Wiser Than Me with Julia Louis-Dreyfus - Julia Gets Wise with Catherine O’Hara

Episode Date: October 30, 2024

On this episode of Wiser Than Me, Julia sits down with 70-year-old comedy icon – and star of Beetlejuice and Schitt’s Creek – Catherine O’Hara. Catherine and Julia share their improv origin stories and reminisce about the freedom and experimentation of their early comedy careers. They also swap stories about visiting the Vatican, over-apologizing, and how they both find laughter incredibly sexy. Plus, Judith, Julia’s 90-year-old mom, tries very hard to tell a joke.   Follow Wiser Than Me on Instagram and TikTok @wiserthanme and on Facebook at facebook.com/wiserthanmepodcast.   Find out more about other shows on our network at @lemonadamedia on all social platforms.   Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium.    For exclusive discount codes and more information about our sponsors, visit https://lemonadamedia.com/sponsors/.    For additional resources, information, and a transcript of the episode, visit lemonadamedia.com.See omnystudio.com/listener for privacy information.

Hey everyone, Julia here. I know we are all so excited to be entering the home stretch of this election and everybody's wondering what can I do to make a difference? Well, I'll tell you. Sure, the big glamour is at the top of the ticket and I'm personally feeling unbelievably joyful about Kamala Harris and Tim Walz. But you want to really make a difference? Invest in state legislative races. That's where the real action is. It's state lawmakers who have the power to defend or dismantle our democracy. They draw the maps that decide who goes to Congress. They write the laws that decide how far you have to drive to vote. And they're the ones who

can protect women's reproductive rights and can protect rightful valid presidential election results from a power grab like we saw last time on January 6th. Fortunately, we've got a way you can donate to the most strategic state races in one click thanks to the experts at a wonderful organization full of smart folks called The States Project. Please visit statesproject.org slash wiser and in one click you can join the movement today. That's statesproject.org slash wiser. So in my career, I've done mostly comedy, and my fondest memories are working with other actors to perfect a bit, to like mine a moment for the most comedy possible. Honestly, I don't think about kudos or awards or reviews or paychecks or anything like that and it's actually it's not even the laughs, it's rehearsing to

get the laughs. There's a scene in a Veep episode, for example, when I'm telling Tony Hale, who plays Gary, that the president is resigning. So my character, Selina Meyer, the Veep, is going to become president. And we're in a bathroom, a dingy bathroom, and in the scene, we're kind of laughing and crying, and then he gets a bloody nose. And oh my god, we worked on that scene forever.

It was exhausting, but over and over and over, looking for like little things we could bring to the scene, you know, like things that I sort of, in fact, pull out of a bag. Within the scene, I'm pulling stuff out of a bag. And when I watch it now, that's what I remember, the work, the joyful teamwork that Tony and I did in rehearsal and while shooting, you know,

not the laughs per se, but when you don't get the laughs, oh my goodness, you certainly do remember that. When I was just getting started, I was part of the Practical Theatre Company in Chicago. And our show, which was called the Practical Theatre Company's Golden 50th Anniversary Jubilee, which was a joke, of course, because the company was new, hadn't been around very long, it was a giant hit. And I'd never been in a giant hit before and it was incredibly exciting. We were the toasts of the town. The show was selling out and

the laughs we were getting were incredible. It was the culmination of a huge amount of work and joy exactly what I was just talking about. So the producers of SNL came to see the show and they loved it and they hired all of us to come to New York and be a part of SNL, Saturday Night Live. Of course, we go to New York and the SNL producers really wanted the current cast and writers to see what they had seen in Chicago. So they rented this very cool off-Broadway house and they brought in a big, enthusiastic audience, and they had us recreate the whole hit show.

Oh, wait a minute. Sorry. No, they didn't do that at all. Uh-uh. They had us, four complete and total unknowns, perform the first act of the show, oh my God, in the SNL office under fluorescent lights in the middle of the day in front of 20 very cynical, unfriendly SNL cast members and writers who already hated us because a bunch of their best friends had just been fired to make room for us. Okay? We never had a chance. Sketches that had killed in Chicago died a terrible, terrible death that day.

It was excruciating. And that's when I learned what a flop sweat really is. I mean, I can feel it now as I'm recounting this. And I think that humiliation influenced our whole SNL experience for the next couple of years to tell you the truth. I mean, if I could do it all over again, well, I can't do it all over again, can I? I mean, you live, you learn, and whatever. I've learned a lot since that cringy day in a carpeted office on the 17th floor of 30 Rock. But one of the most enduring lessons that I have learned on Wiser Than Me is that there are so many ways to move forward confidently and positively, even in the face of great

challenges. And it reminds me of one of my favorite improv lessons, yes and. That is the great Viola Spolan's first rule of improv. You always say yes and in an improv. So like for example, if somebody comes into a scene and says, hi, I'm an astronaut, you don't say, no, you're not an astronaut. You say, yes, and I'm so looking forward

to hearing your astronaut poetry tonight, or whatever. Yes and, that is so applicable to life off the stage as well as on it. Really, honestly, all of life is really a great big improv in the end. Relationships and work situations. And I mean, it's all about collaborating and paying attention and accepting what others bring to the party and building on that. And of course, making big choices. It's just a

great thing. And paradoxically, another great thing I've learned from the women on this show is that no is a complete sentence. Weird how that too is in the end a positive, empowering kind of truth. Two sides of a wiser than me coin. And I have to say, speaking of wiser than me, I really, really want you to know how happy I am to have you nice audience people listening to and enjoying these conversations.

