Young and Profiting with Hala Taha - Scott Adams: The Persuasion Playbook | E38

Episode Date: September 16, 2019

Learn practical techniques to harness the power of persuasion with Scott Adams. Scott Adams is the creator of the successful American comic strip, Dilbert. In recent times, Scott has become somewhat of a controversial figure as he made headlines during the 2016 election for being "Trump’s translator," a nickname bestowed on him for helping the American public make sense of Trump's seemingly bizarre behavior during the campaign. In addition to being a cartoonist, Scott is also a trained hypnotist and master persuader. He believes that Trump is one of the best persuaders of our time. In #38, Hala and Scott discuss the persuasion tactics found in Scott's book, “Win Bigly: Persuasion in a World Where Facts Don’t Matter,” which dissects how Trump won the presidential election with his persuasive power. Tune in to hear how the biases we have can impact our decision-making, learn oral persuasion tactics like the "linguistic kill shot," and uncover why visual persuasion is a powerful approach toward getting what you want. Fivver: Get services like logo creation, whiteboard videos, animation and web development on Fivver: https://track.fiverr.com/visit/?bta=51570&brand=fiverrcpa  Fivver Learn: Gain new skills like graphic design and video editing with Fivver Learn: https://track.fiverr.com/visit/?bta=51570&brand=fiverrlearn If you liked this episode, please write us a review! Want to connect with other YAP listeners? Join the YAP Society on Slack: bit.ly/yapsociety Earn rewards for inviting your friends to YAP Society: bit.ly/sharethewealthyap Follow YAP on IG: www.instagram.com/youngandprofiting Reach out to Hala directly at [e-mail] Follow Hala on Linkedin: www.linkedin.com/in/htaha/ Follow Hala on Instagram: www.instagram.com/yapwithhala Check out our website to meet the team, view show notes and transcripts: www.youngandprofiting.com   Learn more about your ad choices. Visit megaphone.fm/adchoices

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They start at just $20, but what you could learn is priceless. Check out the links in our show notes to learn more. You're listening to YAP, Young and Profiting podcast, a place where you can listen, learn and profit. I'm your host, Talataha, and today we're speaking with Scott Adams, the creator of the Uber successful American comic strip, Dilbert. In recent times, Scott has become somewhat of a controversial figure as he made headlines during the 2016 election for being Trump's translator. I bring him on the show not to discuss politics, but to discuss the persuasion

tactics he outlines in his book, Win Bigly, Persuasion in a World where facts don't matter, which dissects how Trump won the presidential election with his targeted and purposeful persuasion strategies. Please be advised that this podcast is absolutely never meant to be political, and it's only meant to be educational. I was contemplating not even putting out this episode, but while I might not agree with all of Scott's beliefs or actions, I do feel that it is knowledge on persuasion

and the possibility of us using it positively and professionally in our lives makes this episode worth sharing with you all. Now, for the sake of your edutainment and nothing else, I present Scott Adams. Hi, Scott, welcome to Young and Profiting Podcast. Thanks for having me. It's great to have you on the show, and for the listeners who may not recognize his name,

I guarantee you know his work. Scott is the creator of Dilbert, one of the most recognizable comic strips in the world that has reached over 2,000 newspaper in 57 countries, probably more, and translated into 19 languages. But that's just one of the things that Scott has been up to the past 30 years. He's also written a few books, including one we're going to cover in detail today. It's called Win Bigly Persuasion in a World where facts don't matter. He's also invested in a restaurant business, and he even dipped his toe into blockchain

with his most recent project, WinHubHUB. So we're very excited to speak to you about all these things. Welcome to the show. Thanks for having me and I should say my restaurants are no longer, but I did invest in two of them at one point. Yes. So let's start off with your career journey. It's a fun fact that you didn't always know you are going to be a cartoonist. You didn't go to art school or anything like that. To my knowledge, you originally worked in banking and you were cartooning in the morning and you're free time. So tell us how you stumbled upon being one of the most famous cartoonists in the world. Well, my first job was at a big bank, as you mentioned, and then later at a big phone company. And in both of those careers, my career

hit sort of a ceiling. And I realized I needed to do something else if I wanted to go to the next level. And I didn't know how to become a cartoonist. I mean, who does? And I thought, whoa, I sure want to be a cartoonist, but I have no idea how to do it. And this was before the internet, if you could imagine how primitive the world was back then, when you couldn't just Google something

and find out. And as luck would have it, and it was total luck, I came home one day from work, turned on the TV, and there was the end of a TV show about how to become a cartoonist. The very information I needed, but I missed almost all of the show. I figured out what it was about, but I missed most of the content. So as the closing credits were rolling by, I quickly ran and grabbed a pencil and paper and wrote down the name of the host who was the producer's sort of information and sent them a letter. And just a regular snail mail letter and said, I missed your show,

but I'd like to be a cartoonist. Can you tell me how to do that? So about a few weeks later, I get a personal letter from the host of the show, his name was Jack Cassidy. He was a professional cartoonist still is. And he gave me the following advice. He said, by this book that tells you where to mail your samples,

he used this kind of paper and pens because they work really well for cartooning. And then he closed with this advice. He said, it's a really competitive industry, and you'll get rejected a lot, but don't give up. So I thought, oh, I know exactly what I need to do. So I got those materials he recommended, and I bought the book that told me where to send my samples. And I put together some of my finest comics, and I sent them off to a number of publications,

mostly magazines. And a few weeks later, those magazines all rejected me. One at a time, the rejection notices came in. And they weren't even personalized rejections. It was obviously photo copies of other people's rejections. And I mean that literally. Some of them were actually just photo copies of rejections. It was obviously photocopies of other people's rejections. And I mean that literally. Some of them were actually just photocopies of rejections. So I got all that and I thought, well, you know, at least I tried. You know, I don't feel bad about it because I tried. I did my

best. It didn't work out. So I put all my art materials in a closet and just forgot about it for a year. So the year goes by. one day I walk out to my mailbox, and there's a second letter from Jack Cassidy, the same cartoonist who had given me the advice a year before. And I thought, well, that's weird, because I hadn't even thanked him for it as advice. We'd had no contact in that time. And so I opened up his letter,

and he said he was cleaning his office, and he came upon my original letter to him from a year before And he said he just wanted to make sure that I hadn't given up And that was the only reason he wrote there was no other purpose He just said he wrote to make sure I hadn't given up and I had given up and so I thought well Maybe he sees something in the samples I sent him that other people have been seen. So I thought, well, I'm going to try again, I'll raise my sights. Instead of trying to be merely a cartoonist who gets a cartoon in a magazine now and then,

