ep.3: The Serial Killer’s Highway
Episode Date: March 8, 2023Interstate-10 is known as the serial killer’s highway among criminologists. Given the brutal nature of her injuries and the fact that she was found dead on a service road running parallel to the hig...hway, Sarah investigates the possibility that a serial killer might be responsible for Renée's death. Hosted on Acast. See acast.com/privacy for more information.
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You know what's crazy? I actually did a spirit box session in a cemetery
I asked what do you miss the most in the spirit said sex?
Yeah, right. I'm Dalyne Spratt on urban legends with the Ghost Brothers the podcast
We get into the nitty and gritty of paranormal ghosts and urban legends and we have a good time
I hear voices and I'm running up this mountain at some point lost my pants like running up
Okay, that's fair.
That's fair.
Listen to urban legends with the Ghost Brothers,
wherever you get your podcasts.
This podcast contains explicit language
and graphic descriptions of violence.
Please be advised.
My initial reaction to the RNA Bergeron scene
was very complicated.
I knew it was going to be a complicated case because she was found without her head.
That wasn't found for at least another day.
She was found without her tongue.
That certainly meant something.
And the injury to the body, the clothing, she didn't have all of her clothing.
She was very clean.
I knew at the time this was going to be a real challenge.
To try to recreate what could have happened to this young woman.
For ID and ARK media, I'm Sarah Kaelin.
And this is why can't we talk about Amanda's mom?
A podcast documenting my three-year investigation
into the 1993 murder of Renee Bergeron,
a murder that has remained unsolved for nearly 30 years.
Previously, on Why Can't We Talk About Amanda's mom?
Did you have any knowledge about Maria King?
Did it?
No, sir.
I'll take a lot of detective tests or whatever.
I have to do.
I have no knowledge whatsoever.
You look together again, me, she and her bad. I never will forget her, but I call her Maria.
We'll refine our later name with Renee Bertrand. But she always be a real mountainist to me.
If this had been a 60 year old lady that was at a grocery store shopping, I think Cookie
would have put more focus on it a lot more time.
I hate to say it this way, but she was just a whore.
Who cares?
I actually feel that's the way he looked at it.
It doesn't matter what you heard.
The least was in her name that was her house.
She wasn't living off of anybody.
I think it's important to recognize that there were a lot of
tales about her at the time that were not accurate. The injuries to the neck
which involved the capitation meaning that her head had been physically removed
from her body. These wounds, they're just indicative of someone who's in a state
of rage trying to do as much damage as they possibly could.
Interstate 10. It runs through eight states from Santa Monica, California to Jacksonville, Florida.
Almost 2,500 miles long.
It's the fourth longest highway in the country.
One of the flagship freeways of the American Interstate Highway
system when construction first began in 1957.
And according to some, Interstate 10
is the serial killer's highway.
Now there is no official designation.
Reasonable educated people disagree, on which
exact stretch of highway is the serial killer's highway, but the fact of the matter is that
I-10 covers a lot of ground. It stretches from the Pacific to the Atlantic, along the way it hits
a number of high-crime areas, including brushing up alongside the Mexican border at Juarez as it passes through El Paso.
And while El Paso is a statistically very safe city, Juarez, with easy access to 10, is
the third most dangerous in the world.
I-10 also hits Los Angeles, Phoenix, Houston, New Orleans, and Mobile, Alabama.
Why are highways so popular with serial killers?
Logistics. That's the first answer. It's easy to kill and then disappear.
We did see it in the past with trains as the railroads expanded. There are a number of unsolved ex-murters believed to have been committed by offenders who
hopped on and off the trains to kill the same way we think of them doing now on the highways.
Plus, highways offer anonymity. This is the greatest tool a serial killer has. Some killers
choose the trucker professions specifically because of the ability to move about the country.
Victims are often dumped nowhere near where they were picked up or killed. This is part of why there are so many John and Jane Does associated with these kinds of killings.
In 2010, the FBI began tracking serial homicides specifically associated with highways and
major roadways. When you examine that data, the highest number of murders over the longest stretch of the highway
does appear to be across the bottom quarter of the country, tracking along interstate 10,
right where Renee's body was found.
This certainly factors into my thinking when I first see the Renee Bergeron case,
making me believe there's a strong chance that it is the work of a serial killer.
making me believe there's a strong chance that it is the work of a serial killer. First, of course, it's unimaginably brutal.
There's decapitation, mutilation, object rape.