Saying yes and to our show. I'm so grateful, I really am. audience people listening to and enjoying these conversations saying yes and to our show. I'm so grateful. I really am. So thank you, dear listeners, and yes and right back at you, for real. How apropos then that today we are talking to the inestimable improv queen, Catherine O'Hara. I'm Julia Louis-Dreyfus and this is Wiser Than Me, the podcast where I get schooled by women who are wiser than me. There's nothing like improvisation. I love it. In my experience, the best

improvisers are pretty much always the best listeners. That's the key to any great performance, comedy or drama, listening. Our guest today is one of the finest listeners in the business and to me that means one of the finest actors. Catherine O'Hara and I share similar origin stories. She started on stage at Second City, Toronto. I started on stage at Second City, Chicago, although it was a touring company. She went on to Second City TV. I went on to SNL. She's been with her husband 36 years. I've been married 37. And we both have two perfect boys. We've known each other for decades through mutual friends

But we've never actually gotten to work together. God damn it. And I vowed to change that Katherine's TV career took off alongside fellow sc TV comedy legends John Candy Eugene Levy Joe Flaherty Andrea Martin Dave Thomas and Harold Ramis This was pretty much the exact same time that SNL was exploding here in the States. SCTV, frankly, was always sort of the cool Canadian stepsister to Saturday Night Live. It was weirder, it was deeper, hipper for sure,

more daring, and for me, the heart of the show was always Catherine O'Hara. She's not just funny, she's fearless. And that's an absolute joy to watch. She followed up SCTV, working on tons of TV shows, often with her SCTV pals, and even dabbled in fancy director land with Marty Scorsese in After Hours, and then came home alone and just like that she was the blockbuster mom, which I rewatched last night by the way. It holds up completely.

And then Christopher Guest started to make his improvised movies starting with Waiting for Guffman and Best in Show and she's basically stolen every scene in every one of them. And I haven't even mentioned her Emmy award winning turn on Schitt's Creek and I'm not going to go through every credit and every award because holy crap, Catherine O'Hara likes to work. But you get the idea, she's unbelievably funny. Truth is, if you're watching something and Catherine O'Hara comes onto the screen, you just know that every time she's going to score, every time.

Fellow SCTV alum Marty Short said of Catherine, she is one of the most loyal wise human beings I've ever known, which of course makes her perfect for our little podcast here. I couldn't be more excited to welcome to the show an actor, mother, comedy legend and woman who is truly wiser than me, the exquisite Katherine O'Hara. Hi Katherine. Oh my Lord, Julia. That's too much. Thank you. Too much. Oh, it's not too much. It's over now, right? That's it. Yeah, it's over. That's the end of the podcast, Catherine.

Thank you. Thank you so much for joining. I love that. I love hearing all those nice things. Yeah. Well, goodbye. Yeah. They're true. So are you comfortable if I ask your real age? If you tell yours. Yeah, I will.

I'm 70. I'm 63. Oh, you baby. I know. I'm just a wee thing. You are a dear little thing. And how old do you feel? Really? How old do you feel? I don't know. Well?

I feel what I am. I don't know. Who knows what anything's supposed to feel like. Yeah, I know. But when you hit 70, which is a big marker, did you think like, wow, this isn't what I thought 70 feels like? The only reason I said that is because that was true for me when I hit the markers, even starting with 30 hours, remember like 30, it sounded so adult and I was oh, I don't feel like that, you know? Well, that's what I'm saying. You never really feel like you've been told you're supposed to feel or the way you imagine others feel.

Yeah, right. I feel, I don't want to say young, but I don't feel old. Oh, that's a good answer. Yeah, I feel the same. I feel the same. Yeah. Why? I just feel like I'm lucky to be alive. For sure.

Yeah. And I don't know. I don't know what it's supposed to feel like. What do you think is the best part about being your age though? Is there a best part? Oh, boy. Being alive. And I don't think of my age, except sometimes I'll be around a bunch of younger people, you know, working. Sometimes you work. In my case, you work and you're often the oldest person on set. And I don't even think of the age, but if I did, I would say, oh, we're all the same age, even though we're not. But we're all human beings relating. We're all, you know, on a set, we're all working on a show, we're all serving the story and having fun and working together.

And then I go in, sometimes I think, wow, at best, maybe they look at me as like some adorable old lady. I'm saying at best. No, I know, at best. But it's funny that you say that because as you were saying, I'm thinking, well, yeah, it makes sense because particularly in our business, you're on set with other actors, you're playing. It's playful, God willing.

It's a playful environment, right? And so sort of age drops off in that environment. Yes. But I've had the same experience of being on set and thinking, wow, what the fuck? Like, I just did this Marvel movie, and well, first of all, I don't know any of the references anybody's making to the Marvel universe, number one, but also, like, culturally.

And everybody is my children's age, like almost everyone on set. Wow, yeah. That is funky town. This doesn't have to do with anything at all, but we both have, both have, it doesn't, it's not really even appropriate for this podcast, but who cares. We both have Pope stories because I heard you got in trouble, yes, I heard you got in trouble at the Vatican and you got yelled at by a priest. Can you talk about that? What happened? What did you do, et cetera? What happened? This is so, it's so stupid to even tell that, but I will anyway. I met my husband, Bo Welch, he was a production designer on the first Beetlejuice movie. And Tim Burton basically

made him ask me out. And because I was grossing to Tim that this guy was talking to me every day and never asked me out. And so Tim said, let me see what I could do. He did talk to him and bold begrudgingly asked me out. And now we're still married. Thank goodness. But Tim also gave us an amazing wedding gift, which was a private tour at the Vatican. Oh, it was a wedding gift. Yeah. Only Tim Burton would give a present like that. That's amazing. Somebody had given him the gift and he'd been blown away, so he passed it on, which is really wonderful and generous. So this lovely priest or cardinal took us all around the Vatican and he was wild. He took us everywhere, including, I swear, the Pope's closet. He took us on the elevator that the Pope takes

down to the St. Peter's Basilica to his mass. He took us in this beautiful little museum, private museum full of, in glass cases, all the gifts given to the Vatican from all over the world. Wow. Crowns and jeweled, I don't know whatever, and he let us open the case and take out crowns and jeweled, I don't know what, and he let us open the case and take out crowns and pretend to be putting them in my husband's backpack. We're laughing, but when we were where we thought was the Pope's closet, then another priest came by. It's our guide that got yelled at, not us actually, although we were part of it for sure, because we're all

in there laughing. Got it. Yeah, not a big closet. It was a small closet. Well, it's just probably the same thing over and over again, isn't it? Yeah, it's not that much variety, is there? What happens with the clothes he used to wear?

What's your Pope story? Yeah. My Pope story is that I get an email from Stephen Colbert that says, the Pope wants to meet a bunch of people in comedy. Are you available to go? So the first thing I do is I text Stephen, because I think maybe this is like he's been hacked

or something for real. And he said, no, no, that's real. He didn't ask for money, though. No, he didn't ask for money, but that could have been in the second email. So I was being careful. Anyway, it's true. Long story short, a bunch of us end up at the Vatican meeting with the Pope

who wanted to make a speech about the importance of laughter and comedy and the spirituality of that, which is very, very, very nice. I was totally flabbergasted at the pomp of it. And I mean, it feels very, and I don't mean this as disrespectfully as it might sound, but it feels very Wizard of Ozzy. You know what I mean? Well, you know, with the guys and they've got their costumes that these, what do they call the Swiss guard come walking in with the stripes and the feathers on top of their head? Yeah. And you expect them to sing, oh, wee, oh, yo, you know? You know, if you're grading on a pope curve, this pope is a good guy.