I'll try to become a syndicated cartoonist, which means that if I succeeded, my cartoon would be in newspapers every single day all over the world, which was a much higher standard. And so I sent off my samples to the, I think, five different syndication companies that make deals with cartoonists. And then if they make that deal, that's your big break. And then they sell to the newspapers around the world.

That's how you do it. And I think four of them rejected me. And I thought that was all of them. I forgot there was another one still out there. And one day I got a call from a woman who said she was an editor at a company I'd never heard of. Some company called United Media. And I checked my records and I hadn't sent any comics to anybody by that name.

So it was weird when she called me and said that she had seen my samples. I didn't know how. And said that she wanted to offer me a contract to become a syndicated cartoonist. But because I'd never heard of this company, I thought, well, this might be a scam or, you know, it's not quite what it looks like. So I said, you know, I'm flattered by your offer, but I've never heard of your outfit. Are there any comics that you've handled that have ever been successful? And there's this long pause and then she says yeah we handle peanuts and Garfield and Rova Mann and Marmadouk and Nancy and what she got to about the twelfth day on the list I realized that my negotiating position had been compromised because apparently I didn't know

anything about this industry because United Media was actually the biggest player in the entire industry. But I'd sent my samples to a subsidiary of theirs and didn't recognize the parent company name. So I said yes. And that started a sequence of events where I'd work with them.

And if I worked well enough, they would sell it to newspapers after seeing lots of samples. And then they did that. So a year later, it launched and that was 1989. And it didn't take off, but eventually I managed to tweak it enough that it did. That's incredible. And so there's two big lessons that I really see in there. The first one is that it was so much harder to learn how to do something new back then.

Like you literally, like you said, you caught the end of a TV show and you have to write this guy a snail mail letter to get information and you were just lucky enough that he took the time to respond back to you. Nowadays we have YouTube, we have Google, so there's really no excuse to learn something new. And I think people should understand that. It's way easier to take on something new, learn a new skill. Nowadays, and people should take advantage of that. And then the second thing is really mentorship.

I think it's so wonderful that that guy, Jack, helped you out so much. Do you still keep in contact with him today? Yeah, every now and then, we've changed Christmas cards and such. And my 20th anniversary book I dedicated to him. Aww. So yeah, we're a little bit in touch.

And the interesting thing is he's never asked for anything in return. And I hear from others that he's just a great guy. And he legitimately just wanted to help. Now I should tell you, interestingly, that even if you were to Google how to do this, it wouldn't be quite as useful as having a real person who knows how to do it, tell you. And my startup, it's called WENUP, and the app is interface by WENUP,

actually tries to solve that problem. It tries to connect people with an actual human for a video call to ask the kind of question that you can't Google easily. So for example, people have called me on the app and said how to become an author. And I've given them the kind of question that you can't Google easily. So for example, people have called me on the app and said how to become an author. And I've given them the kind of advice that it would be very hard to Google. Yeah, that's very true. It's a good point.

I've heard you say in the past that luck always plays a part in success. So do you think luck factored in your success with Dilbert? And why do you believe that luck is a big part of being successful? Yeah, luck is, I would say, a necessary component. It's not sufficient. You still have to work hard and have some talent and all that, but you have to have luck also, because if luck goes the other way and you have bad luck, there's just nothing you can do to compensate for that. But that sounds a little hopeless and deferious as in, well, if luck doesn't find me, what can I do? But I'm saying nothing like that. Here's what I'm saying. Luck can be found. It

doesn't find you. So for example, when I was born in a very small town in upstate New York, after I got my college degree, the first thing I did was get out of that town because the odds of luck finding me in a small town with no opportunity were very small. But once I went to San Francisco and tried to make a life in the Bay Area, there was luck all around. If one thing didn't work out, I could go across the street to another company. If that didn't work out, I could go across the street again. company. If that didn't work out, I could go across the street again. So there were infinite opportunities to accidentally find luck.

And if you don't change your circumstance and put yourself in those positions, it's never gonna find you, unless you're so lucky you win the lottery, but that's not much of a life plan. Yeah, that's great advice. I love that advice. Change your environment so that you can be open to different opportunities and so that

opportunity can easily find you. I love that. And then on top of that, the other piece of advice that goes well with that is what I call talent stacking, where you build a number of talents that work well together. In my case, I'm not the world's greatest writer, and I'm not even anywhere near the best artist, but I can do both of those things. And then I also had a background in business so I had a content to write about.

So if you had business skill with writing skill with artistic skill, none of those three skills has to be world class. It's just that they fit together really well. And so I always recommend whatever you're doing, make sure that you add some complimentary skills because that's what makes a luck look for you. That's great advice.

Now, people have been interviewing you about Dilbert for decades. You wrote a book early in your career on the Dilbert Principle. And we could go on and on about stuff that you've done earlier in your career. But my podcast is aimed to help listeners grow financially and professionally.

And so I'm going to focus the bulk of this episode on persuasion, which I know you're an expert on. These days, you've positioned yourself as an expert. Before we get into the nitty-gritty on that, I just want to know how difficult was it for you to go from cartoonists to having a brand all about being a master persuader and things like that? Well, first of all, it's expensive because the topics I talk about are in the political realm and it's very easy to say something that will cause somebody say, I will never buy your book or calendar again because of that one time you disagreed with me. And it doesn't matter if you're right, I just disagree.