Not to mention the fact that whoever killed her drained her body of blood
and appears to have posed her in that prone position on the grass.
Which brings me to the second reason why this could be the work of a serial killer.
It looks ritualistic, obsessive, the kind of murder that someone with a sadistic compulsion would commit.
And third, perhaps most relevant to this part of our story,
she was found on a service road just off Interstate 10,
unarguably the most popular highway for serial killers
in the whole United States.
Not only did many serial killers travel on highways to commit their murders, many also
disposed of their victims' bodies along the highway.
Keith Jesterson is the most well-known, but there's Richard Rogers, who dumped his bodies
at highway rest stops,
and Jerry Lee John's who left his red-headed victims
by the side of the road.
It is my first impression.
It is the very reason I am asked to look
at this specific case,
so it is necessary to ask.
Could a serial killer have been responsible
for the murder of Renee Bergeron? Do you remember me approaching you about the case? Yes, you
emailed me about the case. Yes, I was intrigued enough to say, come and let's
meet. And so then we did get together when you came up to the cottage. This is
Dr. Anne Bergers, a legendary researcher, professor, and consultant in the areas of
trauma-informed rape victim interviews, serial predation, forensic psych nursing, homicide
investigation, and psychological profiling.
You might recognize her work as that of the character Dr. Wendy Carr in the Netflix series
Mind Hunter, which portrayed the FBI's behavioral science unit
as they basically invented the psychological profiling
of serial killers.
Dr. Wendy Carr, so you're saying
you don't think this us interviewing these killers is crazy?
Just the opposite.
I mean, crazy.
Wendy Carr is the fictionalized version of Dr. Burgess.
I mean, imagine.
I truly imagine what it takes to bludgeon someone to death.
Now, here is what is so cool about Dr. Burgess.
She is a leader in two fields, critical to solving
unimaginable murders like what happened to Renee.
Those fields are forensic nursing and victimology.
Basically, what kind of a person commits this kind of crime,
and what clues can a victim and their life offer us
about who may have killed them?
To solve this case, I know that I need to understand both who Renee is
and who the person who did this to Renee is.
Without either, I'll be as lost as the original investigators.
Before we can dive into René's case,
it is important to rewind and give some more context
to the work Dr. Burgess did on serial killers,
the work that was portrayed in Mindhunter.
For Dr. Burgess, that work started
with looking at sexual crimes. Back in the 1970s, Dr. Burgess, that work started with looking at sexual crimes.
Back in the 1970s, Dr. Burgess was an assistant professor of nursing who focused on forensic
psychology.
And as part of her research, she conducted an extensive study with rape victims seeking
treatment in emergency rooms.
From that research, she was able to develop a comprehensive study on the impact of rape
on victims, as well as how best to interview and treat rape in a clinical setting.
It's this work that led her to be invited to the FBI's behavioral science unit.
William Webster was the head of the FBI out of Washington, DC.
He was new.
He was visionary.
He was young, energetic, and he said,
we will have our agents at the Behavioral Science Unit at the FBI Academy to teach law enforcement across the country.
Not only did he say that law enforcement needed to be trained in the area of rape investigation,
but they at the Academy needed to do research. And so because they had to do research, several of the agents were interested in interviewing
criminals.
As Bob Ressler told me, how can I teach criminal psychology if I haven't talked to any
criminals?
So the FBI had all of these imprisoned serial killers they could
interview but no system for conducting those interviews. They didn't get into
talking with the suspects. They usually would usually turn that over and they
certainly didn't understand the victim. Victimology was not something in their
playbook at that particular time. So I happened to be at the right place at the right time.
This is where Dr. Burgess came in. She was a professor and researcher. She knew that the
only way this research could be comprehensive and systematic is if they put a methodology
into place.
Well, it would be nice if you had a set of questions that you asked each one and then we could take
a look at whether that would make some sense, we could do some statistics, et cetera.
And that really was how the study got started.
She believed that the interviewers, that is the FBI agents sitting down to talk to the killers,
should ask a standard set of questions to known serial killers
in order to build up a database of information.
Even the order in which they asked the questions was important to how the answers would be
compiled and interpreted. At one point she went so far as to color code the questionnaire
in order to guarantee that the process was maintained across the board.
And in fact the first book we wrote was an academic book for the Theals, so to speak,
on patterns, the sexual killing, and of course what it was.
But where did we get our sample?
Well, I asked Bob, Russ R2, please give us a list.