Yeah, yeah, he is. But I highlight grading on a pope curve. I knew that event happened and I was very jealous. You should have been there. It's silly that you weren't. Yeah, come on. I'm Catholic. I know. Did you get to speak with him?

I shook his hand. Yeah. Wait. Do a picture. Oh, shit. Where did I put that fucking picture? Anyway, whatever. I shook his hand and I said, God bless you. And he said, God bless you too. That's great. So that was nice. And then, but the real kicker was David Sedaris was there. Do you know David

Sedaris? Yeah. Okay. I don't know him personally, but of course I know him, yes. Okay. So we're talking afterwards and David says that he's going to go to the Pope's store. There's that store in Rome that sells all the Pope clothing. And actually, I was going to go there too, because you can get like good red pope socks and stuff. And I said, okay, I'm going to go with you.

And we ended up going to that store together and he bought all of these robes, all of these like priestly robes with the red sashes and all the rest of it. Because, you know, well, he likes to dress in costume a lot. And he said, he thought he would wear this to do his work. I'm amazed that that is available. Yeah, I'm amazed too. I didn't know that. Yeah. Is that, what's that called? Appropriation? Yes. He wrote about it in the New Yorker. And I'll send you the story because he wrote a whole story about going to the Pope. It's very good.

Excellent. But there's a joke at the top of it that I totally credit him with it's not my joke But it's incredible and it goes like this two priests were driving a car together down a highway and They get pulled over by a cop and the cop comes up to the window This rolled down your window and he says we're looking for two child molesters. And the priests look at each other and they look back at him and they go, we'll do it. No, no! I'm sorry. I know, it's terrible.

I just blessed myself. I know, bless yourself. I'm sorry, I'm telling this wonderful good Catholic girl. Apologies. No, don't apologize. A good joke is a good joke. A good joke is a good joke. Yes. Speaking of Catholicism, I read your first role was playing the Virgin Mary in a Nativity play. That's really sad. No, it's a starring part. That's sad.

No, it was in the thing at the park up the street from her house. Yeah. Well, we have to all start somewhere. What were they going to do? Put you on stage on Broadway at however old you were? I mean, how did you, do you remember it? All I remember, because my mom would bring it up every once in a while, was that I lost her lovely blue housecoat.

Oh, your mom let you give it to the costume department and you lost it. Baby blue, yeah. Say, isn't that a cute, hilarious story? It's hilarious. This is so sad. So sad. But you know what? This reminds me of when, what was I watching that you were doing?

Oh, it was Waiting for Guffman. And you and Fred were doing a scene and you did something so brilliant where you were mouthing his lines. Do you remember that? And it reminded me of watching kids in a school play. Oh yeah. Yeah, right? Yeah.

Because there's always somebody who knows the entire thing backwards and forwards. And in fact, I remember once we went to some play at school, my son Henry's class, I think. And one kid on stage, when he didn't have a line, he would turn and start to talk to his friends who are watching in the audience. No! Yeah. He had no sense of keeping the thing going. If he didn't have a line, he didn't

need to worry about the show. Wow. Isn't that incredible? Wow. You've worked with people like that, haven't you? I actually have. I know. If they're not talking, there's nothing going on. Right.

There's nothing worth seeing. Completely. Talk about not listening. I love that. That's really good. Yeah, it's funny. Much more with Catherine O'Hara after this quick little break. Don't go anywhere. Staying hydrated is absolutely essential. Proper hydration is the key to keeping your body balanced and your energy levels steady. But hydration isn't just about drinking water.

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Yeah. And you met her when you were young because she was dating your brother, which is extraordinary. Yeah. By the way, I had, when I was growing up, I had a picture of her on the bulletin board of my teenage bedroom, just as an FYI.

Did you? I did. Aww. Did you ever get to meet her? No. Oh, sorry. I know. What did being close to her teach you?

Well, now that I think of it, I think she was just a great example of doing her work and being so lovely and talented and hilarious and also being just a lovely person. Just being a kind person. Yeah, it was two different worlds, but it was also just one beautiful person that she was. She was consistent. Consistent, like she was just herself on stage, even though she took a ton of characters and totally herself. I'm not explaining it right.

What are you doing? Are you asking chat GBT? Where? No. For help? No, because you looked away like you're going onto a computer to look up something nice to say about Gilda Radner. That'd be great. Nice thoughts on Gilda.

Oh wait, I had these memorized. I thought, what happened? No, and then when I got in Second City, I got in because she left. I was understudied to her and Rosemary Radcliffe, the other woman in the cast at the time. Wow. Yeah. And Gilda went on to do National Lampoon, which led to her doing Saturday Night Live. No, so I only knew her for that period, but I really could honestly say I wouldn't know anything about acting or improv or comedy,

I don't think. Without watching her. Or have all the opportunities. No, without knowing her at all. I just really imitated her when I understudied her. All I did was try to imitate her before I could develop my own characters. You know, I got out of high school. I shouldn't even admit this. I didn't go to college unless you call Second City University of Comedy. Why can't you? I'm going to forever. To my kids anyway. No, I got out of high school and she was in our

lives and then she went and did Second City and I followed her there and got to understudy her. I wouldn't have known about any of it. I didn't, you know, this is pre-internet and I'm so glad I got to have this experience pre-internet. Yeah. And to be that blindly optimistic about thinking, hey, why not just try this? Like, there's no one else in the world except these few people in Toronto who are trying to do this. So why can't I try it too?

That's kind of incredible. So you didn't have any feeling of well, I mean, of course, if you're trying something, it could fail miserably. But you have to be willing to take that risk. And then you and if it does, then you do it again, and you try something else and hopefully it doesn't fail. Right. But how great, but how great to be able to fail. You have to be able to fail. Yeah, you have to be able to fail. To not have strangers watching and commenting. Oh yes, that's the internet. I feel bad. I feel bad for people starting out now because it just takes away your ability to take risks.