So it was very expensive, but I knew it would be. And I'm also at a point in my life where I have enough wealth that if things go wrong, I'm still fine. I think you call that FU money correct? Yeah, I wasn't going to use that on this podcast. Yes, that's exactly what I call it. And so I had the opportunity to do something that other people simply couldn't do because it would be too dangerous to their brand, too risky, to the reputation,

too expensive. But I have a high risk tolerance, which is also a learned skill, to some extent. And I didn't know exactly where it would all go. I just started blogging about it and that turned into doing live streaming on Periscope and tweeting about it. And next thing you know I've got I know 325,000 Twitter followers and people wanting me on TV and stuff. So one of the other things I recommend for people trying to figure out life is you should try lots of stuff. And if that stuff doesn't work right away, or at least doesn't show signs that it could work,

then bail out and try something else. So I've probably failed nine and a 10 times. I've tried things throughout my entire career. But the reason that you're talking to me is that one and a ten things don't just work, but they work fabulously. They work so well that it compensates for all the things that don't work. So even this morning I was talking about how to maybe build down a studio and expand what I'm doing with live streaming, etc.

Now, I don't know if that'll work, or it'll be just a big waste of money, but I do know that I can tiptoe into it, I can find out what does work and I can back out without much of a loss. So that's my recommendation is put your efforts into a whole bunch of little baskets and then see if the basket shows signs that it could sustain itself if you keep working on it. In other words, does this show interest that's really strong from the first moment? That's always a good indicator, even if everything else is going wrong.

I always use the example of cell phones. If you looked at the earliest cell phones, they were absolutely horrible. You couldn't make a phone call. The battery was bad. There was big as a brick. And the connection was terrible every single time. And yet, people were desperate for the product, so much so that it became one of the biggest

products in the world. It's because even in its bad form, it was obvious that the good form would be huge, same with computers, same with cars, everything that went through that cycle. So you're the same as that. Your career is just like that. If you try being the world's greatest expert on stamp collecting or some obscure technology or whatever, and you sort of put it out there and see what people say. Do they get excited? Do they try to hunt you down? Do they work with it even though you're not very good at it yet? If any of those things happen,

it means the energy is there. You have something to work on. But if you have the greatest idea in the world and you put it out there and just nobody cares, walk away because you can't make people care. Yeah, I think that's a really good point. It's kind of like, you know, experiment, lean into what works and make sure you fail fast if you think that nothing is sticking. Great advice. So what makes you an expert on persuasion? What credentials do you have in that area? Well, first of all, I never call myself an expert, but much of the press has called me that.

My background is that I'm a trained hypnotist. So in my 20s, I went to school to become a hypnotist. And the things I learned about how people think and how they're persuaded and the limits of rational thought were world changing. And the biggest change is that most people believe that human beings are rational creatures most of the time. The common view is that oh, 90% of the time

we're rational about things. Sure, every now and then, let's say 10% of the time, we get a little crazy and we get emotional and maybe we lose sight of reason, but mostly we're rational creatures and therefore you should build a message around that rationality. But people who study this stuff from hypnotists

to any kind of mind control people to advertisers all know that none of that's true. We are a fundamentally irrational species who is only rational, maybe 10% of the time. But it's the 10% where there's no emotion and there's nothing on the line. So for example, if you're just balancing your checkbook, for example, that's just math,

you could probably do that rationally. If you're trying to find the most direct path to work, you could probably figure that out rationally. But if you're trying to figure out who to marry, what job to have, whether to fall in love, what political group to follow, that's all irrational. We join teams, we make decisions based on biases and bigotry and things we've heard that aren't true, and then we rationalize them after the fact. So that was my first exposure to that way of thinking. But what followed was decades of practice and study on my own of all the forms of persuasion.

And that includes visual persuasion. You know, how do you make a PowerPoint presentation? How do you draw a comic that persuades to using words and combining messages and with various content? So as part of my job as a writer and cartoonist, I'm always absorbing everything I can in that topic. And getting back to my earlier point about a talent stack,

part of what makes me a better writer is that I've added that specific talent to my stack. I would recommend that no matter what you're doing, no matter what your career is, even if it's a technology career, if you're a math teacher, it doesn't matter, you should also learn the basics of persuasion, because it's useful for just everything. Agreed. So your latest book is all about persuasion. It's called Win Big Lee, persuasion in a world where facts don't matter. And basically it then covers the persuasion strategies that Trump used

throughout his campaign in 2016, how Hillary's campaign fell short in comparison, and how you can apply these strategies to be persuasive yourself. During the 2016 elections, you actually predicted that Donald Trump would win, primarily because of his persuasive power. And according to you, what looked like accidents or blunders, it was actually calculated examples of Donald Trump being a master persuader and bending the nation to as well. Now, I don't want to get into politics, your views or mine, but I do want to uncover all you have to say about persuasion and Trump will inevitably be brought up as an example,

but for educational purposes. So you mentioned previously that people mostly base their decisions on emotion and you say that humans operate 90% on irrational and emotion and that decisions are made from our gut. So can you just unpack that a little bit and explain to us why? Well, I think the why of it is that we're irrational, but we have an image of ourselves as rational people. So it's very unusual for someone to vote for the other party in an election, for example. You can count on the fact that no matter who runs,

it doesn't matter who the candidates are, that almost all Democrats will vote for the Democrat, and almost all Republicans will vote for the Republican. Here's the weird part. You could change their policies. You could switch them and just say, okay, we'll give the Democrat all the Republican policies and vice versa.