And he was able to find, I think, 82 serial killers where they thought there had been multiple
victims.
And out of that, we paired it down to 36.
And these were ones that we thought they could get interviews with.
We really wanted them to go out and interview these men.
So they did. And during those interviews, they focused on so many things you've probably heard of,
probably even know by heart now yourself. How did they treat animals in their childhoods?
Did they have a penchant for starting fires?
Had there been physical or sexual abuse growing up?
Did they choose and stock victims?
Or did they simply act on impulse
in a momentary lapse of self-control?
Did they know their victims?
Or picked total strangers?
And the men they interviewed.
Well, you know them too.
Ed Kemper, John Wayne Gacy, Richard Speck,
even Mobyles' own Thomas Wiesenhunt, to name a few.
But Dr. Burgess had her own focus in those interviews.
I was a more looking at the psychology and the psychiatric aspect and that had to do with
the upbringing, the child development part went on in the family.
We clearly saw the pattern of the absent father.
That always intrigued me because up until that point, they often would talk about the
domineering mother and how bad the mother was and she did this
and that to the child.
But they said in fact,
they're in that there's no father around.
And so the mother was really having to do both
the discipline as well as the nurturing part of parenting.
But the absent father was important.
And then the other, I think, important thing
that we found out is there was something
in each one of these
narratives of a very powerful
Experience that maybe for other people other young boys wouldn't have mattered but it had some type of sexual
Connotation to it and that seems to be what really hooked the young male child in.
And it could be as young as five, six, seven years old.
I can remember Jean-Jobair was clearly talked about at age five.
He wanted to, quote, gobble up his babysitter.
And if you looked at his crimes, even the ones
before he started killing, they would have bite marks
that the victims in some way
would be bitten.
And then, of course, in his killing,
he had targeted young boys.
So, just to summarize, what Dr. Burgess finds
in these studies is important.
Childhood development and factors in the child's surroundings
played a role in sexual homicides.
It wasn't just sociopathy or psychopathy, nurture played as much a role as nature.
Remember at the time of this research, serial killers were on the rise, both in headlines and
popular culture, a rise that continued from the 70s on through the end of the 90s.
arise that continued from the 70s on through the end of the 90s. At the same time as pop culture was turning our attention to a new swath of
slasher flanks, the newspapers were filled with more and more stories of horror
movie-style killers walking amongst us in the real world. It was the golden age
of the serial killer. There are a number of theories as to why serial killers
and serial sexual predators
seem to rapidly burst forth
from the broader population of your typical rapists
and murderers, and why in particular,
we experienced a sort of serial killer bubble
in the 70s, 80s and 90s.
Urbanization likely played a role, more people in one place
with greater anonymity.
Led paint and buildings, led in gasoline too,
and so much more of it everywhere
with that ever-expanding highway system.
There's also the fact that a whole generation of men
grew up in homes plagued by unacknowledged and untreated
PTSD in their fathers, veterans
of World Wars I and II.
Plus true crime and true detective magazines were widely available and very popular, marketed
to and consumed by boys in their tweens and teens.
They essentially were pornography filled with intensely sadistic imagery, linking sex and violence at a critical stage of development in the minds of some young boys who could buy it at will during a time when healthier forms of porn were simply inaccessible.
None of these things acted on their own, but altogether created a perfect storm of developmental impacts.
Add that to the important factors of nature, that is, the naturally occurring psychopathy
or sociopathy, and the math is simple.
More developmental impacts on the regularly occurring number of sociopaths and psychopaths
in a population will likely create more serial killers versus, say, your garden variety ruthless sociopathic
CEOs. But this golden age and the newly popular image of the serial killer all led to the government
investing considerable resources into groundbreaking research like the research that Dr. Burgess
did. And that research has proved to be vitally important
to our understanding of sexual homicides today.
What do you wish the broader public knew about serial predation?
I think the public needs to know how long the surveillance goes,
how much that the offender gets out of stalking,
silently stalking his victim.
It just take a store clerk, even if that offender comes in every day to buy a newspaper or something,
that that can be setting up something and where the, I remember one clerk that would say,
smile and say, hello every time and that would feed into his fantasy.
But we had seen that in other kinds of cases.
So I think that you cannot assume that the victim is a stranger to the offender, maybe
a stranger to the victim, but that person may well have been watching and surveilling the
victim for a while.
It builds the fantasy. It builds into what he wants to do and how he's going to do it.