To take risks. Yes, your sense of confidence, your sense of abandon. Yeah, and to have, and when you're starting out to have to lock into something so quickly instead of trying a thousand different things, why not? I don't think you can have that same experimentation if you're sending it out to the world. So you felt that experimentation doing Second City. You felt that abandon there for sure, right? Oh, I don't, I didn't even think about it.

That was the way it was. That's, isn't that the way it was when you got in? Mm-mm, but I was in the tour- Really? Well, wait a minute, let me be clear. I was in the touring company, so we were only doing other people's material. Right, right.

It was obviously very male-centric, but everything is, it seems. We can get into that. But it was not a particularly, my group was not a particularly happy group of people. And there were a lot of drugs and there was a lot of drinking. Wow. And what year was that when you got in? 80, 81 in that area. However, I had the experience that you're talking about doing theater with another theater group, practical theater group, which is in Chicago. And that was my husband's theater group, then boyfriend, or not even actually.

Anyway, whatever. And so but I had that feeling of like wait this might be funny let's try this let's see if that and you know it was like a playful thing without inhibition which is a really like a gift the gift of all gifts right isn't it the best what a great age. I've often thought of this. What a great age to be in an ensemble because you, you know, in your early 20s. Yes. It's great age to be at because you look at the world, you just think you know more than

everyone else. And you look at the world and you say, if I had that power, I would do that better. If I had that job, I would do that better. I, you know, I just, you just have a great natural I would do that better. If I had that job, I would do that better. You just have a great natural cockiness at that age. You're oblivious, really. That's why. And that's what I would miss for people about the internet, that you could be oblivious

and just think, I'm going to try this. Why not me? And it's such a good point. And it felt that way. Yeah, that cockiness at that age. But you're not really, you don't really have it together. So you surround yourself, if you're lucky, with really good talented people who are all kind of at the same stage, right?

Like nervy, cocky, but with talent. So you're lifting each other up, you know, and challenging each other. But so it's a great mix of great confidence and oh my God, take care of me. Oh, I'm following you. You know, give me something to work with here. Yeah, it's great confidence and it's a team sport. Yeah. Hey, Catherine, do you remember any of the improv games you used to play back then?

There was one Joe Flaherty had us do. I remember when I first got in the cast, or maybe I was still understudied, but I got to hang out with all of them at rehearsal. And Joe had us play a game where you had to do, had to imitate a stand-up comic at the time, but you had to do it instantly, like improvise, improvise a stand-up act. But you didn't have to have the jokes, you just had to have the rhythm of the jokes. So I don't know if they would give us a name, but they would definitely give us a topic. And at the time

there was this comic, Toady Fields, who would be on top. Sure. You don't remember. Of course, no, I do. I remember. Because I have made my family play this at the cottage. Everybody was so good at it. Oh my Lord, they were all so good at it. I was not particularly good at it, but I do remember what I did. What did you do? I tried to do Tony Fields. I met a fellow and I asked him if we could go out. I said,

how about you go out Friday? He said, no, I'm busy. I said, how about you go out Saturday? No, I'm busy. How about you go out with me Sunday? No, I'm busy. I couldn't get a date. There's like no joke. The rhythm of the job. Sorry, I didn't even do it right. No, you did. It's perfect. This is such a good game. This is such a good game. We gave my nephew roller skating and George Carlin and he used the mic so beautifully about swish. What's it feel like? Where are you going? You know, all like my sister Mary Margaret, her name was Scabies, Scabies Lice or something. She was like, you know, a heady kind of comic, you know, with her notepad, just kind of what's on my mind right now. I'm going to be really easy about it.

This is new comedy. I don't know. It's sort of like Stephen Wright. Remember Stephen Wright? Yes. Yes. Love him. Still quote him. It's a big world. I wouldn't want to paint it. Open 24 hours. I knocked on the door. It was closed. I knocked some more doctor more guy came to the door says 24 hours, not in a row. Um, is it was do you still sorry, I'm gonna ask you a question, please. Yes, sure. Do you still draw on everything you learned at Second City? Oh, maybe not. Maybe more your other company practical theater company. Yeah, maybe. Yeah. Do you feel like you draw still on what you learned there?

Yeah, I draw on that and I draw, but it's not one specific place. I mean, there's a lot to be said for experience and I draw on all of it. You know, for real, I mean, I draw on being live on SNL, performing live, that schedule which was grueling. live on SNL, performing live, that schedule, which was grueling. You would go in on a Monday, you'd meet whoever's hosting, and then Monday and Tuesday, writers, actors, and actor-writers would stay up all night.

It was a very sort of drug-driven schedule, and it's still like that. I don't mean to suggest they're doing drugs, but it was sort of driven by late night partying. But at any rate, everybody's staying up late, writing sketches, writing sketches. And then Wednesday you would have a table read in which you would read all the sketches.

And then after the table read, the producers would decide what's going in the show. And then you would rehearse that Thursday, Friday, and then Saturday you're live. And so what was the schedule for you guys at SCTV? We would start writing, I guess, I don't know, months before shooting. We would just sort of continue writing and shooting all along. Like I've heard at SNL, you know, if a scene doesn't make it into the show, it's more than, more than not. It's dead. Totally dead. It's crazy.

We would rework stuff and over and over. We never gave up on a good idea, the way we thought was a good idea. Wow. No, it was a whole different, we never had an audience. So we were just trying to make each other laugh. Yeah. It was way a thousand times more relaxed. Yeah.

Yeah, that's incredible. We had no sense of anybody watching the show until, you know, years later, people would come and talk to us about it. You know, my dad thought I was just making a big mistake. And, you know, he did. Why? What did he say? Because he was nervous, you know, he's nervous for me. It's nervous for all of us. There's seven kids nervous for all of us about what we're going to do with our lives. And I said, I want to be act and, and it didn think it made sense until people at work said they saw me on SCTV. Then it was like, oh, okay, she's safe. It's okay. It's all good.

Oh, oh. But yeah, no, very relaxed. I hosted Saturday Night Live twice and was shocked at how many good pieces at that read through didn't make it to show. Like the stuff that I thought was funny, I guess I've been wrong taste. Well, I mean, good stuff made it, but so much good material that would get laughs and it just, it's gone then, isn't it? It's dead. It's gone.