And you would still get the same result. People would, you know, not 100%, but probably close to 80 or 90% of the people would still just vote their party because they're not actually using the facts. Now, in politics in particular, people don't really understand the topics as well as they think they do. So for me to have an opinion on, let's say, trade policy, or what should the Fed do, or what's the best way to making an Iranian nuclear deal? I think we have to admit that even well-educated adults who follow the news, we don't know everything

we need to know about those things. But we still have strong opinions, which tend to be just the same opinion our team is pushing. So there's this big illusion that we use rationality when 100% of the evidence, scientific evidence, every study supports this, as well as your observation. And the best place to see it, if you haven't seen these already, is everybody now and then somebody will go out on usually some YouTube video with a microphone on the street and they'll

say, what do you think of this policy? And they'll describe a candidate and give them the policy of that candidate's opposition. For example, they'll say, this is what Hillary Clinton says, but really it's what Trump said. Or they'll say, this is what Trump says, but really it's AOC. And you'll find that people will support the policy strongly if they hear it comes from the person they like. But the minute you say, well, I fooled you, the policy you just strongly agreed with came from the person you hate the most. And they will say, okay, well, I guess I'll have to rethink this when they get caught. So you can see it in your own life, you can see it scientifically. There's no evidence that people use anything even approaching rationality when they make

the big decisions on politics. Yeah, so a big part of this is all the different biases that people have. There's several you talk about in your book, Confirmation Bias, Cognitive Dissonance, Consistency Bias. Could you just walk us through some of these filters that people have that prevent them from looking at things rationally? Well, I think the team filter is got to be the biggest one. So people identify, they pick a lifestyle and they say, I'm one of these people. If you showed people a bunch of pictures of different types of people, they would tell you, well, I'm probably going to agree with the person

you show me in this picture or this picture. So I think for politics, it doesn't get much beyond that. Now, people also have other biases. They have racial bias. They have bias about everything from whether somebody has a handicap, to age, to gender, you know, we are a very, very biased civilization. But I don't think that can be removed from the human being. And the problem is that people are also pattern recognition machines. We look for patterns and we say, okay, that's the pattern pattern and now I know

something. But the problem is we're really terrible at finding patterns. So if five people from Elbonia punched you in the mouth when you were on the street, you would conclude, well, there's pattern. Everybody from Elbonia is a puncture. I'd better stay away from all Elbonians. But maybe what you don't know is that you happen to be there during, you know, the convention of Elbonian punctures or something. That's a ridiculous example, but there's generally some context that would explain your experience, but you don't know the context. So you just say, well, five Elbonians, five of them punched me in the face. They're punctures. I guess that's it. And we're continually going through life imagining that we see patterns, but a lot of it is just confirmation bias

and not really a pattern, it's a fake pattern. So confirmation bias for those who haven't heard of that term means that we have a tendency to see what we expect to see and we will define what we see and interpret it as compatible with what we already thought was true. So even if you show somebody evidence that refutes what they believe to be true, they will twist it in their mind until it doesn't exist or that it really does support them. That's the normal way minds work.

Cool. And something that really caught my attention was your thoughts around mass delusions. Can you tell us why you think mass delusions occur and maybe provide some examples of the biggest mass delusions you think exist right now? Well, yeah, mass delusions are common through a history and maybe so common that they're more common than the truth. But we wouldn't know because we're continually in them. I give you one of the best examples from history.

There was a case, I forget, there was a few decades ago called the MacMartin Preschool case. And the people who managed this preschool were accused of being Satanists who were taking the children to a secret room beneath the preschool and subjecting them to all kinds of violent and horrible satanic rituals. And the reason that the police believe this was true

is that they talked to a number of students and a number of students said it was true. So what are you gonna do if you've got dozen students or however many was, but it was a lot who have some version of the same story. So they bring him to court and it turns out that there was no underground thing at all. There was literally no piece of evidence to suggest any of it was true, but people couldn't figure out then why are all these kids saying it's true?

It doesn't make sense. You couldn't get that many people to say the same thing unless it was true. And then somebody who understands how this stuff works, probably somebody who'd been either a police trainer or maybe somebody who had experience with hypnosis, looked at the tapes of the police interviewing the children. And once you look at them and you have my skillset, you can see what went wrong.

They were actually suggesting to the kids that this was happening and the kids are so easily influenced that they would imagine it was true and feed it back to the police as if it were and even add details. So if the police had done it right, they would say, can you tell us anything that's going on to the school, anything seem on it place. And then if the kids had said, yeah, I'm a place, they've got a satanic basement. That's out of place. That probably would have been useful information. But if the police say, we've had some reports

that some things are going on with people being taken to basements, you know, have you ever been taken to the basement. If you say that to a young kid, there's a pretty good chance the kid is going to look you in the eye and say, yeah, I've taken to the basement? If you say that to a young kid, there's a pretty good chance the kid is gonna look you and the eye and say, yeah, I've been to that basement. I know exactly what you mean, and it's just imagination. Yeah.

After a while, they'll actually talk themselves into it, and the child will actually form a false memory of something that didn't happen on their own. So that was a famous case of a mass hysteria. Of course, the Salem Witch Trials where Puritans thought that some people were witches and then everybody imagined they were seeing witchcraft everywhere, but of course none of that was true. And today, for example, I hate to get into real political examples unless you want me to, but most of the examples

today are something taken in a context, something that people believe about the president. If you remember when the president was first elected, I think this is non-political. The expectations were so horrible about what he would do, and then nothing like that happened, that instead of people saying, okay, I guess we thought that would happen and then the evidence doesn't support it, they're actually seeing it happen even though it's not. So people are imagining things that are the worst case scenario when the evidence doesn't support it and other people can't see it. So one of the ways that I advise people to tell what's an illusion, what isn't, is if people are seeing different things

while looking at the same evidence, the people who imagine some extra stuff there are probably the ones imagining it. So for example, if somebody says, hey, there's an elephant in the room with us, and you look around and there's no elephant, and you say, I don't see an elephant, and the other says, look right here,

it's right in front of you, a giant elephant. You can usually count on the person who does see it is the one hallucinating, because we don't usually hallucinate subtractions from the environment. So it's unusual to say, hey, there's no furniture in this room, and then the other person says, yes, there is, it's more typical that you add something to the environment that's not there. And so you see that in politics all the time. People imagining they could read the mind of the president, and even though what he did or said wasn't so bad, they think that they can tell by the word choice

that his real inner thoughts, the things he didn't say, are bad as well. And so that's the situation we have now that people imagine they can read minds of complete strangers and they see terrible evil in there. Yeah. And when Bigley, you describe humans as moist robots who are easily programmed by master persuaders like Trump