Which brings us to the Renee Bergeron case.
When I presented the information to you, what was your initial reaction to Renee Seane?
My initial reaction to the Renee Bergeron scene
was very complicated.
I knew it was gonna be a complicated case
because she was found without her head.
That wasn't found for at least another day.
She was found without her tongue.
That certainly meant
something and the injury to the body. The clothing, she didn't have all of her
clothing. As she had nothing, she was very clean. There was not like a lot of
blood smeared on her and later determined that she had no blood, that something had drained the blood.
I mean, this was going to be, I knew at the time, this was going to be a real challenge,
to try to recreate what could have happened to this young woman.
What it renails seen to you presents as an indication of a sexual homicide or possibly at first
glance the work of a serial predator. Well when you go to crime scene and you
want to look at a particular victim, sell the position, the victim is in, the
clothing or not, the anything any markings on the body, any items that are there
and items that are not there
that you might not learn until you talk with someone.
The vendor take anything off of the body, any markings, any souvenirs, things like that.
When you only have the victim and you believe that it's a serial killing and even if you don't, how do you
reestablish or re-evaluate the fantasy that was going on in the killer's head?
That's really the hard thing is and it's easy if it's a robbery say because
the ball it's missing or items are taken. But when there's nothing like a
robbery or anything
also explained why the victim was killed,
you have to think about a serial killing.
There are a variety of indicators
that you have a sexual homicide here,
even without the presence of evidence of that.
And one of the important things of understanding it
as a ritualistic crime is
how much time that the offender spent at the crime scene. And that could be determined
by the various things that are left at the crime scene, was the victim covered, was the
victim just left without any type of attention to it.
How much time the fenders spent at the scene,
what he did to the body, why he did the things he did,
all would point to the fantasy.
So in its simplest terms,
the murder of Renee Bergeron and the subsequent crime scene
I've studied through photos and the Medical Examiner's report
is undoubtedly
a sexual homicide.
And by virtue of how extensive the wounds were, how grotesque they appear to the average
person, how long the killer must have spent with the body, they certainly look like they
could have been inflicted by someone who had done this before and would likely do it
again.
By definition, this means it could be the work
of a serial killer.
So how do I begin to investigate
whether a specific serial killer could be involved in this?
Well, I need to turn to the very data set
that Dr. Burgess first helped to create.
Do you have a tattoo that says Pear and all pop? It's on his lower back.
It is not.
It's in her thigh.
I'm Dalyne Spratt and on Urban Legends with the Ghost Brothers, the podcast, we can
it to some real stories of the Pear and normal.
And we have a pretty good time doing it.
I hear voices and I'm running up this mountain.
At some point, lost my pants, like running up a mountain because I hear voices and I'm running up this mountain. At some point
lost my pants like running up a mountain because I heard voices. Listen to
urban legends with the Ghost Brothers, wherever you get your podcasts.
In order to find out whether a known serial killer could be responsible for
the murder of Renee Burjran, I know that I need to get access to something
called the Radford & FGCU database.
Basically, the database aims to track every known
or broadly suspected serial killer in the world,
past and present.
For each killer and victim, there are 185 possible characteristics,
like murder weapon, gun, knife, rope, something
else, mutilation and its variations, like decapitation, and any other details relevant to the
crime, like whether the victim's body was hidden or not, plus all of the other bullet point
facts of the case, like where and when it happened and who the suspects are, if that is known.
As you might imagine, this is a comprehensive collection, because we know cereals work in patterns
an extensive record like this allows for comparisons to unsolved cases.
As soon as I have access to this database, I start scouring for any relations to this case.
Then as I have access to this database, I start scouring for any relations to this case. First, I look at the Gulf Coast region, South Alabama, Mississippi, Eastern Louisiana,
the western panhandle of Florida.
What murders show up in this area?
Then I look to see if any of those murders look similar to what happened to Renee. Are there any other sexual homicides? What about decapitations?
The decapitation felt like the key to me.
Even among sexual homicides, even among murders with mutilation, decapitation is quite rare.
However, when I look at the data, there are not a lot of matches.
But there's one match that looks promising, a serial killer by the name of Sean Vincent
Gillis.
Sean Gillis is a serial killer from Baton Rouge, Louisiana, less than a three-hour drive
from Mobile.
As far as we know, Gillis killed four black women and four white women.
He himself is white.
Some of his victims were sex workers.