It's totally dead. I mean, occasionally something will come back, but I don't know. That's the culture of the place. But I mean, it stands to reason that good things get lost because you read so many sketches. I mean, it goes on for hours and hours. It's a pile, you know, two feet high of sketches. But you know, it's funny because when I went back to host, I would, I've hosted a couple times and it was hugely, it was like going back to high school and getting to redo

things. Do you know what I mean? Oh, nice. Yeah. It was because I knew how the show worked. I knew what I needed to do to succeed on the show. And the schedule hadn't changed since I was there in the 80s. It was the exact same.

The only thing that was different, it was obviously a different cast, definitely more female friendly and different producers. And they wanted to find material for you to do. Yes, as opposed to she can be the waitress. Your coffee, Mr. Gumby. And Andrea and Catherine could come in as the wives, or they'd come in as the waitresses, or they'd come in as a...

Tell me about it. What about, I read that you were, when I guess it was at SCTV, that you would tell your ideas to Dave Thomas and he would pitch him? Isn't that sad? Yes, it is sad. No, he wouldn't pitch them on my behalf. He would just pitch them if it was a good idea. You'd say, hey, how about this?

Yes, but you gave him permission to do that. Well, it was unspoken, I guess. I would just say, what if we do this? And they'd say, hey, what if this happens? And if they laughed, he'd just go along with that and go. And sometimes I was, that's my idea, which is really sad. Excuse me, that's my idea, which is really sad. Excuse me, that's my idea. Hello.

When, was there a moment in your life when you thought, I'm not going to do that anymore, I'm going to pitch it myself? Do you remember? No, I don't. I don't remember. You don't remember. No, I'm still scared. See, this is what I want to talk to you about because I was wondering when I read that and I thought, I was so used to being shut down.

Yeah, that was just part of the thing. I think it's a woman thing. I think it's a woman thing. But anyway- I think you're probably right. I think I am. But let me see, I would say that. Are you looking at chat?

Yeah, I'm looking at AI to help me get through this because I'm having, hang on, let me just keep it. What would Julia say? Julia, you are one of three women in the cast. Okay, yes, AI is helping me here. Yes. But there was, and I still fight it, a remnant of, for example, when I'm pitching something, you know, whatever, any aspect of a scene or this or that, there's a part of me that has to push through that pitch

because that's a remnant of from way back then of not being heard and I think it also leaves me with a little defensiveness about my ideas that's probably not healthy but I mean I'm aware of it as it's happening do you kind of know what I'm talking about? Oh yeah no I start I would start most I'm conscious, try to be conscious of it, then I'll try not to do it. But I would start most ideas with, sorry, this might not work, but what about this? Yeah. Sorry, I know you're doing that, but yeah, the sorry, always a sorry. I would do that at a restaurant though. Sorry, could I get more tea, please? Yeah.

Yeah. Sorry. Remember I asked for tea in Arakawa? it's okay. Sorry. I'm so sorry. I didn't order this hamburger. I'm so sorry. I ordered a salad. Exactly. Sorry. Would you mind taking it back? I'll still pay, but please. Sorry. I'm sorry. I think I'm sorry. I was standing in line here. Oh, you want to go ahead? Yeah, go ahead. Oh, it's fine. No, no, no. It's fine. I've said sorry. I've said sorry to a key on my iPad or computer if I hit the wrong one. Sorry. Oh dear. Is that bad? Well, you might want to get a CAT scan after we finish this conversation.

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Podcast app. So you talked about when you were doing SCTV, so you were one of two women in the cast, right? Oh, I know where you're going, lady. Yeah, so? Tell me. That's what's wrong with aging. You start seeing things a little too clearly.

And that's why men like to go with younger women because they don't get it yet. Perfect. Perfect. That's the problem with aging. You see things a little too clearly. So the fact that you guys were being paid less than your male counterparts on SCTV. You know what though? I've got to correct that. Oh no. Really?

Only in the last few years did I find out that John Candy also got, okay, explain that. The two women and John Candy got paid less than everyone. Now John, God bless him, turned it around big time. As the years went on, he got a lawyer and he got more than anybody and good for him. Well so maybe it was about, you just had shitty representation or was it? We had no representation. Oh well so there's the real problem. These are the days when you didn't need representation, Julia.

They just said, we're going to pay you $200 a week. And you're like, yes. Uh-huh. Oh, that was exactly what it was like for me. I know. I remember. And I'm not kidding. Of course you're not kidding. I remember that.

I know. When I got first hired to do Second City, and I was still at school at Northwestern in Chicago. Yeah. And I called my acting teacher and I said, guess what? Bud, his name was Bud Beier. He's passed away. and I said, guess what? Bud, his name was Bud Beier, he's passed away. And I said, guess what? I just got hired to do Second City.

And he said, how much are they paying you? And I said, yeah, he said that as opposed to anything else. And I said, oh, I don't know. I forgot to ask. And then he laughed at me and made me feel so bad about myself. I mean, he was like, oh God, you're kidding. Oh, he's, he's. It was a real asshole move.

Boy, was he jealous? Like he wouldn't be able to teach you, he wouldn't be able to, you would stop doing classes with him or something? Well, guess what? I kind of did because that- See, he knew that was coming. Yeah. I started doing theater in Chicago and I took a lot of pass-fails and put off

semesters and things like that. But anyway, it's all good. It all worked out. Talk about when something ends. I know like when a show ends, it can be so emotional. And I know that Marty Short, he threw a party for you and he played a bunch of clips of your time at SCTV. It was so emotional. That's very sweet of him to have done that, isn't it? Why are you laughing? He didn't do it? Yeah, he did. But I think he did it to torture me. I don't know if he was doing it to be sweet. Oh, for real? No, there was. We were having a party.

No, it was a party. It was a party at the end of a season, I guess, and I had given my notice that I was leaving. And it was all about my personal life, I swear, my quitting. I got out of high school and got into Second City. That was my life. Right. Second City to SCTV, I just went along like, ooh, now we're doing this and we're getting paid? Ah, that's amazing. And then I finally hit, at some point, this reality like, where is my life going? And I need to focus on that other part, like meeting someone or, you know, I mean, I was raised to think you get married and you have children, if God willing, you know, and that's

your life. Yeah, so I quit mainly for that reason. So it was really emotional. I didn't want to leave the show really. I didn't want to quit, but I thought if I don't focus on, I don't know, I don't know. I'm not sure it was the smartest thing. It really made my dad sad because he was so happy that the show was doing well and he heard about it at work.