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for a $1 per month trial period at Shopify.com slash profiting. Again, go to Shopify.com-profiting all lower case to take your business to the next level today. Again, that Shopify.com-profiting Shopify.com-profiting all lower case. This is Possibility Powered by Shopify. Well, when I call humans moist robots, I'm talking about the fact that cause and effect is in play everywhere. So the rules of physics do not stop at the outside of your skull. Outside of your skull, if you hold a ball in your hand and then let go of it, it will always fall to the ground if you're on earth, because gravity is the same everywhere. And if you push something in the real world, it will move,

you know, if it's not fastened, because the rules of physics apply everywhere. But those same rules apply to every little electronic and chemical reaction within your brain. So whatever your brain is gonna do, it's because of cause and effect. It's not because of something magic like free will. Free will is literally an illusion that we tack on after we've made decisions.

And we say, oh, I guess I used my common sense to make that decision. But probably not. Probably what happened is it was just caused an effect. You had a certain amount of inputs, those inputs operated on a brain, that had a certain chemistry, and architecture, and what happened is the only thing that could happen with all of those variables in place. So given that we're programmable, and you can see that in a million ways, we see that, for example, we program children to believe in the religion

of the parents, typically, and to believe in patriotism for whatever country they're born in, typically. And those are not things that kids are born with. Those are things that are programmed. Likewise, society continues to program people and then when they become adults, they join a team, usually a Democrat or a Republican, and then once on a team, the rest of the team programs them further. And they accept it while thinking it was their free choice to make these decisions. How does fear relate to persuasion?

And how is fear used in our last election to persuade voters one way or another? So the most powerful persuasion is fear. Because if you're afraid of something, that's the thing you have to act on first. It's the thing you can't put off until later. We evolved, or we were designed, depending on your point of view, to have brains that respond first to danger, and if we didn't, we'd all be dead. Because, you know, if a wild animal enters the room, you can't really, you know, work on your crossword puzzle while that's happening.

So, in the election, we saw that Trump was claiming that we had danger from people coming in who are not legal citizens, and they might come in and cause some crimes. So he used that kind of fear. He used the fear that the economy would have a problem if somebody else got elected. And then Hillary Clinton's team, also using high-end persuaders as their advisors, came up with the idea that President Trump would be dark. They use the word dark, which is a real professional persuasion word, and also the thing that tells you that they were using professionals to advise them. When you hear dark, that's a good

hypnosis word because you read into it whatever you thought is the worst case scenario. So instead of making specific claims, which you might say, well, that specific claim doesn't sound exactly like something I believe is going to happen, instead, Hillary started saying, it's a dark image, it's a dark future, it's a dark idea, and people start saying, hey, I have some ideas of my own, what might go wrong, and they do sound kind of dark.

So it was a way to capture all of those vague worries into one word and weaponize it for the election. So both sides used fear at its maximum and you see that continuing today President Trump still uses fear as part of his persuasion. Hey we'd better build a wall because you know know, crimes and drugs are coming. And the opposition is using fear the other way, which is, hey, if we protect our borders, it's a slippery slope, and the next thing you know,

he's gonna be rounding up citizens of the United States and putting them in concentration camps for whatever reason your hysteria imagines. Why is being descriptive and illustrating a visual really important when it comes to fear and persuasion in general? Our brains are visual tools, meaning that whatever is visual dominates our thinking. So if you see one thing but you hear about another thing, the thing you see is going to influence you more,

depending on what it is, of course, has to be a powerful visual image. But if it is, that's going to influence you more than a concept. So for example, recently, there was a story of a very unfortunate event where a father and a young child died trying to come into the United States. And the photograph of them tangled together

and dead in the water is at least 100 times more powerful than somebody saying on the other side, well, we need strong border security and we should have done this or that. Or it's really the prior administration's fault or whatever they say. Those are words, those are concepts, those are ideas, those are sometimes facts, sometimes not. But in any case, they can't compete with a picture.

The picture just takes over our brain and dominates our thinking. So you'll see that the president, even when he talks about things, likes to use verbal pictures. So he doesn't say, we'd like better border security, he says we want a wall. Because a wall, you imagine in your head, and you imagine whatever wall you want to imagine. So he's not too over-descriptive, which is also good technique.

You'll see that wherever there's a visual competing against the concept, probably 90% of the time, the visual beats the concept. Yeah, and another example from my listeners is Trump went on SNL and he had a skit in the oval office and after that it became easier for people to imagine him as president. I think another one would be his red hat that he always wore make America great again. Yeah. And speaking of that, how do you think that helped with his campaign? Well, I think the Make America Great Again slogan is one of the most successful branding

slogans of all time. So I think that it's purpose to get him elected in the first place, served its purpose perfectly. The red hats, as you mentioned, makes this huge visual when he has the rallies. So the rallies are as much about exciting the people who attend as it is creating photographs that people can look at later and see how many people were there. So if you see that a lot of people are joining a movement, it makes you want to join. So you see President Trump often complains

that the fake news, as he calls them, is not turning their cameras to show how big the crowds are. So if he can't get the actual picture, he puts the picture in your mind with his words, which is good technique. So you'll say, the crowd here is gigantic. Little of these people, so many people, tens of thousands, the fake news is not showing you,

but at least you get a visual in your head just from this description. So that's terribly powerful. And the example you used where he did the Saturday Night Live skit as an actual president before he was president was brilliant, because you know the candidates would get to approve anything that they were in. And he approved one that allowed people to imagine him as president during a time when people literally couldn't imagine it, and that visual allowed them to imagine him as president during a time when people literally couldn't imagine it.