One was an elderly lady living in an assisted living facility.
One was a 52-year-old stay-at-home mom.
One was his own housekeeper.
His choice of victims is obviously quite varied, but his methods and signatures are not.
All of his murders look very similar, and one of them looks almost identical to Rene's,
right down to the position the body had been left in for discovery.
His MO, or the logistics used to find capture and subdue victims, was this.
Generally, he tried to get women into his car
where he would then strangle them with a zip tie.
His signatures or the elements of the crime
that brought alive the fantasy and satiated his compulsions
were stabbing, slashing, mutilating,
exploring the victim's body post-mortem,
and sometimes even necrophilia and cannibalism.
Gillis is believed to have been active from March 1994 to February 2004,
a 10-year run in which he tried to rack up a good number of victims
in order to attract local media attention for his crimes.
He was jealous that Derek Todd Lee was getting more attention
as the local serial killer
de jour.
Gillis' murders are not a perfect match for Renee's murder, but they also are not dissimilar
enough to eliminate him based simply on scenes.
Could Sean Gillis possibly be responsible for the murder of Renee?
Could she be one more notch in his belt to achieve fame as a serial killer?
Matt and I decide to call a friend at the FBI to see if she can help us out.
Hey, Matt, what's going on?
It's Melanie Friday.
It is Melanie Friday, what you got?
We're working on a code case.
Okay. We're working on a cold case.
I think I've mentioned it to you before that lady in 1993 was me headed and sexually
mutilated and her body was dumped on the hot tin serous red and theodore.
We've been working on this case for 15 months now and we're leading, we're not 100% sure, but in 92, 93, Shawn Gillis out of New Orleans, who
is a portis serial killer who was operating heavily and doing the same things, beheading,
sexual mutilating, positioning bodies, and he's in prison over there, and we know that
we are assisted with their case in Louisiana.
Okay.
And we don't know if we would have,
we'd be able to get any access to crime scene fighters
that you guys took or anything that could help us
compare body positions or some little care.
Yes, and fluently let me,
the agency said that the FBI did not find it.
Ma'am? What's the guy's name? The subject's name again? the agency said that the FBI did not find out. May I?
What's the guy's name?
The subject's name again?
Sean Gillis.
Let me do some digging on this.
It looks like this may have been shut up to Headquarters, but New Orleans is going to have
these records.
And if there's any photographs that all associated with anything that they may have processed,
I should be.
Just to jump in for a second, we say New Orleans, not Baton Rouge.
Don't worry, this is corrected with a quick email later on.
Perfect, and no rush, don't, you don't have to try to push that through today obviously,
but we're just, his name's coming up just because of his MO and the way his girls found.
It's really coincidental.
Absolutely, yeah, I mean, how many people, that's pretty heinous. this MO and the way this girl's found is really coincidental.
Absolutely, yeah, I mean how many people,
that's pretty heinous.
Yes, yeah.
Bam.
Yeah, it's crazy.
Yeah, let me do something around.
I'll get you what we can get you.
All right, thanks, f***, I have a good weekend.
All right, you two, you guys are fun.
So we're now asking the FBI for a favor.
Can we find out if any extensive profile of Gillis was ever created by them?
Have they gone back and looked at him for anything unsolved?
Matt and I decide to also speak with the detectives in the East Baton Rouge Sheriff's
Office.
They are the team responsible for the bulk of the investigation into Sean Gillis.
We don't record this conversation.
According to the detectives,
Gillis did not usually travel very far.
Going all the way to Mobile would be unusual for him.
This is because Gillis liked to bring his victims back to his house.
When he killed someone, he typically engaged in the mutilation and ex-anguination
at his own home in Baton Rouge.
He did this during the middle of the night while his live-in girlfriend was at work as a nurse
on overnight shifts. To have done these acts, some place he didn't know or feel safe is extremely
unlikely. But despite that, the team at East Baton Rouge has a hard time ignoring the ways in which
the crime scenes and condition of the bodies were similar.
The way Renee was found strongly resembled the way one of Gillis' victims, a woman named
Catherine Hall was found.
Hall was discovered on a remote dirt road almost in the woodline.
She was supine, arms outstretched
in a nearly identical fashion to Renee.
She had been slashed on her torso,
and she had been exanguinated.
Because of this, it's hard to not feel
like Renee's murder could be connected to Gillis.
But as Matt and I dig into this,
more and more evidence turns up
that makes us question
whether Gillis could actually have been involved.