That was awful. But yeah, anyway, so yeah, there was a party at the end of the season at Marty's house and he put a clip package together of my work. Oh, and she was like, why? Why would you do this to me, Marty? That was my reaction. We were going outside the house crying. He's like, Catherine, I thought it'd be fun.

Sorry. Oh, I see. Okay, got it, got it. So when you did work with Chris on all the movies that you worked with him on, Chris Guest, all of that stuff's improvised, although there's an outline, correct, the way Larry David does on Curb? Yeah, yeah.

Yeah, there's no dialogue written. Although they would have a few, they definitely have great running jokes. Yes, of course. Like in Besintso, it was in the script that I would run into guys who had the best sex of their lives with me. I mean, it couldn't be from here. I want that for all my characters.

And Chris never repeated it, like from take to take. When you're improvising all your dialogue like that, and you do, you know, one, two, three takes, whatever you think, oh, I came up with something there, it just happened. Now do I repeat it? Oh, is that cheesy to repeat it? And oh, how can I get that joke in? Like, what if that take isn't used? And you know, maybe it's a sound problem or whatever the shot and it's like, oh, we came up with that. Like, where does that go? Can we not laugh to read? You know, there's always that challenge in the brain like, no, open up, just be open to whatever happens, you know, just listen.

Chris Guest would never repeat a thought between takes. Oh, really? As an actor, he wouldn't. Crazy. Crazy. As an improviser, just so free thinking. Wow. We did that on Veep.

It wasn't necessarily an outline, but very often there would be scenes and Armando Iannucci who created the show, he would say, okay, forget the script, just go and do something, go, just go, try this in rehearsal, one for fun, whatever, you know you've got to get to point A to point B. And it was so much fun to do that kind of thing, terrifying. But as long as you know what point A to point B and it was so much fun to do that kind of thing. Terrifying. But as long as you know what point A and point B is, then you can. If you know the parameters, I find when it's just open and says, hey, why don't you improvise

something? What? Within what? What are you talking about? Right. Do you love your downtime or are you working a lot? Well, you're doing a podcast, so obviously you love working. You know, I love working. I don't love being away from home. And even now, I mean, my kids

are grown. Let's talk about that. So you have two sons and so do I. Yes. Don't you just want to raise them to be lovely partners to somebody just? Yes, you do. And are they? Are your sons partners to anyone yet? They are. They both live with their girlfriends and they are good guys and they really love each other. Do your two get along? Like that. They're like thick as thieves. I mean, I think they're like that. Isn't that wonderful?

Yes. That's my biggest triumph in life, actually. How did you do that working when they were little? How did you figure that out? I didn't. I really didn't work much. Oh, you didn't work much? No, I didn't. No.

And I'd work in town. Remember the first offer I got to work, they were both, how old were they? Probably about five and eight, maybe six and nine. And I got offered a job in London. And yeah, and it was a six week job. And we had a great nanny at the time. She wasn't living, but she was great, great, great girl. So they came for two weeks. I was alone for two weeks. They came back for two weeks. You know, got them out of school, whatever. So I thought, you know, you've always heard that with relationships with couples, two weeks is the limit, it shouldn't go longer than that apart, unless it works for both of you,

I guess. Right. Same for kids. Yeah. So that worked at that age. What about you? When they were little? When they were little, I mean, yeah, I was doing Seinfeld when I had both of them. So they're five years apart. And so with my older son, Henry, I bring him to work. I had a nursery on set.

And so he came to work with our nanny. And so I go back and forth. Frankly, that was really hard, you know, because there was always this pull in one direction or the other. And it was sort of hard to a certain extent to kind of be where you were. But that's how I did it. And then I had our second son, Charlie, it was just that last year of Seinfeld.

So he was just a baby. By then I realized it was better for me to leave him at home and go to work and then come back. But I mean, were in, we were all in LA so it wasn't like I was on location or anything like that. So Henry had a memory of me working, he remembered craft service, he was just like crazy for craft service. Oh yeah, they love that. They love it.

Does Charlie Phil ripped off because he didn't get to be on the set all the time? No, I don't think so. I took a picture, there's a picture of him on set in the Seinfeld Diner that I have him on the tape. No, he doesn't feel ripped off at all. But what I was going to say is that a couple years later, I did go back to work. I was doing a series, but it was a single camera series called Watching LA. And I was, I had not been gone from home while he was young and so now he was like four. And he came to set one day and I was showing them

the sets inside the studio and one of the sets was a bedroom and so I was pointing it all out and then as he was leaving he says, Mommy, I love your new bedroom. I can't, I love your new bedroom. I thought this child, I've moved here. Oh, the guilt. That's great.

The guilt. That's cute. But now, but your boys are in the business. Is that right? Yeah. Well, the older one, a 30 year old is doing, was doing set construction and the younger one who's 27 is a set dresser in Vancouver.

There's tons of work there, but they're so lucky they have jobs. They're so lucky they have jobs. And both of our boys, too, are working in this industry, and it is quite a remarkable thing to witness, isn't it, to see them? Yeah. But I'm really glad they're artistic. Aren't you glad that your kids are artistic? Yes they are. I mean, obviously they're creating, making things. That's cool as shit.

Well, we definitely encouraged that at home, didn't we? Yeah, we did. Because it's all we knew, frankly. I didn't know anything else. It's like a sense of humor. I think you're so lucky if you're raised with a sense of humor. Boy, isn't it the truth? It's a gift. It's a gift you either get given or you don't. I don't know how you get it on your own. You know, Fran Lebowitz was on this thing and we were talking about that.

And she said, it's a sense of humor. It doesn't mean that you are funny, funny, but you have a sense of humor. You understand what is funny, which is sort of the beginning for me anyway of all the relationships I have that is top of the list. I mean, or aligned with kindness, I think. But it has to be there, doesn't it? Yeah. Well, you and your husband met in comedy, didn't you? Yes, we did. Yeah, yeah.

Talk about your husband, Beau, and can you tell the story of what you wrote in your journal? Do you still write a journal, by the way? Do you keep a journal? No, and journal is such a lofty name for what the fuck I was writing. What were you doing? I woke up at 11 again. What am I going to do? Yes, that kind of thing.

You could publish it, Catherine. That's your memoir. Oh, how sad. Well, that's it. That's your memoir. How sad. Well, that's called a dead giveaway. Tell me what you wrote. Lame, lame, lame. But I did, yeah. Why? This guy, Bo Welch, he talks to me every day. Why won't he ask me out? We're supposed to get married.