And that visual allowed them to do it. Whereas Hillary Clinton also had a chance to go on SNL and she approved a skit that put her in a bar drinking too much. Now that visual probably hurt her and Trump's visual probably helped him. And that's one of the reasons I've pointed out that he's better at it than most people, including her.

Yeah, that's so interesting. So let's move on to some of your tactical persuasion strategies, specifically focusing on some of the oral persuasion strategies that you talk about. Why is it better to be simple and straightforward when you're trying to persuade someone? There's a general estimate, good rule of thumb, that if you were to give somebody, let's say, a PowerPoint presentation, you don't need the PowerPoint, but just a presentation,

that people will remember about 10% of it. And if you're smart, you will design your presentation, so the part that you remember is the part you care about the most. So if you keep things simple, you at least create a better chance that the important stuff will be remembered. So when President Trump says, build the wall, that's simple, and he repeats it until all you can think about is that wall, you picture it in your mind, you still might be opposed to it, but you know exactly what he wants. And part of good persuasion and good communication in general is that you want people to know exactly what you want, not approximately what you want. And he is the best we've ever seen, maybe the best we'll ever see in the future, at being clear and being simple and being repetitive with his messages. Nobody's ever done that better. Yeah, I agree. That's probably why he won. And it's just funny that people didn't realize that he was most likely being strategic. I think you met him in person. Did he admit that he was being strategic about all these things? Or did you not talk to him about that?

Well, he's admitted it long before the election because he wrote a book. There was a ghost writer, but it was Trump's book called The Art of the Deal. And The Art of the Deal lays out his techniques that are pretty much what he used to get elected. So for example, he talks specifically about using hyperbole. Now for those who may not speak English as a first language. Hyperbole in this context refers to exaggerations that are exaggerated enough that the fact checkers would say, oh, that's not true, but they're in the right direction. So for example, when Trump says 100,000 people came to my rally and the fact checkers check it

and find out it was only, let's say, 20,000, but 20,000 is more than anybody else could get to a rally and it's still pretty darn impressive. You still leave the conversation thinking, wow, a lot of people went to that rally and that's what he's trying to tell you. So the specifics don't matter. And he talks about that in his book.

So when the president has been accused of failing the fact checking, I think it's up to 10,000 times. The title of my book, When Big Lee's The Subtitle, was persuasion in a world where facts don't matter. And what I said back in 2015 is, you don't see this coming. You think the facts matter, and that's why you're blind to this. He knows the facts don't matter, but it does

matter if you're directionally true, because if you're not at least directionally true, people will spot that pretty quickly. So for example, if he says illegal immigration is the biggest problem in the world, but the truth might turn out it's just a big problem and nowhere near the biggest problem in the world, well you're still convinced that it needs to be addressed and that's really the thing he's trying to get through. So I say that he's been signaling his method all along and one of the other things he does, he talks about branding and then you saw him brand his opponents, you saw low energy jab and lie in Ted Cruz and crooked Hillary, etc.

And he talks about how he does it and then he does it right in front of you and he does it better than it's ever been done. To the point where simply branding jab Bush as low energy caused such a stark contrast in your mind between jab's energy energy and Trump's, that it really made a difference and took Bush completely out of the race from being the presumptive winner to being almost broken leg as soon as he left the starting gate. Now that is impressive persuasion and he repeated it so you know it wasn't an accident. Yeah and you call this a linguistic kill shot, correct? Yeah, I like to brand things too. So this is literally the same technique.

By giving it a name, I could have that associated with my thoughts on it and it allows my brand to expand a little bit. So I use the same techniques President does at a lower scale. And by calling it a linguistic kill shot, which got picked up by a lot of the media, it gets repeated a lot. I attached myself to a national story, and that's also something that a trained persuader would learn to do. So how can we use something like that in real life?

Like say we're arguing with a coworker or whatever it is, like how could we use that to our advantage? Like can you just take it down a level of to real life? Well, some of Trump's techniques are hard to reproduce in real life because he has a super power that you don't, which is, as he likes to say, he can take the heat. And boy, can he take the heat? So he can take criticism of the kind that would make other people just dig a hole and bury themselves.

So, if you can do that, then you can use all of his techniques, but if you're not comfortable with that, you have to pair it back to some easy stuff. So for example, you could certainly use fear, and let's just use an example at your workplace. You know, if one person says, play on A is good, and the other person says, plan B is good, and let's say you're for plan B. Instead of saying, well, here are all my facts, and here's my research, you could say, you know, plan A, we don't know if it's the best one or not, but plan B, we could all die. Plan B could put us out in a business. Plan B could actually kill somebody. Now that might not be exactly true. You might be exaggerating how dangerous it is. But when people question it, they're going to

say, that's not true. It's not going to actually kill anybody. That's an exaggeration. But it might wound somebody and it might drop our profits by 30%. So the person who used the hyperbole drew the other person into agreeing that there could be some really bad things and made them think about them, made them visualize them in their own mind. So you can use hyperbole at work as long as you can take the heat for also failing the fact-checking. Another thing that Trump does really well is he makes you think past the sale. It's one of the most powerful sales tools. The way a car salesman would do it, or a salesperson, that salesperson would say,

you know, do you like the red car or the blue one? Because they're making you think past the question of whether you want to buy one. And they're making you think of the details. The president uses this technique, and by the way, it's well demonstrated that this works. When he talks about, for example, either North Korea or Iran, he doesn't just say, give up your nuclear weapons. That's what the bad persuaders of the past used to say.