Yes, the crime scene looked like his work, but the drive between Mobile and Baton Rouge
is three hours.
This meant that Gillis would have to drive to Mobile, murder Renee, bring her back to Baton
Rouge, dismember and clean her body, then bring her back to Baton Rouge,
dismember and clean her body, then drive it back to mobile
where he would set her up on the road, a road
that almost nobody even knew existed.
That's at least six hours of driving, and many more hours of work
that Gillis would have to do in a pretty narrow window of time
between the end of his work day
and the time when his girlfriend returned home.
Also, Gillis tended to fixate on his victims prior to killing them.
There is no evidence that Renee passed through Baton Rouge in the week prior to her death
or that Gillis passed through mobile. Significantly, once he was captured, Gillis confessed to his crimes and provided detail
to back up his claims.
This is part of his pathology, this desire to have the crimes recognized even lauded.
But he's never confessed to killing Renee.
If he did kill her, wouldn't he have owned up to it in order to claim more
of the glory he saw in serial murder? So it seems pretty unlikely that Sean Gillis had anything
to do with Renee's murder. But if he didn't, who did? Could it have been the work of a previously
unidentified serial killer? Or could it have been someone else who only committed brutal murder just
this once? Here's the thing. We give a lot of attention to famous serial killers, but it is
important to acknowledge that the same characteristics we see in serial killings are present in many
sexual homicides, is often what defines them as such. Someone might have that same fixation,
that same obsession with the victim.
That is actually key to so much of Dr. Burgess's work.
She's focused on the psychology of all sexual homicides,
not just the ones from the most famous headlines.
And that psychology is critical to understanding a case
like Rene's.
Assuming you only know the crime scene
in the state of the body, what might you hypothesize
about what happened and who might be responsible?
Well, we certainly know that rage was a part of that anger,
rage, or such intensity, if you will, of injury
to this young woman, that you automatically
think was conflict, argument, what happened, or why was she being targeted?
You always wanted to know why, why was she at that time?
Why did she become the victim?
So somebody knew her.
That is not going to be a stranger. I never thought a stranger would just do that.
He could have just killed her. You know, he didn't have to do all the things we just described. So, um, the, the challenge was to start trying to recreate it.
to start trying to recreate it. What was near there?
Why was she...
there had to been some water
because she had been washed or somehow.
So that would be something to look at.
What were the buildings nearby?
Where could this have happened?
It didn't look like it happened there.
So that was not the original crime scene.
That she was killed or she was...
something was done to her elsewhere and
then she was killed and then she was moved into a vehicle of some type and and just thrown
like I felt just discarded. So the not only was it the bridge and the anger but it was the
misogyny maybe somebody was really angry at her for something.
Yeah, the, in specific object rape with the blade in particular, can you talk a little bit
about the indications that gives us?
Yeah, there was, not only, there was insertion into her vaginal area, There was a march to her face that their her mouth had been cut
and interestingly enough as others had always said it reminded them of a very early 1940s case you. But there was such mutilation of the she was desexualized and that's often a finding
that you make. So, Seventy had wanted to absolutely turn her into almost a manicun. It had
no no person to her. That's really interesting. I think that that's actually really
key that that the distaste for her sexuality, whether it was through sex work or
whether it was her relationship with a black man, that there was something
about her sexuality that was particularly offensive. Yes. I feel validated. I
feel like I am at least pointed in the right direction.
If what I saw in the initial scene was so similar to how Dr. Ann Burgess would interpret it.
Imposter syndrome is real and I struggle with it mightily. But at least for a little while,
I feel as though I can handle this case. Do it justice.
Everything I know about this type of crime, I truly believe I owe to the giants, the pioneers
of the field who came well before me and made my work today possible.
But especially that of Dr. Burgess.
And that is what gives me even a glimmer of a chance at solving Renee's murder.
Next time on Why Can't We Talk About A Man This Mom?
And I remember my mom explaining to me the difference of love and being in love.
And I said, so you're not in love with David?
And she said, no, I just love him as a friend.
And it was because she said that he was a good friend and he was my dad's best friend.
Hello? Hey, David? Yeah. Hey Detective Pig.
How are you today?
I never did ask if it was looking for.
I don't know what to hell I was thinking.
Man, I've been racking my brain for 25 years trying to figure that out.
I wish I could swap my life with hers and bring her back.
Why can't we talk about Amanda's mom is produced by Arc Media for ID.
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