And did you fall in love with him like straight off the bat? Kind of, yeah. And once we did go out, that was it. There was no, not good. Well, I mean, we've had a couple of breakups, but yeah. You never had a breakup with your husband, have you? No. Have you gone through periods?

Sure. What? Oh, of course. Always. I mean, anybody who says they haven't is, that's life, is lying. Yeah. I mean, there's always going to be some conflict, but he's a very nice person. So it all, I mean, he is actually, and I get the sense Bo is too.

Yeah, he's a good guy. And we just, we really laugh a lot every day. And your parents were married a long time, right? Yeah, 50 something, 56 years, I guess, when my dad went. Goodness. Well, you're on your way. God bless you to that. Wait a minute.

And then your parents were married that long and then they died within 10 months of each other? Is that correct? Yeah. Yeah. Oh my goodness. That must have been brutal. Well, it was for them. I remember being really grateful.

Oh, really? Well, I mean, I always was, but especially grateful at my mom's funeral that my mom and dad had given, because my dad went first and then my mom died 10 months later, that they had given us each other because we were all together. They had seven kids and we're all still going, thank God. My oldest brother's 83. Oh my goodness. Yeah. And that they just seemed like the most beautiful gift that they'd given us each other to be with. Yeah. Yeah, my mom, you know, you hear that a lot about couples, you know,

one dies and the other dies soon. I would not have predicted that about my mother. She was really vivacious and loved painting and drawing and dressing beautifully and talking to everybody on the streets. Wherever she went she was friendly with everyone and just really loved life. But my poor dad had gone through a lot and My mom took care of him for years and I think that really just wore her down physically. So wasn't, I don't think it was a typical like, oh my world, he's gone, so my world is gone. She was, she was physically done. She was done.

Yeah. What did they teach you about marriage? Do you think in retrospect? Oh, we got to laugh. Laughing, making each other laugh is a very sexy thing. Yes. Yeah. Sexy. It is. Yeah, I love that.

It is. Yeah, it is. It is. Oh yeah, I think back on everybody trying to date everybody at Second City Theater is because we were making each other laugh. You think, well, we should be together. I'm totally going to- You find me funny, I find you funny.

That joke is amazing., I find you funny. That joke is amazing. I am fucking you tonight. Right? For real. You're funny. I'm going to have you. Totally. Like my old fashion wave saying, I'm going to have my way with you. But sense of humor for sure, I agree with that. And faith, faith. My mom and dad were devout Catholics, but never forgetting that the greatest gift is a sense of humor. So, very faithful, but definitely with humor. When you were talking about having all those siblings, did you ever think you would have

lots of kids like your parents did? Yes, I did. I really stupidly assumed it. Yeah. Why didn't you? If you don't mind my asking. I got married late. Oh, I see.

Uh-huh. And my body was, you know, every time I had cramps every month, the worst cramps, my sisters and I all got them really bad. And they would take two 22s. It was a codeine you could get in Canada. And I would never, if I took one, I would hurl nonstop so I could never take anything. So I'd have to like play these mind games to will the pain away. But I would think when I had those pains, I thought, well, someday I'll have children, it'll all be worth it.

I'll have seven kids of my own, but no. But you had two good ones, that's good. Ah, they're wonderful. Yeah. Yeah. I often think, oh, I wish I had one more. You're thinking comedy, threes. I actually am.

Hey, thank you for giving us so much of your time today. You're really very generous. Gee, thank you. It's really nice to talk time today. You're really very generous. Thank you. It's really nice to talk to you. You will edit, won't you, please? Yeah, you're going to sound like a million bucks by the time we're done with this thing. Oh, you're beautiful. I love you. I got you back, baby.

Thank you, Julie. I'm going to ask you a few sort of rapid-fire questions. Yeah. Tell me, is there something you're looking forward to? Seeing my sons. Yes. Yeah. It has been a while now.

How long has it been? Like end of July. Oh July. Oh, it's been a couple months. Yeah. Yeah. Is there something you go back and tell yourself at 21? Say, good for you, you nervy little thing.

Oh, I like that affirmation. Good for you. Is there something you wish you'd spent less time on in your life? Maybe sleeping. I have never in my entire life heard somebody say they wish they'd spent less time sleeping. You are fucking lucky. You sleep too much? Seriously?

I didn't say recently. Well, I'm just asking. In my life. In your life. In my life. So when you were like a teenager, you would sleep until like two o'clock in the afternoon, right? But I was also, you know, hormone, like, yes, and 16, 17. I was just, I would come home from school and just sleep.

And then my mom and dad yell for dinner and I'd go, no, let me alone. I just want to sleep. And then when I worked at Second City Theater, you know, we did the show and then we would go to one of our houses and stay up all night coming up with ideas. It was so fun and electric and exciting. I didn't want anything else in my life. It was so great. But then I would sleep most of the day. Got it.

So that's why I think maybe I missed some things. I think I missed John Candy's wedding. For real? I was asleep. No. Why am I admitting? You're like Barbara Walters. You're just getting everything out of me. I am.

You're going to make me cry now. Any minute it's going to happen. Here, this will make you cry. Is there something you want me to know about aging, Catherine? I'll say it like this. Here, this will make you cry. Is there something you want me to know about aging, Catherine? Or I'll say it like this. Is there something you would like me to know about aging, Catherine? I'll let you find out for yourself.

I don't want to taint it. Fuck you, Catherine. Fuck you. I don't want to taint it for you and I don't want to tease you in case it's not as good as what I'm getting. Oh, good. Catherine, you're fantastic. You are. You're awfully good at this. I adore you.

Oh, I love you. Thank you. Thank you. I love you too. Are you going to call your mom? Yeah. Are you going to call your mom? Yeah. Who are you actually going to say you talked to? Catherine Hepburn came back from the dead.

Oh, all right. There you go. You know, Jane Fonda was on this podcast. She talked about Catherine Hepburn being very, very competitive. Wow. Yeah. I guess so, eh? Oh, yeah.

That's not a surprise though, is it really? No, it's not. I caught up dinner once with Jane Fawn and a bunch of women. She was being honored the next evening. And she told us about shooting coming home and how the director, he said there would be no sex scene because John Voight's character couldn't feel anything from the waist down. And she said, but I can. Do you know the scene?