He says, if you give up your nuclear weapons, you can have this amazing future, and actually, I believe he had a video at one point showing North Korea's lights all coming on and prosperity and lots of visual persuasion. So he makes you think about what the country is going to be like after you give up your nukes. Same with Iran. He says Iran could be this amazing amazing country your economy could boom if you give up these nukes. So he makes you live in the future that you imagine, where you've thought past the decision,

do we keep our nuclear weapons, do we develop nuclear weapons or not? Into a future where you imagine yourself there and you've got peace and prosperity because you made that decision in the past. That is a very strong persuasion technique. The president uses it all the time and you rarely see it from other people. And there's no reason for it except that

they're less trained. Yeah, bam. If you're ready to take your business to New Heights, break through to the six or seven-figure mark or learn from the world's most successful people, look no further because the Kelly Roach show has got you covered. Kelly Roach is a best-selling author, a top-ranked podcast host, and an extremely talented marketer. She's the owner of Not One, but six thriving companies, and now she's ready to share her knowledge and experience with you on the Kelly Roach show. Kelly is an inspirational entrepreneur, and I highly respect her. She's been a guest on YAP. She was a former social client. She's a podcast client. And I remember when she came on Young and Profiting and she talked about her conviction marketing framework, it was like mind blowing to me.

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profiting. Another persuasion strategy that I think we could apply ourselves, and you talk about in your book, is to propose an outrageous solution and then over time dial it back to position yourself as someone who's compromising. Can you explain how to do that and why it works? Yes, that's the big offer. So anybody who negotiates is familiar with this technique, you walk into the office and say, I will not sell you these products for less than $1 million. And the other person is like, I was only planning to offer $100,000.

But now that that million dollars is in my mind, I'm already biased towards something in between, maybe $500,000. But it could be that the person who said a million was just hoping to get the deal bigger than 400,000. And the person who offered was thinking of offering 100,000, here's a million, and they don't offer 100,000 after that. They think, oh, darn it, I'm going to have to go somewhere closer to the middle.

How about 500,000? And then the person who offered a million, but really would have been happy with 400,000, says, I'll take it, because I did okay. So you see the president do this with, for example, anything with immigration. So at first he wants a wall. That's a big giant wall, and it's really expensive, and it's going to be every inch of the border. But then, as people talk about how impractical and expensive that might be, it turns into, well, it doesn't have to be a wall so much it could be a barrier, it could be similar to

the barriers that we've used before. And I'm not talking about every place, just the places that are important and we don't have to do it all right away. We could spread this out over time and that sort of thing. So asking for a lot and settling for a little less is standard sales technique, we see the president using it more aggressively than other people have and to go to fact, I think. Yeah. Oh, and by the way, you see the people who are pushing the green New Deal, AOC being the primary person, uses exactly the same techniques.

She's basically Trump on the other side. So if you don't look at the policies, but you just look at the technique, the people who are bad at negotiating, and people who are bad at persuasion, used to say things such as, we should greatly reduce our use of fossil fuels. The climate change has come in coming and it's pretty important. Those are concepts, those are not persuasive. AOC comes in and says, we're going to get rid of airplanes. We're going to be so aggressive that you won't even be able to put fuel in an airplane unless somebody figures out how to do it without using fossil fuels.

We're going to change everything. And what do people say? AOC, you're crazy, you're crazy, you can't change everything, you can't do something that big, that's way too big. And then AOC argues as if you really can. But what does she really want? Well, I imagine because she shows great skill at negotiating, one assumes that she doesn't believe she would get all of those things. That rather she wants people to work a lot harder to address climate change. And simply by putting that marker out there,

there's so extreme of getting rid of fossil fuels entirely and doing it quickly. And people saying, my God, my hair is on fire. I can't even imagine doing that. But I could imagine doing half of that. And it could be the half of it was the most anybody could have gotten. It might not be enough, as she would say.

But it moves you in the right direction, and maybe you can work on the rest after that. So she uses the same techniques to great effect. Yeah, she's somebody who many of our listeners have asked us to get her on the show. So I'll do my best. So something similar to this idea is presenting our solutions in the context of worse alternatives. It's again moving towards compromising, moving the needle closer to what we want by using an extreme. Can you talk about that a little bit? Yeah, that's the concept of contrast. I said earlier that we're pattern-recognizing machines

and we are, but we're also contrast machines. So if a real estate broker takes you to a house that's too expensive, you say, well, I don't want to buy that house and then you're done. But a real estate broker takes you to a house that you say you could afford. Let's say you say my budget is this much. The real estate agent will take you to the best house that fits your budget. And the first

thing you're going to find is it's not nearly as good as you want it to be. And then they're going to say, well, just for contrast, just so you know what the options are, I know this is beyond your budget, or at least the budget you want to spend. But let me show you what one looks like that's a little bit more expensive. And then when you see it, you say to yourself, oh man, I did not want to spend this much on a house, but now that I can compare it to the one I thought I could afford more easily,

there's just no contest anymore. I have to have this better house. So contrast will make your non-critical faculties kick in pretty hard and you'll say, say, I want to avoid that bad one. This good one suddenly looks much better. The best example of this is when a candidate for president picks a vice president. Because you want to pick a vice president who's serious enough

that people can imagine that if the president left office for whatever bad reason, that the vice president could at least do a credible job of stepping in. But you don't want that vice president to be so strong that people say, hey, why don't you reverse the ticket? That vice president is better than the president. So when President Trump picked Mike Pence, it was a brilliant contrast play.

Because compared to Trump, Pence looks like the part where you took all the interesting parts away. He looks like the boring shadow that's left after you take everything that's provocative and exciting and different away from Trump. This little, you know, dried up, desiccated shell of a candidate is Pence. Now I say that while also having great respect for Pence, because if he were not being directly compared to Trump, you would say to yourself, well, there's a guy who looks like a really solid politician. Oh yeah, you disagree with him on LGBTQ stuff,

and I do too. But you'd say to yourself, there's a qualified, serious guy. But the moment you see him stand next to Trump, he just disappears. And that's a perfect vice president pick. He's good enough, but he'll never make your contrast look bad. Interesting. Last question on persuasion. You were talking about talent stacking before.