I sure do. He services her. Yeah, it's the only thing I remember from that movie. Yeah. But she had to fight for it. It gives new meaning to the title because that was, remember because she was having sex with. Bruce Dern.

Bruce Dern. Yeah. At the top of the film and it's without passion and any, yeah. Yeah. And then John Voight knew what to do. Yeah. Because she told him off camera, that's what needed to be done. I love that.

There was going to be no sex in the movie because the man said the man couldn't feel anything, so why would there be anything? Why would anyone get anything out of the deal? Yeah. Wow, I didn't know that. Yeah. It's funny because I mean it. It's the only thing I remember from that movie. I was like, ooh, that's kind of interesting. Isn't it? Yeah. Anyway, thank you again for being so kind of interesting. Isn't it? Yeah. Anyway, thank you again for being so kind and generous.

Thank you, Julia. And I give you all my love. Thank you. And I look forward to seeing you, I hope, soon. I would love that, please. Yes, please. Thank you. Thank you for your time.

Thank you so much. Take care. Thank you. You too. Bye. Well, that was so much fun. I'm going to get my mom on Zoom to tell her all about this conversation. Hi, mom. Hi, love.

How are you doing? Hi. I like your vote pin. That's very good. Thank you. Big news this year. Vote. Yeah.

Vote. Thank you very much. Have you voted yet, mommy? Yep. I voted by mail. Very nice. So I talked to Catherine O'Hara today, who is a wonder. And I know I admire her so much.

I don't know how to say it. I just, I admire her so much. I don't know how to say it. I just respect and admire her so much. Although, Mommy, I have to tell you something. I think I offended her to start out. Well. I told her, you know, she's a devout Catholic. And she comes from a large Catholic family and the church has a lot of meaning for her. And I told her the Catholic priest joke that David Sedaris wrote about in his New Yorker piece. Do you have any jokes you remember, Mom? Yeah, I was just, we were talking last night about the first joke that you ever heard, you know?

Yeah. It's not very funny. I mean, it's hysterical, but it's not funny, really. Well, what is it? It's what what daddy told his grandfather was a minister. Uh-huh. And his 80th birthday, his mother drove them cross country to Oklahoma. And daddy, Tom's about four at that time. He says, I've got a joke. His grandfather loved jokes. So he said, Oh, well, tell it. Tell it. So he says, why did the ocean roar? Well, you would too if you had crabs on your bottom. Well, I mean, that's that's the oldest joke in the world.

And but every kid, every kid knows it as their first joke. I mean, I think at least daddy did. And I remember thinking that was just just hysterical, that joke. Oh, really? When you were young? When I was young, yeah. I don't mean now. Well, let me ask you something. Can you define a kind of thing that makes you laugh? It's funny that you say define because almost if you can define it, you're not going to laugh at it.

Right. defined because almost if you can define it, you're not gonna laugh at it. The joke, the funniness comes from, number, surprise, but also the turn, the twist that you didn't expect. Yes. So, that is, can I define it? No, but I sure know when it happens. Yeah, you sure know when it happens. I mean, I remember when we were little, you and I used to howl. Well, chances are I was howling and you were laughing because I was howling. But we would

watch, I think it was Suppy Sales or was it Captain Kangaroo with the ping pong balls? Oh, yes. Oh, yes. But he would do a thing and ping pong balls would fall on him unexpectedly. And three-year-old me thought that was the, I mean, it was essentially like a jack in the box or something. Yeah. Now, a good joke is so important. Yeah. But who can remember them?

Well, I'm asking you, can you remember a single joke? Hold on a second. Close, but no cigar, no. No, I can't, can't. No, it's all right. You're mad because I know some funny jokes. You do? I wish you could remember them.

There was one time I was telling a joke at somebody's 80th birthday party. Yeah. And I got up to tell it. It's about the guy that's in a refrigerator and the refrigerator ends up hanging over in a balcony. It's very complicated. But I got through all of the complications and then I couldn't remember the end. So I started to laugh so hard and I couldn't even think or laughing so hard. Everybody was howling and nobody ever got the picture.

They said to me always, what was the joke? I said, I have no idea. I got it and it was so funny and if I could squash people, they would have laughed. So Julia, I know jokes that are so funny that it could be projected. But they're going to be silent for now. I wish I could know the refrigerator one with the man in the refrigerator hanging over a balcony. Oh, no, it's about the guy that's sort of in bed with the wife, not his wife, somebody

else. And so then he jumps into the, and then somehow the movers come and they take the refrigerator. I know, it's very complicated. Well, it sounds like a smash hit, mom. You should take that on the road. No, and the telling is all makes sense. Yes, well, evidently.

Evidently, that's the case. The telling, the telling is the key. The telling is the key. Amen, amen, amen. Alright mom, well listen, I'm really happy to have this conversation. I'm so dying to hear your interview. What interview? Which one? You mean with Catherine? Well, with Catherine. I forgot we were on a podcast. What is it to do with Catherine?

Okay, so I'm going to go ahead and start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine.

I'm going to start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine. I'm going to start with Catherine. I'm going were on a podcast. What is it to do with Katharine? Okay. Mommy, so long, farewell.

I'll see you next time I see you. I'll see you soon. Okay. Love you. Love you. Bye. Bye. exclusive bonus interview excerpts from each episode. Subscribe now by clicking on the Wiser Than Me podcast logo in the Apple Podcasts app

and then hitting the subscribe button. Make sure you're following Wiser Than Me on social media. We're on Instagram and TikTok at Wiser Than Me and we're on Facebook at Wiser Than Me podcast. Wiser Than Me is a production of Lemonada Media created and hosted by me, Julia Louis-Dreyfus. This show is produced by Chrissy Pease, Jamila Zaraa Williams, Alex McOwen, and Oja Lopez. Brad Hall is a consulting producer. Rachel Neal is VP of New Content,

and our SVP of Weekly Content and Production is Steve Nelson. Executive producers are Paula Kaplan, Stephanie Whittles-Wax, Jessica Cordova-Cramer, and me. The show is mixed by Johnny Vince Evans with engineering help from James Farber, and our music was written by Henry Hall, who you can also find on Spotify or wherever you listen to your music. Special thanks to Will Schlegel and of course my mother, Judith Bowles. Follow Wiser Than Me wherever you get your podcasts and if there's a wise old lady in your life, listen up. Hey Wiser Than Me listeners, we want to hear from you. By just answering a few questions on our listener survey, you can share feedback about show

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