I think it also relates to persuasion and stacking your persuasion skills. So can you talk about some of the talent stack that trumps the persuasion skills were composed of and why it's important to layer on skills and not just be a one tactic person? Yeah, Trump actually has the most powerful set of talents you'll ever see, even if you allow that not one of those talents, not a single one, is top shelf world class. So for example, there are people who are probably better at branding. There are people who are probably better at giving a speech. There are probably people who are better at business. People who are better at politics. People who know more about all the details of policy,

and you can go right down the line. But who do you know, and I'll tell you the answer, there's nobody, who can do branding, plus command a giant rally crowd, to keep them totally entertained the entire time, who can run the government like a reality show and make that work? Who can hire and fire as quickly as the guy who's famous for firing people quickly,

who can see a business situation faster, who has more experienced negotiating. And again, it would be perfectly fair to say, well, I could find you a better negotiator or I could find you somebody who gives a better speech. But good luck finding somebody who has all of that stuff and can do all of those things well above average. That's what makes him magic and makes him powerful.

And it also made his success invisible to people who couldn't see the talent stack. Because if you make the mistake of looking at it the old way, you say, well, he's not the best at any of these things, and these are the things you need to be present. Therefore, how can he be present? I looked at those things and said, oh my goodness, we've never seen a stack like this. This isn't the most powerful combination of skills.

Emphasis combination, you'll ever see. And here's how it played out. You saw there was this big controversy about the census and whether you should include on the census a question about citizenship. The problem was that it might discourage people from answering if they were not legal citizens and we do want all of them to answer.

In the end, the solution was to simply use the databases that the government already has, because apparently if you compare them, you can figure out who's the citizen, and to just use the information they had. Now that was a solution that a business person would see, because it's very typical to talk about who's got what database,

how do we compare these databases? That's every day business and every corporation. An ordinary person in a cubicle would have solved that on the second day. But you needed probably business people, I don't know who it was, but somebody who had experience with business probably said, hey, you know, we probably have this information. I'll bet we could get it. And it turns out you could get it better this way. It's not even the worst choice.

It's a better choice for accuracy. And when the president heard it, as we know, the president said, oh yeah, makes total sense because he has a business background. And as soon as he heard it, he was like, oh yeah, forget the other idea. Let's forget putting it on the census. That's just a waste of time. We already have everything we need. So having business experience on top of politics, on top of persuasion,

on top of branding, on top of reality show, on top of speech giving and all that, you just can't find a better combination than that. Interesting. I said it was my last question on persuasion, but there's one question that I think is really relevant to my listeners and it's being on the other side of the coin. So how can we protect ourselves from bending towards someone's will or getting persuaded ourselves? Like how can we be free thinkers and be as unbiased as possible when thinking? Well, it's very hard because even people who are experts at this can be persuaded. I feel myself being persuaded all the time and in theory, I should have every tool to protect from it, but I feel like I have a little protection. So the things that you can do is learn as much about persuasion as possible.

So my book, Wind Bigly, is a good introduction to that, and it references other sources that if you wanted to follow up. So first of all, knowing how irrational people are helps. The second thing you should do is look for how often you agree with your team and whether or not you ever disagree seriously. Because if you never disagree with your team, you got a problem. You're probably not a serious player.

But if sometimes you disagree with the team, that gives you some hope that you might be breaking out of your bubble I have a new book coming out called loser think that'll be out in November 2019 And that teaches you more about how to break out of your bubble But the questions would be am I just agreeing with my team? If this were some other person in this situation would I have the same feeling in other words? You know if it were a Democrat who said it, would I feel the same as if a Republican said exactly

the same thing? That's a good test. And then the next thing you do is expose yourself to as many different opinions as possible. In the political realm, especially, if you don't see both Fox News and CNN, I'm just using them as proxies for two sides. If you don't see both sides News and CNN, I'm just using them as proxies for, you know, two sides. If you don't see both sides and you only see the little tunnel that one side presents,

you couldn't possibly understand the full situation. And the other thing is to understand that so often the news is fake. And I mean that literally. In fact, today almost all the headlines on today's news are literally fake in which a long quote is taken in a context to only show the first part which reverses this meaning. So, and you'll see that over and over again. So make sure you expand your knowledge based on different silos of information. So those are the main things and then wait for loser think my book to give you some more. Yeah, that's very, very helpful information. So when does

loser think come out exactly and it's available for pre-order now, right? Yes, November 5th, it's published audiobook yet about the same time, but you can pre-order on Amazon, for example. Awesome. I think we're just about out of time. So tell our listeners where they can find out more about you and everything that you do. Best place to find me is on Twitter at at Scott Adams says or dillber.com to follow dillbered itself and my Twitter will get you to everything else. Awesome. Well, thank you so much. I think this was a really educational conversation. And I really appreciate your time. Thanks so much.

I love the questions and it was a pleasure to be here. Thanks for listening to Young & Profiting Podcast. If you enjoyed this episode, don't forget to write us a review on Apple Podcasts or wherever you listen to the show. Follow YAHP on Instagram at Young & Profiting and check us out at Young & Profiting.com. And now you can chat live with us every single day on YAHP's side on Slack. Check out our show notes or Young & Profiting.com for the registration link. You can find me on Instagram at YAHP with Hala or LinkedIn just search for my name, Hala Taha. Big thanks to the YAHP

team for another successful episode. This week I'd like to give a special thank you to Hasham and Danny. Hasham has been handling our booking for about six months now and he's lined up an incredible list of guests for the remainder of the year including Robert Green and Dan Locke. He also just started getting his feet wet as a research production assistant. I also want to give a special shout out to Danny who is our super talented audio engineer. She spends hours each week getting our audio to a professional level, and the show would not sound nearly as good without her skills. Thanks Danny and Hashem, you guys rock!

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